- anteayer
Drama,humor,suspenso
Categoría
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CortometrajesTranscripción
00:00Twenty minutes!
00:28Twenty minutes? Wasn't that an hour longer?
00:31Ruben.
00:34We leave in twenty.
00:35Twenty minutes?
00:37Maggie, plans have changed, we have to leave earlier.
00:41And is Roberto ready yet?
00:43Well, I don't know, I'll talk now.
00:47Well, let's see if you can cheer him up.
00:53Ruben, we're leaving in twenty minutes.
00:55I'm ready now.
00:55Edgar! Twenty minutes!
00:58Oh my God, in twenty!
01:11Roberto!
01:13Can?
01:15Come in.
01:17No.
01:18Plans have changed, we have to leave earlier.
01:23Because?
01:25Well yes.
01:29There is a lot of expectation.
01:33They are all anxious.
01:34Yeah.
01:36But remember, it's just an exhibition parade.
01:39I have mixed feelings, Horacio.
01:45I know, brother.
01:46I know.
01:49I feel guilty because...
01:52I know what we are doing here is good.
01:55But I'd rather not be here.
01:58I wish we could get away.
02:01Do you remember?
02:04Phew.
02:07What a time, huh?
02:12Roberto, come here!
02:14Come, come!
02:16Here we go!
02:17Wait for your brother!
02:18Die, quickly!
02:19Come, Horatio!
02:20To this wonderful Ayotlán circus!
02:24Have you seen the threads?
02:27It's really big!
02:29Welcome!
02:31Look at the clown!
02:32Look!
02:33There are jugglers!
02:34Have you seen the gileras?
02:36They're stuck together!
02:37Welcome!
02:38Welcome everyone to the fran!
02:40Good!
02:47Oh, oh, oh!
02:48Oh, oh, oh!
02:54Come here, shorty!
03:01Come in!
03:03What's your name, shorty?
03:06Roberto.
03:13As?
03:14Roberto Gómez Bolaños.
03:16Oh, oh, oh!
03:18Very good!
03:24Well, we did want it!
03:37That?
03:38Well, we did want it!
03:39Oh, oh, oh!
03:46Oh, oh, oh!
03:49Hey, hey, hey!
03:50Oh, oh, oh!
03:54Ah, ha, ha, ha!
03:57Come here!
03:58Hey, get down!
04:26Low!
04:28Good morning to the Mexican people.
04:48From the radio probe
04:49We welcome you
04:51to a new radio edition
04:52where they can join us
04:53on this blessed workday.
04:56A beautiful day.
04:58This guy is crazy.
05:24Roberto, what are you supposed to be doing?
05:50I'm supposed to count rivets, sir.
05:52AND?
05:53Well, the truth is that I only count the hours.
05:54for the week to end
05:55and be able to go out with my brothers.
05:57Ah, well I think that's fantastic.
05:59But as far as I know,
06:00There are still many hours until Saturday, Roberto.
06:03Guys!
06:04Come on, let's get to work!
06:05The engineer says that Saturday is a long way off.
06:18Operation escape!
06:22What's up with those boxes?
06:33Hey!
06:35I'll order my card!
06:40Again, Roberto.
06:41Again.
06:42Again.
06:43Jesus.
06:43Jesus
06:46What's up with those boxes?
06:49The gentleman calls
06:49Or deca 6?
06:50Yes, they call me
07:13What's up with those boxes?
07:43What's up with those boxes?
08:13But you are prettier
08:16Oh, look how beautiful the stars are!
08:18But you are prettier
08:20Oh, how hot the atmosphere is!
08:23But more heat...
08:25Smokes
08:28These haracuanes are the kings of the ridiculous
08:32You're going to be ridiculous right now, Jamaica.
08:35Do you think that makes you laugh?
08:38They are pitiful
08:38Well, we have made your sister laugh more than once.
08:42Hey! Hey! Wait!
08:46Give me my tickets, cacarizo!
08:51Give them to me!
08:53Be careful with these moments
08:55I recommend you don't go near them, babe.
08:57Don't tell me, baby.
08:58My name is Graciela
09:00Stop bothering me, Jamaica
09:02Crispín is a joker
09:04But none of us are thieves.
09:06I prefer not to talk about the scoundrels
09:08What are they for?
09:14For a raffle
09:15About what?
09:18Buy me one and you'll find out.
09:19They are for the spring dance
09:22You can't come in here, girl.
