L'amant De Poche_1979 (English Language Version)

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HOT FRENCH MILF MOVIE  Follows 15-year-old Julien's romantic involvement with an older prostitute. He navigates parental disapproval and grapples with her profession.   *  #watchfreemovie  #watcnow  #fullmovie  #watchonlinemovie  #freestreaming  #StreamingNow  #MovieRecommendations  #MustWatch  #ClassicMovies  #Thriller  #Mystery  #WatchOnline  #TopRatedMovies  #CinemaLovers  #DramaFilm  #ForeignFilms  #AwardWinning  #MovieOfTheDay  #InstantClassic  #FeelGoodMovies  #RetroMovies  #MovieClips  #BestCinematography  #StreamingTonight  #LateNightMovies  #RomanticDrama  #Top10Movies  #PopcornTime  #MovieMarathon  #LoveStory  #romanticmovie  #WatchFree  #FreeMoviesOnline  #FilmOfTheYear  #BestMoviesEver  #Comedy  #FunnyMovie  #mustwatchmovie  #Movie  #Film  #filme  #Movies  #FullMovies  #ActionMovies  #ComedyMovies  #HorrorMovies  #DramaMovies  #RomanticMovies  #ThrillerMovies  #EuropeanFilms  #europeanmovie  #FrenchCinema  #SpanishMovies  #ItalianFilms  #GermanMovies  #EuropeanMovieClips  #EuropeanFilmFestival  #BestEuropeanMovies  #TopEuropeanFilms  #ClassicEuropeanCinema  #EuropeanDramaFilms  #EuropeanFilmAwards  #ScandinavianMovies  #EuropeanHorrorFilms  #EuropeanComedyMovies  #EuropeanArtFilms  #EuropeanIndieFilms

Transcript

00:00:00The movie was dead, the movie was dead, no more mystery, the movie is dead, that's why

00:00:17you're lost.

00:00:18No more love, no more life.

00:00:21The movie is dead, movie is dead.

00:00:24Movie is dead, the movie is dead and that's why Movie is dead.

00:00:29Woooo!

00:00:38Now then, you stated earlier that this man followed you home and tried to force his way into your apartment.

00:00:43Is that correct?

00:00:50Excites you when I do that?

00:00:53Makes your tits stiff?

00:00:59No, we won't care, we won't want to move in here.

00:01:02Move in here.

00:01:03More you won't aim behind, but I won't do that.

00:01:06Move in here.

00:01:07Move in here.

00:01:08Move in here.

00:01:09No more adventure.

00:01:10No more misery.

00:01:11Move in here.

00:01:12Move in here.

00:01:13And then, why are you wrong?

00:01:14No more life.

00:01:16No more life.

00:01:17Move in here.

00:01:21I want is more rock.

00:01:23Me, dear.

00:01:24Hard rock.

00:01:25Hard rock.

00:01:26Hard rock.

00:01:27Hard rock.

00:01:29Hey, you want it on the phone?

00:01:36Don't you have a girlfriend?

00:01:37That's why it's here all alone.

00:01:38All boys have girlfriends.

00:01:40I'm going steady with the boy.

00:01:42His name is Muhammad.

00:01:50How old are you?

00:01:51Six.

00:01:52I'm six and a half.

00:01:53It makes you stiff, eh?

00:01:54That excites you, doesn't it?

00:01:56No.

00:01:57I know where we can go.

00:02:00I'm not going anywhere.

00:02:02My parents are coming to pick me up here.

00:02:04Out on the balcony.

00:02:05No one can see.

00:02:06There are other things in life besides sex.

00:02:09Like what?

00:02:12Pervert.

00:02:13Screw you.

00:02:16What are you doing?

00:02:18Babysitting?

00:02:19I thought maybe Martine would be here.

00:02:21Maybe something came up.

00:02:23Did she talk to you?

00:02:25Christ, you're a drag with your Martine.

00:02:26Is your girlfriend called Martine?

00:02:30Nicky, can I have a cigarette?

00:02:32Thanks.

00:02:33I know, let's change the record.

00:02:37Come on, we'll change it.

00:02:39That'll make him mad.

00:02:41Put on some rock.

00:02:42What?

00:02:43Get off my rubber, brothers.

00:02:44Come on.

00:02:45Come on.

00:02:46Come on, man.

00:02:47Put on some rock.

00:02:48What?

00:02:50I should have called her maybe.

00:02:52When do you suppose?

00:02:53What in the hell for when you know she won't put out?

00:02:55Well, you're not getting anything tonight either, are you?

00:02:58hell for when you know she won't put out well you're not getting any today either

00:03:06are you they do or they don't if they don't I split

00:03:16hey there she goes I don't believe it you block the door for me sit down there

00:03:26don't let nobody through this door romantic a you're wasting your time yeah

00:03:37sure

00:03:40no no

00:03:51behave yourselves you two

00:04:01mother they're impossible they're bothering everyone oh no we weren't we were just trying

00:04:17to have a good time what are you talking about it's their body too you know mother

00:04:22nannette no no that's enough let go of me no stop that no oh there's my father stop it

00:04:34no stop it relax take it easy get away from me you hear let go of me let go of me mother father

00:04:46you who I'll be right down stop it now oh stupid bitch let's get out of here come on

00:05:03you're not splitting are you the fun's just beginning it's time to go I've got to go to bed

00:05:13of course if there's room in your bed for me I wouldn't mind staying oh yeah see you

00:05:18you have to divide five hundred and two by seven if you want to find what x prime is hey up your

00:05:26arm

00:05:26song see you around buddy yeah yeah good night I gotta hit the hey I think I've had

00:05:35good night listen we're closing in ten minutes that's just time for scotch on the rocks

00:05:40well first of all I want to know how old you are yeah well then give us a couple of beers

00:05:49that sure was a drag tonight eh how do you want those beers on the rocks or straight turkey

00:05:57now that's the kind of ass I really groove on I love the way that wiggles jelly man

00:06:07if you don't mind I'll collect for it now because I'm closing the register hey who's

00:06:14the chain never saw her why don't you call Martine you never know thanks and good luck

00:06:25say where's the telephone it's over there in the far corner

00:06:33how's that for scoring oh hello this is Julian can you please tell me if Martine's come

00:06:49home yet she was with us all right but I left the party early to go study at Oliver's we've

00:06:56got exams coming up you know I thought maybe she'd be home by now that's all sorry to bother

00:07:01you goodbye excuse me miss aren't you leaving something behind us two you left us behind lay off Kappa let her go are you not she swings man she swings

00:07:22wait a minute miss wait a minute have pity on us and take us with you we're so cold and lonely and afraid nobody loves us

00:07:40that's Julian friend of mine show her how cute you are take off your specs

00:08:01okay so you're in but I'm the one that opened the door cut it out Kappa will you why what's wrong with her I've seen prettier faces but that's not what counts in the sack tell you what I'll toss you for her okay

00:08:22they're cold they're hot just wait till you see the balls I've got cut it out I said

00:08:28well so we'll share okay with you baby you see she's game for everything

00:08:33it's late I've got to be going

00:08:35what do you say we shack up in a hotel room with her hey got the bread for a hotel babe

00:08:41good night miss I'll see you tomorrow listen how long are your folks gone till tomorrow morning

00:08:47why no problem then we'll go to your place you have your skull after you babe

00:08:54the kids these days

00:09:09well good night you two good night miss oh no you won't get rid of us that way

