- yesterday
The misadventures of a British Royal Artillery Concert Party unit stationed in based in Deolali in British India and the fictional village of Tin Min in Burma during the last few months of the Second World War.
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Short filmTranscript
00:00Meet the gang, cos the boys are here, the boys to entertain you.
00:09With music and laughter to help you on your way, to raising the rafters with a hey, hey, hey.
00:15With songs and sketches and jokes old and new, with us about you and Phil Blue.
00:21So meet the gang, cos the boys are here, the boys to entertain you.
00:26B-O-B-O-Y-S, boys, to entertain you.
00:44Come on, my lovely boys, the mail is by here. Let's be having you.
00:47Get a clock. Yes, sir.
00:49Two. Thank you, sir.
00:51Get a remons. Thank you, sir.
00:54Get a la-de-la, Graham. Thank you, Sergeant Major.
00:56Mackintosh.
00:56That.
00:57Probably a Beaumont, typewritten.
01:00Gunner Sugden, nasty spidery scrawl.
01:03Gunner Parkins.
01:05Beautiful handwriting, that.
01:08I've got a parcel for you as well.
01:10Oh, thanks, Sergeant Major.
01:12It's from your ma'am.
01:13She looks after you well, don't she?
01:16I hope she'll write to her lovely boy.
01:18She's bound to be worried, you know.
01:19Oh, yes, sir. Yes.
01:22Are there any more frat?
01:23No, there is not.
01:25These are for the officers.
01:27Mail, sir.
01:28Oh.
01:29Two for you, sir.
01:30Thanks awfully.
01:30And a message, sir, from Div HQ.
01:33Ah, this is from Fiona.
01:37She wrote it on Wednesday.
01:39How do you know?
01:40Does she use a different perfume for every day of the week?
01:42No, she does the bathrooms on Wednesday.
01:44It's J's fluid.
01:44Have you got that parcel open yet, Parky?
01:49No.
01:50She's done it up real good.
01:52What do you think is in it, Parkins?
01:54Well, sir, she said in one of her letters, she's going to send me a birthday cake.
01:58What was your birthday four months ago?
02:00Perhaps you missed the post.
02:02It's a cake, all right.
02:03Oh, I bet it tastes beautiful.
02:06Your mum's a wonderful cook.
02:09I expect.
02:11Gone a bit dry.
02:12Oh, it'll be all right.
02:13There's some lumps in it.
02:15Hey, oh.
02:15She's written on it, look.
02:17On some of the icing.
02:18Most of the pieces are still here, look.
02:20Look, look.
02:21There's an S and an O and a B, B, Y.
02:24Hey, and there's a T and an H and an I and there's an N.
02:29Soppy thin.
02:32Shut up.
02:34Hey, look.
02:37Happy birthday, son.
02:40Happy birthday, son.
02:41What a beautiful message.
02:43Let's taste it.
02:44We can have a lump each.
02:46Then we can mix the powder with some custard.
02:51Thanks, Parky.
02:53Sour advisor?
02:55Thank you, boy.
02:56Happy birthday four months ago, Parky.
02:58Oh, thanks, Chloe.
03:00No, it's your birthday, Parky.
03:01You're here the bit with the pee-pee on it.
03:12Bit dry, innit?
03:15It's been troubling.
03:19You can taste the flavour it would have had.
03:24I've got a bit of icing.
03:25Tastes like concrete.
03:27This is the worst cake I've ever had.
03:29Oh, no, no, it's not that bad.
03:30I tell you, it's the worst cake I've ever had.
03:33And no-one can accuse me of being a fussy eater.
03:36Shut up!
03:37You've got to make allowances.
03:38You can't put the proper stuff in in wartime.
03:40You've got to use powdered eggs.
03:42Perhaps that's why it's a powdered cake.
03:45My mum's cakes were always terrible.
03:47My dad used to feed them to the ducks
03:49and then watch them sink.
03:50He had no right to do that to you, ma'am.
