- 7/26/2025
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00:00I don't know how I let you talk me into this.
00:13Every Smallville High student needs a complete 30 hours of community service.
00:16Yeah, but we could have served our community by lifeguard and the girls' swim class at the Y.
00:20Instead of hanging out with the denture crowd.
00:22I mean, what's the attraction?
00:26Hi, Clark. Pete.
00:28Lana, I didn't know you were volunteering here.
00:30Yeah, right.
00:30For a couple of weeks now. Are you part of the companion program?
00:33Yeah, I'm reading with Cassandra.
00:34She's an interesting woman. Some of the nurses say she can see the future.
00:55It takes two of you to read to me now, does it?
00:58Don't just stand there. Come in.
01:03How'd you know there were two of us?
01:04I'm lying, not deaf.
01:07Heard your little friend's shoes squeaking all the way down the hall.
01:11Can you really tell the future?
01:14Way to go, Pete. Real subtle.
01:16What's your name?
01:18Pete Ross.
01:19Mr. Ross.
01:20Well, if you want your fortune told, go to the circus.
01:32It's a long walk home, Mr. Ross.
01:35Check your pockets.
01:36Oh, man.
01:41I left my keys in the car.
01:45Dude, you're on your own.
01:49Now, what's your name?
01:51Mr. Boston, it's Lana Lang.
02:10Lang.
02:11The Langs moved to Smallville in 1938.
02:17Took over a couple of Dust Bowl farms.
02:20Did a bargain when they saw it.
02:22You're a local history buff.
02:23It's kind of my obsession.
02:26So,
02:27are you my next victim?
02:30You don't look that scary to me.
02:31You should have known me in my younger days.
02:37I'm sure you were quite the heartbreaker.
02:40How about a spin around the grounds
02:41and you can tell me what the Langs have been doing since 1938.
02:48So beautiful.
02:50Don't know why more people don't come out here.
02:52They're too busy watching television.
02:56Jay,
02:57would you mind running back to my room and getting me a scarf?
03:00I don't want to catch a chill.
03:02Sure.
03:03Oh, honey.
03:04You're a doll.
03:05Water.
03:26Water.
03:56What's wrong?
04:20Someone close to you is going to die.
04:23Very soon.
04:26Let your warm hands break right through.
04:39Somebody save me.
04:45Don't care how you do it.
04:49Just stay.
04:51Stay.
04:53Come on.
04:55I've been waiting for you.
05:03I've made this whole world shine for you.
05:08Come on.
05:09Come on.
05:11Come on.
05:13Guys, when you need this kind of stuff done, just ask me.
05:30That's what I'm here for.
05:31Something bothering you, Clark?
05:33No.
05:33I just think we should start putting safety first.
05:35If you haven't noticed, this stuff is pretty dangerous.
05:36Yeah, well, this is a farm.
05:38It kind of goes along with the territory.
05:41Seriously, son, what's going on?
05:44When I was at the retirement center, I met this old blind lady.
05:47I know this sounds crazy, but she can see the future.
05:49What did she tell you?
05:50Someone very close to me will die soon.
05:52Listen, Clark, you can't let some old lady scare you with a half-baked prediction.
05:59I mean, she probably just does it to scare the nurses anyway.
06:01She told Pete he'd be walking home.
06:03Seconds later, he realized that he locked his keys in his car.
06:05No one can tell the future.
06:07What if she can?
06:08What if she told me because there's something I can do about it?
06:11Then she should have given you a little more information, like name, time, and place.
06:13Yeah, and even if she can't predict the future, there's nothing she can do to control it.
06:17Nobody can.
06:43Fate's given you a second chance, Harry boy.
07:01And this time, they're going to pay.
07:08Order up.
07:13God, I haven't been able to eat one of these in years.
07:27I mean, not since the bypass.
07:30That was a joke.
07:31You're a riot.
07:33What can I get you to drink?
07:39How much is coffee from, you know, beans?
