- 7/7/2025
Join director Ram and the full cast of Parandhu Po – Shiva, JESS Grace Antony, Aju Varghese, and more – as they share behind-the-scenes stories, creative inspiration, and what makes their upcoming musical-comedy a must-watch. Don’t miss the heartfelt moments, laughter, and the team’s excitement as they gear up for the film’s theatrical release on July 4, 2025!
Parandhu Po സിനിമയുടെ സംവിധായകൻ റാംയും പ്രധാന താരങ്ങളായ ശിവ, ഗ്രേസ് ആന്റണി, , അജു വർഗീസ് എന്നിവരും ചേർന്ന് ചിത്രത്തിന്റെ കാഴ്ചപ്പാടുകളും കഷ്ടപ്പാടുകളും പങ്കുവയ്ക്കുന്ന മനോഹരമായ പ്രമോ ഇന്റർവ്യൂ.
~ED.21~PR.16~
Parandhu Po സിനിമയുടെ സംവിധായകൻ റാംയും പ്രധാന താരങ്ങളായ ശിവ, ഗ്രേസ് ആന്റണി, , അജു വർഗീസ് എന്നിവരും ചേർന്ന് ചിത്രത്തിന്റെ കാഴ്ചപ്പാടുകളും കഷ്ടപ്പാടുകളും പങ്കുവയ്ക്കുന്ന മനോഹരമായ പ്രമോ ഇന്റർവ്യൂ.
~ED.21~PR.16~
Category
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NewsTranscript
00:00Come on, relax, sir, it's jolly.
00:01I'm going to break a major.
00:03I'm going to get to sleep.
00:05What's up, Shiva, sir?
00:06Hello, hello.
00:07I love my space.
00:10I need my space.
00:14I'm going to get to sleep, sir.
00:15I don't understand.
00:17This year, we celebrate 15 years of Ajivargi.
00:19Sir, how old are you, sir?
00:2140, sir.
00:21I've had the chance to get to 15 years.
00:24There's a lot of people.
00:25There's a lot of people.
00:26At least, there's a lot of people.
00:30He's coming to me.
00:31He's coming.
00:32I'm going to reply.
00:34I'm not going to lie.
00:36Hey, I'm going to go.
00:37Don't go.
00:39Why do you want to go?
00:40There's a lot of people.
00:41Let's go to the other person.
00:43I'm not going to go.
00:45It's all Malayalam gang.
00:47It's because of the casting letter Niveen Pauly.
00:49That's the same question.
00:50Average, sir.
00:50Average?
00:52No.
00:52I don't want to go.
00:54I'm going to come to two people.
00:56Sir, I'm going to come to Malayalam.
00:57I'm going to come.
00:58It's a comedy, it's a comedy.
01:00It's a comedy, it's a list,
01:02we have a list, we have a list,
01:04we have a list.
01:06How many dinosaurs are there?
01:08I told him to look at the dinosaur
01:10and look at the dinosaur.
01:12We don't know.
01:14We don't know.
01:16We don't know.
01:18It's a different process.
01:20It's a different process.
01:22What is it?
01:24It's a joke, sir.
01:26It's a joke, sir.
01:28Very nice. Thank you.
01:34Welcome to our show, Untold with Ajin.
01:36Today, we are going to talk about Untold Stories.
01:38We are going to talk about 3 theaters on July 4th.
01:40We are going to talk about that.
01:42We are going to talk about that.
01:44We have Ajivarghis, Shiva,
01:46Jess Kutti, Grace Anani, and Ramshar.
01:48So, five of you, welcome to the show.
01:52Ramshar is a Tamil friend
01:54and I am very happy.
01:56I am very happy.
01:58Reading books is very complicated.
02:00Watching Ramshar's interviews is very pleasure.
02:02Okay.
02:04So, we are going to talk about the interview.
02:06Okay.
02:08We are going to talk about the interview.
02:10We are going to talk about the release of July 4th.
02:12I am very happy and I am very happy.
02:14So, the interview is very important.
02:22I mean, I'm not sure we are going to talk about the interview.
02:24I have a little bit of a interview in the interview.
02:26I am very happy.
02:28Do you have any questions?
02:29No.
02:30No.
02:31No.
02:32No.
02:33No.
02:34No.
02:35So, Ajwada, this year we celebrate 15 years of Ajwagis.
02:39Oh.
02:40This next week.
02:41Sir, how old are you, sir?
02:4230, sir.
02:43Oh, you started at 24.
02:4525.
02:46Oh.
02:47You are younger to him then?
02:48Yes, sir.
02:49You started at 18?
02:50Yes, sir.
02:51I am 19, sir.
02:5219?
02:53He started very young.
02:54At what age?
02:55How long, sir?
02:5618, 19, I guess.
02:57Sir, two.
03:00She started two years.
03:01She started two years.
03:02What's your first interview?
03:03What's your first interview, sir?
03:04First interview, sir.
03:05What's your first interview, sir?
03:07English News Channel.
03:09Yes.
03:10You can't tell me.
03:11You said you were very good English.
03:14I was selected.
03:15So, I don't know who's damaged English.
