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00:00The following program contains strong language and violent scenes.
00:20The populist politician Manfred Best was struck by a sniper in Munich.
00:25Best was visiting his son Elias Best at the St. Elizabeth Hospital.
00:33This has sparked speculation concerning a connection between these incidents.
00:38When a sniper finds a rifle that allows him to make a shot at that distance, that rifle is a keeper.
00:45There's a gunmaker who's been trying to do this. His name is Norman Stoke.
00:49I have an asset in Belfast, codenamed Sparrow.
00:51If Larry knew who I was talking to, kill me.
00:54She has a daughter, Emma. I know I can find him.
00:57Don't let me down.
01:00Who's the target?
01:01L'Ole, Doc Charles.
01:03River is a revolutionary technology.
01:05Can you get to him?
01:06It'll cost.
01:13We've got a serious problem with your students.
01:18She's arrested?
01:19Some flowers never get to bloom and see a day.
01:30Some flowers are content to wish their lives are weak.
01:36Some may rise and some may fall.
01:45But only you may ever see me choose.
01:54So only you can tell that this is who I am.
02:05This is who I am.
02:11This is who I am.
02:13No, no, no, no.
02:16This is who I am.
02:21Not always looking to be found
02:34Not always here when you come around
02:43Black feathers lay out my window
02:54Bright morning come around
03:00Black feathers smoke across the room
03:09Bright morning come around
03:15In Germany, supporters of Manfred Fest
03:25continue to call for the upcoming federal elections
03:28to be postponed.
03:30His political opponents deny that their resistance to this
03:32is a mark of disrespect to Fest and his family.
03:36Manfred's head of blood and ice was also...
03:38Who's Sparrow?
03:39Alison, just give me a moment.
03:48Morning.
03:48You're a fucking bitch, you know that?
03:50Alison, what's going on?
03:53Don't tell me this is a coincidence.
03:55You suddenly turn her up out of the blue
03:57next thing I'm as arrested.
03:59You're not letting me speak to her.
04:02And I know you're doing this to get at me.
04:05I've got nothing to do with it.
04:07You're a liar.
04:08Why are you calling me, Alison?
04:12You're no fucking fine rightly why I'm calling.
04:15I know you can get her out.
04:18You got me out.
04:20Yeah.
04:21You had something to offer back then.
04:28Just get me Norman's phone number
04:30and I'll do the rest.
04:32And I want it today.
04:33And I want it today.
04:33I'll do the rest of my life.
04:34I'll do the rest of my life.
04:35I'll do the rest of my life.
04:36I'll do the rest of my life.
04:37I'll do the rest of my life.
04:38I'll do the rest of my life.
04:38I'll do the rest of my life.
04:39I'll do the rest of my life.
04:40I'll do the rest of my life.
04:41I'll do the rest of my life.
04:42I'll do the rest of my life.
04:43I'll do the rest of my life.
04:44I'll do the rest of my life.
04:45I'll do the rest of my life.
04:46I'll do the rest of my life.
04:47I'll do the rest of my life.
04:48I'll do the rest of my life.
04:49I'll do the rest of my life.
04:50I'll do the rest of my life.
04:51I'll do the rest of my life.
04:52I don't know.
05:22I don't know.
05:52But she died in a police cell, and you put her there.
05:56The man who killed Manfred Fest will kill again, unless we stop him.
06:01So, collateral damage?
06:03I wouldn't put it that way.
06:04Well, where would you put it?
06:05A girl died who shouldn't have died.
06:09I don't know.
06:10I don't know.
06:12This is Mr. Carver.
06:27He cleans up messes for us.
06:29And you're very lucky he's here to clean up yours.
06:31The girl was in police custody.
06:36That makes the police legally responsible.
06:39But it is my job to make certain, 100%, that MI6 can't be connected in any way.
06:47So, who knows you were at the police station?
06:51Everything went through Gillespie.
06:59The copper?
07:00Yeah.
07:01He's the only one who even knows my name.
07:04I'll have a word with Gillespie.
07:06Make sure no one else can identify her.
07:09Anyone else?
07:11No.
07:12You're sure?
07:12Yes.
07:13Let's hope Gillespie can be trusted.
07:17We need to close this operation down now.
