Skip to playerSkip to main contentSkip to footer
film world
  • 2 days ago
A gangster family epic set in 1900s England, centering on a gang who sew razor blades in the peaks of their caps, and their fierce boss Tommy Shelby.

.
🎬 Welcome to Film World – The Ultimate Destination for Hindi Blockbusters & Dubbed Action Movies!

Are you a fan of adrenaline-pumping action, gripping drama, or edge-of-your-seat thrillers? You're in the right place!

At Film World, we bring you the latest Hindi movies, South Indian action films dubbed in Hindi, top-rated web series, and exclusive trailers β€” updated regularly for your entertainment.

🟒 Why Subscribe to Film World?
βœ… HD Hindi Movies – Classic hits to recent blockbusters
βœ… South Indian Action Films – Dubbed for maximum impact
βœ… Popular Web Series – Full episodes & ongoing shows
βœ… Movie Trailers & Teasers – Be the first to know what’s coming
βœ… Cult Action Scenes – Iconic fights, stunts & chase sequences
βœ… 100% Entertainment – Free, nonstop, and updated frequently!

Whether you're looking for a weekend binge or a quick action fix, we’ve got something for every movie lover. We aim to create a cinematic escape right at your fingertips!

πŸ“² Stay Connected:
πŸŽ₯ New videos uploaded weekly
πŸ”” Hit the follow button and turn on notifications so you never miss a release
πŸ’¬ Like, comment, and share your favorites with friends

πŸ”₯ Trending Hashtags (For Search & Discovery):
#HindiMovies #DubbedActionMovies #SouthIndianCinema #WebSeries2025 #MovieTrailers #FullHDMovies #BollywoodBlockbusters #ActionMovies #FilmyWorld #WatchOnline #DailymotionMovies #LatestReleases #BingeWatch #MasalaMovies #TeluguDubbedHindi #TamilMoviesHindiDubbed #FreeMoviesOnline #EntertainmentHub #ThrillerMovies #SouthToHindi

Please Watch And Give Reviews in The Comment Section.

Category

😹
Fun
Transcript
00:00In New York City at 6am, the Wall Street Stock Exchange crashed.
00:07That's how Michael on Friday this is going to happen.
00:09We were most definitely on board.
00:13But you have to listen to the voices that you hear.
00:22My name is Mosley, Ellsworth Mosley.
00:25Yeah, I know who you are.
00:26You've come to my attention.
00:30Mr. Shelby, Mr. Levitt from the London Times.
00:33Ten years ago, I was a journalist on the Birmingham Evening Mail.
00:36Of course, working in that city, it was impossible not to know your name and your reputation.
00:43What is a Tory newspaper more afraid of?
00:46Is it evolution or revolution?
01:00The Centre for theΓ©rence of the University of New York City of New York City of New York City of New York City of New York City of New York City of New York City?
01:04I know you are a really good one.
01:06I really want to know that you are a woman who is a person who is a fan of the work.
01:08What does the king do if you think of a person who is a person who is a mother who is a tip of the boy who is a man of the emperor?
05:14antal.
05:16Dad! Dad!
05:28Dad! The phone has come for you!
05:32Charlie! Charlie!
05:37Stop! Charlie!
05:46Run, my horses! Run!
06:03Dad! The phone has come for you!
06:07Good! Good!
06:09Come inside, son!
06:11Whoever calls the operator,
06:14the number will come.
06:16I'll call them later.
06:18Okay?
06:22Look, Charlie!
06:23Your violent practice has come.
06:25Mrs. Milligan has come.
06:26Come on!
06:28Charlie!
06:29Charlie!
06:30Don't touch me!
06:32You can hear your voices!
06:34Come on!
06:37I can't do that.
06:40I'm not getting you.
06:42Oh.
06:44My God.
06:46You have to cry.
06:47Come on!
06:48I can't do that.
06:49You're amazing.
06:50Oh, my God.
06:51You're amazing.
06:53You're...
06:54I can't do that.
06:55You're amazing.
06:56You're amazing.
06:57I can't do that.
06:58I can't do that.
