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Valió la pena
#viral_video #mexico #chespirito #usa #uk #brasil #cine #España
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CortometrajesTranscripción
00:00I don't want to think about it anymore.
00:11Sorry.
00:13But I can't do it anymore, I can't.
00:17So that's it?
00:21Well, I have a feeling of responsibility.
00:27that I can't ignore.
00:30A feeling of guilt, I would say.
00:34Also.
00:36But I don't want to burden my conscience
00:38with a bad decision.
00:39Ah.
00:42Ok, from now on I'm going to call myself a bad decision.
00:44Maggie.
00:49You know that I can no longer have children.
00:51I don't want to be the one who deprives you
00:53of the possibility of being a mother.
00:54I already told you to let me determine that.
00:57That's my problem, not yours.
00:59Well yes, but we are both involved.
01:00No, deep down what you want is to continue with Graciela.
01:05And that's okay.
01:07She's your wife.
01:15This part is still a little loose, isn't it?
01:17Well, you're still losing weight, Graciela.
01:22Ma, what do you bring?
01:24About what?
01:24I'm not very happy.
01:27Of course I'm happy.
01:32But it seems you're not here.
01:35I feel you absent.
01:38Of course I'm here.
01:40The one who isn't here is your dad.
01:43That one is missing.
01:48Come on, teach me.
01:54Deep down what I want is to be honest.
01:57And I also have to take care of the professional side.
02:00And I have a lot of decisions to make.
02:01And honestly, I don't know what the first step is.
02:03I don't know what's going on.
02:34Well, the poster is provisional.
02:36You can't be picky about that right now.
02:39I'm not talking about the poster.
02:41I'm talking about the idea.
02:42The boy is a television character, not a movie character.
02:45We can put it wherever we want.
02:48Why don't you leave my characters where they are?
02:51Where they have always done well.
02:53You keep forgetting that these are my marbles.
02:56I make the rules.
02:58We're going to make the kid's movie.
03:01Are you going to say no?
03:02The idea is worth millions.
03:06Do you want me to be honest with you?
03:08I want you to be smart, Roberto.
03:11Think about it.
03:11Maggie, wait for me.
03:22What happened?
03:23I want to talk to you.
03:24I don't want to touch on any other topic other than work.
03:27I know, hey.
03:27But it's already becoming very uncomfortable to work like this.
03:31Do you think this is the place to talk about that?
03:35I don't know if this is the place to talk about that.
03:36I don't know if the kitchen or the boardroom is the best place, but...
03:40I think we need to talk about this like adults, right?
03:42Well, then let's act like adults and focus on work.
03:47I promise there won't be any more tension, okay?
03:48For a woman I like...
03:53Pass it to me, pass it to me.
03:56But stronger.
03:58You already are!
03:59It's got it, it's got it, it's got it!
04:01At last!
04:01Thanks love.
04:07We don't make a bad team, do we?
04:10You see, we can still...
04:13light the fire.
04:15No, seriously.
04:17Nieko, look what we've built.
04:22I am very lucky.
04:24Well, we are.
04:25I know none of this has been easy.
04:33Pass it to me!
04:35Pass it to me!
04:36Pass it to me!
04:39Good, dad!
04:40Very good!
04:48And so?
04:49For the movie.
04:51Are you going to put the kid to play soccer?
04:53No, not the kid.
04:55So...
04:56It's a new character.
04:58For the movie.
04:59And for that we need this.
05:03Are you going to be a soccer player?
05:04No, not me.
05:05The chanfle is called the character.
05:08He is a water bearer who is very dreamy and...
05:12He carries his balls everywhere.
05:15A water carrier.
05:16But he's going to score some great goals, that's for sure.
05:19I didn't understand anymore.
05:21We're going to need a stadium and training fields.
05:23because the chanfle works for the best soccer team in Mexico.
05:27Count on America for whatever you want.
05:30But he works for Chivas.
05:33You're stupid.
05:35We'll talk about that later.
05:36And what is the movie about?
05:40Well let me go write it.
