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Igra sudbine Epizoda 1449,Igra sudbine 1449,Igra sudbine 1450,Igra sudbine Epizoda 1449, Igra sudbine Epizoda 1450,Epizoda 1449 Igra sudbine ,Epizoda 1405 Igra sudbine

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00:00I don't know what to do with my husband.
00:30And that's exactly what I don't want to do.
00:34Don't do it!
00:38Do you think Lenka was upset?
00:41Why did she upset?
00:43Well, I don't know why.
00:48I don't know why.
00:51I don't know why.
00:56I don't know why.
00:58I don't know why.
01:00I don't know why.
01:02I don't know why.
01:04I don't know why.
01:06I don't know why.
01:08I don't know why.
01:10Hey, how are you?
01:12Hey, hello.
01:14Do we have to ask you something?
01:16No, it's time for me.
01:18Come on, talk.
01:20Talk.
01:22I need Goranov number.
01:26Wait, wait.
01:27We didn't have anything planned.
01:29It wasn't really like that.
01:31And I know it wasn't like that.
01:32I don't understand.
01:34You tried to get to Mine.
01:37That's so figuratively.
01:39Wait, wait.
01:40Is that a joke?
01:42It's true.
01:43It's true.
01:44It's true.
01:45If you want to develop it, it's a great joke.
01:47Wait, wait, wait.
01:49You're the advice for me.
01:50You have to look at it.
01:51You have to look at it.
01:52You have to look at it.
01:53And?
01:54What now?
01:55I don't know.
01:56I don't know.
01:58I don't know.
01:59I don't know.
02:00I'll tell you something.
02:02I'll tell you something, Mina.
02:04Mina.
02:05E, sad si me već uplašila.
02:07Što sam te uplašila?
02:08Pa šta?
02:09Hoću ti kažem samo normalno par reči.
02:12Ja mislim da Darko moljaš.
02:17Šta?
02:18Ja mislim da Darko molja nešto sa tim plazerom.
02:23A to.
02:24Hvala ti na obaveštenju.
02:25To sam i sama zaključila.
02:28Ej.
02:32Olga.
02:37Moramo da porazgovaramo o nečem ozbiljnom.
02:40Čemu?
02:45Ne mogu više da budem tvoj menađer.
02:51Nego...
02:53Jel treba još nešto možda?
02:55Htela sam nešto da ti pitam.
02:57Kaži.
02:59Da li vi posle sa mnom otišava na pići?
03:06Oh!
03:10Kako ide prodeja?
03:12Možda sam.
03:13Pa evo, gledam sad.
03:14Sasvom zadovoljava ići.
03:15Aha.
03:16Šta vi to meni radite?
03:30Šta vi ovo?
03:32Jeli?
03:34Kako si ti po ovom pitanju?
03:37Kojem pitanju?
03:38Kojem pitanju?
03:40Ovo što Natalija Juri Goran...
03:42Pa to...
03:44Pa...
03:45Ok, što mislim...
03:47Recite mi, ko ima većinu u ovom trenutku?
03:51Magda.
03:53Dobro, to znači da naš dogovor i dalje važi.
03:56A vi vaše probleme rešavajte u okviru vaše kuće.
04:02Mi nemamo zaista nikakve veze sa tim.
04:04Da, tako je. Mi pravimo dogovore samo sa onim kojima.
04:07Većinu i legitimitet za sklapanje tih posle.
04:09Eto, bilo kako bilo, to vam je to?
04:13Ne mogu više da budem tvoj menadžer.
04:17Jel se ti to zezeš?
04:20Ne, ne, ne, ne zezem se, ozbiljan sam.
04:23Čekaj, otkud sa to?
04:26Pa mislim da je...
04:28Tako najbolje za nas oboje.
04:31Pa zašto?
04:35Pa eto, tako sam odlučio.
04:38Čekaj, može tako sam odlučio, mora da postoji neki razlog nešto.
04:42E, ako je zbog onog intervjua zadovoljno što ti nisam odmah rekla.
04:45Nije zbog toga ovdje.
04:47Pa za čega je ovdje?
04:48Ne radi mi se više to.
04:54Kako možeš da kažeš ne radi mi se više to?
