- today
The Beast Must Die Season 1 Episode 2
Category
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Short filmTranscript
00:00Wait for me on the steps, okay?
00:30No, no, no, no, no, no, no.
01:00So, what do you do, Frances?
01:05I was a teacher.
01:07Tell me something.
01:09Frances gave it up to write a novel.
01:11I'm helping him accept it.
01:13How can you afford it?
01:15You don't look like money.
01:16Joy!
01:17I'd be so rude.
01:19I apologise for my sister, Frances.
01:22But seriously, how can you afford it?
01:24I thought you were all having to sell yourselves on street corners
01:27just to keep the classrooms in chalk.
01:29Actually, I had a bit of a windfall.
01:33Nothing huge, but enough to live on.
01:36If I'm careful.
01:40You should talk to Violet about writing.
01:43She took poetry classes.
01:50I wish I were a tree, your shelter from the storm.
01:54I wish I were a harbour to keep you safe from harm.
01:58Did you write that, darling?
02:00I think it's rather sweet.
02:02Is it about me?
02:04I'm finished.
02:05The rhymes could certainly do with some work.
02:07Ronnie's childish.
02:10She was using a half rhyme.
02:12Like T.S. Eliot.
02:16And what is it that you do, George?
02:18Mr. Rattery.
02:19Someone to see you.
02:22Police.
02:24Police?
02:25Phil, you silly bugger.
02:26What have you done now?
02:27Where's the lair?
02:28First on the left, down the hall.
02:29Yes?
02:31I shall keep you long.
02:32I'll just have a quick question about Nicky Toland.
02:36Nicky Toland?
02:37What about him?
02:39Can you confirm he was working here the night before last
02:41between the hours of midnight and 4am?
02:44Of course I fucking can't, the silly cock.
02:46George, he's a gardener.
02:48What would he be doing here at 4am?
02:50I mean, God above, even by Ireland standards, he's a dumbfuck.
02:54Is there anyone else, family or staff who can verify his alibi?
03:02At 4am?
03:03I sincerely bloody hope not.
03:06Thanks very much for your time.
03:10Very young, isn't he?
03:24Thanks, Heidi.
03:25You're still still alive.
03:26How should I do now?
03:27I'm the only one who should be thrown away.
03:29Well, I can never see itself to the Our Islanders factors.
03:30Goodbye.
03:31My name's Втор級, our Alibi.
03:33And you can find it very well.
03:34We'll be canon.
03:35We'll follow you later.
03:37Okay.
03:38The next Groundhog's damals is the night,
03:44but sometimes we've put high- Soyuzare,
03:45甚麼 aparece,
03:47several subscribers at Ruche,
03:48you 손レ Android.
03:50Goodbye.
03:51So, with Johnstick,
03:52you've won!
06:22Can I help you?
06:24Um, I...
06:26I didn't know where everyone was.
06:30Outside.
06:32Oh.
06:34I do business with the boy's father.
06:44Did business with the boy's father.
06:46Not what you said yesterday.
06:48I didn't know his fucking name yesterday.
06:50Stop stuffing your face and go and put your uniform on.
06:54But I'm suspended.
06:56Founder's day is extracurricular.
06:58Hey, Robbo.
07:00Move!
07:02I'm sorry.
07:04No, not you.
07:06Just a teenager being a twat.
07:08Oh, Frances.
07:10Have a seat.
07:12Thanks.
07:18I know.
07:20Were you up late working?
07:22Sorry?
07:23Your book?
07:24Oh, no.
07:26I just slept in, I'm afraid.
07:28Well, I hope we didn't disturb you.
07:30Boys can be so loud.
07:32Do you have children?
07:34No.
07:35I, um...
07:36Would you like some breakfast?
07:37Yes, just some coffee, please.
07:41We have an excursion planned.
07:43Founder's day at Phillip's school.
07:45Actually, we already have plans.
07:47Well, they can wait.
07:48Frances will be interested in seeing how the other half lives.
07:51Educationally speaking.
07:54That's so kind.
07:56But it sounds like a family outing.
