Dinoy Paulose Interview: An interview with Dino Paulose, known as the screenwriter of Thanneer Mathan Dinangal and also an actor and director. He talks about his latest project, the Sangeeth Prathap - Mamitha Baiju film, and also discusses Mathew, Naslen, and Anaswara from Thanneer Mathan Dinangal Watch to know more.....തണ്ണീർമത്തൻ ദിനങ്ങളിലെ തിരക്കഥാകൃത്തായി അറിയപ്പെട്ട നടനും സംവിധായകനും കൂടിയാണ് ഡിനോയ് പൗലോസ്. ഡിനോയുടെ ഏറ്റവും പുതിയ പ്രൊജക്റ്റ്‌ ആയ സംഗീത് പ്രതാപ് - മമിത ബൈജു കൂട്ടുകെട്ടിൽ വരുന്ന സിനിമയെ കുറിച്ചും, തണ്ണീർമത്തൻ ദിനങ്ങളിലെ മാത്യൂസ്, നസ്ലെൻ, അനശ്വര എന്നിവരെ കുറിച്ചും സംസാരിക്കുന്ന ഇന്റർവ്യൂ.
Also Read
ആരാണ് ഷിബു.. എന്താണ് ഷിബു.. എവിടെ നിന്ന് വന്നു ഷിബു.. ഇതാ ശരിക്കുള്ള ഷിബു :: https://malayalam.filmibeat.com/interviews/filmibeat-exclusive-interview-with-actor-karthik-ramakrishnan-053289.html?ref=DMDesc
ജീവിതം തിരിച്ചു തന്നത് സംഗീതം, അതൊരു മരുന്നാണെന്ന് യുവ സംവിധായകന്‍ ഷാന്റി :: https://malayalam.filmibeat.com/interviews/exclusive-interview-with-music-director-shanty-antony-angamaly-048395.html?ref=DMDesc
ഫില്‍മിബീറ്റിന്റെ പോളില്‍ മികച്ച നടനായി മമ്മൂട്ടി, ഗ്രേറ്റ് ഫാദറും പറവയും പുരസ്‌കാരം വാരിക്കൂട്ടി!! :: https://malayalam.filmibeat.com/features/filmibeat-poll-best-2017-results-mammootty-manju-warrier-are-the-winners-040700.html?ref=DMDesc
00:00In여� reconnaissance, I feel like they are going to take my own knowledge.
00:05My parents used to try to change the logic and the arc.
00:11And then, my parents used to say we have only knowledge of the genesis.
00:15They are only the people who I've never been.
00:18Has anyone given his own knowledge?
00:21Yes, we didn't have the same knowledge here.
00:25I wanted Kohlibba the industry.
00:28Oh, I can do that.
00:29I don't know if that's the last one too.
00:30No one has anything to do but when I don't get back to it,
00:32it's becoming primary.
00:34I'm going to be in the house and I'm in the house
00:36and I'm not going to get back to the house again.
00:40To tell me the truth is,
00:41I don't think I'm going to get back to it.
00:44I'm going to try it again.
00:45Just to pick up,
00:46I know you can't,
00:48you might get back to it.
00:51If you have the camera thing,
00:52you'll get back.
00:53Welcome, Denoy.
00:55Welcome, Denoy.
00:59Actor and writer,
01:01production number 20,
01:03and how many films are the production number 20?
01:05What genre of film is the production number 20?
01:07Hashi Kusman,
01:09production is the movie.
01:11That's the film.
01:13I'm writing a movie.
01:15I'm writing a movie.
01:17That's the movie.
01:19I'm the lead.
01:21I'm writing a movie.
01:23I'm an actor.
01:25I'm writing a movie.
01:27I'm a movie.
01:29I'm working on a movie.
01:31It's a movie.
01:33Do you have the acting, acting?
01:35Yes, I do.
01:37I have the acting.
01:39I have the acting.
01:41I have a lot of work.
01:43I have a lot of work.