03:54Sergeant, we don't.
03:55What?
03:57Get the men on parade, will you?
03:58What's your guess, sir?
03:58Come on, move yourself, move yourself.
04:00Get them hats on, double up, double up.
04:01What are you sweating round this camp all day?
04:04Some properties.
04:05Got time!
04:07Men on parade, sir.
04:09Now, there it is.
04:10I've just had a signal from Div HQ.
04:13In three days' time,
04:14we're going to have a visit
04:15from a BBC mobile radio unit.
04:17Oh.
04:18Apparently, we've been picked
04:19to take part in a programme
04:21that's going to be heard back in England.
04:23Did they say what sort of programme it was, sir?
04:24No, just that it was to be broadcast on the home service.
04:27They'll want us to do extracts from the show.
04:29It stands out a mile.
04:30Yes, that's roughly the conclusion I came to myself.
04:32We're given 15 paralysing minutes.
04:35Just the cream of our best talent.
04:37That's a ticket.
04:37Leave them wanting more.
04:38Don't you agree, Sergeant Meadows?
04:39Indeed, I do, sir.
04:41Generally speaking,
04:41they leave them wanting less.
04:43Yes, well, of course,
04:44this is very important,
04:45so I'm putting you in charge,
04:46Captain Ashford,
04:47and I myself would personally
04:48supervise the whole show.
04:49Now, what we have to do
04:50is to sit down
04:51and decide what we have to do.
04:53Get a men's seat,
04:54don't you, Sergeant Meadows?
04:54Give me a little concern, I'll come on.
04:55I'll try one, I'll get two chairs,
04:56Captain Ashford, myself.
04:57No!
04:58Yeah, you are...
04:59You're marvellous.
05:00You spend months
05:01organising and devising a show.
05:03When anything important happens,
05:05they want to take charge.
05:07Shut up and pay attention.
05:08Oh, thank you.
05:13Now, what we decide here and now
05:14is absolutely vital.
05:15We have to select
05:16our very best items,
05:18the very jewels in our crown,
05:20to set before the British public.
05:21Poor devils.
05:23Yeah, I was thinking
05:24about the British public, sir.
05:25All that blitzing
05:26and bombing
05:26and snooking at.
05:28I mean,
05:28the poor devils
05:29deserve something good.
05:31Quite.
05:32Now, let's think carefully
05:34and honestly,
05:34what is our best term?
05:38My paper tearing.
05:40Yeah, that's what
05:41has got to be included.
05:41Put it down, I should have.
05:43Excuse me, sir.
05:44Did you say this
05:45was going to be on the wireless?
05:46That's right, Sergeant Meadows.
05:48Paper tearing is no good, sir.
05:50You won't see it.
05:52All you do is a lot of rustling.
05:54Yeah, it's quite radicose.
05:56And it is not our best act.
05:58No, excuse me, sir.
06:00My strongman act
06:01goes down best with the lads.
06:02They like to see me
06:03bend a big iron bar.
06:06What's the good of that
06:06on the wireless?
06:07I mean, all you get
06:08is a lot of grunts and groans.
06:11Hmm, of course, sir.
06:11There's always
06:12Gunnar Parkins
06:13ventriloquist.
06:16Very fine terms, sir.
06:18Who ever heard
06:18of a radio ventriloquist?
06:20Charlie McCarthy.
06:23That's one.
06:25Peter Brough.
06:27There's still only two.
06:29The piano is all right.
06:31Yeah, the piano's all right.
06:33My voice will be all right.
06:34Oh, yes, put down the voice.
06:36Gunnar, Gunnar...
06:37Er, Sundin, sir.
06:38That's right.
06:38Mind you, sir,
06:39we won't be getting his gestures.
06:41Yeah, and if we can't
06:42see what he looks like,
06:42I mean, I mean,
06:43he'll show up
06:44all the flaws in his voice.
06:45I know.
