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00:00So, can you use a gun?
00:23I prefer fists. Who will I be fighting?
00:27Our enemies. Have you ever been to prison?
00:32Why'd you ask?
00:34The terms you're willing to take.
00:36What did you do?
00:39My pals saw something in his shop window that I wanted.
00:43So I drove into it. It's called a smash-
00:45Smash and grab. Yes, I know. I do read the papers.
00:48It says here you've recently worked for a film actor.
00:52Yes.
00:53As his bodyguard?
00:55Amongst other things.
00:57But before that, in this bookshop...
01:06Why did you leave there?
01:09I didn't care for him.
01:11And you're happy with this arrangement?
01:14A book has his life. I have mine. It works.
01:17I'm amazed more people don't do it.
01:21I knew him.
01:23Your father. I knew him before the war.
01:26You knew him?
01:32Jack?
01:34Ah, this is...
01:36I can't... I can't...
01:38Jack, where are you going?
01:40But your previous employer trusted you?
01:46Yes.
01:47Despite your history?
01:49Because of it.
01:50Perhaps.
01:54And should we trust you?
02:00Well, I suppose you'll find out...
02:02when the next assassin comes.
02:20Nora.
02:22I never did it.
02:23Never did what?
02:24Made shillings out of ice and put them in the meter.
02:29What's all this corrosion, then?
02:33That's rust.
02:34Yes, it is.
02:37Cold, isn't it?
02:38We could burn a few.
02:41No, we couldn't.
02:42Not even the Georgette Hayes.
02:43No.
02:44Really, Nora.
02:45For someone so new to the pleasures of reading,
02:46you're fast becoming a terrible snob.
02:48What is it?
03:04Feels quiet without him.
03:06God bless the waltz again.
03:22And all who sail in her.
03:24Oh, God.
03:26Jesus.
03:27Oh, bloody hell.
03:29Do forgive me, my dear.
03:32I seem to be in a state of advanced refreshment.
03:34Oh, I had noticed, Victor.
03:36Just stay...
03:37Stay there.
03:38I'll fetch a cloth.
03:39Yes.
03:44Cigarette, sir.
03:45Dunhill or capsule?
03:49Sir?
03:52Can we talk?
03:54Thank you, sir.
03:55Here.
03:56It's for him.
03:57Oh.
03:59Please enjoy.
04:01Not enough lemon juice.
04:02Too much ice.
04:03And I did not like the way you shook it.
04:04Not enough lemon juice.
04:05Too much ice.
04:06And I did not like the way you shook it.
04:07Too violent.
04:08Mm-hmm.
04:09Of course.
04:10Excuse me.
04:11They think I'm too violent.
04:12You think I'm too violent.
04:13It's a violent.
04:14It's too violent art.
04:15Please enjoy
04:21Not enough lemon juice
04:25Too much ice
04:26And I did not like the way you shook it
04:30Too violent
04:32Of course
04:34Excuse me
04:36You think I'm too violent
04:40It's a violent art
04:42It's a good thing I didn't waste any gin on them then
04:48You're a quick learner
04:50I'm glad you've fallen on your feet
05:03I had no idea you'd be here
05:05We haven't seen you in weeks
05:07How are you?
05:08I haven't got long
05:10What do you want?
05:12Oh Jack
05:14This is silly
05:16We miss you
05:18We both hoped you'd found a safe birth in Archangel Lane
05:21A home
05:22Book and me
05:24Well our arrangement is unusual I know
05:27But as I said to you when we first met
05:29Love is where it falls
05:30And how does my father fit into all of that
05:34Yeah
05:36One of Mr. Book's little dalliances was he
05:39Well Book needs to talk to you about your father properly
05:42Look our marriage protects us both
05:45Don't we have the right to be happy?
05:47Happy?
05:49We're gallivanting off into the night
05:50In with God knows who and you
05:52Give me that cloth
05:53Is that the latest is it?
05:55Fellow with a moustache
05:56He's Captain Orr
05:57I knew him before the war
05:58Oh
05:59Dreamboat of the officer's mess was he?
06:01Hmm
06:01Something like that
06:02Listing slightly now though eh?
