- 2 days ago
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00:00:00Who can fail to regard the opening of the Orphanum Bypass as an unmixed blessing
00:00:12when I recall the disquiet and apprehension while we have faced the daily shaking, nay,
00:00:20undermining of our historic heritage by the juggernauts of today?
00:00:30I'm happy to invite the minister, who has honoured, and might I say adorned us, by her presence here today,
00:00:41to open this triumph of contemporary engineering.
00:00:50I declare the Orphanum Bypass well and truly open.
00:00:56And may God bless her and all you drive on her.
00:01:03Come along, Theo, and first in the party in the bank, aren't you?
00:01:06Oh, poor little Bruce! Can't we spot the house into the official run?
00:01:10Oh, God forbid!
00:01:14Coming, Harry?
00:01:16No, I haven't been asked. National health GPs being of no consequence in our free market economy.
00:01:21We've got a double ticket. Andrew's got to go back to work.
00:01:25Oh, of course, I wouldn't dream of going without him.
00:01:27I gather you've recovered.
00:01:29Much better, thanks.
00:01:30Good. I spoke to Miss Mathsson the other day.
00:01:33She said you were feeling better.
00:01:35I'll call in and see you in a day or two.
00:01:37I really don't think that'll be necessary.
00:01:41As you wish.
00:01:42I can always give you a ring if my wife needs another prescription.
00:01:46Well...
00:01:47Well, thank God for my lunch with the knobs of the neighbors.
00:02:07I can't possibly go now. You're so rude to Harry.
00:02:10You change your mind, darling.
00:02:12Hold on to your hand. Let's see if we can beat them there.
00:02:14Let's see if we can beat them there.
00:02:44This horse looks fit for work.
00:02:56You and this barbarian ever came from the same womb. Never fails to surprise me.
00:03:00Now, you're only miffed because I had the good sense to bring a drink from the bar.
00:03:04Don't worry, yours are coming.
00:03:06Oh, my God. Thank you.
00:03:10Oh, it's not quite as disgusting as it looks.
00:03:12Well, it couldn't be, really, could it?
00:03:14Oh, I don't know.
00:03:18These asparagus boats are top-hole.
00:03:21They're almost as good as those, whatchamacallams, your little Miss Thingamie mates.
00:03:25Now, take a lot.
00:03:26Well, take two.
00:03:27In fact, hang on to them.
00:03:29I've got my eyes on those cocktail susteners over there.
00:03:33Now, well, you'd better buck up before our junior minister scoffs the lot.
00:03:36Oh, the gluttony.
00:03:38Well, you can talk.
00:03:40You're going through that lot so fast.
00:03:42I mean, the least you can do is relieve your sister of the tray.
00:03:45Oh, gladly.
00:03:46Are you all right?
00:03:49Fine.
00:03:51No, I'm not, actually.
00:03:52It's too hot in here.
00:03:53There's too many people smoking.
00:03:55Most canapé are well past their sell-by date.
00:03:57I'm off.
00:03:58Will you cover for me?
00:03:58Well, I'll try.
00:03:59All right.
00:03:59All right.
00:04:01All right.
00:04:31Absolutely proper.
00:04:33Here, go on.
00:04:34Get on with it.
00:04:35And don't forget the wheels.
00:04:38Are you all right, Mrs Fielding?
00:04:41Not very well, actually.
00:04:42No, no.
00:04:43Oh, come on.
00:04:44In.
00:04:45Come in.
00:04:46Here.
00:04:48Have a chair, Mrs Fielding.
00:04:51Oh, my dear.
00:04:54You look as white as a ghost.
00:04:56If you take my advice, you'll have a drop of brandy.
00:04:59Oh, no, thank you.
00:05:00Well, there's nothing like it for settling the stomach.
00:05:04That's what I give you for.
00:05:07Medicinal purposes.
00:05:11Mark my words.
00:05:12That'll do you the power of good.
00:05:13There you are.
00:05:25What did I tell you?
00:05:27Now, you stop there a minute.
00:05:28There's going to be any trouble.
00:05:32Oh, no trouble.
00:05:33It's not as if there's a lot else on today.
00:05:36No, you just make yourself comfortable.
00:05:37No, I'd give yourself another minute or two if I were you.
00:05:58Um, you don't happen to have heard from Mrs Drage, do you?
00:06:08I only wondered, you and her having been so friendly-like.
00:06:11Oh, yes, of course.
00:06:12Why do you ask?
00:06:14Well, um...
00:06:15There's no offencement, you understand.
00:06:25It's like this.
00:06:26We did a couple of jobs for Mrs D and, uh...
00:06:29Well, seeing as how she didn't leave no forward in her dress.
00:06:34Oh, I see.
00:06:35Um, just a minute, it's here somewhere.
00:06:38Oh, there it is.
00:06:40There it is.
00:06:42Um, there's some glasses.
00:06:45Uh, August the 6th, it was.
00:06:496th and 7th.
00:06:51Mm.
00:06:52Yeah, she booked one of my vehicles to take some stuff up to feasts for her.
00:06:56Uh, that was the 6th.
00:06:58Well, we'd done the job, and then she said to come to the shop the next morning, the 7th.
00:07:02At 8 o'clock sharp, she said.
00:07:04We was to take her to the station.
00:07:06Yeah, she was stopping the night at feasts.
00:07:08But coming back, see, to see to the removals.
00:07:13Well, we was to take her to the station, picking up the stuff from feasts en route.
00:07:178 o'clock sharp, she said.
00:07:20Well, I don't mind telling you, I was a bit narked.
00:07:23Well, I took the car round there myself, and there she was.
00:07:26Gone.
00:07:27Without a word.
00:07:28They were taking out the furniture, Mrs Fielding.
00:07:31Hello, you old bugger.
00:07:32Len Cox was there.
00:07:34And a couple of his men.
00:07:35Hello?
00:07:39Where's she, then?
00:07:40Gone.
00:07:42What, me, she did?
00:07:43Well, you're unlucky then, aren't you?
00:07:45Now, listen, I can't afford to hang about, not on a Saturday.
00:07:48Me neither.
00:07:50Well, how'd you get in, then?
00:07:51Well, we was here at 7 o'clock this morning.
00:07:53Key was in the door, so we went straight in.
00:07:55Place was as neat as a pin, all packed up and ready to go.
00:07:58Just a minute.
00:08:00You just can't take the stuff.
00:08:02Not without her being here.
00:08:03Well, it's all going at the store, isn't it?
00:08:05And she paid me when I gave her the estimate.
00:08:07Oh, you're all right, then.
00:08:09All the same.
00:08:09Look, I'm not going to be messed about by some bloody woman.
00:08:12Pardon me, Mrs Fielding, but that's what he said.
