- 12/5/2025
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TVTranscripción
00:00Música
00:30Green one in position
00:37Stand by, they're nearly here
00:42I'm switching to throat mic now
00:44Ok, standing by
01:00Stand by, here they come
01:06Excuse me, miss
01:30Stop, put on fire
01:48Come on
02:18¡Gracias!
02:48¡Gracias!
03:18¡Gracias!
03:48¡Gracias!
04:18¡Gracias!
04:49¡Gracias!
04:50CEO
05:01A Heardy
05:04That important
05:06una que yo no sé todavía.
05:08Los especiales han cambiado el desarrollo y escorte detención
05:12con otros hombres,
05:13ninguno de los que se han dicho la identidad de Cardi.
05:16Ahora vamos a hacer es encontrar esa leque y stopla.
05:20Si no...
05:22Cardi se siente.
05:24Todos se siente.
05:36¿Señor de Hunter?
05:39Sí.
05:41No hay otro.
05:42Ya, ya está.
05:44Sí, ya está.
05:45CID.
05:46Y CI5.
05:47¿Qué es la diferencia?
05:48Bueno, es un técnico.
05:49No, soy un intelectual.
05:51Ha, ha, ha, ha.
05:52Así, ¿qué tal?
05:54Es increíble.
05:56Yo rentre a room to a sweet little thing who looks like a nun.
05:59Y luego, cuando vuelve a una una noche stopover en Brussel,
06:02se encuentra que se ha sido killed en un shootout con los policías.
06:05I thought British policemen didn't carry guns.
06:07Oh, the ones that direct traffic to Trafalgar Square don't.
06:10¿How did you meet?
06:11I just put an ad in the evening paper.
06:13You know, the usual flat sharing kind of deal.
06:15She was one of the replies, right?
06:16She was the only goddamn replies whereas I was concerned.
06:19I had six others and they were all lunatics.
06:22Do you drink on duty?
06:24No.
06:25Have you still got the paper, the ad in it?
06:28Let me see, when was it?
06:30Monday.
06:31Yeah, it should still be here, I haven't thrown it away.
06:34Did she tell you anything about herself?
06:37A music student, I think.
06:39Huh?
06:43You didn't like her, did you?
06:45She was nice enough.
06:46You don't seem terribly upset.
06:48An air hostess's life isn't so glamorous after a while.
06:53You have no roots, bop around the world, put on a big act for a million strangers and smile till your face hurts.
06:59No, I'm hard to upset.
07:12There's your ad, Sherlock.
07:14I'm glad you've taken this over, Carly.
07:16It's the damn foreign office bureaucracy triumphing it again.
07:20If they let you handle it in the first instance as I requested, it wouldn't have happened.
07:25Francis, George Carly, CI5.
07:27Miss Cartingham.
07:28How do you do?
07:29We've spoken on the phone.
07:30No news from Dowd?
07:31Not yet.
07:33They know about the incident?
07:34Of course.
07:36Was that wise?
07:37Mr. Carly, if I start keeping any secrets from Cardi, even the slightest thing, my relationship with him will be undermined.
07:44He's putting his life in my hands.
07:47Who gave Dowd the address for the meeting? The secret service?
07:51I don't think you understand.
07:54No.
07:55Cardi and Dowd won't listen to our secret service.
07:57Or any other secret service.
07:58I'm the one who has set up this meeting and I'm the only person they will trust.
08:02So you told them?
08:03Indeed.
08:04Over the scrambler?
08:05No.
08:06Not this time.
08:07It was word of mouth.
08:08I flew out to meet them face to face.
08:10Normally we use the scrambler.
08:12The matri.
08:13And who gave you the rendezvous?
08:15Special branch.
08:16Chief Inspector Smith.
08:20Presumably this time we will hear it from you.
08:24Yes.
08:36Who are you?
08:38I'm moving in.
08:40What happened to Terry?
08:44I rented it from him.
08:46Where's he gone?
08:47I don't know. I got it from the students' union.
08:49You still at college then?
08:50Yes, still.
08:52A bit old to be a student, aren't you?
08:54Yes, I'm a post-graduate student.
08:55Oh.
08:56What are you studying?