01:45I have a lot of work.
01:47I have the assistant.
01:49I was a junior.
01:52I was a kid and I was a kid.
01:56Did you play a hit in Tandir or Nathreem or a writer?
02:03I was a push-boot.
02:05I was a kid.
02:07But I was a kid playing a play in Tandir or Nathreem.
02:12That's a good question.
02:14I don't think so.
02:16I don't think that's what the question is.
02:18Because that's the demand.
02:20They are waiting.
02:22But for example, some people who have learned this.
02:24And some people can read some logic, some theory,
02:28some theory, some literature, some stories,
02:31but people don't know what to do.
02:33But they always were there.
02:35Nobody's going to learn what they're doing.
02:37They're also going to learn how to read it.
02:39They're going to learn how to learn what they're doing.
02:41I don't know how to do it, but I don't know how to do it.
02:46It's a bit relatable to this dinner, isn't it?
02:53How do you feel about the characters?
02:56Basically, I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like I feel like it.
03:06Like when I feel like I feel like I feel like I feel like I feel like I feel like I feel like the other person's legs is a little bit.
03:23So I just don't have to say things like that, but the reason I feel like all the others, I feel like the rest of my life is more difficult than they feel.
03:29Like this, he is the result of a story.
03:31Like this, I can't understand.
03:33But even in the same way, I don't mind the story.
03:36Because that's it's the one who is writing.
03:40What would you say any character about Abhinese?
03:43What would you say about Abhinese first?
03:47It's like Joyce.
03:49I think there are many different characters.
03:53Like this, there are many other characters.
03:56There are many other characters.
03:58I have never seen that in a while.
04:01Then I have never seen that in a while.
04:04Did you know what?
04:07I first started the interview.
04:10We looked at it all the time and we had the time.
04:14We had to plan a bit.
04:17We didn't break Covid-19.
04:20Now that we did all the work.
04:23We did a small project.
04:26I was thinking about it and I was thinking about it.
04:30It was because of market, acting.
04:33I never thought it was a big issue about confidence.
04:37I have a few jokes and I can't give it a little.
04:42Challenging a character?
04:44Challenging?
04:45It looked like a challenge.
04:47It looked like there were no challenges.
04:50It looked like acting was easier.
04:53It was easy.
04:55Do you think about that character?
04:59I love the character I like,
05:02I love you already and I do something special.
05:04Remember me if you are the one who has friends,
05:05let me know.
05:08I will put a team in front of you,
05:11I will do something and help you.
05:13I will put you in front of me and say,
05:17then I want to talk to you.
05:19I have to know it's that he is who is Deniz.
05:22I don't know what I'm doing.
05:27I don't know if I'm doing this as well, but I'm not doing it.
05:32But I don't know if I'm doing it.
05:37Is it your favourite position to be acting as scriptwriter?
05:41Yes, but I don't know.
05:45If you think about it, the characters are now a lot of stars.
05:52Nassilin, Matthew, Manashwari, etc.
05:55Because the characters are famous in the script.
06:01We are happy.
06:03We are happy that we are able to reach a lot.
06:06We are able to reach a lot.
06:09We are happy that we are able to reach a lot.
06:14We have a lot of people in the industry who are really interested in making the feel,
06:19and we are able to reach the other.
06:23I can see we are going to be able to reach a lot more.
06:25We are able to reach a lot more.
06:27And we are able to reach a lot more.
06:32This is the story, the industry here.
06:35I think it was a lot of the time.
06:39We were setting up stage first,
06:43and we were able to select the script.
06:47We were able to select the script,
06:49and we were able to select the script.
06:51We were able to do it as well.
06:53We were able to do it as well.
06:55We were able to do it as well.
06:57That's a good idea.
06:59How did you do that?
07:01We had a short film.
07:03We were going to get to a conference.
07:08We were going to play with the A.L.A. Glass.
07:11We were going to audition.
07:15I was going to audition for the other scenes.