04:57U mojoj klinici pravila se moraju poštovati.
05:00Naravno.
05:02A posebno pravilo je da nema mešanja poslovnog i emotivnog.
05:07Razumem.
05:09I to pravilo se mora poštovati?
05:11Obećajam da ću ga od sad poštovati.
05:13Dobro, da je dobra taktika.
05:15Jel misliš?
05:16Da, mislim, mislim.
05:18Samo se toga treba držati.
05:20Nema druge opcije što?
05:21Ja se slažem.
05:22Odlično.
05:24Samo treba imati na ovu jednu stvar.
05:26Koja?
05:28Očegledno je ovo situacija u kojoj će da bude puno obrta.
05:31Treba da budemo spremni, da uvek možemo da pogučemo ručno.
05:35Kažu da život piše romane, kažu da život nije fel.
05:47Kažu da život piše romane, kažu da život nije fel.
06:01Ponekad pobodi, al često mane, i sve je nežesno, osim sudbine.
06:12Kao ljubavi u ratu, kuca se nema pravila.
06:26Imaš jedan život, samo jednu šansu, da postaneš nikom.
06:32Jel zvezda svemira.
06:40Igra sudbine, kao kolo sreće.
06:44Nekoga hoće, nekoga baš neće.
06:48Kao naru letu, sve se opleće, a mi smo cao ti.
06:57Svoje sudbine.
07:02Oh, oh, oh, oh, oh, oh, oh, oh, oh.
07:32Come on, live.
07:37How nice that we could go to the party.
07:40You know me.
07:42It's a weird thing that you didn't have anything planned for the evening.
07:45You know what, I had something planned, but I noticed that you needed to be with me.
07:51It's true, I live.
07:53Okay, let's talk about what happens, what happens, how are you?
07:57I'll admit that it wasn't the best day.
08:02I understand, I'd be honest with you.
08:05What do you think?
08:07Okay, we're not on the job as you can see.
08:10We can talk now.
08:12What?
08:14What?
08:15The drama between Gorana and Natalia and Natalia.
08:18What?
08:20What?
08:21Gala.
08:22When it comes to that, everything is okay.
08:25I understand you absolutely.
08:28So, you can tell me everything.
08:31It's okay, but I don't know what I would say.
08:36I and him are not together.
08:39This is a free land, right?
08:43So, as far as I know, I can tell anyone who wants.
08:49I don't want to tell anyone.
08:50I'm sure.
08:51Natalia was looking for her number of phones, I gave her number of phones.
08:54That's all.
08:55Well, that's what you're saying.
08:57I mean, why do you want you to love me?
08:59It's true.
09:00Well...
09:01I don't care.
09:03But...
09:04How are you?
09:06How are you?
09:07I'm good.
09:09How are you?
09:11How are you?
09:12How are you?
09:13How are you?
09:14How are you?
09:15How are you?
09:16How are you?
09:17Good.
09:18How are you?
09:19How are you?
09:20Not bad.
09:21I wanted to talk to you about something.
09:25I don't know what to do with you.
09:27It's about Olga.
09:29I've decided that it's the best for both of you.
09:33Olga can still be alone.
09:35I can only go on the journey of her career.
09:38What are you talking about?
09:41You're talking about Olga.
09:43What happened?
09:45What happened?
09:47What happened?
09:49What happened?
09:51What happened?
09:53Alexa, all right.
09:55I'm not going to be the manager of Olga.
10:09I'm telling you that I need to drink this.
10:12What happened?
10:13What happened?
10:15Nothing.
10:17But Alexa came to the idea
10:19to interview us with Olga.
10:21Really?
10:22What happened?
10:23You see, you're not afraid.
10:24Okay.
10:25I don't like it to me.
10:27I don't like it to me.
10:29I think it was a strange thing when I first heard it.
10:32I thought I thought I was a little bit and realized that it wasn't a bad idea.
10:36I think that our readers would be happy to read that story.
10:40I think that it would be interesting to me.
10:43Okay, you're not.
10:44You're not.
10:45But you're not.
10:46Do you know where to be?
10:47Do you think you're interested in all of that?
10:48I'm in a dilemma.
10:50I don't know if it's funny that this story is true.
10:54How is it so?
