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Serie humor suspenso drama #chespirito #mexico #viral_video
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00:00But how much of a year?
00:15Enough for me to be able to take care of the three children again.
00:19I don't understand.
00:22Look, when you finish second grade, you're going to go back home.
00:26With me and your brothers.
00:28What if I fail?
00:30No, no, you're not going to fail.
00:32What if my uncles don't like me?
00:37No, of course they will love you.
00:41In her letter your aunt tells me that they are happy to have you.
00:55Don't worry, Mrs. Bolaños, we'll take you to your destination.
00:58Thank you.
01:08Are you going to take this claw?
01:10It's that I need it.
01:15OK that's fine.
01:18I'm going to miss you.
01:19Me too, son.
01:34Here, please.
01:35Everyone ready, bus to Guadalajara.
01:45Jele.
01:46Jele!
02:05Ha!
02:06The point is that they offer me
02:21a program to do there.
02:27Hook to the liver.
02:29I don't even know what to tell you, man.
02:31They offer me too much.
02:33Much more than I earn now.
02:36And the crazy ones.
02:38And Lucas Tañeda.
02:39Well, I know it may seem...
02:41Today they recognize you for that.
02:43He's a great character.
02:45Are you going to abandon him?
02:47They offer me the opportunity too.
02:49to direct, to write there.
02:52I know I'm letting you down,
02:53but I have always spoken the truth to you.
02:56I think this is an opportunity
02:57that suits me.
03:02Alright.
03:03I think it's a dirty play
03:06from the competition
03:07and that definitely
03:09I'm going to miss you a lot.
03:13But it's the best they can do.
03:15What thing?
03:16Stealing talented people.
03:17Look, I don't want to come across as ungrateful.
03:23On the contrary, Ruben.
03:26Here I am the one who is grateful to you.
03:29And we are not married.
03:32You have the right
03:32to build your career
03:34as it suits you best.
03:35Thank you so much.
03:37Really.
03:38I think this is an opportunity
03:39that will make me grow.
03:41No.
03:41Don't grow up anymore, please.
03:43And you, what a short guy you are?
03:45you have it big.
03:47Not just anyone would do what you do.
03:51Have common sense and empathy?
03:56If you want to come back,
03:59With me, the doors are always open.
04:03Thank you.
04:04Thank you so much.
04:06There is no cheese.
04:07No more potatoes.
04:10Should I interrupt?
04:11No, I'm done listening.
04:13the bad news.
04:16I guess you already know.
04:18Didn't you say that about me?
04:24You too, asshole?
04:27I'm leaving too, my brother.
04:29We're both leaving.
04:31It's just that I had nowhere else to go.
04:33And we start next month.
04:39Good luck.
04:41Roberto, that's how this business is.
04:45Now we need your help
04:47to think about who can replace Rubén.
04:52I'm not sure I understand what you're asking me.
04:55Look, it's not that difficult, is it, Roberto?
04:57The actor who played the character of Lucas Tañada has left.
05:00We need another actor to play that same character.
05:02The Lord is giving you the opportunity
05:03that you are part of that choice.
05:05Ah, thank you.
05:06But not.
05:08No one else can play that character.
05:09And why not?
05:11Because I wrote that character for Rubén
05:13thinking about Ruben.
05:14That's Ruben.
05:15No one else can play that character.
05:17It can't have another face.
05:18Let's see, Roberto, what you have to understand
05:19is that which is in continuity
05:20It's the character, not the actor.
05:23Well, the character is over.
05:25Well, what are you going to put in?
05:26Why is it urgent to fill that space?
05:27Yes or no, sir?
05:29From the head from which Lucas Tañada was born
05:31and all the rest of my characters
05:33can do many more.
05:39Are you going to write something new?
05:40Yes sir.
05:44Sound.
05:56No.
05:57Do you like your room?
06:27There are many children living around here.
06:34Do you want to go play?
06:54Go play with them.
06:57No factors!
07:04No, YOU BRING EVERYTHING.
07:06YOU BRING IT.
07:09YOU BRING IT.
07:19Antonio Santos.
07:22No, no, no, no.
07:52Appease him!
07:54Look, give me a nice cycle.
07:56Hello!
07:56How are you?
07:58Yeah.
07:59He's going to eat me.
08:01Who wants to come to the park?
08:02I.
08:03I'm going too.
08:05I'm staying to take care of Paulina.
08:06I'll help you.
