مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
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TVTranscript
00:00You
00:30Oh
01:00He continues what Hakan Ouzalb did in the press after he was expelled from the political media.
01:10He is following the news of famous people.
01:17The journalist Hakan Ouzalb lives in his house, which is 60 square meters, and consists of two rooms and a kitchen.
01:25He is far from the political arena.
01:32He traveled to Ankara to broadcast the news directly from there.
01:40They are pushing me to work in the magazines.
01:44Do you know what I have to do today?
01:47Interview with Manuela Dini.
01:49Even her name is not real.
01:54It is an artistic name.
01:59Do you know who Manuela is?
02:02She is an actress. She has a new lover every day.
02:05And of course, I am a first-class actress.
02:08I act in romantic and comedic works.
02:12This is a man's home.
02:14This is what the audience wants.
02:20I'm going, mom.
02:22I'll be back tomorrow at the same time.
02:24Do you want me to bring you something?
02:26Do you need anything?
02:34It's time for your medicine.
02:38God bless you.
02:42And now it's your turn.
02:46Come on, take the medicine.
02:50Let's go.
02:57What's up?
02:59I have an interview.
03:01It will take an hour or more.
03:03And I have to go to Ankara.
03:05No, I'm not ready.
03:08Why are you not ready?
03:10Love or money?
03:12Why do you like men so much?
03:15Can you act in a soap opera?
03:20Do you see how far your friend has come?
03:23I'm going to hang up now.
03:25I'll call you back.
03:32Hello.
03:35Hello, I'm Hara.
03:37Hello, I'm Manuela.
03:39How are you?
03:41Fine, and you?
03:43Fine, come in.
03:45No, let's sit on this table.
03:46No, I booked this table, but I have to go to Ankara.
03:49It's okay, I'll take care of it.
03:51I'll sit here.
03:53No, no, I'll sit on this table.
03:55I'm sorry I'm a little late.
03:57It's okay, I know it's hard to get here in this crowd.
04:00No, no, it's not because of the crowd.
04:02By the way, my house is here on the corner.
04:04But I got more calls before I left.
04:06Come on, let's go.
04:10Hello.
04:12Hello.
04:13I'm following all your work, especially the show you're presenting.
04:16Are you going to find the message that your father left us?
04:19I can't tell you, but the next episode will be released today.
04:22Can we take a picture with you?
04:24Of course, no problem.
04:26Can you take a picture of us? This button.
04:28Sure, thank you.
04:33Perfect.
04:35And another picture, but a long one.
04:41Here you go.
04:43Thank you very much.
04:45You're welcome.
04:47Thank you very much.
04:53What do you think of the show?
04:55It's not bad.
04:57It got a 6.5 rating this week.
04:59The ratings are negative, more than positive.
05:01But the audience is what matters to me.
05:03Did you act in the show from the beginning?
05:07Yes, from the first episode.
05:08I have a contract on this basis.
05:10I have to act in every episode, even if it's just one scene.
05:13And I get half the pay for the flashback.
05:15It was your turn in this show,
05:17The Rich Man's Daughter, wasn't it?
05:19No.
05:21His wife, excuse me.
05:23It's like you're a viewer of the show, right?
05:25They sent me 32 episodes.
05:27And each episode is about two hours.
05:29That's how I got to see the scenes you have.
05:31You know...
05:33It's very long.
05:35That's why all the audience is now following the digital platforms.
05:36Because the production is foreign.
05:38I don't understand.
05:40It's like you don't know anything about TV shows.
05:42No, I know a little.
05:44I know it's long.
05:46And the director adds scenes that have nothing to do with the scenario.
05:48A flashback to a musical.
05:50Do you watch the show every week?
05:52Don't you know the name of the show?
05:54The Rich Man's Daughter?
05:56The Competition.
05:58You didn't answer my question.
06:00Don't you know the name of the show?
06:02Where did you get the idea of a wedding?