00:09:25now look it's late and I'm tired oh you mean you're chickening out on us

00:09:33you sick in the head I just want to get some sleep that's all

00:09:36let's have the keys nope oh come on no I said what are you out of your mind when we

00:09:49practically got it may give me the keys power I shout shout do you want some help

00:09:58good night

00:10:13oh hey hey Julian Julian let me in dammit

00:10:26nobody's home

00:10:39I've got to wake up the whole place

00:10:42no he's studying with a pal

00:10:45he just called me to tell myself

00:10:47but I'm telling you he's in there he's there with a chick the bastard

00:10:51look sonny boy stop hollering will you

00:10:53I'll get up six in the morning okay okay

00:10:56the idiot

00:10:58I'll get up six in the morning okay

00:11:01I'll get up six in the morning okay

00:11:03I'll get up six in the morning okay

00:11:05I'll get up six in the morning okay

00:11:06I'll get up six in the morning okay

00:11:07I'll get up six in the morning okay

00:11:08I'll get up six in the morning okay

00:11:09I'll get up six in the morning okay

00:11:10I'll get up six in the morning okay

00:11:11I'll get up six in the morning okay

00:11:12I'll get up six in the morning okay

00:11:13I'll get up six in the morning okay

00:11:14I'll get up six in the morning okay

00:11:15I'll get up six in the morning okay

00:11:16I'll get up six in the morning okay

00:11:17I'll get up six in the morning okay

00:11:18I'll get up six in the morning okay

00:11:19I'll get up six in the morning okay

00:11:20I'll get up six in the morning okay

00:11:21I'll get up six in the morning okay

00:11:52This is my parents' room.

00:12:11No, I'm already too late.

00:12:15Well, what are you doing there?

00:12:18Just walked home with Julian.

00:12:20He's all broken up on account of you.

00:12:22He's been calling all night long.

00:12:23Oh, that's great.

00:12:24My mother thought I was out with him.

00:12:26Go up and console the guy.

00:12:28When he's that way, you never know what he might do.

00:12:30Oh, who do you think you're kidding?

00:12:32See you tomorrow.

00:12:34Okay.

00:12:35Oh, I may as well.

00:12:44Well, I may as well.

00:12:44Is this any time to be coming home when you know I have to be up at six in the morning?

00:13:00You hit me.

00:13:01I'm warning you.

00:13:03Oh.

00:13:04Oh.

00:13:07Did I hurt you?

00:13:09Oh, what do you mean?

00:13:10Go on, will you?

00:13:11Oh, my God.

00:13:13Oh, my God.

00:13:15Oh, my God.

00:13:25Oh.

00:13:55Come on, wake up, girls.

00:14:05Let's go, Annie.

00:14:06Marie, wake up, dear.

00:14:11Will you cut out that nonsense?

00:14:15I'll take it.

00:14:19Are we closed this week?

00:14:21No.

00:14:25Okay, girls, come on.

00:14:27In the house.

00:14:30Marie, will you stop eating?

00:14:32No, because you hit me first.

00:14:34Morning.

00:14:36It looks like you had some luck.

00:14:38How many big ones got away?

00:14:39Annie, hold it.

00:14:40I did pretty well.

00:14:41Have a good weekend?

00:14:43Well, we don't get very much sleep at night with all the racket that goes on at your place.

00:14:48Run up the stairs, will do you?

00:14:49Really?

00:14:49What'd she complain about now?

00:14:54Yeah, never know with her.

00:14:55Come on, let's jam the elevator door.

00:15:00Oh, stop it.

00:15:01It's not funny anymore.

00:15:05Julian's too young to be left two days on his own, I keep telling you.

00:15:08Inside.

00:15:09Girls.

00:15:10Go on.

00:15:10No nonsense now.

00:15:14In the bathroom and wash it.

00:15:16Annie, shut the door for me.

00:15:19Charles, make us some coffee, will you?

00:15:20Okay.

00:15:23Julian, time for you to get up.

00:15:27Now use some soap and don't forget to wash behind your ears.

00:15:30Yes, mother.

00:15:34Charles.

00:15:36Charles.

00:15:37Yes.

00:15:38What now?

00:15:38What are you doing in our bed?

00:15:42Why?

00:15:42What's the matter?

00:15:43What's wrong?

00:15:44Oh, how dare you?

00:15:46You're a filthy pig, you know that?

00:15:48So you wanted to stay here and prepare your exams, huh?

00:15:50Get up now.

00:15:51My shorts.

00:15:52My shorts.

00:15:53Get up, will you?

00:15:54What's all this about?

00:15:55Look at that.

00:15:58So you finally made it with little Martine, huh?

00:16:01You know she doesn't give anything.

00:16:03Get out of here and wash yourself.

00:16:05You here, wash yourself.

00:16:07There's nothing to laugh at you two.

00:16:08Go on.

00:16:13In my bed.

00:16:14In my own bed.

00:16:16On my sheets.

00:16:18Hey, uh, what was the broad?

00:16:20Huh?

00:16:23What was the broad?

00:16:24That's what's weird.

00:16:25I don't know.

00:16:25Well, look, you can tell your old man, can't you?

00:16:30No, honest.

00:16:30I don't know.

00:16:31I don't even know her name.

00:16:35Run into her last night in a cafe with Capo.

00:16:37She followed us.

00:16:39It's true, Dad.

00:16:40That's the way it happened.

00:16:41How old?

00:16:44Hmm, 40.

00:16:46No, more like 30.

00:16:48But she looks much younger.

00:16:49Is she pretty?

00:16:51Hmm.

00:16:53Where'd you get it?

00:16:55Where'd you get the dough?

00:16:56What dough?

00:16:58Well, uh, how much did you pay her?

00:17:01Nothing.

00:17:03Nothing?

00:17:04Nothing.

00:17:04Honest.

00:17:09Well, I'll be damned.

00:17:14Drink while it's still hot.

00:17:16Morning, ma'am.

00:17:17Is Julian ready?

00:17:18Where did you sleep last night?

00:17:20I slept at home.

00:17:21Why?

00:17:21Your mother was furious when I saw her.

00:17:24Julian, it's Martine.

00:17:25I'm not ready.

00:17:27Well, I'm not waiting.

00:17:30I can't turn my back on you one second.

00:17:32Dad, you know what?

00:17:34Huh?

00:17:35I can't wear these shorts anymore.

00:17:37They make me look foolish.

00:17:38Everybody else wears bikinis.

00:17:40Yeah, they do.

00:17:42Well, you better explain that to your mother.

00:17:44Huh?

00:17:46So long, Dad.

00:17:47So long.

00:17:49Casanova.

00:17:53Well, I'll be.

00:17:56There.

00:17:56Mother, what did Julian do now?

00:17:58Why, nothing, dear.

00:17:59Julian?

00:18:00Yes?

00:18:01You better have something.

00:18:03You know, I'm a little late.

00:18:06Come on, hurry up, you two.

00:18:07Why, no, take it along.

00:18:09Eat it on the way.

00:18:10There.

00:18:12Goodbye.

00:18:12Goodbye, Mom.

00:18:13See you, Mom.

00:18:14Goodbye.

00:18:14Bye.

00:18:15Bye.

00:18:28Bye.

00:18:34Hey.

00:18:35Aren't you cheerful? Look mama the kids almost 16. We might have done it somewhere else, you know, where?

00:18:43Really tell me where

00:18:45You devil

00:18:48You really are

00:18:59Don't forget a taxi driver's his own boss, right?