00:08:15Well, I wasn't laughing, I can tell you.
00:08:17I turned down two jobs for 8 o'clock,
00:08:20and one of them lost me a regular.
00:08:21Don't worry, Mr Snow.
00:08:23I'll settle Mrs Drage's account.
00:08:25Oh, no, no, no.
00:08:25I didn't mean for you to do that.
00:08:28If you give me the bills, I'll, um, I'll write a check.
00:08:31That's awfully good of you.
00:08:36Oh.
00:08:41I expect Mrs Drage just forgot about the car.
00:08:44Oh, I'm not saying she'd done it deliberate.
00:08:46But you wouldn't think a person would be that forgetful, would you?
00:08:49Being as though she booked the vehicle,
00:08:51and when she saw me on the Friday, she reminded me.
00:08:56Here we are.
00:08:57Oh, much obliged, I'm sure.
00:09:00The funny thing was,
00:09:02she rang up again about 5,
00:09:05and said,
00:09:07I wouldn't forget, would I?
00:09:09And after all that,
00:09:12well, I was a bit narrowed to Mrs Fielden,
00:09:15I can tell you.
00:09:17Yes, I'm sure.
00:09:19Ah, still.
00:09:22Oh.
00:09:24Run you home now, shall we?
00:09:25Oh, no, no, but I'm fine.
00:09:27You're quite sure?
00:09:28Positive.
00:09:29Oh.
00:09:29You've been very kind.
00:09:35Oh, and thank you for the brandy.
00:09:38My pleasure, Mrs Fielden.
00:09:39Oh, my God.
00:10:01I've arranged to stop the night with the feasts.
00:10:16Too complicated.
00:10:19I've ordered a car to pick me up from there.
00:10:22I don't feel like I'm going to go to the car.
00:10:23I don't feel like I'm going to change my arrangements now.
00:10:25She never showed up.
00:10:33Do you mind?
00:10:34How about going down there looking for rain or gone?
00:10:37Then can't all them corpses have gone.
00:10:40And there she was. Gone. Without even a word.
00:10:45She booked for that night, but she never arrived.
00:10:48Mr. Drane's called and cancelled.
00:10:51Not what you call mail? Two or three letters?
00:10:56And a little parcel.
00:10:59If you do rule her out, you might tell her to come down and collect her stuff.
00:11:25Oh, Mr. Beast. Is Daphne here? Could I have a word with her?
00:11:36Well, if it's to do the famine relief, Mrs. Fielding, that's more my province, if you know what I mean.
00:11:41No. No, it's not.
00:11:43Well, through here, then.
00:11:49Mrs. Fielding, did you say you dap me?
00:11:53Go right up, Mrs. Fielding.
00:11:54You make allowances, I know, for a certain amount of disarray.
00:11:56Oh, don't worry. I'm dropping in unexpectedly.
00:11:58Would you like any more of that yoghurt?
00:12:00No, it was lovely. Not today. Thank you.
00:12:03Oh, that's right. Eat wisely and you'll live long. That's what I always say.
00:12:07The problem is that so many people who would eat wisely have denied the basic necessities for existence by man's inhumanity to man.
00:12:13Well, you've got the old man started now, haven't you?
00:12:17Makes me feel quite virtuous having skipped my lunch.
00:12:19Oh, do you want to get me pie, then?
00:12:22Er, no. No, thanks, Daphne.
00:12:23Come on. Suit yourself.
00:12:25Look, I wanted to ask you about Nesta's things. Apparently she left them here.
00:12:30Do you think I could see them?
00:12:32Why?
00:12:35Well, to cut a long story short, she's not where she said she'd be.
00:12:39Well, trust her.
00:12:42All right, then.
00:12:43Well, it's not them, it's it. And it's in my dad's room. Come on.
00:12:52There we are.
00:12:56God, that's a trunk.
00:12:59It's a huge trunk.
00:13:01I told you she left a lot of stuff here.
00:13:03Is it locked?
00:13:04Oh, I don't know. It's locked.
00:13:07Yeah, it looks like it.
00:13:10Oh, God, I wonder if we should...
00:13:11She kind of wanted it that much.
00:13:13Or she wouldn't have left it here.
00:13:14I wonder what's inside it.
00:13:16Oh, my God, is that me?
00:13:18I wonder if we should go last, or maybe your father.
00:13:21Oh, no, he can't leave the shop.
00:13:22Not unless I take over, and I ain't doing that.
00:13:24Oh, I don't mind having a go at it.
00:13:27Well, I need a screwdriver or something, can't we, Nick?
00:13:32What's that on to her, anyway?
00:13:35She's gone missing, hasn't she?
00:13:38Ew.
00:13:39What's if she's in here?
00:13:41Chopped up in bits, I mean.
00:13:42Like in one of them horror stories.
00:13:44Oh, I don't think so.
00:13:45Well, I tell you, if there's anything nasty inside, I warn you, I'll be sick.
00:13:50You look pretty queasy as it is.
00:13:52Oh.
00:13:53Oh.
00:13:53Oh.
00:13:57Oh, here we go.
00:13:58Oh.
00:14:00Oh.
00:14:01Oh.
00:14:04Oh.
00:14:05Oh.
00:14:06Oh.
00:14:06Oh.
00:14:07Oh, God.
00:14:08These must be nearly all her clothes.
00:14:11Well, all her shoes and all.
00:14:14Well, set to black patent pair, they ain't here.
00:14:18She was wearing those the night she came to supper.
00:14:20I remember them.
00:14:21The heels were high.
00:14:23What's this?
00:14:27It's a vanity case.
00:14:29Well, that's your leaving that.
00:14:32You thought she'd have gone away in her new summer coat, wouldn't you?
00:14:35What did she take?
00:14:37Well, black velvet job seems to be missing.
00:14:42She was wearing that the night she came to supper.
00:14:44What beats me is why she's left behind all her best things.
00:14:48I mean, she saved up for this cream suit.
00:14:50It cost her near enough hundred pound.
00:14:51But why here?
00:14:52She was only going to stay for one night.
00:14:55Oh, my goodness.
00:14:55She must have meant for us to have a good old go-through.
00:14:58Well, all right, but what's she wearing, Daphne?
00:15:00You can't wear a black coat and a pair of high-heeled shoes for six weeks.
00:15:02Unless this boyfriend of her has bought her old new wardrobe.
00:15:11Lucky a lot of old stuff she wore next to herself, don't they?
00:15:15Always was one for top show, was Nestor.
00:15:19Can't say as I'm sorry, I didn't end up with her as my step-mum.
00:15:22That seemed a bit of a giggle at the time.
00:15:24A step-mother?
00:15:25No idea.
00:15:28Not a lot of people hurt.
00:15:31Well, what should I do with all this stuff, then?
