- 25/07/2025
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00:00:00Oh
00:00:30I was scared the farm.
00:00:33I was scared the farm he was a godforsaken place.
00:00:38They said the farm he was a godforsaken place.
00:00:43They said that the farm they had a good farm.
00:00:53They said the farm they were working in,
00:00:56they were destroyed.
00:00:58worked at was a godforsaken place so far from anywhere that the owner uh skilling can't get
00:01:04anyone to stay sounds terrible it's just what we need i mean if you can't get anyone else
00:01:11he'll be glad of us thank you that's lovely what are you doing it's mrs fergus i've forgotten she
00:01:18lived in hexham we used to visit her often i was afraid she'd recognize me not the way you're
00:01:22looking now still all the same someone will sooner or later what was the name of that place again
00:01:34skillin that's me you're needing a man 80 cows to milk i need someone four shillings a week
00:01:44your woman can work indoors shilling a week go tell the missus
00:01:52four shillings you earn 10 shillings a week at redford
00:02:07even the scullery may don't too we're not at redford now they'll give us shelter and a breathing space
00:02:22you'll do you start at four in the morning four i four haven't you ever worked on a farm before
00:02:33in the dairy till seven half an hour for breakfast then you help here washing and scrubbing
00:02:38get your dinner at three then you've got to bring the cows in from the meadows and you finish at six
00:02:43and i mean six not a minute before and where are our quarters ma'am cottage across the yard
00:02:50all to yourselves kitchen and bedroom one bedroom you see we're not husband and wife ma'am
00:02:58none of my business we're cousins ma'am annabella is my late auntie's daughter so i'm looking
00:03:04after her no it's only one bed we'll manage
00:03:21that's not a cottage it's a shed
00:03:25it's a hut
00:03:34i'm not sleeping there oh why not that woman who coughed all night she slept in it if i sleep
00:03:46there i could die of consumption you sleep in the bed ah right doesn't matter if i die of consumption
00:03:51where will you sleep then in here on the floor and i have exposure instead sleeping on the floor with rats
00:03:57and mice crawling over you i will sleep in here and you miss will sleep in that bed and that's that
00:04:04and don't ever raise your voice to me again
00:04:06i can't do it
00:04:19i'll never be able to do it
00:04:20oh you will you'll have to
00:04:27what else is there for you
00:04:50you sure you never melt a cow before you come here
00:05:02i pride myself i can learn twice as fast as the next man
00:05:05yeah
00:05:07i like some
00:05:09handy get a move on there
00:05:20i like me
00:05:43oh
00:05:45i
00:07:47Six o'clock you finish.
00:07:50And not a moment.
00:07:52Certainly not seven minutes before.
00:07:55But I've done everything you said.
00:07:57I'll find something else to do then.
00:07:59Get that table sanded.
00:08:02Some water for you to wash with?
00:08:21All the way to the river.
00:08:29Why don't you ever come down to the river with me when I bathe?
00:08:32Oh, no.
00:08:32No, thank you.
00:08:34I'm too tired.
00:08:35But there's a beautiful spot you can be all alone.
00:08:41Look, I promise, no one will see.
00:08:45Except God and he won't mind.
00:08:46Ah, come on.
00:08:52Your clothes must be sticking to you by now.
00:08:55I don't know.
00:09:03See?
00:09:05Your own little place.
00:09:07Where will you be?
00:09:11I'll be well away around the bend of the river.
00:09:15Don't worry.
00:09:15Don't worry.
00:09:15Don't worry.
00:09:29Don't worry.
00:09:29Don't worry.
00:11:30Listen, there's something else I want to ask you.
00:11:34I never felt so stupid as the day I asked you to read the paper for me.
00:11:39Annabella, would you learn me to read and write?
00:11:40Yes, we will.
00:11:44I'd be very happy to teach.
00:11:48Teach me.
00:11:49Big�래, Michael.
00:11:59I never thought I was nervous.
00:12:01They are going to be a little better.
00:12:04Let's go.
00:12:34You're a very pretty girl.
00:13:04Right, that's it.
00:13:19We're going.
00:13:19No.
00:13:21We may not find work anywhere else.
00:13:23I'll manage.
00:13:24I'll make sure I'm never alone with him.
00:13:26Look, I'm not putting you through that sort of thing.
00:13:28We're going.
00:13:29That's that.
00:13:30Here.
00:13:32Come back here, sir.
00:13:33Come back here, sir.
00:13:34Come back here, sir.
00:13:42We need someone to milk the cows.
00:13:44We can milk the cows.
00:13:50What about feeding the pigs?
00:13:52Anybody ever feed the pigs?
00:13:54Over here, sir.
00:13:56Now I know what it must have felt like at the slave market in the old days.
00:14:01I'm so afraid someone will recognize me.
00:14:03It doesn't matter now.
00:14:05They're not after us.
00:14:06It matters to me.
