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  • 15/5/2025

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00:00¡Gracias!
00:30¡Suscríbete al canal!
01:00¡Gracias, darling!
01:01¡What's the matter?
01:04¡It's Suki! Suki's dead.
01:06¡Oh, no!
01:07¡She was killed!
01:09¡Somebody killed her!
01:13¡We'll get another one!
01:14¡I promise you we'll get another!
01:17¡Don't worry, darling!
01:18¡You haven't got your nice new little kitten, OK?
01:22¡Off you go, love!
01:24¡We'll talk about it when you get home!
01:26¡OK!
01:27¡Let's cut it all out!
01:28¡Cut the books!
01:30¡No!
01:30¡No!
01:30¡No!
01:31¡Gracias!
02:01¡Gracias!
02:31¡Gracias!
02:33¡Gracias!
02:35What are you yelling about, babe?
02:37The cat. The cat's dead.
02:39Oh, bloody cat. What run over?
02:41This was shoved through the door,
02:43and Suki was dumped on the doorstep.
02:53One, two, three, four, five.
02:55You'll be all right.
02:57You'll have something to remember.
02:59A lot to remember.
03:03One, two, three, four, five.
03:07Bet you'll be all right.
03:09What are we gonna do, Jack?
03:11I'll walk tonight.
03:13I'll make a phone call.
03:15Who?
03:17Doyle.
03:29The hodernack will be.
03:33The hodernack will be.
03:35The hodernack will be.
03:37He's playing the hodernack.
03:39He would feel like you don't have it.
03:41You'll be playing the hodernack.
03:43You'll be playing.
03:45You'll be playing.
03:47The hodernack will be playing.
03:49¡Gracias!
04:19¡Gracias!
04:25Doyle.
04:26Got a caller who won't give his name.
04:28What do you mean he won't give his name?
04:30Tell him to go to hell. It's the middle of the night.
04:32He says to tell you the Maiden Lane job.
04:36The Maiden Lane job.
04:39All right, Primo.
04:41Ray Doyle.
04:42Who's this?
04:43Stone. Jack Stone.
04:44Oh, come on. What is this? Some kind of gag.
04:46No, it's me. Look, I can prove it.
04:48You collared me on that dog track job.
04:50Couldn't make it stick.
04:51He held me way over the limit without seeing me lawyer.
04:54But I rippled out of it.
04:55Put a trace on number one, quick.
04:57It's me, Doyle Stone.
04:58Yeah, all right, Jack. It's you.
04:59When you're out of your head, where are you?
05:01I'm coming to that.
05:02Look, I'll give myself up to you if you would do something for me.
05:04Come, my bandit, and God knows what.
05:06All right.
05:07I'll be at my place. Springfield Road, you know it.
05:10Well, you should do. You turned it over often enough in the old days.
05:13Yeah, I know it, Jack. It's going back a bit. Look, I'll find it, all right?
05:16Listen, don't come round the front or the game's up. There's some allotments round the back.
05:19Can you come in on the choir round about daylight?
05:21She's damn near dawn already. Yeah, all right, I'll find it.
05:25I've given you up for dead, mate.
05:27Yeah, I might have been better off all round if I was.
05:29Hello?
05:31Four-five?
05:32Yeah, shake Bodie out of his reverie, will you?
05:34Tell him I'll pick him up in ten minutes.
05:36Hello?
05:37Four-five?
05:38Yeah, shake Bodie out of his reverie, will you?
05:41Tell him I'll pick him up in ten minutes.
05:43Oh, no!
05:44How's that?
05:45All right.
05:46Um, what?
05:47Can you look at?
05:48Yeah, awesome.
05:49I've just said that.
05:50Hey!
05:51Oh, no.
05:52¡Gracias!
06:22¡Gracias!
06:52¡Gracias!
06:54¡Gracias!
06:56¡Gracias!
06:58¡Gracias!
07:22¡Gracias!
07:28He's in there.
07:44Hello, Jack, where'd you spring from?
07:46All over the place.
07:48What's out in the garden? Not the loot, is it?
07:508-month-old pup, kid's dog.
07:55How long have you been here?
07:57What's the difference?
07:58Difference? A lot of people looking for you, mate.