07:43Two-seventy-five.
07:46They carried you from South America by foot?
07:48You sound like my grandpa.
07:50Just make sure it's hot.
07:51Yeah.
07:52Whatever.
07:54It's not your fault, Lana.
07:56Do you know anyone else who's lost an entire old person in a wheelchair?
07:59Nope.
08:00That's pretty impressive, even by Smallville standards.
08:03Maybe he was kidnapped.
08:05Who'd want to kidnap Harry?
08:06He's just a harmless old man.
08:08Or maybe Akoy turned into a piranha and ate him.
08:10You asked for my help.
08:11I'm just thinking out of the box.
08:13I like your theory.
08:15You know, you might want to work on your eavesdropping technique.
08:18Sorry.
08:19I'm, uh, I'm new in town.
08:20I just heard this is where young people congregate.
08:24Yeah, we congregate here often.
08:27Hi, I'm Clark.
08:28The rude one's Chloe.
08:29And this is...
08:29Lana Lang.
08:32Name tag was a big clue.
08:36So, uh, good luck finding your missing old person.
08:38Enjoy your coffee.
08:46They brought it in by Burrow this morning.
08:49Thanks, honey.
08:50You're a dove.
08:51She made me kill myself.
08:54You play beautifully.
09:12I was supposed to attend the Metropolis Conservatory.
09:14Your voice sounds young.
09:17The Conservatory closed its doors in the 70s.
09:22I mean, I've always dreamed of attending there.
09:24That is, if I lived in a different time.
09:29Any chance you could give an old lady a hand back to her room?
09:36I already know my future.
09:37You might consider rounding those curves at a speed that won't actually break the sound barrier.
10:00Hey, where's the fun in that?
10:01Seriously.
10:02You could get hurt.
10:02Why this sudden interest in my health?
10:04I met this woman at the retirement center, and she can kind of see the future.
10:10Yeah?
10:10She tell you your future?
10:11Not exactly.
10:14She said someone very close to me would...
10:16Die?
10:19I know it sounds nuts, but when you talk to her, it's like she really knows.
10:21Come on, Clark.
10:22She knows when she has a good audience.
10:23You sound like my parents.
10:25That's got to be a first.
10:28Lex, I think this woman's a real deal.
10:30And the question you've got to ask yourself is,
10:32You really want another future?
10:35Don't you wish you knew how it was all going to turn out?
10:38Life's a journey, Clark.
10:39I don't want to go through it following a road map.
10:41It still wouldn't kill you to drive more slowly.
10:43Why?
10:44I have you as a friend.
10:46You changed my future once, right?
10:47I've got some more deliveries to make.
10:56You never told me this woman's name.
10:58I thought you weren't interested.
11:00Maybe I'll ask her for some stock tips.
11:04Cassandra Carver.
11:12I don't think that's going to help bring Harry back.
11:14Clark, what are you doing? You're so late.
11:16I came to see Cassandra if she's still alive.
11:19What happened to Harry's younger picture?
11:20I don't know.
11:23Is everything okay?
11:26I went with the administrator.
11:27You know, to tell them what I knew about Harry.
11:30The police were there.
11:31Well, it's a missing person case.
11:32It's not unusual.
11:34That's not the reason.
11:35Harry Bolston's real name is Harry Volk.
11:38He was a murderer, Clark.
11:39A murderer?
11:41Why would they let someone like that stay here?
11:42Because it happened 60 years ago when he was 17.
11:44He served his time.
11:46I guess they figured he was just a harmless old man
11:47who moved back to his hometown to die.
11:49Back in the 40s, he was starting to be a concert pianist.
11:52He was up for a full scholarship to the Metropolis Conservatory.
11:55But his teacher recommended somebody else.
11:59So he killed his teacher?
12:00No.
12:01He said the teacher killed his dream.
12:03So he killed the teacher's dream.
12:06The man's son.
12:11Come on, let's go.
12:12You better hurry.