06:05Slotty!
06:07You don't have pick'em
06:08Mrs. Bug
06:11Well we better not keep him waiting
06:13Excuse me
06:16Oh come to my room and help me dry off
06:28I'm wet, woman
06:29Give me the damn cloth
06:31Come on
06:32Get your ruddy hands off me
06:33I won't have it
06:35For shame
06:36Oh dear sir
06:37Oh you've had a right mishap
06:39Who's this?
06:40Wet trousers are against the dress code you know
06:42It's the Walsingham
06:44So why don't you go back to your room
06:46Take the wet pants off
06:47And have a little lay down
06:48I have never been so insulted
06:50I'm sure you have been
06:51A fella like you
06:53Ah Victor Orr
06:54My old friend
06:55I can't leave you alone for five minutes
06:57Can I?
06:58That a girl can't take a joke
07:00Sit down
07:01Er
07:01Can we have a couple of girls?
07:03What do you call them?
07:05Four serum sours
07:06For the two ladies
07:07For their royal highnesses
07:09You mean?
07:10These are on me ladies
07:12And may I say
07:13You are looking superbly Balkan tonight
07:15I salute the house of Scutari
07:18Whichever commissar lives in it now
07:21Take a good look Trotty
07:23That's what happens to you
07:25When you get dethroned by the reds
07:27Oh dear
07:29Allow me
07:31So embarrassing
07:33I do apologise
07:34Not at all
07:35Not at all
07:35Look after the pennies
07:37And the pounds
07:38Will look after themselves
07:40What?
07:44I er
07:48Had a bit of luck on the horses
07:51You er
07:52You know Ascot?
07:54Very well sir
07:55How's the going?
07:58Oh er
07:59Good to firm
08:01After this
08:03Shall we er
08:04Normally my favourite ellipsis
08:08But I just think we should call it a night now Victor
08:11Oh Trotty
08:12You're no fun anymore
08:14It's amazing how different things can look
08:17Without the benefit of the blackout
08:18Here's to Joe Stalin's next stroke
08:23Tinker tinkety-tonk
08:25Oh hoo hoo
08:26Victor
08:35Victor
08:36Victor
08:40Victor
08:46Victor
08:47Victor
08:47Victor
08:49Victor
08:51Victor
09:55This is a Deutschmark.
09:58Yes.
10:00This is Chinese.
10:03Oh.
10:05And this is a button.
10:09It's a very nice button.
10:12Nora, have you been taking shillings from this tin?
10:14No.
10:16Remind me, what's the price of a green penguin crime novel?
10:22A shilling.
10:24Ah.
10:26That's better.
10:28Ah.
10:30Success.
10:34Ah.
10:36Success.
10:38Ah.
10:39Ah.
10:40Ah.
10:41Ah.
10:42Ah.
10:43Ah.
10:44Ah.
10:45Ah.
10:46Ah.
10:47Ah.
10:48Ah.
10:49Ah.
10:50Ah.
10:51Ah.
10:53Ah.
10:54Ah.
