Mix Tape - Season 1 -Episode 1 - video Dailymotion

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Transcript

00:00How are we, man?

00:28Good, man. It took you time.

00:30I know, I know. I'm just going to stick a tape on the rack.

00:32Grab a beer, man.

00:33Yeah, we'll do.

00:39Oh, come on, man.

00:40Two seconds. Sorry, sorry.

00:54Hi, Daniel.

00:55And it. How's school? How are things?

00:59Yeah, good.

01:00School's so boring.

01:03Our Sandra got a job in the bookie and she's getting £2 an hour.

01:07Why do you mean A-levels when I can earn a few bob will be out every weekend?

01:11What do you think?

01:15Daniel?

01:16Hey.

01:18Yeah, yeah.

01:19Buzz, it's harder for lads.

01:21But my brother got a job nightpacking in that new supermarket up Charlotte Road.

01:25Who was that?

01:26Who?

01:28Oh, look.

01:30Nobody?

01:32Alison something?

01:34You blow us.

01:34Okay, keep your knickers on.

01:51Excuse me.

01:51Daniel O'Toole.

02:08I know who you are.

02:10What's your name?

02:11Alison Connor.

02:15Want to dance, Alison Connor?

02:17Oh, we're about to leave.

02:18One dance.

02:21Want to walk you on?

02:24One dance, but you won't be walking me on.

03:25Can I get another one?

03:40Okay.

03:44You're Dan O'Toole.

03:46I am, mate.

03:47Yeah.

03:48I've read all your stuff in NME.

03:51It inspired me to get into the industry.

03:54Oh, no.

03:57They're a band of shit, aren't they?

04:00I don't know.

04:01Oh, I think they've got what it takes to put this city back on the map.

04:10I'm about to send 500 words of that effect into Rolling Stone.

04:16No.

04:17Yeah.

04:17Yeah, no, I was going to say they could probably go that way.

04:21Nice to meet you.

04:27Yeah, you too, mate.

04:29All right, look after yourself.

04:30All right, yeah.

04:35Fucking lying.

04:36All right.

04:37All right.

04:38All right.

04:39All right.

04:40All right.

04:41All right.

04:42All right.

04:43All right.

04:44All right.

04:45All right.

04:46All right.

04:47All right.

04:48All right.

04:49All right.

04:50All right.

04:51All right.

04:52All right.

04:53All right.

04:53It looks amazing.

04:54Wow.

04:55Dan!

04:56Duncan's here with the takeaway!

05:00Yeah, he's taking it pretty hard.

05:03Well, Alex just left the train this morning.

05:0718, and off to uni.

05:10Yeah, he's taking it pretty hard.

05:13Well, Alex just left the train this morning.

05:1718, and off to uni.

05:22Christ.

05:25I remember when Alex was born.

05:27Hard to believe he's out in the world on his own now.

05:30I remember when he was born.

05:3322 bloody hours trying to push this melon head out of my body.

05:37That's it, all right.

05:39Put him up his dinner.

05:41Physics!

05:42Don't know where he gets it from.

05:44He's real, Dad, eh?

05:45Oh, yeah.

05:46Oh, fuck you.

05:47Fuck you, fuck you, fuck you.

05:48I was smart anyway.

05:49I was smart enough to know that school was a nobbit.

05:51A pair of nobbit.

05:52A pair of nobbit.

05:53Hey.

05:54Anyway, look, I have an idea that I want to pitch you, but we'll talk about where to.

06:03Sure, I'm intrigued.

06:04All right.

06:05Hey, got a couple of snappy thrillers in the car for you.

06:08Oh, wonderful.

06:09Thank you so much.

06:10All right.

06:11Still amazes me, though, that you actually work in publishing.

06:13Why?

06:14Uh, maybe because you literally skipped every English class.

06:18Wrong use of literally.

06:20Uh, you can literally fuck off.

06:22All right, anyway, cheers, you lot.

06:24Oh.

06:25All right, cheers.

06:26Eyes and eyes and eyes.

06:27Eyes and eyes.

06:28Eyes and eyes.

06:29Eyes.

06:30Eyes.

06:31Eyes.

06:32That's not bad, that.

06:34Yes.

06:35Right, let's see what we're working with here, Kat.

06:38God, it smells delicious, doesn't it?

