The Day of the Jackal Season 1 -Episode 6

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Transcript

00:00Scenes.

00:16UDC is the Jackal's next target.

00:18Where is the Jackal now?

00:20He should be in Tallinn.

00:24Here it is.

00:25Thank you so much.

00:26You're welcome.

00:27What's your name?

00:28I'm Rasmus.

00:29I don't recognize you anymore, Bianca.

00:36If my American friend is right, the problem is in-house.

00:40Carver's on the job now, so it's a full-blown mole hunt.

00:46The only way to stop this is to find Norman Stoke.

00:49What's your next step?

00:50We think we have a rough idea of where Norman is.

00:52Where?

00:53A bit of pest.

00:56I was on a business trip.

00:57Visitors turned up a black woman.

01:02Clean up and get out now.

01:05What's the Jackal's name?

01:07This is his.

01:08This is his.

01:21Some flowers never get to bloom and see a day.

01:27Some flowers are content to wish their lives away.

01:37Some may rise and some may fall.

01:42But only you may ever see me choose.

01:55So only you can tell that this is who I am.

02:03This is who I am.

02:06This is who I am.

02:18This is who I am.

02:23BELL RINGS

02:52BELL RINGS

03:22BELL RINGS

03:24BELL RINGS

03:26BELL RINGS

03:30BELL RINGS

03:32BELL RINGS

03:34BELL RINGS

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03:56BELL RINGS

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04:00BELL RINGS

04:02BELL RINGS

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04:06BELL RINGS

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04:10BELL RINGS

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04:20BELL RINGS

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04:26BELL RINGS

04:28BELL RINGS

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04:32BELL RINGS

04:34BELL RINGS

04:36BELL RINGS

04:38BELL RINGS

04:40BELL RINGS

04:41What happened?

04:43Kabi, I got a bag of a bag.

04:45I was a good guy.

04:47I didn't see anything.

04:49I think he's a paid guy.

04:51What happened?

04:53I got a bag of a bag.

04:55I didn't see any game.

04:57I didn't see anything.

04:59I think he's a bad guy, but...

05:01You know, I'm not a bad guy.

05:03You're not a bad guy.

05:05Not a bad guy?

05:07You speak English with me.

05:09Let's go, speak English. Come on with me.

05:11Come on, give me the language.

05:13Let me speak English.

05:17English.

05:39Hello?

05:40Yes.

05:41Yes, so I can pay him money.

05:46We come now. You pay. Maybe problem go away.

06:03Okay, great.

06:05Thank you. How long will you be?

06:07Okay.

06:09There's a lot of money.

06:11You're so happy, right?

06:13Okay.

06:15Well, I'm sorry.

06:17Well, I'm sorry.

06:19Attila says,

06:21that it's a foreign country.

06:25I'm sorry.

06:27I'm sorry.

06:29I'm sorry.

06:31I'm sorry.

06:33There he is!

06:35There he is!

06:39He is in the middle of a party party!

06:42He is in the middle of the party!

06:44He is in the middle of the party party!

06:47He is in the middle of the party party!

06:50What is the situation?

06:51How are you?

06:52How are you, Balázs?

06:53How are you talking to the start of a new year after work?

06:55Are you listening to the new year after a year after this meeting?

06:56How are you learning?

06:59Is that that the new day?

07:00He's trying to fly off the old days before Sunday in the old days.

07:01He's trying to fly off the day ous and out there.

07:03I still don't know if you want to get off the mainline of the new day.

07:03Yes, no, I'm all right Wow, I'm all right

07:20I'm all right, I'm all right

07:50I'm all right, I'm all right, I'm all right

08:20I'm all right, I'm all right

08:50I'm all right

09:20I'm all right

09:50I'm all right, I'm all right

10:20I'm all right

10:50I'm all right

11:20Sorry

11:46That's your car

11:53Do you have keys?

11:56All right, let's go

12:02We're driving

12:03Let's go

12:06All right, let's go

12:16All right, let's go

12:26All right, let's go

13:06We've just found two bodies on the farm, 10 kilometers away

13:30Let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go, let's go

14:00Hey, what's your code?