00:19:05Well, how did it go with the blonde? Pretty good. Not as bad as you thought. Not bad at all. Will you two get a move on?

00:19:16You owe me abroad. Don't forget. Okay, I'll talk to Martine. Going to Christine's Friday night? I might. Isn't Martine invited? Why don't you ask her?

00:19:27Why are you mad at me? I'm not mad at you. Did you have funds on evening? Did you?

00:19:32Come in. We generally use the small f

00:19:39to begin

00:19:41this equation

00:19:43Have you got a pass?

00:19:45First, you will see that the small f

00:19:48modifies capital E to equal capital F

00:19:51capital E being the energy dispensed and

00:19:55capital F

00:19:56being the final result of the entire operation

00:19:59To be in the latest style choose from our wide range of solid colors or from the combinations as shown on the following pages

00:20:08All our prices include handling. Look mom

00:20:11That's the one that Julian wants

00:20:13Are you sure about that? He even showed me himself

00:20:18You think they're made to hold off?

00:20:20Yeah, anyway, it's cheaper when it's mail order

00:20:23There's a bunch of broads and heat at the window

00:20:28Sexy is that in case she comes back

00:20:35There's a bunch of broads and heat at the window

00:20:52Sexy is that in case she comes back

00:20:57You said you weren't there because you had homework

00:21:04But I called your house and you weren't there

00:21:06So what?

00:21:07Since when do I have to get your permission to go out?

00:21:10Look at that

00:21:11Julian

00:21:17Julian

00:21:19Julian

00:21:21Julian

00:21:22You haven't forgotten me

00:21:24Julian

00:21:26I beg your pardon?

00:21:32Come for a ride?

00:21:38Anything wrong?

00:21:41Will you tell my mother that I...

00:21:42Oh, I'll tell her, don't you worry

00:21:56I bet you could do $150 in a job like this

00:22:01Oh, I suppose I could

00:22:03But I wouldn't be tempted

00:22:04Easy

00:22:05You get it secondhand?

00:22:08Oh, no, unfortunately

00:22:09You mean you laid out $10,000 for it?

00:22:13Something like that

00:22:14Where are we going?

00:22:22To my place

00:22:25If you want to

00:22:27Don't leave the keys, they'll swipe it from you

00:22:41Don't leave the keys, they'll swipe it from you

00:22:43Don't leave the keys, they'll swipe it from you

00:22:55Don't mind him

00:22:57He's still young

00:22:58Good afternoon, man

00:23:22Good afternoon

00:23:23Good afternoon

00:23:23I don't have to be begged

00:23:35For my key

00:23:36Oh, it's not bad

00:23:48Oh, far out

00:24:10Sit down, won't you?

00:24:12I'm sorry

00:24:13On the rocks, as usual

00:24:19No, straight, please

00:24:20Thanks

00:24:28Take your jacket off

00:24:30Would you, uh...

00:24:34Only a drop

00:24:37Ah

00:24:37There

00:24:41Thanks

00:24:43Your friend Capo's right

00:24:48You're a very nice young man

00:24:51Yes

00:24:53Oh, I love you

00:25:05Don't be silly

00:25:07Who is it?

00:25:16Oh, just Aramis

00:25:17Come here

00:25:20Wow

00:25:21Come say hello to Julian

00:25:22He's huge

00:25:23Come on

00:25:24There's a good dog

00:25:25Hello, Aramis

00:25:26Good boy

00:25:28He's obedient

00:25:31And he's gentle

00:25:32You're a very beautiful dog

00:25:35You're a very beautiful dog

00:25:35There

00:25:41Do you want to see the bedroom?

00:25:46Oh, well

00:25:46Not especially

00:25:47Aramis

00:25:49Show Julian the bedroom

00:25:52Yeah, what's the thing?

00:25:54Ah, what's the...

00:25:55What's the thing?

00:25:57I'm going to see the room

00:25:57Oh, I'm going to see the room

00:25:59Come here

00:25:59Hey, come here

00:26:00Come here

00:26:01Come on

00:26:01Merri, come here

00:26:02I'm going to see the room

00:26:03Who is back here

00:26:03Oh, let me see

00:26:04I thought it was your husband.

00:26:24What if it was my husband?

00:26:27I don't know.

00:26:28I didn't know you had one.

00:26:31You're going to have lots of stories to tell.

00:26:34Why? What do you mean?

00:26:37You'll tell your buddies.

00:26:39You had an affair.

00:26:41And with a married woman.

00:26:43Let's get dressed.

00:26:46When will I see you again?

00:26:49I'll let you know.

00:26:52Come on.

00:26:53Your mother will worry.

00:27:34Clumsy of me.

00:28:02He's such a coward.

00:28:04Oh, whose number is it?

00:28:07Just call the number.

00:28:08Not till I know.

00:28:10It's the blonde.

00:28:11There, now you know.

00:28:11Oh, the blonde.

00:28:12Don't put me on.

00:28:14I still can't believe it myself.

00:28:15Did she mention me?

00:28:16No.

00:28:17Call her, will you?

00:28:22Hey, lady, it's urgent.

00:28:24What do I say?

00:28:25That I have a cold and I'm sick.

00:28:27Say what you want.

00:28:28I'm not able to call.

00:28:29I just want to see your reaction.

00:28:32359-6221.

00:28:33Hang up her for her husband answers, okay?

00:28:37359-6221.

00:28:39This is Helen's number.

00:28:41But Helen isn't.

00:28:42She's away for the weekend.

00:28:44If you love Helen, call her...

00:28:46Sounds like a message service.

00:28:47That her?

00:28:48Leave your name and phone number, and she'll return your call.

00:28:51You have 30 seconds to record your message.

00:28:54Did you hear that?

00:28:55Well, leave a message, man.

00:28:56Hello?

00:28:58It's me.

00:28:59It's Julian.

00:29:13Hurry up, Marie.

00:29:15All right, Mother, all right.

00:29:18Oh, I have to go next door to call Oliver about my math notes.

00:29:21Go on.

00:29:21Where's your sister?

00:29:24Downstairs.

00:29:26Marie, get up here, will you?

00:29:28Hi, Mrs. Tinderman.

00:29:29Do you mind if I use your phone?

00:29:30No, of course not, Julian.

00:29:32Come on in.

00:29:39Marie, hurry up.

00:29:40Coming, Mother.

00:29:41Three, five, nine, six, two, two, one.

00:29:48This is Helen's number, but Helen isn't home.

00:29:51She's out of town for a few days.

00:29:53If you love her...

00:29:54Helen's not home.

00:29:55She's never home.

00:29:58How come she's never there?

00:30:00Hey, you know who Martine's with?

00:30:02Yes, I know she's with Capo.

00:30:03Three, five, nine, six, two, two, one.

00:30:05This is Helen's number, but Helen's still asleep.

00:30:08If you love Helen, leave your name and phone number, and she'll return your call as soon

00:30:13as she wakes up.

00:30:16If the function of big F, then X is called the function of E.

00:30:23Now, for each X, the E circle, there's a corresponding Y in the F circle.

00:30:30Helen's number.

00:30:31When Helen's out for the evening, call again in the morning, or leave your name and number,

00:30:35and she'll return your call.

00:30:37You have 30 seconds to record your message.

00:30:42Hello, Helen.

00:30:43It's me.

00:30:45If you love Julian, even just a little, please leave a message at 230-9066 to call back Oliver.

00:30:54No.

00:30:55You better say Oliver, sister.

00:30:56Thanks and good night.