00:15:34What else can you do?
00:15:36Hold on to it.
00:15:38All right, don't mind if I do.
00:15:43Did you fancy me in it, eh?
00:15:45Where'd you get all them things?
00:15:48What'd you do in my trunk?
00:15:50It's not your trunk, it's Nestor's trunk.
00:15:53We've got it open and it's full of all our things.
00:15:56Haven't you got no respect for all the people's property?
00:15:59The box was in our care.
00:16:01We're responsible for it.
00:16:03That's why the world is in the state it's in.
00:16:06Big people riding roughshod over little people's feelings.
00:16:09Saddam Hussein, Somalian, Serbian murderers.
00:16:15Smarming their hands over other people's household goods.
00:16:19And you've got no ethics.
00:16:22Calm down for crying out loud.
00:16:24I don't know what Mrs Fielding's going to think, I'm sure.
00:16:27Mrs Fielding?
00:16:30She's dead.
00:16:36Now look what you've gone and done, you silly old sod.
00:16:41I'm not so sure.
00:16:42Those letters were typed, Jackie.
00:16:44I don't think she ever left the bridal wreath.
00:16:47Not alive.
00:16:48So you're saying she's what, been murdered?
00:16:51She was in trouble, Jackie.
00:16:52We know she was up to rivals in debt at the shop.
00:16:54And there was this man.
00:16:56This big man in the soul state.
00:16:58I remember Daphne was telling me.
00:16:59I've found out some things about it, Nestor.
00:17:01What sort of things?
00:17:02Things about men.
00:17:06There were people that didn't want her around.
00:17:09Come to think of it, when she said goodbye to me the other night,
00:17:12she kissed me on birth checks.
00:17:13It sounds very odd behavioural.
00:17:15We weren't on those sorts of terms.
00:17:17Well, where did she go after she'd said goodbye to you?
00:17:20Uncle Jay's, I think.
00:17:21And then on to us.
00:17:23She was so depressed when she arrived.
00:17:26She went upstairs to talk to Peniel.
00:17:28When she came down, she was taking pills.
00:17:31What sorts of pills?
00:17:32You know, tranquilizers or what?
00:17:34She said they were for depression.
00:17:37Well, the only pills I know for depression,
00:17:39the ones Mummy was on.
00:17:40Try and...
00:17:41Oh.
00:17:43Well, anyway, some...
00:17:44I can't remember the name.
00:17:45And you have to say off right,
00:17:46really odd combinations of food.
00:17:49You can't eat broad beans or cheese or marmite.
00:17:53Otherwise, you get a brain hemorrhage.
00:17:54I gave her cheese.
00:17:56I made a cheese souffle for dinner.
00:17:58Well, there you are, then.
00:17:59You've killed her.
00:18:00Yes, well, I probably have.
00:18:01I could have killed her.
00:18:02I'm like, come on, Alice!
00:18:04She's about to have eaten a hell of a lot of cheese!
00:18:08But what we are saying is
00:18:10whoever gave her those pills
00:18:14is the murderer.
00:18:18And the more I find out, the worse I get.
00:18:22But whoever it is,
00:18:25he's trying to kill me.
00:18:32He's gonna kill me.
00:18:36And my הב׊ is like,
00:18:51I guess I'm so sorry.
00:18:52I'm so sorry.
00:18:52Lord, I'm so sorry.
00:18:53I don't know.
00:18:54How would he be...
00:18:55What would he do?
00:18:55I don't know.
00:18:56He's like, go easy
00:18:57Oh, my God.
00:19:27How are you feeling?
00:19:41Better.
00:19:42Good.
00:19:46Are you sure you want to read all this stuff?
00:19:49You'll probably find it as dry as dust.
00:19:51You don't?
00:19:52No.
00:19:54Are all the politicals there?
00:19:55Well, apart from Phineas Finn,
00:19:57which you're doting doctor under the borough for reasons best known to himself.
00:20:02He was probably trying to be friendly, darling.
00:20:04A forlorn hope.
00:20:06But I must chase him to return it.
00:20:08I'm just getting to that section of my manuscript.
00:20:11Anyway, it'll take you days to get through this lot.
00:20:14I'm not going to be here for days.
00:20:15I've got to do something about Nesta.
00:20:17I'm going to get up tomorrow and go to the police.
00:20:18But don't say anything.
00:20:20I've already decided.
00:20:23I've said all I have to say on that subject.
00:20:25Forlorn hope.
00:20:34I'll send it to you next time.
00:20:44All right.
00:21:14Oh, thank you.
00:21:17Where's Mr. Fielding?
00:21:19He had his supper and I was to say goodnight because he would be working.
00:21:24Oh, I see.
00:21:25I didn't like to ask you before as you were ill, Mr. Fielding, but, um, the stamp from Brighton, did you get it?
00:21:31Oh, but Neil, I'm sorry I forgot. I'll get it for you next time.
00:21:35Malik will be most pleased. You see, they are of more value when they are not postmarked.
00:21:40I'll come for the tray later.
00:21:42Neil, do you remember I had two letters from Mrs. Drage?
00:21:46You didn't notice the postmarks on those, did you?
00:21:48You didn't see them when you brought the letters in?
00:21:51The first letter, it's enveloped. I did keep Mrs. Fielding.
00:21:55You throwed it away and when I came to empty the waste paper basket, there it was, with a beautiful new stamp.
00:22:01I looked at the date and it was, um, how shall I say it in English?
00:22:06First day cover.
00:22:07You kept it for your brother because it was a first day cover.
00:22:10Yes. Is that all right?
00:22:12Yes. Yes, of course.
00:22:14Did you send it to Warsaw?
00:22:16No. He's coming soon for his holidays.
00:22:19And then I'll give him all the stamps I've saved.
00:22:21Ah, I want him to come so much. Lately I've been homesick.
00:22:28Yes. Yes, I know.
00:22:32Actually, it's homesick.
00:22:36Homesick?
00:22:36Do you still have it?
00:22:38Yes, in my room.
00:22:41Shall we go and find the envelope now?
00:22:45Yeah.
00:22:45Yeah.
00:23:06May I keep this for a day or two?
00:23:10It's yours.
00:23:12I'll give it back to you when your brother arrives.
00:23:15Well, good night.
00:23:16Good night.
00:23:16Good night.
00:23:36Good night.
00:24:06Good night.
00:24:36Good night.
00:25:06I forgot your tray.
00:25:08Did you hear anything?
00:25:10When?
00:25:10Just now.
00:25:12Now?
00:25:12Like what?
00:25:15Oh, never mind.
00:25:18I must have imagined it.
00:25:20Good night.
00:25:21Good night.
00:25:22Good night.
00:25:38Good night.