06:41Um...

06:47Dan, please turn it down a bit.

06:49I can't hear myself things.

06:50Oh, that reminds me.

06:52I saved an article for you, mate.

06:54Oh, yeah?

06:55Total blast from past, you won't believe it.

06:58I'll bring it to you now for a forget.

07:02Okay.

07:04So, did you order the...

07:06No.

07:07Do it.

07:08Do it.

07:09The sings are.

07:10The signs are warm.

07:11Because behind it,

07:13There's the implication.

07:16The pump is burning down.

07:19So do I get a prize?

07:23Do I get a prize?

07:27Do I get a prize?

07:31And I'll remember it at first time.

07:35Do I get a prize?

07:37Do I get a prize?

07:42Oh.

07:44Eh...

07:45Oh...

07:46Ah!

07:47Oh, my God.

08:17Oh, my God.

08:47Welcome to 984 in the Mornings, and I'm here with Alison Connor talking about her new novel, Tell the Story.

08:55So, Alison, straight to number one on the bestseller list, a preemptive film adaptation from one of the world's biggest studios, and a high six-figure deal for your next novel.

09:05Wow.

09:05Well, nobody's more surprised than me.

09:11Alison, your novel is the classic Australian family saga, but it contains a character who moved here from England.

09:17Now, it might not really sound like it, but you're a working-class lass from Sheffield.

09:22Do you put much of yourself or the people you grew up with into your writing?

09:27Well, only the bits they can't sue me for.

09:33Um, but, but no, um, Sheffield, that was, that was such a lifetime ago, and I, you know, I'm a completely different person now.

09:45Oh, our lines are lighting up. Here come our callers.

09:50Oh, that was awful.

09:51No, it wasn't, honey. You did really well.

09:54She kept talking about Sheffield.

09:56Well, yeah, the interview's been syndicated for BBC's Women's Hour, didn't I tell you?

10:00Do you think I'll get much coverage over there?

10:07I frickin' hope so.

10:09Publishers want to organise a tour.

10:11London, obviously, but we could send you up north to a stint in your old stomping ground, if you like.

10:22Well, why don't you just think it over?

10:30Oh, yeah, come on.

10:32Come on, guys. Come on, guys. Come on, guys. Come on, guys. Come on, guys. Come on, guys. Come on.

10:37Whoa!

10:38Give him sick.

10:40Again?

10:41Come on, guys. Come on, guys.

10:43Pass it. Pass it.

10:44Get to the moving.

10:45Yeah, yeah, yeah, come on.

10:46Get it.

10:47Go, go.

10:48There, yeah.

10:49Go.

10:50Pass, pass, pass.

10:51And again.

10:52Go on, go.

10:54Go on, go.

10:54Go on.

10:55Go on.

10:55Go on, go on.

10:56Fancy him, dear?

10:58Go on.

10:58Who?

10:59you know Dan O'Toole he's not a cradle-snatcher

11:15see you later

11:29ah good stuff, played that one off

11:59some of us are trying to study

12:17me too

12:20what's so funny about poetry from the 18th century

12:24it's filthy

12:26what are you listening to?

12:38what are you listening to?

12:56i never saw moons knew the meaning of the sea

13:03i never heard the motion in the palm of my hand

13:08i felt sweet breezes in the top of a tree

13:13but now you're here

13:17bright in my northern sky

13:25that's poetry

13:32i need to finish up

13:37oh yeah, me too

13:39hey, there's a party

13:42on friday

13:44i think i'm busy

13:51alright

13:52well

13:53that's not a big deal

13:58okay

13:59i'll see you

14:01i'll see you

14:09shit

14:10i need to get your hair

14:26get back

14:28one second

14:29what?

17:31I don't have anything that doesn't make me look like shit.

17:45Sorry, I'm just going to learn this speech.

17:49Michael.

17:51Yes, darling.

17:54You look amazing in everything.

17:57I'll tell you what, why don't you try on that little number hanging up in my wardrobe?

18:01What are you talking about?

18:05What have you done?

18:07What have you done?

18:08What have you done?

18:08What do you do?

18:09Can you know what you want?

18:10You deserve it.

18:15I'd like to welcome one and all.

18:29I'd like to welcome one and all.

18:33Oh, Thea called earlier.

18:36Wishing you luck.