00:31:02Good night.

00:31:03You're welcome, Julian.

00:31:04See you again.

00:31:05And you want a phone?

00:31:06I had dinner with the ambassador of the United States last evening, and he'll help you with

00:31:10your passport.

00:31:11You ought to be pleased.

00:31:13You've got to go see him about extending your visa.

00:31:16If I at least make an effort.

00:31:20Is this Chris, the son of the banker?

00:31:22That's right.

00:31:22Hello, Helen.

00:31:24It's me.

00:31:25If you love Julian just a little, please leave a message at 230-9066 to call back Oliver.

00:31:33No.

00:31:34And who's Julian?

00:31:36You've never met.

00:31:37It's just Julian, a friend of mine.

00:31:41You're working the schools again.

00:31:45He's young.

00:31:46Like all of them were once young.

00:31:48A full head of hair and smooth skin.

00:31:51It's a change from those old hides burned onto a lamp.

00:31:55They're fat, hairy, and not funny.

00:31:57Had too much to drink.

00:31:59They have trouble laughing without starting to choke.

00:32:02Julian's trim.

00:32:03He's strong in his try.

00:32:04Even a little awkward.

00:32:06Youth are so attractive.

00:32:07How old is he?

00:32:0817?

00:32:1016?

00:32:1215.

00:32:12Love with him is new and fresh.

00:32:16Oh, I know.

00:32:17And what's more, he's always ready.

00:32:19Don't be such a fool.

00:32:20It's my own life.

00:32:22There we are.

00:32:23Oh, man.

00:32:23Do you dig them wheels?

00:32:25Look.

00:32:25How about that?

00:32:26Cool, eh?

00:32:27Oh, not bad.

00:32:28Hey, the chick ain't so bad either.

00:32:30Omega-shea.

00:32:31Who, the chick or the car?

00:32:32Oh, ha, ha, ha.

00:32:33I'd make that any day.

00:32:34Oh, I'd rather have the car.

00:32:35I'll take them both.

00:32:38I just remembered, I'm sick.

00:32:40Are you cutting lab?

00:32:41I sure am.

00:32:43You lucky son of a bitch.

00:32:47Where are you going?

00:32:48There's a fight in the hallway, sir.

00:32:59Well, what do you know?

00:33:04You should have seen them.

00:33:06I wish I could see the look on their faces now.

00:33:08I didn't know you were like that.

00:33:10Oh, I didn't say a word.

00:33:11But when they saw the car, wow, they just flipped out.

00:33:14You like showing off, don't you?

00:33:16Admit it.

00:33:18Oh, a little, I guess.

00:33:20What a pity.

00:33:21I was going to suggest we go somewhere special tonight.

00:33:24Really?

00:33:25Where?

00:33:26To the Lido.

00:33:28What do you think?

00:33:29You're kidding.

00:33:30I don't even have a tie.

00:33:32Oh, we can fix that.

00:33:38Oh, no, it's too strict.

00:33:40Think so?

00:33:41Ah, yes.

00:33:42Try the other one.

00:33:45We'll need some shirts, too, now.

00:33:46We'll take that one,

00:33:47and that one

00:33:49and whatever ties you choose.

00:33:58Well, what do you think?

00:33:59Very handsome.

00:34:00Let's have a look.

00:34:01Turn around, will you?

00:34:02There.

00:34:03Walk a little.

00:34:04This way, now.

00:34:07Jimmy?

00:34:07Only the left shoulder seems on the low side.

00:34:12Oh, that's simple enough.

00:34:13Good.

00:34:13Obviously, the trousers need to be a bit shorter.

00:34:16But it looks great otherwise.

00:34:17Very good.

00:34:19And don't forget about the socks.

00:34:20Yes, of course, madam.

00:34:25And he'll also be needing some dress shoes, okay?

00:34:28Don't think she's my mother.

00:34:30Ah.

00:34:31Because she's not.

00:34:32Oh, really?

00:34:34Really.

00:34:35You're a very lucky young man.

00:34:36I'm not so young.

00:34:37I'm almost 17.

00:34:38Less 15%, as you rule.

00:34:41And have it delivered to the house before 6 o'clock.

00:34:43That will be difficult, madam.

00:34:45Can you make it tomorrow?

00:34:47About noon.

00:34:48I'm sorry, but we can't wait.

00:34:50It's for tonight.

00:34:52Of course, we'll have it for you tonight, madam.

00:34:53Fine.

00:34:57Goodbye, young man.

00:35:06Can't wait till tomorrow?

00:35:30Okay, right away.

00:35:32Okay.

00:35:39I have to go out, Julian.

00:35:41I won't be gone for more than two hours.

00:35:43Meanwhile, I want you to do your homework, okay?

00:35:46Uh-huh.

00:35:46I'll be right back.

00:35:51Be good now.

00:35:56Okay, down, boy.

00:35:57Down, I said.

00:35:58Down, I said.

00:36:00Down, I said.

00:36:16Down, I said.

00:36:18Anyone home?

00:36:32Oh, forget it.

00:36:35Oh, jerk.

00:36:36So long.

00:36:46Champagne and oysters, and after that, well, after that, you know what?

00:37:09But Helen won't be home until late this evening.

00:37:25If you leave your name and number, she'll be glad to return your call.

00:37:28You have 30 seconds in which to record your message.

00:37:34Hello, Helen.

00:37:35Hi, baby, it's me.

00:37:36I just threw in from Istanbul.

00:37:38So put on your sexiest dress, and I'll pick you up in an hour.

00:37:40First, we'll have some champagne and oysters, and after that, well, after that, you know what?

00:37:45Well, I'll simply erase it.

00:37:56Well, I'll simply erase it.

00:38:08So what if he is her husband?

00:38:10So what does that mean he can treat her like a common whore?

00:38:12So what if he is her husband?

00:38:42Have you been studying hard?

00:38:57Funny, but you look better in jeans.

00:39:16Oh, come on.

00:39:17Don't let her get you down.

00:39:20You're not bad either way.

00:39:22Let it ring.

00:39:43Brother, have I screwed up now?

00:39:44I must join a bit.

00:39:48That's him.

00:39:49Her husband.

00:39:50Who is it?

00:40:12Who is it?

00:40:14So you're touching the tape recorder.

00:40:16I hate to be spied on by just little boys.

00:40:18It's just a mistake.

00:40:20My eye.

00:40:21You nosy, jealous little liar.

00:40:23Get out.

00:40:24Get out, I said.

00:40:25Go on, get out.

00:40:26But I thought we were going someplace.

00:40:27Not anymore.

00:40:28That'll teach you.

