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00:00Música
00:30Música
01:00I may see things that ain't there, but when I smell something, it's always there.
01:06There's two things I miss when I'm trapping, and both of them's liquid.
01:10What's in that box, one of them, coffee. Real coffee.
01:15Well, now you, uh, you just help yourself, friend.
01:18Thank you.
01:24Mhmm, hot.
01:30Midnight, black, and strong. Strong enough to walk on.
01:40You're quite a long way from home, ain't you, mister?
01:57What is this?
01:58Well, I've heard of a man getting killed for seeing too good.
02:03This is the first time I ever heard of one getting killed for smelling too good.
02:06Oh, no, tonight.
02:14Say no scalp on me.
02:17Let's get out of here, sir.
02:18Daniel Bloom was a man, yes, a big man, with an eye like an eagle
02:48Daniel Bloom was a man, yes, a big man, and he fought for America to make all Americans free.
03:01From the coonskin cap on the top of old Dan, to the heel of his rawhide shoe, the rippinest, roarinest, fightinest fan, the frontier ever knew.
03:16What a boon, what a boon, what a doer, what a dream, come a truer was he.
03:21What a doer, what a dream, come a truer was he.
03:26Well, there it is.
03:54What do you think about it?
03:55Think.
03:57Oh, what could anybody think about something as beautiful as this?
04:01It's like a whole sky full of rainbows fell down and took root.
04:05Well, the Shawnee call it Chenoa.
04:07It's a place where the moon and the stars take their rest.
04:11The way I see it, what's good enough for Venus and the Milky Way ought to be good enough for us.
04:15Oh, my God.
04:16Oh, my God.
04:17Oh, my God.
04:18Oh, my God.
04:19Oh, my God.
04:20Oh, my God.
04:21Oh, my God.
04:22Oh, my God.
04:23Oh, my God.
04:24Oh, my God.
04:25Oh, my God.
04:26Oh, my God.
04:27Oh, my God.
04:28Oh.
04:28Just think.
04:31A space que eu prefer a neighbor.
04:34Quando do we move in?
04:36Não, não.
04:37At least, não yet.
04:39Se você quiser ir para o caminho da canoa, eu vou mostrar você.
04:44Ei!
04:45Wait for me!
04:58The Ohio River, private property of the Shawnee.
05:10Shawnee won't be there forever.
05:12In a few years, this place will fill up with settlers.
05:16Your maw and I thought maybe you might like to be the first.
05:19Me?
05:21Well, time ain't too far off when the right man will come along.
05:25And you'll want to make a life of your own.
05:28When you do,
05:30it might be your maw and I
05:32wouldn't be able to start you off proper
05:34with household goods and the like.
05:37But we can give you this.
05:39Shawnee.
05:41All filed and legal in your name.
05:44Of course, if you don't like it.
05:46Like it?
05:47Oh, Pa, who needs household goods
05:49when you can have the moon and stars living next door?
05:53Well, we better get to blazing.
05:55Four marks, tomahawk style.
05:58Oh, we'll leave the file.
06:08We can start here.
06:12And you can pick the other three corners.
06:14behind me.
06:16We sjiky, moody.
06:18Ahem.
06:19Ahem!
06:20Ahem!
06:24Ahem!
06:24Ahem!
06:26Ahem!
06:31Ahem!
06:31Ahem!
06:40Ahem!
06:41Ahem!
06:42Ahem!
06:42Ahem!
06:42Eu vou admitir uma coisa, mamãe.
06:49O que é isso?
06:50O que é o jérky?
06:50O que é o que é o que vai com isso?
06:53O que é o que vai com isso?
06:56O que é o que é?
06:56O que é o que é?
06:57O que é o que é?
06:58O que é o que é o que é?
06:59Você vai ver, em um dia ou um dia, você vai ficar com a trap.
07:02É isso aí, mamãe.
07:05As longas nós vamos compartilhar com o mundo com o Sean E.
07:07O que é o que é?
07:12O que é melhor, obrigado a você e o Elmbart.
07:18Vamos lá.
07:19Eu acho que eu vou só ir aqui e ver o que o River está se espelando.
07:23Ah, tudo bem.
07:25Eu vou deixar você se espelando.
07:28Em dois horas e eu vou te chamar.
07:29Você vai ter um restante.