07:20I spoke to Sparrow this morning.
07:21She's on the hook.
07:22Did you tell her that her daughter's dead?
07:24I did not.
07:25You're in a hole and you want to keep digging?
07:27A major political figure has been assassinated.
07:30And there's a strong probability that the gun was made by a British gunmaker.
07:33And I have a lead on him.
07:43Are you saying we should just walk away?
07:45This is a wild goose chase and it's not helping our department's reputation.
07:49We should offload this to the Central Europe desk.
07:58I promised the Germans we'd help.
08:03Emma's is unfortunate, but it's ends and means.
08:09And in this instance, ends Trump.
08:13Alison cannot find out about Emma.
08:18Once that news breaks, I've lost her.
08:21I can buy you some time.
08:24How long?
08:2524 hours, maybe.
08:29You'd better get to work.
08:39Come on.
08:41Yeah.
08:43I've got some good news.
08:45I've talked to my bosses and I can get Emma out.
08:49Great, right?
08:50Yes.
08:51But I need you to get me Norman's phone number and I need it today.
08:57Don't worry.
08:59Emma will be home soon.
09:00I don't know.
09:15I don't know.
09:21No.
10:52Good morning, cariño mÃo.
11:06Good morning.
11:06I can see where you are.
11:16Tela de nerviosito.
11:18When you go to that place, you go and you're thinking about work.
11:23Oh, yeah.
11:23Only half.
11:27Tell the other half to come.
11:30I miss him.
11:31Someone I've been working with has, um...
11:41Well, they've misunderstood their obligations, didn't they?
11:46Is it money?
11:48Yeah.
11:50And that?
11:51Yeah.
11:55What are you going to do?
12:02Well, it's not just the money.
12:07So if it were to get out that someone had got away without paying me, it hurts the brand.
12:14Which is a problem.
12:16I know.
12:19And if he steals from you, he steals from your family.
12:24Which is me and Carlito.
12:27So you tell me where he lives and I get the money here.
12:29I will do it, Charlie.
12:34No, I don't fucking doubt it.
12:36I do not doubt that.
12:39But don't worry.
12:41I'll sort it.
12:45There's another deal brewing.
12:46Is it big?
12:51Well, it would mean that I could spend a lot more time with you two.
12:58The people you work for think that because they pay you a lot of money, they...
13:02own your soul.
13:09What is that look?
13:12What?
13:12Sometimes you look at me and...
13:18What?
13:19I don't know.
13:22No, what do you mean?
13:23Sometimes you look at me and...
13:24What do you mean?
13:25I don't know.
13:26Sometimes you look at me and what?
13:30What do you see?
13:35You see a motherfucker.
13:36Fuck you.
13:42Fuck you.
14:05Fuck you.
14:08Fuck you.
14:09Oh.
14:10Fuck you.
14:10Fuck you.
14:12I was shaving this morning, and it hit me.
14:35The economists are wrong.
14:36We could easily lose half the world's population, and there'd be no downside.
14:43It'd have to be the right half, of course.
14:47Now, the question is, can we trust the man who killed Manfred Fest?
14:53Leonora asked me to find you the best. That's what I've done.
14:56He's clearly capable, but 100 mil is a hell of a lot of money to spend.
15:00Well, we only pay if he delivers.
15:02If he delivers, it'll be worth it.
15:06Ula Dog Charles, you're about to launch a product, River, which you're promising will deliver global economic justice.
15:18Why is the richest man on the planet so interested in economic justice?
15:22Well, we should all be interested in economic justice.
15:25It's as simple as that, right?
15:29Your parents were leftist radicals.
15:33Some would say you're trying to please Mom and Dad.
15:35Oh, come on.
15:36Look, money runs like water into the pockets of the super-rich and stays there.
15:44Instead, it should run into reservoirs for future generations.
15:47And the only way to do that is total financial transparency.
15:55Right?
16:00Super-rich like you.
16:04Yeah.
16:06Do you want everyone to see into your bank accounts?
16:10Well, I've got nothing to hide, but there are people out there with a lot to hide.
16:19And River is going to be...
16:20And River is going to...
16:22We have very little time.
16:27This has got to be done before he releases this river thing.
16:30Do I make myself clear?
16:33I don't know.