08:57English.
08:58Oh.
09:00The girl up there was killed the other day.
09:03Oh, yeah?
09:04Shot by the police.
09:05Yeah?
09:06Out in the street.
09:07I saw a picture on the television.
09:10I called the police.
09:11That's how they knew she lived here.
09:13Four-five to three-seven home.
09:17Three-seven.
09:18You all right?
09:19Yeah, the natives are a bit friendly.
09:20Yeah?
09:21Problem?
09:22No, I'll just take the rotor arm out of her broomstick.
09:24Listen.
09:25The guy who had this flat before, was he due?
09:26Oh, he's a ballet dancer.
09:28But he's very nice.
09:29Oh, really?
09:32Miss Cottingham.
09:33She never married.
09:35She has an invalid mother.
09:36Devoted to her.
09:38One of those.
09:39Very noble of her.
09:40That's a damned waste of a good wife, if you ask me.
09:42Not enough women like that around.
09:44Totally loyal.
09:49How long has she been with you?
09:51Oh, ten years.
09:53No boyfriends in that time.
09:55Oh, Emma's tried countless times to match her off, but no success.
09:58The trouble is, I've told Francis, she doesn't ever meet anyone.
10:02Well, except her damn mother.
10:06I've staked my political career on these Cardi talks, you know.
10:09Not just my word with Cardi himself.
10:11I understand, Colonel.
10:13Are there any leads from the dead girls' organization yet?
10:17We're doing our best.
10:18Goodbye, sir.
10:19Goodbye.
10:21I'll get you to go to the other.
10:23But you're not going to be doing it.
10:29Alpha to 3-7. Come in, please.
10:313-7.
10:333-7.
10:34I've got another assignment for you.
10:36Jack.
10:37Is 4-5 installed?
10:39Roger.
10:40Sí, pero ¿cómo el bionic gallo tiene todas las mejores partes?
10:45Hola, soy Ray Duncan.
10:47Claro que soy, sweetheart.
10:50Soy tu nuevo amigo.
11:10No, no, no, no, no, no.
11:40No, no, no, no, no, no.
12:10No, no, no, no.
12:40No, no, no, no, no, no, no, no, no.
13:10No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
13:20¿Está bien?
13:22¿Está bien?
13:24¿Está bien?
13:26¿Está bien?
13:28¿Está bien.
13:30¿Está bien?
13:32Sí, gracias.
13:34Bienvenido.
13:36Soy Shelly.
13:38¿Está bien?
13:40Me ha olvidado tu nombre.
13:42Ray. Ray Duncan.
13:44¿Está bien?
13:46¿Cómo sabías?
13:48¿Qué?
13:50La air traffic controló la estrada a la estrada.
13:52We're stacked over Heathrow two hours.
13:54A long day, eh?
13:56¿Tú long to come out to dinner?
13:58I'm afraid so.
14:00¿Vale?
14:02Fixed your bath. Let me fix you a meal.
14:06Housewarming.
14:093-7 to Alpha.
14:10Alpha, where is she now?
14:12At a concert, following every note,
14:14with a friend.
14:16A friend?
14:17Boyfriend.
14:18¿You sure it's a boyfriend? There's a big difference.
14:20I know. I think I can remember.
14:23Anyway, in this case, there's another difference, too.
14:26What difference?
14:27Twenty years.
14:28Listen, try not to lose her.
14:30I'll get you some assistance as soon as I can.
14:32From now on, she has to be under total surveillance. Understood?
14:35Roger. Out.
14:47Mr. Cowley.
14:55You're ahead of schedule, Mr. Dowd.
14:57Yes, yes, I know.
14:58This is Hassan Alusha, Kamal Qadir's personal assistant.
15:02The dead woman has been identified.
15:05She was a member of the Palestinian Marxist Alliance.
15:07The politics are irrelevant.
15:09It was made quite clear to Masterson that you were on no account to come over until I gave the all clear.
15:13They're not politicians. They're a guerrilla army.
15:15They have enormous resources and manpower.
15:19Cardi will be in the greatest danger if he comes to England now.
15:21He will be in good hands.
15:23I will personally guarantee his safety.