05:42Chamfer.
05:44Another character with Che?
05:46Like goats.
05:48Like shit.
05:49Get out of here.
06:02How are things with you?
06:05Fine-tuning details.
06:08It makes me happy to see you so inspired again.
06:09No.
06:25No.
06:27Okay, buddy.
06:28Thank you!
06:58Thank you!
07:28Thank you!
07:30Thank you!
07:32Thank you!
07:34Thank you!
07:36Thank you!
07:38Are you done yet?
07:40Ready!
07:42The Chample!
07:44My first movie.
07:48Are you done yet?
07:50Ready!
07:52The Chample!
07:54My first movie.
07:56My first movie.
07:58Now written for me.
08:00It feels weird.
08:02But weird well, I guess.
08:06Yes, football.
08:08Oh, right.
08:10An ordinary guy.
08:12Family and it's also something very much mine.
08:14Very yours?
08:26Is something wrong with Chample?
08:28No.
08:30I see it as normal.
08:32He had an idiot face.
08:34Well, that's why.
08:36Poor Valentino is walking around with a crazy face.
08:38Hmm?
08:40This is my wife.
08:42His wife?
08:44His wife?
08:46No?
08:48Do you have a?
08:50No.
08:51No?
08:52No.
08:53No?
08:54No.
08:55It doesn't feel weird either.
08:56It doesn't feel weird, it doesn't feel weird okay, it doesn't feel weird okay.
09:01Don't you feel weird?
09:02Crazy? This is my wife. Your wife? What? You're pregnant. Wait, wait,
09:22Doctor, what did you say to me? Hey, what's the wife going to be like when she ends up pregnant?
09:33Remember when a goal is scored, you get so excited and celebrate and shout. Yeah? Look,
09:45That pregnant belly looks so pretty. I see myself as fat, clumsy. Well, I don't think so.
09:52Let's see, where are Chato and Angelines? They're smoking, sir. Well, while we go
09:58to do a rehearsal. Goal! Goal! Perfect! Let's go! Let's do it! Come on,
10:05flat-faced, Angelines! Of course you're not going anywhere. I think if the big cheek gets
10:12the batteries and I'm going to hit it. Look, why do you want to leave? Because I'm not having fun anymore.
10:22What? Besides, on a show with Marcos I can show off more. I can do what I
10:27I want to. Show off more? Yes? Without the chilindrina. Without the kid. Maybe.
10:34Without Doña Florinda. Without the little witch of '71. Without Roberto Gómez Bolaños writing.
10:41Yeah, yeah, yeah. You're talking just like Margarita. If you were an idiot, don't you realize?
10:46I'm going to miss you, asshole? I'm going to miss you.
10:53You too, witch. You too. I love you so much. Really, so much.
11:01Me too, witch. Hey, Chespiro. Come in. Hey, we haven't gone back to the subject.
11:14But what I told you in Acapulco is serious, right? Remember me, please?
11:20Of course. I have plans to do my own show.
11:26Are you okay? Are you free? No, I already know that, but I'll warn you because then the boys will puff up.
11:35Where are you going to do it? At the same company. They know better than anyone how successful Kiko is.
11:42Oh, sure, it's Kiko. Clear?
11:45Well, I think we can reach an agreement. Talk to Ernesto.
11:52You've already warned yourself, right? You'd better talk to Ernesto and make sure they'll give you some space.
11:57And then we'll talk. He's going to give it to me. If he's not a jerk, okay?
12:04Marcos.
12:08Let me give you some advice.
12:09Don't stay tied to the character of Kiko for life.
12:16You're very talented. You could play any character you want.
12:20Make sure they write something new or different for you.
12:24Thank you very much for your wise advice, Chaparro.
12:27You're done, right?
12:28Pepe.
12:42Tell me, sir.
12:43Look, move all the extras behind the goal so I can get out in the corner.
12:46Yes sir.
12:47Shall we do a rehearsal, Roberto?
12:51You know what? I'm thinking I want a different location for each goal.