00:14:09We have to be seen.
00:14:12Stand at the back, Matt White.
00:14:14You'll be seen, you're too.
00:14:16Please.
00:14:17Why didn't they choose us?
00:14:46why
00:14:48he's too dark him
00:14:51farmers around these parts
00:14:53doing like what's foreigners
00:14:54I can work as good as any local man
00:14:58maybe better
00:14:59you may have a chance to prove that
00:15:01oh excuse me sir
00:15:04I'm looking for a cowman in general
00:15:06and a woman for the house
00:15:07about six years as a groom sir
00:15:09only four months with cattle
00:15:10where did you work last?
00:15:12Skillings
00:15:12oh my god
00:15:14so you know what work means then
00:15:16and your woman here
00:15:18show us your face lass
00:15:19my
00:15:21you're pretty
00:15:22the missus likes something pleasant around her
00:15:25can you cook?
00:15:27no sir
00:15:27I can clean and work the dairy
00:15:29and do housework
00:15:30aye why
00:15:31it's for the housework
00:15:32that we need a body
00:15:33me daughter's getting married
00:15:35and she's seen to it up to now
00:15:36I don't know though
00:15:39all right
00:15:42I'm willing if you are
00:15:43there's nine shillings a week to start with
00:15:45and two and six for your missus
00:15:47we'd be pleased to accept sir
00:15:50but she's not my wife
00:15:51she's my cousin
00:15:52that's a bit of an obstacle
00:15:54there's a cottage goods with the job
00:15:56but being cousins
00:15:56I mean you couldn't sleep there
00:15:57could you?
00:15:59I know what we can do
00:16:00with an attic that Betty sleeps in
00:16:02it's big enough for two
00:16:03one more palias will do it
00:16:05have something to eat
00:16:07and we'll meet you outside the phoenix
00:16:08it's me and mrs. fairbairn
00:16:09at er
00:16:11two o'clock
00:16:11sharp
00:16:12yes you're a bonnie piece
00:16:24but looks don't white and no linen
00:16:25so I can't say further till I see you work
00:16:27can I?
00:16:28no madam
00:16:28here mrs. not madam
00:16:31it's a farmhouse you're coming to
00:16:33away mrs. fairbairn
00:16:35let's be going
00:16:36yes mr. fairbairn
00:16:37come along
00:16:38we've got a long drive ahead of us
00:16:39and the family waiting
00:16:40let's be going
00:17:05what?
00:17:06Don't just sit there. Come inside. Let's have a look at you.
00:17:25Now, release the areas and you sit there. This piece is for our Michael and this is the youngest ten.
00:17:31Michael, Annabelle, you sit there and there and wait with us.
00:17:35Agnes, got me tea going?
00:17:38You can eat as much as you wish.
00:17:40But me, it's me tea. You must have me cup of tea.
00:17:42Kettle's on now, Ma.
00:17:44Annabelle, you could get the plates if you don't mind to.
00:17:47Oh, leave her be till she gets settled.
00:17:49Except you've got a pair of hands, haven't you?
00:17:52You've got to move fast if you want to eat here.
00:17:55Willie, cut your piece of ham off the bone.
00:18:00That place belongs to Betty.
00:18:02She's had to go home, poor dear, from this funeral.
00:18:05She'll be back in a few days. You'll be sharing with her.
00:18:08What a lovely, lovely, lovely, lovely stages.
00:18:13Can you play?
00:18:16Go on, give us a tune.
00:18:18Oh, I couldn't. Not in working hours.
00:18:19Ma wouldn't mind.
00:18:20Say all these paintings.
00:18:21Break anything else but don't break those.
00:18:23They're all the little brothers and sisters we never had.
00:18:24That Ma lost.
00:18:25She's a brave woman.
00:18:26She's a brave woman.
00:18:27She's a brave woman.
00:18:28She's a brave woman.
00:18:29Can you play?
00:18:30Go on, give us a tune.
00:18:31Oh, I couldn't.
00:18:32Not in working hours.
00:18:33Ma wouldn't mind.
00:18:34Say all these paintings.
00:18:35Break anything else but don't break those.
00:18:36They're all the little brothers and sisters we never had.
00:18:38That Ma lost.
00:18:39She's a brave woman, Ma.
00:18:40But she does like some of the cheers her up.
00:18:41So...
00:18:42Later, then.
00:18:43When you feel more at home.
00:18:45Why?
00:18:46Why?
00:18:47Why?
00:18:48Why?
00:18:49Why?
00:18:50Why?
00:18:51Why?
00:18:52Why?
00:18:53Why?
00:18:54Why?
00:18:55Why?
00:18:56Why?
00:18:57Why?
00:18:58Why?
00:18:59Why?
00:19:00Why?
00:19:01Why?
00:19:02Why?
00:19:03Why?
00:19:04Why?
00:19:05Why?
00:19:06Why?
00:19:07Why?
00:19:08Why?