15:25I'm sorry, but in the circumstances, we'll have to take our own measures to ensure his safety.
15:30Such as?
15:31They'll be efficient, Mr. Cowley.
15:33Whatever they are, they'd better not interfere with mine.
15:35And what are you going to do, Mr. Cowley?
15:37For the moment, gentlemen, that is my business.
15:45Four-five.
15:47Three-seven, what's happening?
15:49Is this an emergency call?
15:50Well, not unless you're out your depth.
15:52Yeah, well, I'll wave if I start drowning.
15:54Oh, yeah?
15:55Well, I'll buy you a wreath with all that money you're going to owe me.
15:58Oh, thanks.
15:59Sorry, got to go.
16:02Three-seven, four-five.
16:05Four-five.
16:06We were only in the flat together for one night.
16:34She seemed okay.
16:37And said she was homesick and talked about her folks and her kid brother.
16:43Three-seven to Alpha.
16:44They're leaving before the concert's finished.
16:48Correction, she's leaving on her own.
16:54So you're studying poetry?
16:56Yeah.
16:57You should find my name pretty romantic.
16:59What, Hunter?
17:00Shelley.
17:02He was a romantic poet, wasn't he?
17:04Was he?
17:05Hail to thee, Blythe spirit.
17:08Bread good, fire bad.
17:10He wrote that?
17:11Frankenstein, that was.
17:12No, his wife wrote Frankenstein.
17:14Shelley's wife?
17:15Hmm.
17:16Well, they were living in sin, anyway.
17:17Three-seven to Alpha.
17:31Three-seven to Alpha.
17:35Thanks for the reinforcements.
17:36It's been a great evening, Ray.
17:41Why does it have to end now?
17:43I'm flying at six.
17:45Doesn't it make your arms ache?
17:48I have a very high threshold for pain.
17:51Oh, is that what it's called?
17:51Three-seven to Alpha.
17:53Three-seven to base.
17:54Three-seven to base.
17:55She's back home.
17:56Send in a night man.
17:56Out.
17:57Three-seven to base.
17:58She's back home.
17:59Send in a night man.
18:00Out.
18:01Have you got a very large cat out there?
18:21What?
18:22A large domestic animal in your flat.
18:25What are you talking about?
18:30That.
18:36What are you going to do?
18:38Where's your keys?
18:41What are you going to do?
18:42Go out there.
18:44Ray, don't go out there.
18:45Okay, you stay there.
18:47Is this your keys?
18:49Okay, I'm stuck.
18:51Donald.
18:51Stay.
18:53Don't go out there.
18:55Don't go out there.
18:56Don't go out there.
18:56Don't go out there.
19:10You keep coming out there.
19:16No.
19:21No.
19:21No.
19:22No.
19:23No.
19:23No.
19:24No.
19:24No.
19:25¿Qué? ¿Qué están haciendo? ¡You're crazy!
19:36¡No, no, no!
19:55¡No, no!
20:25Oh, God, until you waved, I thought you had fallen.
20:30I'm okay. You okay.
20:32What about the other one? Do you think you'll come back?
20:34Depends on what they're after.
20:36I could use a drink.
20:38Come on.
20:43What are you majoring in? Counterinsurgency?
20:46I used to be in the ring.
20:48But they were sorry when you left.
20:51Oh, God.
20:53That girl will leave anything.
20:54The police took it all.
20:56What little there was.
21:00Who are you calling?
21:02Ambulance.
21:03That guy might still be alive, you know.
21:05No.
21:12I'm going to die.
21:14I'm going to die.
21:15I'm going to die.
21:16¡Suscríbete al canal!
21:46¡Suscríbete al canal!
22:16¡Suscríbete al canal!
22:18¡Suscríbete al canal!
22:20¡Suscríbete al canal!
22:23¡Up on the left!
22:24¡Suscríbete al canal!
22:26¡Suscríbete al canal!
22:28¡Suscríbete al canal!
22:30¡Suscríbete al canal!
22:32¡Suscríbete al canal!
22:36¡Suscríbete al canal!
22:38¡Suscríbete al canal!
22:40¡Suscríbete al canal!
22:42¡Suscríbete al canal!