07:18We were going to be doing the same thing.
07:22I was going to be selected for the performance.
07:25We were going to be selected and we were going to be in the next round.
07:29It was a successful performance in this round.
07:32We didn't have any other features in the original scene.
07:37We didn't have any other features.
07:42We didn't have any features, any likability.
07:48We were able to choose from.
07:51We were able to choose from the Nestle.
07:54We were able to choose from the Nestle.
07:58That's what he's the character.
08:00Yes.
08:01That's how I was the last artist, I was an artist.
08:05I was a kid who was the artist.
08:07So I was thinking about how we were doing this.
08:12I was thinking about how we were doing this process.
08:15I was thinking about how much the features were.
08:18I was thinking about how many things were.
08:20So I was thinking about how much the first edition was.
08:23Did you see that this was just set down?
08:26but they felt like they were slimy.
08:31They were so funny to see how they were pulling their help out.
08:34They would never explain how to slash slimy.
08:42They would never be able to tell anyone who was slimy.
08:47That's why they had to be slimy, and they would have to be very-very.
08:50I don't want you to mention that but also based on the message,
08:54But there is also an official response to that.
08:57So, what do you think about it?
09:04I don't think it's a good thing.
09:07I don't think it's a good thing.
09:12I think it's a little bit different than that.
09:16I think it's a good thing.
09:19And we had a movie to get into the script selection.
09:21The movie was hit and we would have to stop.
09:26We could keep it going and we could keep working.
09:31On the production number 20, Sangeet Prathap, you have a main character.
09:35Sangeet was a very long time ago.
09:40Some of you may say that you can't get any tribute from Sangeet.
09:45I was like, oh, we have a tribute to Sangeed!
09:47And we were able to give her the tribute to Sangeed in a tribute.
09:53In the cinema, there was a bond.
09:59We had a bond.
10:00We had a bond.
10:02We had a bond.
10:04I was born with a B not a Sangeed.
10:06I was born with a Sangeed.
10:08It was a detractor.
10:10It was a bit of a shift in the cinema.
10:13So, I thought it was a little bit of a problem.
10:18Then, I thought that was a good problem.
10:21There were many active members of the team.
10:24They were in the 10th century.
10:27They were in the first place,
10:29and they were in the first place.
10:32They were in the first place.
10:36I was thinking about this.
10:38I don't think we need to be a person who is able to be a person.
10:42I told him that he's not the person who is a person.
10:45But I think he's very happy.
10:47If I'm not leaving, I don't know why he's here.
10:51We can't be able to get a person who's a person who can be,
10:54but I don't know why he's here.
11:00But I think he's very happy.
11:02He's happy.
11:03He's very happy, but I don't know.
11:04I'm not going anywhere.
11:06I was thinking that he was not the same.
11:08He was like, oh, it's not the same.
11:10That's why he was the same.
11:12He was like, you know,
11:14we're not going to get any more than normal.
11:16I'm thinking that he's a character.
11:18Sankith, Mamitha,
11:20he's making his main character.
11:22He's making a hit with Jody.
11:24So what did you predict in production number 20?
11:28I'm thinking that he's not going to do it.
11:30He's not going to do it.
11:32I'm thinking that he's not going to do it.
11:34But now, you can have an opportunity to play an atmosphere.
11:41How did you respond to this project?
11:45I was the last one.
11:47Because I was the first person, I didn't have anything to discuss.
11:52So I thought I was going to project the story.
11:55But I thought I would be fine with it.
11:58So how are you seeing the combination scenes?
12:01I think that is the main thing.
12:03I think that there is a lot of community.
12:05But I think that there is a lot of community in the world.
12:09But Amit is also in Tamil, Vijay Sand, acting.
12:12I think it's not a big issue.
12:14But there is a lot of pressure.
12:16I think it's not a big issue.
12:19I don't think that outside is a big issue.
12:22I don't think that's a big issue.
12:25We decided to only get a good job, and we didn't have any questions, and we didn't have any questions.