09:24Nor sell tickets for anything
09:26I was leaving
09:28Bye
09:30The dance is on March 21st
09:34And about the raffle
09:35It is for the children's home in Morelia
09:38Cancer is left without help
09:39Because of this cacarizo
09:40I kept a couple
09:44I said that none of them were thieves.
09:47So what? Too brave or what?
10:08What are you supposed to be doing?
10:24I was just taking some notes.
10:26So I don't forget
10:27Oh, sure.
10:28And you always do that
10:31While your brothers sleep
10:32I'm just going to ask you
10:34Don't become
10:35In a disobliged
10:36Like your dad
10:38I?
10:39Illusions are not eaten, Roberto
10:40Art can kill you
10:42Like him
10:43Stop staying up late
10:45Focus on your work
10:47I'm not going to ask you
11:17You know what? Swing my monitors.
11:39Right now, sir
11:40What happened? Have you reviewed it yet?
11:56Sir, sir, sir
11:58Would you sign this photo for my son?
12:00He is a great forgetter of his own
12:01Of course, it's five pesos.
12:03Five pesos?
12:05It's cheap, isn't it?
12:06Oh, if they charged you what it's worth, it wouldn't even be enough, my love.
12:08No, it's just that no, no
12:10Gosh, I don't bring
12:11No, don't believe it, Dad, of course I do.
12:13Let's see, what's the heir's name?
12:15Hey, Luisito
12:16Luisito
12:18Very cool, huh?
12:21And this?
12:22Is there a convention or why is everyone here?
12:25What do you mean, why?
12:26We are waiting for the visit from Figueras, Roberto
12:28You told me you wanted to talk to me
12:29I came from your office and you weren't there.
12:31Oh, Roberto
12:31Here it comes, here it comes
12:32Good afternoon
12:37Good afternoon, sir.
12:39Am I late?
12:42Cleaning, young
12:43This gentleman is the only person allowed to smoke in my company's forums.
12:49With all his clumsiness
12:51Well, it's not clumsiness, it's potential comedy.
12:53So much power that you thought you were the cleaner
12:56I just came to let you know what I have planned for this neighborhood.
13:02I want to send the kid to Acapulco
13:03To get to know Miguel's hotel
13:05To the character of Chavo?
13:09And to everyone in the neighborhood
13:10Come on
13:11And how is the kid going to get to Acapulco without money?
13:15That's up to you to solve.
13:16And what will you have to solve?
13:18Pay everything
13:19Except the hotel
13:21That's Miguel's thing.
13:23Imagine, Monchito
13:25Let's see, can you do a camera test?
13:27Yeah
13:27Do it
13:27Come on, let's do it
13:28What details do you need?
13:37Well, I think it's an interesting proposal to record in Acapulco.
13:40But I wish you had said something to me before I upset them.
13:44It's a good opportunity to give the program some freshness.
13:49Imagine your characters on the beach
13:52And so we can give some exposure to Miguel's hotel?
13:55Yes, yes, I imagined that's how it goes.
13:57Also the grasshopper
14:00Write something on the beach
14:02You take advantage of my nobility
14:04You can't
14:07Weren't you the genius of Mexican television?
14:10No, man.
14:11Beethoven was a genius and he is already dead
14:13Einstein also died.
14:16And I haven't been feeling well lately.
14:20I'll leave it to you.
14:23Pattern
14:28Let's see
14:35Mariano
14:36Where are we going to start?
14:38For the beginning
14:39We present a small television camera
14:42That unlike film cameras
14:45Captures images of objects to transmit them by radio or wires
14:49After years of test broadcasting
14:51Television is now a reality for any family
14:55May you enjoy it in your home
14:58Where did you get that from?
15:00The porters lent it to us.
15:02Mom, so we can see her for a few days
15:04So that we are encouraged to buy one
15:06No, forget it.
15:08That's a luxury for eccentric millionaires.
15:10And we are neither one nor the other.
15:12Give that back to me right now.
15:14But we can buy it in installments
15:16Look
15:16They announced that a new channel will be inaugurated in a few months
15:21Imagine
15:23People will be able to watch baseball from home.
15:26Another channel?
15:28What the hell do we need another channel for?
15:30How about you, mom?
15:32We will be able to watch news and movies without going to the cinema
15:34If the porters could buy one
15:38Mom, television is the future
15:40Aha, it will be the future of porters
15:42Who can afford it
15:43But in the future of the Gómez Bolaños
15:45I don't watch any television
15:47Untangle that for me, Roberto
15:51Ready?
15:55Let's wear out the soles
15:56I'll catch up with you in a moment.
15:58Help me take this to the porters, okay?