10:55I don't know if it's an offspring that changed to me.
10:59Do you understand that?
11:00I don't understand if it's an Child of Rights.
11:01Do you understand that?
11:02Do you understand what it means to me?
11:03I understand.
11:04I understand.
11:05But, from other hand, this is definitely material to our film.
11:09What do you think?
11:11You know, she's talking about an independent woman. She tries to create a career, to jure her dreams.
11:19That's one by one concept for Don.
11:24You're right, yes. You know what, tomorrow I'm going to propose to Jovan, but I'm going to do it for myself and not for Aleksa.
11:31Eh, that's right, because they're two of them.
11:34That's right. I think it's possible to say for me and for Jovan.
11:38And it's true, but she doesn't do you, because our chef is quite conflicted.
11:44Yes, it's possible to say that there is a conflict with other people.
11:48Yes, but because of those people, she's so successful in your life, real.
11:53You know what, she's doing?
11:54Yes, I'm doing it.
11:55I'm doing it.
11:56You can see it.
12:08You won't be the only manager.
12:10No.
12:11Okay, but what will she do?
12:12You see, Aleksa, I don't care for her. She's talented, capable. She's willing to care only about her career.
12:20And she's talking about this interview with her, which is great for her career.
12:26I don't know if it's a good idea. I mean, you two are a great team, really.
12:30Wait, wait, you're not talking about her because she's talking about things?
12:34Yeah, I don't want to move myself, nor to you, nor to you, nor to you, nor to you.
12:38What did you want to talk about?
12:40Oh, your novel.
12:41Oh, so, you said Olga's novel.
12:44Okay, is it a secret to write a novel?
12:46No, it's a secret to write a novel.
12:48It's a secret to write a novel.
12:50It's a secret to write a novel.
12:52It's a secret to write a novel.
12:54It's a secret to write a novel.
12:56It's a secret to write a novel.
12:58No, I don't believe it.
13:00I'm so tired.
13:02I thought that music is my passion.
13:04But then I discovered a novel.
13:08And I realized that I'm completely found in the novel.
13:12I started reading a novel.
13:14I started reading a novel.
13:16Was it an classic?
13:18Do you believe?
13:19And I thought that nothing more than me could do the world,
13:22I saw it.
13:24I saw it in all the stages.
13:26I know you're always listened to the drama.
13:28How there is a public response.
13:30Where we were, how the repertoire is being played,
13:33how the body was who was playing,
13:35how the atmosphere was playing.
13:36And although I did not mind as a romance,
13:39I found some of these,
13:41some of the pictures.
13:43And after some time I realized that something could happen, you know?
13:48And then you decided to start writing.
13:51Yes, yes, Alex.
13:53When I got out of music, I found out the book.
13:59And what for Olgu is music as a passion.
14:04To me is writing.
14:06What about Roman?
14:08I don't know yet, but there will definitely be some autobiographical elements, something like Bukowski.
14:15Will you write about us?
14:17No, no, no.
14:19Aksane will be on the streets of my life.
14:23But I will always change the people around me.
14:26I would like to ask you, when you get to the end, to see what you wrote a little bit.
14:32I'm afraid I don't want to see anything.
14:34No, no, it's clean. It's time to see what I want.
14:37I'm afraid.
14:38Whatever I write, you will be the first to read it.
14:41Before I say it, if God can.
14:44I'm sure.
14:45I have finished.
14:47If God won't let me take a prank, I will use it anymore.
14:56If God won't wait.
14:58Okay.
14:59All we are?
15:00How are you doing this thing?
15:01We should not like you guys, использnal reallyAPS!
15:03I am taking posts.
15:05I know, it's okay.
15:06If you sit down, wait, take it first, take it and take it.
15:09No, I can't.
15:11What do you mean? What do you mean? What do you mean?
15:15What do you mean? You have 15 kilos now.
15:19Take it and take it and take it and take it and take it.
15:21I can't. I can't really get it.
15:24I can't understand that. How can anyone not always get it?
15:31What happened?
15:33You know what is the most important thing?
15:36The most important thing is that you leave me, and not you.
15:40You need to make my own account.
15:42Why do you make my own account?
15:46I love you.
15:47Because I see that you make my own account.