06:59I can't do that.
07:01I can't do that.
07:02The son-u-u-u-u-u-u-u-u-u-u.
07:03Yeah!
07:04You're so as though I my father.
07:05I can't do that.
07:06Oh, my God.
07:36Oh, my God.
08:06Oh, my God.
08:36Oh, my God.
09:06Mr. Shelby, my name is Captain Swing
09:10and I'm talking about 6,000,000,000
09:12and in this small town, there are some people who want to kill you.
09:19And to tell you, this girl Michael is your cousin.
09:24This girl is your cousin.
09:26This girl is your cousin.
09:28This girl has a deal that you want to kill.
09:31Tommy, this girl is your brother.
09:32If you want, we can kill you.
09:36Or you can send home, you can send it yourself.
09:45Go to home.
09:48Okay, Mr. Shelby.
09:50But I will tell you that your cousin,
09:52County De'Ron and Glass was talking about UVF's people,
09:57and how they were talking about
09:59the English race tracks after killing you.
10:01Tommy, you're talking about it.
10:03You're talking about it.
10:05Can I ask you,
10:07that you're talking about it?
10:12Because Mr. Shelby,
10:14we got the most famous people on the top of the world,
10:17that when you become a socialist,
10:19you're going to the angels.
10:22And the angels are going to our work.
10:24You're talking about it.
10:52Come.
10:52Mr. Shelby
11:02Violent teacher
11:03Pooch raha hai
11:03Ki wo dhamaa ke kya thae
11:05Adish wazi
11:07Saturday ke liye check karke dhek raha tha
11:09Doctor se wada kya tha
11:14Ki andhira honne tak nahi
11:15Acha khasa andhira hai Francis
11:18Aur
11:22Kya Mrs. Shelby
11:24Aur Ruby
11:24Aaj raat dinner ghar par karengi
11:26Mujha nahi pata
11:27Dad
11:38Aaj subh meinne kuch naya sikha
11:41Sach mein
11:42Mane bhi
11:46Tumne aaj kya sikha bachse
11:49Chalo ka am khatni karthai
11:59Mujhe train pakadni hai
12:01Chalo ka am khatni karthai
12:09Mujhe train pakadni hai
12:11Mujhe train pakadni
12:15Jau n punti train pakadni
12:17Mujhe train pakadni
12:18Mujhe train pakadni
12:18Mujhe train pakadni
12:20Mujhe s sab samphal louga
12:21Hey
12:23go to the house
12:42go to my house
12:46put it to me
12:48yes, it will be very good
12:51you will keep warm
12:53go, go
13:07do something else
13:10what are you doing?
13:12you are wasting your time
13:14sit, Finn
13:20sit
13:22what are you doing?
13:29what are you doing?
13:31that you start listening to my story
13:34you looked like a gun
13:37you were running all the guns in your hands
13:39and running all the guns in your hands
13:41you were doing someone
13:42you were doing someone
13:43you were doing someone
13:44you were doing someone
13:46we have people for such work, Finn
13:48soldiers
13:49captains
13:50corporals
13:51corporals
13:52okay, who am I?
13:54who am I?
13:55who am I?
13:56understand this
13:57who am I?
13:58who am I?
14:00what are you doing?
14:01you are a general
14:02you are a general
14:04Finn
14:05you are a shell
14:07that's why
14:08you are a general
14:09you have seen
14:10you have seen
14:11you have seen
14:12you have seen
14:13a general
14:15you have heard
14:16Finn
14:17that you are
14:18what are you?