16:01Yeah
16:02Carefully
16:03Oh, at least you would have connected it.
16:06Oh, he didn't even give me a chance.
16:07Water
16:08Oh, at least you would have connected it.
16:13I'm going to, he gave me slips
16:14Water
16:16Right now the 點
16:27Hello, babe.
16:57Do you want to dance?
16:58No.
16:59And he already told you not to tell him, babe.
17:02These are yours.
17:04And why do you have them?
17:05Borratero.
17:06Nobody is talking to you.
17:09You left them in the pool table and I got them back.
17:11Take them, please.
17:14You better buy them for me.
17:16I'll give you the money in a little while.
17:17Well, I'll give you the tickets in a little while.
17:24Do you want to dance?
17:27No.
17:37Do you really know how to dance?
17:40More or less.
17:41More or less.
18:11No, no, we're going to lose the rhythm.
18:30If you call that rhythm, baby, don't say no.
18:38Come on, get out!
18:41Come on, get out!
18:51They are looking for apprentice producers and writers.
18:55Would you dare to give up?
18:57There is nothing I would want more in this world.
19:01Well, resign.
19:03No, my mom would have a heart attack and get sick.
19:07Oh, well, don't give up.
19:08I don't know if I was born to count rivets.
19:13Then resign.
19:16What if I don't get the job?
19:19Of all the guys from your gang of haracuanos.
19:23Club.
19:24Club of the Haracuanes.
19:25Club of the Haracuanes.
19:29You...
19:30I don't know.
19:34You have something.
19:36You are different.
19:39You're the funniest.
19:42Do you really find me funny?
19:45Yeah.
19:48And am I a good dancer?
19:50You defend yourself.
19:51And I'm also handsome, aren't I?
19:58You are a good dancer.
20:02Don't think about it too much.
20:07I'm going to tell you what the person I admire most in this life did.
20:11My dad.
20:13Shoemaker to your last.
20:14Is your dad a philosopher?
20:19No.
20:20Shoemaker.
20:21When two hearts meet with passion.
20:43There is nothing that can separate them with reason.
20:51The most sincere love is the one that will always live.
20:59With stories and passions, hope will be reborn.
21:07Man, I know I've messed up.
21:08Thank you, Elon invoked.
21:09The purest love.
21:19There is nothing to see Kilom Whatsil.
21:28There is nothing to see.
21:29Without.
21:29Engineer
21:41What do you want, Roberto?
21:48I came to tell you that I will no longer work here.
21:49That?
21:55It's my resignation
21:56What stupid things are you doing?
22:04It's hard to explain
22:05Of course, stupid things are always difficult to explain.
22:09His mother already suspected it.
22:12Did you suspect it?
22:14Yes, he suspected it from the beginning.
22:16Have you already told him?
22:19No, I haven't told him.
22:20Well, badly done.
22:21It's going to break your heart
22:22Maybe, but the decision has already been made and I'm not going to change.
22:26You haven't thought things through.
22:27I already thought about it, Engineer
22:29And I am very grateful for the opportunity.
22:31But as a classic says
22:35Shoemaker your shoes
22:37And I've come this far.
22:39May that decision be worth it, Roberto.
22:44Thank you
22:50Go away
22:51With permission
22:53Subscribe to the channel!
22:59Thank you!
23:29Thank you!
23:59Where are you going?
24:02Whom?
24:03What's the point?
24:04He called me.
24:06Who called him?
24:07This ad I saw in the newspaper caught my attention.
24:11Says Darcy advertising agency.
24:13Looking for apprentice producers and writers.
24:15It has to be formed.
24:17This is the line of producers who say they earn well.
24:20Those over there are the writers.
24:26Thank you.
24:29Are you studying engineering?
24:40I like math.
24:44And why are you looking for a writing job?
24:47I like letters better.
24:50Did you write this?
24:52Yes. Well, some parts, but yes.
24:55Yeah.
24:59And how are you doing with typing?
25:10This is the ultimate test.
25:13Its sheets contain the instructions.
25:16They have to type and have 30 minutes to finish.
25:19Well, I haven't picked up a typewriter for the last two years.
25:28Time's up.
25:50His writings.
25:51Take it.
25:56Here are mine.
25:59Mister.
26:00Here you go.
26:03Gomez?
26:05What are you doing here?
26:07Making jokes, being mean, and playing Romo and Juliet doesn't make you a writer.
26:11Juleo and Romieta?
26:14Do you work here, Jamalca?
26:16The obvious is not asked.