12:57When it's time for a Chilean, we raise the camera, and when it's time for a dove, we lower it.
13:05Okay. What do you think if you set up the goals and let me decide where to put the camera?
13:09I do my job, and you do yours. How do you see that?
13:12Ah, Maria, that's not what he's asking you for.
13:13You shut up.
13:14Don't disrespect him.
13:17Come on, why are you arguing about whether you can just go and get into a fight?
13:20It's more respectful, because I'm the director here.
13:22Damn.
13:22Have you seen what you did?
13:23You messed it up, skinny girl. Neither of them can be fixed now.
13:26No, get out of here.
13:29You two, when you can behave like adults, talk to me.
13:36Let's see.
13:36Look, look, you complicate everything.
13:41Quiet, let's run. Ready?
13:43Father Garita.
13:45Okay, that ball, first time. Let's hit it.
13:47Dear all, if I may have your attention, please, this is an important moment.
13:54Well, I know my shorty friend here thinks we're all his property, but hey, I think we know that's not true, right?
14:01And since for some time now, the star of the show hasn't been the guy anymore, but his mere napkin, I want to let you know that from now on, you won't even see my dust.
14:15Kiko is going to have a big problem.
14:19Don't worry, I'll leave you here so you can continue playing school.
14:23And what's more, I'm leaving Ramón to accompany you.
14:26Hey?
14:28What happened? What happened? Let's go there, okay?
14:30Marcos, what are you talking about? Sit down now. What do you mean...?
14:32Oh, don't even act surprised, fatso, everyone already knew.
14:36Everything went to hell in Acapulco.
14:38This is the end of one era and the beginning of another.
14:43I wish you all the success in the world and, well, see you there.
14:48No, no, no, how do you see each other there? Wait, Marquitos, Marcos, Marquitos.
14:53Wait, why are you following them?
14:54Marcos.
14:55What happened, Marquitos, huh? What do you mean, I left Ramón there?
15:01You're cold, bro.
15:03What do I do? There's no way I'm taking you to Agüevo.
15:05No, no, no, if it's not from Agüevo.
15:07And Chespiro has always been straight with me.
15:09That's why I don't want to be the apple of discord.
15:13Stay with the other sheep and be happy.
15:15What happened? What sheep, you bastard?
15:19Slap!
15:20Do you see what you cause?
15:23That?
15:23But it wasn't her fault.
15:25Am I talking to you?
15:26No, I'm talking to you and I'm telling you that it wasn't her fault.
15:29I'm talking to her, not you.
15:30No, I'm talking to you and I'm telling you not to talk to him like that.
15:32No, don't get involved.
15:33Yeah, calm down.
15:34It's between her and me.
15:35And I'm telling you this is the last time you'll disrespect him.
15:37Don't tell me that.
15:38Look, you've got me fed up.
15:41Not anymore!
15:42No, let it go!
15:43No!
15:44No, let it go!
15:45No, let it go!
15:46No, let it go!
15:47No, let it go!
15:47No, let it go!
15:47No, let it go!
15:48It's incredible that you're still getting into that trouble.
16:03What's incredible is that I'm not the strawweight champion I once was.
16:07Of course not.
16:11What would have caught me young?
16:14Two minutes and I'll be punching him at least once.
16:18Yeah.
16:19Or they kill you.
16:21What are you going to kill for?
16:23And what happened?
16:25Foolishness.
16:27Foolishness?
16:27Look how they left you.
16:30What was it?
16:31The end of filming was chaotic.
16:35Marcos announced his departure.
16:38And everyone was on edge.
16:43There was too much drinking and you know what.
16:46No, I don't know.
16:48What happened?
16:50Nothing.
16:51In the heat of the moment, Mariano disrespected Margarita.
16:56Congratulations.
17:08You're going to have your program.
17:10We must accept that Roberto's conditions are very simple.
17:14Fucking conditions?
17:16The boss made it very clear to him.
17:18You can use the Kiko character without any financial commitment.
17:21No, no, well, that was the last straw.