08:07Those of us who are going, let's go.
08:08And those who stay, stay.
08:14Which one are you going to get on first?
08:15To that one.
08:22Appease him!
08:33Appease him!
08:37Appease him!
08:38Appease him!
08:39Appease him!
08:40Appease him!
08:41Appease him!
08:42Appease him!
08:43Appease him!
08:44Appease him!
08:45Appease him!
08:46Appease him!
08:47Appease him!
08:48Appease him!
08:49Appease him!
08:50Appease him!
08:51Appease him!
08:52Appease him!
08:53Appease him!
08:54Appease him!
08:55Appease him!
08:56Appease him!
08:57Appease him!
08:58Ear? Where's your brother? I've lost sight of him.
09:09Earthquake. Where's your brother? I can't find him.
09:13I don't know. I think it was somewhere around there.
09:16Let's go find him. Come on.
09:18Where is?
09:19There it is. There it hides more.
09:23Champion! You got away from me!
09:26No, here it was.
09:27Will you buy me a balloon? I want one too.
09:31Do you want a balloon too? Yes!
09:32Let's go buy balloons. Let's go!
09:35Follow me, good ones!
09:41I want this one! No! This one!
09:43Let's see, let's see, let's see! Let's see, let's see! I'll give it to you!
09:48Don't grab the balloons! I'll give them to you!
09:51No, I want this one over there! This one over there!
09:53I want it now! Wait, wait! I'm not going to give it to you!
09:56No, I'll order it now!
09:57See you next time!
09:59No, no, no!
10:01No!
10:03No, no, no!
10:05No no!
10:07No no!
10:09No, no, no!
10:11No, no, no!
10:13No no!
10:15I'm not going to give it to him!
10:17No no!
10:19Are they going to decide?
10:21And what do you find so funny?
10:23No!
10:25What are you laughing at, huh? What are you laughing at?
10:34Which one do you want? The red one?
10:35This, this.
10:37No, no, no.
10:38Are you going to decide to buy a balloon or are you going to float around?
10:40Hey?
10:42I won't give you another one, no, no.
10:43Here's your dad, huh?
10:44No, no, no.
11:14No, no, no.
11:44I grab onto some bug and its fever doesn't go down.
11:47I brought you a cake.
11:48Eat something, please.
11:53Thank you, Nikita.
12:14Aunt, when will I be able to see my mom?
12:23Why aren't you happy here?
12:25I'm afraid.
12:28About what?
12:30One day my dad didn't come back.
12:33And the other days neither.
12:34I promise you that you will see your mom again.
12:42But right now you need to eat.
12:45Are you hungry?
12:47Yes, very much so.
12:48Yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, ma.
12:50What do you fancy?
12:51A ham cake.
12:52The ham cake.
13:22Look, kid.
13:30If you are not going to buy a balloon
13:32Go bother your grandma
13:34Something like that
13:35Ah, yes
13:36Because you're going to be dealing with a very annoying child.
13:39Well, no, no.
13:40But where are you going to get the child from?
13:42From nowhere
13:43I don't like child actors.
13:45Well, you're right.
13:46Because hiring the child is always very, very complicated.
13:49And it's also very cruel
13:50Child actors never grow up to be normal people.
13:54What happened? What happened?
13:55Just look
13:56The point is that we are not going to hire any children.
14:01Well, so what?
14:05We prepare, Ed
14:06Cameras ready
14:07Everyone in their positions, please.
14:09Mr. Gomez
14:11Take
14:12Thank you
14:13You are the oldest child I have ever seen.
14:23No no
14:24There are children older than me
14:26You are very touched, very much so.
14:29Well played
14:29Let's see
14:29You're going to be standing here with your whistle and the balloons.
14:32And here comes the boy walking alone with his ball
14:36He puts it on and...
14:37AND...
14:38No!
14:39No!
14:39No!
14:40No!
15:11No!
15:12I told you not to take my things!
15:15You're going to go to the lady and tell her...
15:16No!
15:25And what do you see in me?
15:28Nothing. Why were you crying?
15:34Because my dad scolded me. He hit me and pinched me.
15:40No!
15:49Mr. Gomez, no.
15:50I know. I understand.
15:51I don't want to interrupt you.
15:54No, well you already did it.
15:56I just want to tell you that the balloonist and other kids need a neighborhood.
16:02What are you talking about, Roberto?
16:04From the character of the boy. With the balloon seller.