00:19:09Why?
00:19:11Why?
00:19:12Why?
00:19:13Why?
00:19:14Why?
00:19:15No one has ever, ever done that to me before.
00:19:31Ah, well, they have now.
00:19:35Come on.
00:19:36Come on.
00:19:37Don't make me leave. I broke a plate.
00:19:40Nonsense.
00:19:41They're waiting for you.
00:19:43You must come in. They'll not eat till you do.
00:19:45I wait till.
00:19:47But I'm a servant.
00:19:50Come on.
00:19:57Hey, lass.
00:19:59I didn't mean to offend.
00:20:02And I'm very sorry if I did.
00:20:05It won't happen again.
00:20:06Oh, sit down.
00:20:11We'll clear out the breakages later.
00:20:17Lord, if Betty had broken a plate
00:20:19every time someone slapped a bottom,
00:20:22we'd have nothing left to eat.
00:20:23No!
00:20:23No!
00:20:24No!
00:20:24No, no, no, no, no.
00:21:24Anabella?
00:21:35Pa says would you like to borrow these?
00:21:37You know, for Manuel's lesson.
00:21:40Thank you, Willie.
00:21:42Your father's very kind.
00:21:44You're all very kind.
00:21:46Pa thinks it's really good you passing on your convent education to Manuel.
00:21:50Oh, Adar's strong on that.
00:22:11Every time they mention that convent, I feel such a hypocrite.
00:22:15Annabella, look how about you.
00:22:21They're such good people.
00:22:23We're taken care of.
00:22:25We can't run the risk of telling them the truth.
00:22:28They like our work, so we'll work hard for them.
00:22:32That's all we can do.
00:22:33Thanks, Agnes.
00:22:40Good night.
00:22:55Betty?
00:22:55I'm awake.
00:23:01Watford?
00:23:08My God.
00:23:10Miss Annabella?
00:23:12It is, isn't it?
00:23:15But I heard you were dead.
00:23:17What are you doing?
00:23:20Playing at being a servant.
00:23:22I am a servant.
00:23:25The times I've cursed you.
00:23:28Got me sacked because I called you a bastard.
00:23:31But you were, weren't you?
00:23:33So you ran off, is that it?
00:23:35With...
00:23:36Who is he?
00:23:37This cousin?
00:23:38My father's groom.
00:23:42Watford.
00:23:43That's enough of the Watford.
00:23:45I'm Betty.
00:23:47Or Miss Watford.
00:23:48I've got a name if you haven't.
00:23:51Have I got a score to settle with you?
00:23:54Thrown out.
00:23:55No references.
00:23:56Years it took me to get anything decent.
00:23:58And that's what I've got here.
00:24:00Please don't tell them.
00:24:01Please.
00:24:05One thing these good people can't stand.
00:24:08Is a liar.
00:24:11I'll tell the truth about you, Miss Annabella.
00:24:14Any time I like.
00:24:17And when I do.
00:24:19You and your fancy man will be out on your ear.
00:24:38I can't stay here now.
00:24:40Annabella, if you were asking me to go with you.
00:24:44But you said you wanted to work for yourself.
00:24:46I always said I wanted to be my own man.
00:24:50Now I think I'm content to be Mr. Fairburn's man and make this my home.
00:24:53Not on my own, though.
00:24:58I'm 27 years old.
00:25:00I need a wife.
00:25:03I don't look so shocked.
00:25:04It's natural.
00:25:05Yes, of course.
00:25:05What will you do?
00:25:10Look around the neighbourhood.
00:25:13Well, that would help me, wouldn't it?
00:25:17I'd be free to go.
00:25:19No, you won't.
00:25:20Oh, come on.
00:25:23Don't look so miserable.
00:25:25You don't have to go straight away.
00:25:27You don't know.
00:25:30Nobody can know what it is to have that over you.
00:25:34No family.
00:25:36Born out of wedlock.
00:25:38The people who brought you up.
00:25:40Not your parents, after all.
00:25:41You're not the only one that's got shaken up in the breeding bag.
00:25:48I'll tell you a story.
00:25:51Garl comes into an Irish village.
00:25:54As a child.
00:25:57And when she's well again, slips away.
00:26:01Mary McLaughlin names him Tommy.
00:26:04Then rears him as her own.
00:26:07Then when he grows up, he starts working the docks.
00:26:09And one day, he sees this fine, foreign-looking fella.
00:26:16And someone calls out to him.
00:26:18Hey, Manuel.
00:26:20Manuel Mendoza.
00:26:22And Tommy thinks it's a fine name for himself.
00:26:28Here he is.
00:26:31You see, Annabella, I do understand.
00:26:34When you don't really know who you are,
00:26:35even making up a name for yourself can make you feel like you're somebody.
00:26:40I'm willing to make me feel ashamed.
00:26:47I know what we'll do about Betty.
00:26:49I'll try to get around her.