16:34I don't know.
16:35Do you want everyone to see, tell us?
16:36I don't know.
16:36I do want everyone to see.
16:37Cumpleaños Feliz, cumpleaños Feliz, te llamo Carlito, cumpleaños Feliz, cumpleaños Feliz.
16:52¿Te llamo Carlito?
16:54Dale Carlito.
16:58¡Los regalos!
17:02¡Los regalos!
17:06¿Quieres esto?
17:08No, no, no.
17:10¿Lo hiciste?
17:11SÃ.
17:12¿Y tú?
17:13¿Y tú?
17:14¿Tú has tiempo para esto?
17:15SÃ.
17:16Mira, mira, mira.
17:18¿Qué es esto?
17:20¡Oh!
17:21¡Oh!
17:22¡Hola!
17:23¡Hola!
17:24¡Hola!
17:25¿Qué es esto?
17:27¡Hola!
17:28¡Hola!
17:29¡Hola!
17:30¡Hola!
17:31¿Qué es lo que?
17:32Un vuelo americano.
17:35¡Ah!
17:36¡Ah!
17:37¡Ah!
17:38¡Ah!
17:39De nada, nada, nada.
17:40¡Ah!
17:42No hay nada, no postura.
17:44Nada mal.
17:46Bien, bien.
17:47OK. They know.
17:50I promise they know.
17:52I know you know.
17:54You know?
18:00Happy birthday.
18:17You all right, love?
18:27I can't bear to think of my mum alone, little Sal.
18:38Aye.
18:40And over there in London, at least if they were holding their hair, she'd be with their own people.
18:47Love, we've both been through this.
18:56The first time they arrested me, you had me petrified.
19:00But you survived.
19:02She's not like us, Larry.
19:04She needs us there.
19:07I want to go over.
19:09I'm going to have the money for that.
19:13You could ask Norman.
19:15Norman?
19:16Norman is loads of money.
19:20You're on Twitch with him, aren't you?
19:22Do you know where he is?
19:23I can't go wrong with my wee brother every time we get in trouble.
19:25This is serious.
19:27They're saying she battled a policewoman.
19:30She needs us over there.
19:31She needs us over there.
19:32Charles.
19:33Hi.
19:34What's up?
19:35No pain.
19:36No pain.
19:37No pain.
19:38A lot of children, eh?
19:39Always.
19:40Always children.
19:41Different for you, no?
19:42You...
19:43You only child.
19:44Ah.
19:45Sorry.
19:46Quillo, sorry.
19:47Sorry.
19:48Sorry.
19:49Quillo, sorry.
19:50You know, Shirley, my...
19:51My English is very difficult.
19:52You always say that, Albert.
19:53But you speak very good English.
19:54Nah.
19:55No.
19:56No, it's...
19:57Spanish is impossible for me.
19:58No, no, no.
19:59No.
20:00Spanish is better.
20:01Really?
20:02Mm-hmm.
20:03You know?
20:04You speak very good English.
20:05Nah.
20:06No, it's...
20:07Spanish is impossible for me.
20:08So it's all good.
20:09No, no, no.
20:10Spanish is better.
20:11Really?
20:12Mm-hmm.
20:13You know?
20:14You always say that, Albert.
20:15But you speak very good English.
20:16Nah.
20:17No, it's...
20:18Spanish is impossible for me.
20:19No, no, no.
20:20Spanish is better.
20:21Really?
20:22Mm-hmm.
20:23You know?
20:24I never tell you.
20:25Always.
20:26When you go away,
20:27I tell everybody,
20:28don't worry.
20:29I hear.
20:30I look.
20:31Everything is perfect.
20:32Everything is okay.
20:33So...
20:34You need anything?
20:35Yeah.
20:36I can do.
20:37That was very kind, Albert.
20:38And I appreciate it.
20:39Honestly.
20:40For me, la Charle, one thing.
20:42You need anything.
20:44Yeah.
20:45I can do.
20:46That was very kind, Albert.
20:47And I appreciate it.
20:48Honestly.
20:49For me, la Charle, one thing.
20:52I have a friend.
20:53Okay?
20:54Okay.
20:55And my friend has a...
20:56has a bar.
20:57And he offered to...