17:24You just have to acknowledge Roberto Gómez Bolaños in the credits as the creator of the character.
17:29No, not a chance.
17:30Kiko is me and the character is mine.
17:32Look, I'm not here to argue about that.
17:34Did you know?
17:35Tell your boss I want to talk to him.
17:37I don't make deals with clowns.
17:39I want to speak to the owner of the circus.
17:42No more than the owner of the circus doesn't want to talk to the monkeys.
17:47That's the message.
17:48If you don't align yourself with Roberto's conditions, you won't be able to do any program at this company.
17:54They're not going to finish it.
17:56My lawyers and I are going to go all out against you, and you're going to regret it.
18:01Yet?
18:01Hey, don't scare me.
18:03Oh, you don't believe me?
18:05Go to hell.
18:07Tell security to come get Marcos or Arragán so they can escort you out.
18:14And what are you watching, damn it?
18:18Are you sure you don't want one?
18:21No, thanks.
18:23AND?
18:24What did you want to tell me?
18:28Well, what can I tell you that you don't already know, my Chespiro?
18:31The atmosphere in the group is no longer pleasant.
18:34It's all just fucking shouting, hat-waving, gossip.
18:37It's a stage.
18:40We all have to go through it.
18:44And now that Marcos's tantrum is going to pass.
18:48Well, I don't think so.
18:51Damn chubby guy is still stubborn and has no intention of withdrawing the lawsuit.
18:55Do you think we've reached this point?
19:03Do you think it's time to say goodbye to the programs?
19:08No, well, I don't know.
19:10That's your business.
19:11And you?
19:16What are you going to do?
19:19Well, we'll see in the autopsy.
19:22Have fun for sure.
19:24Sure.
19:26Chespiro.
19:28I love you a lot.
19:30But a lot really.
19:32And I'll be grateful to you all my life, you bastard.
19:35And I know very well that no intelligent man would abandon you.
19:38But here's Mr. Idiot, right?
19:44Really, forgive me, brother.
19:46Here already.
19:47I'm done.
19:48I don't have anymore...
19:51I'm going to go with the other asshole.
19:57Let's see what nonsense we come up with together.
20:08I feel horrible, asshole.
20:20I feel horrible, asshole.
20:50What's up, asshole?
20:55No, asshole.
21:09Oh, but I like you.
21:11Oh, how pretty, Mom.
21:13How neat is it?
21:15Well, today marks 23 years of marriage, his father and I.
21:18Let's go to dinner.
21:1923, mom?
21:20Oh, there are so many of them.
21:22Congratulations, ma
21:23Thank you
21:23Hey, don't stay up all night.
21:25They finish and go to sleep
21:27Yes, yes, yes
21:28Yes, yes, yes
21:28Yes, yes, yes
21:28Yes, yes, yes
21:28Yes, yes, yes
21:29Yes, yes, yes
21:29Yes, yes, yes
21:29Yes, yes, yes
21:30Yes, yes, yes
21:30Yes, yes, yes
21:31Yes, yes, yes
21:31Yes, yes, yes
21:32Yes, yes, yes
21:32We don't want to thank you for your good luck.
21:34Thank you
21:35And...
21:36Kiko's Theme
21:37The resolution of the lawyer of the Writers' Society
21:41What happened?
21:44What do you mean, what happened?
21:45You are the author of the character of Kiko
21:47There is plenty of evidence for that.
21:49What's more, Marcos himself signed a document when we did that sales business.
21:53He recognizes it, but he just makes himself less.
21:56Ready, eager for the demand
21:58And now what?
22:01Are you going to countersue?
22:02No
22:03It's not worth it
22:05I don't want to waste any more energy on more arguments.
22:08Let him do what he wants
22:10For me it is time for a new stage
22:13Ah, well.
22:15Excellent
22:17I say, you say
22:19What is this new stage about?
22:22I'm not sure
22:24I still have many doubts
22:27AND...
22:28Pressure
22:29There are people who depend on my work
22:32That I write more...