16:07The kid fell in love very much and needs to be with a girl in a neighborhood.
16:12Sir, you don't want to make a children's program.
16:15It is not a program for children.
16:16Oh no!
16:17Obviously there is someone here who does not understand me well.
16:20I.
16:21The situations we are going to see in the neighborhood are not just for children.
16:26The balloonist is not just a balloonist.
16:27It's the typical chambitas.
16:30Unemployed, lazy, crafty.
16:34And what is the neighborhood for?
16:37Because the balloon seller has a daughter.
16:40That he's going to hang out with the other guy.
16:41And the group around him can grow.
16:46Can it grow?
16:48No, Roberto.
16:49We don't have the budget for a neighborhood.
16:51Not even to hire a girl.
16:52We are not going to hire a girl.
16:55Look, you can't build everything you...
16:56If possible!
16:57Why are you so damn stupid?
16:58Because I know what I'm doing.
17:00But they don't have patience with me.
17:03I need you to trust me.
17:05Just because you say so?
17:06Yeah.
17:07Ah.
17:11I already have the solution.
17:17It's a very good idea.
17:19Thank you, sir.
17:20Hey, sir.
17:21Let's see, we can't...
17:23Ah!
17:31Ah!
17:31Ah!
17:32Ah!
17:33Ah!
17:34Ah!
17:35Ah!
17:35Gentlemen, ladies, boys, girls, I think it's a good time right now to take advantage of
17:50And Roberto here gives us some magic words, right?
17:55Yeah!
17:55Or not?
17:56Ah!
17:56Oh, Dad!
17:58Ah!
17:58Welcome!
18:02Welcome!
18:03Welcome!
18:03Welcome!
18:04Welcome, little brother!
18:12Ah!
18:13Master, you left us speechless
18:19Let's see
18:25There it goes
18:29World War II
18:33World War II
18:40It was completed on August 14, 1945
18:45Just 35 days later
18:49On September 18 of the same year
18:52We met
18:54The Gabilondo, the Neri
18:57Oseguera, Market, Ruiz
19:00My brother Horacio and I
19:03And that day we decided
19:06That our group would stop being a gang
19:10To acquire club status
19:14The Haracuanes
19:16A club invites
19:18A club unites
19:21An integrated club
19:2533 years later
19:27Today
19:29All of you
19:32All
19:33They are my club
19:36The one who tried to escape last night
19:46I already heard that he wanted to retreat.
19:48No, no, no
19:49But Chespiro stopped him in time
19:51But how?
19:52Were you just going to leave the recording like that?
19:54He threw his little tantrum
19:55But his wife brought him into line.
19:57As usual
19:57How come there are couples who fight just for that, right?
20:02For later
20:03Enjoy reconciliation
20:05Young
20:09Can I order another concha with cream, please?
20:12Of the big ones?
20:14I'll bring them to you now.
20:14Other?
20:16Do you have four?
20:18Do you have a problem with that?
20:19Edgar, forgive me
20:20I'm doing it for your own good.
20:21I just want to avoid any problems in the recording.
20:24We have to take care of ourselves
20:25And even if they don't like me, right?
20:28Someone has to tell them.
20:30All excesses are bad, Edgar
20:32And they can damage the body and brain
20:35Look, Ramón
20:37No, what happened? What happened?
20:41Not with this doll, Margarita, eh?
20:47Man, congratulations, hand
20:49You hit the jackpot, huh?
20:51I've already been there.
20:53Well, look, I know people who have made it to 90 years old like this.
20:58Smoking?
21:00No
21:00Without interfering in the lives of others
21:03Look, Julio
21:17Everything you find in the warehouse
21:21No matter how chipped it is
21:23We recycle it
21:25And with that we have to make this place have a soul
21:28Alma is going to have
21:30Not so much wood, huh?
21:33And what is indispensable
21:35They are the laundries
21:37Those here
21:38In the center of everything
21:39Where the gossip of all the neighborhoods passes by
21:42Gas tanks
21:44As always there are
21:45In all the neighborhoods around there
21:46Here next to the stairs
21:48With its little pots
21:50A man and his daughter are going to live at this gate.
21:53Here's the gossipy neighbor
21:54And a...
21:57A little barrel
21:59Build yourself a little barrel here
22:01It's already coming
22:20We are doing miracles with what we have.
22:22How do you see?
22:27There the washrooms will be behind me.
22:29He's right.