07:37E me dá um ai mais.
07:48No setemps...
07:50dialo.
07:51Eu acho que isso, sabe?
07:52Eu estou ficando aqui.
07:54E então, eu vou dubar a minha casa chamberthia.
07:56Me saiu aqui.
07:58Agora, os dramas são feitos bens da gente, mamãe.
08:02O que você vai ter um rosto?
08:04E nada você oder何 kinder tem de ter,
08:06Now, you'd better get some rest.
08:23Two hours, Pa.
08:24You call me. Here?
08:27I hear.
08:36I hear.
09:06Ma, you have a bad dream?
09:15No, Israel.
09:16I don't know what woke me up.
09:26What's for that old hoodie out?
09:27Woke me up three nights running.
09:31Well, whatever it was, it's gone now.
09:34Go back to bed with you.
09:37Ma, if you get scared again, just holler.
09:41I'll chase off.
09:42Just like Pa.
09:45Just like Pa.
09:47I'll remember that.
09:48Why, doggies, he went down like the Allegheny sun on them.
10:12Right under the air, a hundred yards.
10:19Now, that's not bad shooting, if I do say so myself.
10:25Yeah?
10:26A Daniel couldn't have done as well.
10:28Our old Gabriel couldn't have done as well.
10:30Over here, take a look.
10:31Paul Bear's sign's best even up the score.
10:34Instead of this, I'll go after him with a stick.
10:36This bear walks on two legs.
10:38Boots.
10:39Military by the cut.
10:40Now, what's a soldier doing this far down to Kentucky?
10:46That might be part of your answer.
10:49Wyandotte.
10:50Four, perhaps five, by the sign.
10:53There ain't been none of them red devils this far south since the French and Indian War.
10:56Well, a wind-out scout party and a soldier snuckin' around Kentucky.
11:02I wonder why.
11:05Well, there's a old saying among the Cherokee.
11:08He who walks in shadow walks in death.
11:12How old do you make those signs to be?
11:15One day, maybe, no more.
11:17Heading north toward the Ohio.
11:19We best tell Daniel about this.
11:21Might be we'll have to run these signs down to make sure them boots keep on walkin' in the shadow.
11:26Oh, you said you'd wake me.
11:53Mr. Dozed off.
11:54Paul, you're burnin' up.
11:57Just a little night chill.
11:59Nothin' to worry about.
12:01Dexter's always somethin' to worry about.
12:03Two hours you said, Paul.
12:05There it is, way past sunup.
12:08There's nothin' the night cold, not even tryin' to cover up.
12:12Wonder you ain't got me.
12:17Does the same little swallow up, don't it?
12:19The yombark, Paul.
12:21It just ain't drawn.
12:23There's time enough to worry about that when we get home.
12:27Now, if you'll just cook me up a bait or somethin', we can get started.
12:31You can't travel, Paul.
12:34Not like this.
12:35Not with a fever and swellin' settin' in.
12:37My leg mortifies, Paul.
12:41There'll be nothin' I can do.
12:43Nothin' no one can do.
12:45Mima.
12:46Gotta have fresh meat and we gotta have it quick.
12:49Bear fat's the best.
12:50It draws better than any medicine.
12:53I saw a good stand of reeds, a mile or so downriver.
12:55Natural place for bears to water.
12:57Mima, if you think for one minute I'm gonna let you go traipsin' after bear.
13:01I'll expect this first.
13:08You don't know the second thing about trakin' bear.
13:12You don't know anything about this country.
13:14And if you did find one, then what?
13:26It's Paul!
13:27Mima!
13:28Mima!
13:28Mima!
13:28Mima!
13:31Mima!
13:33Mima!
13:37I know.
13:38That's Hannibal.
13:40Hannibal.
13:40Come here, Hannibal.
13:46I, uh, we thought it might be Dan.
13:48Mima?
13:49No, he took your mom up to Kentucky.
13:53Something's wrong.
13:54I knew it.
13:55No, no, there's nothing wrong, Rebecca.
13:57We just found some sign that we thought Dan knew she'd know about, that's all.
14:01What kind of sign?
14:03More giants, Israel.
14:05Giants would feed as big as this house and a tail as long as a Kentucky.
14:09Oh.
14:12Yeah.
14:13Mingo, go after them, please.