07:58Oh, nonsense.
07:59Never leave a house guest alone.
08:01They might steal the silver.
08:03Yes, you must come.
08:04You must come, both of you.
08:06It'll be so much nicer if you're there.
08:08Of course they're coming.
08:10It'll be fun.
08:24Thanks.
08:25You're taking the time to come and meet me.
08:27It's fine.
08:28It's a short drive from work.
08:30So, I was at the inquest.
08:32I was at the inquiry.
08:33I...
08:36Heard everything everyone had to say.
08:41But the questions they were asking...
08:44They're not the ones that I need answering.
08:47Niamh, there's nothing I can tell you.
08:49You haven't already heard.
08:51What questions?
08:52What kind of mood was she in?
09:08How many coffees had she had?
09:10What was the last thing she said to you before you went in?
09:19Good things have been different.
09:23Different how?
09:26This is the number of a solicitor.
09:28Oh, you've got to be fucking joking.
09:29No, look.
09:30She thinks we might have a case against the police as an employer for gross negligence.
09:33No.
09:35You tried to save her.
09:37You had your hand over the hole in her neck.
09:40You couldn't help her then, but you can help her now.
09:45Strange ways.
09:47Okay, send me the details.
09:50I've got to go.
10:07I look forward to seeing you.
10:09All right.
10:10Excuse me.
10:12Hi.
10:15We were assessing the cost of his son's dented ego.
10:19Or rather, I was.
10:21Phil hung that man's son, Ressa Javid, by his waistband from a hook in the changing room.
10:29It's the reason he's suspended.
10:32Was it a retaliation?
10:34I doubt it. I don't think there's a hook in the world that can hold Phil's weight.
10:37I mean...
10:39It's nice seeing you again.
10:42Where's your chaperone?
10:45Frances is parking the car.
10:49I don't mind, you know.
10:51Seems a good influence on you.
10:55At least you're here.
10:58We should make sure we catch up later.
11:03Don't drink too much. You know how you get.
11:06Bill!
11:07Bill!
11:09I've just been chatting with Ressa Javid's diet.
11:14He has an amusing idea how the two of you can shake hands and make up.
11:17I've got to make hands and make up.
11:47a little bit more to do and I need to hang out with her.
11:50Next weekend.
11:51I want to do it all.
11:54Do to you?
11:55First.
11:57I want to do it all.
11:59Good.
12:00How's your bathroom coming up?
12:01Oh, we'll let me down.
12:03I just went to the bathroom.
12:05Thanks.
12:06Come on this is gonna be fun!
12:07It's gonna be suddenly.
12:09Smash right to me.
12:10Change ends my serve.
12:29Come on, Phil. Keep your head up. Head up. Head up.
12:33Get your line, Phil.
12:35Don't listen to them, Phil.
12:40Iron the ball now, Phil. Come on.
12:46There's one point.
12:53Go down.
12:57You're out on the ball, Phil. You can do this. Come on. Head up. Head up.
13:05Don't drop your head. You've got to bring your side for yourself.
13:10Come on. The old choice would have got that one.
13:17Phil, you have it.
13:23Jesus Christ, babe.
13:25Is that really necessary? I think he's made his point.
13:29Well done, son.
13:30What a loser.
13:31I'll speak to you Monday.
13:32Come on, brother.
13:33God!
13:36Ha, ha, ha.
13:36Come on, sister.
13:38I could break it.
13:54Remember this feeling.
13:56It's what you do after that counts.
13:58Okay.
13:59Phil, do you want a lift home?
14:29I'm going to get some air.
14:59And, um, in case it drips.
15:16I'm going to get some air.
15:32What are you looking at?
15:50The yachts.
15:53I've spent a lot of time on boats.
15:57We've got a yacht.
15:59Have you?
16:01What sort?
16:03No-one can sail it.
16:05Dad just wanted one.
16:07Huh.
16:12So what was all that about?
16:15It was, uh, because I got in trouble for bullying.
16:22Dad thought we should sort us out.
16:26And were you?
16:28It was just banter.
16:30I thought it would be funny.