18:38Oh, that's nice.

18:41I wonder why she didn't call me.

18:42She did.

18:43You left your phone downstairs, so I answered.

18:46Oh.

18:50Hey, Stella, are you getting ready?

18:53I don't have to go, do I?

18:56Well, I just thought, I'm not going.

19:22Hey, you know what?

19:23I just made three cubs.

19:26You what?

19:26One for Alex as well.

19:28Oh, did you?

19:29Aw.

19:30Look, he'll be back at half ten.

19:32Sure.

19:34But what if, what if we're not here?

19:37Oh, why?

19:38Where would we be?

19:39You know that I've been talking about having a holiday

19:41after this work trip, so I was thinking,

19:45what if I stayed in New York and you joined me?

19:47And then we could stay there for a couple of weeks,

19:49or maybe even a few months.

19:51Right.

19:52I mean, that's a bit more than a holiday.

19:55Yeah, but now is as good time as any,

19:57and you've always dreamt about that great American road trip.

20:01Yeah, I want to sleep on this, boy.

20:03Just hear me out.

20:05I mean, there's nothing really tying us here, is there?

20:09Uh, work?

20:11Yeah, but I could always take a sabbatical and you can just...

20:14What?

20:15take a break from freelance journalism.

20:19Come on, Dan.

20:20Yeah, I mean...

20:23Anyway, my dad still hasn't got a date for a zip operation.

20:26Look, he's in a lot of pain, can't he?

20:29He is.

20:30I know.

20:31We should be going around there more often, to be honest.

20:33Even more?

20:34Well, we do live the nearest.

20:35Speaking of which, you're gonna come with me this morning?

20:40Yeah.

20:41You know, I've got stuff to do.

20:43Please tell them I'm working.

20:45Yes.

20:46OK.

20:47Will do.

20:49All right, well, let's get ready for that.

20:52We will talk later.

20:55Sure.

21:05It was Brenda who had your French fancies yesterday.

21:08Oh, she's a young girl, is Brenda.

21:10And she was bragging about getting a new microwave.

21:12What?

21:13She says you can do halting them.

21:15Smuds and all.

21:16Don't make that healthy, to be honest.

21:17Oh, I'd love a microwave.

21:18Breakfast, Dan.

21:19No time.

21:20Oh, for God's sake.

21:22Did you make my walkman?

21:24I don't know where you walkman.

21:26Dreary taste.

21:27Hey.

21:28Here.

21:29Here.

21:30Right in front of you.

21:31Eat that.

21:32Sure.

21:33See you, Mum.

21:34Be good.

21:35All right.

21:36See you a bit, Dad.

21:37My lunch ready.

21:43Hiya.

21:44Hiya.

21:45Hiya.

21:47Hiya.

21:48I didn't know you lived round here.

21:50Do you?

21:51I-I don't.

21:52I've got me a free book.

21:53I'm headed back home.

21:55Wouldn't it be fair to just hop on at books?

22:04Thanks for the song lyrics.

22:08Hey, look, I've got that crap Fleming for English this morning.

22:12Want some company?

22:16I best not.

22:17I don't want me mum thinking I'm just bunking off.

22:22What about this weekend?

22:24The match?

22:26I've got plans.

22:32Okay.

22:34And...

22:36See you then.

22:37See you then.

22:38See you then.

22:39Bye.

23:07Bye.

23:12If I can just have your attention for a moment,

23:15I would first like to start by saying we here at Richmore Publishing

23:21are so happy to welcome you here tonight

23:24to celebrate this remarkable book,

23:27and its even more remarkable author,

23:30Alison Connor.

23:31And who better to talk about Alison

23:37than her husband,

23:39Dr Michael McCormick.

23:44Well, as we all know,

23:46Alison likes to keep her words for the page.

23:49And by God, isn't she good at it.

23:51In all seriousness,

23:53when I heard that Alison had completed her novel,

23:55I couldn't believe it.

23:57Now, there's going to be some speeches later on

24:00from her editor

24:01and some other special guests,

24:03but for now,

24:04can I ask you all to raise a glass

24:06for the author of Tell the Story

24:08by Little Ally.

24:09Hi.

24:23Thanks.

24:31I'm exhausted.

24:33Jesus.

24:35You kidding me?

24:37What?

24:38You out of your mind, Stella?