00:26:52I'll sort of soften her hard heart.
00:26:58Oh, Betty.
00:27:01Okay.
00:27:02You'll get yourself.
00:27:03I'll try to touch more of Betty.
00:27:30Hey.
00:27:30Hey.
00:27:31I've got something for you.
00:28:01For the harbour's party.
00:28:14It's plain, mind.
00:28:15Not in fancy.
00:28:29It's beautiful.
00:28:32Thank you, Manuel.
00:28:34I know you've been unhappy.
00:28:36Will you believe me when I tell you there was no need?
00:28:38I'll try.
00:28:41Betty encourages you so much.
00:28:43I know you've been wanting...
00:28:46someone.
00:28:46I forgot the shoes.
00:28:50I forgot the shoes.
00:29:00Sit down.
00:29:01Let's get your boots off.
00:29:02Do you ever miss the old life?
00:29:13Yes.
00:29:15Yes, to be truthful, I do.
00:29:18Sometimes.
00:29:20Think you would ever go back?
00:29:22No.
00:29:24I don't belong to Mama anymore.
00:29:32Shall I try these on?
00:29:33Mama.
00:29:44Mama.
00:29:44Mama.
00:29:44Mama.
00:29:44Mama.
00:29:45Mama.
00:29:45Mama.
00:29:45Mama.
00:29:46Annabella, you look beautiful.
00:30:16Last time I saw you in such clothes, you were a girl.
00:30:21These months you've become...
00:30:27Do you want to go back?
00:30:32No, I couldn't go back.
00:30:36We've made new life, haven't we?
00:30:46No, I couldn't go back.
00:30:56Come on in again.
00:31:08Come on in again.
00:31:24Come on, Willie, fill her up.
00:31:28I'm kind of thirsty.
00:31:38Oh, I don't.
00:31:44I can't see myself.
00:31:59I can't see myself.
00:32:00I can't see myself.
00:32:05This is the time.
00:32:35What is it, Mr. Willie?
00:32:50He's not in the cottage. He's not here.
00:32:52I mean, where is the man? We've got work to do.
00:32:54He drank so much last night.
00:32:56Perhaps he's collapsed somewhere.
00:33:05I can't see him anywhere.
00:33:23I was drunk, I tell you.
00:33:26You haven't spoken to me for three days.
00:33:28I was drunk.
00:33:31That was very clear.
00:33:32Hey, don't stare at me as if I'd crucified Christ.
00:33:37I need to drink.
00:33:39Every now and then, I need something if I'm not going to burst out of my skin.
00:33:44I haven't been that drunk for eight months.
00:33:47I drink myself stupid and remember nothing.
00:33:52May I go, please?
00:34:02June, yeah, June it'll be before the baird comes along.
00:34:17He'll be nicely settled in, Manuel and me.
00:34:22Nicely settled in his cottage well before then.
00:34:25And the baird, he'll love the baird.
00:34:38Some people should stop making plans.
00:34:41I think he'll have a little trouble.
00:35:05I'll sit with you next time.
00:35:06Chairman?
00:35:06I don't lack a room for tomorrow.
00:35:07It took me a room for now.
00:35:09Annabella?
00:35:28Annabella?
00:35:32Annabella?
00:35:39Manoel?
00:35:49Manoel?
00:35:50Manoel?
00:35:51Manoel?
00:35:56Manoel?
00:36:08Manoel?
00:36:18Manoel?
00:36:23Manoel?
00:36:28Manoel?
00:36:41Manoel?
00:36:45Manoel?
00:36:50Manoel?
00:36:52Manoel?
00:36:54Manoel?
00:36:55Manoel?
00:37:16No.
00:37:18Marabella.
00:37:19No.
00:37:21Marabella.
00:37:31Brought up a lady she may have been.
00:37:35But these months she's been brave as can be.
00:37:38Done her share and all.
00:37:40And she used to start her threatening.
00:37:42It's not my fault.
00:37:43She's only done this because you've been playing up to me.
00:37:47The only reason I was playing up to you,
00:37:48and God forgive me for my stupidity,
00:37:50was to keep your tongue off her.
00:37:53Oh, I'm begging your pardon, Mrs.
00:37:56That night in the caravan with her,
00:37:59I was so far gone in drink,
00:38:02I was no use to any woman.
00:38:03So what you all think happened didn't.
00:38:06We'd better get her up to bed.
00:38:07If it's all the same to you, Mrs.,
00:38:09I'd rather take her to the cottage.
00:38:12We've shed a roof of four now,
00:38:13and no harm's come to her.
00:38:16Is she awake?
00:38:31She's taken some broth.
00:38:32Thanks be to God.
00:38:33Those two days to sleep at dinner,
00:38:35the power of good.
00:38:36She wants to talk, eh?
00:38:37I'm sorry.
00:38:50I'm sorry.
00:38:50You can't commute to me.
00:38:52I'm sorry.