16:33Because he's little and I'm big.
16:39Ah.
16:41Well, we should probably be getting back.
16:48Don't want your mum to worry.
16:50Plus I, um, can't drive like your dad.
16:53Hm.
16:54Although after yesterday that's maybe not such a bad thing.
17:01Does he always drive that fast?
17:03It's not his fault that I got carsick.
17:07I'm just not used to the new car.
17:12New?
17:14Pretty new.
17:15You got it after Easter.
17:20What happened to the old car?
17:21Dumped for being too slow?
17:23Uh, broke or something.
17:26Maybe Dad's planning on mending it one day,
17:28because he knows loads about cars.
17:30But this one's much better.
17:330-16 in less than four seconds.
17:38Wow.
17:40Your car's good too, though.
17:41I mean, I would-
17:44Okay.
17:47And thank you...
17:49for stopping.
17:52I'm really glad we did.
17:56Yeah.
17:58Me too.
18:03I think it's amazing you're writing a book.
18:06I read a lot, and I mean it a lot.
18:08Especially crime.
18:09And, I mean, I've only read Sherlock Holmes,
18:11but I'm definitely going to read more.
18:13A Study in Scarlet's my favourite.
18:15It's all, like, London and Bing Street.
18:17What do you think, Poison?
18:18Which is kind of what you expect,
18:20but then suddenly you jump back in time
18:22and bring Utah with a whole load of more people
18:25from the lab.
18:26Are they?
18:27I used to buy the Harding Falls too,
18:28but they're a bit tired of me now.
18:29Me too.
18:30Yeah, I'm a very adult person today.
18:32So, from the lab,
18:37the glass of Nicky Tolan's shoes is a match for the pub window.
18:41So, about his alibi...
18:42Yeah, it didn't check out.
18:43I could have covered it.
18:44I was going to do it.
18:45Well, now you don't have to.
18:46So, I'm not afraid of Nicky Tolan.
18:47No one's saying you are.
18:48But...
18:49There's a but.
18:50Christ.
18:51What is it?
18:52Look, I understand there's perhaps a culture of mutuality here
18:53that I'm not used to,
18:54but we can't just be about preserving a match for the pub window.
18:57So, about his alibi...
18:58Yeah, it didn't check out.
19:00I could have covered it.
19:01I was going to do it.
19:02Well, now you don't have to.
19:04So, I'm not afraid of Nicky Tolan.
19:07No one's saying you are.
19:08But...
19:09There's a but.
19:10Christ.
19:11What is it?
19:16Look, I understand there's perhaps a culture of mutuality here that I'm not used to,
19:22but we can't just be about preserving relationships and building networks.
19:27Evidence.
19:28We got it because we went after it.
19:30Christ knows it's not like it was to look very hard.
19:32You want us to start chasing evidence?
19:34I'm not talking about fitting people up.
19:36I'm talking about being on the front foot.
19:38If you...
19:39All you do is sit back and tick boxes, then all you get is...
19:41The loaded tick boxes?
19:43Lazy, complacent, parochial policing, which isn't for purpose.
19:50Maybe you should do something about that then, sir.
19:58You've confirmed a match of some glass particles
20:01recovered from the soles of some footwear.
20:04Yeah.
20:05I...
20:06I need you to check the tops of the shoes.
20:09We need to put our man at the scene when the window actually broke.
20:17Great.
20:18Thanks.
20:19Thanks.
20:20Thanks.
21:23Again.
21:24Marty Cairns.
21:25I've just told you.
21:26I've looked everywhere.
21:27It definitely isn't here.
21:28Right.
21:29So what you're telling me is you don't have the original footage from the speed count.
21:32I'm the only copy was signed out.
21:34How is that possible?
21:36Okay.
21:37So who was it signed out to?
21:40Maybe detailing your predecessor's failings feels safer than confronting the fallout of an event over which you had, still feel you have, no control.
21:50Impotence isn't easy to live with.
21:51Or maybe my predecessor was a shiftless arse who should never have made it off the beat.
21:57Well, perhaps both things are true.