00:25:47Good night.
00:26:20Hello, Daphne.
00:26:42It's good to see you up and about again, Mrs Fielding.
00:26:45If you've come for some food, I'm afraid you're too late.
00:26:47I haven't. Has Harry gone?
00:26:50No, not quite.
00:27:02Ah, Miss Whittaker. Or should I say, Mrs Fielding.
00:27:06We haven't seen as much of you, please.
00:27:09Well, I'm here now. Could I have a word with you, Harry?
00:27:12Of course, yes. Excuse us, Ian.
00:27:14How are you, Alice?
00:27:19I'm fine.
00:27:21Harry, I want to ask you something.
00:27:24Have you ever prescribed Tranil Cyphermine to anyone in Solstead?
00:27:28If I was?
00:27:30What is this?
00:27:31Have you? I really need to know.
00:27:35Well, yes, I have, as a matter of fact.
00:27:38Mr Feast?
00:27:38Well, that's the last thing, I don't know.
00:27:41Surely you don't expect to discuss my other patients with you, Alice.
00:27:47What is this?
00:27:48It's Nesta.
00:27:49I think I may be partly responsible for what's happened to her.
00:27:51I'm nearly worried I've won my mind.
00:27:52Alice, now, you must...
00:27:53Andrew won't talk to me about it.
00:27:54He won't even talk about Nesta.
00:27:56Well, that's hardly surprising in the circumstances.
00:27:58How do you mean?
00:28:00Well, when you married a man so much younger than yourself,
00:28:03surely you realised you'd be liable to run into this sort of problem?
00:28:07I... I don't understand.
00:28:09Look, let's leave Nesta aside for a moment, shall we?
00:28:13Alice, for your own sake,
00:28:15you've got to stop connecting her with your husband.
00:28:22Andrew and Nesta.
00:28:25I don't believe you.
00:28:30I'm sorry.
00:28:30I shouldn't have mentioned it.
00:28:32Please, forget that.
00:28:33Call of me.
00:28:35You mean you didn't know?
00:28:37You liar!
00:28:38I don't know.
00:29:02I don't know.
00:29:05I don't know.
00:29:06I don't know.
00:29:29What has happened?
00:29:47Are you all right, Madden?
00:29:48I must lie down.
00:29:59Not a bad outcome, by and large, which is more than can be said of your wife's driving.
00:30:12Centuries of civilization are shared in an instant when you put a woman behind the wheel
00:30:17of a car.
00:30:21You better go in and absolve her.
00:30:23I'll see you tomorrow.
00:30:25You will, if I'm spared.
00:30:32Right way.
00:30:37Mr. Filving, the stage, she came in.
00:30:47Where is she?
00:30:48She went straight upstairs.
00:30:53Why did it have to happen, Andrew?
00:31:00Why did it have to happen, Andrew?
00:31:08Why did it have to happen, Andrew?
00:31:23Why did what have to happen?
00:31:25And you and Nesta.
00:31:29Harry told me.
00:31:32Damn, blast him.
00:31:34Were you in love with her?
00:31:40Andrew?
00:31:42If only I could make you believe how violently I loved her.
00:31:57She was utterly repulsive to me.
00:31:59You couldn't see it.
00:32:01I had to put up with that white slug of a woman with her false hair because she was your friend.
00:32:08My God, Belle, sometimes I thought I'd kill her if she made one more malapropism.
00:32:12Why didn't you tell me?
00:32:14But there was something...
00:32:15There was something between you, something you wanted to hide, wasn't there?
00:32:19If there hadn't have been, I suppose I wouldn't have felt quite such revulsion.
00:32:26You remember the night before she was supposed to be leaving?
00:32:29She, uh...
00:32:30She came to supper.
00:32:31You insisted I drive her home.
00:32:33Well, she asked me in.
00:32:36All among the dusty, tan, dying pot plants.
00:32:40I remember she gave you one of them.
00:32:43Not before she'd slub it all over me.
00:32:47That was bad enough.
00:32:49What made it hideous was I, uh...
00:32:52I pushed her away.
00:32:55She went completely bananas.
00:32:57On and on about how she loved you too, that she realized you and I.
00:33:02Oh, but God, that didn't mean she and I had to deny what we felt for each other.
00:33:06You had to be told.
00:33:08We had to find a way of coping with it together.
00:33:11I mean, the three of us.
00:33:19And I managed to calm her down a bit.
00:33:21Get out with that damn pot plant.
00:33:22She said it was a...
00:33:24a token of goodwill towards you.
00:33:27I tell you, Belle, she was mad.
00:33:29At the time, she frightened the life out of me.
00:33:34And ever since, I've been afraid that she might turn up or you'd find her.
00:33:38I beg you to believe me.
00:33:40It's all right, I do.
00:33:45It may come as a blow to your vanity, but she did much the same to Hugo.
00:33:48Well, poor old Hugo.
00:33:52She seems to have cut a swathe through the male population of Solstead.
00:33:57Question is...
00:33:59How did Harry know about you and Nestor?
00:34:02I don't suppose he did.
00:34:04It was just a...
00:34:06malicious shot in the dark by a jealous man who saw the chance to make trouble between us.
00:34:09Thank God he failed.
00:34:13He did, didn't he?
00:34:15Of course he did.
00:34:27God, who's that?
00:34:28It's Uncle Jay.
00:34:34I wonder what he wants.
00:34:36I don't.
00:34:38Mrs Johnson will have been spreading alarm and despondency, I bet you.
00:34:42Will you make him some tea?
00:34:44I'll be down in a minute.
00:34:45I love you.
00:34:46I love you.
00:35:08Tea?
00:35:10What do I want with tea?
00:35:12This time.
00:35:13I...
00:35:14I don't know where you pick up these proletarian habits, Alice.
00:35:18I expect it's a reaction against my upbringing, Uncle Jay.
00:35:21Hmm.
00:35:23What's this Mrs Johnson's been telling me about?
00:35:25You driving as though all the devils in hell are after you?
00:35:29She'd no business bothering you.
00:35:31I was tired.
00:35:32I was thinking about something else instead of concentrating on what I was doing, that's all.
00:35:35Hmm.
00:35:36I may as well tell you, Alice.
00:35:38I'm worried about you.
00:35:40This has gone on long enough.
00:35:41There's something the matter with you.
00:35:45You better get to the bottom of it before Andrew here finds himself tied to a chronic invalid.
00:35:51Or worse.
00:35:52Alice.
00:35:53He's right, darling.
00:35:54What?
00:36:00What's the matter, darling?
00:36:01What's the matter, darling?
00:36:02Oh!
00:36:10My God.
00:36:11Alice.
00:36:12Oh, my God.
00:36:13Alice.