10:55oh it's you you ready to commit an affray miss no sergeant she was just um browsing i hate to
11:11seem inquisitive but why are you here there's a chap being killed at the walls in them poisoned
11:15dead in a pile of pound notes on the floor of the river bar oh that's just our sort of thing
11:21don't get too excited the inspector wants a book a g book that's quiet there's some foreign royalty
11:28involved it seems he says uh do you have anything on the balkan rules of revenge specifically the
11:35canon of scutari how too too ridiculously obscure do you have it almost certainly and uh 504 he says
11:46504 room with a view it's all right for some i suppose mrs book's already checked in why oh
11:54uh she's one of the suspects trouble in paradise is that so
12:16oh what a beauty yes might be one of those clues we like those do you mind yes
12:37do people really say what's your poison when when they're at the bar no idea i don't get out much
12:46what do you mean look we're at the walsingham so's he oh yeah let's uh let's get him somewhere more prior
13:06not the main entrance please inspect i'm sorry we can't be more discreet may i suggest the service
13:14corridor oh yes yes thank you mr kind nothing to stop by reopening the bar tomorrow i think
13:36you're good evening you have a reservation i know my wife
13:54your wife this is book have you seen her i'm afraid she may be distressed
13:58no book oh five or four ready i know i'll keep this one thank you what's happened darling what's this
14:06about a corpse why have i been scouring my stacks books of balkan blood feuds i'm not proud of myself
14:14there was champagne a date that raises riddle me re in the 2 30. cocktails more cocktails and then
14:22shorty we live our own lives that was always the deal self-flagellation is never helpful
14:28not nearly as much fun as someone doing it to you who was he victor or or with two r's naval captain
14:38married i'd met him before an air raid 41. he uh made a pass at me in in where please don't make me say
14:47the f word foils yes oh trotty i just fancied a good time well there's nothing wrong with that
14:56you turn out to be the most awful bore where is he now in the morgue oh one last night on the tiles
15:04and there's something else book thank god you're here you ready for what to interview royalty it's a
15:11little irregular isn't it i don't care they terrify me i'm not going in there alone haven't you taken
15:17their fingerprints i've got morris to do that i may be a coward but i'm not a fool i have our primary
15:23text the canoe no scutari looks expensive will it pay for our street inspector oh the late captain
15:31had taken care of that mrs book you're in the room next to the princesses oh what are they like oh they're
15:36glamorous in a sort of disappointed and stateless kind of way perhaps this time i kept a closer eye
15:42on them and an ear too i should use one of those little glasses they keep by the sink
15:57so will this help us find he'd done it it's a book of customary laws for remote mountain communities
16:03without a magistrate or justice the village elders consult the text and then tell you how much reiki
16:09to provide for your daughter's wedding what to do if your bees escape and build a nest on your labor's
16:13land that sort of thing and who you're allowed to kill if somebody kills your cousin
16:25well what language did you think it was going to be in well we have three native speakers on the
16:29premises but but they're all suspects who's the third oh he's a rather good looking cocktail waiter
16:35well don't fret too much the dutiful teutonic scholar did publish a translation of it in the german
16:40oh well you you certainly speak the german in his sleep sometimes so where is this translation
16:46nora's looking for it now it must be somewhere in the law section or social science or etiquette
16:51or propping open the door you said do something else yes these princesses have been given gainful
16:57employment one of the capitals dispossessed oh yes i know
17:10and there he is
17:14i'll turn down the bedspread sergeant morris will be along soon to take a statement yes of course i'd
17:20be grateful mrs book if you didn't leave the hotel it's perfectly all right inspector you have to do your
17:26duty
17:35here to see their royal highnesses
17:44enter
17:47oh dog where is it green straight grained morocco bound folio
17:56with a lot of academic monographs bound inside slightly foxed according to the catalogue
18:01oh
18:04you're no help
18:19they're coming
18:19they're scotari
18:21oh
18:23what would i do without you
18:35oh
18:39Time for a little chat, Mrs Book.
19:09Poof.
19:14I beg your pardon?
19:16I apologize for it.
19:19That we have sunk so low.
19:22Remember the great banketing table here, hmm?
19:25Chairs made with birch.
19:27As silvery as the snow on the mountaintops.
19:30Upholstered with dumb masks of soil.
19:33We've been in more awkward situations than this, haven't we, Inspector?
19:36That we have, Book.
19:37So, which is the policeman?
19:39You or this book?
19:41He's taking notes for me.
19:43Helping with the...
19:44Uh, Pittman's shorthand. So useful.
19:47Tall and red-headed.
19:49Like the poppies of our homeland.
19:52I realize that this will be very difficult for you,
19:55Your Royal Highnesses.
19:58But if there's any detail you can recall,
20:00however small, it may help us discover who killed Captain Orr.
20:04That is easy. I killed him.
20:07I thought it was me.
20:08He did what?
20:10It is true.
20:11I switched the glasses.
20:12He drank the poison.
20:13Meant for one of us.
20:15We have a routine, my sister and I, to cause a distraction.
20:19I salute the house of Scutari.
20:22Whichever commissar lives in there now.
20:24Take a good look, Trotty.
20:25That's what happens to you if you get dethroned by the Reds.