03:19I don't know.
03:21No.
03:22You are learning English.
03:24So, I'm going to interview English.
03:26So, I'm going to interview English.
03:27Then, I'm going to ask you what's in Bombay.
03:30Then, we asked you questions and we asked you questions.
03:33Full interview, sir.
03:34I asked you what I asked you, I asked you what I asked you.
03:37Without connection, I asked you to ask someone who can see you.
03:41You are very good.
03:42You are very good.
03:43You are very good.
03:44You are very good.
03:45You are very good.
03:46I am very good.
03:47I am very good.
03:48You are not on YouTube.
03:49Okay.
03:50You are on Tamil.
03:51You are not on the phone.
03:52Okay.
03:53That's what I'm going to tell you.
03:54We are not going to tell you English.
03:55That's the first interview.
03:56Sir, RJ English.
03:58That's okay, bro.
03:59You are talking about a new channel.
04:00You are talking about contrast.
04:02I said, what do you think about this?
04:04I'm wondering.
04:05What do you think about this?
04:06You are trying to tell me what?
04:07So, I was thinking about this interview.
04:09I was thinking about how many people are going to talk to you.
04:11Okay.
04:12I want to tell you, JR.
04:13G, Jay, etc.
04:14Sir, your bowling action is going to be like a pretty big game.
04:18That's not fake action.
04:19Yes.
04:20That's it.
04:21I think it is going to be like a big game.
04:22That's all right.
04:23It's going to be like a try to win, sir.
04:24Yes.
04:25That's all right.
04:26That's all right.
04:27That's all right.
04:28That's all right.
04:29If you walk it into the first ball,
04:30it's all right.
04:31It's true. It's a good time.
04:35We'll do it.
04:37It's a good time.
04:38We can't do it.
04:42It's the first Tamil film in 15 years.
04:45What's your excitement?
04:47July 16th, Malarwadi released.
04:50This is a bad thing. Accidentally.
04:53This also happened to be a July.
04:56So, we can only be grateful.
04:59You can't design a cinema career.
05:03Especially cinema.
05:07Because every next movie with a role is purely a luck.
05:12Unless until you have a production house, okay, you can say.
05:17I can produce a few films.
05:20Confident. You can't.
05:22So, I'm thankful to all the directors, writers, make-up guys.
05:27You can see films and previous.
05:29Also.
05:30And to the sound engineers.
05:33It is very important to mention them.
05:35Because for me, dubbing is very important.
05:37No. Dubbing is very important.
05:39So, it's very important.
05:40So, there's a lot of people working on this.
05:43And if I don't have any help in this COVID session,
05:46I can help you to do this project sharing.
05:50I can give them a contribution to everyone.
05:53Criticism.
05:54I always give them a criticism.
05:56I give them a correction.
05:58So, I thank you.
05:59So, if I don't have any help in this video, I can tell you.
06:02Do you have a vibe?
06:03No.
06:04I can tell you.
06:05Do you have a little bit of vibe?
06:08Actually, we have a little bit of vibe.
06:11Combinations are very important.
06:12Shivasar is a common factor.
06:14Shivasar is a common factor.
06:17Shivasar is in the middle.
06:21What is Shivasar?
06:21I don't know.
06:23I don't know.
06:24I don't understand.
06:25Shivasar is a great one.
06:27God, you can help you all the love.
06:30You can get it.
06:31No, you can give yourself a look for a background.
06:35Ok.
06:36Ok.
06:37I love my space.
06:39I need my space.
06:40Ok.
06:42I can draw a picture of the wind.
06:44That's a great one, now it's a great one.
06:47Ok, here goes.
06:49Do you have a dance?
06:51Yes.
06:52Yeah. Super.
06:54I was just playing dance.
06:56But Ram sir, I don't know how much time it was.
07:00It was a dance competition.
07:02It was very challenging.
07:04Did you see it?
07:06Super.
07:08Now it's time.
07:10Ram sir, first,
07:12the first time,
07:14the first time,
07:16the first time,
07:18the first time,
07:20I was interested in that script.
07:22Yeah.
07:24The script in paper,
07:26the first time it was found.
07:28It's pretty different.
07:30Since there are notes,
07:32we can't shoot any script in the dialogue.
07:34But it's found in the paper,
07:36what's your opinion?
07:38Comedy.
07:40The film,
07:44is like the most of your films are
07:46the reflection of people.
07:48And I think 10 years ago, I was going to say that
07:53that society has built a term of supportive system for our family.
07:59That's why I was going to say that equality time.
08:04It's not about spending time.
08:07It's about the world of children.
08:10How free they are.
08:14We don't have any judgment.
08:18But as I mentioned, he said,
08:19he said,
08:20I'm going to say the truth.
08:21He said,
08:21I'm going to say something.
08:23Someone is going to say something like Sivasara, Anbu,
08:26a person.
08:27But when everyone is going to say something like that,
08:29there's a fear of going on.
08:31I'm not afraid of it.
08:33They say it very openly, without worrying or anything.
08:36I will say it like a story.
08:40Napoleon Barnapat has a history class,
08:43there is a teacher who has a student class.