08:00Australia, South America, and here you are.
08:02Yeah, you're the last of the Mariacans, Jack.
08:05Yeah, all the others are safely locked away.
08:07Proper little Houdini, you are.
08:09All right, cut out all the clever, clever stuff for a start.
08:12Listen, mate, you simp for me.
08:14I could just as easily have brought the boys in blue.
08:16Some inspector could get promoted over this, you know.
08:18Big splash in the papers, bang, superintendent.
08:22You simp for me.
08:24See, I don't handle this kind of stuff anymore, Jack.
08:26You're not in my class.
08:27My family's been threatened, door. Not me, me family.
08:36Someone's rumbled I'm here.
08:38Well, they know I'm here. At least they know I'm in touch.
08:401, 2, 3, 4, 5, you'll be all right.
08:44What's this 1, 2, 3, 4, 5 stuff?
08:461, the cat. 2, the dog, this morning.
08:49Oh, God.
08:52So, who's on to you, then?
08:53I don't know.
08:54Some heavy money front of the job.
08:56Maybe someone wasn't in on the share out.
08:57But you were, weren't you, Jack, eh?
08:59No milk or sugar, thanks, look.
09:02Have you got one of those polythene bags?
09:04Kitchen bags.
09:06Please.
09:06You ripped them off, didn't you, Jack, eh?
09:13Who were they?
09:14I don't know.
09:14Wasn't that all out?
09:15Yeah, but you did rip them off.
09:16Listen, we all got ripped off.
09:18You don't know what it was like.
09:19I mean, there was money there.
09:20There was big money.
09:21I mean, by the time everything had been straightened and fixed,
09:23by the time all the money changing had been done,
09:25there was nothing left.
09:26Hello, Nick.
09:27What did you do there about, son?
09:28I heard you talking.
09:32Oh, these are just some friends of mine.
09:33Haven't seen him for a long time.
09:35Now, come on, get yourself back up to bed, eh?
09:36I'm going to stay down here with you, Dad.
09:38Getting upstairs, huh?
09:39Not now, Nick.
09:40Dad's doing some business.
09:43Thanks, sir.
09:48How long have the kids known you were back?
09:50They didn't.
09:52Chrissie and me pretended.
09:54They'd come back from school.
09:55Surprise, surprise.
09:56There I am for the night.
09:58Little presents, all that kind of thing.
10:00So, where were you?
10:01Upstairs in the bloody rafters, weren't I?
10:04You'd have been better off doing your time.
10:07Good talk, kids.
10:09Come on, you know what they're like.
10:11Not in families like ours, you know that.
10:14Listen, Jack, this is not for us.
10:16All we can do is turn you in.
10:18We can arrange police protection for your family.
10:21All right, they'll have to move away from...
10:21Listen, now, get it done.
10:22You can't disappear a whole family.
10:25Look, you can't lock me up with that on me mind, can you?
10:27We haven't got a lot of option, mate.
10:30Blood grew up.
10:31That note must have been some kind of a nutter.
10:32Poisoning the cat, smashing the dog's head in with a hammer.
10:35I can't leave them like that.
10:36I can't.
10:41If I could just get me hand on a few grand.
10:46Leave it out.
10:49Come on, you've got our sonny stashed away.
10:51No way, long gone.
10:53Chris's old man might come up with a few, but...
10:55for her, not for me.
10:56Well, the money's out, Jack.
10:58I'm not asking you, I'm pleading.
11:00And then he turns himself in.
11:10And then we bring him in.
11:11Amazing.
11:12Locked himself in his own private prison.
11:14Yeah, with a few mod cons and amenities.
11:16Rather him than me.
11:17There's more ways of killing a cat.
11:19Is that a bad taste, Joe?
11:21I'd appreciate a laugh, sir, these solemn occasions.
11:24Memorial service for a brave man.
11:26He enjoyed a laugh.
11:27Yeah, I'm not entirely happy about this.
11:30It's not really our bag.
11:32But I'm seeing the commissioner later.
11:33I might just touch on it.
11:34Our involvement.
11:35I think the few people who know the better.
11:38Are you implying...
11:39No, I'm not implying anything.
11:41I know I should have involved the locals, but...
11:44Well, they're nice kids, you know.