12:12Come on, let's go.
12:13He takes the snap.
12:14Throw them all.
12:15Watch the blitz.
12:16Yes.
12:17Yes.
12:18Ha-ha.
12:19You got it.
12:22Damn it.
12:24Circuit bringer.
12:25Evening.
12:37Sorry about the trouble, sir.
12:38We got a faulty line about a mile down the road.
12:40I just wanted to make sure your circuit breaker hadn't been fried.
12:47Anybody else at home?
12:48No, I'm divorced.
12:48I saw the name in the count was Jim Gage.
12:51Any relation to a Randolph Gage?
12:53Well, I'd say so.
12:54He was my father.
12:55Passed back in 93.
12:57I remember reading his obituary.
12:59He said he opened the first car dealership in Smallville.
13:01In 1935.
13:03You got a good memory.
13:04Thanks.
13:05Had a lot of time to kill him.
13:06We got three dealerships in three counties now.
13:13Sounds like your father left you a bright future.
13:18Are you going to come in or not, Mr. Kent?
13:31How do you do that?
13:32Well, when one sense goes, the others get heightened.
13:36Oh, I must admit, after yesterday, I thought I'd never see you again.
13:41Sit.
13:42Sit.
13:42What you told me, I can't get out of my head.
13:51Imagine how I feel.
13:53When it first started happening, I thought it was a curse.
13:59I kept getting snapshots of things I couldn't control.
14:04When did they start?
14:05When I first lost my sight.
14:07It's funny, I woke up that morning like any other.
14:12Then the meteors came.
14:14One hit a field behind my house.
14:17Flash burnt my optic nerves.
14:20I'm sorry.
14:21It's not your fault.
14:24It's amazing how one moment can change her life forever.
14:28My friends and family, they think they're here.
14:35A fraud?
14:37People are afraid of the unknown, Clark.
14:41They only want to know if everything's going to turn out all right.
14:46I can't guarantee that.
14:48What I can show you are signposts on your journey.
14:54What you do with them is up to you.
14:56I've got so many questions in my life, I just want some answers.
15:04Get closer.
15:13Now, take my hand.
15:15No!
15:40No!
15:41No!
15:41No!
15:45You saw that, too.
15:54Clark!
15:56Ah.
16:05Clark, maybe you're having some kind of hallucination.
16:08It wasn't a hallucination.
16:09It was a glimpse of the future.
16:10My future.
16:11And you saw an endless graveyard.
16:13Like I was the last person on Earth.
16:15Look, son, I don't know what you did or didn't see, but come on, you've got to consider the source.
16:19Your dad's right.
16:20We don't know anything about this woman.
16:22I know she lost her vision in the media shower.
16:23Oh, uh, and that makes it so that she can predict the future.
16:26Is it so crazy?
16:28I get hit by a car and I'm fine.
16:29I walk through fire and I'm okay.
16:30What's next?
16:31You can't let this one image, whatever it means, consume your whole life.
16:34What if it is my destiny?
16:35To outlive everyone that I love.
16:37I don't want to be alone.
16:38Clark, I don't know what your future holds.
16:49I think this woman has the answers.
16:51The only person who controls your destiny is you.
16:55Well, right now I don't feel like I have control of anything.
16:56Cassandra Carver?
17:09Those expensive shoes come with a name.
17:15Lex Luthor.
17:17Oh.
17:18Of Luthor, everything incorporated.
17:22More or less.
17:23And what does the savior of Smallville want with an old blind woman?
17:28You seem to have made a real impression of my friend Clark.
17:31So, you came to see for yourself.
17:34Clark's not stupid.
17:36If he says you know things, there must be something that made him think that.
17:39What gives me the feeling?
17:42You're not here for stock tips, Mr. Luthor.
17:46Please, call me Lex.
17:49I was hoping you could give me some insight into Clark.
17:51And you call him a friend, do you?
17:55He saved my life, but he's also a mystery.
17:57Most people are.