14:19now
14:20go, soldier
14:21go, go
14:23I thought
14:24you have heard
14:25you have heard
14:26I have heard
14:27now
14:28go, soldier
14:29Arthur
14:30Finn
14:32Finn
14:33this
14:34this is the gun
14:35the gun
14:37the gun
14:38had taken away your body
14:39first
14:40and the other
14:44first and the other
14:51don't take the gun
14:52now
14:54don't take the gun
14:55clothes
14:56wear a suit
14:57a suit
14:58one thing
14:59that you will keep
15:00away from the conditions
15:01oh
15:03Tom
15:04you are here
15:05tell me
15:07I have a girl
15:08I will marry her
15:09I will marry her
15:10go, go
15:11go
15:12go
15:13Finn
15:14this girl
15:15tell me
15:16this girl
15:17this girl
15:18this girl
15:19this girl
15:20this girl
15:21so
15:23look at her
15:24look at her
15:25look at her
15:26look at her
15:27look at her
15:28go
15:29let's go
15:30here
15:31Arthur
15:32Lizzie
15:33and Ruby
15:34they are now
15:35they are
15:36yes
15:38they are
15:39they are
15:40they are
15:41they will go home
15:42they will go
15:43they said
15:44they were told
15:45they will talk
15:46they will talk
15:48I will talk
15:49very much
15:50they are
15:51in the kitchen, there are children running, I don't give attention to them, I don't listen to them.
15:58Yes, whatever you say is all right.
16:01In fact, this is your life.
16:10No, I don't like it.
16:12I don't like it.
16:14I don't like it.
16:16I don't like it.
16:18I don't like it.
16:20I'm going to go to Liverpool.
16:22I'll go to Liverpool.
16:24I'll go to Liverpool.
16:26I'll go to the station station.
16:28You hear it?
16:30Yes, sir.
16:32Tommy,
16:35I heard one thing I heard.
16:39He talked to me about it.
16:42I don't like it, Tommy.
16:46You're not sleeping.
16:48When I'm sleeping,
16:52I'm going to sleep.
16:54I'm going to sleep.
16:56I'm going to sleep.
16:58I'm going to sleep.
17:00I'm going to sleep.
17:02I'm going to sleep.
17:04Arthur, I'm going to sleep.
17:08Arthur!
17:09I'm going to feel that anchor in a pendant.
17:11Arthur,
17:13I'm going to be wearing the ritual.
17:15Arthur...
17:16Arthur!
17:17Arthur...
17:18Yes.
17:19Heather, Vanderna.
17:20Yes.
17:21Yes.
17:22Yes.
17:28Who knows how to do it?
17:30Hco.
17:31Mr Shelby, the police will come here.
17:39The police will come here.
17:40He's not in uniform.
17:42He said that the meeting is un-official.
17:49How are you? Did you get some tea or not?
17:51No, I don't need Mr Shelby.
17:53I'll take more time.
17:54Good.
17:55I don't have much time.
17:58Mr Shelby,
18:00two days ago, there was a bomb.
18:02One man died.
18:04And this was a murder.
18:06The place was in Medavale.
18:09The only thing is, why is this place?
18:14His name was Levitt.
18:18And he was a journalist.
18:30He said,
18:32He said,
18:34He said,
18:36He said,
18:38He said,
18:40He said,
18:42He said,
18:44He said,
18:46He said,
18:48He said,
18:50He said,
18:52He said,
18:54He said,
18:56He said,
18:58He said,
19:00He said,
19:02Mr. Levitt,
19:04He said,
19:06He said,
19:08He said,
19:10He said,
19:12He said,
19:14He said,
19:16He said,
19:18He said,
19:20He said,
19:22Mr. Strick,
19:24Mr. γ‚γ‚Š dur Π½Π°Π·Π² saying,
19:26Mr. Strick.
19:30Mr. Strick.
19:32I love families here.
19:33Mr. Strick.
19:34Mr. Strick.
19:38But,
19:39Why haven't we got a notebook?
19:44Mr. Strick Err.
20:22Hello, bomb.
20:37This is Gina.
20:41Gina Cray, the captain has been married to the ship.
20:48This is my BVM mom, a mail mail please.
20:53Tommy said that I will ask you, tell me what is the truth.
20:57We are going to travel for 15 days, Mrs. Gray.
21:00Do we need to talk more about this?
21:02Yes, let's go to the house.
21:04There is no house when you don't tell the truth.
21:08Here?
21:10Yes.
21:15Michael!
21:18My brother!
21:21Welcome to Birmingham, huh?
21:25Michael.
21:29Okay.
21:30Okay.
21:33Our ship was in the first place.
21:35Two men left me from the ship.