08:46Who knows who the Napoleon is?
08:49A king and a brother.
08:52He knows what he's saying and he knows who he is.
08:56So they know what he's doing.
08:58He's doing war, hunting, hunting, hunting, hunting.
09:01That's why he's not doing it.
09:03In the class, he says,
09:04he says,
09:06he has a son.
09:09He says,
09:10I thought he's lost his son.
09:13He was born in the first class, Napoleon.
09:18He was born in the first class.
09:22He was born in the first class.
09:25He said, He's been born in history department.
09:29He was born in history.
09:31A world was very loved.
09:34A world was very much fun.
09:38He was born in the first class.
09:40There are problems in society, in this school, in this dress, in this brand, in this world, it's life.
09:50That's why the adult is here. That's why they are stressed out.
09:56There are a distance between adults and adults.
10:00There are a distance between adults and parents.
10:06That's why it's a celebration.
10:09That's why it's not to obey them.
10:11That's why it's not to listen to them.
10:13That's why it's not to listen to them.
10:14Gracie's first meeting, I asked you,
10:18I thought you were okay.
10:21Where did you come from?
10:22That's not a problem.
10:24It's a problem.
10:26Yes, it's a problem.
10:28Come on.
10:30Hey!
10:31Hey!
10:33Welcome to Pachi.
10:35Hello, sir.
10:36Welcome to Pachi.
10:38Sir, why don't you come from here?
10:40Say welcome to here.
10:42Hello, man. How are you?
10:45Hello, man. How are you?
10:46Hi.
10:47Come on, relax. It's Jolia.
10:48Jolia.
10:49That's a major break.
10:51I'm going to be Tamil now.
10:53Can you talk about Tamil?
10:55Ajit sir?
10:56Sir?
10:57They are talking about Tamil.
10:58He's a average.
10:59Go ahead.
11:00Go ahead.
11:01You're not going to be able to understand that.
11:03You're going to be able to understand that.
11:06I'm just saying average.
11:09If you're just saying two things...
11:12Just tell them what.
11:14You have to sit down the street,
11:15in front of the street,
11:16and sit down the street.
11:18A sit down the street and sit down the street.
11:19Where did you say it?
11:21I saw it in the eye to eye.
11:23Sir!
11:24Sir, what did you say in Tamil?
11:28It's a test.
11:29Yes, it's a test.
11:31Can you tell me where to look at it?
11:32No, it's a little bit.
11:34Sir, why don't you say it?
11:36No, sir.
11:38Sir, I don't have to say it in Tamil.
11:42Now?
11:43Yes, it's better.
11:45It's better.
11:47It's better than that.
11:49Sir, I don't have to say it in Tamil.
11:52In the location, Shivaya Sir.
11:55No, I don't have to say it.
11:57No, I don't have to say it.
11:59No, I don't have to say it in Tamil.
12:02Sir, there's a sequence in 10-822.
12:06It's very entertaining.
12:08It's a small bit.
12:10So, that's what you feel.
12:12That combination.
12:13So, that's a little reference.
12:15No, in 10-822, I would find a bachelor's and have friends that meet up.
12:22What I don't have to say is a friend of mine.
12:25He's five years old now.
12:27It's easy to relate.
12:31My life and thought process is easy.
12:36Mostly, I am a father.
12:39In our company, I am a father.
12:40I think that there is a common company too.
12:42He was a business.
12:43If I had to take a trip or I tied that way,
12:45then I was able to take a trip.
12:47If I came to a different company, then I can take a trip.
12:49I am a father.
12:51But if I am wrestling with my family, I am a father.
12:53That is where I am.
12:54A cricket?
12:55A cricket.
12:56I don't know. He is inside space.
12:58He is running to make space.
12:59No sir. That was a childhood.
13:01Maybe I am interested in my family.
13:03Oh boy, without a book.
13:05You know, I can't understand you.
13:06Your brother came to say about everything 3-4 years.
13:09He knows about the planets.
13:11Sir, you have passion.
13:13Sir, I have no memory.
13:14I have no space.
13:15Sir, I have no memory.
13:18The brother is good.
13:20He is a good memory.
13:21So, he is talking about Saturn rings.
13:24I am curious.
13:25I am still aware that I am not sure.
13:28I am still aware that I am not sure.
13:31I am not sure that I am sure that I am sure.
13:32He was going to shoot and he was going to a very good day and he was going to see him.
13:37So, he told me that he was open and he said,
13:40I was disturbed by him.
13:42He was not disturbed by him.
13:45Okay, okay. Sorry.
13:47He said he was going to say.
13:49He said he was going to say he was going to say.
13:52But in this case, Sir told me that he was going to say,
13:55Our gender knowledge is different.
13:59It's very sharp.
14:03The way they speak is extraordinary.
14:06How many dinosaurs are there?
14:09I'm going to see the dinosaurs.
14:11Correct.
14:11That's right.
14:14Spielberg is a dinosaur.
14:16Spielberg is a dinosaur.
14:19So, I have to go to his level.
14:21So, I have to go to his level.
14:23I have to go to my level.