06:46Why don't we all turn around
06:48and just listen to him?
06:49Good idea.
06:49Turn around, everybody.
06:51Sing something,
06:52er, Sundin.
06:53There is a lady
06:58sweet and kind
07:00Was never faced
07:02So please my mind
07:05I did but see her
07:07Passing by
07:09Yet will I love her
07:13Till I die
07:21Hmm.
07:22What do you think?
07:23Well, I think it's an
07:24Improvement, sir.
07:26I mean,
07:27When you hear him
07:29He's an handsome
07:30Six-foot janner
07:31When you see him
07:34He's a
07:35Little fat mushroom
07:40I mean, he's known
07:44Around these parts
07:45As, er,
07:46The Singing Coconut
07:47Let's face it, Ashford
07:51They're just not radio
07:52I'll get through to GHQ
07:54And cancel the visit
07:55Hang on, hang on, hang on, sir
07:58I've got it
07:59What is radio today?
08:02There are a lot of funny voices
08:03And people opening doors
08:04And saying, uh,
08:05Can I do you now, sir?
08:07And was there something?
08:08And then shutting the doors
08:09Absolutely right
08:10Where does that get us?
08:13Don't you see?
08:15It's all part of this
08:15Brave new world
08:17That we're creating
08:17At this very moment
08:18People are opening
08:19New doors for themselves
08:20All over the place
08:21And then shutting them again
08:22Ah, well, that's the
08:23Tragic side of the mask
08:24The point, the whole point
08:26The whole
08:27Philosophic nub
08:28Is this
08:29You cannot shut a door
08:31Unless you open it
08:32He's talking absolute rubbish
08:34Of course
08:34Yeah, shut up
08:37I know
08:39I'll write a show
08:40Oh, great stuff, Ashford
08:42It'll be set in the jungle
08:43And it'll be full of
08:44Funny voices
08:45And symbolism
08:46Oh, fantastic
08:47I'm going to my basher
08:48I'm going to lock myself in
08:50And I'm not coming out
08:50Until I've finished it
08:51Bravo, Ashford
08:52That's not like to see
08:53A man who can look
08:54A problem in the face
08:55And do something about it
08:56Well, there's just one problem
08:57That worries me, sir
08:58Oh, what's that, son, man?
08:59Well, it does not have
09:00No doors in the jungle
09:01Well, I dare say
09:03Ashford will get round it somehow
09:04Or pull down the blinds
09:06Or something
09:06You'll never know
09:10Just how much
09:12I'm missing you
09:15Ashin
09:18If I give you
09:20Two cups of my beautiful cha
09:22Will you give me
09:23A small plate of your
09:24Beautiful Chinese scuff?
09:27Yesterday you told me
09:28I make my chops away
09:29By boiling all mattress
09:31Belonging to Kuli
09:31Yesterday I'm not hungry
09:35Please, you tell me
09:42When Parky says
09:43Bad things about his mummy
09:44Why does Sergeant Major
09:46Get his knickers in a twist?
09:49Ah
09:49It all happened
09:51Many years ago
09:52When Sergeant Major
09:53Is a rookie
09:54He's meeting
09:56Parky's mummy
09:56In Colchester
09:57Colchester?
09:59What is Colchester?
10:00It is a beautiful hill station
10:02Like Puna
10:03One night
10:06There is a big ball
10:08In Palace de Dance
10:10It is like a beautiful temple
10:12There the Sergeant Major
10:14Is up
10:14And Parky's mummy
10:16Dance every dance
10:17And the moon is shining
10:19And the stars are out
10:21And it was
10:22Oy, oy, oy
10:23How?
10:26How you know about this?