11:46Ah, cry for help.
11:47Yeah, is he waving or drowning?
11:49Another of your jokes?
11:50It's worth a try.
11:51They may be nice kids, but that's a family with a pedigree of villainy on both sides.
11:55His wife's father, Lane Hatch.
11:56The Hatchet?
11:57No, he's an old man.
11:58A mellowed tune, I doubt.
12:00Well, you have my approval for now.
12:02Low profile.
12:04No big teams wrecking my budget.
12:07You're sure you've got in and out of the house unobserved?
12:09Yes, sir.
12:11We'll carry on.
12:11Bowdy, this is not on.
12:26I've just come off duty.
12:27A favour, come on.
12:29Come on.
12:29Come on, I've filled out a favour once in a while.
12:31I suppose there's a schoolteacher.
12:32Well, do I look like a schoolteacher?
12:34Very dolly ones these days, you know.
12:35Anyway, you could always wear spectacles.
12:37Well, I don't wear spectacles.
12:38The oil's going to fix.
12:39Oh, him.
12:39I might have known he'd be down.
12:41Well, what is it?
12:42Hey, is this official or what?
12:47Get off.
12:48Oh, the boy's at St. Luke's.
12:56I'll take care of him.
12:58OK.
12:58But remember, I'm not shooting up my whole leave on this number.
13:01Hey, babe, you and me.
13:03Soon crack it.
13:11OK, two teams.
13:13That'll do.
13:13Right down the centre.
13:14You lot over there.
13:15Down the big one.
13:17OK, lads.
13:18Quiet now.
13:19Right, the last one to that line and back.
13:21It's a sissy.
13:21Go!
13:22To the line and back.
13:24And back.
13:25Come on!
13:26OK, right.
13:27Who wants to play basketball?
13:29Yeah!
13:30Shut up!
13:31No, thank you.
13:33That's Linda, the group leader.
13:35Socks down, hair in a mess.
13:37That's difficult of her.
13:38Those are her best friends this term.
13:39She looks pale.
13:41Well, she's got exams coming up.
13:42But she should do well.
13:43She works hard.
13:44Why the official interest, or shouldn't I ask?
13:46Nothing to do with the children.
13:47The family are...
13:48Dubious.
13:49Right, it's not uncommon.
13:52Now, don't run now.
13:53And no pushing on the stairs.
13:56This is a strange neighbourhood.
13:58Yes, under the veneer of respectability.
14:01Linda's father disappeared some time ago.
14:02Oh, yes, I remember.
14:05Mother's a nice woman.
14:06She comes to parent meetings.
14:07And the children are very well behaved.
14:09I know they're not disturbed.
14:10Linda's particularly promising.
14:12Yes, I'm sure she is.
14:13Hey, where's your mum?
14:15I don't know.
14:16She probably got stuck again.
14:21Let's walk.
14:22Let's hang on a bit.
14:23Come on, let's walk.
14:27Come on, let's walk.
14:28Oh, crap.
14:33Come on, you've got to admit that.
14:36Come on, let's walk.
15:50A couple of school kids, a blind one and a dark one, both boys.
15:53Yeah, about a minute ago. Gone up that way.
15:55Cheers.
16:06¡Gracias!
16:36¡Gracias!
17:06¡Gracias!
17:36He's still a bit hot.
17:50He's just a bit shaken.
17:51Don't forget all about it soon.
17:53Dad.
17:54Yes, love.
17:55Was it really an accident?
17:58Well, it seems like it.
18:00Car got out of control, you know.
18:01Some madman just driving too fast.
18:04But Sookie.
18:05And then Paddy.
18:08It's not a nice thing to do.
18:10Well, it's not a very nice thing.
18:11Just some people around here just don't like pets.
18:15Some funny people about them, though.
18:18You're going to stay with us now, Dad?
18:22Yeah, as long as I can, yeah.
18:23Will you have to go away again?
18:25Well, I might do, you know.
18:28Not for a while, though.
18:32Can't just get you to bed.
18:35Hey, what's all this?
18:37Homework this time, am I?
18:38Yeah, I've got to get it done.
18:40Yeah, you get some soap, eh?
18:42Go on.
18:49I'll give you a call early in the morning, eh?