22:34More characters
22:35No, man, no.
22:35You do your thing
22:37Don't worry about others
22:39Health
22:40Health
22:43Health
22:44Health
22:44Health
22:47Health
22:48Health
22:49Health
22:50Health
22:51Health
22:53Health
22:54Health
22:55Health
22:56Health
22:57Health
22:58Health
22:59Health
23:00Health
23:01Health
23:02Health
23:03Health
23:04Health
23:05Health
23:06Health
23:07Health
23:08Health
23:09Health
23:10Health
23:11Health
23:12Health
23:13Late again?
23:30And you're feeling bad again?
23:31You do know what we're celebrating today, right?
23:4523 years of marriage
23:47And you stood me up
23:49I don't think it's fair to reduce our entire relationship to a calendar date.
23:59There are more important things
24:01Like what things?
24:04Tell me
24:04The work
24:06The people
24:08What people?
24:19I do know who is more important
24:20I've had it saved for over a year.
24:35What's that?
24:41Well, it's not mine.
24:42We both know perfectly well who it belongs to.
24:46It arrived in your suitcase when you returned from the tour in Chile.
24:50And I tried to hold on
24:52And I endured
24:54Because I thought Acapulco was going to be of some use.
24:58But not
25:00And for what?
25:02Why now?
25:05Because I forgot the date of our anniversary
25:07Of course not, Roberto.
25:09It has to do with attention
25:12With interest
25:15This can no longer be hidden.
25:19Excuses are no longer valid.
25:20Grab your Margarita bra
25:26Put it in your suitcase
25:27With all your things
25:28And leave the house
25:29No, wait Graciela
25:30How am I going to leave?
25:32If just a few months ago
25:33We agreed that we would keep trying.
25:34I can't take it anymore
25:38I'm broken
25:43I'm exhausted
25:47I'm tired of the world revolving around you.
25:52And so do we.
25:53Tell me one thing
25:59In all honesty
26:01You are happy here
26:06What's up with your mom?
26:09What's up with your mom?
26:10What's up with your mom?
26:10No, wait
26:11What's happening
26:12With your mom
26:12No, wait
26:13I owe it
26:13What's happening
26:14No, wait
26:18What's happening
26:18It's that the voices
26:19I'm going to leave
26:19What's happening
26:22Because she's my mom
26:22No, wait
26:23I owe it
26:23I owe it
26:24I owe it
26:26No, wait
26:28One
26:28AND
26:29AND
26:30God
26:30Aha
26:33What's happening
26:33The project thing
26:34It's mine
26:35I decided to bring them together because
26:44things have gotten more difficult
26:51and his dad and I decided to separate.
26:58He's not going to live here in the house anymore.
27:05He left with Margarita.
27:14The problem is not Margarita, nor is it me.
27:19The problem is that his dad's world
27:20has grown more than we imagined.
27:25His dad is someone different
27:27and now has other needs.
27:33That's all.
27:36But we're going to be okay.
27:42Marce.
27:43Marce.
27:43Marce.
27:44Marce.
27:55Marce.
27:56Marce.
27:59Marce.
28:00Marce.
28:01I'm sorry
28:09I'm going to write a sketch called
28:18My life is chaos
28:21Don't be exaggerated, asshole
28:24You have separated from your wife
28:27Nothing else
28:28Many of us go through that.
28:30I say, love ends
28:33Yeah
28:35But I am at a crucial moment in my life.
28:39Where I'm in love with another woman
28:42As if I were a teenager
28:44At 50 years old
28:46Hey, Aracuanes!
28:50Do they work or not?
28:51No, sir
28:51No, no, no
28:53That
28:53And so?
28:57I spoke with Crispín
28:58Crispin?
29:02Yeah
29:03Of the Aracuanes?
29:04The Cacarizo!
29:06Listen carefully
29:07A meeting is being organized
29:09Nothing more and nothing less than with the Aracuanes, man
29:12Of all of them?