12:33They're curious.
12:34We didn't have any questions for them.
12:38We didn't have any questions for them.
12:42Do you have any projects that are coming out from an artist?
12:47No, I had to go to my career as a project.
12:54The main focus was that I wanted to do this.
13:00Do you know how to execute an actor in India?
13:06This is the end of the year.
13:08I was able to do this.
13:12I was able to do this.
13:14I don't think it's all about it.
13:16It's all about it.
13:18I feel freshness in a movie.
13:21I feel freshness.
13:25What about freshness?
13:29I try freshness.
13:31I don't know if you have any freshness.
13:34I don't know if I try freshness.
13:38I don't know if I can tell you.
13:40I don't know if I can tell you.
13:42I don't know if I can tell you.
13:44What I have to say is I try freshness.
13:46Do you have any ideas about this?
13:48Do you have any ideas about this in the circle?
13:50Do you have any ideas about this in the circle?
13:52It was a very difficult position.
13:56It was very difficult.
13:58I feel very difficult.
14:00I was thinking about what the subject has changed.
14:03I would think of it.
14:05I would like to do the work with Asif.
14:09I would like to talk to him,
14:12but I would not like to do anything on my own.
14:15Do you do an agrahan?
14:16Yes, I do. I do an agrahan.
14:20How do you think about this issue,
14:22do you think about it emotionally executed?
14:30Basically, it's a bit of a tough one.
14:33So you've been able to see it before, so if we were able to get it, then we can play it after.
14:48Then we'd get to the tip of the formula and put it at the end of the presentation.
14:55I was wondering if you had a t-formula, there was a thought in terms of the structure of the structure.
15:02I had no idea where a key formula did.
15:07I still studied the characters.
15:12I studied the accent.
15:15I used to study the DZ side.
15:18I was like, I'm not in my opinion.
15:21Also, what is the one thing that is love?
15:24It is a huge problem for me to be good at home.
15:31That is a huge problem.
15:35So what I can do is need you to be able to do something.
15:40I was able to find out why I am not the one thing.
15:46Yes, I'm not going to go away from the cinema.
15:48Is it a part of your life and that's not something that's going on?
15:54No, not one of those influences, but we are not going to be good at that,
16:00or not going to be good at it, and even being good at it.
16:02Or not going to be good at it, or something like that,
16:04I'm going to be a science teacher,
16:06I'm going to be a science teacher,
16:08and I'm going to be a science teacher.
16:10If you have 10% in the seat, you will not be able to get the K-raithar plus 2.
16:18Do you have any comments in the industry or the port?
16:24Yes, yes.
16:25I have a few names.
16:27I don't know if you have any questions.
16:29I don't know if you have any questions.
16:31I don't know if you have any questions.
16:33Do you have any comments in the industry?
16:36I don't know if you have any questions.
16:39I don't know if you have any questions.
16:41Seen a lot of things are especially empathetic.
16:45You can also come back to them.
16:48I'm not even worried about this.
16:50What the Linda Langman does not have any influence.
16:53It is exactly what you do,
16:54and it is a very substantial situation.
16:56I'm not excited about that.
16:59I don't know if you have anything to do and please do.
17:02I don't know if you have any questions.
17:03If you have any questions,
17:08I was a young man.
17:10I was a young man.
17:12We were doing TV,
17:15working with people,
17:17and working with people.
17:19We were creating a culture in the sport.
17:25Then we were doing something.
17:27We were doing something.
17:29We were doing something.
17:31We were doing something.
17:33We were doing something.
17:35We were doing something.
17:37We didn't show anything.
17:39I didn't show anything.
17:41We didn't show anything.
17:43You are doing a job.
17:45There is one with one.
17:47We were doing something.
17:49There are threads,
17:51there is full script,
17:53there are thrillers
17:55and something.
17:58It doesn't have a job.
18:00We are doing it.
18:02If people were to work in the field, I would say, maybe I would say that.