18:51I'll give you a call early in the morning, eh?
18:53Good night.
18:53Good night.
18:53Good night.
18:53Good night.
18:53Good night.
18:54Good night.
18:54Good night.
18:54Good night.
18:55Good night.
18:55Good night.
18:56Good night.
18:56Good night.
18:57Good night.
18:57Good night.
18:58Good night.
18:59Good night.
19:00Good night.
19:00Good night.
19:01Good night.
19:01Good night.
19:02Good night.
19:03Good night.
19:04Good night.
19:04Good night.
19:17Good night.
19:18Good night.
19:18Good night.
19:19Good night.
19:20No, no, no, no, no.
19:50Well?
19:58Yeah, very well, thanks. Hope I find you the same.
20:00Oh, yeah, it's great, isn't it? The sea air.
20:08You're always a cigar man, weren't you, Barney?
20:10Big cigar, big flash car.
20:13Didn't bring a bird, I suppose.
20:15Well, a piece of chicken, what's the matter? Don't you like the food?
20:17All right, who are you? What do you want?
20:19Doyle, CI5.
20:21CI5?
20:23You were in the regular force. Limehouse, wasn't it?
20:26Yeah, I did a bit down there.
20:28So now you're with the Daring Doomal.
20:30Hope you're well paid for it.
20:32It's a living.
20:33So is feeding pigs.
20:39So, what's it all about?
20:40The Maiden Lane job.
20:41Oh, no, not again. There's a book on it.
20:46There's another one coming out.
20:48One of the Sundays serialised it.
20:50A weekly rag did the woman's angle.
20:54You could always try reading the trial.
20:56Six weeks.
20:58Plus appeals.
20:59Who put up the save money?
21:00Thanks.
21:06Nice twist on the note, sir.
21:07What? What note?
21:08Jack Stone, the letter threat.
21:10There's no prints on the paper except for Stone, this missus.
21:12Paper's cheap anyway.
21:13Get it any place, about 400 outlets.
21:15But it is written by the right hand of a left-handed male, 40, medium height and build.
21:20Now, if he was dyslectic.
21:21Yeah, I know. Narrow the field down.
21:23We're afraid he spells correctly.
21:24Pull it through the computer.
21:26Already have.
21:26Left-handed is as crooked as the right.
21:29Who's the one at Manchester?
21:31Ned Turner, the draftsman.
21:32He didn't go on the job, but he did all the planning.
21:34Then he rushed in for his money.
21:36What are we doing out here?
21:37It's a bonus.
21:38Bit of fresh air.
21:41Climatising me, are you?
21:42For open prison.
21:44It's a bit too soon for that.
21:46Stay on the word in the right direction.
21:49You some sort of god-botherer?
21:51Well, you could say I'm a concerned person, yeah.
21:54What about?
21:55Jack Stone's wife and kids.
21:57Don't tell me you're collecting.
21:59Someone's threatened to do them in.
22:02What, Chrissie and the kids?
22:03Mm-hmm.
22:04Oh, well, her dad's alive.
22:05Yeah, I know, but believe me, mate, it's on.
22:09What one were you?
22:10C.I.5.
22:11I think I'll go back in.
22:12Come on, it's nice out of here.
22:14Yeah.
22:15On a clear day, you can see the cathedral.
22:18I know what your game is.
22:20Carrot and stick.
22:21You're the carrot.
22:22Don't want to make the other part.
22:23Left him back at base.
22:24Look, you've always been marked down as the non-violent type.
22:29You don't want anything to happen to the Stone family, do you?
22:31I could do him a bit of violence.
22:33Q form's on the right.
22:35What Q?
22:35Oh, come on.
22:37He wrung it on us.
22:38All of us.
22:39Got clean away.
22:40Yeah.
22:42Collie died, you know.
22:44Chrissie's cousin.
22:45The actor's nephew.
22:46Yeah, car burnt out.
22:47Yeah, and the rest.
22:49All sorts of things got burnt.
22:51Jack got out, though.
22:53Never been seen since, has he?
22:54A K registration mark, SL.
22:58A place for a tally.
23:00Observation or bring it in, sir?
23:01No, it's worth a few days' observation.