14:15Well, I know it sounds foolish, but last night, we'll call it intuition or, or call it nonsense.
14:20But I've got the strangest feeling.
14:22Please go after them.
14:24How long has it been since we fished the upper Kentucky, Mingo?
14:29Much too long.
14:31We'll find an animal for you, Becky, on one condition.
14:34You clean the fish.
14:35Oh, uh, by the way, Rebecca, intuition is feminine fancy without visible means of support.
14:47We'll find them.
14:55Don't worry, Mom.
14:56It's Poggy, Poggy.
14:58Mima always can find the way back home.
15:00I'm not worried if you're not now.
15:15One shot, Mima.
15:16That's all you figure you're going to get.
15:20Nine times out of ten, a barrel charge once she gets the scent.
15:25Move in close, downwind.
15:28Get yourself set.
15:31And line him up just right.
15:32Count to three, squeeze the trigger, and don't jerk.
15:35Seems I've heard that before, from the best hunter in Kentucky.
15:39Or anywhere, for that matter.
15:42She's all primed and ready, Jemima.
15:43Remember, a tick licker shoots just a mite high.
15:47There's plenty of water in Jersey, Pa.
15:49More than enough to keep it till I get back.
15:52You stay on this side of the river.
15:53Go for any game you see.
15:56Any kind of meat will do me fine.
15:58Look for me before sundown.
15:59All right.
16:16O que é isso?
16:46O que é isso?
17:16O que é isso?
17:46O que é isso?
17:47O que é isso?
17:48O que é isso?
17:53O que é isso?
17:55O que é isso?
17:57O que é isso?
17:58O que é isso?
17:59O que é isso?
18:00O que é isso?
18:01O que é isso?
18:02O que é isso?
18:03O que é isso?
18:04O que é isso?
18:05O que é isso?
18:07O que é isso?
18:08O que é isso?
18:09O que é isso?
18:10O que é isso?
18:11O que é isso?
18:12O que é isso?
18:13O que é isso?
18:14O que é isso?
18:15O que é isso?
18:16O que é isso?
18:18O que é isso?
18:19O que é isso?
18:21O que é isso?
18:22O que é isso?
18:23O que é isso?
18:24O que é isso?
18:26O que é isso?
18:27O que é isso?
18:28Não é tão bad.
18:31Eu goto meu pé, Pa.
18:33Perfeito shot, too.
18:35Eu vou ter o que eu preciso.
18:37Me need a fat de seu leg.
18:40Eu teria sido mais bem, mas...
18:42me deu mais longo porque eu esticou com a reed.
18:49O que é que é, o fat não vai fazer muito.
18:54Infection set in.
18:55Tem uma coisa que fazer.
18:59Tem que ser fechado.
19:01O que vai ser fechado e a poltice pode fazer o seu trabalho.
19:05Eu não posso.
19:09Você tem que.
19:10Eu tenho um monte de carne.
19:12Eu tenho um frio.
19:14Eu tenho um frio.
19:16Eu tenho um frio.
19:18Não tenho o que fazer.
19:19A plate of meat, a cup of broth.
19:30I'm ready for anything.
19:37No point in putting it off, Jemima.
19:42Just a few little slices and it's done.
19:47One thing, it's not any worse than skinning out a bear.
19:49Do you mind getting me that stick?
20:11Just look it under my arm.
20:20Boy, I lean back and I pull back.
20:24You won't have to worry about me moving.
20:27I'll be in one spot.
20:28Might as well get started, Jemima.
20:36Get the knife.
20:37I can't do it, Pa.
20:52Pa.
20:56Mama, do you remember the time you came down with a snake bite?
21:01I remember.
21:06Poison got in your blood.
21:08Well, we could get to it.
21:11And you keep laying on hot packs.
21:14Keep you moving so your blood would keep circulating.
21:17All night long we walked, you and me, back and forth.
21:23Back and forth.
21:24And you wore a hole in the cabin floor.
21:26And the only way we could make you stay awake was to tell you tales, stories, board games.
21:41And that jingle.
21:44You got that in your mind and you kept saying it over and over again.
21:47Solomon Grundy.
21:52Solomon Grundy.
21:56Born on Monday.
21:59Cristened on Tuesday.
22:02Married on Wednesday.
22:05Took...
22:05Took you all.