18:00That's what makes them interesting.
18:02I'm willing to treat this as a professional service.
18:05Save your money, Lex.
18:07I can't tell you about Clark.
18:10Even if I wanted to.
18:12I can only tell the future of the person I touch.
18:16Hmm?
18:17I don't need to know my future.
18:24Why?
18:25Because your father already has it mapped out for you?
18:29I believe we make our own destiny.
18:32Then don't you want a glimpse of what it is you'll make?
18:36Maybe I'll see your friend Clark, or maybe I'll see something else.
18:42Goodbye, Miss Carver.
18:47It's been enlightening.
18:53Come back again.
18:55When you're ready.
19:05Chloe, what?
19:08She's not back yet.
19:09Lana, what are you doing here?
19:11Chloe called me too.
19:12She said she had some info on Harry.
19:16When I got here, I started looking around.
19:19Found this.
19:22Chloe calls it the wall of weird.
19:25She believes everything strange in Smallville started with the meteor shower.
19:28How about you, Clark?
19:29Do you believe that?
19:32Yeah, I guess I do.
19:35Does that include me?
19:37I'm up there with a three-headed calf and the monster from Crater Lake.
19:41The stuff on this wall has nothing to do with you.
19:45Remember when you said people keep their darkest secrets hidden?
19:50Mine's out there for all the world to see.
19:52It's hard when everyone knows your tragedy.
19:54They treat you differently.
19:55Like you're gonna break.
19:57I'm sure they just feel bad and want to help.
19:59I know.
20:00But all they do is remind you of the most painful moment of your life.
20:05How would that make you feel, Clark?
20:06Like I wish I could go back in time and erase that moment forever.
20:17But high school would be different.
20:18I could finally start putting it behind me.
20:22But everywhere I go, there it is.
20:26Maybe I should just accept my destiny.
20:28All I'm ever gonna be is a little girl in a fairy princess costume who lost her parents.
20:32I don't see you that way.
20:38I know you don't, Clark.
20:41You're the only one who doesn't.
20:42Clark, we got your message.
21:01Hey, where were you?
21:03What happened?
21:03I thought we were all supposed to meet at the torch.
21:05Sorry.
21:06I didn't mean to blow you guys off.
21:07Will the lovely Miss Lang be joining us?
21:09No, I think she had enough weirdness for one day.
21:11What have you got?
21:12Guy was found dead in his house.
21:14He's blindfolded and strangled with a piano wire.
21:16Which is the same signature Harry Volk used in 1945.
21:19Sounds like a copycat.
21:21A copycat of a murder that happened 60 years ago,
21:23two days after the original killer happened to disappear?
21:25I don't think so.
21:26Harry's in a wheelchair, Chloe.
21:27Not exactly in prime condition to go on a crime spree.
21:29Well, I found this picture of Harry from the 40s.
21:32Looks like the kid we saw in the beanery.
21:34Maybe he's got a grandson or something.
21:35Or maybe it's Harry.
21:37I don't think we should start looking for time machines just yet.
21:40Okay, fine.
21:40Where do you think we should start?
21:42If someone is following in Harry's footsteps,
21:44maybe they sent some fan mail.
21:59Close at nine, Mozart.
22:08Your piano needs tuning.
22:09It's because nobody's played it in years.
22:11Mm-mm.
22:12You want to settle up?
22:14Can I get one more coffee?
22:18Don't you have somewhere to go?
22:19Oh, come on.
22:20You can clean up to the sounds of Chopin.
22:25I guess.
22:26Yes.
22:29What happens if someone sees us searching Harry's room?
22:37How about we don't get seen?
22:38Clark, is that you?
22:41Harry's room's down the hallway.
22:43I'll meet you there.
22:48The other night you left him.
22:50I hurry.
22:51I'm sick.
22:54I, uh...
22:55Mm-hmm.
22:56I hoped you'd come back.
22:58I'm sorry.
23:02You saw that...
23:03whatever it was.