22:44¡Suscríbete al canal!
22:46¡Suscríbete al canal!
22:48¡Suscríbete al canal!
22:50¡Suscríbete al canal!
22:52¡Suscríbete al canal!
22:54¡Suscríbete al canal!
22:56¡Suscríbete al canal!
22:58¡Suscríbete al canal!
23:00¡Suscríbete al canal!
23:01¡Suscríbete al canal!
23:02¡Suscríbete al canal!
23:03¡Suscríbete al canal!
23:04¡Suscríbete al canal!
23:05¡Suscríbete al canal!
23:06¡Suscríbete al canal!
23:07¡Suscríbete al canal!
23:08¡Suscríbete al canal!
23:09¡Suscríbete al canal!
23:10¡Suscríbete al canal!
23:11¡Suscríbete al canal!
23:12¡Suscríbete al canal!
23:13¡Suscríbete al canal!
23:14¡Suscríbete al canal!
23:15¡Suscríbete al canal!
23:16¡Suscríbete al canal!
23:17¡Suscríbete al canal!
23:18¡Suscríbete al canal!
23:19¡Suscríbete al canal!
23:20¿Qué?
23:21Pero, ¿qué dijiste?
23:22¿Qué dijiste?
23:23¿Qué dijiste?
23:24¿Qué dijiste?
23:25¿Qué dijiste?
23:26¿Qué dijiste?
23:27¿Qué dijiste?
23:28¿Qué dijiste?
23:29¿Qué dijiste?
23:30¡Ah, nada!
23:31¡Just admiring the table!
23:33¡Vaya bien!
23:34¡Generia, no es!
23:38¡Oh, gracias, señora!
23:39No charge.
23:45¿Francis?
23:50¿Quién es ?
23:52¿Puedo?
23:54¿Qué dijiste?
23:55¿Francis en línea?
23:57¿Francis en línea?
23:58¡No!
23:59¡Hola!
24:00¡ larger!
24:05¿No?
24:06No!
24:07Luis!
24:083-7 a base
24:09No!
24:10Bases
24:113-7
24:11Go ahead
24:12Yes, Alex, I want a trace of phone number
24:14Luis, I think we're being watched
24:16875-4066
24:196, over.
24:21Will do, 3-7.
24:22Don't go away.
24:23Mother thinks he was snooping.
24:24Nasty piece of work, she says.
24:26Tomorrow evening, at the range.
24:293-7, please acknowledge.
24:303-7.
24:31Yeah, 3-7, Alex, what you got?
24:33Public phone box, Waterloo Station, main entrance.
24:36Make any sense?
24:37Yeah, thanks, Alex.
24:37Out.
24:39Shall we bring her in, sir?
24:40After I've spoken to Masterson.
24:47Go, Ed.
24:47Where are you going?
24:49Hold it!
25:05Do you mind if we come in, Miss Cottingham?
25:29Mr. Cully, it's 5.30 in the morning.
25:32Having been up all night, I'm only too aware of the time.
25:35Whatever it is, couldn't it wait till later?
25:36I'm afraid not.
25:37I do have to talk to you now.
25:39Frances?
25:50Frances, what is it?
25:52Now you've woken Mother.
25:53Frances, who is it?
25:55What is going on, Frances?
25:57It's all right, Mother.
25:58It's just some colleagues of Colonel Masterson.
26:01At this hour of the morning, it really is too bad.
26:03But it's urgent.
26:04Now, you try and get back to sleep.
26:06Oh, shut the door, Miss Cottingham.
26:15I have no wish to disturb your mother.
26:19I'd like you to listen to something.
26:21Hello?
26:26Luis?
26:27Carissa.
26:28I thought you'd never answer.
26:30There was difficulties.
26:31I must see you tonight.
26:33No, tonight I cannot.
26:34Luis, I think we're being watched.
26:36Watched?
26:37What do you mean?
26:38A man was at my flat.
26:40He said he was from the electricity board.
26:41But Mother thinks he was snoping.
26:43Nasty piece of work, she says.
26:45Tomorrow evening, as arranged.
26:50Well, Miss Cottingham?
26:54You're utterly and completely wrong.