06:04So, why don't you work on the platform?
06:06Let's see.
06:08I got more than one offer.
06:10Let's see if I'll agree.
06:12What do you mean?
06:14Excuse me?
06:16You told me, let's see if I'll agree.
06:18And this is a traditional answer.
06:20Welcome.
06:22Hello.
06:24I drink Miami Girls, as usual.
06:26I drink the same as I drink at the bar.
06:28I don't know.
06:30But you're less.
06:31Do you want anything else?
06:33No, thank you.
06:40Where did you get the idea of a wedding?
06:42I wasn't sure, but I was sure of your answer.
06:45What answer?
06:47You kissed me.
06:49And you played with my hair.
06:51And luckily, the girl came to take our order.
06:54And you were able to think of an answer.
06:56The story is clear.
06:57Ghoumiat Ghawasa,
06:59Bint El Basha,
07:01and Yakamos.
07:03But Miami Girls is better.
07:05This is called digital business.
07:07I thought your name was Cocktail Hat.
07:09Excuse me.
07:11It happens.
07:13Does that mean we can start the interview now?
07:15Why haven't you started yet?
07:17No, this was just a rehearsal.
07:19We can start.
07:21Okay, I'm ready now.
07:23Let's start with the name.
07:25What is this name?
07:27It's a flower name.
07:29Your real name?
07:31Yes, since people call me that.
07:33Yes, they call you that,
07:35but I think this is your real name.
07:37No, my parents call me Manolia
07:39because they like this name.
07:41Are your parents still alive?
07:43Do you want to call them and ask them?
07:45No, I'm asking you in general.
07:49Are your parents still alive?
07:51Do you have a brother?
07:53It's like you don't know anything about me.
07:55They sent me your biography.
07:57I read it,
07:59but it was written about the work you did
08:01and your latest activities.
08:03I said, on the contrary,
08:05we can talk face to face
08:07and get to know each other more comfortably.
08:09That means I can ask you too,
08:11since it's so obvious.
08:13Yes, of course, go ahead.
08:15Don't worry, I won't ask you.
08:18Why?
08:20I don't know.
08:22Maybe because you have your speciality,
08:24or you have a secret
08:25that you don't tell anyone.
08:30I was joking with you.
08:32Okay, I understand that you don't know anything about me.
08:36No, the story is not like that.
08:38Your name is now known in the media.
08:40What do you mean by the media?
08:42Magazines, your private life stories.
08:44So you're following my emotional stories,
08:46that's what you mean.
08:48Your emotional stories,
08:50which they shorten to a one-night stand.
08:53Okay.
08:56Okay.
09:07Honestly, this is not my job.
09:09You mean you're a journalist?
09:11No, no, I'm a journalist,
09:13but I don't do interviews with actors.
09:15I write about politics
09:17and public affairs,
09:19domestic politics and international relations,
09:21and I write about the economy.
09:23That's why you don't know me,
09:25like international politics.
09:27No, of course not.
09:29So I'm attractive?
09:33You're beautiful, of course.
09:35No one can say other than that.
09:37This is the traditional answer,
09:39like my answer when you asked me about digital offers.
09:44Don't take this personally,
09:46I'm doing my job.
09:48But this is not your job.
09:50Your job is political news.
09:52That's right.
09:54Since they turned you into art news,
09:57it means you're doing something that the higher-ups don't like,
10:00like pushing the limits.
10:02That's not how it's done.
10:04What's wrong with you?
10:06You have to push the limits of your conscience.
10:08It's not right for you to tell me to let myself stick to my limits.
10:10I don't want to talk to you.
10:12Okay, it looks like you work as a linguist.
10:14Very nice.
10:16There's no need to renew the order.
10:18I want the bill, if possible.
10:20Come on, read with your eyes.
10:21I don't want to interrupt your work.
10:23I don't know why
10:25they sent me here to do an interview with you.
10:28But I think
10:30they thought that my interview with you is more important than my job in Ankara.