10:27The Sergeant Major
10:28Tell me himself
10:29When he was drinking
10:30Much Pagalpani
10:32So on his way home
10:34He fell in love
10:35With Parky mummy
10:36Yes
10:38He fell in love
10:39Oh, it happened
10:41Like flash of lightning
10:42In doorway
10:43Of home and colonial
10:44And he was crying out
10:48With joy
10:49And his knees
10:50Are trembling
10:50And that night
10:54With Parky mummy
10:56He think he become
10:57Parky daddy
10:58Sergeant Major
11:00Sigh Parky daddy
11:02Asin
11:03We are from the east
11:05We all know who is mummy
11:07But who is daddy?
11:09In Parma
11:11We have a saying
11:12Kung na sang kung chai
11:15Tho pami chai
11:17Sang pami chai
11:18What is it meaning?
11:20Ah, it means
11:21Chinese
11:22Mummy daddy
11:23Pai chani baby
11:25Bami mummy daddy
11:27Pai pami baby
11:28This is very true
11:30In India
11:31We also have a saying
11:33Hijre to paida nahi huye hai
11:36What meaning that?
11:39This means
11:40Eunuchs are not born
11:42They are made
11:44You said the sweetest things
11:52Baby
11:53Right, my lovely boys
11:58It's half a day
12:00To make them dolls
12:01Let's be seeing them
12:01There's one, Sergeant Major
12:03Let's have a look then
12:05Mama dear
12:11Come right here
12:12You call that a door?
12:17Parky made most of it
12:18I call it a masterpiece
12:20Well done, lovely boy
12:24That's the best door
12:25This side of Calcutta
12:27Because it's the only door
12:28This side of Calcutta
12:29Right, Mr. Lockedark and a Graham
12:36Let's see what you've done
12:37This is it, Sergeant Major?
12:39Oh, yes
12:40I suppose this is the sort of door we have at Oxford and Cambridge
12:44For them scholars
12:45To come crawling through on their hands and knees
12:47Wagging their brains behind them, is it?
12:49Something like that, Sergeant Major
12:53Something like that, Sergeant Major
12:56Sergeant Major
12:58It's only for sound effects
13:00Shut up!
13:03Have a look at the door that that boy has made
13:05And hang your heads in shame
13:07He did not never have no education
13:10Not never
13:10Except a bit of common sense
13:14And his own two bare little hands
13:16A chip off the old block
13:19That's what he is
13:21He made it portable as well
13:29Put it together again, Parkins
13:37Sir
13:37There it is
13:42If they don't like it
13:43They can take a running jump at themselves
13:45And a second
13:51What is that?
13:53It's the door
13:54Who for? Fairies?
13:58It's not for going through
14:00It's for listening to
14:00I bet my door sounds just as good as those two
14:03What's going on, Sergeant Major?
14:04The man has made the door, sir
14:06I was instructed by Captain Hashwood
14:07It's for the sound effects for his show, sir
14:09Shut up!
14:10It's for the sound effects for his show, sir
14:12I'd better have a listen
14:13I'll turn my back
14:14Right
14:18Door number one
14:19Gunner Graham
14:20Door number two
14:23Gunner Sunder
14:24Ow!
14:27I got my thumb
14:28Shut up!
14:30Door number three, sir
14:32Gunner Parkins
14:33There is no doubt in my mind, sir
14:41That, um
14:41Gunner Parkins
14:43Will be the best door
14:44When he's got it through its teeth in trouble
14:46Yes, sir
14:48I've just got to get it together
14:49Chowalai
14:51Graham chai
14:52Lovely heart chai
14:54Most excellent cake is for Anna's, sir
14:56That's it?
14:57That's the one
14:58Well, use that one
15:00Chowalai
15:00Can we borrow your cake box for the sound effects?
15:03Most honoured, Colonel, sir
15:04Special prize
15:05Two Anna's per slant
15:07I've done it, sir
15:08I've finished
15:09It's all here
15:10Well, Joe
15:11Well done, Ashford
15:11Come on, chaps
15:12We'll try it out now
15:13I'm so excited
15:14I can hardly speak
15:15I'm these round, sir, Major
15:17I'm these round, bombardier
15:20Now, when I sat down to write this
15:23I had to ask myself a question
15:25I said to myself
15:26What is the one essential ingredient
15:28That a radio script must have?