00:36:14Look, I'm perfectly well aware I'm not here because you want me to be.
00:36:22But since Mr Bittaker telephoned me, and as Alice is my patient, I think the least you can do is allow me to try and make a diagnosis.
00:36:28The operative word is...
00:36:31The operative word is try.
00:36:33You've been seeing my wife pretty well every day since this trouble started, and all you've been able to suggest is some sort of mythical virus.
00:36:39A virus is the last thing I'm considering at the moment.
00:36:41What do you mean, considering?
00:36:44What kind of a doctor are you, for Christ's sakes?
00:36:46My wife has collapsed.
00:36:48Can't you tell me what you think?
00:36:49Is the matter with your patient?
00:36:50Or are you just going to stand around until she goes into some sort of terminal or decline?
00:36:54Look, before I can be sure, I have to examine Alice and ask her some questions.
00:36:58Now, if you or Miss Madsen will be kind enough to help me carry Alice upstairs...
00:37:03If you dare touch on my wife.
00:37:06For God's sake, Alice and I are old friends.
00:37:09I've had as much of this old friend crap as I can stand.
00:37:12In fact, I thought there were rules about doctors and their so-called friendly relations with their female patients.
00:37:18I shall try to forget you ever said that.
00:37:20If you weren't married to Alice, I'd have you up for slander.
00:37:24I mean, can't you guess what's wrong with your wife?
00:37:27Or are you too much of an escapist to face up to it?
00:37:31I'm a concerned husband.
00:37:33Not an incompetent provincial backstreet quack.
00:37:38Now, would you please go?
00:37:46Harry.
00:37:48Alice.
00:37:50I understand.
00:37:52I should have realised before.
00:37:54Don't worry, I'll be careful now.
00:37:57I have to go.
00:38:00Promise me you'll call someone else in.
00:38:02You must let a doctor examine you.
00:38:05I will.
00:38:07Get up.
00:38:08I know I should never have flown off the handle.
00:38:09I'm so afraid, Andrew.
00:38:11We'll get you another dog to tell someone who really knows what they're doing.
00:38:12A specialist.
00:38:13Uncle Jay's already looking into it.
00:38:14If I die?
00:38:15No, come on.
00:38:16No, come on.
00:38:17No, if I die, I want you to know that everything's yours.
00:38:18The house, the money, the shares.
00:38:19I made a will when we got married.
00:38:21People don't die for poisoning, darling.
00:38:23No, come on.
00:38:24No.
00:38:25You're so tired and overwrought.
00:38:26You don't know what you're doing.
00:38:27You're so tired and overwrought.
00:38:28You don't know what you're doing.
00:38:29No, come on.
00:38:30You won't leave me, will you?
00:38:31Of course I won't.
00:38:32No, no.
00:38:33I'm so afraid, Andrew.
00:38:34We'll get you another dog to tell someone who really knows what they're doing.
00:38:37A specialist.
00:38:38Uncle Jay's already looking into it.
00:38:39If I die?
00:38:40No, come on.
00:38:41No, if I die, I want you to know that everything's yours.
00:38:43The house, the money, the shares.
00:38:45I made a will when we got married.
00:38:46People don't die for poisoning, darling.
00:38:50No.
00:38:51You're so tired and overwrought, you don't know what you're talking about.
00:38:56You won't leave me, will you?
00:38:58Of course I won't.
00:38:59And now I mean stay with me.
00:39:01Of course I'll stay with you.
00:39:02If I won't get you to bed in a bit, sit back, giving you something to eat.
00:39:07Please rest now.
00:39:10What is it?
00:39:25My eyelids.
00:39:28You just closed my eyelids.
00:39:31That's what they do when you're dead, isn't it?
00:39:40I've brought you a few flowers.
00:39:47I've brought you some.
00:39:49Oh, it's...
00:39:50Oh, it's you, thank God.
00:39:52What is it?
00:39:54Oh, it's baked custard.
00:39:56It's a bit extreme, isn't it?
00:39:58Bypassing the digestive system to go straight from oven to lavatory.
00:40:01Mrs Johnson made it.
00:40:03Oh, and you don't want to hurt her feelings?
00:40:06But couldn't you just say you didn't feel like it?
00:40:08Damn, I'm feeling, isn't it?
00:40:09Oh, I know.
00:40:10You're in a two and eight.
00:40:11Oh, you don't understand.
00:40:13Okay.
00:40:14Why didn't I do something with these whilst you bring me up to date?
00:40:18What a morbid fancy.
00:40:20Harry agrees I'm being poisoned.
00:40:23He said as much last night.
00:40:25Before Andrew threw him out.
00:40:27By whoever killed Nesta.
00:40:34Gets more obvious the more you think about it.
00:40:37But who?
00:40:38I began by suspecting Mr Feast.
00:40:40The first time I got sick was after being the only person in the house to eat his yogurt.
00:40:45And the next?
00:40:46The reception.
00:40:48You mean the opening of the pie pass?
00:40:50And the last, and by far the worst, was yesterday.
00:40:54I thought it might be Mrs Johnson, but she didn't have anything to do with the reception.
00:40:59Jackie, there's only one person who is actually present on all three occasions.
00:41:08Who?
00:41:09Uncle Jay.
00:41:10Uncle Jay, Alice, you must be joking.
00:41:14Nesta was having a thing with a big man in Solstead.
00:41:17Well, they don't get much bigger.
00:41:19And if she was blackmailing him?
00:41:21Well, I mean, it's just too ridiculous to contemplate.
00:41:25Well, I can just about imagine him trying to kill her, but poison you.
00:41:32Dear God knows, I don't want to believe it, but somebody's trying to.
00:41:36Jackie, I'm so frightened I can't think straight.
00:41:39Harry's made me promise I've got to see a specialist and get a second opinion.
00:41:42And until then, I simply daren't touch anything.
00:41:45Unless, unless, no one's been near it, except Peniel or Andrew.
00:41:57I'm off now, Peniel.
00:41:58I've taken Mrs Fielding's tray down.
00:42:00Why, thank you, Mrs Whittaker.
00:42:05Who is it?
00:42:06It is me, Mrs Fielding.
00:42:08Oh, come in.
00:42:10Yes, Peniel.
00:42:11Is there anything you will be wanting?
00:42:13No, thank you.
00:42:14You're looking lovely.
00:42:15Are you going out?
00:42:16This is my evening off, Mrs Fielding.
00:42:18Oh, yes, of course it is.
00:42:19Are you going somewhere nice?
00:42:21It is nice for me.
00:42:22My brother's arriving, and I'm going to the airport to meet him.
00:42:25I haven't seen him in such a long time.
00:42:27I'm terribly excited.
00:42:28Yes, I'm sure you are.
00:42:30Don't bother coming back early.