15:49I didn't want you to do it, so you can only do it without the need.
15:55You have to do it. It was ok to you. It didn't have to be with me that you saw me with Nemanjom.
16:03What happened? We were talking about that.
16:06Don't talk about it!
16:08Let me know.
16:09I am not?
16:10I am not aware of it.
16:11I am not aware of it.
16:13I am not aware of it.
16:15I am not aware of it.
16:16I am not aware of it.
16:18I am not aware of it.
16:20It is very important.
16:22It is not aware of it.
16:24What is the point?
16:26What's important?
16:27It's important that you'll be happy.
16:30That's important.
16:32It's important to me.
16:34It's a good girl.
16:36Cool.
16:39I don't know him, but...
16:43I'm not sure what you're saying.
16:47If you're happy,
16:50it's important.
16:53What's going on?
16:55Okay.
16:57That's it.
16:58That's it.
16:59That's it.
17:02Thank you for the conversation, Mila.
17:05I'm sorry.
17:07I have to go now.
17:10Come on, come on.
17:12I have a lot of work.
17:15I work.
17:17Bye.
17:20Bye.
17:22Bye.
17:23Bye.
17:24Bye.
17:25Bye.
17:26Bye.
17:27Bye.
17:29Mile mi je bio.
17:31Mile joj je bio!
17:34Opet ti je bio Mile!
17:36Ma šta se ti prepetljaš ponovo s njim?
17:39Ne petljam se.
17:39Ništa nisem uradila stvar.
17:41What was it then?
17:43I don't know, I don't know how he was able to get me so easily.
17:48A...
17:50A Milet was bleeding?
17:52Yes.
17:53How do we know?
17:55I'm going to talk to you with Nemanja.
17:59And?
18:01And we were so angry with him.
18:03And...
18:04And...
18:05And...
18:06And...
18:07And...
18:08And...
18:10And...
18:11And...
18:12And...
18:13I didn't have to bring him.
18:14I'm going to talk to him.
18:15And?
18:16And...
18:17Cold.
18:18Like a pitcher.
18:20You can't believe how he got me out.
18:22What did he say at the end?
18:24I wanted you to die in this world.
18:28Dear Love.
18:38Here I am, come on.
18:45These people are drinking today.
18:47No, no, it's like that.
18:48No, you idiot.
18:54Good evening, my dear.
18:56How are you?
19:01Good evening, please.
19:03I am Nemelj.
19:04Good evening.
19:05I am Goran, good evening.
19:08Good evening.
19:12You are going to go to the kitchen.
19:14No, no, Goran, wait.
19:15Good evening.
19:17Good evening.
19:18Nemelj.
19:19What do you want to drink?
19:21Thank you, my dear, but I am not here to drink.
19:25It is amazing.
19:27What do you mean?
19:29It is amazing because this is...
19:31Yes, it is.
19:33I am not kidding.
19:34This is a cafe.
19:35Yes.
19:36Yes.
19:37Yes.
19:38Yes.
19:39Yes.
19:40I understand, I know that I am a cafe and I know that people drink here.
19:44But I will come to the other side with another reason.
19:47Aha.
19:48I would like to talk to you like a girl with a girl.
19:52With me?
19:53With me?
19:54With you, my dear.
19:55I don't know why.
19:57Mmm...
19:58I don't know why.
19:59But if you want to be a little bit, you don't want to drink.
20:04Please, please.
20:05Please, please.
20:06Please, please.
20:07Please, please.
20:08Please, please.
20:09Please, please.
20:10Please, please.
20:11Please.
20:12Please, please.
20:14Please.
20:15For what, Phil Ross?
20:17What did you feel in relation to all this, Has aic
20:38I don't know how it is, right?
20:40Yes, but I don't understand how someone can behave like this and get sick of things so easily.
20:46I understand. I know that he didn't get sick of me.
20:50But he does it well, understand?
20:53When I saw how he can behave...
20:56I was in the zone, wait...
20:58I need to feel...
21:00No, he needs to feel bad, but he doesn't feel bad.
21:03And I feel bad because...
21:05No, I can't.
21:07The best thing is that moment when he said to me,
21:11and when he looked at me and said to me,
21:13that I want you to be happy with all this stuff.