20:28Oh!
20:29Oh!
20:30Oh dear.
20:31It's so embarrassing. I do apologize.
20:33Not at all. Not at all.
20:35Look after the pennies and the pounds will look after themselves.
20:38What?
20:40It is a habit. A necessary precaution.
20:43Like this.
20:44This was the third attempt on our life since we left New York.
20:49There was a steward on the Berengaria.
20:51Can I turn over your room, madame?
20:54So transparent.
20:55And that Salvation Army woman outside the opera shaking her tin box.
21:00She denied everything, of course.
21:02Who do you think is trying to kill you?
21:04The communists, of course.
21:06Opera?
21:07But they already have your palaces, your estates.
21:10Our summer house on the Adriatic.
21:12There is a lake there.
21:15When the rising sun touches it, it is like the blush.
21:19In the spring, our country was proclaimed a people's republic.
21:22They won't...
21:23What's the expression?
21:24A big finish.
21:26Ha!
21:28Hence the bodyguard.
21:30And how are you finding him?
21:32As he failed to prevent an attempt on our lives,
21:34I would say he has not covered himself in glory.
21:38Don't the communists also have your other sister?
21:41We do not speak of her.
21:43Senille. Yes, the youngest. She renounced her title.
21:45We do not speak of her. Red scum.
21:48She betrayed her birthright, her country, her family.
21:54Take it.
21:57Of course, if this does turn out to be the case, then your switching of the drinks will not be without consequence.
22:04We are used to being pilloried. We will take whatever comes to us.
22:08Right.
22:09Now then, in your statement, you said something about this murder being written about in the Canoon of Scutari.
22:17What does that mean?
22:18It means that the killing like this follows certain customary principles.
22:22It means the first thing you must do is arrest that cocktail waiter.
22:26Ismael Guzili.
22:28Guzili.
22:29Guzili.
22:30Guzili.
22:31Guzili.
22:32Why?
22:33He is from the mountains. These people know the rules of revenge.
22:35They are obsessed with them. You must arrest him.
22:38And you must bring in any others on the staff.
22:41Other mountain men?
22:43Yes.
22:44Well, thank you so much. This has been most helpful.
22:51So you will do as we say?
22:53No, I will not.
22:54Why?
22:55Because, Princess, I am not your subject.
22:57And in this country a man is innocent until proven guilty.
23:01Whatever altitude he was born at.
23:04Well, sometimes, Inspector, you make me proud to be from the gutter.
23:17I never really thought of myself as a Republican.
23:19Well, it's the war that changed us all.
23:22I never really thought of myself as a Jew.
23:25You ever come here during the Blitz?
23:27They had to let you in if there was a raid on, even without a tie.
23:32We used to come down to the lower bar.
23:35It's known as the fruit cellar.
23:38That was quite the mixed grill.
24:02You did nothing.
24:13You're supposed to be my boyfriend.
24:15And you did nothing.
24:16Etienne, what do you expect me to do?
24:18Nothing.
24:23Was he the one from this morning?
24:24Yeah.
24:25Came at me in a silk dressing gown with everything pointed north.
24:29His name is Captain Victor Orr.
24:32Not anymore.
24:33They already gave me a warning.
24:35What?
24:36Yeah, apparently shouting at lecherous customers isn't the Walsingham way.
24:42I'll speak to Mr. Kind.
24:44It was Mr. Kind who gave me the warning.
24:46One more black mark on him out my arse.
24:48I hate this place.
24:50You know, I was doing okay here.
24:54At least I thought I was.
24:57What's the bloody point?
24:59Oh, yeah.
25:00I'm sorry.
25:01You know, my dad was right about you, Ismael.
25:05And I should have listened to him.
25:07Leave me alone.
25:08Leave me alone.
25:09What?
25:14I've washed these.
25:15Careful, officer.
25:38My friend borrows his jazz mags from the maitre d'.
25:41You can't shock me, sir.
25:43I've been to the windmill theatre and seen those gents with the newspapers on their laps.
25:47And brought a few into the station.
26:02Been jazzing with this one, sir?
26:03Oh, no.
26:04That lot put me right off.