14:08Your passcode?

14:09Is that either silly fool?

14:11I don't know.

14:19Show me your phone.

14:24Unlock it.

14:28Give it to me.

14:31I want you to keep both your hands where I can see them.

14:33I want you to keep driving. Do you understand me?

14:35Do you understand me?

14:37Yes.

14:39Okay.

14:40Hello?

14:49Hey, it's me.

15:09Are you okay?

15:12Hey.

15:17Are you okay?

15:18Honestly?

15:19I'm not good, no.

15:22I'm really not good.

15:25Good matter.

15:27I managed to get myself into a bit of a mess.

15:32And I'm in quite a serious amount of trouble.

15:37What do you mean, trouble?

15:38Anyway, I just wanted to hear your voice because I'm not 100% sure that I'm going to be making it back.

15:46Charles, you're scaring me.

15:47What's wrong?

15:52Charles?

15:53I'm so sorry.

15:56Yeah.

15:58For all of this, I'm sorry.

16:00Yes, you should be sorry.

16:10Where are you?

16:14Where the fuck are you, Charles?

16:16I'm in Hungary.

16:23Where in Hungary?

16:24In Budapest.

16:29Okay.

16:33I'm coming to find you.

16:34No, no, no, no, no.

16:35I've been inflicted enough on you, my love.

16:37No, you can't tell me.

16:38Tell me where you are and what you need.

16:43Please.

16:46Charles, please.

16:47There is one thing.

16:54One thing you could do.

16:59So when we had the house done,

17:02I had an extension.

17:04Built out the back of my office.

17:07It's a room.

17:08I know about the room, Charles.

17:17What do you need?

17:20¿Y qué pasa con el dinero?

17:21Porque Charles es un hombre muy rico.

17:24Bueno, eso puede variar.

17:25Lo habitual es que el 15% corresponda al cónyuge económicamente más débil.

17:32Pero bueno, podremos conseguir algo más.

17:33Esto debería escucharlo Nuri.

17:36¿Nuri?

17:37¿La has escuchado?

17:38Me importa un carajo, mamá.

17:39Perdona, Cito, yo me tengo que ir.

17:41Y tú conmigo.

17:41Vámonos.

17:43¿Te llamo luego?

17:44Vámonos.

17:45¿Oye?

18:03Vámonos.

18:09Bianca and Vince managed to get Norman's location out of Larry.

18:13It was urgent.

18:14I sanctioned the snatch.

18:16Reports say one man was killed.

18:19Norman Stoke.

18:20We assume shot by the Jackal.

18:21And another man, possibly, probably.

18:23The Jackal escaped.

18:25I need to sell this as a success story.

18:27It is a success story.

18:29Enlighten me as to how failing to get our man can be described as a success.

18:32Stoke killed two of our people in Belarus.

18:35So.

18:39So Bianca killed a man, just not D-man.

18:43Yeah, I'll give that a go.

18:44In addition, we have his fingerprints and DNA.

18:46They're being checked against databases across Europe and America.

18:49Good.

18:49Where is Bianca now?

18:50On site.

18:51Let's get her and Vince back to London to discuss next steps.

18:55Make sure she has the resources she needs for Operation Anubis.

18:59Very good.

19:00Did you come up with that?

19:01I did.

19:03Rather pleased with it.

19:08By the way, Osi, you did the right thing.

19:11Not telling me about Hungary.

19:14Until Carver has given 303 a clean bill of health, we all need to be very careful.

19:19Agreed.

19:20Give Bianca my congratulations.

19:22Right.

19:44Right.

19:44We shall be careful.

19:45You are definitely involved in this space.

19:46Here, Osi, is watching this space safely.

19:46Yes.