00:42:31Oh, Mr Fielding said that perhaps I don't need to come until tomorrow, but...
00:42:37No, of course, you mustn't come back.
00:42:38Mr Fielding can look after me.
00:42:39He said he'll be back at seven.
00:42:41And I've got your tea ready for you and the dinner, and I've explained everything to him.
00:42:46He only has to put the casserole in the oven and do the salad.
00:42:50I even washed the lettuce.
00:42:52You're an angel.
00:42:54You pass my bag.
00:42:55Oh, wait a minute.
00:42:56Take your brother to dinner.
00:42:57Oh, but this is too much.
00:42:58No.
00:42:59Push the boat out.
00:43:00Sorry?
00:43:01It'll make me very happy that you and your brother have a lovely dinner together.
00:43:06You're very kind to me and to Mark, too.
00:43:08So, if you're sure there's nothing else...
00:43:10No.
00:43:11Off you go.
00:43:12Bye.
00:43:13Bye.
00:43:14Bye.
00:43:15Peniel!
00:43:16Peniel!
00:43:17Peniel!
00:43:18Peniel!
00:43:19I'm sorry.
00:43:20I'm sorry.
00:43:21I'm sorry.
00:43:22I'm sorry.
00:43:23I'm sorry.
00:43:24I'm sorry.
00:43:25I'm sorry.
00:43:26You and your brother have a lovely dinner together.
00:43:27You're very kind to me and to Mark, too.
00:43:29So, if you're sure there's nothing else...
00:43:30No.
00:43:31Off you go.
00:43:32Bye.
00:43:33Bye.
00:43:34Bye.
00:43:35Bye.
00:43:36Bye.
00:43:37Bye.
00:43:38Bye.
00:43:39Bye.
00:43:40Bye.
00:43:41Bye.
00:43:42Bye.
00:43:43Bye.
00:43:44Bye.
00:43:45Bye.
00:43:46Bye.
00:43:47Bye.
00:44:17Bye.
00:44:18Bye.
00:44:47Bye.
00:44:48Bye.
00:45:17Bye.
00:45:18Bye.
00:45:47Bye.
00:45:48Bye.
00:46:17Bye.
00:46:18Bye.
00:46:19Bye.
00:46:20Bye.
00:46:21Bye.
00:46:22Bye.
00:46:23Bye.
00:46:24Bye.
00:46:25Bye.
00:46:26Bye.
00:46:27Bye.
00:46:28Bye.
00:46:29Bye.
00:46:30Bye.
00:46:31Bye.
00:46:32Bye.
00:46:33Bye.
00:46:34Bye.
00:46:35Bye.
00:46:36Bye.
00:46:37Bye.
00:46:38Bye.
00:46:39Bye.
00:46:40Bye.
00:46:41Bye.
00:46:42Bye.
00:46:43Bye.
00:46:44Bye.
00:46:45I wasn't expecting you back till 7.
00:46:49Darling, what is the matter?
00:46:51You're supposed to be in bed.
00:46:53The phone's been cut off.
00:46:55Yes, I know. That's partly why I came home earlier.
00:46:57I tried to call you. Apparently there's a fault in the line.
00:46:59They're working on it now.
00:47:02Why did you double lock the front door?
00:47:07My God, that'd be look as if you'd seen a ghost.
00:47:09You've got a typewriter.
00:47:11No, I haven't.
00:47:12Don't lie. I've seen it in there.
00:47:13Oh, that old thing. It's Per-Neil's.
00:47:17She couldn't work out how to change the ribbon.
00:47:18I did it for her. So what?
00:47:20You know, you should...
00:47:22It's the typewriter that Nesta used.
00:47:25Not that again.
00:47:27It's a bog-standard type, darling.
00:47:29Pika 10.
00:47:31There must be millions of clapped-out on portabots that are identical.
00:47:36Are you sure?
00:47:37Mind you, I'd dearly like to believe this stiff-point
00:47:39to think of Nesta's murderer.
00:47:41Why?
00:47:41Because it wasn't Per-Neil's machine.
00:47:44Boring old Blondon lent it to her
00:47:46to help hammer home her English vocabulary.
00:47:54Oh.
00:47:57I didn't know.
00:47:58No.
00:47:58As far as I'm concerned, it'd be wonderful if this didn't just lay the ghost of Nesta,
00:48:02but put the Dolores doctor behind bars.
00:48:08I'm not making fun of you, Belle.
00:48:10I'm trying to show you where this line of...
00:48:14I was going to say reasoning gets you.
00:48:17You're not well, darling.
00:48:18The reason I tried to call was because Uncle Jay's got the top man in Harley Street
00:48:22to come down to see you tomorrow.
00:48:24Let's just hang on till then.
00:48:25Once we discover what's wrong,
00:48:27I honestly think you're going to find all the horrors you've been going through
00:48:29are just going to disappear.
00:48:30And then can we get away from here?
00:48:32Permanently, I mean.
00:48:32I mean, I'll see the specialist.
00:48:35I'll see him.
00:48:37But I honestly think I'll be all right if we can just get away from here.
00:48:46Andrew.
00:48:50When we became engaged, I came down for the weekend.
00:48:55I meant to tell you then that I'd have to take you away, Belle.
00:48:59And I couldn't work here.
00:49:00But as soon as I arrived, you brought me to this house.
00:49:05You showed it to me.
00:49:08Your face was like a little girl's showing off a doll's house.
00:49:10I didn't realise it was as bad as that.
00:49:12Why didn't you tell me?
00:49:13I did try.
00:49:14You couldn't hear.
00:49:16Did you mean what you said just now?
00:49:17That we could go away permanently?
00:49:21Don't humour me, Belle.
00:49:22It's what I want.
00:49:24More than anything in the world.
00:49:25Right, right.
00:49:32Here's what we'll do.
00:49:35I'll put some champagne on ice.
00:49:36You go and tie yourself up.
00:49:38I'll organise dinner.
00:49:39And then, darling Belle,
00:49:41we're going to get drunk
00:49:42and plan how we're going to spend the rest of our lives together.
00:49:47And go to bed.
00:49:49And make miraculous love.
00:49:51And make sure that we're going to spend the rest of our lives together.
00:50:21Wow.
00:50:22You look absolutely fantastic.
00:50:25Compliments fly.
00:50:31To us.
00:50:32To us.
00:50:37Mmm.
00:50:38Being a kept man has its compensations.
00:50:40After all.
00:50:41Joke.
00:50:44Right.
00:50:45Five minutes and we can eat.
00:50:46Leave me a drop of champagne.
00:50:51Yes.
00:50:51Bye.
00:50:51Yes.
00:50:58Bye.
00:50:58Bye.
00:52:00Hello, this is Andrew Fielding on September the 25th.