21:16Wait, wait, wait, wait...
21:19What is the problem?
21:21He brings it super.
21:23And I am smart.
21:25I am smart.
21:27I am smart.
21:29I am smart.
21:31I am smart.
21:33I am smart.
21:35I am smart.
21:37I am smart.
21:39Why?
21:40And then I am smart.
21:42That is a great thing.
21:44That is a great thing.
21:45That's a great thing.
21:46That is a recipe for someone to get sick.
21:48And then you say...
21:49Okay, now I have to be on,
21:50and I will get sick.
21:52That's right, I will get sick.
21:54What are you stupid?
21:56I tell you that I'm stupid.
21:58What are you stupid?
22:00That's what Mila does.
22:02It's a typical female thing.
22:06I don't understand.
22:08I don't understand.
22:10All of them are making sure that they are okay.
22:14They are female, you know.
22:16And then they get out of the room.
22:20And then they get out of the room.
22:22And the women are at the beginning.
22:26But after some time they are very good.
22:32And they will be same and their own.
22:34They will be okay.
22:36Yes.
22:38But believe me, and after everything that happened.
22:40Yes.
22:42I really wouldn't like it to be Mila.
22:44I wouldn't like it to be.
22:46I would like it to be able to continue.
22:48But I don't know.
22:50I don't know.
22:52Normal.
22:53I super mi je snemanja.
22:54I can't say anything.
22:56I can't say anything.
22:58But I can't stop.
23:00I can't move on.
23:02Normal.
23:03I can't move on.
23:04I can't move on.
23:06I can't move on.
23:07I can't move on.
23:08I can't move on.
23:10I can't move on.
23:12I don't need to thank you for everything I said.
23:15No, thank you!
23:16No, no, no, no!
23:18No, no, no!
23:19But I want to say,
23:21give me a little, let me go.
23:24Live that life.
23:26Life is to live.
23:28One and a half.
23:30Let me go, let me go, let me go.
23:32Let me go, let me go and do something.
23:35And time is to be worth it.
23:38And you go, let me go.
23:40Now, take the tanier and bring it to eat.
23:43Let me go.
23:44You have to take the meat.
23:45Who will you love?
23:47Again, thank you.
23:49I don't accept it.
23:52Oh, my God, what am I going to do with you?
23:56Let's eat now.
23:58This is good.
23:59Nothing is good.
24:00You don't want to eat.
24:01No, here's my mother.
24:02Let me go.
24:10Let me go, let me go, let me go.
24:14Mile, I know that we both don't know very well.
24:18And that you don't get me wrong.
24:20No, there's no intention to come here to be honest.
24:23Wait, wait, wait.
24:24Wait a minute.
24:26You came here to me, to the cafe,
24:30with your will, right?
24:32Yes, I came here to talk to you, Mile.
24:35But to not be some bad blood.
24:37Look, I won't be able to move into your Kain relationship,
24:42but I heard you leave her, not her to you.
24:47And that's why I came here to ask you if it was okay to see Kain.
24:53Wait, wait, you said you won't be able to be honest.
24:56Then you won't be able to be honest.
24:59You know?
25:00I want to say that I don't have tapio on Kain's life.
25:04She can do whatever she wants.
25:07And I just have to ask you one thing that can.
25:11Of course.
25:12Let me go.
25:14To be good, according to Kain.
25:18Because she deserves to be happy.
25:21I agree.
25:23And when it comes to this, you don't have to be honest.
25:25I didn't have any advice.
25:27I don't have to hurt Kain in any way.
25:30So don't be honest.
25:32Thank you for this conversation.
25:34I have to go.
25:36See you.
25:48You want me to...
25:50Bye.
25:51Bye.
25:54To be honest, you can see you in front of me.
25:56To be honest.
25:57Hey, what do you want?
25:58I'm sorry.
26:28Well, I'm glad that you've got the courage to call me.
26:42Hi Barbara!
26:44Hello, Bukhašina.
26:46Hello, what are you doing here?
26:48Well, there's nothing special, only that I've finished the task that you gave me, and it's very successful.
26:58. . .
27:13Hello?
27:17I didn't expect that.
27:19It's not like that.
27:27Is it?
27:29Why did you try to come to me?
27:33Me?