14:25He is a god and I have to go to my level.
14:28And then, he will become a bad man.
14:31Then, I am sorry.
14:33In school, he will become a bad man.
14:35He is a god.
14:37Only his father did not do it.
14:40So, the father can be very easy to see the difference.
14:45I think that's a true story.
14:48Correct, sir.
14:49I have to go to the table and say that's true.
14:50No.
14:51That's true.
14:52This is my life. And I think 90% of the parents are like this.
14:59Kerala, Oswari, Tamil, where are you?
15:03At least India, I can strongly say,
15:06if we are not going to go to school, we are going to have a school education.
15:12We are going to have a shoe that is better than us.
15:15So that's the instinct that I am representing all the fathers in that way.
15:22It's a story of million fathers.
15:24Based on million fathers.
15:25Million dads.
15:26That's also a dawn.
15:28Da, da.
15:29In this interview, there is a fun side of Ramsar.
15:34This is not all.
15:35This is not all.
15:37There is no doubt.
15:38No, there is no doubt.
15:40Fun side of Ramsar, where are you?
15:43Actually, let's keep going.
15:45Let's keep going.
15:46Ram sir wrote a fun idea.
15:49He really likes pangirma's story.
15:52I have no doubt about it.
15:54There is a joke.
15:56But you can't do that.
15:58You can't do that.
15:59You can't do that.
16:00You can't do that.
16:02You can't do that.
16:03He knows how much he loves comedy.
16:06He's a humorous person.
16:08And the humor you enjoy are.
16:10He's a doubt.
16:11Sir, you do that.
16:13But you can't do that.
16:14At least, you can't do that.
16:17There is no story.
16:18There is no story.
16:19There is no story.
16:20Everyone is here.
16:22Everyone is here.
16:24Everyone is here.
16:25Now, where is the star?
16:28I'm going to see Ram sir.
16:32Within a short while.
16:34He should have his own production company.
16:36He already has.
16:37Where he can make movies.
16:38If he can make other people make movies.
16:40That's the one thing.
16:42If he comes to comedy films,
16:43he can do comedy films.
16:45We can do it.
16:46We can do it.
16:47We can do it.
16:48We can do it.
16:50Sure, sir.
16:51Ram sir, they have a lot of stories.
16:54There are a lot of stories.
16:56You can do it.
16:57He was a bit more and more.
16:59He was making a big deal.
17:01He was making a big deal.
17:02He was making a big deal.
17:04Ram sir, we took a big movie.
17:06He was making films to our Malayalam.
17:08They came into the movie.
17:09He was making films to our Malayalam.
17:11Then, we were making movies.
17:13He was making films to my family.
17:15He said, no, no.
17:16That's comedy.
17:17I was making a big deal.
17:18He is making a list.
17:20I was like, sir, I was like, sir.
17:22I was like, sir, I was like, sir.
17:24Sir, you're a kid.
17:25Sir, you're a kid.
17:26Sir, you're a kid.
17:28Sir, you're a kid in the theater.
17:30Sir, you're a kid.
17:32So, Jaliyah, you know what to do with the surprise?
17:37Sir, you've got a rumor.
17:39Sir, I'm going to see a tiger.
17:43Where are you?
17:45How are you on YouTube?
17:46Sir, I'm going to see a lot of the series.
17:51I'll help you.
17:53Sir, I'm going to tell you.
17:54If you're a kid, you know who's here?
17:57Who's going to tell me?
17:59Sir, I want to ask you a series.
18:03Sir, who's going to tell me?
18:05Sir, who's going to tell you?
18:07Sir, who's going to tell you?
18:09No, sir.
18:10No, sir.
18:11No, sir.
18:13Sir, you'll have a basketball card?
18:15Sir, if you're watching, I go to that one.
18:17Not because of your series, sir.
18:18You can find all this stuff.
18:19Anything's strange, sir?
18:22No, sir.
18:23Either one's involved at home?
18:25So, anyone ever, or anybody else?
18:27Does anyone think anything?
18:28Silver.
18:29All of them think.
18:30There are a Brussels approach of family comedy here.
18:32There is only only video, foto, studio.
18:34I can tell you about that.
18:35I will tell you about the name of a very hard-hitting film.
18:38Yes.
18:39So, do you think that's why I am not sure about it?
18:41No sir, I am not sure about it.
18:43Now, I am not sure about it.
18:48I am not sure about it.
18:50I am sure about it.
18:51There is a lot of humor.
18:53Sir, I am not sure about it.
18:55If I am not sure about it, I am not sure about it.
19:00You can say that it's not the type of life.
19:04So, I am not sure about it.
19:08We talked about Sathina Nandikad.
19:13We met them in the studio.
19:18So, we met them in the studio.
19:21I saw Sathina Nandikad.
19:23But, who knows the thing about it?
19:28I was able to see him and tell him to his name.
19:32I remember the name of a director.
19:34I asked him if he was here to show his name.
19:39He told him to go down and get silent and see him.
19:43And he asked him to get out of a movie.
19:45And he asked us to see him.
19:47So I said, he said to him.
19:50He told him to come down.
19:51He was so good.