20:58Como se dice, Cone?
20:59To sell...
21:00To sell a part, half of the bar.
21:01Okay.
21:02So...
21:03If you're interested,
21:04I can take you to my friend,
21:05and the three can speak,
21:06see if it's good.
21:07I think that would be...
21:08I think we should do that.
21:09But I think maybe we should do that.
21:10But I think maybe we should do that.
21:11Yeah.
21:12Yeah.
21:13Yeah.
21:14Yeah.
21:15Yeah.
21:16Yeah.
21:17Yeah.
21:18Yeah.
21:19Yeah.
21:20Yeah.
21:21Yeah.
21:22Maybe when I...
21:23Perhaps when I come back.
21:25Here?
21:26Yeah.
21:27All right.
21:32Give me one second.
21:33Familia!
21:34Venga!
21:35A comer!
21:37I'm just gonna make a quick call.
21:39I'm just gonna make a quick call.
21:40I'm just gonna make a quick call.
21:41I'm just gonna make a quick call.
21:42I'm just gonna make a quick call.
21:43I'm just gonna make a quick call.
21:44Now?
21:45Yeah.
21:46I'm gonna...
21:47I'll be quick.
21:48Ay, que te parió.
21:49I'll be one minute.
21:50Rapidito, eh?
21:51Yeah.
21:52I want to make a quick call.
21:54I'll be like.
21:55I'm gonna call it.
21:56I'm just gonna make a quick call.
21:58I'm just gonna make a quick call.
21:59I'm just gonna do a quick call.
22:00No, no.
22:01I'm just gonna make a quick call.
22:03You know what?
22:04That's what I'm going to do with the hotel.
22:06Come on, come on, come on.
22:08I'm going to get the gamba.
22:34No, not again, please.
22:40I'm so sorry.
22:42Come.
22:44Oh, no.
22:46They know it's his birthday.
22:48They just have no empathy, these people.
22:50I'm so sorry.
22:52I have no idea.
22:54Guys, I'm so sorry.
22:56I'm going to have to head off.
22:58Bye-bye, little one.
23:00Bye-bye.
23:02Happy birthday.
23:03I love you. I'll see you soon.
23:05I'll see you soon.
23:07Okay, I'm driving you home.
23:09No, I've got the cab.
23:11You can't do this.
23:13No, I'm driving you.
23:15Eh, right here, okay?
23:19Bye, Salva.
23:23Bye, guys. See you.
23:25Bye-bye.
23:27Bye-bye.
23:29Bye-bye.
23:31Bye.
23:35Bye-bye.
23:39Bye-bye.
23:41Bye-bye.
23:43The BND said the guard was convinced he was talking to the real Ralph.
23:59The voice, the intonation, the sarcasm.
24:03Apparently everything was perfect.
24:06So our man is a mimic.
24:08And if he's a mimic, he's good with the languages, so he's not necessarily German.
24:13Er, enlarged the backpack, let me.
24:20Waxed canvas. Of course he's taking the maker's tab off.
24:24Enhance that so I can see where it was.
24:28Yeah, grab some screenshots of that.
24:32Done. Shall we move on?
24:34Yeah.
24:38So he's right-handed.
24:40Oh, stop it there.
24:43And nudge.
24:47Keep going.
24:48Keep going.
24:49We've got the stop, stop, stop.
24:52Browning High Power Mark 3.
24:55Why would you go for a 9mm where he could have something with a lot more stopping power?
25:00Why would you do that?
25:01Why would you do that?
25:02Why would you do that?
25:03Why would you do that?
25:06That's it?
25:07That's it?
25:24You've gone to that place again?
25:26Oh my god.
25:28I'm here.
25:29I'm here.
25:34You want me?
25:36Yeah.
25:37I love you.
26:07What's up?
26:37This is the Avenue de la AndalucÃa, in the corner of the street.
27:07It's easy. Don't mess with me. Don't mess with me.
27:20As I dive in the flame.
27:24As I say to you, sir.
27:37It's easy.
27:48It's easy.
27:49It's easy.
27:51It's easy.
27:58Hi, this is Charles. Please leave a message and I'll go back to you.
28:13I'm going to go back to you.
28:30I'm going to go back to you.
28:34I'm going to go back to you.