23:06I always see them.
23:08The question is,
23:10how did you?
23:12I don't know.
23:15Wasn't I supposed to?
23:16Nobody ever has.
23:20Why me?
23:22Because we both know
23:24you're not like other people.
23:26Sure, I am.
23:30No, Clark.
23:31I've seen you.
23:32Before we ever met.
23:34More than once,
23:35I've touched people,
23:38and I've seen such
23:39pain and despair.
23:43But then you were there,
23:44and the pain was gone.
23:47I think that's your destiny,
23:51Clark,
23:51to help people,
23:54to save them
23:55from fear and darkness.
23:57No.
23:58Well, that's for you
23:59to figure out.
24:01You can
24:02fear the future,
24:04or
24:05you can embrace it.
24:07the choice is yours.
24:12The choice is yours.
24:12Who are they?
24:34People who need your help.
24:36How am I supposed
24:39to help them
24:39if I don't know
24:40who they are?
24:41I'm not a radio.
24:42I don't pick up
24:43continuous transmissions.
24:45That's all I have.
24:48I'll figure it out.
24:51Clark,
24:52your secret's
24:54safe with me.
24:54You guys have any luck?
25:06No fan mail,
25:07just a bunch of
25:07old news clippings
25:08from the Smallville ledger.
25:10Obituaries,
25:11articles.
25:13This guy's been
25:13obsessed with Smallville
25:14for 50 years.
25:16Clark has something wrong?
25:17It's her.
25:17It's who?
25:19I'm ready to go.
25:24Thanks for the serenade,
25:32but
25:32unless you're
25:34sleeping here,
25:35which you're not,
25:36I'm heading out.
25:39What's this?
25:40I don't teach
25:41Greek in school anymore.
25:43It's Euripides.
25:44The sins of the father
25:45are visited
25:46on the children.
25:47You play Beethoven
25:48and you speak Greek.
25:50Real cute.
25:52What's it
25:52going to do with me?
25:53Actually,
25:54Zoe Guyfield,
25:54quite a bit.
25:58Your grandmother,
26:00Eve Garfield,
26:01she died last year,
26:03right?
26:04I was meant
26:05for big cities,
26:06great concert halls.
26:08Now,
26:08that was my destiny.
26:10And your grandmother,
26:12she helped kill
26:13that future.
26:14And now,
26:15I'm gonna kill yours.
26:19Let her go!
26:28Don't move,
26:29don't move,
26:29don't move!
26:40I said let her go.
26:41phenom,
26:42I said let her go!
26:44Thanks for parents
26:45seeking to respect
26:45your elders.
26:56Are you far enough?
26:59Take care of her.
27:00Oh, my God.
27:30Zoe's going to be okay, but that truck driver could have sworn he hit you.
27:49Don't worry, he's not asking any questions.
27:51Is that kid in jail?
27:52No, he's in the hospital overnight for observation.
27:55Does Zoe know why he wanted to kill her?
27:56She's just grateful you happened to come along.
27:58Oh, is that what you told the police?
28:00I figured they wouldn't want to hear I got a vision from an old blind lady.
28:04I'm not sure how I feel about Cassandra.
28:06Mom, she's my friend.
28:07She told me my destiny was to help people.
28:09You don't think she knows your secret?
28:16I don't think you should see her anymore.
28:17If I hadn't gone to see her, Zoe would be dead.
28:19Your destiny may be to protect people, but ours is to protect you.
28:22And that's got to come first, okay?
28:23My mom said you called.
28:28Is this the Porsche from...
28:30I don't understand.
28:31Why do you still have it?
28:32I once read about a rich man who survived a hotel fire.
28:37He hung onto the ledge for an hour before the fire department rescued him.
28:42Afterwards, he bought the hotel.
28:45Always stayed in that room.
28:45When I asked him why, he said he figured fate couldn't find him twice.
28:51I thought you didn't believe in fate.
28:53I don't.