26:05Oh, you hate your royal family, do you?
26:06They're not my royal family.
26:08They've been nobody in the royal family since 1940.
26:10Ever since they left us with that chap.
26:12Hey, Marco, what was his name?
26:14Mussolini, mate.
26:16I knew you'd know him, mate.
26:18Right, oh, sir.
26:20Confiscating this is evidence.
26:22You enjoy this, don't you?
26:24It just works, sir.
26:26Keep your temper, eh?
26:29I suppose I usually take all that aggression out on the ice cubes.
26:38Let's go.
26:39Look for Mr. Book.
26:40Who?
26:41It's the Kanoon of Skutari.
26:42It's Albania.
26:43I don't know what's going on.
26:44It's Zaban.
26:45I don't know what's going to be.
26:48It's right here.
27:03It's Albania.
27:13Mrs. Book's out of the picture.
27:15You can't be certain of that, sir.
27:16I've read a statement, and I'm satisfied it's nothing to do with her.
27:19But, sir...
27:19I'm satisfied, Maurice.
27:22Clear.
27:28So, you think it was one of us?
27:32I don't think anything yet.
27:34Signor Barberini?
27:37Okay, well, I've narrowed it down to two.
27:39A royal member of the House of Scutari.
27:41Nafia or Ruhia?
27:42Right-o.
27:43Method?
27:45Poison.
27:45Something slipped into the cocktail glass after he tried it on with Edi Rattle.
27:50That's the chambermaid, yes?
27:52So where was she when Captain Ork coughed his last?
27:54Gone already.
27:55Motive?
27:56You think of any reason why anyone would want to kill Captain Victor Ork?
28:00Are you kidding?
28:01That captain was always here with different women.
28:03Usually in the same room.
28:05504.
28:07Really?
28:08Mm-hmm.
28:08City view.
28:10Noiseless bed springs.
28:12Duchess raid for favorite patrons.
28:14And that captain has been coming here for years.
28:16Usually once a week.
28:17With a earthquake?
28:18You're very well informed.
28:20No secrets of the Walsingham, sir.
28:21We see all the dirty there.
28:24Because we have to clean it.
28:26Some might say, Mr. Gazzilli, that it's the duty of a grand hotel to make sure that the private life of a guest remains private.
28:32As some might say, Inspector, that in a grand hotel people are usually at it like cod in a bucket.
28:39So it's a crime of passion then?
28:40No.
28:41I reckon the captain was something in intelligence during the war.
28:47How do you know that?
28:48They're a type.
28:50Friendly, but tell you nothing.
28:53With a drink, they'll always have what the other person's having.
28:57So, uh, why would the princesses want to kill a British spy?
29:01Because British intelligence handed over Scutari to the communist partisans.
29:06And the captain recognized the princesses.
29:12Who are they?
29:14Should I know them?
29:18Balkans.
29:19Same to you.
29:20Ooh.
29:22Now, Fia and Ruhia.
29:24Princesses of the royal house of Scutari.
29:29Proposed by the communists and now drifting around the world like Flotsam.
29:35Very glamorous, Flotsam.
29:37Wasn't there a scandal?
29:39They did a flit and the bullion from the National Bank somehow found its way into their hatboxes.
29:46Something of the sort.
29:49And?
29:51They're drifting our way.
29:53Or your way, to be precise.
29:56Oh, I see.
29:57In the market for a set of dictionaries, aren't they?
29:59They're staying at the Walsingham.
30:01Just down the road from you.
30:03And, uh, there have been letters.
30:08Threats.
30:10Vicious ones.
30:11You should speak to the post office, then.
30:13We'd be ever so grateful if you just kept an eye on them.
30:22I told you.
30:25You're just a bookseller.
30:27And I told you.
30:28I reminded you that we helped find young Jack.
30:37It wasn't easy, you know.
30:38Oh.
30:59It's you.
31:01It's me.
31:02Tough or, you know.
31:05Ah, don't mention it.
31:11So does that happen a lot then, does it?
31:15Comes with a job, doesn't it?
31:17Can I do you now, sir?
31:21I wouldn't have killed him for it, though.
31:24Somebody did.