22:01The day after Marty Cairns was killed, you signed out some speed cam footage. Where is it?
22:06Probably in the file.
22:07What did you want with it?
22:09D.I. Garrity wanted to review the footage.
22:11Did you get a signature from him to say he'd received it?
22:14No.
22:15No.
22:16No.
22:17Why would I? It was the boss.
22:19Sometimes.
22:20Christ almighty.
22:21Not often, but sometimes we stop the bad thing from happening.
22:27But mostly what we're there for is to give people the answers they need in order to be able to live with it.
22:35Who, when, how, why will they pay for it?
22:41That's the job.
22:43And my predecessor didn't even do half of it.
22:48Now, Frances Cairns lost her son and he gave her nothing.
22:58Are you scared I might fail you in the same way?
23:06Helping you find a way to live with what happened, isn't that what you want from me?
23:11What Shannon's family are looking for from you.
23:15How to keep putting one foot in front of the other.
23:23Show me how you kill a dragon.
23:24I could wait for the monster when the monster comes, I could.
23:33Frances is telling it from the point of view of the murderer.
23:36Oh how very modern.
23:38And is the murderer also female?
23:40Oh dear, I think you've lost a reader.
23:42In real life people die of cancer.
23:45And traffic accidents.
23:48That's lovely fabric, look.
23:50So how far have you got?
23:52Is it ready to read?
23:54Oh, I haven't started writing yet.
23:57Still working things out.
23:59And I suppose the police are all foreign or, or, or northern.
24:02It's virtually a crime to be English these days.
24:05Or speak properly.
24:07That's hideous.
24:09You know what I'd like?
24:11I'd like it if Lena stayed.
24:13Not just for my birthday on Monday, a proper stay.
24:17A week.
24:19Maybe a month.
24:20Yes.
24:21I think we'd all like that.
24:22Wouldn't we?
24:23Hey.
24:25No, I haven't left.
24:27No, I haven't left.
24:29He's a man.
24:31He's a man.
24:32I'm sorry about Joy.
24:34She's certainly a piece of work.
24:37She bullies Vi.
24:40She bullies everyone really.
24:42You know, if you wanted to stay a bit longer, that'd be fine by me.
24:52I don't.
24:54I'm just saying.
24:56I can write anywhere.
25:01And my murder is getting more and more like you by the day.
25:05Really?
25:06Yeah.
25:09You've got depth, Lena.
25:12Layers.
25:16Plus, I'm rubbish at describing people when I write.
25:19And there you are.
25:21Beautiful.
25:23Interesting.
25:27So I'm just gonna describe you.
25:34I'm done in.
25:35Heading to bed.
25:38Night.
25:39Night.
25:42Night.
25:45Night.
26:00Three months, Anna.
26:01I didn't know what you were doing.
26:04Didn't know what you were thinking.
26:06How can you?
26:09By thinking about your sister.
26:13Guilt is an atonement.
26:15It's self-indulgence.
26:19You and me, Leno.
26:21We made a big grown-up mess.
26:23And you left me to manage it all on my own.
26:29Shame on you.
26:31I can't wait for you.
26:33Who's the one eye this time.
26:35I can't wait for you.
26:36I can't wait for you but I am also a stranger.
26:38I want you to stay on the journey.
26:40I love you.
26:41I'm not sure what I'm yet.
26:42I can't wait for you but I'm not sure what you're looking at.
26:44I can't wait for you.
26:45I'm not sure what I'm doing.
26:46I don't know what you're looking at.
26:48I've been so lucky.
26:49I can't wait for you.
26:51I need to wait for you at the house.
26:53I need to wait for you.
26:54Then you're getting to try.
26:55That's the precept of the house.
26:57My baby, he's writing.
26:58It's my friend, Mr. Charles.
26:59I know, you're adjusting.
27:00I don't know.
27:30I don't know.
28:00I don't know.
28:30I don't know.
29:00I don't know.
29:01I don't know.
29:02I don't know.
29:03I don't know.
29:04I don't know.
29:05I don't know.
29:06I don't know.