22:08No.
22:09You're on Thursday.
22:11Worse on Friday.
22:14Tied on Saturday.
22:16Buried on Sunday.
22:22Finish it, Jemima.
22:24This is the end of Solomon Grundy.
22:29Come over here.
22:32Come here, Mama.
22:40Mama.
22:42We're all Solomon Grundys.
22:44We've all got a beginning, middle, and then.
22:51Not much we can do about the beginning.
22:55We can try to help the middle.
22:59Try to juggle that end of mine.
23:04If you don't use that knife...
23:06Pa, I can't do it.
23:08I just can't.
23:10Try it, Jemima.
23:11Keep your mind on old Solomon Grundy.
23:17Keep talking.
23:21Keep...
23:22Keep on talking.
23:25Keep...
23:25Keep...
23:26Keep...
23:26Keep...
23:28Keep...
23:28Keep...
23:28Keep...
23:40Solomon Grundy.
23:44Born on Monday.
23:47Cristen on Tuesday.
23:50Married on Wednesday.
23:52Keep...
23:52He'll...
23:56He'll on Thursday.
24:01Worse.
24:05Worse.
24:08Worse on Friday.
24:14Doc died on Saturday.
24:17Várias a Sunday.
24:29It's the end of
24:31Solomon Grundy.
24:47Oh, Pa, I didn't think you'd ever wake up.
25:08I thought maybe I'd...
25:10I did it, Pa.
25:12I got it done.
25:13And this time I made sure it was clean proper.
25:15The pear flat will do the rest.
25:17You'll see.
25:18In a few days, you'll be as good as new.
25:22Please caution, Noah.
25:24A man named Solomon Grundy
25:25will just be part of a bad dream.
25:29Let's help in front of the fireplace.
25:32Mom fussing over you,
25:33trying to teach you how to be a...
25:35a good patient.
25:46I don't know whether it was the fire or the meat
25:57that attacked me first.
25:59In either event,
26:00both have a very definite appeal.
26:02Mister, you come in, blow on the horn,
26:05and sprout the pair of wings,
26:06you wouldn't have been a more welcome sight.
26:09Mama?
26:09It don't matter much
26:11if it was the fire,
26:12the meat,
26:13or even a prayer or two
26:14that brought you.
26:15The point is,
26:16you're here.
26:17You can help.
26:19Jemima.
26:21Oh, Pa.
26:22It's like the sun came out at midnight
26:24and put tomorrow back on the calendar.
26:30Can't you see, Pa?
26:32He's here to help.
26:33Who are you?
26:38What do you want?
26:39Major Russell Horton,
26:41detached from Fort Detroit
26:42to the service of John Stewart,
26:44superintendent of Indian affairs.
26:47What I want?
26:49Your father is right, miss.
26:52In a country like this,
26:54it's wise to be most careful
26:56about whom you welcome
26:57and whom you shoot.
27:01Now, that ain't one bit friendly.
27:04Here we are dropping by
27:05for a little visit.
27:06You start reaching
27:07for your fowling piece.
27:11Well, kiss me with a wet catfish
27:13if it ain't Dan or Boone.
27:17Take a look at that, General.
27:18Take a good look.
27:20The great Dan Boone.
27:22Light out.
27:23Burning a campfire
27:24not more than a half a spit away
27:25from Shawnee Town.
27:27Like some Pennsylvania lobster back.
27:29What swamp did you crawl out of, Fowler?
27:31From what I've heard
27:33about you, Mr. Boone,
27:34I must say I'm disappointed.
27:38Pa cut his leg bad.
27:40There was nothing we could do.
27:42Pa.
27:43Well, well, well.
27:45Dan Boone's little girl.
27:47You're in peach blossom, too.
27:49All right, Fowler.
27:49Pa, who are they?
28:13We've traveled long and far
28:14this day, Mr. Boone.
28:15I trust you won't mind
28:17if we share some of your meat.
28:20Help yourself.
28:20I'm sorry.
28:31I trust you won't mean
28:33before you.
28:42You're in jealous of your beliefs.
28:46You've just seen
28:47you've just taken
28:48Tchau, tchau, tchau.
29:19However admirable, generosity can be overdone, Mr. Boone.
29:23Particularly when you're in need of some yourself.
29:28Obliged.