27:35I don't know.
27:37That wasn't it.
27:39It was.
27:41He asked me to drink coffee.
27:45I go to the office.
27:47When you think about the place,
27:49you have to take a seat in front of your house.
27:51It's about 500 meters.
27:53Okay.
27:55I like to go.
27:57You know, like those who go on fast.
27:59For me, 500 kilometers is like 50 meters.
28:03A meter is like a centimeter.
28:05Okay, let's go.
28:07Okay.
28:09Sorry.
28:11It looks like I don't need to go.
28:13I'm happy to drink coffee.
28:17I'm happy to call me directly.
28:19I like that.
28:21I like it.
28:23It looks like this meeting with Darko didn't have a lot.
28:25Of course not.
28:27Just to add that...
28:29Darko and I are really good friends.
28:33We're together.
28:35I have a friend's advice.
28:37No more.
28:38I'm really happy that you're together with Darko.
28:41What does that mean?
28:43Darko and I know him from my feet.
28:45He knows that he will be hurt.
28:47But I can only go to him.
28:49And I have only trust in him.
28:51Yes.
28:52Darko is cool.
28:53Yes.
28:54That's right.
28:55So, if he's got you,
28:58you have the opportunity for me.
29:02For a friendship.
29:04For a friendship.
29:09It looks like it's good.
29:10What?
29:11That's what I'm going to do with Darko.
29:16Okay.
29:17What do you want to drink?
29:19Can I drink water?
29:20Can I drink water?
29:21Can I drink water?
29:22I can drink water for me.
29:24No.
29:36You've also discovered that you are related to the FSIP.
29:40Yes.
29:41It wasn't really difficult.
29:43Really not.
29:45Yes, really.
29:46I just clicked the data
29:48about their own knowledge
29:50about the High Technology Association for criminal
29:52They all knew for 5 million dollars.
29:54Like I said.
29:55Good.
29:56I don't know what you've been doing to me.
30:00When you can finish it with a call.
30:03I don't know if I'm going to finish it.
30:05I'm going to stay here.
30:07I have to get someone to go.
30:09Is that right?
30:12Yes.
30:13I have to know who is going to be, who is going to be, who is going to be.
30:19It's really fun.
30:21Who is the tractor, who opens the door.
30:28I think that I will open the door.
30:31No, I will open it.
30:33I don't know what to do with it.
30:36I don't know what to do with it.
30:38If you want to go back to the door.
30:43I ask you to go back to the door.
30:51I will tell you about identity.
30:53You don't know the person who is in society.
30:55You won't believe when you will hear it.
30:58Who is that?
31:00That is someone who you know.
31:08Who?
31:09Mito.
31:11Mito Pjanović.
31:12He is standing in front of me.
31:21How did I deserve this honor?
31:28I have given your number and when I have him in the name, I don't want to stop.
31:33I agree with you.
31:35The name is also stupid.
31:37What do you say, dear?
31:39What do you want to do with me?
31:41What do you want to do with you?
31:43Nothing special about you.
31:45I understand that I cannot talk on the phone.
31:47Not me.
31:49Not me.
31:50Can we go back to the door?
31:53We could.
31:54We could.
31:55We could.
31:56We could.
31:57We could communicate.
31:58I agree.
31:59When do we go?
32:00Do you want tomorrow?
32:01Maybe.
32:02I have only one request.
32:04Who?
32:05To meet us in Maldivina, since we are working tomorrow.
32:08Of course.
32:09We talked about it.
32:11Yes.
32:12See you tomorrow.
32:13See you tomorrow.
32:14See you tomorrow.
32:16Hmm.
32:19Yeah.
32:21That is a pleasure.
32:22If you know Darka, it will help you.
32:25Why?
32:26What's funny?
32:33It's funny that if you know Darka, it doesn't mean that it will help you.
32:40Why?
32:41Because if I prefer the other situation, Darko doesn't ask you.
32:45Okay, I think that's your free will.
32:48That's it.
32:49But I would like to listen to him for a while.
32:53Well, I'm sorry. I think it's time for a little bit to get rid of it.
32:58And to get better to get rid of it.
33:01There is a lexicon question, isn't it?
33:03Yes, I'm a young man. I'm a professional deformity.