22:30But we are not going to use it now.
22:32The important thing is this house
22:34Where is the gossipy lady going to come from?
22:36Congratulations, Gomez
22:37I see your scenery whim has been granted, huh?
22:39And with the best set designer in the company
22:41How could we not achieve it?
22:43No, well thank you very much, Ed.
22:44You are in very good hands
22:45Yes, sir, but you don't ask for permission.
22:46I hope those good hands
22:48Help us make noise for the competition
22:50That's what it will be like
22:50Because if not
22:51The boy and all his goats
22:53They're going to have to say goodbye to Channel 8.
22:55We will put all our effort
22:58So that people love this guy
23:00The boy from eight
23:07That
23:11That
23:13What did you do at school, Roberto?
23:15Did it go well?
23:15Mr. Torres
23:24What happened, man?
23:31That gentleman
23:31He comes to ask for money
23:34That for the moment we cannot give you
23:35Mr. Torres
23:36Is it around?
23:38Better come this way
23:39It's more fun
23:40I'm here for the rent.
23:41We need more characters
23:43More characters?
23:45Yeah
23:45The one who collects the rent
23:47The gossips
23:47And more children
23:48I want it to be a program
23:50With a lot of rhythm
23:51Disputes
23:52And contrasts
23:53A show
23:54That we all identify with
23:56Not only with what happens
23:57But also with the characters
23:59Can I borrow it?
24:01Yes, look
24:01This has to be this way
24:02And that is just the way it is
24:04And we need great actors
24:07Who did you think of?
24:09In no one
24:10Treasure!
24:13What are you doing playing with this?
24:16Filthy
24:17Don't hang out with this rabble
24:19Yes, mommy
24:20Good morning, sir
24:36How good that you arrive
24:37I need you to put things in order
24:39This gentleman
24:39Roberto
24:40The new producer
24:41Eduardo de la Torre
24:43It is an honor
24:44Equally delighted
24:45Lalo
24:46I order you not to do anything stupid.
24:49The Lord
24:50He extends his creativity to areas that do not concern him.
24:53And we can't hire just any son.
24:56I understand
24:56We need renowned people
24:58Yeah
24:59Yes, Roberto
25:00I can hear it now
25:01We're going to hit the competition from all sides.
25:05Let's put stars here now that we're gaining audience
25:08But we don't need famous people
25:10Not even stars
25:11Sorry
25:12Sorry
25:13We need good actors
25:16What did you say, Virolo?
25:21You look very ugly.
25:22Apologize to the respectable public
25:25No
25:26Hand
25:27Let's see
25:27To the suitcase then
25:33Yes, let's go
25:35To the suitcase
25:36Congratulations
25:44You do it very well
25:45You are very funny
25:46Thank you, thank you
25:47And you haven't left me
25:48And I miss you already, Mano
25:49Roberto
25:50I am always with you
25:51No, man.
25:52If you want, I'll just leave them alone, okay?
25:53Give us five, okay?
25:55Hey, that's a very good invitation.
25:57Of...
25:58From Jerry Lewis
25:59And that too
26:01What you do with the linked cheeks, right?
26:04It's great
26:05I did that for the character of an old lady called Keta Kekas.
26:08That's good
26:10Have you thought about being an actor?
26:13Oh, do actors really think that?
26:16You'd be surprised
26:17How would you feel about coming to work with me?
26:24As an old lady?
26:25No, exactly.
26:26What would you think of a boy character?
26:30Marcos Barragán
26:31Virolo
26:32Virolo?
26:35It is better known
26:37He's not even an actor, Roberto
26:38But he has what it takes
26:39It's good
26:40Very talented
26:42You are creating a very complicated situation.
26:44I also have to be accountable.
26:46Don't forget it
26:46Clear
26:47Don't spend money you don't have
26:53Don't pay attention to what they tell you
26:57Buy it
26:58Flee from sin
27:00And bankruptcy
27:01The amount of beers you'll be able to fit into this beauty
27:06Loveliness
27:07Buy it
27:08Save yourself
27:10Don't buy it
27:11This lady is very funny
27:12He's funny and he's a good actor.
27:16It's yours
27:16Buy it
27:17Enough, enough
27:19What if better?
27:20Do I pay it in installments?
27:25Pay in installments at central warehouses
27:27And make the bases with your portfolio
27:29And his head
27:30Cinephile
27:33Avid reader
27:34Doctor by profession
27:36Theater actor
27:37Singer
27:38Anything else?