29:30Please, mister.
29:31If you're not going to help us, take your friends and leave us be.
29:37I'm afraid that's not possible.
29:38Thank you.
29:47Wyandotts this far south.
29:50British officer.
29:52Traveling at night, avoiding settlements.
29:56Have you ever heard of Sandhurst, Mr. Boone?
29:59To some, it's a simple parish in Berkshire.
30:03But to my family, it's a tradition, a way of life.
30:07Grandfather to father to son.
30:10A royal military college.
30:12Birthplace of the true art of warfare.
30:15Strategy, tactics, precision cannonading, technique of siege.
30:21This was my alphabet.
30:22This was my credo.
30:24But where did they assign me?
30:27France, Prussia, the courts of Europe.
30:31No.
30:32They sent me here, Mr. Boone.
30:35To your new world.
30:38My command, plowboys and misfits.
30:42My honorable enemy, painted savages and illiterate rebels.
30:45And my glorious conquest.
30:49The back trails of your dark and bloody ground.
30:53And the degradation of being forced to make concessions.
30:57With animals.
30:58Choctaw, Landauk, Creek.
31:05All of them, Mr. Boone.
31:05The five nations.
31:07You see, if your Mr. Washington does decide to rebel against the crown.
31:11The nations will back the British.
31:13We need allies.
31:15Such as they are.
31:20I have the treaties here.
31:21That is why I am traveling fast and light.
31:26And that's why I can't leave you here.
31:29If my mission were exposed prematurely...
31:33Time we pulled out of here, General.
31:44Anonymity, Mr. Boone.
31:46For me, for my mission, it's imperative.
31:52Unfortunately, that is something that you cannot grant me.
31:57At least, not alive.
32:03No, you can't.
32:04You can't do it.
32:05No, you can't.
32:06You can't.
32:07He's hurt, hurt bad.
32:09You can't just kill him.
32:10Oh, please, don't shoot him.
32:12Oh, I'll go with you anything.
32:15Just don't kill him, please.
32:17Talks like you got a choice, girlie.
32:19No.
32:20Major, we both know what the wind-out are.
32:24What they'll do.
32:26Fowler's just as bad.
32:28Scalp hunter.
32:30Renegade.
32:31Not anymore, Boone.
32:32I'm a soldier now.
32:34Ain't that right, General?
32:36I needed an interpreter.
32:38Beyond that, his credentials are his own business.
32:40Well, you can just keep a timber wolf on a rope so long.
32:45Turn your back once too often.
32:48Keep talking.
32:50Just keep talking, Boone.
32:52Only wish you could do it on your knees.
32:58I guess it's up to you.
33:01Sandhurst, that gold braid,
33:04it's got to mean something.
33:06Put your mime in a canoe.
33:08Head her south.
33:09Give her that much of a chance at least.
33:11Your daughter will be taken before Detroit.
33:14Held there until my mission need not remain a secret.
33:17After that, she'll be ransomed.
33:19I won't go.
33:21Now it's up.
33:22Now we sit down.
33:25Now we sit down.
33:28The gold braid.
33:34Sandhurst.
33:34It does mean something, Mr. Boone.
33:38The discipline of giving orders.
33:40And the discipline of following orders.
33:43Another time, another place.
33:46Believe me, if it was my choice to make,
33:48you could keep this dark and savage land of yours and welcome to it.
33:51I'm truly sorry.
33:57All right, Father.
33:58It sure feels good, don't it?
34:13To get back at somebody you owe.
34:15And I owe you, Boone.
34:19Ever since you run me off to Kentucky.
34:21All it takes is just a little piece of lead.
34:25Boom.
34:26All over.
34:28Even up.
34:30The lead's a might hard to come by, ain't it?
34:32It's a white waist.
34:36Maybe the sun.
34:38Maybe that leg of yours.
34:41Maybe the Shawnee will do it for me.
34:44All even up, Boone.
34:47Except for this.
35:02For this.
35:20For this.
35:26For this.
35:27For this.
35:30A CIDADE NO BRASIL
36:00A CIDADE NO BRASIL
36:30A CIDADE NO BRASIL
37:00A CIDADE NO BRASIL
37:30A CIDADE NO BRASIL
37:34A CIDADE NO BRASIL
37:38A CIDADE NO BRASIL
37:40A CIDADE NO BRASIL
37:42A CIDADE NO BRASIL
37:46A CIDADE NO BRASIL
37:52A CIDADE NO BRASIL
37:54I understand.