00:38:52I'm sorry.
00:38:53I'm sorry.
00:38:53I'm sorry.
00:38:55I'm sorry.
00:38:55I'm sorry.
00:38:56as long as there's a breath in my
00:39:26body I knew we'd be uncomfortable staying on here so I asked old Fairbairn if he would sell us the
00:39:41caravan no I won't says he I'll give it to you so the boys and I are spending every spare minute
00:39:50fixing it up we'll have shelter we'll never have to walk the roads again but Manuel I thought you
00:39:57said you never wanted to leave him but now if the devil himself said he was taking you down to hell
00:40:04tonight I'll say to him not unless you take my world over too oh god it's good to see you laughing
00:40:15again oh Manuel I love you loved you from the first moment I saw you
00:40:21and I'll go on loving you all my life listen there's something I have to tell you
00:40:30you don't have to worry about that night I spent in the caravan I know
00:40:34I was half awake when you told the family
00:40:39you know I sometimes thought Willie was well interested in me
00:40:57oh he was well he was too bashful to say anything unlike me
00:41:04he'll be feeling relieved now won't he
00:41:07knowing the stock I come from
00:41:09no one would want me now would they
00:41:13except me
00:41:18say it
00:41:20I can't answer a question I haven't been asked
00:41:25Annabella
00:41:42will you marry me
00:41:44you know you needn't feel compelled to do that
00:41:51I'm quite prepared to live with you
00:41:53are you now
00:41:54I asked you to marry me
00:41:57and marry me means first taking a name that is mine
00:42:00means having people talking behind their hands
00:42:03how did she marry him
00:42:05he has working man written all over him
00:42:08it means being thrown out of the saloon end of bars
00:42:11and it means one day work until the last minute
00:42:15when you're carrying my child
00:42:16now will you marry me
00:42:19you know
00:42:22you
00:42:23my
00:42:25my
00:42:25God
00:42:25my
00:42:26my
00:42:28my
00:42:28ORGAN PLAYS
00:42:58I was so worried you'd been away for hours.
00:43:21I was searching for a job, and I found one.
00:43:24Where?
00:43:25You wait and see.
00:43:28Thank you so much.
00:43:35Very fine colour, Mr. Carver.
00:43:37Have you Italians working for you?
00:43:39I have that.
00:43:41And you're quite right.
00:43:42They do seem to have some secrets about colour that we haven't.
00:43:45I guess Marva has seen some work.
00:43:52Has indeed.
00:43:55I've never heard a woman who talks acknowledgably about glass.
00:43:59Oh, relatives of mine had a glass with us.
00:44:02Maybe I know them.
00:44:04They went bankrupt.
00:44:05They're so easy to do with glass, they do.
00:44:09Now, I must get you the key to your house.
00:44:15Of course, it's going to look more cheerful when you've got it furnished according to your taste.
00:44:20As you can afford it.
00:44:21Thank you, sir.
00:44:36We'd furnish it much more quickly if there were two wages, not one coming in.
00:44:39Annabella?
00:44:40Lord.
00:44:41Never know what she's going to say next.
00:44:43I couldn't help noticing there was no accountant at the works.
00:44:45I do the accounts.
00:44:46Not very efficiently, perhaps.
00:44:48It's a bit of a chore for me, but...
00:44:50I'm very good with figures.
00:44:54That's a very unconventional young person you have there.
00:44:57She is, that.
00:44:59I think you told me you still have your caravan.
00:45:01I assume you will be sleeping in it until...
00:45:04Oh, yes, sir.
00:45:05Indeed.
00:45:06Until the wedding, of course.
00:45:13Yes, it seems fine.
00:45:18We'll check it against the next pack.
00:45:20You found the foreman's.
00:45:22I went over these figures time and time again, and every time, four pennies seem to disappear.
00:45:28You found the foreman's.
00:45:37You're the new accountant.
00:45:39For ten shillings a week.
00:45:40That's thirty shillings a week between the two of us.
00:45:44I never dreamt to have that much money in my life.
00:45:48Uh, sheet and crown and mosaic glass.
00:45:52Good.
00:45:54And from hollow where we get?
00:45:56Blown glass and pressed glass.
00:45:59What do we get when we mix excess soda in the making of flint glass?
00:46:03Stop!
00:46:04I've had enough.
00:46:06I don't need all this book learning.
00:46:08I swear to you, the men in there are good because of experience and practice with tools of the trades.
00:46:13But, Manuel, I don't mean for you to be a glass worker.
00:46:18You have a way with people.
00:46:20You can read and write and reckon up.
00:46:24You should be a manager.
00:46:25You're a calculating woman.
00:46:31Yeah, but it all worked out, don't you?
00:46:33To the last detail.
00:46:34Go,yes.
00:47:22Hi, it's many a long year since I've done.
00:47:46Miss Anne, Mrs. Mendoza, let me introduce my stepson, Captain Weir.