26:57But I can see how it sounds from your point of view.
27:01Perhaps you would enlighten us.
27:04Who is this Luis?
27:06A man I know.
27:08Is he, uh...
27:09Yes, we're having an affair.
27:11Is he the man you met yesterday evening?
27:12Is he the man you met yesterday evening?
27:15Yes.
27:16What's his full name?
27:18Luis Delgado.
27:19Nationality?
27:20Spanish.
27:21What's his job?
27:23He's a postgraduate student at the Royal Academy of Music.
27:26He's a graduate of the Conservatoire in Madrid.
27:28And why were you both so worried about being watched?
27:33His wife is very jealous.
27:36We thought she might have hired a private detective.
27:38His wife?
27:40Yes.
27:40How does he support her?
27:44He doesn't.
27:45She has money of her own.
27:46Well, he lives off her, does he?
27:47He has very little money.
27:49Ever met his wife?
27:51No.
27:51How long have you known him?
27:53About a year.
27:54Ever seen her?
27:56No, I don't.
27:56Do they have any children?
27:58No.
27:58Where do they live?
27:59Do they live together?
28:00What address?
28:02Burley Mansions, Victoria.
28:04What number?
28:06I forget.
28:08Twelve, I think.
28:09How long have they been married?
28:10Since he was 18.
28:12He's never shown you a photograph of his wife.
28:15No.
28:16Why not?
28:18Because I wouldn't want to see a photograph of his wife.
28:21Miss Cottingham, I'm afraid we're going to have to go into all this a little more thoroughly.
28:26No.
28:26Yes.
28:30Well, I'll need time to dress.
28:34Tell Mother.
28:35You died a few minutes ago.
28:58What about the other one?
29:00He got away.
29:01His maker silenced him before you could.
29:10Kamal Qadir's visit is out of the question.
29:13Your guerrilla army charging about London is out of the question.
29:16I told you, Mr. Cowley, I prefer to work independently, particularly as your security is leaking so badly.
29:24There is no such thing as watertight security, and you know that as well as I do.
29:30However, it seems that we may have found a weak link in this particular chain.
29:35Perhaps you'd better meet her.
29:36Did Luis Delgado know about Colonel Masterson?
30:03He knows I work for him, yes.
30:06Did he ever ask you about Kamal Qadir?
30:09No.
30:10Have you told him anything about the proposed visit?
30:13No.
30:14How can you be sure?
30:15Please, think.
30:17Francis, it's better if you tell us everything, whatever it is.
30:21Oh, God.
30:31Luis was...
30:32Take your time.
30:39Luis was ashamed of living off his wife, his Spanish pride.
30:45He wanted to get away from her, but there was his career, his talent.
30:53Go on.
30:55He was desperate to get away, but he couldn't get a work permit in this country.
31:00So he started writing articles for Spanish magazines.
31:06It paid hardly anything at all, but it was a start.
31:09He needed one good scoop to establish himself as a journalist so that we could...
31:22So that he could leave her.
31:25So you told him about the meeting.
31:32Bodhi.
31:33No one called Delgado lives in Burley mansions.
31:38Neither does any young musician, Spanish or otherwise, with or without a rich wife.
31:46No Luis Delgado was ever enrolled as a postgraduate student at the Royal College of Music or the Madrid Conservatoire.
32:03No one called Delgado.
32:06Now's a nice cup of tea for you.
32:10As we've isolated the leak, all we have to do now is change the rendezvous and Cadiz's visit can go ahead. Agreed?
32:17Okay. Agreed.
32:18I've already spoken to the Fordham office and they've made a country house available.
32:22The meeting will take place under my personal supervision.
32:25If they still trust Luis Delgado to give them a location, we might be able to kill two birds with one stone.
32:34Can't rely on that woman. She's finished.
32:38What have we got to lose? The opposition are on a hiding to nothing.
32:42A what?
32:44If Miss Cottingham is believed, then the terrorists will come to where they can be dealt with.
32:49If she has not believed, then they still won't know where Mr Cadiz is going and can do nothing.
32:54We can't use Francis like that.
32:56If the Cadiz visit is as vital to British interests as you claim, Colonel, I don't think this is a chance we can afford to miss.