29:07I don't know.
29:08I don't know.
29:09I don't know.
29:10I don't know.
29:11I don't know.
29:12I don't know.
29:13I don't know.
29:14I don't know.
29:15I don't know.
29:16I don't know.
29:17I don't know.
29:18I don't know.
29:19I don't know.
29:20I don't know.
29:21I don't know.
29:22I don't know.
29:23I don't know.
29:24I don't know.
29:25I don't know.
29:26I don't know.
29:27I don't know.
29:28I don't know.
29:29I don't know.
29:30I don't know.
29:31I don't know.
29:32I don't know.
29:33I don't know.
29:34I don't know.
29:35I don't know.
29:36Someone else's.
29:37A neighbour.
29:38Just I was...
29:39I was walking for ages.
29:41I mean this is...
29:42This can't all be you.
29:43I mean it's massive.
29:44This can't all belong to you.
29:47What are you playing at?
29:57If anyone asked, I was gonna say I was doing research.
30:01But...
30:04Honestly, I, I just like taking risks.
30:14How big?
30:15Of course, if you really like taking risks, I close my eyes.
30:45If you really like taking risks, you'd let me drive.
30:51Alright.
30:56Why do you keep that old car anyway?
30:59Belong to my father. Retirement project.
31:03Retirement? From what?
31:06Property.
31:08Lucrative.
31:10What have you got your wife for her birthday?
31:13Why are we talking about my wife?
31:19Ignore it. Take the next one. Speed cameras that way.
31:22Okay.
31:35So what do you think I should give my wife?
31:38I don't know either of you well enough to answer that question.
31:44You watch us though.
31:47I find you very intriguing.
31:51Besides, I think both of you...
31:54Both of you?
32:08Are you sure this is the right way?
32:10It seems very narrow.
32:12We'll be fine.
32:23You bloody know it.
32:27Is this idiot thinking going?
32:29Just tuck in to the left and we'll be alright.
32:31Just tuck in to the left and we'll be alright.
32:42Go left you fucking clown!
32:44Your left! Pull over to your left!
32:46What's wrong with you?
32:48What are you?!
32:49Are you all right?
33:19Oh, my God! Oh, my God!
33:24How much is that car worth?
33:27I'm not even insured.
33:35Hey, you did fine. You did fine.
33:38You cut your nerve. That's all that matters.
33:41You did fine.
33:45Yeah.
33:47Hey, come on. I'll drive.
33:54Ha, ha, ha, ha.
34:01Ha, ha, ha, ha.
34:08I do understand why you're doing this.
34:15Thanks.
34:22If it were my sister, I'd be doing the same.
34:30But I don't think it's gonna give you what you're looking for.
34:37But I don't think it's gonna give you what you're looking for.
34:44There was no one who fucked up here.
34:49Nothing that could have been done differently.
34:52And a solicitor's gonna tell you that they can try this or try that, and why not?
34:59It's not their money.
35:01But at the end of it, I think the answer is gonna be the same.
35:07It's the job.
35:14You walk through a door, and you never know what's gonna be on the other side of it.
35:19Shannon understood that.
35:22We all do.
35:25That's what you gotta try and live with.
35:32I thought you'd changed your mind.
35:39I thought that's, uh...
35:44I thought that's why you were here.
35:47No.
35:52But they knew he'd bought a firearm, and there was intelligence to suggest that he was...
35:56Which was lodged as soon as the officers who heard it came in for duty.
36:01Oh, which time it...
36:09Do you fancy a proper drink?
36:14Yeah.
36:17So you've got a sister?
36:25Yeah.
36:27Kate.
36:28Um, are you close?
36:32Not physically.
36:33I mean, she lives in Australia.
36:36Oh, yeah.
36:38Quite far.
36:39We have our parents in common, though.
36:41Obviously.
36:43Yeah, he's a career criminal.
36:45She's a religious nut.
36:46Jesus.
36:47A psychologist would have a field day with you.
36:50Yeah, no, you're right.
36:51I, um...
36:52I'm a therapist's retirement plan just waiting to happen.