21:37Who are you?
21:38I'm talking to my daughter.
21:39Go to the house.
21:40Go to the house.
21:41And you also go to the house, Arthur.
21:45This is my wife.
21:47And I will take it all for everyone.
21:52Let's go, Gina.
21:53Excuse me.
21:54Excuse me.
21:55Look at them.
21:56Look at them.
21:57Look at them, Gina.
21:58They are like me.
21:59They are like me.
22:00Do you want to be honest, Arthur?
22:01Do you want to be honest, Mom?
22:02Do you want to be honest, Mom?
22:03I have no doubt, I have no doubt.
22:04I have no doubt.
22:05You are like me.
22:06You are like me.
22:07I am like my friends.
22:08Do you want to be honest, Arthur?
22:09Do you want to be honest, Mom?
22:10That's my friends.
22:11Do you want to be honest, Arthur?
22:12Do you want to be honest, Mom?
22:13Do you want to be honest, Mom?
22:17My family, I have no doubt.
22:21Not."
22:22So now, Mom.
22:27Let's go to the house.
22:28I've been waiting for you, Midland Hotel.
22:31I've been waiting for your head.
22:32So it's going to be the order of Tommy?
22:35No.
22:36Midland Hotel is coming to Tommy's house.
22:39foreign
22:45foreign
22:51foreign
23:05Yeah, you're safe.
23:08Go out, Arthur.
23:10Don't go out, Arthur.
23:12No, Paul.
23:21Here, baby.
23:22Don't go out, baby.
23:25Go to Tommy.
23:25Don't go out.
23:26Don't go out.
23:26Don't go out.
23:27Don't go out.
23:27Polly is saying that Michael is saying that Michael is saying.
23:30No, no, don't go out.
23:32Don't go out.
23:33It's okay, Paul.
23:35Oh, God.
23:38You're big.
23:38You look like an old man.
23:44Or.
23:46Welcome to the family, Gina Gray.
23:54I'm going to give up to Mr. Rowley's education bill.
23:56I'm going to give up to school for 15 years.
24:00I'm going to give up to...
24:02All these folk, they think that I'm evil like I, I'm the living devil in South.
24:11All these folk, they think that I'm evil like I, I'm the living devil.
24:18Oh...
24:18Oh...
24:18Oh...
24:18And where the agreement is, where the sympathy can be, the country is with us.
24:22We are...
24:22Josh...
24:23All these people are very well.
24:24Oh...
24:24See you...
24:25This country is with us.
24:26Oh, dear.
24:26Oh, dear.
24:27Oh, dear.
24:28We are very well.
24:29Oh, dear.
24:29Oh, dear.
24:38Mr. Shelby
24:47You have to admit that you have a great speech in house
24:52This is a beautiful surprise
24:55This is my wife
24:57She is pregnant
24:58She is dangerous
24:59Oh, we are dangerous
25:01Who is?
25:02Who is?
25:03We are a collective noun
25:05Here I have a group of people who are very young
25:09And as I said, it is a dangerous person
25:13Mr. Shelby
25:16You have a name for this
25:18Whiskey, Irish
25:21You have to give me a bottle and one for me
25:25You have to give me a bottle
25:27What will you do?
25:29I have to drink
25:30How do you know about the bottle?
25:32I have to give you a bottle and one for me
25:37May Carlton
25:38When I asked you, I asked you, what did I say?
25:41Where did I start to start?
25:42And you are asking me
25:44Why are you asking me?
25:46Because I said, I have a dangerous person
25:49I have to give you a bottle for me
25:51And you are asking me
25:52Where did I start?
25:53I was hoping that we will do this meeting
25:55I will do this meeting
25:56I would do this
25:57My wife is my prince
25:58My wife is my responsibility
25:59And my advice is that you don't get from Mr. Moseley
26:00And I am not to get from it
26:02Because I am dangerous
26:03I am not
26:03No
26:04You are so very polite
26:05You are so polite
26:06You are so polite
26:08Mr. Moseley
26:09I am so polite
26:10I am so polite
26:11I am so polite
26:12I am so polite
26:13Bennett!