15:31Don't you know what the answer was?
15:33Words
15:33Apart from that
15:36It has to have a position
15:37In space and time
15:39By Joe
15:39That's frightfully clever, Ashford
15:41I wouldn't have thought of that
15:42Would you, fellow?
15:43Well, the time is now
15:45The space is here
15:46And it's about chaps
15:47And the frightfully amusing things
15:49That happened to them
15:50I've called it, uh, Jungle Japes
15:52Jungle Japes
15:53Absolutely first-class
15:56Now, the chaps are ordinary chaps
15:58Just like us
15:59Only much more exaggerated
16:01Oh, and it's all mad and funny
16:03Ah, well, what do you think, chaps?
16:07Yes, I agree
16:07Absolutely
16:08Well, you be in charge
16:10And we start rehearsals right away
16:11Is everything all right?
16:23Yes, Colonel, we're ready to go
16:24Where's the producer?
16:25I don't know
16:25I'm a bit worried
16:26We're due on the air in half an hour
16:28Yes, well, we don't want to waste any time
16:30Let's have a quick run-through
16:30Before he gets here
16:31Right, chaps
16:32Places
16:33Um
16:38Go
16:39Jungle Japes
16:42Are on the air
16:43We're never a worry
16:45And never a care
16:46We've lots of wheezes
16:48And stacks of jokes
16:49So come and meet us
16:51We're real nice blokes
16:52Yes, once more
16:54It's Jungle Japes
16:55Fooling about tonight
16:57Are Colonel Pot
16:58And Captain Kettle
16:59I say, Kettle
17:01Do you like my Greek urn?
17:03What's a Greek urn, Pot?
17:05About five pounds a week
17:07And that desperate
17:09Dunderhead disciplinarian
17:11Salt Major Bullshine
17:13You
17:13Be quiet
17:14Be quiet
17:15Be quiet
17:16Acting the giddy goat
17:20As usual
17:21Bombardier
17:22Pansy Withers
17:23Oh, it's such a scream
17:25And not forgetting that voice in a million
17:30The voice of Gunner Lofty Sugden
17:32I bring along a smile and a song
17:38For everyone
17:40Only a rose
17:44To sit back for a sizzling
17:54Side-splitting session of
17:56Jungle Tapes
17:59And here we are
18:01Ha, ha, ha, ha, ha
18:03Hello
18:07Who's this opening the door of the Battery Office?
18:10It's old Sergeant Major Bullshine
18:12Oh, be quiet
18:20Be quiet
18:21Be quiet
18:21Good morning, Sergeant Major Bullshine
18:26Was there anything?
18:28Yes, sir
18:29Bombardier Pansy Withers
18:30Has got a complaint
18:31Well, tell him to report sick
18:34No, sir
18:35He wants to charge two men
18:37How much?
18:39Well, get him in
18:40Come on, Bombardier Withers
18:48Lift right, lift right, lift right
18:49I like your new office curtains
18:55Oh, be quiet, be quiet, be quiet
18:58Oh, he's such a scream
19:00What's the charge, Bombardier Withers?
19:03That Gunners McTavish and Smith
19:05Whistled at me, sir
19:06Get him in
19:08McTavish and Smith
19:13Now, this is a very serious charge
19:24What have you to say for yourself, Gunner McTavish?
19:27Excuse me just a minute
19:34Sorry to interrupt
19:35Dennis Forbes Dobson, BBC
19:37Ah, you're the producer
19:39That's right, yes
19:40You're going to be very much longer
19:42I've got a broadcast to do in a few minutes
19:43Yes, I know
19:44You've just been having a run-through
19:45Did you like it?
19:46Well, I don't see that that's any concern of mine
19:48Well, you're the producer
19:49Oh, I see
19:51You mean you expect to do that, er, that stuff on the air?