10:33That's the only explanation.
10:35That's enough.
10:37Unfortunately,
10:39it didn't turn out that way.
10:41So there's no need for me to continue with the bill.
10:44I wanted to tell you that
10:46I was honored to meet you,
10:48but honestly,
10:50I'm tired of sitting with you
10:52about your business.
10:54It's normal for someone like you
10:56to find me very boring.
10:58Since you're used to
11:00one-night stands,
11:02it's normal to get bored.
11:04I won't answer you.
11:18Guys, look who's here.
11:21Hello.
11:22Can I ask you a question?
11:23Yes, you can.
11:24Tell us.
11:26Are you preparing for a new series?
11:27No, it's a normal interview.
11:29Are you sure about this?
11:30Of course, I'm sure.
11:32Thank you for being here.
11:33Good night, guys.
11:34Bye bye.
11:35Be careful with the camera.
11:36We didn't take any news from you.
11:43I'm sorry.
12:14Manolia?
12:15Manolia Demir?
12:16Good evening.
12:17Did you know that you're the most beautiful actress in the drama?
12:20I'm very happy to meet you.
12:21Are you acting in a new play?
12:23No.
12:24Wait a minute.
12:25I want you to talk to my girlfriend
12:26so that she believes that I saw you.
12:27She doesn't have anything against me.
12:28She'll be shocked when she sees you.
12:30Look, my love.
12:31Look who's standing next to me.
12:32Look who's standing next to me.
12:33Good evening.
12:34Good evening.
12:35Wait a minute.
12:36Where are you going?
12:37Can you leave me alone?
12:38If you're going to be like this,
12:39I'm going to leave you alone.
12:40I'm going to leave you alone.
12:41I'm going to leave you alone.
12:42Can you leave me alone?
12:43Why are you so angry with us?
12:44What would happen to you if you waited a little?
12:47What are you doing?
12:48What's your problem?
12:49What are you doing?
12:50Didn't you hear what she said?
12:51Leave me alone.
12:52She's telling you to leave her alone.
12:53Why don't you understand?
12:54Who are you?
12:55What's your problem?
12:56It's simple.
12:57Don't exaggerate.
12:58What do you mean?
12:59What's your problem?
13:00Leave her alone.
13:01What's your problem?
13:02Don't fight.
13:03I'm not fighting.
13:04Why do I have to talk to you?
13:05Are you stupid?
13:06Are you okay?
13:07Are you stupid?
13:10Are you okay?
13:11Should I call the ambulance?
13:12No.
13:13There's no need.
13:14He's cleaning your nose.
13:20Put this on your nose.
13:21Wipe the blood off.
13:28Where did he go?
13:29What do you want to do?
13:30Do you want to follow him?
13:31He's crazy.
13:32What do you want from him?
13:34Oh.
13:35Oh.
13:36Oh.
13:37Oh.
13:38Oh.
13:39You have to get your head back.
13:40My hand was fine.
13:41Oh.
13:42Oh.
13:43Oh.
13:44Oh.
13:45Oh.
13:46Oh.
13:47Oh.
13:48Oh.
13:49Oh.
13:50Oh.
13:51Oh.
13:52Oh.
13:53Oh.
13:54Oh.
13:55Oh.
13:56Oh.
13:57Oh.
13:58Oh.
13:59Oh.
14:00Oh.
14:01Oh.
14:02Oh.
14:03Oh.
14:04Oh.
14:05Oh.
14:06Oh.
14:07Oh.
14:08Oh.
14:09Oh.
14:10Oh.
14:11Oh.
14:12Oh.
14:13Oh.
14:14Oh.
14:15Oh.
14:16Oh.
14:17Oh.
14:18Oh.
14:19Oh.
14:20Oh.
14:21Oh.
14:22Oh.
14:23Oh.
14:24Oh.
14:25Oh.
14:26Oh.
14:27Oh.