29:14Yeah
29:14The entire gang and the colony of the Valley
29:17He is organizing it with the Porters, with Adrián
29:20Almost everyone goes
29:22Excellent
29:23When is it?
29:24By August 30th
29:26They're all going to be old, aren't they?
29:29Yes of course
29:29But most of all they
29:30August 30th
29:33Yeah
29:33I always remember that as one of the most fun stages of my life.
29:39They don't feel like turning back time.
29:44At least you've had your better days.
29:50Don't complain
29:51I'm not saying he sings
29:53Am I complaining?
29:54No, no, I'm not nostalgically saying that I miss that role.
29:58Graciela?
30:00You've sung it to yourself
30:01Yes, here is Roberto with me.
30:03Are you passing it?
30:06I'll pass it to you
30:06Graciela
30:09Hello
30:36Hello
31:06Thank you for talking to me
31:14We can't go on like this.
31:21Then let's stop
31:24As?
31:30Stop me
31:31Help me find reasons to stay
31:37It's not about that anymore
31:40You had many reasons
31:44Your children
31:48But you have to go out and build your life.
32:07I don't want to destroy any life to build mine.
32:19Everyone has to take responsibility for their own things.
32:31You and us
32:35Do what you have to do
32:47Follow your heart
32:52I'll leave you to finish.
33:04Hello good
33:31Hello
33:31Hello
33:32Roberto
33:36Roberto
33:37Are you hiding from me or what?
33:39Do you want to talk to me?
33:40days ago
33:41The boss wants you to go to Colombia
33:43So that?
33:45They looked for him from there
33:46They want you to go to the solidarity march
33:48What's that?
33:50A fundraising event for the poor
33:53You just have to go and parade
33:55Well, with your whole group
33:56And why did they speak directly to us?
33:59Ah, what do I know?
33:59Well let me see what it's all about.
34:03And talk to my group
34:04When is it?
34:05August 30th
34:06Forget it
34:08Can't
34:09Ah, how good you are, Roberto
34:10The deal is closed
34:12The boss made the commitment
34:13No, no, no
34:14Let me talk to Ernesto first.
34:15Mr. Figueras
34:17It is not in Mexico
34:19Well, Mr. Figueras
34:21He is not the owner of my time
34:22Since when do you decide my life?
34:26For many years
34:28Haven't you noticed?
34:30I have mixed feelings, Horacio
34:53I know, brother.
34:55Don't know
34:56I feel guilty because
34:58I know what we are doing here is good
35:01Look, Bob
35:04I swear I would love to keep talking to you.
35:09But I need to change
35:11They only gave us 20 minutes
35:12Look
35:13People are waiting for us, Bob.
35:20See you there
35:28No, no, no
35:58You will take nothing with you when you leave
36:21When the day of your end approaches
36:26Live happily now while you can
36:32Maybe tomorrow you won't have time to feel like waking up.
36:38Ready, sir?
36:41Not so much, but in bad weather it gets light earlier
36:46Sow your land and get to work
36:50Low
36:50Let your thoughts fly free
36:57Leave the resentment for another time
37:00And set your boat afloat
37:06Open your strong arms to life
37:13Leaves the wound in its nothingness
37:16Nothing will fall from the sky
37:20Try to be happy with what you have
37:25Live life and thought
37:28Boys you'll get it
37:32And when your farewell finally comes
37:44You will surely smile happily.
37:51For having achieved what you loved
37:56For finding what you were looking for
38:00Because you lived until the end
38:04And when your farewell finally comes
38:11Don't leave the wound alone.
38:15Nothing will fall from the sky
38:19Try to be happy with what you have
38:24Live life intensely
38:27Boys you'll get it
38:32This year's guest is comedian
38:35Who came with Chavo del Ocho
38:37And the whole neighborhood
38:38A crowd gathers in the streets
38:40Composed of a number of people
38:42That according to official calculations
38:43From the Colombian government
38:45Exceeds three million
38:46Three million people
38:48Did you hear?
38:50Oh dad
38:51Oh look at his face
38:54I need to take control of my life again.