23:03Anything from Dorff?
23:03Wall of silence.
23:04Thanks, Fred.
23:05He's seeing the rest of the gang.
23:07Well, I can't get word out.
23:09Nautil is all over.
23:10Intermunicado.
23:11Solitary?
23:11Something like that.
23:15Sounds a bit rough, doesn't it?
23:17Thanks a lot.
23:17Oh, my God.
23:47Hey, Chrissie.
24:10Hmm?
24:12What?
24:14Just trying to make a move.
24:15They'll be terrified.
24:19Poor little knights.
24:21Oh, they won't.
24:24They'll just think of it as an adventure.
24:31If you'd call Doyle again...
24:33No good, no good.
24:35Listen, he can catch up with us any time.
24:39Nobody gives a damn.
24:40Come on, Nick.
24:51Finish it up.
24:52There, put that on the back of the car for me.
24:55Just hope we're doing the right thing, that's all.
24:57That's all we can do.
24:58These take care of their own.
24:59I'll leave it out, Chrissie.
25:00Come on, love.
25:01That's enough.
25:01Off you go.
25:02They'll come for you.
25:09Yeah, I know.
25:11Come on, get right down.
25:31That's it.
25:31Come on, get right down.
25:33Now, stay down.
25:53Nine feet of base.
25:55Urgent!
25:55Listen, you're paid to be awake all the time, not half the time.
26:15Come on, get right down.
26:45Can we get up now, Mum?
27:05Not yet, love.
27:05Won't be much longer.
27:07So cramped.
27:08You're a good girl.
27:09Do what your dad said.
27:15Oh, Linda.
27:41¡No, I'm sorry, Niccita!
27:42¡Are you all right?
27:44¡Oh, I'm sorry!
27:45¡I'm sorry, Faye!
27:52¡El kid's safe!
27:54¡Everybody's all right!
27:55¡Be OK!
27:57¡Be kind of alive!
27:58¡Atras de acá!
28:02¡No la noticación de grandparents!
28:04¡Seek que no evas el cuidado!
28:06¡Oh, sí, en este momento!
28:07¡Si es así! ¡Claro en él!
28:08¡Oh, ese buen trabajo!
28:09¡No, la noicación tenía el balón!
28:10No, no, no, no, no, no, no.
28:40C-I-5.
28:44Morning.
28:46Got the coffee on?
28:48I can make some.
28:49Do that.
28:55Is this how you put in your time now?
28:58Better than the other way.
29:00Yes, yes, I expect it is.
29:04You seem to be very comfortably placed.
29:06It's all bought and paid for.
29:08Do you want to see the accounts?
29:09No, no, I'm sure they read well.
29:14We've met before.
29:15Have we?
29:16Presentation dinner for Jimmy Dix, 72.
29:20Oh, yes.
29:22I expect there were a lot of people there.
29:24There were.
29:26It was a few months before the corruption trials.
29:29Jimmy did his time.
29:31Stood it very well.
29:32He's, uh, in South Africa now.
29:36Security man in the gold mines.
29:38Just the job for him.
29:40I want to talk to you about Maiden Lane.
29:43Maiden Lane or Memory Lane?
29:45You come out with some right ones.
29:47Maiden Lane and your son-in-law.
29:49And his wife and children.
29:50What have they got to do with it?
29:54Jack had it away.
29:55More luck than brains.
29:57Did he have it away, Hatch?
30:00Half the world's police and Interpol never got near him.
30:04Maybe he did have a little bit of something.
30:06Cunning.
30:07Animal cunning.
30:08Who supports his family?
30:11I do.
30:12Who else?
30:17Right, we're just coming up to it now.
30:19Linda will go in and open the garage door a bit while her mum's paying me off.
30:22OK, Liz?
30:23Got it.
30:23All set.
30:24Now, Linda, make a thing of getting your bike out.
30:26Your mum's going to tell you you can't go out and put the bike away, OK?
30:30Yes.
30:31Good girl.
30:31Now, Nick, you stick with your mum.
30:33OK.
30:38No, no, no.
30:55Take him back.
30:56Come on.
31:08All quiet, man.
31:17All quiet.
31:18Yeah, well, stay with it.
31:19The night man blew out.
31:22So I hear.