19:46we got two buddies here both local men brothers this one gabber used to be in

20:01the army shotgun wounds to the chest and ankle this one was a loner run on to the

20:11police they've listed multiple prints all my money's on them matching the prints in the car

20:20yeah it's definitely him have you found the victim's mobile phone no so he's taking it

20:26we'll get location now i see isabel wants you back in the office asap she's prioritizing the

20:33search for the jackal it will be known as operation anubis and she wants you back to run things

20:38you're basically going to get what you want yeah that's brilliant news just bad timing um look he's

20:45here in hungary he can't have got far we have to stay on site logistics are making the arrangements

20:49get to the airport now the jackal's here it's not negotiable bianca oh and uh isabel says

20:55congratulations on getting norman she's very pleased

20:59so

21:07so

21:09so

21:11so

21:13so

21:19so

21:21We have seven minutes.

21:32Do you want a change?

21:33What's wrong with this look?

21:35Our share price projections for the third quarter are 17% down.

21:40It's our responsibility as members of this board to obtain the highest possible return for our shareholders.

21:46The money isn't real.

21:47The Chinese, the Saudis, the EU, they're all threatening reprisals.

21:52If you would at least reconsider initiating licensing agreements.

21:55The shareholders are missing the point.

21:58This shareholder owns 51% of the stock.

22:03I'm announcing River in four days, and it will be released on schedule on the 28th.

22:10You're announcing?

22:11The board hasn't seen the text.

22:13Where?

22:13Where is this announcement happening?

22:14Good meeting, guys.

22:15Yes, your input, as always, has been invaluable.

22:19Magnificent.

22:20No argument.

22:22You're still with me, right?

22:24You still believe?

22:26I believed from the start when we were writing code no one wanted.

22:30If anything happens to me, the board are going to try to stop River.

22:35Promise me.

22:36You won't let that happen.

22:38Nothing's going to happen to you.

22:39Now, let's get changed.

22:42You can't do the rehearsal in a wetsuit.

22:56Glass is bullet-resistant.

22:58It'll stop five rounds from a 7.62-millimeter rifle with no penetration and no glass ball.

23:03Good.

23:04Good.

23:09Good.

23:12Good.

23:14All right.

23:16Let's get into this.

23:17This is the official announcement after months of speculation.

23:23The river is real, and it will be launched on the 28th.

23:29In a just world, money flowing like rivers would empty into a vast reservoir for the public good.

23:38Sir, you're pacing around behind the glass.

23:40I pace when I give talks.

23:43The glass can't protect you unless you stay close.

23:49Instead, a predator class of the super-rich have diverted the flow into their own pockets.

24:00They call this the free market.

24:02River is going to change everything, because it will tell you exactly where the money is going.

24:14River is transparency.

24:19River is global change.

24:21The man of the farm this morning, Lesley, who is he?

24:49I work for him.

24:51I'm so sorry that you came this morning, Lesley.

24:59I wish you hadn't.

25:04You have good man faith.

25:12Say that again.

25:15You have good man faith.

25:21Pull over to the side here.

25:40Will you put both hands on the steering wheel where I can see them?

25:56Please.

25:58My child.

26:00Close your eyes.

26:04Keep your eyes closed.

26:05Keep your eyes closed.

26:34I know where you live, if anything happens to me, my colleagues will come to your house

26:46and they will kill your wife and your child in front of you.

26:51So when the police ask about me, you are going to tell them that you never saw my face and

26:59you never heard my voice. Can I trust you? Yes. Can I trust you? Yes.

27:29Nuri, it's me. I'm hoping you're on the plane. Email me when you get in, so don't call this number.

27:48I love you.

27:59Hi, can I get a couple of bars, please?

28:06BEEP

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28:55Why is Bianca so interested in Alexander Duggan?

29:05He was a British Army sniper, the best, apparently.

29:09But he's dead, correct?

29:10Yeah, Duggan's unit were wiped out by the Taliban.

29:13So why is she so interested?

29:15Why, it's all a bit murky. The MOD files have been redacted.

29:23Used to be ideology.

29:25Those days are gone.

29:27Now, it's money or sex.

29:34Do you like money, Damien?

29:37Not enough to portray my country.

29:38What about sex, Damien?

29:41Do you like sex enough to portray your country?