26:18Don't waste our time.
26:27Mister.
26:39Who wrote by hand?
26:42I.
26:43I.
26:46Well, thank you very much.
26:50We'll let you know on Monday if you're still unemployed or if you have a future here at Darcy.
26:55Thank you.
26:55Thank you.
26:56Thank you.
26:59Thank you.
27:00Thank you.
27:11Thank you.
27:19Thank you.
27:20I already resigned
27:31Good, you're now unemployed.
27:34But?
27:36Yes or no?
27:37More or less, but...
27:38I won't explain it to you anymore
27:39The work was machine
27:50You're going to tell me that in two years you forgot how to use a
27:55Look, I really didn't lie to you when I told you
27:58That I hadn't used a typewriter in the last two years
28:01But he didn't specify that he hadn't done it either.
28:05In all the other years of my existence
28:07Well, you're going to have to learn me, my friend.
28:09You have wit
28:12Well, it's not because I'm an engineer, right?
28:16Well, and humor needs polishing, eh?
28:18Welcome to Darcy
28:19Thank you very much, sir.
28:22I promise you won't regret it.
28:25Yes, you wear them well.
28:30The same thing was told to me by the person who interviewed me.
28:31I admire your frankness
28:33And you?
28:33I can't believe it
28:34On a whim, Roberto
28:37With one kick you sent everything down the drain
28:40No
28:41Yeah?
28:42Do you think life is a game?
28:45Do you think responsibilities are a game?
28:47You had a good job, son.
28:49But a job I didn't like
28:51And here we go
28:51Well, if the work were nice, we wouldn't get paid for doing it.
28:54Well then you don't like your job either.
28:57Thanks to my work you have had everything
29:03And yes, I also like poetry
29:06And I like to write
29:07And I do it when I can.
29:09But I don't dream of building castles in the air
29:12If I don't take the risk
29:13I'll never know what I'm good at.
29:15You're good at contradicting others, mind you.
29:18Just like your father
29:20My father
29:21My father
29:24He would be proud of me
29:26And you too will be proud one day
29:30I promise you
29:32Do you want a little water?
29:39Yes, pass me the peton, mom.
29:40Let's see
29:40Yes, my son
29:45A little bit of water
29:47Teach me, dad?
30:03Clear
30:03Look, everything fits in these five little tubes.
30:08With them you can create any color you can think of.
30:11Any?
30:13Yes, let's see, tell me one
30:14The first one that comes to mind
30:16What color is laughter?
30:22You are an artist
30:23Hello
30:39You look like a doll
30:45Thank you
30:46Thank you
30:47I already did
30:50There is no turning back now
30:53I have a new job
30:55Excellent!
30:57And what does it feel like?
30:58It's like being in love
31:03Having a dream is like imagining that you can be the ideal person to weave an illusion
31:08That can feel it
31:10Give it shape
31:13Believe that you can be capable of
31:21To kiss her
31:24Do you want to be my girlfriend?
31:37Do you think I go around kissing some crazy dreamer?
31:40I hope not
31:41You're not going to break my heart, are you?
31:54I promise I'll take care of your heart
32:11Are you leaving me?
32:36Does the ring look good on you?
32:41What do you think about the age to go to Acapulco?
32:50Whatever you do
32:51It's going to be okay
32:53You think?
32:59Hey, ah
33:00May I?
33:04I need to talk to my brother
33:05Clear
33:05Thanks, Maggie
33:08What are you doing?
33:18Nothing
33:19Hanging my suit from the grasshopper
33:22She's going to marry Mariano, Roberto
33:32But you're also married
33:35You don't have to tell me
33:39I love Graciela
33:43I love her, I swear.
33:46You know how important it is to me
33:49My family, my six children
33:51Then don't play anymore.
34:02Ready
34:14I'm so happy
34:16He looks very handsome, doesn't he?
34:17Very
34:18How pretty she is
34:19Now, ready for the photo?
34:26Nico, what are you doing?
34:27One moment
34:28Now yes
34:32One, two
34:36Three
34:38Gomez
35:05Roberto Gómez
35:10Sorry
35:11Leave that and come
35:13I?
35:15We need you in the boardroom
35:17AND?
35:19With the bosses?
35:21They understand
35:22We need a month to open the new plant
35:24Good afternoon
35:25Who has me?
35:28The cafes, Roberto
35:29They fill the cups
35:31Change the coffee maker
35:32Well, the thing is that four days to find a phrase
35:35It's not a joke
35:36Ricardo, when have we failed you, man?