31:26Yeah.
31:28So, which side are you on?
31:32Sorry?
31:33Which side are you on?
31:35Well, what are the options?
31:37Well, there's the management in this hotel
31:40who treat their staff like muck
31:42and give a girl a mouthful just for standing up for herself.
31:47Right.
31:49Then there's the workers.
31:50OK, well, the workers then.
31:52Nice to hear your expression of solidarity, brother.
31:55But it's deeds, not words, that count.
31:58Don't you think?
32:00Right.
32:01So why don't you go down there to that taxi stand?
32:04Get me a nice cup of Bavril.
32:08I can't.
32:10Maybe later.
32:11I've just got to get back.
32:13To their royal bloody highnesses.
32:16Afraid so.
32:17How does it feel working for those parasites?
32:24Is that what they are?
32:26Well, what would you call them?
32:30Sad.
32:32I suppose.
32:34Yeah.
32:35A bit sad.
32:36Well, speaking for myself.
32:41I'd line them up.
32:43Shoot the boogers.
32:44I can't feel the boogers.
32:45Yeah, I can't feel the boogers.
32:47I can feel the boogers.
32:52I can say a proper hello to you now, Edmundkind.
33:20Good evening.
33:21Good evening.
33:22More than kind, I used to say.
33:24Well, that's too kind.
33:26They closed it, you know, the lower bar.
33:29The fruit cellar?
33:30Oh, what a shame.
33:32Yes, for redecoration.
33:34Though when the work will actually start, I don't know.
33:37Seems they'd prefer it mothballed, the management.
33:39You mean it's all still there, the mural and everything?
33:42Oh, yes.
33:43Well, you could take a look, if you'd like.
33:46I should really be getting back upstairs.
33:50Of course.
33:51I suppose a little peep wouldn't hurt.
34:01Well, the question is, how the lights work?
34:09I don't remember there being any.
34:11We never turned them off.
34:12Black-eyed, I suppose.
34:13I don't know.
34:14It was just terribly unfloattering.
34:16Yes, you're right.
34:19Let's turn them off.
34:20Oh.
34:21Just a soup song.
34:27These walls could talk.
34:29Kim Strang is dead.
34:44Did you hear?
34:45Kim Strang.
34:46He used to keep his max factor in a gas mask box.
34:50Well, he'd been in Egypt, hadn't he?
34:53Had to keep that tan up.
34:55What happened to him?
34:57He walked into the sea at shore, I'm sorry to say.
35:00Somebody had his letters.
35:02Dreadful, really.
35:04Dreadful.
35:06And you're very married, I see.
35:09Very, very married.
35:10Congratulations.
35:12And thanks for your help with the other matter.
35:14Not at all.
35:15What does Jack know?
35:17That my wife and I have an arrangement, as I knew his late father.
35:21Nothing more?
35:22He found that difficult enough to take, ran out on us that very night.
35:26Floated here?
35:27Where he is gainfully employed, thanks to you.
35:30And able to keep an eye on the other bodies floating around the regal scutari ones.
35:36Why do you need to keep an eye on those?
35:38Well, it's possible they were the intended victims.
35:41Not the captain.
35:42It's a working hypothesis.
35:44Are you with the police now, Gabriel?
35:46You always were a dark horse.
35:49It makes up a substantial part of my charm.
35:51Christ, isn't that dangerous?
35:53I mean, one false step.
35:55I'm all too well aware of that, Edmund.
35:58Although I do have a special letter from Churchill.
36:02Still, you probably shouldn't be found in a dimly lit basement bar with...
36:06With a terribly handsome old friend?
36:08No, perhaps not.
36:12Top of the grid.
36:13And the wall cinema isn't connected to the grid.
36:15It has its own oil-powered generators.
36:18They bring it in by the barrel.
36:19Everything depends on it.
36:20Even the plumbing.
36:21And what's a grand hotel without power and hot running water?
36:25Well, I suppose it's just a big building full of people who are rather cold and rather hungry.
36:31And very, very rich.
36:35I should get back.
36:40Me too.
36:41Me too.
36:42Me too.
36:44You.