29:44I don't understand.

29:46Did a very beautiful, sexy woman approach you on one of your numerous holidays in Palma de Mallorca, Florida?

29:54Tangier?

29:55You travel a lot, Damien. How do you pay for that?

29:57With my salary.

29:58And did this beautiful, sexy woman offer you sex in return for information?

30:03There was no beautiful, sexy woman, and I didn't leak the Belarus operation.

30:07gratitude.

30:18I was in a mix of two parts.

30:20I was in a mix of three places.

30:20I was in a mix of two parts.

30:22I was in a mix of three parts.

30:23There was also something I wanted to do to enter.

30:25Well, it was jelly.

30:26I was console a challenge.

30:27It was a splash of two parts.

30:27Some delimation for a reasonable time.

30:29We're doing nothing.

30:29It was a question.

30:30Huh?

30:30I don't know.

31:00Pile.

31:03Don't let me get you.

31:09Your thing.

31:35But you should go.

31:39I've already involved you too much.

32:00Come here.

32:08Come here.

32:10Come here.

32:15Bye.

32:16You scared me.

32:24You scared me.

32:35Come here.

32:36Come here.

32:54You said false identities.

32:56But this is extreme.

33:00Why do you need this disguise?

33:05There are people looking for me.

33:08I don't need to get out of here.

33:10Get out of here.

33:19I have one question.

33:24You're all.

33:26Is this worth it?

33:27It was.

33:28I've got to get going.

33:35Show me.

33:37I've got to get going.

33:39It was.

33:46I've got to get going.

33:53Show me.

33:54Come here, if they were to eat.

33:55Come here.

33:56Come here in my room.

33:57Time for me.

33:58I don't know.

34:28I don't know.

34:58I don't know.

35:28I'm going that way.

35:30I don't know.

36:00I don't know.

36:02I don't know.

36:04I don't know.

36:06I don't know.

36:08I don't know.

36:40I don't know.

36:42I don't know.

36:44I don't know.

36:46I don't know.

36:48I don't know.

36:50I don't know.

36:52I don't know.

36:54I don't know.

36:56I don't know.

36:58I don't know.

37:00I don't know.

37:02I don't know.

37:10I don't know.

37:12Change of plan.

37:14You're going to Tallinn.

37:16Tallinn in Estonia.

37:18UDC is going to be there.

37:20Logistics are getting you on a flight, leaving Budapest in 40 minutes.

37:24Can you make that?

37:24We're going to Tallinn.

37:26Okay, let me go talk to someone.

37:27Okay.

37:28Uh, yeah, we'll make it.

37:30Good.

37:30You'll be working out of the embassy.

37:32They're expecting you.

37:33Isabelle is making sure you get everything you need.

37:35I'll join you tomorrow.

37:35So, excuse me, there's no delay.

37:43We will soon be on our way.

37:44Move.

37:50We will be taking off with an approximate ten minute delay.

37:54We apologize for any inconvenience caused.

37:56Here, give me a bag.

38:20Bianca, take a look.

38:22Okay.

38:28Okay.

38:32Let's say both of you are sending us to the right place.

38:37Let's say both of you are sending us to the right place.

39:01Let's say we can do the right place.

39:03Our great place.

40:03Hello, welcome to Castelli.

40:15Madam, sir, you are both on the second floor, room 253 and 254.

40:23Which one?

40:24That way and up.

40:54This is me.

41:14All right, I'll see you in the morning.

41:27Maybe you should call home.

41:30See you in the morning.

41:30Come on.

41:32Come on.

41:34All right.

41:39I'll be back.

42:04Hold on, the police.

42:08This is the police. Open the door, please.

42:22Evening. How can I help?

42:25You leave here?

42:26No, I'm visiting. It's an Airbnb. Is everything all right?

42:30There was a burglary on the floor above.

42:33We were just knocking on doors to see if anyone saw anything strange.

42:36Well, I'm afraid that I've been out sightseeing all day, so...

42:39Could I see some ID, please?

42:41Yeah.