24:40It was already open, Dad.

24:42What? I've not done anything to you.

24:43What the hell is wrong with you?

24:44You skip your mother's book launch

24:46and then we get home to find you out here drinking?

24:48Relax, I didn't drink any.

24:49Oh, you didn't drink any, did you?

24:50You just got the whiskey out for no reason, did you, mate?

24:53What the hell is going on with you, Stella?

24:55You have been stomping around this house for weeks.

24:56Stella, don't walk away from me, please.

24:58You...

25:02I'm going to find out what is going on here.

25:03Passcode's still her birthday, right?

25:05Michael, you can't look at her phone.

25:07Ally, she might be getting bullied

25:09or doing drugs or something.

25:10We don't know.

25:11Yeah, well, she's still allowed her privacy.

25:16Fine.

25:18Just trying to look out for her.

25:19Something is up.

25:20Yeah, I know.

25:21And we will talk to her tomorrow.

25:23Calmly.

25:26Oh, I don't think so.

25:28Stop.

25:33Stella.

25:34That's enough.

25:35Turn that noise off.

25:37Stella.

25:39Turn that music off now.

25:40But now.

25:42Now.

26:14Good morning, love.

26:44Morning.

26:46You all right?

26:51Oh, thank Christ.

26:55God, I've been looking for that.

26:57Duncan wants you.

26:59Okay.

27:01Yeah, he wants to talk about this new book that you're writing.

27:05What did you talk to him?

27:08No.

27:09He, um, he sent you a text.

27:13Were you going to tell me?

27:16There was something to tell.

27:18Yeah, I was.

27:20Do you remember what you were like the last time you wrote a book?

27:25Because I do.

27:27I mean, me and Alex, we had to tiptoe around the house.

27:30You practically went into a cave.

27:33Why now?

27:35You've been freelancing for years and we got by on my...

27:39On your wage.

27:40Yeah.

27:41Yeah.

27:44I thought that we were going to seize the moment.

27:48Do the road trip, like I said.

27:50I'm not being funny, Cap.

27:51You just sprung this on me yesterday.

27:56Okay.

27:58Great.

27:59It's a midlife crisis.

28:06Empty nesters, that's what you are.

28:09It's not a bloody midlife crisis.

28:12The character wants to go on a road trip and you want to write a novel.

28:15It's the very definition of a midlife crisis.

28:18Pastor Gibbs White to the center.

28:29We have to return.

28:30Yeah.

28:31Brigh Ko למע provisions that are mud poised by Jack Holmes.

28:33Get it over for you.

28:34Don't嘆

28:51We have to wait more for us.

28:53Yeah.

28:57The North is coming round the back.

28:59The North is coming round the back.

29:01Still this is that area.

29:03The Walter Paner who arrows it into the corner.

29:06Yes! Yes! That's it!

29:09Oh, I like it.

29:11For the first time in three games, they are in the lead.

29:15And the Owls found going crazy in the stands.

29:19Go on, boys.

29:21Whoo!

29:27We've got a good game today, eh?

29:31How are you?

29:33Just checking.

29:35Just checking as well.

29:37Just any feature.

29:39Daniel!

29:41Are you going to the match?

29:43What am I saying?

29:45Where else would you be going?

29:47Erm, this is my brother.

29:49Peter. All right, mate.

29:51Heard about you.

29:53Yes.

29:55What stand you're in?

29:57I'll weigh it.

29:58Oh, you're only a few rows up.

29:59Come with us.

30:00Yeah.

30:01I mean, come on.

30:02You know where we can lose against United, right?

30:04I don't know.

30:05We've been a bit shit-ass.

30:06Yeah, I know.

30:07We've got to spot the team, haven't we?

30:09Let's go.

30:11Come on.

30:12Come on, lads.

30:14No butter and bread, any?

30:15No butter and bread, any?

30:16No butter and bread, any?

30:17No butter and bread, any?

30:18I don't have the tea.

30:19Alison, do you have some more gravy, love?

30:20I'll be looking at my gravy.

30:21Anyone for a bread?

30:22Build it up with vinegar on your chips?

30:23No, you're fine.

30:24Oh, is anyone talking to our Joe?

30:25Is it coming over later?

30:26He rang yesterday, so he's not coming up till Sunday.