00:52:09I'd like to cancel my wife's appointment to see Dr. Solomon tomorrow.
00:52:13I am sorry for the short notice.
00:52:17Bye.
00:52:18Bye.
00:52:19Bye.
00:52:20Bye.
00:52:26Bye.
00:52:27Let's go.
00:52:57Where's Uncle Jay?
00:53:07Madam, what have I possessed you to come out without a coat?
00:53:10Where is he?
00:53:11Well, Mr. Justin's gone out with Mr. and Mrs. Hugo.
00:53:14Well, it's their wedding anniversary.
00:53:23Darling!
00:53:27Well?
00:53:32Well, I don't know.
00:54:02Oh, darling.
00:54:06Oh, Mrs. Gordon, they ain't here, you know.
00:54:08They've gone down to George.
00:54:09Our babysitter, they have moments, please.
00:54:11I can tell you.
00:54:13I'm so obsessed with the phone.
00:54:17Mrs. Johnson, have you seen Alice?
00:54:20Madam was here, but I'm afraid she ran off.
00:54:25Could you pick me up?
00:54:27No, I can't explain.
00:54:30I'll be on the corner of Station Road.
00:54:32Are you all right there, Mrs. Fielding?
00:54:42Yes, thank you, Daphne.
00:54:44I've, um...
00:54:45I've borrowed one of Mrs. Whittaker's coats.
00:54:48She wore mine.
00:54:48Oh.
00:54:49I'm off now.
00:54:50Thank God.
00:55:08Alice, what's happened?
00:55:09Get in.
00:55:15I've left him.
00:55:38I'm sorry, Harry.
00:55:39I didn't know what else to do.
00:55:41You're the only person I can trust.
00:55:43It's all right, please.
00:55:44Come in here.
00:55:50It's all right.
00:55:58Now, come on.
00:55:59Calm down.
00:55:59Sit down and tell me what happened.
00:56:12I know what you said in the church.
00:56:17Andrew and Nesta.
00:56:19Oh, God, Harry.
00:56:20I've found the typewriter.
00:56:25I've found the book.
00:56:36I'll give you something to calm you.
00:56:40What can you give me?
00:56:41What is that?
00:56:46It's all right.
00:56:50It's perfectly safe.
00:56:55It'll make you feel better.
00:56:59It'll make things easier for you.
00:57:06Roll up your sleeve.
00:57:11This won't hurt.
00:57:25There.
00:57:28There.
00:57:29All over.
00:57:31How could he do it?
00:57:34He had everything.
00:57:38He told me he loved me.
00:57:41Poor Nesta.
00:57:46What are you talking about, Alice?
00:57:47I want to die.
00:57:49Alice, don't be stupid.
00:57:52It's finished, Harry.
00:57:55What?
00:57:56What's finished?
00:57:59He killed her.
00:58:02You warned me.
00:58:04Alice.
00:58:04You told me to be careful,
00:58:06and he threw you out.
00:58:08Why are you laughing?
00:58:21Nesta had myxodema,
00:58:23a subnormal activity of the thyroid gland.
00:58:26The clinical syndrome in adult life
00:58:28resulting in obesity,
00:58:30coarsening of the skin,
00:58:31loss of hair,
00:58:31and self-delusion.
00:58:32Your husband knew nothing about Nesta.
00:58:39Well, then who was the man?
00:58:41The big man in Solstead?
00:58:46There were two men in Nesta's life.
00:58:48Mr. Feast,
00:58:49and I doubt if he was ever alone with her for five minutes.
00:58:54And one other.
00:58:54How do you know?
00:58:58How do I know?
00:59:04Well, I was the other man.
00:59:09She reminded me a little of you.
00:59:16And since I couldn't have you...
00:59:17You want to speak to your husband, do you?
00:59:33Can't you forget him for a single moment?
00:59:37You owe me
00:59:38one last half hour of your time.
00:59:41I don't know about Nesta, do you?
00:59:49We used to go to that hotel you traced her to.
00:59:53The endymium.
00:59:55A sordid little dump.
00:59:58It had to be like that, didn't it?
01:00:00Sordid and underhand.
01:00:02You see,
01:00:03I was her doctor.
01:00:05No!
01:00:06No!
01:00:08No!
01:00:12Oh, that's maraudible.
01:00:16Hold on.
01:00:18Is Mrs. Drage here?
01:00:21Not what you might call her here.
01:00:24Just my little check.
01:00:26She went straight up.
01:00:28Room 43.
01:00:31Thank you, Mr. Drage.
01:00:36Not, isn't it?
01:00:37You simply must start having treatment.
01:00:40Come on.
01:00:41You're supposed to be making love to me,
01:00:44not examining me.
01:00:45If you don't,
01:00:46you'll end up bloated,
01:00:47grotesque,
01:00:48unable to look after yourself.
01:00:49Do you mind?
01:00:52I just need to get myself together,
01:00:54that's all.
01:00:54Look, you're...
01:00:55And I won't come running the way you did.
01:00:57Your vanity is just another symptom.
01:00:59Leave me alone.
01:01:02You're just getting at me
01:01:03because you want to get rid of me.
01:01:04That is not true.
01:01:06Well...
01:01:09Prove it, huh?
01:01:12Look, I'm sorry.
01:01:13I...
01:01:14Well, if you want my opinion,
01:01:17it's you who wants treatment,
01:01:18not me.
01:01:22In the end,
01:01:22she said she couldn't cope anymore.
01:01:25She had to get away.
01:01:27With the money she made from the shop,
01:01:29she'd stay at the hotel and...
01:01:31sort things out, she said.
01:01:33I could visit her there, she said.
01:01:39But I knew that...
01:01:40she'd have to get herself another doctor.
01:01:44She'd just have to.
01:01:46And knowing Nesta,
01:01:48she'd be bound to tell them about me.
01:01:51I had a key to the bridal wreath.
01:02:01I went to see Nesta there the night before she went away.
01:02:05I was going to make one final effort
01:02:07to get her to have treatment.
01:02:09By that time,
01:02:13she wouldn't take anything I prescribed.
01:02:22Nesta?
01:02:23She didn't answer.
01:02:24I went upstairs.
01:02:29Nesta?
01:02:30She was lying on the sofa.
01:02:33Unconscious.
01:02:34Nesta?
01:02:35I didn't know what had happened.
01:02:37What she'd taken.
01:02:42I wish I could make you understand what I felt.
01:02:44You see,
01:02:48she could have ruined me.
01:02:51And then all of a sudden,
01:02:52I could be free.
01:02:54Just one tiny push over the edge,
01:02:56not even that,
01:02:57just to do nothing and...
01:02:59let her die.
01:03:03No one need her now.
01:03:05No one need ever see her.