36:56So now, because I don't want to get back on the path.
36:58We're going to get back on the path.
37:03We're going to try.
37:04We will find theos to keep living on
37:19Come on.
37:25Go, go, go, Marty, go!
37:27Take your, take your, take your head up!
37:29Take your head up!
37:30What do you think about when you're swimming?
37:54Nothing.
37:56I thought you might be thinking about your story.
37:58About what happens next?
38:03Don't know what happens next.
38:07I've run out of ideas.
38:10What do you want to happen?
38:16Someone needs to find proof of what they think someone else did.
38:20But I'm not sure they can.
38:23You know, you should ask Phil to help you if you're stuck.
38:25He used to make up the most wonderful stories when he was little.
38:32It's going to be a lovely birthday, having him home.
38:35And Lena.
38:36Of course, I'm sorry. Happy birthday.
38:39I know I shouldn't be happy about Phil being suspended, but I didn't get to see him much last school holiday.
38:51I was in hospital.
38:54Stress.
38:57That must have been very hard for all of you.
38:59George was working the whole time.
39:03Marta was in Poland, so Phil had to stay in school.
39:07I don't think he minded much.
39:11But I minded.
39:13So George and Joy were home alone.
39:22It's a big house for two people.
39:23I don't think Joy was here much.
39:27She has procedures.
39:29We don't talk about it.
39:30You do.
39:39You do get used to things.
39:43Forget how lucky you are.
39:50You can get used to being unlucky too.
39:53We hardly even use the pull.
40:03I keep saying it would be good for George's shoulder.
40:05Why? What's wrong with it?
40:07I don't know.
40:08He just...
40:09He fell or something.
40:11He won't admit it's damaged.
40:12He just keeps taking painkillers.
40:15You know how men are.
40:21Yeah.
40:23I'm late.
40:52I'm late.
40:53I'm late.
40:54I'm late.
40:55I'm late.
40:57I'm late.
40:59I'm late.
41:00I'm late.
41:02I'm late.
41:02I'm late.
41:03I'm late.
41:10Our mother was Norwegian.
41:12You wake up on your birthday and you'd hear her coming up the stairs, singing.
41:17Always with a cake.
41:17Can you blow it out?
41:30Yeah.
41:32Please, please have some.
41:47Please, please.
42:17It fell out of your towel.
42:33Sorry.
42:34A bit tricky to knock on cloth.
42:47Where did you go with him?
43:06You and George, yesterday, he took me for a drive in his very fast car.
43:18Don't worry, I'm too old for him.
43:20Just wanted a new audience.
43:23Don't answer him.
43:24He likes winning.
43:33Didn't I know you were Norwegian?
43:36That'll be useful for the book.
43:38But I know bloody birthday songs.
43:41Never did know the words.
43:45By the time it was just me and mum, she'd stop singing.
43:48And the flat we lived in had no stairs for her to come up carrying cakes.
43:53So, those are biased memories.
43:56Not mine.
43:59It's the weaver fish!
44:00Darling, what's happened?
44:01What's happened?
44:02What's happened here?
44:03The weaver fish!
44:04Are you all right?
44:05Are you all right, Jeremy?
44:07I'm telling you, I'm so sore.
44:08There.
44:09It's not a weaver fish.
44:11That's a jellyfish.
44:13No, no.
44:14A weaver fish have anaphylactic shock because they're poisoned.
44:16It's really dangerous.
44:17You need to get...
44:18Phil, it'll stop soon.
44:20It's a sting, not a stab wound.
44:21No, no, it's...
44:23I'll tell you what.
44:24I'll tell you what gets rid of it.
44:26Pee on it.
44:29You pee on jellyfish sting.
44:32I'll do it for you if you want.
44:39I'll hate you.
44:42You're a f***er.
44:48You don't want me to ask one of the girls.
44:50Stop it.
44:51You might enjoy it.
44:52Stop it.
44:52No.
45:09Phil?
45:24A crab.
45:27It was dead already.
45:31They're about to open the champagne.
45:35I think your mum would like you there.
45:39I'm not apologising, Tim.