37:56Now, this here ain't London town, General.
37:58And them bucks, they ain't no tin soldier boys either.
38:02That's something you better understand.
38:09Another hour or two and we'll be making camp.
38:12And tell them you must keep up.
38:19A long time ago, I learned that yesterday's dreams
38:23are little more than a string of coffins in which we bury our hopes.
38:28Don't look back, child.
38:29There's nothing there except ashes, but might have been.
38:33He'll come.
38:35You'll see. He'll come.
38:38We'd better go.
38:53We'll be right back.
39:23Yes?
39:27The same one with the boots.
39:30All moccasins headed north.
39:40I have Jemima.
39:42Daniel's hurt.
39:43How bad is harm to say?
39:45Not bad enough.
39:47He's gone after them through the rapids.
39:48How long ago?
39:51Too long.
39:51Too long.
39:51He's gone after them through the rapids.
39:52He's gone after them through the rapids.
39:53He's gone after them through the rapids.
39:54He's gone after them through the rapids.
39:55He's gone after them through the rapids.
39:56He's gone after them through the rapids.
39:57He's gone after them through the rapids.
39:58He's gone after them through the rapids.
39:59He's gone after them through the rapids.
40:00He's gone after them through the rapids.
40:01He's gone after them through the rapids.
40:02He's gone after them through the rapids.
40:03He's gone after them through the rapids.
40:04He's gone after them through the rapids.
40:05He's gone after them through the rapids.
40:06He's gone after them through the rapids.
40:07He's gone after them through the rapids.
40:08Fowler,
40:25são os savages de sua vida vão continuar pounding e jabbering all night?
40:30General, eu estou tentando dizer.
40:32Major, por último tempo, Fowler.
40:35Major, não General.
40:36Não tem problema em que testem.
40:39General, Major, tudo o mesmo para mim.
40:43Como eu estava dizendo,
40:45há uma hora de dizer o indian algo,
40:47e há uma hora de dizer o que eles dizem você.
40:50Isso é uma hora de dizer quando a gente se diz.
40:52Diz? Diz o que?
40:55Você vê aquele jogo que está jogando lá?
41:02É chamado de choosão.
41:03Agora, o primeiro duck a win all of them little rocks,
41:07ele tem que escolher.
41:15Onde está?
41:19Parece que Tenassi não está chegando com a top dog.
41:21Eu vou deixar o ar.
41:25Tchau, Tchau.
41:26Tchau, Tchau.
41:29Tchau, Tchau.
41:29Tchau, Tchau.
41:31Eu estou com certeza que isso não seria tão saudável, General.
41:34Você, esses bens, eles fazem o escolher muito bem.
41:37Quando a gente tem o e não argumento.
41:40Isso é se você quiser manter a cabeça.
41:42Agora, Tenassi não.
41:43Isso significa que a girl é sua própria.
41:46Sua própria?
41:47Isso é o que é, General.
41:50Você, para um indian,
41:51a white girl é um pouco de água e de gold.
41:53Você tem mais de um string de ponies.
41:57Agora, se eu não é você,
41:59eu só se senti e gostei de um pouco de carne.
42:03Você vive mais tempo que isso.
42:04Essa criança é minha charge, Fala.
42:07Ela vai para a Detroit com mim.
42:10Você diz ele.
42:12Diz ele.
42:13Diz ele.
42:13Diz ele.
42:13Diz ele.
42:13Diz ele.
42:17Um final warning, Fala.
42:21Você e os savagos answeram me into the crown.
42:24Eu, você, claro, entenderam isso agora.
42:29Oh, é muito ruim, General.
42:32Eu tenho uma hopesura para você, too.
42:37O o que?
42:38O o que?
42:39O o que?
42:40O que?
42:41Eu acho que eu tenho que ver.
42:46Te nasce falou você para o range.
42:47Eu não queria ter muito tempo.
42:51Isso é um monte de garfo.
42:52Lo dê, Marcelo.
42:52O que é isso, Marcelo.
42:53Tenei.
42:53O que é isso?
42:55O que é isso?
42:56O que é isso?
42:58O que é isso?