27:40And I also make tamales on Sundays
27:42Well, I don't doubt it.
27:45By the way
27:46We don't use peas here, eh?
27:48Pea
27:49What's that?
27:53You're hired
27:54Roberto, wait
27:55Don't you want to at least audition him first?
28:03And well
28:04He is Edgar Vivar
28:05What should I say?
28:07It's not exactly a chinampina with humor
28:09Is it serious?
28:11Yeah
28:11A serious actor
28:13But the good ones for comedy
28:15We are not necessarily complex time comedians
28:18Let's see, Roberto.
28:18Cast
28:19Absolutely
28:20World unknown
28:21I'm not going to take any chances
28:23I'm not going to introduce it.
28:24This proposal to Mr. Vargas
28:26Forget it
28:27What was the actress's name?
28:31What was on your forum the other day?
28:34Which?
28:36And so it can't be done, right?
28:38One is the one that has to be scrubbed
28:39Oh no!
28:40No, here I only bring rags and underwear
28:43And if it's about scrubbing
28:44Let them go to hell...
28:45Sorry
28:49No, sorry.
28:50We're almost done here.
28:51And we are not leaving
28:52I said it!
28:53Let's go with one more, please.
28:54Very good
28:56Slow down
28:58Ok, yes
28:58Margarita, what?
29:08Ruiz
29:09Margarita Ruiz
29:10Well, Miss Margarita Ruiz
29:13Let me tell you, what I saw on your set surprised me.
29:15He does it very well.
29:17Thank you so much
29:18Let me help you
29:20Thank you
29:21Then, then I saw that you have everything I need
29:25That sounds either very flattering or very dangerous.
29:29I need an old flip-flop
29:30Thank you
29:32And in a very bad mood
29:33Thank you
29:33And with delusions of superiority
29:36No, man, how flattering, listen.
29:38Well, thank you very much.
29:39But it's perfect
29:41Imagine if it were imperfect
29:44Would you be interested in coming to work with me on my show?
29:49H. Espirito?
29:53Are you serious?
29:55Of course, I would love to.
29:56It would be an honor, Mr. Bolaños.
29:58Gomez
29:59Mr. Gomez
30:02Although you can call me Roberto, if you want.
30:04Mister
30:05Roberto
30:06Sorry, I'm just really excited.
30:10I'm very excited too, Miss Ruiz.
30:14Margarita, for you
30:15For you, forgiveness
30:17Daisy
30:19Well
30:20I think this could be the beginning of a long friendship.
30:25I'm sure it will be like that.
30:27Why didn't you say anything?
30:36When?
30:38Well, at breakfast.
30:40When Margarita started to interfere in the lives of your actors
30:43He went too far, don't you think?
30:47Four of the six horsemen of the apocalypse
30:59Hey, you look so handsome today, Eva.
31:01We already told you
31:02What do they want?
31:04What do they want?
31:05What do they want?
31:06We want to go see Manolo Muñoz at night
31:07It will be in the hotel bar
31:09No
31:09No, no, no
31:11You are too young to go to a bar.
31:13We're not going to let them take anything.
31:15Oh yeah
31:15Don't tell me
31:17No
31:18Not today, I don't feel calm.
31:20We don't have anyone to accompany them, besides
31:22Oh well, but it's not like we want them to accompany us.
31:26What do you think?
31:31Come on, go on
31:32I promise you we'll behave
31:33No, let's see.
31:35Your mom already said no
31:36Also, the hotel bar is not for you to be alone there.
31:40But it's Manolo Muñoz
31:41Yeah
31:42Manolo Muñoz
31:43Manolo Muñoz, mother
31:44Please
31:45Come on, please.
31:46Even you like Manolo Muñoz
31:48I mean, how could we not be left with it?
31:49Are you going to see Manolo Muñoz's show?
31:53No
31:53They can't go because we don't have anyone to accompany them.
31:55Oh, but it's in the hotel bar.
31:57If you tell the manager that you are entrusting Chespirito's children
32:00They won't have any problems
32:01That hadn't occurred to us.
32:03I already said no
32:07It's the safest event you can go to.
32:09They will treat them like princesses
32:11They won't have any problems
32:13So, mom
32:15If possible?
32:16Please
32:17Come on
32:17Do what you want
32:19Is that a yes?
32:26No, no, no!