31:23This is very kind of you, Mrs. Hatch.
31:25No trouble.
31:26I, er, I won't join you if my daughter's bringing the children over, so I've got a lot to do.
31:31I don't think they will be coming, Mrs. Hatch.
31:33How's that?
31:34What do you mean they won't be coming?
31:35Your daughter met with an accident on her way of a year.
31:39Oh, my God.
31:39I shouldn't.
31:40You've been quizzing me about some job years ago, and my family's been in an accident.
31:43They're all right.
31:44Your daughter just got a couple of scratches, and the accident and the job are related.
31:47Where are they?
31:48They've been taken care of.
31:49Well, I want to see them.
31:50You will.
31:50All in good time.
31:52Now, who hates your son-in-law enough to kill off his wife and kids?
31:55Kill them?
31:56To try, at any rate.
31:57I made a start with the cat and the dog.
32:00The cat was poisoned by a neighbour.
32:02And the dog?
32:02Chrissie never told us about that.
32:05What did she tell you?
32:06Just, she wanted to be on her own for a bit, so she was bringing the kids over to us.
32:12She gets depressed, gets on top of her, Jack being missing and all.
32:17Would she tell you if she heard from Jack?
32:19She'd tell me.
32:21Answer that, will you, Roz?
32:22Jack will never show.
32:28You won't find him.
32:29He must miss his family.
32:30Miss them?
32:32He's probably shacked up with some bint somewhere.
32:34But the only good thing that ever came out of that job was Chrissie being rid of him.
32:37Does she feel that way about it?
32:39Women.
32:40Haven't got much sense, have they?
32:41Mr Cowley.
32:43It's for you.
32:44Oh, thank you.
32:44I found a car dumped outside the local underground station.
32:57Only half a mile away from the crash.
32:59Where did we get the ident?
33:01A kid delivering newspapers, saw the crash, told the local cops.
33:04Anything on the license plate?
33:05Yeah, I've stolen last night in Northwest 10.
33:08I didn't even know he was gone.
33:10Some careless people about.
33:11Yeah, right.
33:12And leave it alone like the last one.
33:14Just observation, eh?
33:15Okay, will do.
33:21Oh, the family.
33:22In happier times.
33:24Yeah.
33:26Well, Jack and your daughter.
33:28Their wedding, eh?
33:29Yeah.
33:30That's Chrissie.
33:31At Nick's christening.
33:33Oh, he's a bonnie wee lad.
33:35Here he is again.
33:36It's a page.
33:37Cole's wedding.
33:39Colin and Peggy.
33:40Barely a toddler, then.
33:42Colin.
33:44Collie Roberts.
33:45Killed when the car burned out, eh?
33:47Yeah.
33:48Poor Cole.
33:50That's Linda, as the little bridesmaid.
33:53Hair was much fairer then.
33:55And that's one of Peggy on her own.
33:58She went out of her mind, poor girl.
34:01I wasn't surprised when she did it.
34:04Took an overdose.
34:05Who's that?
34:09Oh, it's Pat Weaver, Peggy's dad.
34:12That's the group.
34:13Father, me, all of them.
34:17Those days are gone.
34:18Got you looking at the family portraits, is she?
34:20Get the family album out at the drop of her head.
34:22And why not?
34:25Pat Weaver.
34:26There's a name from the past.
34:27Too early for a drink for you, Mr. Cowley.
34:29I'm about you for one.
34:30Oh, it's late enough.
34:31A small scotch, perhaps.
34:32I'll get some water.
34:33Oh, not for me, Mrs. Hatch.
34:37Colin was your nephew, Hatch.
34:39That's right.
34:40And all sons of your own?
34:42Nope.
34:43It's Chrissy and her sister in Miami.
34:46Plain, you see.
34:47Oh, thanks.
34:49What happened to Pat Weaver?
34:51Not a lot.
34:52Retired villain, Tommy's hands, like me.
34:55Cheers.
34:57Mr. Cowley, about that accident,
34:59exactly what did happen.
35:15Blank.
35:16Blank.
35:26Looking for a game?
35:27None now.
35:29Table three, if you want.
35:30Three shortly.
35:31Another time.
35:33Haven't seen you in a long time.