19:53So he was a legendary director.
19:57Ram, sir, is a good thing to say about it.
19:59On the style.
20:00On the style, yeah.
20:02I feel I am so blessed, I am saying this in Kerala.
20:04And they all know about it.
20:07But thank you so much, sir.
20:09At least, it's a style you can tell.
20:11Oh.
20:11Sir, you know Tamil.
20:13Sir, I am very happy to say anything.
20:16I am very happy.
20:17I have been a chance for 15 years.
20:20Sir, he is a good one.
20:22He is a good one.
20:25Sir, I am very happy to say something.
20:28There is an interview.
20:30I am very happy to say something.
20:34The reply was, thank you.
20:35I am not a good one.
20:37I am not a good one.
20:40I am not a good one.
20:43A real village?
20:45Then I am.
20:46Three.
20:48Three.
20:49There is a lot of content.
20:50No, I am not.
20:52I am a person who is aишinij.
20:56We are here to talk about a director.
20:57The director is here to talk about a person who has everybody else.
21:00We are here to talk about a person.
21:02He is already here to be a machine impossible.
21:04The author is also, we are now,
21:06the author is never here.
21:08We are always working.
21:10There is a plan.
21:11His content is a really good one.
21:14No, we can't tell anything.
21:15I am here to work.
21:17Oh.
21:18Super, sir. Big fans are here. There are a lot of fans, sir.
21:20Okay, thank you.
21:21Sir, when you are working with Mammuka, you love Taniyavaratranam,
21:27Valsilya Mammuka, you also enjoy Rajamani Mammuka.
21:31So after, I think, around 15 years,
21:34my parents came to Mammuka in Tamil.
21:37So, how did that S come to Mammuka?
21:39That S come to say S come to say.
21:41I was a friend of Vek, sir.
21:43He was a friend of Batma.
21:45He was a friend of me to have a friendly guest appearance.
21:49And I told him, I have a friend.
21:51He was a friend.
21:52He couldn't say that he was a friend of Mamuka,
21:55and he was a friend of Vekas.
21:58He said, you are not in Tamil.
22:04So, he said, you are in Tamil.
22:05He said, what is happening?
22:07So, first meeting, I'm in a girl.
22:09That's how he started.
22:11That was a dialogue.
22:15In Tamil, I told you that I was a dubbing,
22:19I was a dubbing and I was a dubbing.
22:23I was a dubbing, I was a dubbing and I was a dubbing.
22:27That's a nice company.
22:29What did you say about this?
22:32I was happy about this.
22:34I was happy about this.
22:36See, it was a lot of people.
22:39I was like,
22:40I was like,
22:42Mr. Tom, I will do the best.
22:45Sir, he's the fifth time.
22:46No, it's the fifth time.
22:47He's the fifth time.
22:48That's the sixth time.
22:50Sir, you'll be waiting.
22:52Yes, he will.
22:53Thank you for the waiting.
22:53He's the fifth time for 7, 7, 7, 7.
22:56He's the fourth time.
22:58It's the fourth time for the fifth time.
23:00If we come to the fifth time, we will come to the fifth time.
23:03Azheda, how are you going to find Tamil Dialogues?
23:08He's still a little, and he's a good character.
23:10That's why he is very happy.
23:12So it's not a good thing to do.
23:15I'm going to get a yes to the world.
23:20If I'm not sure if I'm going to do that, please please.
23:24I'm not sure if I'm going to get a job in dialogue.
23:27I'm going to get a job.
23:29I'm not going to get a job at first time.
23:33I've never been able to get a job at first time.
23:38If you like Sham and you like Sham and you like that, you don't have to do it.
23:42I don't have to do it anymore.
23:44It was the first time when I started talking about this dialogue and you were telling me about this dialogue.
23:50What did you say?
23:51Then they started talking about small lines.
23:54When we started talking about these characters in the paper, in real life, they let them grow.
24:05If you look at that, you can see the shape of that pattern.
24:10That pattern is the end of the dubbing.
24:13In my sport, there is not a modulation.
24:18If you look at the dub, you can see where you are.
24:22You can see where you are.
24:24Then you can see where you are.
24:27Then you can see where you are.
24:30So, there is a different method.
24:33Then, if you look at the dubbing,
24:35if you look at the dubbing,
24:38we are in a short interview.
24:40If you look at the dubbing,
24:41you become a dialogue.
24:42You look at it.
24:43You look at it.
24:44You look at the actor.
24:45After that, he is in a left load and says,
24:47this is what he is saying.
24:48Then, he is like saying,
24:50you will be saying,
24:51you are being told.
24:52This is a very dangerous process.
24:54One thing, we're getting pressure on the lines.
24:57It's not that,
24:58but the director is our guide.
25:01Basically, we are actors too.
25:05Actors are very common sense of intelligence and a proper frame.
25:12That's why the directors are doing it.
25:15Add to this, I agree 100% agree with the flyer.
25:20Add to this, I agree 100% agree with that.
25:24You don't know anything about it.
25:27Now, you know, there is a camera.
25:30There are two hundred people who are there.
25:32You don't know anything about it.