32:27Spread it out
32:27Spread it out
32:28Spread it out
32:29Separate it
32:30Spread it out
32:31Spread it out
32:31Spread it out
32:32Separate it
32:33Spread it out
32:34Spread it out
32:35Separate it
32:36I do know this one.
32:38Because he works here on the Media Naranja program
32:41But she is also a complete unknown.
32:43But it's perfect for what we need.
32:45For what you need
32:46And this one?
32:50Who is it?
32:51Another child
32:51No, well, stop it, right?
32:54How many times do we need to tell you that we don't want children's programs?
32:57And here we go
32:58This is not for children
33:02It's for, it's for everyone
33:05And the whole family will like it.
33:08Kids might like it too, yeah.
33:11But above all, I have to like it as an audience.
33:14And I am far from being a child
33:16We need a group that represents the human condition
33:22A small community with contrasts of all kinds
33:28There's the comedy
33:31Mr. Vargas
33:36I present to you its stellar cast
33:40Well
33:44Well, stellar has very little
33:47I correct then
33:49To its future all-star cast
33:52For now we are just a very talented cast
33:55Oh?
33:57Here is a talented actress
33:59Angelines Fernández
34:01Will there be room for him in its talented cast?
34:03Of course
34:05She is an extraordinary actress
34:08Welcome
34:10Thank you so much
34:11The elderly neighbor
34:18Rather bitter
34:21Madly in love with her neighbor Ramón
34:25Almost to the level of harassment
34:28And so
34:31It's a theme for adults
34:34Good
34:38Roberto
34:40We are in your hands
34:42Ah
34:43And also in the hands of a group of strangers
34:46Let's tell stories of ordinary people
34:52With virtues and defects
34:55With dreams
34:58And longings
35:01The lives of imperfect adults
35:06With imperfect families
35:09The Heavy Child
35:16The Grumpy Old Man
35:18The faithful friend
35:22The gossipy lady
35:25The Old Maid
35:27Normal everyday conflicts
35:31The work
35:34The rent
35:39Friendship
35:43Love
35:48Laughter
35:53The brotherhood
35:58And in the center of everything?
36:22And in the center of everything?
36:28And in the heart of that neighborhood
36:32In which anyone can see themselves reflected?
36:36Close the color
36:37This is a minute
36:38We are?
36:42Are the actors changing, ma'am?
36:44Yes sir
36:45They are ready
36:46The most powerful weapon
36:49Tenderness
36:56From an orphan child
36:58And unprotected
36:59That
37:06It moves any adult
37:10Like nothing
37:11Tenderness
37:27No, no, no.
37:57Running videotape.
38:00Running sound.
38:01In a hurry.
38:04Cameras in position.
38:05Okay, one last thing.
38:08Remember, this is a comedy of contrasts, with heart.
38:12Roberto, we have to start.
38:14To their positions.
38:17Everyone in position.
38:20Ready with your marks, please.
38:24Come on, cameras ready.
38:26Cameras, a comedy.
38:27Listen to yourself, back off.
38:32The female hand.
38:34Silence in the sky.
38:40Come on, Thor. Tell us however you want.
38:43The Neighborhood, Scene 1, Take 1.
38:46In 5, 4, 3, 2.
38:52Look, Chile girl, come, stand over there and pass me the ball.
38:59Yes, yes, yes, go, go, now.
39:12You already got number 8, Kiko.
39:14Last week I'm forgiving your rent, Don Ramón.
39:19Oh yes, my spark, God.
39:24It had to be the kid from 8, right?
39:25It is not contributing.
39:26It had to be the kid from 8.
39:27It is not contributing.
39:27But what's going on?
39:30Yes, they want to hit me with this.
39:32No, Mommy.
39:32Oops.
39:33No, no, no, no, no, no.
39:34Just a moment, ma'am.
39:35I can hear the kid eating, huh?
39:37Let me hear them.
39:38Things didn't go as planned.
39:39Of course.
39:40No, no, no, no, no, no, no, no, no.
39:44Let's go, professor.
39:45Yeah.
39:46He is honest.
39:47Bye.
39:47Bye.
39:48Bye.
39:49Bye.
39:49Bye.
39:52Bye.
40:10Thanks for watching the video.
40:40Thanks for watching the video.
41:10Thanks for watching the video.
41:40Thanks for watching the video.
42:10Thanks for watching the video.
42:40Thanks for watching the video.
43:10Thank you.
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