26:43You don't get it from your party.
26:45What do you think?
26:47That you are going far from your party.
26:50It's a different direction.
26:52And which direction is?
26:54Fascism.
26:58We are from our country and we are very clear.
27:03My name is a very wonderful thing.
27:06What direction are you going, Mr. Shelby?
27:10I am going to give you a crown.
27:13You are more Irish than me.
27:17It's my style.
27:19I have everything I love.
27:21It's complex.
27:22Is it not?
27:34What do you say, Mr. Shelby?
27:37Do you have asked me?
27:40It's probably time to ask me.
27:43Tommy, my country is from me.
27:45And I am very clear.
27:47We have to start a conversation.
27:49There are some people with Belfast.
27:52There are no official dealings with them.
27:56I am going to give a great speech.
27:59There will be a promotion too.
28:02From the junior minister, Dutchie of Lancaster.
28:07I mean Birmingham.
28:09The island is very boring.
28:11Thank you for your whiskey, Mr. Mosley.
28:13What was the most fun of the city?
28:14The island.
28:15The whole day.
28:16The island.
28:17The two days just went on the island.
28:18What's the idea of an island?
28:19The island.
28:20The island.
28:21The island.
28:22The island.
28:23The island.
28:24The island.
28:25The island.
28:26The island.
28:27The island.
28:28What do you mean?
28:29Ada.
28:30You go home.
28:31And contact us with these people who have dealt with the dealings.
28:33When you were in Boston.
28:34you were in Boston, tell them about him.
28:36What do I ask about Michael?
28:40That he is meeting with me,
28:41who has been meeting with me,
28:42and who has been meeting with me?
28:44Why?
28:45Especially with such people,
28:47you must ask whom he got to Glasgow and Belfast.
28:50Tommy, why don't you go with me?
28:53You can play chess with me,
28:55I can listen to the call,
28:57I can listen to the house tomorrow.
28:59That's not enough,
29:00he was talking about Irish whiskey.
29:02What do you know?
29:03What do you know, Tommy?
29:05What are you talking about?
29:06I'm talking to you,
29:08my car.
29:09My car.
29:10My car.
29:11My car.
29:12My car.
29:13People think I'm going to die,
29:14that's why they're going to die.
29:16Who thinks that?
29:17They're like,
29:19who's going to die?
29:20Who's going to die?
29:21Linda,
29:22she wants for Arthur.
29:24Abirama Gold,
29:25North Valley Log,
29:26Mitle.
29:27You go home and start calling.
29:28I think the protesters are coming.
29:29I think the protesters are coming.
29:30I'll go back to Birmingham.
29:31I'll go back to Birmingham.
29:32And start calling.
29:33I think the protesters are coming.
29:34I think the protesters are coming.
29:35I'll go back to Birmingham.
29:36I'll go back to Birmingham.
29:37I'll go back to Birmingham.
29:38And plan...
29:39ν›„.
29:40Hmm.
29:54wall.
29:55board high...
29:56uzk
30:05Okay?
30:07I'll leave her behind her.
30:15I'll leave her here.
30:20Thomas.
30:29At night I had a dream.
30:31And I saw a dark girl.
30:34Oh
31:04Tommy, I want to meet you with my wife, and yes, I want to say something to you.
31:26Sit down, Michael.
31:27I have blamed you, but only in your heart.
31:30There was a time in America, there was a lot of money in a bank.
31:37And I thought that I could move to California.
31:41Someone said that in movies, you can put money in Hollywood.
31:47But me, Gina has stopped me.
31:50Gina has said that...
31:51I told you to sit down, Michael.
32:00Now, tell me what happened in the ship in the Belfast Harbor.
32:07Belfast Harbor.
32:08New York to come back to the time, we got married.
32:14But we wanted to go to a manager.
32:16We wanted to go to a manager.
32:18We wanted to go to a manager.
32:20We wanted to go to a manager.
32:22I told you that there was a whiskey distillery in County Dairon.
32:29I was going to go to America and I had to go to America, so I told you that we met them.
32:34When I came to go to a manager, I realized that he was not going to make a whiskey.