36:57No big surprises on the poison front, Inspector.
37:01No big surprises on the poison front, Inspector.
37:11The deadly glass contains boring old hydrochloric acid.
37:14Uncle, it can't all be virtue I say.
37:17Virtue I see.
37:19The thumbprint, enough for an arrest.
37:22Enough for a hanging, maybe.
37:31Okay, thank you. Hi.
37:36Where's Edie Randall?
37:38Oh, um, I'll check.
37:42Very good, sir.
37:55Did the blessed sergeant get everything he required from you, dear?
37:58Well, I took him through it in exhausting detail.
38:02Where did you get to?
38:04I've been talking to the staff.
38:05Yes, very nice of you.
38:07The ones who served you cocktails tonight.
38:09Well, it was really only the younger one.
38:11Guzzili.
38:12If you say so.
38:13Apparently, he poured a whole round down the sink, ice and fruit and all.
38:18Could he have tampered with the second round?
38:20Yes.
38:21Nobody was looking because of the brouhaha.
38:24Brouhaha?
38:25Yes, one of the princesses dropped her reticule.
38:28There was loose change all over the floor.
38:30Yes, I've heard about that.
38:31And after the brouhaha?
38:32Well, I dragged Victor back to the bar.
38:35He made a toast.
38:36And then there was the furore.
38:38A brouhaha and then a furore?
38:41It was very confusing.
38:42Oh, and there was a woman.
38:47A woman?
38:48I've just remembered.
38:48She handed me a cloth.
38:51Like St. Veronica on the road to Calvary?
38:53To mop up Victor Orr's trousers.
38:55There was something about the look she gave me.
39:01Poor Victor.
39:03People were recoiling in pure horror.
39:05It was burning his neck out, book.
39:07You could hear it crackle.
39:13I'm sorry you had a beastly time.
39:14I just wanted to get Stinker and wake up somewhere with clean sheets and three egg omelets.
39:27I wanted something.
39:30So I wanted him.
39:34I do love you, Mrs. Book.
39:38Ditto.
39:41Book?
39:43Yes.
39:43We never really talk.
39:48At all?
39:49But the arrangement.
39:51What's to talk about?
39:53Well, to see that all's well, that we're both okay.
39:57All is well.
39:58Look, you left the light on for me.
40:05I could be making love in this.
40:09In the dark.
40:10Has anyone told Victor Orr's wife?
40:15It's not like she was expecting him to come home.
40:18Do you know who she is?
40:19I don't really know who he was.
40:23Still.
40:25I suppose he did get us a night here.
40:27Isn't it marvellous?
40:29No clouds to light.
40:32No way for the stars to hide.
40:35We never really had a proper honeymoon, did we?
40:39Bit of a diary clash.
40:40The Luftwaffe had their hearts set on Eastbourne, too.
40:43Beats was very pebbly, anyway.
40:45And covered in barbed wire.
40:48Doesn't worry you, though.
40:49Disappoint you.
40:51What?
40:52The absence of landmarks, declarations, grand gestures.
40:59Oh, no, look.
41:01In fact, I'm going to make one now.
41:03Oh, yes.
41:06Let's order a bloody huge bottle of champagne.
41:11I've got our papers.
41:31Stamford is signed.
41:32Tickets, too.
41:33Can't you do anything discreetly, my love?
41:35Now, five minutes till it leaves.
41:40Platform six.
41:42We're going to be in Paris for breakfast.
41:44There are no Nazis in Paris, but there are quersols,
41:47so it's all going to be fine.
41:52I can't come with your book.
41:55For the same reason that you must leave.
42:00It's so full here.
42:01Can I sit here?
42:03Of course.
42:03Oh, and I must return this to you, my, my dear fellow.
42:27I love a good book.
42:35A beautiful book.
42:37And how easy it is to picture myself on some winter evening in the country, lying with this particular book.
42:51It moves me so much.
42:59But I'm afraid I cannot keep it.
43:02I know it's frailties.
43:08And some books get burned, you know.
43:10And I should not like to be responsible for the loss of this one, because it is so dear to me that I know it by heart.
43:25Henceforth, wherever thou mayst roam, my blessing, like a line of light, is on the waters.