33:06Okay, that's right.
33:08I know a lot of things about you.
33:11Because of the interview.
33:14Yes, that's not fair.
33:16You know a lot of things about me, but I don't care about you.
33:19I'll tell you everything.
33:21What do you care about?
33:23I'm a horoscope.
33:24Okay.
33:25I'm a princess.
33:26Okay.
33:27I love everything that I love.
33:28I love my job.
33:30I love my job.
33:31And I'm going to make a beautiful newspaper career.
33:34I'm going to do this job of my whole life and enjoy it.
33:37Is it enough?
33:38I'm a nice guy.
33:40I'm a nice guy.
33:41I'm a nice guy.
33:42And a guarantee?
33:44There is no guarantee.
33:46Do you know?
33:47I'm able to bash this.
33:53Okay, sure.
33:54Excuse me.
33:57Yes, sir.
34:02I want you to know.
34:05Excuse me, a vermouth for the lady, enjoy it.
34:10Whiskey for the lady, please.
34:13If you need something, be free to call me.
34:16I serve you for that, enjoy it.
34:24Pajo!
34:26Shivana!
34:27There you are!
34:28Is that your mother?
34:30Yes, I am.
34:31Where is your wife?
34:33I have seen it.
34:35I was on the Instagram page, it was a great deal.
34:37I said to myself that you are a manager of this sign-up and renowned place,
34:40very nice.
34:41Really nice.
34:42On the pictures, it was not the real thing in the woods.
34:45No, don't I want to talk, you are a manager here.
34:48I am a manager, but I'm a bit.
34:51I am a man-a-bunty, a life-a-brunty,
34:54I'm a house-master,
34:56as that says, a crate.
34:58That's beautiful, but not so bad.
35:02Thank you very much.
35:04Here, here, I'll just...
35:06I don't have two minutes left.
35:08I pray, sit here.
35:10I'll go for five minutes.
35:12I want you to ask yourself, we haven't seen.
35:14I don't remember what I want.
35:16Listen, I'll help you.
35:18No, no, no.
35:20I'll help you, man. I can see how you're in chaos.
35:22I have experience in konobarying and so on.
35:24Don't worry.
35:26Of course, I'll help you.
35:28I'll tell you what you need.
35:30I'll help you.
35:32I'll help you, I'll help you.
35:34I'll help you, I'll help you.
35:36Only if something is true.
35:38No problem.
35:40I'll help you.
35:52Mido!
35:54Yes, Mido.
35:56Pjanović!
35:58I'll help you.
36:00What's funny?
36:04My people, I can't believe it.
36:06I can't believe it.
36:08I can't believe it.
36:10Mido!
36:11Yes, Mido.
36:12Please tell me what's funny.
36:14I'll help you.
36:16I'll help you.
36:18I'll help you.
36:20Okay, I'll help you.
36:22I'll help you.
36:24I'll help you.
36:26I'll help you.
36:28Yes, I'll help you.
36:30Okay.
36:32Can we go to another topic?
36:34What other topic?
36:38You don't know what other topic is.
36:40Yes, yes.
36:42Yes, I'll help you.
36:44Okay.
36:45You know anything?
36:46No.
36:47I don't know anything.
36:48Let's give it a little.
36:50We have to have some details before.
36:52If we have all those details,
36:54I'll help you to make my sharpie.
36:56Of course.
36:57Who will protect you?
36:58No, I'll help you.
37:00I'll go to the hospital.
37:01If my sharpie was to be able to make my sharpie.
37:04I'll help you.
37:05Yes, that's right.
37:06Yes, that's right.
37:07Yes.
37:08Can you tell me what's going on with the concerto and the mint?
37:11I'll help you.
37:12No, I can't.
37:13I can't.
37:14I can't tell you.
37:15I don't know what you're interested in.
37:17I'll help you.
37:18Let's go.
37:19Pijanović.
37:21We'll see you tomorrow, Karsina.
37:23Yes.
37:24Good night.
37:25Good night.
37:26Pijanoviću.
37:27Pa, these are the borders of the human mind.
37:29And...
37:30I have to do this pudding too now.
37:32With a peanut butter.
37:39It's hard to do this with a peanut butter.
37:41It's hard to do.