33:01Four-five.
33:08Four-five.
33:10What's keeping you?
33:13Partier, c'est monier, un peu.
33:16What?
33:17To leave is to die a little.
33:19Yeah, I know, but if you've fallen in love, the bet reverts to me.
33:22I'm better, eh?
33:24Well, now, here it is.
33:26Wilson's just called in from Heathrow and Miss Jetstream's back in town, clean as a whistle.
33:29What happened in jury?
33:31Nothing.
33:33Dinner with the captain, back for an early night on her own.
33:36Yeah, she's a very early sleeper.
33:38Yeah, well, maybe, but they did have adjoining rooms and both missed breakfast.
33:42Gosh, thanks, Bodie.
33:44Well, for a nap.
33:59The end of July.
34:01The end of July.
34:18He's gone.
34:24Just dubbed out?
34:25Gone for good. Just took his bags and left.
34:30Mr Carley, I feel very ashamed.
34:33I've obviously been
34:33very foolish.
34:36But what can I do?
34:38I've told you where I arranged to meet
34:40the man I knew as Luis.
34:43But as to his true identity
34:45and who he's working for,
34:46you'll have to ask him yourselves.
34:49I don't know.
34:52If we apprehend him,
34:54we may never find the rest of the people he's working for.
34:56If you don't meet him as planned,
34:58he'll become suspicious.
34:59I can easily cancel it.
35:01Francis, we don't want you to cancel your meeting
35:04with Luis.
35:07What do you want?
35:10Luis will want to know where the talks
35:12with Cardi are going to take place.
35:16This is the address
35:22you have to give him.
35:33You'll be all right?
35:34Take care.
35:40¿Qué pasa?
36:10¿Qué pasa?
36:24Where's Doyle?
36:25Hair sickness. Never was a good traveller.
36:28After what you tell Lewis, Doyle can look after her.
36:31Ah, they can form a broken hearts club together.
36:34You're a hard man, Bodie.
36:36Do you think he recruited a cream post?
37:06That's him.
37:12If Doyle's not here in time, get Victor to keep an eye on Liz Cottingham.
37:16Francis.
37:30What are you doing?
37:32¡Gracias!
38:02¡Gracias!
38:03No, no, no, no, no.
38:33It could earn more, much, much more with worldwide syndication.
38:39You know how much it means to me, to us.
38:44The new location at the Caddy meeting, I must know it.
38:49And with the money, we could become free to set up on our own.
39:03Tell me about your wife.
39:06She's going to blow it.
39:07What about my wife?
39:10I don't know anything about her.
39:13Tell me something.
39:14It's over.
39:16Double or quit.
39:18Done.
39:18Is she beautiful?
39:22Well, Frances, please.
39:23I want to know.
39:25Well, she's quite...
39:28Yeah, she's beautiful.
39:31Does she have a good figure?
39:33Yes.
39:36What color is her hair?
39:39Black.
39:40Listen, Frances.
39:41Her eyes?
39:42You're just trying to hurt yourself.
39:43She means nothing to me now.
39:44What color are her eyes?
39:46I don't know.
39:47They're sort of brown.
39:49Sort of?
39:50You're the brown.
39:51Greenish-brown.
39:52I don't want to hear any more about her.
40:05Good.
40:09In my bag, there's a card.
40:13And it is the name of the hotel where they're holding the meeting.
40:22Forget it.
40:24No, sir, I don't think.
40:27Forget it.
40:33The Krabli Hotel.
40:37Well, what do you think?
40:38I think I'm unlikely to be disturbed when my guests arrive.
40:43If they arrive.
40:45Excuse me.
40:513-7.
40:523-7.
40:52Go ahead, 3-7.
40:53The fish has taken the bait.
40:55Over.
40:56Carry on as arranged, 3-7.
40:58Out.
41:00He's taken the bait.
41:01To take it is one thing.
41:03To swallow it, quite another.
41:05We shall see.
41:11All right, Romeo.
41:14Less than easy with us.
41:15She'll be in a bit of a state.
41:17Yeah, okay.
41:18I've got it.
41:18Whoa.
41:25Who's done?
41:28Oh, yesterday.