32:37He was Scottish at Glasgow.
32:39I didn't understand that.
32:41I don't know.
33:11What did you say?
33:13What did you say, Michael?
33:15I don't have time to say anything.
33:17The ship was police.
33:19I thought they were police.
33:21But they were...
33:23They were...
33:25They were...
33:27They were...
33:29And they were...
33:31They were...
33:33They were...
33:35They were...
33:37They were...
33:39That glass go's people...
33:41Billy boys...
33:43Can you please...
33:45By the way...
33:47They're all...
33:49He's all...
33:51In the past...
33:53They're all...
33:55So...
33:57They're all...
33:59They also agree with the fascists who send their own people to the rallies.
34:06But you didn't have any deal, Michael. You didn't know who it was.
34:11I was so busy to hear you and hear good news for you.
34:15Gina and I have married to the ship because Gina is pregnant.
34:20Now you are a father.
34:29Okay, Michael. I'm sure you are.
34:35Welcome home. Congratulations.
34:39But remember that your children have heard what you said.
34:47Thomas.
34:48And if he will be born, he will be the same.
34:50Series 3.
34:51Take yourself, Michael.
34:53You are crazy.
34:56You are crazy here, Michael.
35:01You are crazy.
35:03But you are free, Michael.
35:05You understand?
35:06You have a lot of money for the company.
35:09I told you to buy it.
35:11But you didn't buy it.
35:14And now you will lose all the money that you have gained.
35:18There are a lot of work that you can do.
35:21There are many risks that you can take.
35:23You are crazy here.
35:24We are close to you.
35:25But now I want to be close to you.
35:29Michael.
35:30Honey.
35:31Look at your cousin.
35:34He is in the situation, right?
35:35Yes?
35:36He is in the situation.
35:37He is your responsibility.
35:40Come on, baby.
35:42Let's go.
35:44Let's go
36:10Look at his strength
36:12Oh
36:42Oh
37:12Hello hello
37:26Hum hai Billy boys
37:28Hello hello
37:30Hum hai Billy boys
37:32Humaree gudnod carfennionz ka kun hai surrender karo ya mat jaho
37:37Hum hai brickland dairy Billy boys
37:42This is not a job.
37:44The kids are not working.
37:51The garbage has been destroyed by the gypsy.
37:54Mr. Gold.
38:00Are you still here?
38:02You have heard me?
38:04These are all the boys.
38:07and I am
38:11I am
38:14Jimmy
38:17Oh no
38:19I am
38:20my
38:21my
38:22my
38:23my
38:24my
38:25my
38:26my
38:27my
38:28my
38:29my
38:30my
38:31my
38:32my
38:33my
38:43my
38:44my
38:45my
38:46my
38:47my
38:49my
38:50my
38:51fighting again up khatam
38:55because I want to tell Mr. Shelby
38:57about to know
38:59that his best fighter
39:01is not a best
39:03not a best
39:05not a best
39:11Bonnie
39:13Bonnie
39:15Bonnie
39:21Bonnie
39:29Bonnie
39:33Charlie
39:43Please
39:45Why
39:46Come on, fighter boy. I will have a good death.
40:02I can't see you.
40:13Bunny!
40:15Bunny!
40:17Tommy Shelby says that he is going to be a part of the time, we will go to Nottingham to South
40:37I will take all the tracks and also Chilton Ham.
40:42Otherwise, he will also be Thomas Shelby who will be thrown into the sea and he will not be born again.
40:52Come on boys.
41:07But when you're crying, you bring out the rain, so stop your crying.
41:37Ladies and gentlemen, I'm taking a small break. Sorry.
41:43You're so beautiful, Billy. You're so beautiful. You're so beautiful. You're so beautiful.
41:57You're so beautiful.
42:27You're so beautiful.
42:57You're so beautiful.
43:27You're so beautiful.
43:57You're so beautiful.
43:59You're so beautiful.
44:01You're beautiful.
44:03You're so beautiful.
44:05You're so beautiful.
44:07You're so beautiful.
44:09You're so beautiful.
44:11You're so beautiful.
44:13You're so beautiful.