28:38I'm going back to you.
28:56What's going on?
28:59What's going on?
29:02That's the hair, I know it.
29:04I don't know anything.
29:06What do you mean?
29:08No, no, no, no, no, no.
29:11Tell me.
29:15What's the case?
29:20What's the case?
29:22I left the airport and left the floor and left it in a taxi.
29:25What's the case?
29:27He's calling but he's on the phone.
29:33What?
29:35I told you I was too confident.
29:37I told you I didn't tell you.
29:39You allow me to spend too much time outside.
29:42Mom.
29:43Mom.
29:44Mom.
29:48Charles is a good person.
29:50He loves you and he lives with Carlitos.
29:53What's the case?
29:58The Charles is having an adventure.
30:00What?
30:01That's not what I've told you.
30:03He's wearing theapolisette and I'm falling off the floor.
30:06Aguantar, genio.
30:07Aguantar, genio.
30:12I just want to fix this.
30:17Over.
30:22Coño, ya.
30:33There you go love
30:44Larry, please call Norman. I've called him already twice
30:55If it doesn't call back soon, I'll try him again, okay?
30:58The maker's tab was a sort of mountain range shape
31:19Hello, yes, I'm looking for a very specific backpack charcoal grey wax canvas
31:26Mountain range maker's tab
31:31Isabel's expecting you
31:40The sniper's British don't even joke about that and he's probably expert is army
31:46You know that how you need military training to make a shot at even half that distance
31:50Doesn't necessarily mean he's one of ours
31:53He used a browning high power mark 3 to kill elias his bodyguard and to wound elias
32:00The high power was standard British army issue until 2013
32:05A lot of armed forces use the high power
32:08He had a backpack made by a small UK based startup called the perfect pack
32:13The backpack went on sale eight months ago
32:15There are only two retailers both in Leeds and neither ships internationally
32:20That means he was here in the UK
32:25Or an accomplice picked it up for him
32:27No, our man works alone
32:28Snipers work with a spotter
32:30Not this one
32:31He was alone when he shot elias and he was alone when he left the apartment building
32:35So we think the sniper is British and the gun maker is British
32:41Have you heard from Sparrow?
32:42She knows what she has to do
32:44By tomorrow morning she'll know her daughter's dead
32:47And Bangor's your leverage
32:49I need more time
32:51No
32:52I'm this close
32:55Bianca
32:56We're already on very thin ice
32:59I suggest you encourage Sparrow to give you what you want
33:03By tomorrow
33:17Hello my love
33:18What time are you going to be home?
33:20Er, not sure, not too late
33:22I hope
33:23Okay, okay
33:24My brothers are coming at eight
33:28I'm cooking Musa Hucka
33:30It's so complicated though
33:31They better love it
33:33They will
33:34Erm
33:35Okay, I'll see you then
33:36Okay
33:37Don't be late
33:38Yep, alright
33:39Love you
33:40Bye, bye, bye, bye, bye, bye
33:44Okay
33:45If our sniper was ex-army
33:47He would have done his sniper training at Perbright
33:49If he was a para or household division
33:51If he had another cap badge
33:53He would have gone to the infantry battle school at Brecon
33:56We need them to go for their records
33:58And what are we looking for?
34:00An exceptional candidate
34:03Right-handed
34:04Tall
34:05White
34:06And how far back do we want them to go?
34:10Assuming our man is under 50
34:12I'd say about 30 years
34:14Who is this?
34:30We met in Sweden
34:32How can I help you?
34:35I've spoken to my colleagues
34:37And we feel there's a deal to be done
34:39But we need to meet in person
34:40To work out the details
34:42What do we need to do?
34:44For a deal of this size
34:46We believe a meeting is essential
34:48It has to be in person
34:49And it has to be in the next 48 hours
34:51Yeah, well I'm afraid that's not happening
34:53We've already shown you a million dollars of good faith
34:58If we can't meet in the next 48 hours
35:02We'll have to move on
35:03Hello
35:08Hello
35:13You'll have to come to me
35:16I'll look forward to it
35:29Hi
35:30Oh hey
35:31Just about on time
35:33This is great
35:34Oh wow
35:35Okay
35:36Okay
35:37Okay
35:38Tempranillo
35:39Perfect for Masaka
35:40Grenache Blanc
35:41This is perfect
35:42See?