00:47:52You startled the lass.
00:47:54Nonsense. It's Annabella, isn't it?
00:47:55You'll dance with me, won't you, Annabella?
00:47:58Now, now, you must be kind to a seafaring man.
00:48:02Oh, Mendoza is a fortunate fellow.
00:48:04He'll be lucky indeed later tonight.
00:48:06Yes, he's not.
00:48:13May I have a small glass of ale, please?
00:48:15That's my husband you're flirting with, miss.
00:48:19I should hope you had eyes only for the bridegroom.
00:48:23Oh, I am sorry.
00:48:24Come along.
00:48:47Come along.
00:48:48A little kiss.
00:48:50Mendoza!
00:48:51Privilege...
00:48:51Mendoza!
00:48:52No!
00:48:53Mendoza!
00:48:53No!
00:48:54No!
00:48:55No!
00:48:55No!
00:48:58Mendoza!
00:49:01Mendoza!
00:49:01Mendoza!
00:49:01Oh, God.
00:49:16Why do I do it?
00:49:19Why do I strike out?
00:49:21I've killed another man.
00:49:23Shh. No one will hear you say that.
00:49:31How soon can you have your caravan back on the road?
00:49:46He's dead, then.
00:49:47No, he's got a dislocated jaw and his shoulder's out.
00:49:52I sent for the doctor.
00:49:54His wife sent for the police.
00:49:57What are you suggesting, sir?
00:49:58What? Stay on the road or the tracks off the road.
00:50:01Stay away for a couple of weeks.
00:50:03It'll be a wedding holiday.
00:50:06You mean we can come back?
00:50:07Oh, of course.
00:50:09But here's what's going to you.
00:50:12And a bit extra.
00:50:17Go on, take it, man. Take it.
00:50:23Thanks for your kindness, Mr. Carpenter.
00:50:28We haven't had our wedding night.
00:50:59We will.
00:51:00We will.
00:51:02Amen.
00:51:10Fuck off.
00:51:22Let's go.
00:51:52Annabella!
00:51:54Annabella!
00:51:56Annabella!
00:51:58Annabella!
00:52:00Come on.
00:52:02Annabella!
00:52:04Manuel!
00:52:06Manuel!
00:52:08Manuel!
00:52:10Annabella!
00:52:12I'll get help, Manuel. I'll get help. I promise. I promise.
00:52:18I love you.
00:52:22I love you.
00:52:24I love you.
00:52:26I love you.
00:52:48but it's like seeing a ghost we thought you were dead child if i'm not it's thanks to manuel yes
00:52:57yes no doubt manuel is in some way to be commended for protecting you the man should never never have
00:53:04forced you into a marriage oh he didn't force me uncle james i wanted to marry manuel long before
00:53:09he asked me child you don't know what you're saying he is a working man i have been working
00:53:14for my living too aunt emma but that is all over now my child you are restored to us think of the
00:53:20joy your return will be to your mom but she won't know me she's lost her reason who told you that
00:53:26grandma i mean lady constance told manuel oh that wicked cold-hearted old woman i know one should
00:53:33speak well of the dead james but come in to dinner you can wash and change later we'll find you some
00:53:41suitable clothing i want you to help me find legal assistance for manuel i must have some good
00:53:46news to take him you don't intend to see him again i am his wife of course i shall see him
00:53:54go now
00:53:57go
00:53:59Let's go.
00:54:29You remember great Uncle James?
00:54:42But he's not your great uncle, is he?
00:54:44We are still her family.
00:54:46It's best you understand that.
00:54:49Uncle James will get help.
00:54:51He'll find us a good solicitor.
00:54:52We'll do all we can.
00:54:54Our case comes up next Tuesday.
00:54:56I'm...
00:54:57We've hardly had a moment.
00:55:10That man has become quite boorish.
00:55:13What a word of thanks.
00:55:14Couldn't you see how he's suffering in that place?
00:55:17Annabella, you have lost some of your nice ways
00:55:20and picked up some undesirable ones.
00:55:22Now, you must go to see your mama.
00:55:26Are you sure I should?
00:55:27If I'm so different than...
00:55:28I've warned her.
00:55:30I've been mixing for a year with menials.
00:55:33Touch pitch and...
00:55:34I've been mixing for a year with men.
00:55:35I've been mixing for a year with men.
00:55:35I've been mixing for a year with men.
00:55:36I've been mixing for a year with men.
00:55:37I've been mixing for a year with men.
00:55:38I've been mixing for a year with men.
00:55:39I've been mixing for a year with men.
00:55:40I've been mixing for a year with men.
00:55:41I've been mixing for a year with men.
00:55:42I've been mixing for a year with men.
00:55:43I've been mixing for a year with men.
00:55:44I've been mixing for a year with men.
00:55:45I've been mixing for a year with men.
00:55:46I've been mixing for a year with men.