00:40:48you could thank your father thank you father thank you dear

00:41:08shh look at julian he's got a white suit on it's super

00:41:14julian let's have a look at you

00:41:18well now what's all this it's just a white suit come on i know very well it's white i'm not

00:41:28colorblind you know you don't fool around and where did you get it who cares he sure does look

00:41:34great you were staying the night with oliver i was supposed to but now not answer me what do you

00:41:39where'd you get that outfit i lifted it oh you lifted it where'd you lift it from a shopping

00:41:47center you think i'll swallow that it's the truth oliver and i had a bed so you're a thief

00:41:54huh you wouldn't have the nerve for that you're a damn liar you know charles i've heard that people

00:41:59steal a lot in those places well they do do they all the best people steal their clothes there

00:42:03you must take me for some kind of moron now take that off the pants too no more sundays alone

00:42:08next weekend you come with us there'll be no more wild parties and no more lies either from now on

00:42:13i'm sorry dad but that's impossible

00:42:15sorry to butt in but julia's wanted on the phone it's all of his sister or so she said

00:42:22julian come back here

00:42:26oh sorry excuse me hello helen helen oh helen dear what are you doing the water's getting cold

00:42:37i'm on the phone i'll just be a minute this goes in the incinerator charles don't do that please

00:42:45a suit like that is worth a hundred dollars if you think i give it down hello if you want to throw

00:42:50it out that's fine with me i'll steal another one hello just second honey i cannot wait don't be too

00:42:57long hello helen it's me friday evening in the bar of the hotel okay what hotel why the berkeley hotel

00:43:08of course if you want to you can stay on okay stay for what for what the weekend so long baby so while

00:43:18you spend the weekend with her i'm all alone i feel left out no you're my alibi i said we're on a

00:43:24camping trip so don't screw up if you see my folks julian bring me your wool and socks now

00:43:30if you don't you're not going i want this damn thing dry just what are you doing in the bathroom

00:43:35anyway nothing i don't like you going camping with that capitol you're not going with girls are you

00:43:43oh really mother

00:43:44can i help you sir no thanks now that is maybe you can i'm looking for helen

00:44:02oh you must be your brother that's right she's waiting in the bar thank you

00:44:07sorry that's all right careful

00:44:11oh julian

00:44:37have you met my uh brother no no how do you do

00:44:43well i was about to leave sit over here i'll be calling you in a week or two huh

00:44:49excuse me young man

00:44:52who is that creep he is not your husband and what's more i'm not your brother oh my goodness

00:45:01you're getting to be quite a little man throwing scenes like a big one what will it be for your

00:45:06little brother he's not my little brother he's my lover nothing thanks let's go

00:45:12what's all that stuff about that's to fool my folks i said i was going camping

00:45:17why not then you're kidding not at all you must never lie to your parents

00:45:21it's true you must never lie to your parents but this is too much come on let's go

00:45:44you

00:45:48you

00:45:50you

00:45:52oh

00:45:53Oh, my shoes!

00:46:18Stop!

00:46:19Stop!

00:46:23But I'm quite sure she's there.

00:46:37Helen Miller, a young American.

00:46:40She's been coming there for years, you know who I mean.

00:46:44Miller.

00:46:45M-I-L-L-E-R.

00:46:49Helen.

00:46:49Ah, Helen.

00:46:50Why, sure, one minute.

00:46:52Yeah, there was no room free, but we get special accommodation.

00:47:00Hello?

00:47:01Hello.

00:47:05Hello.

00:47:07Oh, my God, how long do I have to wait?

00:47:20Hello.

00:47:22A call from Paris, miss.

00:47:23Paris.

00:47:25Hello.

00:47:27Helen, it's Olga.

00:47:28Aren't you ashamed of yourself?

00:47:30Absconding with a minor to Tunisia?

00:47:32No, not at all.

00:47:34How's the weather?

00:47:35It's marvelous.

00:47:36What else do you want to know?

00:47:38How would a few days in Germany sound to you?

00:47:40Depends.

00:47:41When?

00:47:42Shh, shh, shh.

00:47:42They want you to be there by tomorrow.

00:47:44Impossible.

00:47:45Tomorrow's my day off.

00:47:47We'll talk about it later on.

00:47:48Later on will be too late.

00:47:50Too bad.

00:47:51We'll see about that.

00:47:54We've got to get to the airport fast.

00:47:55You're going to hear that, chicky fool.

00:47:56Let's go, huh?

00:47:58Announcing the arrival of Tunis Air Flight 722 from Paris.

00:48:03Gate C.

00:48:03Arrivée du vol Tunis Air 722, en provenance de Paris, porte C.

00:48:11Gate C.

00:48:41Shake them up a little.

00:48:58Oh, you bet.

00:49:03One, two, three.

00:49:07What's happening here?

00:49:09Julian, Julian, I'm stuck.

00:49:11Oh, I'm stuck in here.

00:49:13My idea, Julian.

00:49:15Ah, so this is the stud.

00:49:21Well, smile, you're on TV.

00:49:24Oh, come on now.

00:49:25You can do better than that.

00:49:27Oh, God help us.

00:49:28He looks like a man of 40.

00:49:29Take off those horrible glasses.

00:49:31Isn't he a cutie-by?

00:49:33A pair of contact lenses should do it.

00:49:36You better go see Phillips.

00:49:37He's our oculist.

00:49:38And put it on my account.

00:49:39Okay, Olga.

00:49:40Stop trying to get funny.

00:49:42He's not one of your girls.

00:49:43You think your act is funny?

00:49:45You're hardly old enough to play Rob the Craven.

00:49:48Is Prince Charming as good a fuck as all that?

00:49:50That's none of your business.

00:49:51Does anyone screw me?

00:49:53I somehow doubt it.

00:49:54Oh, well, at least we know the kid has spunk.

00:50:06Tell me, just out of curiosity, what grade are you in?

00:50:11Tenth wide?

00:50:12Oh, he's pretty advanced for his age, huh?

00:50:15No, he's just right.

00:50:16I'll go down.

00:50:18You'll catch the next plane tonight, you'll be near.

00:50:21Your room is reserved at the Intercontinental Arts for Mr. Gibbons.

00:50:25So you're his secretary.

00:50:27Gibbons, the minister?

00:50:29Oh, that's the one.

00:50:30He's spending a few days exploring nature's beauty.

00:50:34You ought to make sure that he enjoys it.

00:50:36I'm not much good at waltzing.

00:50:37Then do your belly dance for him.

00:50:39What's worth the effort is an important man.

00:50:44What about Julian?

00:50:48He's got to be back in school, you know.

00:50:49Don't let it worry you.

00:50:50I'll treat him like my own son, I promise.

00:50:57Not too bumpy for you?

00:50:59No.

00:51:07Julian?

00:51:32Julian, you could at least say goodbye to me.

00:51:37So long, Pooch.

00:51:40She's the wrong woman for you.

00:51:44Oh, we'll see.

00:51:45What can work as usual, Captain?

00:52:00How do you expect to pass when you hand in a paper like that?

00:52:04She's, I ain't got no ambition.

00:52:06And besides, I like it here.

00:52:10Come in.

00:52:11This is getting to be a habit with you.

00:52:16What's your excuse for today?

00:52:17Your alarm clock?

00:52:18The bus break down on the way?

00:52:19No, teach.

00:52:20He's got a mistress.

00:52:21Mr. Caparelli, leave the room, will you?

00:52:24But it's true.

00:52:24He's screwing a married woman.

00:52:26Get out, Mr. Caparelli.

00:52:28Oh, okay.

00:52:30Okay.

00:52:31Anyway, that's what he says.

00:52:33But if you ask me, he's humping a two-bit whore man.

00:52:35Sit down, class.

00:52:47Class, will you sit down?

00:52:48Come back here.

00:52:50Come back here.

00:52:52You know, Helen, I was told you were marvelous last night with Mr. Steiner.

00:53:12You have a fabulous talent.

00:53:16I would love to have you more often.

00:53:22The two of us ought to make a good team.

00:53:28If I'm not mistaken, are you proposing marriage?

00:53:36Why, yes, in a way.

00:53:40Well, you obviously can't go on living the life of...

00:53:43Of what?

00:53:49Don't be so sensitive.

00:53:52A life of such complete confusion.

00:54:13Aramis.

00:54:14Come here.