35:39I don't understand what the concern is now.
35:41Maybe they need to renew their creatives
35:44No, it is not necessary
35:45It occurred to me
35:46That the phrase could be
35:48High-efficiency trucks
35:50For men with character
35:52Oh, Jamaica
35:53We are looking for phrases with rhythm
35:56With cadence
35:57May they remain in people's memory
35:59Exact
36:00Something memorable
36:01Something like Novo's slogans
36:03Wow, but this is nothing memorable.
36:05Please
36:06And that it has a certain musicality
36:07A certain rhythm
36:08Some of that
36:09Did you forget something, Gomez?
36:13Is this a new proposal or...?
36:15I don't think so
36:16Gomez is not precise
36:17Yields more
36:25And never gives up
36:26Yields more
36:30And never gives up
36:31That's exactly what we're looking for.
36:34I love
36:36I love
36:37How are you doing with the typewriter?
36:40Well, I give it like chicken pecks.
36:42But we are improving
36:43Roberto is a publicist
36:46Who tells jokes
36:48I don't think it's a good idea.
36:50Put it to write
36:51Look, Roberto
36:52In addition to having ingenuity
36:54He is very eager
36:55Which is not the same as talent
36:58Man, write something down, man.
37:03Guys, this is my star writer, huh?
37:06I can imagine.
37:07I supervise it
37:09Ah, well.
37:10Hey, what do you think we could do?
37:14One, two, three!
37:24Thank you, thank you very much for joining us.
37:26In our first 200 radio programs
37:29Thank you
37:30This one goes here to break it
37:36Congratulations
37:37Good job, good job, huh?
37:39Very good
37:40Thank you, thank you for coming
37:41Careful
37:43Sorry, sorry
37:45Sorry
37:46They got you pregnant, buddy.
37:48Good work, engineer
37:54Congratulations
37:54Thank you for coming
37:55Sorry, sorry, sorry
38:00Sorry, sorry
38:01Sorry
38:02What does this do?
38:08We have to take this to television
38:31Let's see, then, why do they say in the newspaper advertisement
38:42That you are doctors who cure people with stomach aches?
38:46Where does it say that?
38:47Here?
38:48Epidemic of indigestible stomachs
38:50Academy of indigenous dances
38:54The thing is, you don't know how to read.
38:58I don't know how to read
39:00Rather, you do not know how to announce
39:02Because here it clearly says
39:05I have cards and I step on the double
39:07Tango, barachas and pin
39:11Your uncle's hump
39:13The syrup is bad
39:17I have cards and I step on the double
39:47Let infinity be left without stars
39:56Or the wide sea loses its immensity
40:01But the black of your eyes does not die
40:09And the cinnamon of your skin
40:14Stay the same
40:17My doll
40:21How are you, Ñeco?
40:27Do you want to join me in Acapulco to record El Chavo?
40:31I?
40:32Let's rewrite our history
40:35Could be?
40:47Acapulco
40:47You and me again
40:51Like on the honeymoon
40:52But now with a platoon of children
40:56Acapulco, your six children
41:00And a recording
41:02My two families
41:04You and the neighborhood
41:08Did they cut everything?
41:13Let's see how that works.
41:14At least it's going to be interesting.
41:19Hi how are things?
41:30Will we be able to live together?
41:32We are adults now
41:34Not all
41:35There will, of course, be things we have to resolve.
41:46But I think it's a good opportunity
41:50To reunite as a family
41:54Is the idea from Caracas?
41:58Have everything ready to go?
41:59What, coqueco?
42:00Can I have your autograph?
42:01This one, yes, of course, of course
42:04What is your name?
42:05Matías
42:05Matías
42:06And you, my love, what is your name?
42:07Linda
42:07No, well, it does justice to your name.
42:09My bosses are having second thoughts.
42:22And they want to talk to you
42:23Don't you think you're going to leave the show?
42:26No, don't worry about it.
42:27I am happy to go and talk to them.
42:29Also, I'm not leaving the program.
42:30I'm going to leave Roberto
42:31And what does Roberto say?
42:33Roberto?
42:35Fuck you, Roberto.
42:37What do you say, doll?
42:42Come on
42:43Let's go to Acapulco, baby.
42:45You, you, you, only you
42:49Gónde is here!
42:53EITHER
43:06Video
43:07Thanks for watching the video.
43:37Thanks for watching the video.
44:07Thanks for watching the video.
44:37Thanks for watching the video.
45:07Thanks for watching the video.
45:37Thanks for watching the video.
46:07Thank you.
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