00:55:47I've been mixing for a year with men.
00:55:48I've been mixing for a year with men.
00:55:49ORCHESTRA PLAYS
00:56:19Annabella, dearest, dearest child.
00:56:44I'm not sure what to call you.
00:56:47Why, I'm still your mama.
00:56:50I was your mama for 17 years.
00:56:55You are my daughter.
00:56:59Please, let me hear you say it.
00:57:05Mama.
00:57:08Oh, mama!
00:57:09You will stay here with me, won't you?
00:57:21I must return to Weirbent, Mama.
00:57:23It's closer to Durham.
00:57:24But you can't mean to visit the jail.
00:57:26It'd be far too harrowing.
00:57:28You've suffered enough, dear.
00:57:29I've suffered nothing compared to Manuel, Mama.
00:57:32That place will break his spirit.
00:57:33He needs to see me.
00:57:36And I need to see him.
00:57:38Well, you've been through a good deal together.
00:57:41But as time goes by, anyone as responsible as Manuel will surely see that your best interests lie here.
00:57:48With us.
00:57:49He won't see that.
00:57:51Why should he?
00:57:52He loves me.
00:57:54We love each other.
00:57:55Annabella, at your age, what can you know about love?
00:57:58A year ago, you thought me old enough to marry Stephen.
00:58:05Well, I'm to be at the crossroads in time for the coach.
00:58:08The public coach?
00:58:09Well, surely James offered you his.
00:58:11I feel happier managing on my own.
00:58:13But when will I see you?
00:58:15Mama, I'm sorry.
00:58:17At present, all I can think of is Manuel.
00:58:24Six months.
00:58:25Six months in this place.
00:58:29I was afraid it would be much longer.
00:58:31Hold me.
00:58:32Hold me tight.
00:58:37I'll visit you.
00:58:39The time will fly.
00:58:39No.
00:58:41I'll lose you.
00:58:42Peebles told me while I'm in here, your uncle will have the marriage annulled.
00:58:50Uncle.
00:58:51Hi, dear.
00:58:52Mama.
00:58:55Shall we begin?
00:58:57Certainly.
00:58:59First of all, my child.
00:59:00First of all, Uncle James, I am not a child.
00:59:04I would have been.
00:59:05If I'd not had this year with Manuel, I'd never have lived.
00:59:09I'd have been quite ignorant of the real world.
00:59:11Who, no doubt, I'd have learned to swim correctly.
00:59:16You're very pertinent, Annabelle.
00:59:18Think of your mother's feelings.
00:59:19I don't wish to hurt you, Mama, but...
00:59:27Though I still call her Mama, we all know she is not my mother.
00:59:32And that is the point.
00:59:34Neither of you is a blood relation of mine.
00:59:36You have no legal power over me.
00:59:38If you continue to interfere, I shall disappear again.
00:59:45For good.
00:59:46For good.
01:01:24Surely you'd be even happier running a place of your own.
01:01:26Oh, my. You know Manuel and I have plans of our own.
01:01:30Of course.
01:01:32It can't be very long before his release.
01:01:34Three days? Long enough.
01:01:38Well, it's almost time for dinner.
01:01:42You're coming in.
01:01:44I feel so restless.
01:01:46I need a little time to walk.
01:01:48I'll be in in a minute.
01:01:48I'll be in a minute.
01:02:18I'll be in a minute.
01:02:48I'll be in a minute.
01:03:19I don't eat with servants, dear.
01:03:21Not even after all these years with Alice Pycliffe.
01:03:24I cannot break the habit of a lifetime.
01:03:26Very well, Mama.
01:03:35He won't trouble you.
01:03:37We shall be leaving tomorrow morning.
01:03:39Tomorrow?
01:03:40There's so much to talk about.
01:03:41I want you to think again about the new glassworks.
01:03:44Mama, do you really expect me to stay where my husband isn't welcome?
01:03:48Well, let him go.
01:03:50I'm not the only one.
01:03:52No one of good family anywhere in the county would make him welcome.
01:03:55Any more than they have me.
01:03:57Not one person has come to visit us in all these months, Mama.
01:04:01Not one.
01:04:01Well, that would change.
01:04:03With the new works, you'd be...
01:04:05Why, a person of substance.
01:04:08Manuel will always be unacceptable.
01:04:10Manuel won't stay as he is.
01:04:12He'll make a success of whatever we do.
01:04:14He'll be respected, I'm sure of it.
01:04:16No, Mama, you've shown what you think of him.
01:04:19I can't stay here.
01:04:26Manuel!
01:04:29Manuel!
01:04:29I'm sorry, Manuel, about my mom.
01:04:37Ah, I know how she feels.
01:04:40I would fight if anyone tried to take you away from me.
01:04:44Come on.
01:04:59May I come in?
01:05:06Of course.
01:05:12Good afternoon, Manuel.
01:05:13Good afternoon, ma'am.