00:54:15Come here, sweetheart.

00:54:16Oh, it's nice to see you, boy.

00:54:17You know, I missed you.

00:54:18You're a good boy.

00:54:19What a good boy you are.

00:54:24Hello, it's Olga.

00:54:25Your little angel made it to school on time.

00:54:27I hope you're happy.

00:54:28I'm beginning to understand you, though.

00:54:30He's a charmer.

00:54:31But that's not what I'm calling about.

00:54:33You have a date Wednesday at 8 p.m. with George.

00:54:35And you're leaving on Saturday, Wisconsin, with a Mr. McGregor, over and out.

00:54:40It's me, Julian.

00:54:42I just want to tell you that you're nothing but a two-bit whore.

00:54:47Bastard, you bastard.

00:54:54Two-bit whore, am I?

00:54:55Hey, keep on the grass, you.

00:55:15Two-bit whore.

00:55:16Where do you think you're going?

00:55:17Oh, where do you go get laid?

00:55:19Two-bit whore.

00:55:20Is your son there?

00:55:32I know he's in school.

00:55:34What do you want with him?

00:55:35It's none of your business.

00:55:50Hey, how much, baby?

00:56:12Just for an hour.

00:56:13Oh, I was just asking.

00:56:16Hey, you know, that looks to me like you're married woman.

00:56:18Oh, yeah.

00:56:27Hey, over here, peaches.

00:56:30Hello, Mr. Capo.

00:56:31I'm looking for your pal, Julian.

00:56:33Where can I find that brat?

00:56:34I haven't the faintest idea.

00:56:36Do you know where he went?

00:56:37No, I haven't seen him.

00:56:39There.

00:56:40Squealer.

00:56:47Hi, Hillary.

00:56:48Why didn't you hide in John while you were at it?

00:56:52There's someone in it.

00:56:54Let's go.

00:56:57Buy me a drink, honey.

00:56:59After all the free lovemaking you've had, I think you might treat me to a drink or two,

00:57:02huh?

00:57:02Why, sure, Helen.

00:57:03Whatever you say.

00:57:04Hey, Tony, the next round's on Julian.

00:57:06Ah.

00:57:07When'd you get off?

00:57:08All yours for ten bucks.

00:57:10Wouldn't you make love for that price?

00:57:12Look, Helen, that's enough of that.

00:57:13Well, what'd I do?

00:57:14I got trouble, officer, and there is a hooker here on the make.

00:57:18Hey.

00:57:19Hey, you guys.

00:57:21Who wants to make love for ten bucks?

00:57:23Oh, well done, baby, baby.

00:57:24Hey, yo.

00:57:26I saw her first.

00:57:28It's a bargain price.

00:57:29I'll buy that.

00:57:30What do you mean?

00:57:33Beat it.

00:57:34Oh, I didn't mean it.

00:57:35Oh, it's not so bad, you know.

00:57:39Besides, you get accustomed to it, especially with Julian.

00:57:42Go to hell.

00:57:44You even wind up loving it.

00:57:46Listen, Helen, stop it.

00:57:48What?

00:57:50Oh, he must like my outfit.

00:57:52Is it too flashy for you?

00:58:00That wasn't so bad, was it now?

00:58:02Don't wipe it off.

00:58:03It brings bad luck.

00:58:04Even for free, you ought to give it a try.

00:58:08It's much better than fooling around with yourself in bed.

00:58:19Pick up the cops.

00:58:20Stand back.

00:58:22Out of the way.

00:58:22You've got the wrong neighborhood, dog.

00:58:24That's enough.

00:58:25This lady's with us, officer.

00:58:26What a lady.

00:58:28Let's see what you're smoking.

00:58:29Oh, it's nothing but hash.

00:58:30Okay, smartass, let's see your ID.

00:58:34You're like, go.

00:58:37Let's see.

00:58:38You can claim it at headquarters.

00:58:40Let me have the third degree now and save me the trip.

00:58:42Okay, come on, off you go.

00:58:43Oh, screw you.

00:58:44Get him.

00:58:45Get him.

00:58:46Get him.

00:58:47Get him.

00:58:48Drop it, I say.

00:58:54All right, come on.

00:58:59Come on, get out.

00:59:00All right.

00:59:00Get out.

00:59:01Go, go, go.

00:59:01All right.

00:59:02Everyone's under arrest.

00:59:04Take them all down.

00:59:05Take them.

00:59:05Hey.

00:59:06Pick it, paws off.

00:59:07Get out.

00:59:09Hey, what?

00:59:09What is this?

00:59:10It's getting out.

00:59:10Come on.

00:59:11What is this?

00:59:11You guys are making a big mistake.

00:59:30Shut up, you little hood.

00:59:32That's no two-bit whore you've got.

00:59:33That broad won't put out for less than 500 bucks.

00:59:36Not what you know.

00:59:37Think of the overhead.

00:59:39You asked Julian.

00:59:39Yeah, how should I know?

00:59:41Call this gentleman, will you?

00:59:43Ask him who Helen is.

00:59:47You'll see she's got lots of influence.

00:59:49They won't hold us for long.

00:59:51There, what did I tell you?

00:59:53How much do you think she earns?

00:59:55Oh, somewhere around 10,000 bucks a month, minimum.

00:59:58No fooling.

01:00:00Oh, yes, Commissioner.

01:00:01Sorry, but we didn't know.

01:00:03Yes, Commissioner.

01:00:05We're terribly sorry.

01:00:11You're free to leave, miss.

01:00:19Bye-bye.

01:00:20You bitch.

01:00:22Sit down.

01:00:23Hey, you're not keeping us.

01:00:24Hey, now we've got homework to do.

01:00:41And I have to go to the police station.

01:00:49Thanks a lot.

01:00:50Look, I know it's not easy at your age, but damn it, that's going too far.

01:00:53Well, are you coming or not?

01:01:01It's not only me, it's your mother and your sisters.

01:01:04Why don't you sleep with girls your own age?

01:01:05There are plenty that will.

01:01:07They're almost all on the pill now.

01:01:09You have to make it with some whore.

01:01:10It's bound to cause a scandal.

01:01:12You wouldn't talk like that if you saw her.

01:01:14Remember, I'm married to your mother.

01:01:16Poor folks.

01:01:17Well, you might treat your mother with more respect.

01:01:20Huh?

01:01:23So there you are.

01:01:25Thanks, Julian.

01:01:25You happy now?

01:01:26You've shamed your mother.

01:01:27No, no, Susan.

01:01:28I think he's already hurt more than enough.

01:01:30And what's more, you even take sides with him.

01:01:32Well, thank you, dear.

01:01:33I might have known.

01:01:34Now, stop it, please.

01:01:35This was a rough day, and I'm very tired, and I'm starving.

01:01:38Oh, the poor man's starving.

01:01:39So am I starving.

01:01:41I haven't eaten all day.

01:01:42I wish you could have seen that cheap whore.

01:01:44The paint on her.

01:01:46Two inches thick.

01:01:48Look, mother, you're wrong about her.

01:01:49She really is a fine person.

01:01:50All right, young man, I think you've said enough.

01:01:52Haven't I got the right to talk?

01:01:54Well, why not?

01:01:55Because even if I don't work, I do go to school all day.

01:01:57Go to your room.

01:01:58Make it snappy.

01:01:59Dirty fascist!

01:02:00Oh, my God, I can't stand it.

01:02:02Oh, Julian.

01:02:08Why do our kids do such things?

01:02:10Why do they do it?