28:55But every time I look at this car, I wonder.
29:00I had a team go over this thing inch by inch.
29:02They tell me there's no way the impact could have ripped open the roof like this.
29:07They must have made a mistake.
29:08Do you remember anything about the accident?
29:14No, just that I pulled you out, that's it.
29:17I thought you might be able to tell me more.
29:21I'm sorry.
29:24It's a little strange to be walking around when every shred of evidence says I should be dead.
29:28An unsolved mystery, I guess.
29:30Maybe fate has something else in mind for you.
29:35You've been spending too much time with your friend Cassandra.
29:37At least she doesn't dwell in the past.
29:42Blacks, you're alive.
29:43The question that you need to ask yourself now is where do you go from here?
29:50I'm here to pick up the kid from the beanery assault and take him into custody.
29:53Right, the young John Doe.
29:55He's all yours, we've got him locked up in here.
29:57I checked out him this morning, he's sleeping like a baby.
29:58Help me.
30:08The police questioned Harry all morning.
30:10He said he was kidnapped by this kid who was obsessed with his old case.
30:13So somehow in broad daylight this kid got out of handcuffs, smuggled Harry inside and chained him to a bed.
30:18That's the official story.
30:20It may be official, but it doesn't make sense.
30:23You can always add it to the wall of weird.
30:24Clark, are you all right?
30:33Not really.
30:35I think I'll go inside and talk to Harry.
30:38Harry.
30:46You know, I found a picture of Zoe Garfield in a box under your bed.
30:54And who are you?
30:55Clark Kent, but we've already met.
30:57How dare you go through my belongings?
31:00How do you explain the pictures?
31:01And why do I need to explain it?
31:03You know what, Harry?
31:06I think you and this kid are the same person.
31:10I'd say you have a very active imagination.
31:14I don't know how you did it, but I know it's you.
31:15You said your name was Kent?
31:20Grandfather Hiram.
31:22Father Jonathan.
31:23And funny.
31:25I don't remember you on the family tree.
31:30I'll be watching you.
31:34Nurse.
31:37Nurse.
31:39Help me, somebody.
31:41Help.
31:43Oh, nurse.
31:45Oh, nurse, he's the best seeing me.
31:47Haven't I been through his death?
31:49I think you should leave, young man.
31:51And where I'm going.
31:52I'm going.
31:52Let's go.
32:23This is everything I could find on Harry Volk.
32:25The ledger carry stories on the trial, the murder, the investigation, you name it.
32:28Is anybody watching this guy?
32:30Mata's got an eye on him.
32:33I heard that.
32:35What exactly are we looking for?
32:36I don't know. There's got to be a connection between the people Harry's going after.
32:40In Zoe Garfield's statement to the police, she said that Harry accused her grandmother of killing his future.
32:46Harry's gone. They found his wheelchair out by the koi pond half an hour ago.
32:49I saw meteor rocks in that pond.
32:51At least now we know how he's doing the time warp.
32:53What do you mean?
32:55I'll explain later.
32:56We've got to figure out who he's going to kill next.
32:59Clark, take a look at this.
33:01What is it?
33:02It's a list of the jurors that worked on Harry's trial.
33:05Rudolph Gage, Rita Garfield.
33:08He's killing the descendants of the jurors that convicted him.
33:10Talk about not letting it go.
33:13Clark, what is it?
33:15Look at your number 11.
33:16Hi, I'm Kent.
33:22Wasn't that your grandfather?
33:24Harry's going to kill my dad.
33:28Can I help you?
33:29I got a report about a gas leak.
33:30You mind if I come in?
33:35Gas leak.
33:36I don't smell gas.
33:38Oh, your husband called about it earlier.
33:39Is he around?
33:40He'll be back shortly.
33:41Um, where's that regular gas man, Kurt?
33:44Vacation.
33:46That's right.
33:47Um, would you excuse me a minute?
34:06Kurt isn't your regular gas man, is he, Mrs. Kent?