01:05:16Annabella, if you're making tea, do you think I could have a cup?
01:05:19Yes, Mama.
01:05:21Please, won't you sit down?
01:05:25We only have milk, and I know you prefer lemon.
01:05:29I'll get some from the house.
01:05:30That would be kind.
01:05:42I have never thanked you, Manuel, for taking care of Annabella.
01:05:47But you're not grateful to me.
01:05:49In your heart, you think it a disgrace that I married her.
01:05:53Yes.
01:05:54I can't deny that.
01:05:55You can't stop her coming away with me.
01:05:58No, I can't.
01:06:00But you can.
01:06:02She's determined to go with you.
01:06:04But it's just a romantic notion.
01:06:07She's only a young girl.
01:06:08She is not a young girl.
01:06:10She is a woman.
01:06:11But she's still the child I brought up.
01:06:13The girl I trained to be a lady.
01:06:15That's what she still is.
01:06:17And in your heart, you know it.
01:06:19What life would it be for her if she went with you?
01:06:24Will you do something for me?
01:06:25That depends.
01:06:27Will you give me a week's grace?
01:06:29A week's grace?
01:06:31Leave her here for a week.
01:06:32No explanations.
01:06:34Just go.
01:06:35If you haven't enticed her in all these months...
01:06:37But you were a prisoner.
01:06:39Pining away for her as she was for you.
01:06:41Now you are free.
01:06:42She is free.
01:06:44The doubts may start.
01:06:46I am not free.
01:06:48I am hers for life.
01:06:51Well then.
01:06:52You're certain of your feelings.
01:06:55But are you certain of hers?
01:06:59Leave now.
01:07:01And let her decide.
01:07:04I brought both milk and lemon.
01:07:06Mama?
01:07:09What is it?
01:07:11Well, nothing, dear.
01:07:12Manuel and I are beginning to understand each other.
01:07:16He won't change our minds.
01:07:18We are leaving here tomorrow morning.
01:07:20Oh, yes, dear.
01:07:22After tea, we could spend a little time...
01:07:24...choosing things you might like to take with you.
01:07:27I kept everything.
01:07:29Always hoping.
01:07:31If you're off again, you must have a wardrobe.
01:07:33Mama, a wardrobe.
01:07:35There's no room in the van for a start.
01:07:37Besides, at the end of the working week...
01:07:38...Mr Carpenter does not hold dinner parties.
01:07:40...I'll take these.
01:07:42There's too many to carry, so when I've changed...
01:07:44...I'll ask Manuel to come and fetch them.
01:07:46Of course, dear.
01:07:54Manuel?
01:07:58Manuel?
01:07:58You knew.
01:08:10You knew he'd go.
01:08:13You sent him away.
01:08:15For your own good child.
01:08:18He's not your kind.
01:08:19Annabella!
01:08:21Annabella!
01:08:23Annabella, please!
01:08:25Please don't leave me.
01:08:27I've only begun to live again since you came back to me.
01:08:30Please.
01:08:32Don't you understand?
01:08:34If I stayed, I would hate you.
01:08:37Hey, babe!
01:09:02Hey, babe!
01:09:03I've been expecting you, Bonnie Loss.
01:09:13He was in a right hurry, but he came to say goodbye.
01:09:16Oh, then.
01:09:17It won't be a long shot.
01:09:19But you might just find him snatching a bit of sleep in Jacob's field.
01:09:23Go on.
01:09:33Go on.
01:10:03Maribel, in the name of God.
01:10:06Why did you let her talk you around?
01:10:09Why didn't you trust me?
01:10:10Why?
01:10:12I love you.
01:10:14Don't you understand?
01:10:15I love you.
01:10:25My darling.
01:10:28My dearie.
01:10:30My beauty.
01:10:33My dear, my dear.
01:10:36ORGAN PLAYS
01:11:06Samuel, what is it?
01:11:11I can't help feeling sorry for her.
01:11:14Your mama.
01:11:15You were sorry for her?
01:11:17She's lonely.
01:11:19Without you, she'll just pine.
01:11:22Anyway, I have something to thank her for, after all.
01:11:25What if we'd have come away together back there?
01:11:28I would have always felt unsure about you.
01:11:31Deep in my heart, I would have had doubts.
01:11:34But now...
01:11:35Where you go, I go.
01:11:37Aye.
01:11:38I know that now.
01:11:41Nothing can shape my faith in you.
01:11:43Nothing.
01:11:47And where?
01:11:48She can't separate us.
01:11:50She has no power over us now.
01:11:52So we're going back.
01:11:53We're going to run that glass house for Madame LaGrange.
01:11:57And I am going to woo her until I've won her.
01:11:59Oh, I love you, Manuel Mendoza.
01:12:01Aye.
01:12:02Do you know something, Mrs. Mendoza?
01:12:03What?
01:12:04I love you.
01:12:05I love you.
01:12:25I love you.
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