01:02:17What are you doing here?

01:02:48Oh, you had another fight with father?

01:02:50This is my brother.

01:02:52Mind your manners.

01:02:54I do hope you told them where you were going.

01:02:56No.

01:02:57Oh, Julian, that was mean.

01:02:58You know how worried they get.

01:02:59I'll call them right away.

01:03:01There.

01:03:02Go on.

01:03:07I'm terribly sorry.

01:03:08It's all right.

01:03:10I'll see you soon.

01:03:10Was that a client?

01:03:17You sure put one over on him.

01:03:19You almost had me believing it.

01:03:21Well?

01:03:22Well, my mother called you a whore, and that's something I can't bear.

01:03:27But I am a whore.

01:03:29Even you called me one.

01:03:32I'm sure, but that's different.

01:03:34Um, because I don't mind.

01:03:36I apologize.

01:03:43Are you happy now?

01:03:46Very.

01:03:47Now, what are you doing here with that suitcase?

01:03:56I've come to stay.

01:03:58Have you?

01:03:59You're impossible.

01:04:01You just decided on your own to come here.

01:04:04Well, now, you might have asked me what I think.

01:04:07Don't you suppose?

01:04:08What do you think?

01:04:10No.

01:04:11Get out of here.

01:04:13No, once was enough.

01:04:14I'm staying this time.

01:04:17Aramis.

01:04:19Come show the young man out.

01:04:21Oh, I'm not afraid of Aramis.

01:04:25What's the matter, boy?

01:04:26Hey, aren't we pals, aren't we, eh?

01:04:29What's wrong with you, boy?

01:04:32Aramis.

01:04:33Oh.

01:04:37Down, boy.

01:04:38Down.

01:04:38Hey.

01:04:39Down, Aramis.

01:04:42Down.

01:04:49Call him off, will you?

01:04:52What's wrong with you?

01:04:53Aramis.

01:04:54Show him out.

01:04:56By the service entrance.

01:04:59No.

01:05:01Let go.

01:05:04Let go of that.

01:05:06Cut it out.

01:05:07Down, Aramis.

01:05:09Down.

01:05:10There.

01:05:12There.

01:05:17Look at him.

01:05:34Here.

01:05:35What's the trouble, kid?

01:06:05Did you leave home? No place to go to?

01:06:08Did you drive payroll?

01:06:10Not enough.

01:06:12If you want me to, I might ask the concierge.

01:06:15But you gotta have your folks' permission.

01:06:18They'd never let me.

01:06:20Jacob!

01:06:21Yeah? Bring Miss Helen's car around.

01:06:23Right away.

01:06:32Don't say anything now.

01:06:35Hey.

01:06:37What are you trying to pull?

01:06:39Just a little prank, that's all.

01:06:41You got some nerve, but good luck anyhow.

01:06:44Oh, my God.

01:06:46Hey, that's all.

01:06:50Oh, my God.

01:06:52Oh, my God.

01:06:53Oh, my God.

01:06:54Oh, my God.

01:06:55What's the problem?

01:06:56Oh, my God.

01:06:57I'm not sure.

01:06:58What are you trying to do?

01:06:59Oh, my God.

01:07:00Oh, my God.

01:07:01Oh, my God.

01:07:02Oh, my God.

01:08:34The plasterers, painters, carpenters, it's not just the workers.

01:08:38They're decorators with their incredibly bad taste.

01:08:42That's why I wanted the benefit of your advice on certain details.

01:08:46Or your room, in particular.

01:08:47I trust you haven't forgotten the proposition I made you.

01:08:52No, no.

01:08:55Here's to our union, then.

01:08:57In every sense of the word.

01:08:58Bitch.

01:09:00Bitch.

01:09:12Bitch.

01:09:20What the hell?

01:09:35Are you cutting?

01:09:37You're a pig.

01:09:39Stop that.

01:09:41Come on, let's get out of here.

01:09:49You bastard.

01:09:50You bastard.

01:10:03There.

01:10:04Now where do we go?

01:10:05To your place.

01:10:07All right.

01:10:08We'll draw the drapes, bolt the door, and we'll let anybody in.

01:10:13Is that what you're thinking?

01:10:15Yes, that's right.

01:10:16And what am I going to pay the rent with every month if you keep beating my customers up?

01:10:23Why are you being so stupid?

01:10:25You're a pretty bright kid.

01:10:26Use your head a little.

01:10:28I'm sick of the way you act.

01:10:30I've had it.

01:10:31I'm fed up with you.

01:10:34Damn.

01:10:35Damn, damn.

01:10:36Why don't you mix up with a kid like you?

01:10:37Now look, Julian.

01:10:46Please just try to be serious.

01:10:48You need money to live.

01:10:51I don't own a thing in the world.

01:10:53I still have to pay for the car.

01:10:55The apartment's rented.

01:10:57What's more, there's Aramis.

01:10:59He has to live too, you know.

01:11:02Start the car then.

01:11:04I know a great spot in the country.

01:11:06What if it rains?

01:11:09We're not going camping.

01:11:12It's where my parents go for their weekends.

01:11:15Get out.

01:11:16Get out.

01:11:18The joking's over.

01:11:20We had all the fun we're going to.

01:11:22I'm not a kid anymore.

01:11:24Go on.

01:11:24Go back to your folks.

01:11:26Your home looks waiting.

01:11:36No.

01:11:37No.

01:11:37Go on.

01:11:38Go on.

01:11:39Go on.

01:11:40Go on.

01:11:41Oh, my God.

01:12:11Get in.

01:12:30Where are we going?

01:12:31Wherever you sit.

01:12:32As long as it's away from you.

01:12:39He took his suitcase.

01:12:42And he left his warmest sweater behind.

01:12:45Oh, my God, Charles.

01:12:48Do you see what you've done?

01:12:49You know, you were too rough with him.

01:12:51You should never have struck him.

01:12:52Not in front of his sisters.

01:12:53Oh, thanks a lot.

01:12:54I mean, they're too rough or I'm too soft on him.

01:12:56I wish you'd make your mind up.

01:12:57Good morning, Daddy.

01:13:01Good morning.

01:13:02Go wash up now.

01:13:03What's the matter, Mother?

01:13:04Oh, nothing.

01:13:06What are you going to do about it?

01:13:09I'm going to make a little coffee.

01:13:11Coffee?

01:13:12They left without a word.

01:13:13Look, Mama, don't get so upset.

01:13:14He's not the first kid to run away from home.

01:13:16Aramis, come here.

01:13:41Come here.

01:13:46Aramis, come here.

01:13:49Guess what?

01:13:50Haven't got a key.

01:13:56Wait a minute.

01:14:16Did you break any bones?

01:14:23Nothing, no.

01:14:32You're sure not hurt.

01:14:37See what it is.

01:14:39Is Julian ready for school?

01:14:46No, he left a while ago.

01:14:50Well, for once, he won't be late.

01:14:54Now then, are you going to notify the police?

01:14:56No, I am not.

01:14:58After yesterday's adventure, I've had enough of them.

01:15:00You won't.

01:15:01Well, then I suppose I have to.

01:15:02No, you will not.

01:15:03Do you understand?

01:15:04You will not.

01:15:06Now, look.

01:15:09Let's try to be patient, shall we?

01:15:12With who?

01:15:13With her or with Julian?

01:15:14Julian!

01:15:29Lunch is ready!

01:15:31Helen, I've caught one.

01:15:40I'll get the net.

01:15:41You take the pole, okay?