37:44It's hard to do with a peanut butter.
37:47To eat up.
37:48Three vermouths, two whiskey.
37:55Here it comes, three vermouths.
37:59Wait, wait, wait.
38:02Here it is.
38:04You're really gold, my mother tells me.
38:07Here it comes, three vermouths.
38:12Wait, wait, wait, wait.
38:15You're really gold, my mother tells me.
38:18What are you talking about?
38:20What are you talking about?
38:22I don't know how to thank you to heaven.
38:24Give it up.
38:25I can't help you.
38:27I can't help you.
38:28I can't help you.
38:30Thank God, no.
38:32I don't like this job.
38:34I got to get to the Lestvice, so now I don't have to do that,
38:38but sometimes.
38:39Just in a rare cases like this.
38:41Okay, but what are you talking about now?
38:44I could say that we are colleagues.
38:47No.
38:48Wait, wait, you are the manager at the same time?
38:50Yes.
38:51I am the manager at one location.
38:54But I don't have to do five jobs like you.
38:57Right.
38:58It's not what I do.
39:01I can't help you.
39:02Tell me, how do you go from the other side of the manager?
39:04I can't wait.
39:05I can't wait.
39:07Let's go.
39:08Let's go with that drink.
39:09They are already looking at me.
39:11There are the other slams.
39:13We are all done.
39:16Let's go.
39:17Hop.
39:18Hop.
39:19Welcome, Ivana.
39:20You are amazing.
39:21You are my heart.
39:22You are so crazy.
39:25We will talk about it when we have a little bit more time.
39:28Good.
39:29Good.
39:36Before we start, I want to give you an explanation.
39:41That is, in the next period, there will be some nice changes and nice news.
39:47I don't want to talk too much about it, but just give me a little bit.
39:51How did you do today?
39:53You know, I am so like.
39:55I am not at all.
39:56I am not at all about what is going on in the last period of the movie.
40:02I am not at all.
40:05I am not at all.
40:06I am not at all.
40:07I am going to do what is going on in the next one.
40:08But honestly, I am not at all.
40:10I am not at all.
40:11I have a special note.
40:12I am not at all.
40:13I would have to write a short time for a second thing.
40:14I would not take it if I am going to do the work.
40:15And now it would be enough to, as I had to go there.
40:17and I'll hold it a little bit.
40:19Well, I would like to say that there is no speciality.
40:24We'll just see it.
40:26What is the other thing?
40:40Good morning.
40:41Good morning.
40:42Where are you from?
40:44I'm here to talk if you have time.
40:58How was it?
41:00Where?
41:01I don't know what you're asking.
41:03I don't know why you're asking me.
41:08How was it on a date with Lazar?
41:10Why do you know I was on a date with Lazar?
41:14I know.
41:15She's a snake with a snake with a snake.
41:18And that snake with a snake with a snake with a laser?
41:22No.
41:23No.
41:24No.
41:25Why do you ask me?
41:26No.
41:27No.
41:28Why do you ask me?
41:29No.
41:30Why do you ask me?
41:31No.
41:32No.
41:33No.
41:34Why do you ask me?
41:36I could see that there is another one for every heart.
41:40Why?
41:41We're sure.
41:42We're sure.
41:44Okay.
41:45There's a doubt.
41:46There's no doubt.
41:47There's no doubt.
41:48There's no doubt.
41:49There's no doubt.
41:50There's no doubt.
41:51There's no doubt.
41:52There's no doubt.
41:53No doubt.
41:54No doubt.
41:55She calls me Olga and she is Alex's mother. I would like to do an interview with her.
42:11Okay, are you aware of how it sounds?
42:15I am, but I believe that this has no connection with my own life.
42:25And did you want something to do?
42:34I wanted something to help you.
42:38Me? Yes, again me. Always me.
42:44Okay. Good day. Just a moment.
42:55Yes, again me.
42:56Yes, again me.
43:13I will never get it.
43:16You're in the house, old man.
43:26Oh, my dear.
43:29I'm happy to see you.
43:31Why did you want to talk?
43:37I wanted to ask you something.
43:40Let's go.
43:46I wanted to ask you something.
43:57I wanted to ask you something.
43:59I wanted to ask you something.