43:43Day and night, and like a beacon guards the home.
44:01Day and night, and like a beacon of light, is on the way that I'm going to go to Paris.
44:03This is the last book that I'm going to go to Paris, on the way that I'm going to go to Paris.
44:07Day and night, and like a beacon of light, is on the way that I'm going to go to Paris.
44:37Day and night, and like a beacon of light, is on the way that I'm going to go to Paris.
45:07Day and night, and like a beacon of light, is on the way that I'm going to go to Paris.
45:13Today, I'll go to Paris.
45:14I'm going to have to go to Paris.
45:17Hi, you should read German dessas books.
45:20It's good news.
45:25Oh, man.
45:27I can't believe that...
45:32It's good news.
45:34I'll see you next time.
46:04Mr. Kind.
46:07I'm doing the rounds, explaining about the situation.
46:12Be so good as to move around a little less silently, it arouses suspicion.
46:16Forgive me, Your Royal Highness. It's my training, you see.
46:19It's mine too.
46:22An engineer is investigating. I do apologize for any inconvenience.
46:26We are accustomed to hardship.
46:29What are you carrying? Show me.
46:33This is the canoe.
46:34The canoe of Scutari. Why do you have this?
46:37I'm taking it to Mr. Book, in the next room. He's helping the police.
46:41This is most interesting. Continue.
46:44Well, he's a sort of expert witness, and he's staying here with his wife, who I believe...
46:49I meant, continue on your way.
46:53Good night.
46:54Oh, I thought you were a bottle of, how do you spare it, Ane?
47:12A book for Mr. Book.
47:13What is it, dear?
47:16It's that book you wanted.
47:18Oh, very good.
47:20The lights were on the blink up here.
47:21An engineer is investigating. I do apologize for any inconvenience.
47:25Is there anything more I can do to eat?
47:29Well, tracking down our champagne would be nice.
47:31Of course.
47:37Extraordinary man. Smells nice, though.
47:39Gardenia. Capital.
47:42Just what we need.
47:44They're taking their time with that champagne, aren't they?
47:46I think they're having trouble below with the generators.
47:51You don't need champagne, do you, Book?
47:53Just anything with footnotes.
47:56And a bibliography.
47:58Maybe an erratum slip.
48:04You still love this place, you know?
48:09In the war, the rooms were cheap.
48:10Thirty-five shillings a night.
48:12Well, the ones nearest the V2s, anyway.
48:15Always plenty of life down in the bar.
48:19A bit too much, sometimes.
48:20And now the Walsingham is listing.
48:24Like an old ship.
48:28Well, I'd like to smash a bottle against it.
48:50Like an old ship.
49:08I don't know.
49:38Let me tell the story of an old lady fair, standing sentinel across the years in the city's
49:53bonnie square.
49:55Let me tell the story of the journey down to hell of the dear, dilapidated Walsingham
50:04Hotel.
50:08Some came to stay, to rest, to play.
50:21Some came to labor every day.
50:25Some came to sound the passing bell for the dear old Walsingham Hotel.
50:31But who killed Captain Victor Orr?
50:48Princess, waiter, maid, or more?
50:51Who came to sound the final bell for the dear old Walsingham Hotel?
50:58Well then, that's that.
51:14What was that?
51:18Edith, Edith, are you okay?
51:27I haven't hit him.
51:29Eshtboor, donnavrasen.
51:31One more step and all.
51:48One more step and all.
51:49One more step and all.
51:50One more step and all.
51:51One more step and all.
51:52One more step and all.
51:53One more step and all.
51:54One more step and all.
51:55One more step and all.
51:56One more step and all.
51:57One more step and all.
51:58One more step and all.
51:59One more step and all.
52:00One more step and all.
52:01One more step and all.
52:02One more step and all.
52:03One more step and all.
52:04One more step and all.
52:05One more step and all.
52:06One more step and all.
52:07One more step and all.
52:08One more step and all.
52:09One more step and all.
52:10One more step and all.
52:11One more step and all.
52:12One more step and all.
52:13One more step and all.
52:14One more step and all.
52:15You
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