45:43You know, I meant to say, Phil, that day at school,
45:46the tennis match,
45:47you were really brave.
45:50Most people would have run away.
45:55There wasn't anywhere to go.
45:59It's your mum's birthday, Phil.
46:03Be the bigger man.
46:09This is absurd.
46:12Just get the glasses.
46:15Island weather.
46:16We're having tea back at the house.
46:21Dad.
46:26I'm sorry.
46:28About four.
46:30I didn't mean it.
46:31It just hurt.
46:32I don't know.
46:33I don't know.
46:33I don't know.
46:33I don't know.
46:34I don't know.
46:35I don't know.
46:35I don't know.
46:35I don't know.
46:36I don't know.
46:36I don't know.
46:37I don't know.
46:37I don't know.
46:38You've got a secret.
47:02You've scared the life out of me.
47:08I wish I knew what it was.
47:11What are you talking about?
47:17Phil.
47:19I can't seem to do a thing right with him.
47:22But you.
47:23I'm a teacher.
47:28It's just experience, I guess.
47:33So in your professional experience, what do you suggest?
47:41You think I don't care what happens to him.
47:43He's still my son.
47:44He's still my son.
47:47He's got no friends, no academic ability, and as far as I can see, no sporting or creative talent to make up for him.
47:55And he's...
47:56Well, he's chubby, isn't he?
48:00Oh, come on.
48:01He could wear his mother's bras.
48:04He probably does when we're away.
48:09I, uh...
48:10I never took to him.
48:19It's probably part of the problem, isn't it?
48:21He was gated last time for copying another student's exam.
48:29I told him, next time, don't get caught.
48:42A little too unprincipled for you?
48:45Maybe a bit.
48:47Well, you're a teacher.
48:48You have to pretend to believe in fair play, don't you?
48:53In the real world, if you're smart enough to get away with something...
48:58Well...
49:00You probably deserve to.
49:09What is he doing now?
49:18I'd better get back.
49:28What would my wife say?
49:29You're welcome.
49:30I have your back.
50:00Thanks.
50:02That was awful.
50:04I can't wait to get home.
50:05Yeah, I agree.
50:06Joy and George, they're a pair of monsters.
50:08Your poor sister.
50:09Never seen a woman so in need of a friend.
50:12I mean, obviously I'd stay if I could, but...
50:15That house, I...
50:17Yeah, I know, I can see that.
50:18But, Lena...
50:20What if we...
50:21What if we could get a place?
50:23Together?
50:24Just you and me for the summer?
50:26I mean, I've got no ties.
50:27I just need to be near you.
50:29Look, we could get a place that is close enough to the house
50:33that you could see your sister whenever you want,
50:35and yet far enough away for...
50:39Well, for safety.
50:42I can write.
50:43I can still take you onto the mainland for your jobs.
50:47and it might be fun.
50:53That's the most wonderful news.
51:00Oh, fun game.
51:01Can we all play?
51:02George, Lena and Francis are going to spend the whole summer on the island.
51:06Marvellous.
51:07Where did this spring from?
51:09Everything suddenly fell into place for my story today.
51:13And, um, I just thought, you know, this is such a beautiful place.
51:18Why not rent somewhere and, um, spend the summer writing it here?
51:23Why can that woman not clean without knocking everything out of kilter?
51:27What?
51:28Francis and Lena are going to rent a flat here for the summer.
51:32Really?
51:33Can you afford it?
51:34She's got a point.
51:36Summer rents are bloody scandalous.
51:39I should know I sent most of them.
51:41It's a waste of money.
51:42Stay in your old room here.
51:43You're forgetting Francis.
51:45She can't be expected to write her great work in the spare bedroom.
51:48She could have the summer house.
51:51Now that is an idea.
51:55Uh, no.
51:58I'm sorry.
51:59I can't.
52:00I couldn't be indebted to you.
52:01Nonsense.
52:02You can earn your keep knocking Phil into shape.
52:05We'll call you his summer tutor.
52:07It's perfect all round.
52:09Unless there's a particular reason you don't want to move back in here.