42:43Why are you in Tallinn?

42:44Business. I'm an architectural engineer.

42:47You said you were sightseeing today.

42:49I was.

42:51But you're on business.

42:52Yeah. I had a little free time.

42:59Thank you for your assistance.

43:01Not at all. Good luck with the burglary.

43:03Do you have a phone number you could give us?

43:06In case we need to contact you again, so we don't have to come to the house.

43:13Plus...

43:1444, UK?

43:16Yeah.

43:18Uh, double seven, double zero.

43:21Nine hundred.

43:23Eight, two, three.

43:27Yeah.

43:42Yeah.

43:43Not at all.

43:44Good night.

43:44Hello?

43:49Hi.

43:50Is that Erasmus?

43:51Oh, hi, is that Rasmus?

44:10Er, yes, yes.

44:11Rasmus, hi, it's Peter here.

44:13We met at the Consterdizel.

44:15I don't know if you remember, you helped me find my phone.

44:17Oh, yes, yes, I remember.

44:19Have you lost something else, man?

44:22No, not that I'm aware of.

44:25Great.

44:27Look, I hope you don't mind me calling.

44:29I know it's late, but I just wondered if you wanted to grab a drink or something.

44:35Sure, yeah.

44:37That would be nice.

44:49But we like it when we're spinning.

44:55Hi.

44:56Evening.

44:58Beautiful.

44:59Nice.

45:00How are you doing?

45:01Good.

45:02Are you going to the airport?

45:03It's kind of late.

45:05There's a problem with my Airbnb, so I'll just go check into our hotel later.

45:09Okay.

45:09All right, what can I get you?

45:13Well, er, let me have a look.

45:18Okay, this is really expensive.

45:21It's on me, sir.

45:24Thanks.

45:25Well, er, normally I just have a beer.

45:28Yeah?

45:29Let's get you a beer.

45:30Excuse me.

45:31You know what?

45:31Er, actually, let me try one of those.

45:34Off-fashion?

45:35Yes, whatever that is.

45:36Can I get another one of those, please?

45:37Of course.

45:38It looks very, er, sophisticated.

45:44How long are you in, er, Thailand?

45:47Er, just a couple of nights.

45:49Yeah, work.

45:50I'm an architecture engineer.

45:53Okay.

45:54Okay.

45:55You weren't at the concert itself for the gig, right?

45:58That obvious.

45:59Very obvious.

46:02I could tell you didn't have that vibe.

46:05Oh, I don't have the electro-tech, my vibe.

46:08No, not at all.

46:09Okay.

46:10What sort of vibe would you say I have?

46:12Kind of serious.

46:14And also, er, a bit dangerous.

46:18In a good way.

46:20That's not first.

46:21It is?

46:22I'll take it.

46:24I'm working on a venue in London.

46:27And the concert has seen us one of the,

46:29well, one of the great icons of the form, so.

46:33I want to come check it out.

46:34I'm going to drink that.

46:40Yeah.

46:46Thoughts?

46:50Really nice.

46:52Yeah?

46:53No.

46:54I can't drink this.

46:56I'm getting you a beer.

46:56Do they even have beers?

46:58I'm sure they have beers,

46:59and if not, we are taking our customer elsewhere.

47:01Excuse me.

47:02Two of your finest beers, please.

47:03Of course.

47:04Whatever makes us sick.

47:09But we like it when we're spinning.

47:17It's great.

47:20That's my bed?

47:22Er, yeah.

47:23The comfortable couch.

47:24That's not bad.

47:39So.

47:41So.

47:41I don't know.

47:54I don't know.

47:59I don't know.

48:30You do something to me, something that simply mystifies me.

48:43Tell me, why should it be you have the power to hypnotize me?

48:56Let me live neath your spell.

49:03Do, do that voodoo that you do so well.

49:09Oh, you do something to me that nobody else could do.

49:26Do, do that voodoo that you do so well.

49:35Do, do that voodoo that you do so well.

49:38Do, do that voodoo that you do so well.

49:48Do, do that voodoo that you do so well.

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