39:03When did you release them?
39:06I don't know
39:07I didn't realize
39:08Taking one step after another
39:12Until I found myself in a position
39:15In which
39:15I need to feel in control of myself again.
39:19And how are you going to do it?
39:24Calmly
39:27At peace
39:30And with you
39:34It's time to build something new
39:38Do you want to build something new together?
39:45Yeah
39:46But you have to be willing to commit.
39:50I don't want to fail anyone anymore.
39:51I love you Maria
39:59Me
40:01I don't want to fail
40:02I don't want to fail anyone
40:02I don't want to fail anyone
40:04No, no, no.
40:34They are very proud of you.
40:41I brought this for you.
40:45What is it?
41:04With the heart ahead.
41:22So that you never forget.
41:24That?
41:25Oh, doll.
41:30I still remember when you told me...
41:33Shoemaker to your last.
41:35Don't think about it too much.
41:41And I thought I could have a simple life?
41:50Watch football on Sundays.
41:54Have a family.
41:58You have family.
42:05Do you know what I've learned?
42:09That one can recover the money,
42:13love,
42:16the prestige.
42:21But not time.
42:22Love is your marriage and beer.
42:26Let those who want to work.
42:28Don't let them rest.
42:29We will continue visiting the pharmacies and the Millán.
42:33Hey, to which ones!
42:34They work or they don't!
42:35No, sir!
42:36No, no, no!
42:37That's why you have to take care of the things you remember.
42:41And if something nice happens to us,
42:44make a few people laugh.
42:49A few that became millions.
42:52This is the puddle of eight,
42:56played by the super comedian Chespirito.
43:01The super geniuses of the square table.
43:08The best program.
43:09Less, worse.
43:10Teto begins his career on television.
43:12The Red Grasshopper!
43:14The Red Grasshopper!
43:19Now I realize it wasn't about me,
43:22but of all.
43:25How are you?
43:26Good.
43:27Shall we lace from above?
43:29Come on.
43:30Come on!
43:31Good morning everyone!
43:32Good day!
43:33Good day!
43:34And although the future is generally uncertain.
43:37The exhibitions?
43:39Ready!
43:41Human beings have an advantage.
43:43Action!
43:45You can tip the scales in your favor.
43:56Every story has a beginning.
43:59But they also have an end.
44:00And hopefully we'll have learned something along the way.
44:01And hopefully we'll have learned something along the way.
44:14Even I, who am very clumsy and stupid, and I keep tripping.
44:29Today I am convinced and I feel it in my heart.
44:35It was worth it for all those people.
44:37It was worth it for all those people.
44:45It was worth the laugh for them.
44:49Laughter.
44:50Laughter.
44:51Laughter.
44:52Laughter.
44:53Laughter.
44:54Thanks for watching the video.
45:24Thanks for watching the video.
45:54What a nice neighborhood, it's Chavo's neighborhood.
46:02It may not be worth half a cent, but it's really pretty.
46:08You know, I used to come to the vicinity of my house?
46:13It had to be the kid. You always greet me with a bang.
46:16You know what? And I was left wanting more, Mr. Belly. The thing is, I bumped into the master longanista.
46:20Tada, tada, tada! My last name is Jirapales.
46:25Okay, but don't get angry.
46:27Haven't you seen Doña Florinda?
46:28He's fighting with Rondamón. And next time he's going to play tricks on his grandmother.
46:33Rondamón, does your grandmother like the circus?
46:36What? Take it!
46:37And I won't give you another one just because my grandmother was a trapeze artist.
46:42What's wrong, kid?
46:43It's because your dad hit me, Jirindrina.
46:45Sorry, he's just really nervous because the witch from '71 won't leave him alone.
46:50Don Ramón, Don Ramón. How good to have found you.
46:53He said excuse me, Monchito said, and went to have a coffee.
46:56No, no, no, no.
47:26No, no, no, no.
47:56No, no, no, no.
48:26No, no, no, no.
48:56No, no, no, no, no.
49:26No, no, no, no, no.
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