52:13You'll love the summer house.
52:16Perfect place to write a book.
52:19Peace, seclusion and, well, proximity.
52:29Lena?
52:30Here for the whole summer?
52:32Is that wise?
52:33You're the one who suggested it.
52:34And Francis?
52:35We don't know the first thing about her.
52:37We know she's a teacher.
52:38We know she says she's a teacher.
52:40For God's sakes, what is it that you think?
52:42That she's really gonna run off with the silver?
52:44What educated woman would choose to spend time with a vacuous sex toy like Lena?
52:49Educated?
52:50So now she is a teacher, but not a lesbian.
52:53And no children.
52:54Pity.
52:55I'd like to know what she did with them, because she certainly had a cesarean.
52:57I saw the scar.
52:58And as for this book she's...
52:59Where's this going?
53:01She's been here for two minutes and you're asking her to move in.
53:05To my house.
53:08Look.
53:09Vi's happy about it.
53:12I'm happy about it.
53:14Phil is happy about it.
53:15Well, of course he is.
53:16He's as cuntstruck as you are.
53:18Well.
53:20Things that come out of your mouth.
53:23If you don't like it, take a holiday.
53:28Treat yourself to another procedure.
53:32I'll pay for it.
53:34thanks a lot.
53:35stood with me.
53:37It's not safe.
53:38It's good.
53:39We never 싸 así.
53:40Daisy and dowse her ass in the prison.
53:41The criminal victimry
53:59Miss Cairns?
54:18How are you?
54:22You, uh, you staying on the island?
54:26Yeah, I'm, uh, I'm staying with, um,
54:29with a friend.
54:31She's visiting family.
54:32Just collecting some things from the mainland.
54:36They're new friends.
54:38New people.
54:39They don't know.
54:42About Marty, it's easier.
54:50Have you got children?
54:52Oh, no.
54:54It's, uh, my niece's birthday.
54:57She's turning five.
54:59I wasn't sure what five-year-old's play with these days.
55:02Can I see?
55:02Yeah, sure.
55:05She's in Australia, so, uh, can't weigh much.
55:09Uh, I did think about asking my sister
55:12to get me something,
55:13but I thought it was a bit shabby.
55:14I, I, I, I want to talk about Marty sometimes.
55:26Yeah, but I, I can't, because no one knows.
55:30That's my choice.
55:33But, um,
55:33it's, it's, it's all right to talk like this.
55:42It's nice.
55:45What, your niece's favorite joke?
55:48I've no idea.
55:49Oh, you have to ask her.
55:52Five loves jokes.
55:53Especially ones about
55:56the toilet.
55:58Yeah.
56:13Oh!
56:13Oh!
56:14What, are you off today, sir?
56:20A bunch of admin I need to sort out.
56:24Actually,
56:25Asher,
56:26you busy?
56:26No.
56:30I mean,
56:31Francis Cairns had some
56:33questions that I
56:35wasn't able to answer.
56:36I've been through the file,
56:37but what I really need are
56:39the records of all the inquiries
56:40made at the time.
56:42Thing is,
56:43I don't want anyone here
56:45thinking I'm doubting
56:47Gerard's investigation.
56:48Oh!
57:18I don't know.
57:48I don't know.
58:18I don't know.
58:48I don't know.
58:50I don't know.
58:52I don't know.
58:54I don't know.
58:56I don't know.
58:58I'm fucking outrageous.
59:00I don't know.
59:02I don't know.
59:04I don't know.
59:06I don't know.
59:08I don't know.
59:10I don't know.
59:12I don't know.
59:14I don't know.
59:16I don't know.
59:18I don't know.
59:20I don't know.
59:22I don't know.
59:24I don't know.
59:26I don't know.
59:28I don't know.
59:30I don't know.
59:32I don't know.
59:34I don't know.
59:36I don't know.
59:38I don't know.
59:40I don't know.
59:42I don't know.
59:44I don't know.
59:46I don't know.
59:48I don't know.
59:50I don't know.
59:52I don't know.
59:54I don't know.
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