43:01O que é isso?
43:01O que é isso?
43:02O que é isso?
43:03O que é isso?
43:08O que é isso?
43:08You like the sound of that little old whippoorwill, huh?
43:33I knew he'd come.
43:34I knew it.
43:38And now, you and me, girlie, we're just going to sit down and enjoy the pleasure of my company.
44:04That shouldn't take too long.
44:06Ain't nobody better in the woods at night than the wine, Doc.
44:09That shouldn't take too long.
44:14That shouldn't take too long.
44:19That's two.
44:45Two more to go.
44:49And I never could do sounds.
44:52I always put things together my own way.
44:55Only sure way.
44:56Two more to go.
45:25That's three
45:29One more to go
45:31Then you
45:32Maybe
45:34Maybe not
45:35I still got this
45:38And I still got you
45:40Not anymore
45:41Stand up and let it go
45:44Well, that ain't very smart, girly
45:47Supposing that ain't your pa out there
45:49Supposing it's just the maximum
45:50Let it go
45:50Now
45:52Good day, girly
45:54How'd it go?
45:56But don't forget
45:57I'm the only friend that you got
45:59That's better
46:03But I got the bait
46:04All I gotta do is spring the trap
46:06Hey, fool
46:13You want this girl of yours to stay healthy
46:16You better come on in
46:17I ain't gonna wait much longer
46:21Don't do it
46:24Don't
46:24Now, phone
46:29I gotta say it
46:36There's some bear tracking us all this way
46:38I don't know
46:42I gotta say it
46:42You better
46:44Keep me
46:45You better
46:46ağr
47:06Daniel, quando você bide ao trouble,
47:12você sure do com um grande grande apetite.
47:15Ed, eu acho que nós fizemos um longo prazo.
47:18Daniel não deixou nada para nós.
47:36It's your country, Boone.
47:39E welcome to it.
47:41Daniel Boone, 6'6'' of Mossback Frontiersman,
48:07part Risley and part Thunderbolt,
48:09blood brother to Kentucky's catfish, alligator, and black snake.
48:14And he can't even swing one little wax.
48:21Next thing you know,
48:22you won't even be able to go deer hunting by yourself.
48:25No little wax did that, Ma.
48:28Must have been a Shawnee.
48:32Risley?
48:33Uh, well...
48:34Not a grizzly, Israel.
48:35Just a big, mean brown bear.
48:39Well, axe, Shawnee, or bear,
48:41the next time you two go looking for land,
48:43I'm going with you.
48:44Ma?
48:45Well, that's not a bad idea.
48:47You could chop our firewood for us.
48:49Huh?
48:50Might be best I handle the rifle, too.
48:52That way you can't shoot your foot off.
48:54I know land is important,
48:58and Shinoah is beautiful.
49:00But if it's all the same to you,
49:03I think I'll settle for household goods as a dowry.
49:05Them I know I'll live to enjoy.
49:07Daniel Ploon was a man,
49:19yes, a big man,
49:22with an eye like an eagle,
49:24and as tall as a mountain was he.
49:28From the goon skin cap,
49:30on the top of old Dan,
49:32to the heel of his raw-eyed shoe,
49:34The rippinest, roarinest, fightinest man
49:38The frontier ever knew
49:41Daniel Ploon was a man,
49:44yes, a big man,
49:47and he fought for America
49:49to make all Americans free.
49:54What a Ploon, what a doer,
49:56what a dream come a trueer,
49:57what a Ploon, what a doer,
49:59what a dream come a trueer,
50:00was he.
50:01A Ploon, what a dream come a trueer,
50:03what a dream come a trueer,
50:04what a dream come a trueer,
50:05what a dream come a trueer,
50:06what a dream come a trueer,
50:07what a dream come a trueer,
50:08what a dream come a trueer,
50:09what a dream come a trueer,
50:10what a dream come a trueer,
50:11what a dream come a trueer,
50:12what a dream come a trueer,
50:13what a dream come a trueer,
50:14what a dream come a trueer,
50:15what a dream come a trueer,
50:16what a dream come a trueer,
50:17what a dream come a trueer,
50:18what a dream come a trueer,
50:19what a dream come a trueer,
50:20what a dream come a trueer,
50:21what a dream come a trueer,
50:22what a dream come a trueer,