14:28Oh.
14:29Oh.
14:30Oh.
14:31Oh.
14:32Oh.
14:33Oh.
14:34Oh.
14:35Oh.
14:36Oh.
14:37Oh.
14:38Oh.
15:09Maybe she's just mentally retarded.
15:15No, she's not.
15:17She's a political journalist.
15:20Okay.
15:23I'll call you when I get home.
15:26Deal?
15:27Bye.
15:31Put this on your nose.
15:33No, stop it.
15:34Can I tell you to go to the hospital?
15:36It's obvious you're not going.
15:38What do you mean?
15:39Because you keep telling me it's simple and normal.
15:42Even though if I were you, I'd leave right away.
15:45The flu is very sensitive.
15:46Don't exaggerate. It's just a mild flu.
15:48But you fell on your head on the floor.
15:50Maybe you don't know this.
15:52You don't have to sleep when you're like this.
15:55You have to find a way to stay awake and keep your head up.
16:01And what's the best way?
16:08I only have this cup. Don't embarrass me.
16:12Are you sorry for the piano or did you just buy it for decoration?
16:15In your opinion, isn't it too expensive for decoration?
16:18I could have bought a full set for this room instead.
16:26I don't know, but I'm used to seeing a piano for playing, a gramophone for music,
16:31and books for reading.
16:34It means you're sitting with the wrong people.
16:37I'm sorry.
16:47How are you?
16:49Aren't you going to apologize?
16:51No.
16:54I knew you'd say that.
16:57I knew you'd say that too.
17:00I don't have to make an offer to prove that I'm sorry.
17:03I understand why you're apologizing.
17:04Are you interrogating me?
17:06No, interrogation isn't like that.
17:08You're a political journalist, a linguist, and on top of that,
17:11you're a doctor of law.
17:13Please forgive me.
17:15I got a little carried away while we were at the restaurant.
17:18I'm sorry. I didn't mean to.
17:21I forgive you.
17:36I'm sorry.
17:37I'm sorry.
18:04Smell this.
18:05What is it?
18:06Rose oil.
18:07It'll help you.
18:10A pen holder.
18:15Try it.
18:21It's nice.
18:23Does it contain mannolia oil?
18:25Yes, of course, but it's supposed to be stronger.
18:28I can tell.
18:30No, this is what I'm smoking.
18:32A different kind.
18:33Do they know that you smoke?
18:36I don't know.
18:37Would you be upset if they knew?
18:38I don't know, but I don't think I'd be upset.
18:45And she knows the secret about me.
18:48I deal with the forbidden.
18:49And this is exclusive information.
18:50And Libyan too?
18:51Yes.
18:53Even though I'm not sure you're apologizing.
18:59This interview looks good.
19:01If you want, we can continue.
19:03Okay.
19:13We started with your name.
19:16Right?
19:19You told me it was real.
19:22But you didn't believe me.
19:24I mean, if it was a stupid, weird, or embarrassing name,
19:26you could have understood.
19:27What do you mean stupid?
19:30I don't know.
19:32For example,
19:34stupid.
19:35You mean stupid.
19:36No, stupid.
19:38Okay, what does that mean?
19:39I think it's a star or something.
19:41It means a bright star or a fairy star.
19:43Stupid.
19:48How long does it usually take?
19:52Maybe I can answer you if your question was more understandable.
19:55So that the women run away from you?
19:58More than you think.
20:02Unfortunately.
20:03I can't get rid of the old ways.
20:05I don't like the image of a man who only likes what he sees.
20:09This trend has changed a long time ago.
20:11You can't keep this in mind anymore.
20:13Now it's the trend of the front.
20:16It depends on whether the front is warm or cold.
20:20And the more money the front has,
20:22the less...
20:23It's not the problem that you don't know me.
20:25The problem is that you have a machine in your head
20:27and you're trying to put me in it.
20:30But it won't work with you.
20:32Don't let the public deceive you.