41:29Oh, boy.
41:31Oh, my God.
41:32Oh, boy.
41:34Oh!
41:34Oh, boy.
41:35Oh!
41:35Oh, may God.
41:36Oh, boy.
41:36Oh, boy.
41:37Oh, my God.
41:37Oh, wait.
41:38Oh, my God.
41:39Oh, my God.
41:40Oh, boy.
41:41¡Gracias!
42:11¡Gracias!
42:41¡Gracias!
42:43¡Gracias!
42:45¡Gracias!
42:47¡Gracias!
42:49¡Gracias!
42:513.7 at base.
42:53The big fish is driving a red Lancia ELF 614.
43:11¡Gracias!
43:153.7, where are you?
43:17I wish I knew.
43:31I never had a chance. She walked around in front of me.
43:33Get an ambulance.
43:35Oh, yes, I understand.
43:37Yes, I'll be here.
43:39That's all right. Bye-bye.
43:43They think she'll pull through.
43:45Oh, that was my wife. She's staying at the hospital.
43:47She'll let us know as soon as she hears anything more.
43:51Oh, I should never have agreed to the idea.
43:53She wanted to help us, Colonel.
43:55It was the only way she could make amends.
43:57Yes, I suppose so.
43:59Now, listen, Bodie.
44:01I want you at the airfield three hours before Cardi's plane is due.
44:05Take Jimmison and two others.
44:07I'll be right out the perimeter.
44:09Doyle, you'll be at the Crably Hotel.
44:11I want someone to keep an eye on Dowd.
44:13See he doesn't go over the top.
44:15Take Wolfson with you.
44:17By the time the PMA have realized
44:19Luis has given them false information,
44:21it will be too late for them to prevent Cardi's mission.
44:23It's very nice to be back here.
44:25I'm going to be introduced to you.
44:27I'm going to be introduced to you.
44:29Thank you.
44:31Yes.
44:33Thank you.
44:34Yes.
44:35Thank you.
44:36Yes.
44:37Thank you.
44:39Yes.
44:41Thank you.
44:43Thank you.
44:45Thank you.
44:47Yes.
44:49Thank you.
44:51Buenas tardes.
45:21Stand by, 4-5, here they come.
45:51They didn't believe her, Troy.
46:21Oh, yes, they did.
46:23Get up.
46:28Get up.
46:52Simon Jacob Blue, cultural attache embassy of Israel.
47:13Israeli intelligence?
47:14I have diplomatic immunity.
47:16You can't touch me.
47:18Get him back to base now.
47:20You keep your boys off him.
47:223-7.
47:293-7.
47:30Something's wrong.
47:31Like what?
47:32I don't know.
47:33I'm coming to join you.
47:39Who else knows about the location apart from us?
47:46The F.O., Cowley, Masterson, Dowd.
47:50And Cardi and Aleutia.
47:51Right.
47:52Is that all?
47:53That's all.
47:54That's all.
47:55That's all.
47:56Alush.
47:57Alush.
47:58Alush.
47:59Alush.
48:00Alush.
48:01Alush.
48:02Alush.
48:03Alush.
48:04Alush.
48:05What are they?
48:06Alharim.
48:07Alush.
48:09Alush.
48:10Alush.
48:11Alush.
48:12What are they?
48:13Alharim!
48:14Alush.
48:15Alush.
48:16What are they?
48:18Alush.
48:19That's all.
48:20What a boy.
48:21What a boy.
48:25This is amazing.
48:26That's all.
48:27Do you see that?
48:29At the end?
48:30What?
48:32What?
48:33Damn.
48:34That's all.
48:35¡Gracias!
49:05¡Gracias!
49:07¡Gracias!
49:09¡Gracias!
49:11¡Gracias!
49:13¡Gracias!
49:15¡Gracias!
49:17¡Gracias!
49:19¡Gracias!
49:21¡Gracias!
49:23¡Gracias!
49:25I guess you're not one of those cops who directs traffic to Trafalgar Square.
49:29I guess not.
49:31Water heater was good.
49:33Yeah.
49:35So was the cabin service.
49:43Well, my mate, she fooled me too.
49:45Yeah, of course you did.
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