30:27He rang yesterday, so he's not coming up till Sunday.

30:28He rang yesterday, so he's not coming up till Sunday.

30:29He's stealing my chips!

30:30Hey!

30:31He might be late when you're trying to fit into your midi skirt.

30:33Hey!

30:34You're not going out again, love.

30:35Saturday night.

30:36I just want to go out here.

30:37God, you!

30:38You're unbelievable, you!

30:39I'll leave some sandwiches out for you later on.

30:41I know.

30:42I like fussing, don't I?

30:43You like pigeons, Alison?

30:44Oh, Dad, you don't want to talk.

30:45Why?

30:46I love pigeons.

30:47See?

30:48I race them.

30:49I'll show you later.

30:50I'll be leaving, Binkley.

30:51I'm going upstairs to listen to some music.

30:52Oh!

30:53Upstairs to listen to music!

30:55It was a madhouse like this one, Alison.

30:58Right, it's much more civilised.

31:00Is that right, Dan?

31:01We are civilised.

31:02You'll eat some more if you're going out.

31:04Well, not to worry.

31:06Come out and meet our visitor.

31:13Hello.

31:14Oh, isn't she pretty?

31:16Hello, lovely.

31:18Good girl.

31:19Huh?

31:20So soft.

31:21Say hello to Alison.

31:23Want to hold her?

31:27Yeah.

31:28Just making sure her wings are tight,

31:30so she don't flap about.

31:31Yeah.

31:33That's it.

31:35Tiny.

31:36She likes you.

31:37She's beautiful.

31:43How do they know to come back?

31:45Just sum it in them.

31:50They know they're loved.

31:52In you go.

31:53In you go.

32:06Ali?

32:12Hey.

32:13We need to talk.

32:14We need to talk.

32:15Okay.

32:19What about?

32:21Stella.

32:23What?

32:25What has she done now?

32:27The moodiness.

32:29The sleeping all hours.

32:31She's pregnant.

32:32Oh, my God.

32:33Oh, my God.

32:34Michael.

32:36I'm telling you, Al.

32:37She's pregnant.

32:39She's...

32:41They're just teenage hormones.

32:43Of course you'd think there's a medical explanation.

32:46Alison.

32:47She told me.

32:49I just heard her throwing up.

32:50I put two and two together.

32:51It was like she was waiting for one of us to say it.

32:59The only option is to have a termination.

33:04Don't you want to go to uni?

33:06Don't you want to have a life?

33:08Who says I won't have a life?

33:10Darling.

33:12That's a little naive.

33:15I'm keeping it.

33:16That's final.

33:18Why won't you tell us who the father is?

33:23Darling.

33:28Did you want this to happen?

33:30What?

33:31No, of course I didn't want it to happen.

33:33No, I...

33:35I mean...

33:36I...

33:39I didn't even know you had a boyfriend.

33:44Was it...

33:47Were you okay with...

33:50What happened?

33:52Mom, I knew what I was doing.

33:56I fucked up.

33:57What more can I say?

34:07So you haven't met her mum or dad?

34:10Has she told you anything about them?

34:12Where do they live?

34:13Mum.

34:15I'm only asking.

34:17Not looking being Iron Mighty.

34:19God knows we're not exactly rolling in it.

34:23It's just, well...

34:25You don't seem to know a lot about her.

34:28Go ahead to fill in a questionnaire, shall we?

34:31Hey, cheeky.

34:33I'm just saying, just...

34:35We'll make sure it's in to our one way.

34:37I best get home.

34:39I'll walk you.

34:41Thank you, Mrs O'Toole.

34:42Oh, you're welcome, love.

34:43See you later.

34:44Ta-ra.

34:46I'll come with you.

34:47No, I'm okay.

34:48I'm walking you home.

34:49Dan, no, you're not.

34:50No problem, honestly.

34:51I don't need you to walk.

34:52I'm walking you home.

34:53Alison, I'm not letting you...

34:54You're the only last who can't make her own way home, Dan.

34:57I never said you what?

34:58I'll talk to you tomorrow.

35:00Jesus, Al, you'll spend the day with me, but you...

35:04Alison!

35:24You're supposed to stop 18 hours Far Away.

35:27No, I'll Casey, no, you only make sure that, so many farmers need to sleep, or they just be fervaced.