20:34But talking to the public usually comes before the speech.
20:37So you're still insistent on your initial judgment.
20:39Nothing proves the opposite so far.
20:44Do you need a tangible evidence?
20:46I'm not here to look for evidence.
20:49And that's why I'll give you whatever you want.
20:52Really?
20:54Yes.
20:59The truth you're talking about can only be used in your political articles.
21:03And even so, you won't have 10 million followers on the page.
21:06Do you care about the followers?
21:0810 million people don't know you.
21:10I mean, if you got sick or got hospitalized,
21:12they won't ask about you at all.
21:14Most of them aren't real.
21:15Why do you care so much about the truth?
21:17Because I can't stand lies.
21:21You're upset.
21:22Why?
21:23If I was born 50 years ago,
21:25I would have lived happily.
21:27Why 50 exactly?
21:2950 or 60.
21:31As long as you want.
21:32I mean, if I was born in our grandfathers' time.
21:35Because nothing is real now.
21:39We live in the age of speed.
21:42The concepts are all nonsense,
21:44but they were different in the past.
21:46What do we know about them now?
21:47It's fake.
21:48It's fake for you.
21:49But not for others.
21:50And that's what you don't understand at all.
21:52The truth and the illusion.
21:54There's a danger between them.
21:56Science is based on proven facts, not on illusions.
21:58Let's call it an illusion, not an illusion.
22:00It makes people believe in the world you created in your imagination.
22:03The next step is a breakup.
22:06Yes.
22:07I mean, you used to believe in your imaginary world.
22:11Yes.
22:12If you didn't believe, no.
22:17The truth is like the sun, it never sets.
22:19But the sun sets after the sun rises.
22:21Unfortunately.
22:22For example, look.
22:23People.
22:24Everyone you know.
22:25They are suffering a lot in their lives.
22:27What do you want to tell the people you trust
22:29who wish for death to end their suffering?
22:31Do you want to tell them that they don't have the right to live a dark and difficult life?
22:34They know this is true.
22:36But if they see something nice on your page, how can they forget?
22:40No.
22:42Like an antidepressant.
22:44If the person is in pain,
22:45you give him an antidepressant.
22:47So you believe that an antidepressant can cure a breakup?
22:51That's strange.
22:52Do you know?
22:53Arrogance is harder than a breakup.
22:56Believe me.
22:58I mean, if you were standing,
23:00and someone came from behind you and shook your hand,
23:03and told you that you are just a person,
23:06just a number.
23:07But I'm not just a person and a number.
23:09But can anyone make you feel that you are the whole world?
23:11Maybe I know George Bernard Shaw.
23:13And maybe someone else knows a lot of things.
23:16I mean, maybe he's an actor you read and play normally.
23:19It becomes impossible for us.
23:20It becomes impossible for us.
23:21I told him,
23:22don't let the appearances deceive you.
23:26If you're still in Egypt,
23:29let's stick to the usual questions.
23:31For example, ask me what I like most about men,
23:34like everyone else.
23:37Or,
23:38what do I prefer, love or money?
23:40Or, for example, what is the secret of long relationships?
23:42What is the secret of long relationships?
23:44Mutual respect is the basis of every relationship.
23:48Attraction is the secret, of course.
23:50What's wrong with that?
24:12That's right.
24:17Ha!
24:22Have you never had a long relationship in your life?
24:24Were your relationships short?
24:26How do you know that?
24:28This information is from a well-known person.
24:30So, you had one?
24:31What do you mean by long?
24:34At least a year.
24:35I had one.
24:37And you?
24:38I had one, too.
24:40And why did you leave?
24:44Life burned us.
24:45Life?
24:46What do you mean?
24:48This car.
24:55You're good at this.
24:57Admit it. Why did you leave?
24:59And why should I be the one to leave?
25:01Hakan, you're annoying. Just accept it.
25:04That's not how my relationships are.