34:10What do you want?
34:11Kill your husband.
34:13What did Jonathan ever do to you?
34:15Nothing.
34:17But his father did.
34:18Ah!
34:21Ah!
34:21Ah!
34:22Ah!
34:22Ah!
34:22Ah!
34:22Ah!
34:23Ah!
34:23Ah!
34:24Ah!
34:25Ah!
34:25Ah!
34:26Ah!
34:27Ah!
34:28Ah!
34:29Ah!
34:30Ah!
34:31Ah!
34:32Ah!
34:33Ah!
34:34Ah!
34:35Ah!
34:36Ah!
34:37Ah!
34:38Ah!
34:39Ah!
34:40Ah!
34:40Ah!
34:41Ah!
34:41Ah!
34:42Oh!
35:01Oh!
35:02Come on, Mrs. Kent.
35:07I'm too old for hide and seek.
35:29Shut up!
35:32You can't save him, Mrs. Kent.
36:02Oh, my God.
36:15Hey, Clark.
36:16Are you okay?
36:17What are you doing? What's the matter?
36:18Where's Mom?
36:19I don't know. What's the matter with you?
36:20Somebody's trying to kill you.
36:22What?
36:26He's already here.
36:27No!
36:28No!
36:29Martha!
36:30No!
36:40No!
36:52No!
36:53No!
36:55Martha!
36:58Martha!
37:00Mom!
37:01Mom!
37:03Martha, come on!
37:05Mom, come on, come on!
37:07Martha!
37:09Come on, Mom, breathe!
37:10Martha!
37:20Are you okay?
37:23You think I'd ever leave you too alone?
37:27Cassandra was wrong, Clark.
37:34Nobody's gonna die.
37:36Well, you're the last person I expected to walk through my door.
37:42I come bearing gifts.
37:43Oh, so did the Greeks.
37:44I wanted to take you up on your offer.
37:49I thought you controlled your own destiny.
37:50I do.
37:51But certain things have happened in my life.
37:52Signs I don't want to ignore.
37:53What kind of signs?
37:54I lived when I should have died.
37:55There must be a reason for that.
37:56You see, I don't want to do good things.
37:57I want to do great things.
37:59Well, you don't need me for that.
38:00What's the matter, Cassandra?
38:01What's the matter, Cassandra?
38:02Are you afraid of what you'll say?
38:03Sit.
38:04Hey.
38:05Hey.
38:06Hey.
38:07Good.
38:08But certain things have happened in my life.
38:11Signs I don't want to ignore.
38:12What kind of signs?
38:14I lived when I should have died.
38:16There must be a reason for that.
38:18You see, I don't want to do good things.
38:20I want to do great things.
38:22Well, you don't need me for that.
38:25What's the matter, Cassandra?
38:27Are you afraid of what you'll see?
38:30Sit.
38:30You've been warned.
39:00You've been warned.
39:30What did you see?
40:00I need some help in here.
40:14Somebody!
40:16Ms. Carver?
40:17I'm sorry, Sen.
40:33She's gone.
40:37She saw it.
40:39Saw what?
40:41Her future.
40:42She's gone.
40:43She's gone.
40:44She's gone.
40:44She's gone.
40:45She's gone.
40:45She's gone.
40:46She's gone.
40:46She's gone.
40:47She's gone.
40:47She's gone.
40:48She's gone.
40:48She's gone.
40:49She's gone.
40:49She's gone.
40:50She's gone.
40:50She's gone.
40:51She's gone.
40:51She's gone.
40:52She's gone.
40:52She's gone.
40:53She's gone.
40:53She's gone.
40:54She's gone.
40:54She's gone.
40:55She's gone.
40:55She's gone.
40:56She's gone.
40:56She's gone.
40:57She's gone.
40:57She's gone.
40:58She's gone.
40:58She's gone.
40:59She's gone.
40:59She's gone.
41:00She's gone.
41:00She's gone.
41:01She's gone.
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