25:34But, that's why the directors are doing it.
25:37Now, there is a series that I told you about it.
25:43I have to memorize it.
25:45It's not like that.
25:46No.5, it's not like that.
25:48It's not like that character.
25:50Now, there is a scene.
25:52Maju Sir is a assistant at this point.
25:54Now, you know what he's going on.
25:57No.5, it's not like that one character.
25:58That's why somebody is a very cool guy.
26:00By the time he comes to the scene.
26:02He has really pillows on the scene.
26:04But, now he's got a good deal.
26:05I have to know.
26:07We have to see him.
26:09And he said, no.5, it's not like that.
26:12He said, why?
26:14He said, if you know that,
26:16You understand that.
26:17He said, no.5,
26:19He's a great guy.
26:21That's why we became very close friends.
26:33We didn't have to, that's why we were working.
26:36So, that's a very advantage of the movie. It's easy.
26:40It's easy.
26:42It's easy.
26:43It's easy.
26:44You can feel it.
26:46If you look at the scenes,
26:49as natural as possible,
26:51at this time, you can talk about it.
26:54You can talk about it.
26:56You can talk about it.
26:57If you look at it,
26:59you can see it.
27:02You can see it.
27:04You can see it.
27:06You can see it.
27:08You can see it.
27:10That's incredible.
27:12Is it okay?
27:13It's nice, right?
27:14Just keep it.
27:15It's easy for us,
27:17you can see it.
27:18It'll be as quickly as possible.
27:19So, you can see it.
27:20You know you are also looking for real hair.
27:22Jai, you are a real hair.
27:24Now, to me,
27:25you are comfortable with a nice hair.
27:27Do you have any idea of it?
27:29No, I want to pick up the makeuping.
27:34The color...
27:35The color is just...
27:37No, I have no reason.
27:40There is nothing wrong with me, I think I can't do it.
27:43I am also going to say anything, I will say something.
27:46Did he do it?
27:48Did he do it?
27:49No, did he do it.
27:51I mean, he did it again.
27:53He did it again.
27:54I did it again.
27:56I just recommended him.
27:58I am a fan of Satshu.
28:03I don't know if I was a kid, I wasn't able to do a promotion at all.
28:08I was able to do a promotion at all.
28:10I couldn't do a promotion at all.
28:14Sir, I was able to do a promotion at all.
28:16I was able to do a promotion at all.
28:19We are going to be a Vijayas.
28:22We are going to be a Malayalam Gang.
28:25That's why I am a casting director.
28:28That's what I am sure.
28:30There is a lot of doubt about Grace and N.A.
28:36Sathya Mura Ram Sare.
28:38N.A. is going to be the same as N.A.
28:40So now I have a doubt that I am going to be a promotion to Malayala.
28:47I am going to be a promotion to Malayala.
28:51How is Malayala straight?
28:53Malayala is going to be a promotion to Malayala.
28:59Sir, where are you going to be?
29:01Because the reason why I am a villain is a Mishkin, sir.
29:05So the villain is going to be the opposite of us.
29:08I am going to be the opposite of us.
29:11Are you going to be the opposite of us?
29:12Yes, I am.
29:13When?
29:14No, sorry.
29:14No, you are.
29:16I am going to be comfortable with him.
29:19So I am also going to be a Mishkin friend.
29:22We are going to be the opposite of us.
29:25Sir, I am going to be the opposite of you.
29:27Sir, I am going to be the opposite of us.
29:30We are going to be the opposite of you.
29:32Sir, I know my dad is now.
29:34Sir, he is here in the opposite of us.
29:36Sir, what?
29:37He asked that.
29:39I am not going to be the opposite of us.
29:42No, he was.
29:44No.
29:45He was.
29:46He was.
29:47He was.
29:48He was.
29:49He was.
29:50He was.
29:51I can't believe you.
29:52I can't believe you.
29:53He told me to stop and ask me.
29:55It's complicated.
29:57Yeah.
29:58He was.
30:00I said,
30:01I was.
30:03I can't believe you.
30:05No.
30:06He can't believe me.
30:07I can't believe you.
30:09And I'm sure.
30:10You'll get the announcement.
30:11Anyway.
30:12My friend wants to have a great movie.
30:13I want to admire you.
30:15I know you.
30:16He wants to know.
30:17He was.
30:18When you like someone.
30:21He doesn't know.
30:22He's got limitations.
30:24Now, actors though.
30:26Exactly.
30:27So, he can observe.
30:29He's got the observation.
30:31Go ahead and say,
30:33he's not ready.
30:34Then, before he knew.
30:35He's ready.
30:36He can do anything.
30:38It's too easy to think about.
30:40Even if we let him tell him it's easy.
30:44It's easy to think.
30:46I don't know.
30:48It's easy to think about.
30:50It's easy to think about.
30:53It's easy to think about.
30:55What do you think about it?
30:58Seriously.
30:59I think I've used it to be natural.
31:05We don't know what we did or what we did.
31:10I know that we didn't know what we did.
31:12We didn't know that Saroja came to travel.
31:15We had a lot of scope to add so many things in Dailax.
