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Zoë Saldaña - FULL
Variety
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3/12/2025
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Transcript
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00:00
Thank you so much.
00:03
This is, wow, this is so nice.
00:07
Do I, I wait, right?
00:08
I'm waiting?
00:09
Okay. Okay.
00:10
Okay.
00:12
Okay, I'm over here.
00:15
Hi, Jovita Trujillo, Hola USA.
00:18
It is so nice to talk to you again.
00:21
From one daughter of immigrants to another, felicidades,
00:25
and thank you for being a role model for us.
00:27
Thank you so much.
00:29
So in Spanish, oh wait, sorry, let me record this.
00:32
Just the audio.
00:35
You know, in Spanish we have the saying, lo que sera, sera.
00:39
Now you're standing here with your first Oscar.
00:43
If you can go back to any moment of your life and let
00:46
that version of Zoe know, this is only going
00:49
to make you stronger and prepare you for this moment,
00:52
when would it be?
00:55
I think it's every time that I went after a part
01:00
and I didn't get it, and I cared so much, and I was
01:04
so heartbroken for sometimes a day, sometimes a week.
01:08
But I got up again, because at the end of the day,
01:11
if I don't act, if I don't do my art, then what am I?
01:17
Who am I?
01:18
And realizing that it's not about the win.
01:22
When you learn to let that go, and it
01:24
is about the work day in and day out, the day that you do win,
01:29
you just have a deeper appreciation for it.
01:32
And you feel that you have appreciated
01:34
every experience and every moment that has led you here.
01:38
I hope that answers your question.
01:40
Next question, 298.
01:43
Where's 298?
01:46
Going once, going twice.
01:48
Oh, OK.
01:50
OK, we're moving on to 333.
01:57
Oh, yes.
01:58
Back right.
02:01
Hi, Fabian Winter for Bananes.
02:03
Hola, soy, espero que podamos hablar en español,
02:06
es el idioma que habla Emilia Perez.
02:08
Y justamente la canción que ganó el mal dice,
02:11
habla, que la gente hable, OK?
02:14
Que lo buena paga, lo buena paga.
02:16
¿A quién le cantarías esa canción?
02:17
¿Y qué dices de la polémica que se dijo tanto en Sudamérica
02:21
por una película como Emilia Perez?
02:23
Sabes que el arte, el arte no sigue un manual.
02:27
El arte lo que sigue es el amor, y el corazón, y la luz.
02:31
Y uno querer explorar conversaciones que quizás uno
02:34
no entienda.
02:36
Y al hacerlas, se traen más voces a la mesa,
02:40
y se pueden conversar.
02:42
Y yo pienso que eso fue lo que Jaco Dior hizo.
02:44
Esta película no es basada en una vida real.
02:48
Si tendría que hacerla otra vez, la haría mil veces otra vez.
02:51
Esta película es muy importante.
02:53
Es una película muy linda, y se hizo con mucho amor.
02:57
Y solamente puedo hablar de eso, porque esa fue mi experiencia.
03:02
La polémica, claro que dolió, porque tú haces algo con el
03:05
corazón completamente abierto, y cuando no se recibe bien,
03:09
te quedas muy confundida el por qué.
03:12
Pero después que ya lo exploras, procesas,
03:16
tienes que hacer una decisión.
03:18
Y yo decido seguir mi corazón siempre,
03:21
porque sé que soy una persona limpia,
03:23
y sé que todas las conversaciones que yo quiero
03:25
decir en mi arte, tienen que ver con la humanidad.
03:28
Entonces, no tengo ningún arrepentimiento.
03:31
Gracias.
03:33
Next question, 232.
03:38
Front row, 232 on the right.
03:43
Stand, can you stand up?
03:45
Hi, thank you so much.
03:47
Sorry, I didn't see you there.
03:48
In an awards season where your talents are duly
03:50
being celebrated, what would you say
03:52
has been the largest obstacle you've had to overcome
03:55
to get here tonight?
03:58
I think it was myself.
04:03
Yes, there's so many external factors
04:06
that can impede on you moving forward.
04:09
If you stop moving forward, you know?
04:15
I had a hard time sometimes getting out of my own way
04:19
and self-sabotaging and thinking that, oh,
04:25
trying to believe what others wanted me to believe
04:29
or trying to believe what others saw in me
04:31
and not listening to my voice.
04:33
We have an instinct, and that instinct
04:35
that keeps us from falling or helps
04:37
us put our hands in front of our face
04:40
to protect us when we fall.
04:42
That's the same instinct that when you're reading a script
04:44
or you're meeting someone and you just
04:46
know that you're right for that part
04:48
and you know that you being a part of that
04:52
is going to be something really special
04:54
and you just have to listen to that.
04:56
So I can spend so much thinking about all the things
05:02
that I don't have that I should acquire,
05:05
but I can also think about, fuck it.
05:10
Let me just, like my husband says,
05:12
throw myself into the unknown and see what comes of it.
05:15
And I'm having a lot more fun when I do that.
05:18
Final question, 366 in the front to your right.
05:22
Hello, Zoe.
05:23
I'm Cristina Ibanez.
05:24
I'm from Webedia representing Censacine,
05:27
which is a Mexican outlet.
05:30
I got to say that a lot of things
05:34
has been said about the movie, about trans people,
05:38
about empowering women, but less has
05:42
been said about Mexico, which is the heart of it.
05:45
So what would you say about the heart of this movie,
05:51
but also about the topic who is really
05:55
hurtful for us Mexicans?
05:58
First of all, I'm very, very sorry
06:00
that you and so many Mexicans felt offended.
06:04
That was never our intention.
06:06
We spoke and we came from a place of love,
06:08
and I will stand by that.
06:10
I don't share your opinion.
06:12
For me, the heart of this movie was not Mexico.
06:16
We weren't making a film about a country.
06:18
We were making a film about four women.
06:20
And these women could have been Russian,
06:22
could have been Dominican, could have been black from Detroit,
06:26
could have been from Israel, could have been from Gaza.
06:29
And these women are still very universal women
06:32
that are struggling every day, trying
06:35
to survive systemic oppression, and trying to find
06:39
their most authentic voices.
06:41
So I will stand by that.
06:43
But I'm also always open to sit down
06:45
with all of my Mexican brothers and sisters,
06:48
and with love and respect, having a great conversation
06:51
on how Emilia could have been done better.
06:54
I have no problem with that.
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