35:43I do listen to you
35:44Or they told her at the wine shop
35:46Oh wow
35:47She's not that excited to see me
35:49Hey
35:50Hello
35:51Good?
35:52It's good
35:53It's absolutely adding
35:54Should be fine
35:55Come on, bring it in
35:56There it is
35:57Mum sends love
35:58Thank you
35:59You're welcome
36:00Looking good
36:01Looking good
36:02How's Tim?
36:03Well
36:04You're good
36:05Hi
36:06How are you?
36:07I'm good, you
36:08Yeah
36:29I wanted the Bacardi and Coke
36:30You asked for Tim?
36:31I asked for a Bacardi
36:32I asked for a Bacardi
36:37Get a pack of crisps while you're at it
36:38Bye
36:39Bye
36:40Bye
36:41Bye
37:10Second time looking.
37:34Vodka and Coke.
37:37Gin and Coke?
37:39You're not funny, Larry.
37:47Do you like it?
37:48Mmm.
37:49Mmm.
37:51You see the gods of my Olympus, yeah?
37:53They used to eat this thing called ambrosia.
37:54But then Jasmine goes and sends them up to a famous musaki.
37:58You know what they said?
37:59No.
38:00You don't know what they said?
38:01They said, fuck ambrosia.
38:04But from now on, it's Jasmine's musaki.
38:06What is he talking about?
38:07It's a brainy compliment.
38:09Yeah, I can see that the classics aren't wasted on you, Evan.
38:11What?
38:11Mm-hmm.
38:15One second.
38:16Uh, top up.
38:26Please give characters two, three, and six of your telephone ID.
38:42Zero, one, nine.
38:46How can I help?
38:47I need a priority location on a phone.
38:50Speaking as a former teenage boy, we're in our time at all.
38:54That's what we do.
38:55We fuck it up.
38:56That's true.
38:56Yeah, that's right.
38:57It's facts.
39:06Seriously?
39:07I'm sorry.
39:08Yeah.
39:10I'm sorry.
39:14I'm sorry, Jess.
39:15Um, I see you.
39:17Same voice.
39:20Uh, call us when you get there, yeah?
39:22I'll try.
39:22Miss Jensen, this has been left for you.
39:58Norman's still at the location in Belarus.
40:00I have nine missed calls from Sparrow.
40:03Does she know about Emma?
40:05Not yet.
40:06But at some point soon, she's going to have to be told.
40:08If Sparrow finds out, she'll tell Larry who will tell his brother.
40:12I'll see what I can do.
40:13Spencer's waiting in arrivals.
40:16He'll get you across the border.
40:19Just make sure you get Norman.
40:22We're counting on you.
40:23Yeah.
40:26Spencer.
40:29This way.
40:31The Latvians know we're operating on their type.
40:34They're friendly, but Belarus is very hostile.
40:38We need to get to the target as soon as possible.
40:41The journey to smart ones since ours.
40:43Toby's our wheels.
40:44Colin will be with us for the grab.
40:46Let's go.
40:47Let's go.
40:47Let's go.
40:54Hey, let's go.
40:55Let's go.
41:03There.
42:06You can keep looking straight ahead.
42:12Did you leave your phone at the hotel?
42:14Of course.
42:16Good.
42:17My clients need to know if you think it's possible speaking as a professional.
42:22Well, you do seem to think he's God, but that doesn't mean he's immortal.
42:28We're still some way apart on the fee.
42:31Perhaps we can meet in the middle.
42:33Well, we're not terrorists.
42:37You know, we're patriots.
42:38We're defending our way of life.
42:40I have fuck all interest in why you want him dead.
42:44A hundred million is a big ask.
42:46You're paying me to kill him.
42:48I am charging you for getting away.
42:51And speaking as a professional, getting away is an important consideration.
42:56It's half in advance, half on delivery.
42:58No, half up front won't fly.
43:00But I am authorized to pay you a commencement fee of $20 million.
43:07I could do that today.
43:09Would that be acceptable?
43:10Yeah.
43:21The job has to be completed by the 28th.
43:27I'm not in the habit of being hurried.
43:29UDC releases River on the 28th.