01:03:07I looked over to her on the sofa.
01:03:12And then,
01:03:13I looked out of the window.
01:03:16At a ready-made burial ground.
01:03:20No, no, no, I...
01:03:21I didn't let her die then.
01:03:24If only I had.
01:03:26You want Alice, right?
01:03:30I want Andrew.
01:03:33The question is how to get what we want.
01:03:37Look, as far as everyone's concerned,
01:03:39I've disappeared, right?
01:03:42We've just got to think of a way
01:03:44of using that to get what we want.
01:03:49How?
01:03:50Well, I'm not sure yet.
01:03:54But favourite
01:03:55would be to wind Alice up so much
01:03:57that Andrew thinks she's not just barren,
01:03:59but out of her mind.
01:04:01That way,
01:04:02he doesn't run her into my weight in arms,
01:04:04and who does Alice turn to
01:04:06in her hour of need.
01:04:08But good old faithful.
01:04:18You see,
01:04:19the mistake most people make
01:04:20about manic depressives,
01:04:22of which Nesta was one,
01:04:23is to believe that they lose contact
01:04:25with reality.
01:04:27In fact,
01:04:28it is their curse,
01:04:29at either end of the scale,
01:04:30to be afflicted by
01:04:31a heightened sense of it.
01:04:36We made up the plan together.
01:04:39Though it was Nesta who knew how,
01:04:42how precisely to hone in
01:04:44on your psyche.
01:04:47I claim some responsibility for Salisbury,
01:04:50Nesta being barely literate.
01:04:52Would have been hard-pressed
01:04:54to have thought of such an elegant plan
01:04:55to bring suspicion full circle back
01:04:57to your husband.
01:05:02After you started to respond
01:05:03to Nesta's letters,
01:05:06I became merely a mechanic,
01:05:09making sure that the evidence,
01:05:11like the typewriter and the book,
01:05:15were, or in the case of the hotel,
01:05:16were not in the right place
01:05:19at the proper time
01:05:20in order for you
01:05:21to draw the wrong conclusion.
01:05:26I could hardly believe
01:05:28how smoothly it all went.
01:05:33And then,
01:05:34your uncle sent for me.
01:05:42When I saw you,
01:05:43I knew we had to stop.
01:05:49I did try to stop Alice.
01:05:53It's working, isn't it?
01:05:55Look,
01:05:56what you don't understand is
01:05:58at her age,
01:05:58there could be complications.
01:06:01We could kill her.
01:06:03Well, that's tough.
01:06:06On you, that is,
01:06:08because me,
01:06:10well,
01:06:12I get Andrew,
01:06:14and her money.
01:06:16You're mad.
01:06:21I won't go through with it.
01:06:24Yes, you will.
01:06:25You do what I say,
01:06:26because you're in too deep
01:06:26to do anything else.
01:06:29I'm your patient, remember?
01:06:33Your, uh,
01:06:35counselor,
01:06:36whatever it is,
01:06:36well,
01:06:36they'll take a dim view
01:06:37of you bonking me,
01:06:38but using me,
01:06:39puttying your hands
01:06:40as a result of your treatment
01:06:41to get another patient
01:06:42to drive her out of her mind.
01:06:44I agreed, of course.
01:06:52Well, what else could I do?
01:06:54Apart from anything else,
01:06:56Nesta had become very
01:06:57agitated.
01:07:01I gave her a sedative,
01:07:02the same one I've given you,
01:07:03as a matter of fact.
01:07:05I didn't tell anyone.
01:07:07In fact,
01:07:08I told the hotel
01:07:09to get their doctor
01:07:11to give one.
01:07:14When I got home,
01:07:16I rang to see how she was.
01:07:19Nesta had gone into a coma.
01:07:22She didn't recover.
01:07:25The poor doctor
01:07:26thought that he'd misjudged
01:07:28the dose.
01:07:29I didn't disillusion him.
01:07:31And much more
01:07:33prestigious hotels
01:07:34than the Endymion
01:07:35hate their clients
01:07:37dying on the premises.
01:07:40It was in everyone's interest
01:07:41to cover it up.
01:07:47I knew she was dead.
01:07:50Poor Nesta.
01:07:51Well, I don't know
01:07:55why you care about her.
01:07:56She hated you.
01:08:00You had everything
01:08:01she ever wanted.
01:08:03Money, style.
01:08:07You even had
01:08:08the man she wanted.
01:08:11Andrew.
01:08:12You've been poisoning me.
01:08:15No one's been poisoning you.
01:08:21You're pregnant.
01:08:28Oh, my God.
01:08:32As I've known for weeks.
01:08:33Why didn't you tell me?
01:08:38I couldn't.
01:08:39I couldn't bear to.
01:08:42I couldn't bear the thought
01:08:44of you two together.
01:08:46Of him
01:08:47touching you.
01:08:49I just couldn't bear
01:08:53the thought of you
01:08:54being so happy.
01:09:00This
01:09:01is supposedly
01:09:02quick
01:09:03and quite painless.
01:09:06Ah!
01:09:07Ah!
01:09:16Thanks.
01:09:19Then
01:09:20to kill you
01:09:23really would make
01:09:24nonsense
01:09:24of the
01:09:25whole
01:09:29stupid
01:09:30affair.
01:09:39Go home, Alice.
01:09:41and
01:09:56I
01:09:58love you.
01:09:58I
01:10:00love you.
01:10:02I
01:10:03love you.
01:10:03I
01:10:04love you.
01:10:09Take me home.
01:10:39Take me home.
01:11:09Take me home.
01:11:39Take me home, then.
01:11:40Yes.
01:11:41Where's the baby?
01:11:46Get up.
01:11:47Be careful, boys.
01:11:48It's got a hole in the top of its head.
01:11:50They all do stupid.
01:11:51The difference is yours never close.
01:11:53Will you two go away?
01:11:54Well, now you've started, there'll be no stopping you.
01:11:58Please.
01:11:59Well, he's beautiful.
01:12:00He's a miracle.
01:12:02None of this holy Roman rubbish.
01:12:05You could have had a pack of them by now if that infertile swine hadn't lied to you.
01:12:12They wouldn't have been Andrews.
01:12:14Well, there is that, I suppose.
01:12:17Uncle J's.
01:12:18Hmm?
01:12:19What?
01:12:20What's this?
01:12:21An advance copy of my first book.
01:12:23Ah.
01:12:24We couldn't have been giving you enough to do at the works.
01:12:29I'd like you to accept it.
01:12:31Along with my resignation.
01:12:33If that's the case, the least you can do is sign it.
01:12:42He improves on acquaintance, you know.
01:12:44And just make sure you keep your wife in the style to which she's accustomed.
01:12:49Or you'll have me to reckon with.
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