25:06Why? Aren't our relationships personal?
25:08I thought you understood me.
25:15Do you know that I once had lunch with a guy like you?
25:17Wait a minute. What do you mean, a guy like me?
25:20I'm annoying. We understand each other.
25:22What else?
25:23Arrogant to the point of being energetic.
25:26Intelligent.
25:28He understands everything.
25:29And he knows everything.
25:32And he's smart.
25:35That's the word you shouldn't say to any man in Nubia.
25:39Smart.
25:40I can't say it to you.
25:41I like you.
25:43You're the first person I've ever met.
25:47I haven't felt this way about anyone.
25:52How nice.
25:54These are the words I should say to him.
25:58Anyway, I kept quiet the whole time I was with a guy like you.
26:02But he kept talking and talking.
26:05And you didn't see him again?
26:07No, I stayed with him for six months.
26:09Because?
26:11Because he was attractive, even though he was smart.
26:18By the way, just in case,
26:20if there's any misunderstanding,
26:22don't think I'm trying to fool you.
26:25Finally, I'm relieved.
26:27Why?
26:28It's a joke.
26:30Have you heard of it?
26:32Yes, of course.
26:33They use it a lot in scenarios.
26:36People say,
26:37to talk while looking into the eye of a hawk,
26:40and between two hawks,
26:41with a smile.
26:52Are you thinking about getting close to me?
26:55No, I'm not thinking like that, Noob.
26:56What if I want to?
26:59Get close to you?
27:00Maybe.
27:02How many cigarettes did you smoke?
27:04I don't know.
27:05Why are you asking me?
27:07Because it's obvious that you're lost.
27:09Excuse me?
27:10Since you're a typical person,
27:12you won't take advantage of women like me.
27:14I don't look at the subject as an excuse.
27:17Subject?
27:19Which one?
27:20The one you asked me to.
27:21I asked you?
27:24I asked you a subject?
27:28It's a joke.
27:36Do you know how many men want to be in your place right now?
27:41If I think about it,
27:42the one I fell for a while ago,
27:43I'll tell you it's not a lot.
27:46So I understand that you're not attracted to me.
27:51No.
27:52Why?
27:57I don't like celebrities.
27:58And I don't like girls.
28:01Get close to me.
28:06You're not my type.
28:08And you're not my type either.
28:24The truth is heavy on the heart.
28:26Okay.
28:29It hurts.
28:31Until no one wants to face it,
28:32even the brave ones.
28:36It's hard.
28:37Believe me.
28:39It's hard.
28:43There's no meaning to this pain in existence.
28:46It's all nonsense.
28:51And not like this.
28:52Everyone tries to make up a truth
28:53to find meaning in their own existence.
28:57It's true that I'm not your type.
29:00And you're not my type either.
29:05But what's the point?
29:35I love you.
30:06I love you.
30:08I love you.
30:09I love you.
30:10I love you.
30:11I love you.
30:12I love you.
30:13I love you.
30:14I love you.
30:15I love you.
30:16I love you.
30:17I love you.
30:18I love you.
30:19I love you.
30:20I love you.
30:21I love you.
30:22I love you.
30:23I love you.
30:24I love you.
30:25I love you.
30:26I love you.
30:27I love you.
30:28I love you.
30:29I love you.
30:30I love you.
30:31I love you.
30:32I love you.
30:33I love you.
30:34I love you.
30:35I love you.
30:36I love you.
30:37I love you.
30:38I love you.
30:39I love you.
30:40I love you.
30:41I love you.
30:42I love you.
30:43I love you.
30:44I love you.
30:45I love you.
30:46I love you.
30:47I love you.
30:48I love you.
30:49I love you.
30:50I love you.
30:51I love you.
30:52I love you.
30:53I love you.
30:54I love you.
30:55I love you.
30:56I love you.
30:57I love you.
30:58I love you.
30:59I love you.
31:00I love you.
31:01I love you.
31:02I love you.