43:31It's non-negotiable.
43:33Can you do it?
43:34Once the payment is in my bank account, I will get to work.
43:44Why are you still in Munich?
43:47It's been nearly a week since you killed Manfred Fest.
43:52Have you loose ends to tie up?
43:55We don't want you doing anything that attracts attention or puts you in jeopardy that's not in service of the job.
44:01There are no loose ends.
44:04Good.
44:06Then we have a deal.
44:08We have a deal.
44:11Keep looking straight ahead.
44:13In future communications, we'll use the codename Rodin for the target.
44:20Rodin.
44:22Very good.
44:23And we'll need a codename for you, too.
44:28Why not the Jackal?
44:34Why not?
44:38Yeah, I have a hand.
44:42Thurksk is here.
44:43Good.
44:44Herr Thurksk hat vor zwei Wochen noch eine große Zahlung auf seinem Konto erhalten.
44:49Er hatte diese Zahlung nicht erwartet.
44:52Er wurde von unserer Bank getätigt.
44:54Hier ist die Kontonummer.
44:55D-E-8-9-372-400-444-25-320-17.
45:071,000 Euro.
45:09Ja.
45:11Na, Herr Thurksk versucht, die Herkunft der Zahlung zu überprüfen.
45:16Richtig.
45:18Verstehe.
45:20Sehr gut.
45:21Dankeschön.
45:21So, thank you so much for your patience, Mr. Thurksk.
45:29So, the payment was made from a company account, Helelinja.
45:34Helelinja.
45:35Oh, what can you tell me about Helelinja?
45:39I'm afraid we're not authorized to give out that information, but the National Company
45:44Register is available online.
45:46Is there anything else I can help you with?
45:48Uh, no, thank you.
46:18Twenty minutes to the border.
46:43No one hasn't moved.
46:49They need a new Our acompañаций.
46:53Oh, hey, everything.
46:56So, let me ask you a second.
46:56Check yourina.
46:57We'll be here.
46:59We'll be here.
47:00Oh.
47:01Oh, hey, question.
47:3440 metres out of the rear. Moving.
47:39Moving.
47:4825 metres out of the rear. Moving.
47:57Approach from front door. Moving.
48:0410 metres out of the rear. Moving.
48:09Everyone in position?
48:13Two in position.
48:17Two in position.
48:31Norman! The house is surrounded.
48:34Throw your weapons down and come outside.
48:37On my count!
48:42Three, two, one, breach!
48:46One, two, one, one, quest...
48:48One, two.
48:53One, two, one...
48:55One, two.
48:57One, two, one, two, one.
48:58No, no, no, no, no!
49:00Time is guarding the rear.
49:01One, two, one, one, two, one.
49:03Here's the rear.
49:04You're a rail.
49:05You're a rail.
49:07Oh, hey.
49:09One.
49:10You're a rail.
49:11We're two down.
49:21Target escaping on foot.
49:22In pursuit.
49:41Fuck!
49:46Bravo to Tango.
49:48We were set up.
49:49He knew we were coming.
49:51Two packs down.
49:52Immediate extraction from X-ray now.
49:5530 seconds out.
50:11Night and day.
50:29I breathe.
50:33Yeah, you're no rid of me.
50:37Yeah, you're no rid of me.
50:40And I beg you, my darling, don't leave me, and I'm partying.
50:55Fuck, yeah.
50:57Let my legs, I'm on fire.
51:01Let my legs of desire all tight.
51:05Let my legs keep you against my chest.
51:12Yeah, you're no rid of me.
51:15Yeah, you're no rid of me.
51:19I'll make you lick my injuries.
51:23I'm gonna twist your head of sea.
51:26Do you say no?
51:33Let my legs, I'm on fire.
51:36Let my legs of desire.
51:40Yeah, you're no rid of me.
51:43Yeah, you're no rid of me.
51:47I'll make you lick my injuries.
51:50I'm gonna twist your head of sea.
51:55Do you say no, you're a shame.
51:57Never, never matter, don't you, don't you, a shame.
52:01Never, never matter, don't you, don't you, a shame.
52:04Never, never matter
52:10Don't you assume
52:15Never, never matter
52:17Don't you assume
52:18Never, never matter
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