35:34Oh, we'll do it.

35:36We'll see you tomorrow to get you tomorrow to get up.

35:38I don't know.

36:08I don't know.

36:38I don't know.

36:40Hi, Hope.

36:44Oh.

36:46Sorry, I thought I'd get in before you.

36:48You were fine.

36:52Did Daniel walk you home?

36:54Yeah.

36:58Did he say anything?

37:00No.

37:02He's a nice lad, you know.

37:12Listen, are you all right if I head back out?

37:16Yeah.

37:18I've got to see a man about a dog.

37:22Go on.

37:24Are you going to bed?

37:26Thought I'd stay up and watch the two runners.

37:28What?

37:30Going straight up.

37:32Okay.

37:34I'll look after her tomorrow.

37:36You were working all week.

37:38You deserve a break.

37:40Come here.

37:42See you later, yeah?

37:44Have fun.

37:46I'll try.

37:48Bye.

37:50Bye.

37:56I knew you'd say that.

37:58Oh, Alison!

38:00Martin!

38:02She's...

38:04Give us a kiss.

38:06I'm just off to bed, Mum.

38:08Oh, come.

38:09See with us.

38:10Leave her, Catherine.

38:12She's going to bed.

38:16Now you can have some fun with me, Kitty Cathy.

38:20Have some fun with mine.

38:26Ah!

38:36Why?

38:38Let's go.

38:56What are you doing all of that, Jeff?

38:58About you.

39:00I made you some chamomile.

39:26Always helps you relax.

39:28Thanks.

39:30We'll get through this.

39:33I don't want you to worry.

39:36We'll figure it out together.

39:39I was thinking I might take her to Sheila's for a few days, just talk to her.

39:49I'm not sure that's a great idea, Al.

39:52I think she needs to see us on the same page at the moment, help her understand that she

39:58really only has one option here.

40:01But she doesn't.

40:03Okay.

40:04Well, you didn't go to uni, so maybe you don't get it.

40:08But...

40:09I get it, Michael.

40:11Oh, jeez.

40:14Good morning, Ted.

40:17When you're done there, you might try your hand at me front windows.

40:20Microwave and a new car.

40:24I'll never hear the end of this from your mum.

40:27Dad.

40:28What?

40:29Nothing.

40:30Look, son, girl trouble or money trouble?

40:32And seeing as you've never had to pay for art in your life...

40:37Does it mean something if a girl don't want you to walk her out?

40:52I used to walk your mum home every night.

40:57And her dad would stand at the gate, staring, never liked me.

41:01But Marion wasn't best fond of him either, so she used to make me walk her right to the gate.

41:07This off Grandad.

41:08Yeah.

41:09In the end, the old fart was all bark and no bite.

41:11Tried at our wedding, told me I was like a son.

41:16Some folk don't like their lasses even seeing a lad, let alone being walked on by one.

41:24He'll be all right.

41:26But if you're not dead, I could be to the ground.

41:30That's auesta.

41:31So the little girl was, you know, I wish he was a double-sided.

41:36My son was like a son, and I did not have a son but a son.

41:40I had to come in my own of my parents.

41:42I know that they lived there.

41:46I have to have a son.

41:48I don't know if I was a son.

41:51I don't know if I've heard of her.

41:53I don't know if I was a son.

41:54I've waited hours for things

42:21I've been in my cells, I was sick, I wish I'd stayed

42:25I'd sleep the day

42:28Don't be mean.

42:38Didn't your mum ever tell you to be kind to charity cases?

42:43You're not a charity case.

42:45Someone should tell Dan or two.

42:47Say that again.

42:50Bloody hell, I'm only joking.

42:51Say it again.

42:54It's the truth, ain't it?

42:56My brother knows your brother.

42:59And your mum.

43:00Does Dan know?

43:01Does Dan what?

43:03Dan?

43:04I was just wondering if you were coming to the party at the weekend.

43:07Thought we'd never get you off that dance floor last week.

43:10Oh, I won't be going.

43:11Oh, by the way, did you do that SF women set, Dan?

43:14I was wondering if you'd give me an hand.

43:15Alison, where?

43:16Dan.

43:16I'm busy.

43:17All right, anyway, I don't know why you're bothering with your essays.

43:19You're going to get a job in bookies, aren't you?

43:22Alison.