01:15:43Oh, okay.

01:15:44Watch it.

01:15:51Oh, Julian!

01:15:58On subject of death,

01:15:59we have invited Mr. Keybear to our studios this afternoon

01:16:03to discuss the situation.

01:16:05Did you see that trout?

01:16:07My dad would have flipped.

01:16:08I'm ready.

01:16:09With the big ones, he says to play him out.

01:16:11You're worried about the death.

01:16:12As you know, I've been requested by the Prime Minister

01:16:15to visit the heads of state concerned.

01:16:17Look at that.

01:16:19Look who's on TV.

01:16:21For the present, there's little that can be done about...

01:16:24I wish I'd known who he was.

01:16:26As long as the superpowers...

01:16:27I would have hit him harder.

01:16:29Sit down.

01:16:30Look.

01:16:32Stop it.

01:16:33You're tickling me.

01:16:34We will have peace.

01:16:38But until then, I'm sure that the superpowers will continue their escalation of arms production

01:16:43and will increase their sales to the underdeveloped countries without the least hesitation.

01:16:47I shall have to proceed slowly, but surely.

01:16:51He did beautifully.

01:16:52Now, may I remind you to join us tomorrow

01:16:54when we will be interviewing the lovely lady, the beautiful Eileen Cole.

01:16:58That's it.

01:16:59We're all finished.

01:16:59Was I good?

01:17:00Oh, what beautifully.

01:17:01If you want, we can do another one now.

01:17:03No, you're on live, Mr. Keybear.

01:17:04No, I didn't know that.

01:17:05Where's my coat?

01:17:06Ah, you were just fabulous, Edward.

01:17:08I'm proud of you.

01:17:09Well, have you heard anything?

01:17:12Imagine her running off like that.

01:17:14It doesn't make any sense.

01:17:16I thought your girls took their work more seriously.

01:17:18Aye, watch what you're doing, will you?

01:17:19Oh, excuse me.

01:17:20Take it easy now.

01:17:22That dirty little bastard.

01:17:25And as for your girl, Helen,

01:17:28she won't be hard to locate.

01:17:30And she won't be the first foreign hooker I've had expelled.

01:17:33You needn't get upset about it, Edward.

01:17:36Our dogs will pick up the scent.

01:17:38No, no, no, no.

01:17:39You call off your dogs.

01:17:40I'm going to get her by myself.

01:17:43In my position, it's not very difficult.

01:17:47The police?

01:17:48To start with.

01:17:51Murder on the legs, huh?

01:17:52Yeah.

01:18:02Mr. Champlain?

01:18:04Yes?

01:18:04It's about your son.

01:18:05The name is Julian.

01:18:06Is that right?

01:18:07That's right.

01:18:08Nothing's happened to him.

01:18:09That's what we want to know.

01:18:10You tell us.

01:18:11Now, look.

01:18:12Who are you, anyhow?

01:18:14Police.

01:18:16Well, what do you want, then?

01:18:18Your son has run away from home, hasn't he?

01:18:20I'm afraid you're wrong.

01:18:21He's in school, same as you.

01:18:22He was just there.

01:18:23Why didn't you inform us of your son's disappearance?

01:18:25You know, madam, that's serious.

01:18:27Well, if you're so concerned about it,

01:18:28come back tonight, when my husband's home.

01:18:31We're only trying to help, madam.

01:18:32It's our duty to help when folks ask for it.

01:18:35But I haven't asked you to help me.

01:18:36It's none of your business.

01:18:38If you don't get your butts out of here this minute,

01:18:40I'll get the cops after you.

01:18:41Shit.

01:18:46He's in it.

01:18:47He's in it.

01:19:17You stay here, our miss.

01:19:34You stay here with Julian.

01:19:37You like Julian.

01:19:39He's your friend.

01:19:42Julian's the one who needs you now.

01:19:44You look after him, will you?

01:19:45You understand?

01:19:47You're my present, too.

01:19:52My souvenir.

01:19:52I'm here.

01:20:22Oh, shit.

01:20:52There's a woman asking for you.

01:20:56It's about Julian, or I think.

01:20:57Charles, what's happened?

01:21:00Explain it to her.

01:21:02What's to explain?

01:21:04It's some woman.

01:21:05I don't know.

01:21:06Hello?

01:21:10Mr. Champion, Julian's all right.

01:21:15He's at your country place.

01:21:17Oh?

01:21:22That's very kind of you.

01:21:24He nearly caught a 30-pound trout yesterday.

01:21:27Anyway, that's what he says.

01:21:30Tell him that.

01:21:33You can tell him that.

01:21:35I only left because I love him.

01:21:38I left a little souvenir for Julian.

01:21:42I hope it won't be too cumbersome for you.

01:21:52What's up, Julian?

01:22:00I'm in a picture.

01:22:02I'm in a picture.

01:22:03Oh, let's see.

01:22:04I'm in a picture.

01:22:06I'm in a picture.

01:22:06I mean, I'm in a picture.

01:22:07Helen?

01:22:20Helen?

01:22:23Helen!

01:22:25Did you say anything to you, Aramis?

01:22:34Don't worry.

01:22:35I just went out to do some errands.

01:22:36Helen.

01:22:55Hey, come on.

01:22:57That's Helen.

01:22:58Hey, go away.

01:23:09Go away, will you?

01:23:11Nice, Dougie.

01:23:12It's all right.

01:23:13He's my father.

01:23:16Quiet, Aramis.

01:23:17Don't worry, he's none of you.

01:23:20You sure?

01:23:24Hey, pretty chilly, huh?

01:23:27You got any coffee?

01:23:29Just warm me up right now.

01:23:34How'd you know I was here?

01:23:35Yeah.

01:23:40We'll have coffees for the birds.

01:23:44You ready, Julian?

01:23:45We have to go.

01:23:49Helen's coming back any second.

01:23:51I don't want to worry her.

01:23:52I suppose you don't think we were worried?

01:23:54It's not the same thing.

01:23:56Matt, you sure?

01:23:58Yeah.

01:23:59She told me where to find you.

01:24:00I don't believe it.

01:24:02Have I ever lied to you?

01:24:04She wouldn't have left, Aramis.

01:24:07There's a souvenir, she said.

01:24:09He's a little cumbersome.

01:24:12That's what she told me.

01:24:21Coming, Julian?

01:24:21Let's go home, Aramis.

01:24:35Aren't you eating?

01:24:37I'm not hungry.

01:24:42Dad, can I make a phone call?

01:24:47If you like.

01:24:51Let's go home.

01:24:55359-6221 is Helen's number, but Helen doesn't live here anymore.

01:25:24If you love Helen, please do call her back.

01:25:54I went fishing yesterday, almost caught a 30-pounder.

01:26:14Yes, that's what she said.

01:26:22She also said to tell you...

01:26:24She told me that she left you because she loved you.

01:26:28What do we do with this hound of yours?

01:26:34You know, we don't have that much room.

01:26:36It'll work out, you'll see.

01:26:38And if you treat him right, I've got your paper for it.

01:26:41I can see the look in your mother's face.

01:26:45I've been willing to bet he eats five pounds of meat every day.

01:26:48More.

01:26:49Oh, my God.

01:26:51Helen usually orders T-bones for him.

01:26:53T-bones?

01:26:55You're going to have to start working overtime then.

01:26:58Good thing he doesn't like Philly Mignon, huh?

01:27:00Dad.

01:27:05It's all right.

01:27:07You'll be all right.

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