31:18We didn't know that we didn't have any value.
31:21We didn't have any value.
31:23We didn't have any value.
31:25So, it was very easy.
31:26If you had a package, you could have a package.
31:29You could have a package.
31:31You could have a direct product.
31:33That's why we can do it.
31:35Yeah, we can do it.
31:36We can do it.
31:39No.
31:40But we can do it without a single time.
31:41But we can do it without any work.
31:43We can do it in physical.
31:46We can do it with Malaylayer or Railway ID.
31:49It's a lot of information.
31:53It's a lot of information.
31:55If we can do it without any work, we can't do it.
31:57We can do it later.
31:59That's very smart.
32:01All of us came together and all of us came together.
32:04Okay?
32:05Okay.
32:06What?
32:07Tell us about it.
32:08Tell us about it.
32:09It's easy.
32:10It's a customer, right?
32:11Yeah.
32:12I'm going to make money.
32:13Oh!
32:14I'm going to make money.
32:15I'm going to make money.
32:16I'm going to make money.
32:17I'm going to make money.
32:19So, first day shooting, I told you, the train came.
32:22I told you, the train came.
32:24Actually, it was curious.
32:26Money.
32:28Money is a backup.
32:29Sir, first day, I told you.
32:31Yeah, you have a cake.
32:33So, when we finished a short, we saw a soup.
32:38They thought, what's going on a train?
32:39What's going on a train?
32:41What's going on a train?
32:43He said, I knew very much.
32:45He was just going on a train.
32:46He was going on a train.
32:48Why did we get another train?
32:50He was going on a train, a train, a train, a train.
32:53I thought he was going on a train.
32:54However, I saw a train.
32:56That's how he was going on a train.
32:58In the case of a man, he was like a man.
33:01I am a man.
33:02He is a man with a man.
33:05He is a man with a man.
33:07You can use a man with a man.
33:09He is a man.
33:11He is a man with a man with a man.
33:14So, he is a man.
33:16That is a joke, sir.
33:18Very nice. Thank you.
33:20I am not sure.
33:22I said no one says that in the start,
33:27but in the start, there was 6-4 shooting.
33:30We had a drop from the start to drop.
33:32And then, we went to the start again.
33:35In the start, we put a drop in the start,
33:36we had a 6-states shooting.
33:38Are you on the start?
33:40Do you know if you hit a heart?
33:41I said they were, 6-states.
33:43I know.
33:45That's because we have to move them.
33:47We had to know who this train was,
33:49and we had to be on stage.
33:51And when you look at it,
33:54you can see it in the future.
33:56Especially in the Rotten Employment, there are a lot of sequences.
33:59You can enjoy it.
34:01I don't know. I don't know. I don't know.
34:03I don't know if you have a customer.
34:06But when you look at it, it's really flying away.
34:10All my thought processes are not.
34:13And that's extraordinary.
34:14And it's really important.
34:18It's important to use all the shots.
34:21Sir, something.
34:23Something. I don't know.
34:25There are jokes.
34:27Sir, if you ask me, I don't know.
34:28No, sir. It's also a flow and disturb.
34:31Sir, is the process different?
34:34Because of it, it's a direct process.
34:37If you disturb it, you can go to the atmosphere or a shooting spot.
34:43The process is different.
34:45The shooting process depends upon the scene and the artist.
34:48If you look at it, it's very humorous and flexible.
34:53If you look at it, it's a dead silence sequence and emotional scene.
34:57It's very emotional.
34:59So, the environment depends upon the scene and the location.
35:03So, the artist is the mood to understand.
35:06If you look at the scene in the scene, it's the mind to be prepared for you.
35:10So, it's the process right.
35:12And it's the process of telling you.
35:13You talk about the dialogue.
35:15You talk about the paper and your voice.
35:16So, you talk about the paper.
35:17It's the same and then you try to make it work.
35:18It's easier to tell people about it.
35:21In a sense, if you read the paper, you can read it and you can say it.
35:25You can say it. It's very simple to say it.
35:28If you want to talk about Sivasa, you can talk about it.
35:33If you say a joke or a serious joke, you can say it.
35:36You can say it.
35:38You can tell them later on.
35:40You can say it.
35:43There are many directors who say it.
35:46This is a small one.
35:49That's a very good one.
35:52If you want to talk about it, you can talk.
35:56In the case of doing it, you can't talk about it.
35:58If you don't put it in a suit, you can take the top of it.
36:00You can get the top of it.
36:01If you want to do it.
36:04If you want to do it, you will be able to take the top of it.
36:08Then, you can see the layers and the visuals.
36:12If you want something, you'll be able to use it.
36:14If you want something, you'll be able to get a writer.
36:17If you want something, you'll be able to get a writer.
36:21You'll have to go to a writer.
36:24It's a fun interview.
36:26One of the people who want a script is that they give space to you.
36:32If you want a script, they will make a script.
36:34This is the process.
36:35If anyone can do anything with a script, they can't keep you.
36:40You can carry a pair and mumari and carry a pair.
36:43If you can carry a pair and carry a pair, you can carry a pair and carry a pair.