43:23Alison.

43:24Hang on.

43:25Wait, sir.

43:28Can I take that for you?

43:29I'm sorry for running off at the weekends.

43:45It's just...

43:46I get it.

43:47You do?

43:48You don't want your parents seeing a lad walking you to your door.

43:53Yeah, sorry.

43:55I should have said.

43:56It's okay.

43:58Go ahead.

43:58It's okay.

47:29Haven't you and dad been together, like, forever?

47:33Yeah, we got together young.

47:36But, you know, I did have a life before him.

47:40And there are just some people that you never forget the boy who makes you your first mixtape.

47:51I listened to your tape.

48:08What tape?

48:09I listened to yours, too.

48:11What tape?

48:12What are your favourite song?

48:16Hmm.

48:17I can't choose.

48:19Yeah, no, can I?

48:20No, actually, I love Stephanie says.

48:24Ah!

48:32Ah!

48:33Ah!

48:34Ah!

48:35Ah!

48:37Ah!

48:38Ah!

48:39Ah!

48:50Ah!

48:51Ah!

48:52Hi.

48:55Hi.

48:56Hi.

48:58What's the time?

49:00I don't know if I can see you.

49:05Oh, I'm sorry.

49:08How was your time ago?

49:10It was really good.

49:12It was actually...

49:16Hey.

49:18Hey.

49:20Look at you!

49:22Someone looks happy.

49:24Yeah. Boozy work lunch.

49:27Boozy work lunch. Right, OK.

49:31Hey.

49:33Mmm. Mmm.

49:41So, me and the girls were talking,

49:44and I realised I hadn't asked you what the idea for the book was.

49:49No, you're right. You didn't ask about my book idea.

49:54Do you want to tell me something about your book idea?

49:58You want to hear about the book?

49:59Yes, I want to hear about the book.

50:01Do you remember Jack Leonard?

50:04Uh, yes.

50:07I mean, I'm not a music expert like you are,

50:09but I think everyone remembers Jack Leonard, right?

50:13So, what about him? Isn't he dead?

50:15No, no, no, no. Very much not dead.

50:18Oh? No, he, uh, he lives in New Zealand.

50:21Oh. He Kate Bushed her.

50:24He did. He Kate Bushed her, exactly.

50:27Well, listen, a couple of years ago,

50:30I tried to get him to do an in-depth interview with me.

50:33Um, you know, just a piece about him being that famous

50:37and then just vanishing, but, you know, he wasn't interested.

50:41So you want to write a book about him vanishing?

50:44I, I don't see how that makes a whole book.

50:47All right. Listen to this.

50:49Okay.

50:50Are you listening?

50:52Yes.

50:53Okay.

50:54He got in contact with me, like, a few weeks ago,

50:58and he says that he wants to do a book that talks about everything.

51:03Like, his whole life. Everything.

51:05You know, ups, downs, warts and all, everything.

51:07Okay. I get it that he was big at the time,

51:11but as a book about a guy that was famous back in the day,

51:16really going to be that, um, interesting?

51:21I mean, some might say it's how the book is written.

51:26Of course. Sorry. You're a great writer.

51:29But, you know, he's, um...

51:31So he's waited this long to tell the story.

51:35Maybe you could just wait until next year.

51:38Does it really matter?

51:42I just really think that we should spend more time together.

51:47Done.

51:48Yeah.

51:50I know you love what you do, but music isn't everything.

51:54Don't, don't we matter?

51:56Yeah, of course we matter.

51:59He does say that. Of course we matter.

52:03Look, I, uh, I am thinking about your trip.

52:07Promise?

52:08Yes.

52:09Promise.

52:10Good.

52:11All right.

52:12Do it.

52:14I will take a bath.

52:26It should be in the Hansa corner.

52:27There she is.

52:28Next move.

52:29There she is.

52:31That little burles threw away.

52:42template.

52:47Floral.

52:48Ewing.

52:49I will take a bath.

52:51I will take a bath.

52:52I can definitely wake him up,

52:54I don't know.

53:24I don't know.

53:54I don't know.

54:24I don't know.

54:26I don't know.

54:28I don't know.

54:30I don't know.

54:36I don't know.

54:38I don't know.

54:40I don't know.

54:46I don't know.

Mix Tape - Season 1 -Episode 1

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