44:15You're so beautiful.
44:17You're so beautiful.
44:19You're so beautiful.
44:21You're beautiful.
44:23You're beautiful.
44:25You're beautiful.
44:27You're beautiful.
44:29You're beautiful.
44:31You're beautiful.
44:33You're beautiful.
44:35You're beautiful.
44:36You're beautiful.
44:37You're beautiful.
44:39So what plan is it?
44:49I just want you, Billy.
44:52You can write your name and number on every football team.
44:59Why?
45:00That's why people are like this.
45:04We are in the past.
45:06We have to fix the race.
45:08We have to fix the race.
45:10We have to fix the race.
45:12We have to fix the race.
45:26Now, you have to pick a blender, Billy.
45:34What is it for you?
45:40I have written a letter.
45:43Who is it?
45:48For you.
45:50And Lizzie is for Tommy.
45:52Okay.
45:54Can I read it?
45:56Okay.
45:57Can I read it?
46:00It hasn't been done yet.
46:02I have written a number of parts.
46:05I have left my drink.
46:07I have left my drink.
46:08I have put my drink in the toilet.
46:10I have put my drink in the toilet.
46:12I have put my drink in the toilet.
46:14I have put my drink in the toilet.
46:16I have put my drink.
46:17I have put my drink in the toilet.
46:21There are just my home in the toilet.
46:22Do it?
46:23And I have put my drink in the toilet.
46:25I have put my drink in the toilet.
46:27Andaming me too.
46:28We have put my drink in the Atlantic out.
46:29I have written a letter.
46:30To my Indianι…’ Sprans.
46:31And other company.
46:33On the Atlantic outwhat theủ�� business.
46:34I have put your drink in the toilet.
46:35I'll be here.
46:37You just talked about time.
46:39Yes, we've made a plan.
46:41Oh, so you've made a plan?
46:43Lizzy said that if he is such a way,
46:45Tommy doesn't get two years, he'll be far further.
46:47Oh, Lizzy said that?
46:49Seriously?
46:51How far he's gone?
46:53Linda, how far?
46:55He's got money from America.
46:57He's got Michael's job.
46:59He's fixing his job.
47:01He's fixing his job.
47:03Like Shelby Company Limited
47:05to earn money in cash.
47:07He's going to China Town.
47:09He's buying the communists
47:11to British intelligence.
47:13And he's becoming more popular
47:15every day.
47:17But there's nothing.
47:19Because if you get two and two,
47:21there's four.
47:23We didn't do anything.
47:25We didn't do anything.
47:27Linda, go.
47:29What do you know?
47:31And Lizzy has,
47:33you've planned everything.
47:35That's right, right?
47:37But listen to me,
47:39you have to live here
47:41and live here.
47:43We'll become a good couple.
47:45We'll go inside.
47:47We'll go inside.
47:49We'll go inside.
47:51And love.
47:53I'll go inside.
47:55I'll go inside.
47:56I'll go inside.
47:57I'll go inside.
47:58I'll go inside.
48:00I'll go inside.
48:02I'll go inside.
48:04But now I'll think
48:06I'll go inside.
48:08I'll go inside.
48:10I will be able to get into my wallet.
48:13Who is the second one?
48:15Who is the second one?
48:17Who is the second one?
48:19What have you done with me?
48:35I have to open it.
48:37Arthur has also.
48:39Yes.
48:41Before you studied it?
48:43Yes.
48:45Arthur has not done this.
48:51There is no benefit.
48:53You don't have the spellings.
48:55I have not done the whole school.
48:57You have studied the lawyers?
49:00In the bedroom?
49:02It seemed.
49:06Do you eat it or not?
49:08No.
49:09Do you have calls?
49:10Yes.
49:11Yes.
49:12Yes.
49:13Yes.
49:14Yes.
49:15Yes.
49:16Yes.
49:17Yes.
49:18Yes.
49:19Yes.
49:20Yes.
49:21Tomy.
49:25Do you know why I came home from Arthur's house?
49:28Because he said that he is afraid of you.
49:31When you don't have a house, he becomes a different child.
49:36But I have bought it.