36:47So, before we conclude, Baluma Indra, sir, changed your attitude to film fanatic to film student.
36:54So, now you are the film student?
36:57Now, I am very young.
37:00I am feeling very young.
37:03I am feeling very young.
37:06Actually, as long as you grow, you will become old.
37:09In the film industry, you are very easy to make.
37:13I am very young.
37:14I am very young.
37:15I am very young.
37:17I am very young.
37:18If you are a young man, you understand that.
37:20How do you evolve?
37:22Craft is very young.
37:24So, you are very young.
37:27Then you start to enjoy every day shooting.
37:29How do you enjoy shooting and editing?
37:33Apart from releasing the film, everything is enjoyable in filmmaking.
37:37Releasing the film is tough, right?
37:40If you ask questions, questions, questions, questions and questions.
37:42I am very young.
37:43I am very young.
37:44I am very childish.
37:45I am very passionate.
37:47I am very young.
37:48I am very passionate.
37:49I am very passionate.
37:50I am very young.
37:51I am very passionate.
37:52I am very passionate.
37:54If you ask for a great film artist,
37:57You are very passionate.
37:58Honestly, unless you ask someone who is a young artist,
37:58If you ask someone who could own a young artist,
38:00you can't remember it.
38:02You cannot remember it.
38:03You can't remember it.
38:04You cannot remember it.
38:05So, I think, it keeps you young. The film keeps you young and...
38:14Sir, Balumaeindra Sir, I have a question for you.
38:18Now, I have a question about Vettri Maran Saransari, Bala Saransari,
38:22I have a question about that. Somehow, Balumaeindra Sir, you are very upset.
38:28That's right. If you say Vettri, you are very upset, sir.
38:33Vettri, you are very upset, you are very upset.
38:36So, he loves to compare.
38:38No, I don't know. If you are talking about it,
38:41how is the bonding, sir?
38:43Sir, the bonding is actually less.
38:44How is the thought process? How is it happening? Because of your work or because of your work?
38:51That's right, sir.
38:53But, I have a visual sense, I have a visual approach.
38:58That's why I don't have to do it anymore.
39:00So, I just thought he said,
39:02he said, he said,
39:04there was even a couple of 3 people in the past,
39:06he said, he said, he said, he said,
39:08I would avoid that, but it's not because of the time.
39:10He said, I was told that,
39:12somehow, Balumaeindra Sir, I have a legend.
39:15It's like a seed.
39:18I thought of that, Vittri Sir has said that
39:21Balumanindar was the first thing to do.
39:24Sir Mahendu.
39:26So, the one who has been there is a story.
39:30It's a legacy. It's a story.
39:33Sir, one thing to ask.
39:34Sir, you're a man who is a man who is a man.
39:36No, I don't know.
39:37I'm a man who is a man who is a man who is a man.
39:39I'll tell you a man.
39:41I'm telling you a man who is a man who is a man who is a man who is a man who is a man who is a man.
39:46This is a man who has to ask for questions and ask for questions.
39:47No, sir, he's a man.
39:50No, I don't say any of that.
39:51I don't intend to answer that.
39:53I'm a tennis ball.
39:54Okay, sir.
39:56Parandu Pooh is releasing on July 4th.
39:59So, you're a man who is a man.
40:01Thank you for the timing, sir.
40:03Sir, I'll ask you regularly for your interview.
40:06He said I'm a nice interview.
40:08But I'll ask you about my quote.
40:10I don't know what to say.
40:11I can't do your interview.
40:13That's why I told you that.
40:15And I told you that I had an interview, but I told you that.
40:20So, Kerala audience,
40:22in India, every single thing I did in India,
40:24I appreciate it and support it.
40:28We have a strong feeling.
40:30We have a lot of people who enjoy it.
40:33Since this movie got 19 songs,
40:36you have to say something.
40:3919 songs and Grace,
40:42and Grace, and Aju,
40:44and all of them.
40:46So, hopefully, I think everybody will like the movie.
40:50Do you want to see it?
40:51It's the first part of the film.
40:53It's the first part of the film.
40:55It's the first part of the film.
40:57Not like a choreographer.
40:59It's the first part of the film.
41:01It's the first part of the film.
41:03It's beautiful.
41:03It's beautiful.
41:04On the 4th of July,
41:06we have a lot of people in the theatre.
41:09We have a lot of people in the film.
41:13Thank you for the timing and all.
41:15You did great, bro.
41:17You have ambitions in acting.
41:20You are the best.
41:23All the best.
41:24You can see the interview with someone.
41:27You can see the interview with someone.
41:29What?
41:29It is doing well.
41:30We are the best.
41:31In her room,
41:31you'll get along the階段.
41:32Hard from realizing the interview with someone.
41:32oh,
41:33do the break.
41:33Do the same.
41:34mentex,
41:34?!
41:35Yeah,
41:35I do not say it either.
41:36All that one is careful.
41:36All that one is going to break.
41:37home,
41:38yeah,
41:38and that one is going.
41:39Just that one is going to beination.
41:40Not just that one is going in the house.
41:41No, one is going in the house.
41:42And that one is going to be something like the hill.