19:55Yes, of course
19:55Oh, no
19:56No, no, no, no, no, no, I'm sorry, no
19:58I mean, I liked it
19:59Liked it enormously
20:00It has, er, youthful ebullience
20:02But, er, no
20:03I've worked for days on this script
20:06Oh, I'm sorry
20:07Someone's put up a bit of a black
20:08You see, all I'm doing is a record request show
20:11Two-way forces favourites
20:12Yes, the reason we're here
20:13Is that, er, Mrs. Parkins in Colchester
20:16Is sending greetings to one of the chaps in this unit
20:18My mum
20:19My...
20:20Excellent choice, sir
20:24He's a very fine woman
20:26So I'm told
20:26You mean, we're not going to sing or do our jokes?
20:31Er, no
20:31Why not?
20:33Well
20:34This is a tricky one
20:36I'm going to have to put on my producer's hat
20:40You see
20:40I'm afraid your voice is, um
20:43What's the matter with my voice?
20:45Well, it, er
20:46It gives the impression that you're, er
20:49Poof, sir
20:50I didn't say that
20:50I did not say that
20:54It's just that the BBC have a very strict code
20:57And will not allow any jokes to refer to people who are, er
21:00Poof, sir
21:01Can't we just sing?
21:04I mean, we don't have to do this rubbish
21:06Rubbish?
21:08Rubbish?
21:08You beastly little man
21:10I spent three days and nights non-stop with that script
21:13The BBC are quite right about your voice
21:16Steady on
21:18Steady on, Ashford
21:19After all, you said it had a youthful ebullience
21:21So's my Aunt Fanny
21:23Ashford, playing the record of I'll Be Seeing You
21:28Oh, really?
21:29Oh, we do that one in the show
21:30The record has Vera Lynn singing it
21:32Oh, I dress up as Vera Lynn
21:34I don't have to dress up as Vera Lynn
21:38I could do it an octave lower
21:40Yes, I think we'll stick to the record if you don't mind
21:43Now, if you'll excuse me, I've got a lot of work to do
21:45Donna Parkins
21:46You'd better decide what you're going to say to your mother
21:48What are you going to say, Parky?
21:51I shouldn't mention the cake
21:53I only hope when the time comes I don't get too tongue-tied
21:57I should write it down, don't you?
21:58Good idea
21:59Fancy you not letting us sing
22:02We've got all this live talent and he wants to put on a crummy record
22:05Just think, my auntie and Cleethops might have heard my singing
22:09It's just jealousy
22:10Oh, don't be absurd
22:11Dennis is a man of taste and discernment
22:14Oh, it's Dennis, isn't it, man?
22:17You university types should stick together
22:19And you can't get through the BBC door
22:21Unless you've been to university or public school
22:23Yeah
22:23Look at Stanley Stephen
22:25I don't think he went to university
22:28Well, it's always going on about them semicolons
22:32Oh, Sergeant Major Saab
22:36What heavenly joy
22:37Very soon you'll be hearing the sweet tone of Parky's mummy
22:41The love of your life
22:43Yeah
22:44I told you that
22:45You told me, Saab
22:47One night when you were drunk with Pagalpani
22:50You told anybody else about this?
22:53No, Saab, I swear
22:54You better not
22:56Otherwise I'll stick your head in that charoon and turn the tap on
22:59Shall I go and ask Parky if we can send greetings to his mummy?
23:03No
23:04No
23:05That was 20 years ago now
23:08She won't remember me after all that time
23:12Ships that pass in the night
23:14Home and Colonial is a ship, Saab?
23:18Go away
23:22Now, Parkins, stand here
23:26Yes, sir
23:27Have you decided what you're going to say?
23:29Oh, yes, sir
23:30I've written it all down
23:31Ah, good
23:31Are you sure you don't want us to sing?
23:34Will you get out of my way, please?
23:36Ready, George?