35:35Copper, haven't you?
35:36Was.
35:37Yeah, I thought so.
35:38Good in the faces.
35:41What are you doing now?
35:42I'm making a living.
35:44You haven't crossed sides, have you?
35:46No, not exactly.
35:50I wonder what their game is.
35:55A local hood, is he?
35:56Yeah, a small time.
35:58We can't ask around.
35:59It's a tight community.
36:00It's tight as a drum.
36:03Blank.
36:04There's a couple more on Abbott Street.
36:06Too right.
36:06Last race has started.
36:07The old man checked with the housing authority.
36:15Had a council flat.
36:17Let it go three months ago.
36:18No forwarding address, of course.
36:21It's unusual, parting with a flat.
36:23They're hard to come by.
36:24Yeah.
36:25Put a bit of an allotment, too.
36:27Not far from Jack Stone's place.
36:31Hello.
36:31Someone's let that lot go to see it, haven't they?
36:35Yeah, it's pity.
36:36Used to keep it lovely.
36:38Then he let it go.
36:39Lost interest, I suppose.
36:41Can anyone get one of these?
36:42If you live around here.
36:43Get your name on the list.
36:45What happened to this fellow, then?
36:45Oh, I haven't seen him in a long while.
36:48Jonas.
36:49Could have turned his toes up.
36:51Well, I'll have to put my name down.
36:56Hello.
36:57Okay, I saw him a couple of times
36:59coming out of a high rise in Camelot Street.
37:01Oh, perhaps he likes the view.
37:05Did you get it?
37:06Yeah.
37:07Stay with an old flame on the 10th floor.
37:0910th.
37:10She's away, too, in the club's up north.
37:12Lift's working, isn't it?
37:13I hope so.
37:14What, phone engineers?
37:15No, I thought public health department.
37:18A survey on depressive tendencies
37:20of residents of high rise blokes.
37:22Can you keep that up?
37:23What?
37:23Patter.
37:24Yeah, I read The Guardian, don't I?
37:26Excellent.
37:26You'll do it for me.
37:45I don't know.
37:46Let's go.
37:46I don't know.
37:47No, no, no.
38:17No, no, no, no, no, no, no, no.
38:47Thanks.
39:17Yeah?
39:18Yeah?
39:19Yeah?
39:20Yeah?
39:21Yeah?
39:22Yeah?
39:23Yeah?
39:24Yeah?
39:25Yeah?
39:26Yeah?
39:27Yeah?
39:28Yeah?
39:29Yeah?
39:30Yeah?
39:31Yeah?
39:32Yeah?
39:33Yeah?
39:34Yeah?
39:35Yeah?
39:36Yeah?
39:37Yeah?
39:38Yeah?
39:39Yeah?
39:40Yeah?
39:41Yeah?
39:42Yeah?
39:43Yeah?
39:44Yeah?
39:45Yeah?
39:46Yeah?
39:47Yeah?
39:48Yeah?
39:49Yeah?
39:50Yeah?
39:51Yeah?
39:52Yeah?
39:53Yeah?
39:54Yeah?
39:55Yeah?
39:56Yeah?
39:57Yeah?
39:58Yeah?
39:59Yeah?
40:00Yeah?
40:01Yeah?
40:02Yeah?
40:03Yeah?
40:04Yeah?
40:05Yeah?
40:06Yeah?
40:07Yeah?
40:08Yeah?
40:09That was a successful too.
40:10Okay?
40:11Well, if you had another five minutes, then you'd want another five.
40:13I'd have to concede anyway.
40:15He's seven ahead.
40:16I couldn't possibly catch up.
40:17Come on, you can play again tomorrow, okay?
40:19¿How long have you stayed with us?
40:21Un día o dos.
40:23Good night.
40:28¿Tú tienes una gun?
40:31¿Para?
40:33¿Lipstick?
40:35¿Vas lo tengo ahí?
40:37¿Vas a tomar dad?
40:39No, no me.
40:42No es un padre.
40:44Es tu padre, Linda.
40:47Pero si se ha hecho algo malo,
40:49tendrá que estar en trial sooner o later.
40:51¿Cuándo hay que ir para?
40:53No, no sé.
40:55Pero no se puede verlo.