49:38So, go there.
49:40We are in drawing room.
49:46Lizzie.
49:51Lizzie.
50:21Lizzie.
50:22Lizzie.
50:24Lizzie.
50:25Lizzie.
50:27Lizzie.
50:28Lizzie.
50:29Lizzie.
50:30Lizzie.
50:31Lizzie.
50:33Lizzie.
50:35Lizzie.
50:36Do you want me to write all of this?
50:40Do you want me to write all of this?
50:45I and Arthur can't write all of this.
50:48Because it doesn't have to be an expression for us.
50:54It doesn't have to be an expression for us.
51:00Do you know what the bad thing is?
51:03We could have been able to complete school.
51:06But we could have been able to do our work.
51:10I'm not even getting a expression.
51:21If you want to be a bad thing, Tommy,
51:24whether you want to be a person or someone else,
51:25then the person who takes place is me.
51:30Legally, financially,
51:33every way.
51:33I'm not going to be a bad thing.
51:35Do you know anything else or not?
51:38Do you know, Lizzy?
51:40I'm giving you money to your mind.
51:42So, for staying together, good luck.
51:44Myrbaskamy
52:14Happy birthday to you
52:22Happy birthday to you
52:26Yes, I'm going to ask you some questions
52:27That night, when you came to Michael Gray
52:31Wishmango
52:40Yay
52:41Let's go, let's sleep, let's go
53:09Why? Who is coming?
53:11This is the case Charles, we don't know
53:13We don't know
53:15We don't know
53:17We don't know
53:19We don't know
53:21We don't know
53:23We don't know
53:25We don't know
53:27We don't know
53:31We don't know
53:33We don't know
53:35We don't know
53:37We don't know
53:39We don't know
53:41We don't know
53:43We don't know
53:45We don't know
53:47We don't know
53:49We don't know
53:51We don't know
53:53We don't know
53:55We don't know
53:57We don't know
53:59We don't know
54:01We don't know
54:03We don't know
54:05We don't know
54:07We don't know
54:09We don't know
54:11We don't know
54:13We don't know
54:15And what's
54:17We don't know
54:19to my son.
54:22They killed him and killed him in the cross.
54:25She died.
54:27Who did that?
54:42Only Johnny Dogs and his friends know where our camp was.
54:45No, don't worry.
54:46You said that I never know anybody.
54:52You are a bitch.
54:54Please keep going!
54:56He killed him and killed him.
54:58I killed him.
54:59My brother died.
55:01She died.
55:05My son is a liar.
55:07If he doesn't get hurt, he will cut down.
55:09I don't want to die.
55:10My son is dead.
55:13My son is dead.
55:14My son is dead.
55:16With fake hands, how will this man change his son?
55:26They sent me to my son.
55:30It's your fault.
55:41Go away from my house!
55:43You all!
55:44Go away from my children!
55:48This is my house.
55:51And back, Mahtana.
55:53Have you come to understand my story?
55:55I'll be right back.
55:56I'll be right back.
55:57I'll be right back.
55:58I'll be right back.
55:59I'll be right back.
56:00I'll be right back.
56:01I'll be right back.
56:02I'll be right back.
56:03I'll be right back.
56:04I'll be right back.
56:05I'll be right back.
56:06I'll be right back.
56:07I'll be right back.
56:08I'll be right back.
56:09I'll be right back.
56:11I'll be right back.
56:12I'll be right back.
56:13I'll be right back.
56:15I'll be right back.
56:16I'll be right back.
56:17This is my need for everyone.
56:24Call the ambulance.
56:26Otherwise, a man will close his hand.
56:47Come, Johnny.
56:49Come, Johnny.
56:55Tom.
56:57Tom.
56:59I'm not a good guy, Tom.
57:01I know, Johnny. I know.
57:03In this whole world,
57:05in all the people
57:07you are the only one who I have for two years.
57:17On the gathering
57:33storm comes a tall
57:35handsome man in a dusty
57:37black coat with a red
57:39right hand.
57:47His shadow is cast wherever
57:51he stands.
57:53Stacks of green paper in his
57:55red right hand.