23:36Yep
23:37One minute to go
23:38Right, quiet, everybody
23:40Complete silence
23:41I'll just inform Colonel Reynolds, sir
23:43Colonel Reynolds, sir
23:45We're on the air
23:45Shut up!
23:46Stand by
23:50Stand by
23:52For our next request, we go over to South East Asia Command
23:56Somewhere in Burma
23:57Where Dennis Forbes Dobson is waiting to greet us
24:00Are you there, Dennis?
24:02Yes, I'm here, Charles
24:03I'm standing in a jungle clearing
24:06With a bunch of tommies
24:07They are hot
24:08They are weary
24:10But are they downhearted?
24:15No
24:15Beside me now is Gunnar Parkins
24:18With a message for his mother in Colchester
24:20Is she there, Charles?
24:22Yes, she's here, Dennis
24:23Go ahead, Gunnar Parkins
24:25Hello, Mum
24:29This is your son
24:31Nigel
24:33I think about you a lot
24:38Thank you for the cake
24:39It was smashing
24:41Me and the boys all had a bit
24:43It made quite a change
24:46Give my regards to all at number 41
24:50Uncle George
24:51Aunt Mabel
24:53Winnie
24:54Harry
24:54Fred
24:55And not forgetting the parrot
24:58See you soon, I hope
25:01Oh, yeah
25:02Oh, yeah
25:02It ain't all thought, Mum
25:03And now to give a message to her son
25:06Here is Mrs Parkins
25:08Hello, son
25:10This is your mum
25:12We're all thinking of you at number 41
25:15And that goes for Uncle George
25:18Aunt Mabel
25:19Winnie
25:19Harry
25:20Fred
25:21And not forgetting the parrot
25:23I miss you a lot
25:26But I know you are in good hands
25:29Because you always tell me in your letters
25:32About your Sergeant Major
25:34And how he looks after you
25:36Thank you, Mrs Parkins
25:39And now, here is your request
25:41I'll be seeing you
25:43Sung by Vera Lynn
25:45What's the matter?
25:48I haven't got the record
25:49What are you talking about?
25:50We were on top of the pile
25:51A moment ago, I saw it
25:52Well, he's not here now
25:53We can sing it
25:55We can sing it
25:55Are you still with us, Dennis?
25:57Oh, all right
25:57Oh, you
25:58Come on, fellas
25:59Yes, I'm still here, Charles
26:02A slight technical hitch, I'm afraid
26:03I'll be seeing you
26:05Won't be sung by Vera Lynn
26:06But by the Royal Artillery
26:08Concert Party
26:10How jolly
26:11And now, would you like to sign off
26:13And say goodbye to your son, Mrs Parkins?
26:15Well, goodbye, son
26:17Take care
26:18And please give this message
26:21To Sergeant Major Williams
26:23Tell him to think of me
26:25When he hears the words of this song
26:28I'll be seeing you
26:36In all the old familiar places
26:40That my heart and mind embraces
26:45All day through
26:46In a small café
26:51The sun across the way
26:55The children's carousel
26:58The chestnut tree
27:00The chestnut tree
27:00The wishing well
27:02I'll be seeing you
27:07In every lovely summer's day
27:11In everything that's light and gay
27:15I'll always think of you that way
27:19I'll find you in the morning sun
27:23I'll find you in the morning sun
27:24And when the night is new
27:27I'll be looking at the moon
27:31But I'll be seeing you in the morning sun
27:33And I'll be seeing you on
28:03You're a good man, so you're a good man
28:05And I'll be seeing you on the ground
28:07The boys will entertain you
28:09I'm happy to make you forget
28:13So give us a cheer to win
28:15Hey, hey, hey, just gather your hand
28:17And we'll get it done
28:19With us around, there's plenty of fun
28:21So meet the band boys
28:23The boys are here
28:25The boys to entertain you
28:27B O
28:29B O Y S
28:31To entertain you
28:33And
28:35Of hope and glory
28:37Mother
28:39Of the
28:41Shut up!
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