40:57No tendrá que ir.
40:59No, no.
41:01Oh, dad.
41:03Oh, dad.
41:05I'll give Chrissy a hand in the kitchen.
41:07OK, thanks.
41:09You must be a good girl.
41:11Dad.
41:12I'm so frightened.
41:14There's no need to be.
41:16You'll be all right.
41:25Pearson.
41:26Put me through to the boss.
41:28Operations.
41:30Major Cowley.
41:32Cowley.
41:34Mr. Hatch insists on talking to you.
41:36Put him on.
41:40Look, Cowley.
41:41This can't go on.
41:42I'm not staying clipped up here with my lot in danger.
41:44But you agreed to cooperate, Hatch.
41:46You didn't give me any option.
41:48Where are they?
41:49I want to talk to my daughter.
41:51I'm afraid that's out of the question.
41:52No, it is not out of the question.
41:54If you've got her in safe custody,
41:55there's no reason why I can't talk to her.
41:57She's done nothing wrong.
41:59Their safety is a matter for the authorities.
42:03Your being cooped up, as you say, is for their safety.
42:06I must insist that they remain incommunicado.
42:09You'll be kept informed, as I promise you.
42:11For the moment, I must ask you to keep to our arrangement.
42:14Oh, I thought you'd better be right about this.
42:17If any harm comes to them, you'll know what a bloody vendetta is.
42:20I'll see you.
42:21I think you'd better get some sleep, Hatch.
42:23Good night.
42:24Time to go, Mum.
42:25Yeah.
42:31See you.
42:32Yeah.
42:33Love you, Jack.
42:42Yeah, you'd do.
42:47¡Suscríbete al canal!
43:17¡Suscríbete al canal!
43:47¡Suscríbete al canal!
44:17¡Suscríbete al canal!
44:47¡Suscríbete al canal!
44:49¡Suscríbete al canal!
44:57¡Suscríbete al canal!
45:01¡Suscríbete al canal!
45:05¡Suscríbete al canal!
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45:11¡Suscríbete al canal!
45:13¡Suscríbete al canal!
45:15¡Suscríbete al canal!
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45:19¡Suscríbete al canal!
45:21¡Suscríbete al canal!
45:23¡Suscríbete al canal!
45:25¡Suscríbete al canal!
45:27¡Suscríbete al canal!
45:29¡Suscríbete al canal!
45:31¡Suscríbete al canal!
46:01¡Suscríbete al canal!
46:31¡Suscríbete al canal!
47:01¡Suscríbete al canal!
47:03¡Suscríbete al canal!
47:05¡Suscríbete al canal!
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47:09¡Suscríbete al canal!
47:13¡Suscríbete al canal!
47:17¡Suscríbete al canal!
47:19¡Suscríbete al canal!
47:21¡Suscríbete al canal!
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47:27¡Suscríbete al canal!
47:29¡Suscríbete al canal!
47:31¡Suscríbete al canal!
47:33¡Suscríbete al canal!
47:35¡Suscríbete al canal!
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47:39¡Suscríbete al canal!
47:41¡Suscríbete al canal!
47:43¡Suscríbete al canal!
47:45¡Suscríbete al canal!
47:47¡Suscríbete al canal!
47:49¡Suscríbete al canal!
47:51¡Suscríbete al canal!
47:53¡Suscríbete al canal!
47:55¡Suscríbete al canal!
47:57¡Suscríbete al canal!
47:59¡Suscríbete al canal!
48:01¡Suscríbete al canal!
48:03¡Suscríbete al canal!
48:05¡Suscríbete al canal!
48:07¡Suscríbete al canal!
48:09¡Suscríbete al canal!
48:11¡Suscríbete al canal!
48:17No, no, no, no, no.
48:47There I go, Nicky. You were up early this morning. Now you.
48:55Dad!
48:57You do that this time of day.
49:17Come on, you go, Nicky.
49:19You're at it, boy. Go on. Daddy.
49:20That's all right. That's all right.
49:22That's all right.
49:23Come on.
49:24Come on.
49:26Come on.
49:27Come on.
49:28Come on.
49:29Come on.
49:30Come on.
49:40Come on.
49:41Come on.
49:42Gracias.

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