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Beauty And The Beast Season 1 Episode 2
Category
🎥
Short filmTranscript
00:00Music
00:27Being a detective is about drawing lines.
00:29The lines between us and them.
00:32Good guys and bad guys.
00:34Perp and victim.
00:36Hey, uh, you must have drunk texted me.
00:39There's nobody here.
00:41There's nobody here.
00:43Um, call me back before my phone dies, okay?
00:48Then there are the lines we draw to protect ourselves.
00:51Rules. Protocol.
00:53It's about not crossing those lines.
00:56Because when you do,
00:58Bad things can happen.
01:03Nine years ago, I witnessed my mother's murder.
01:07I would have been killed too if it hadn't been for Vincent.
01:11I was part of an experimental special forces group.
01:14Their goal was to create the perfect super soldier.
01:17They made us stronger, faster, better.
01:20But something went wrong.
01:21They gave Ordis to kill us all.
01:23Somehow I survived and have been in hiding ever since.
01:26Until a case brought me back to him.
01:28But also alerted the group that experimented on him.
01:32Now we're both in danger.
01:34And our best chance at survival is if we save each other.
01:37Heather, hey!
01:52You are looking at, potentially, the new second assistant at Pierce London PR.
01:58I thought you were staying at Brian's tonight.
02:00Well, I decided to surprise you with some spicy tuna from Haru.
02:05So what is all of this?
02:08Oh, I, uh, I guess I was just feeling a little nostalgic.
02:11You know, with Dad's engagement and everything.
02:14But that is so sweet of you.
02:16Oh, it's the least I can do.
02:18You've been letting me crash here.
02:20Oh, oh my gosh!
02:23Look at us at Camp Moose Pine.
02:26Remember how homesick I was?
02:28Yep.
02:29You tuck me in every night and read me bedtime stories until I fell asleep.
02:36This belongs in the fridge.
02:39Heather, that last year with Mom, I was away at college, but you were home.
02:45Did you notice anything weird?
02:47Define weird.
02:48Like, were there any new people in our life?
02:50Did you overhear any odd conversations?
02:53Okay, this does not feel nostalgic.
02:56I think I might have some new information on Mom's case.
02:58Mom's case has been closed for nine years.
03:00Yes, but you know it never made any sense to me.
03:03The police said it was a carjacking, but those guys came at us like hired killers.
03:09Yeah, you also thought you saw a beast.
03:18Look, what you went through that night, I can't even imagine.
03:23But maybe it's time to leave the past in the past.
03:27I'm going to leave the past.
03:28I don't know.
03:29I don't know what to do.
03:30I mean, keep keeping speaking.
03:31It's—
03:32No.
03:33No.
03:34No.
03:35It's over.
03:36No.
03:37No.
03:38It's OK.
03:39No.
03:40It's not PM.
03:41No.
03:42No.
03:43We're not going to do this.
03:45It's not.
03:46You're going to be a little bit better?
03:47No.
03:48That's not good.
03:49I'm going to be a little bit better.
03:50O-O-Ow!
04:15JT?
04:16Of course, it's you.
04:21Did you not see the fence?
04:23You guys don't have a doorbell, and I need to talk to Vincent.
04:26No, you don't. You need to stay away.
04:28That's what barbed wire means.
04:30JT, I found something of my mom's.
04:33Then put it in a scrapbook and leave.
04:35No, it's one of her old research papers.
04:37She was an infectious diseases doctor.
04:40Every other paper of hers is about parasites and viruses.
04:43This?
04:44This is about splicing DNA.
04:47Or something. I don't fully understand it, but I...
04:49No, what you don't fully understand is that we have managed to stay off the grid for nine years.
04:55Everyone thinks he's dead.
04:56Then you show up and people start dying.
04:58People were dying before.
05:00Like my mom, Vincent was a part of their DNA-altering experiment.
05:05He's a doctor. He might know if it's related.
05:08I'm a biochemist. I say it's not.
05:10JT, please, just give this to him.
05:17Chandler.
05:18You brought a cell phone here?
05:20Yeah, I'll be right there.
05:21Why not a flashing neon sign?
05:23Vincent Keller lives here.
05:28What are you making yourself look so pretty for?
05:30And if I said you?
05:31That'd be nice.
05:32Especially since the other woman I'm here to see doesn't have a pulse.
05:35You missed a spot.
05:36Don't you have work to do?
05:38And it's all over your knees.
05:39You guys get it over with already?
05:42And be another notch on his belt?
05:44Besides, we work together.
05:45And who are you to dish it out, Miss I'm on a man clown?
05:48Just saying.
05:49Two of my five brothers met their wives on the force.
05:51And now how about meeting your victim?
05:53Love and the boss is in such a cheery mood.
05:55What do you want me to say?
05:56Nice non-regulation earrings?
05:58What, we can't go out?
06:00Name's Gemma Parker, age 22.
06:02Dance for the Bertrand Ballet Company.
06:04I did her off her cell phone, which we recovered along with the body.
06:06The company's housed in the top floors of this building.
06:10Security?
06:11No cameras, no guards.
06:13Unis are canvassing for witnesses.
06:15What about the woman who called it in?
06:16She provided the time of death, along with the party of the year,
06:19was on 10th Avenue instead of 10th Street.
06:21Oh, my God.
06:22Oh, my God, Gemma.
06:24Excuse me, Miss.
06:25Oh, my God, what happened?
06:25Wait over here.
06:27I can't.
06:27I've been to meet her to rehearse.
06:29I'm sorry, you are?
06:30I'm...
06:31I'm Victoria Hanson.
06:32I'm her understudy.
06:34What?
06:35Did she fall?
06:36I'm not sure, Rhea.
06:38Last time you spoke with her, did she seem upset or depressed?
06:41I mean, she was stressed.
06:44She's dancing Odette in Swan Lake.
06:46It's like the hardest variations in L.A., and she was struggling.
06:50Why?
06:51You think she jumped?
06:53Excuse me a minute.
06:55Simon, come here, please.
06:57Defensive wounds, bruises to the face, cut to the scalp.
07:00So she was fighting someone off?
07:02Is that what you were doing?
07:03When you were rolling around in the dirt?
07:05I was not rolling.
07:06I tripped.
07:08Look, understudy makes it sound like she could have been primed for suicide.
07:12What do you weigh?
07:13What?
07:14You're probably the same size.
07:15What, a buck two?
07:16Based on the height of the building, and how far into the street she landed, understudy
07:24was right about something.
07:25This was no accident.
07:26Okay, coroner's office ruled out accidental death, so we're looking at a suicide or homicide.
07:34Permit is secure, so we need to do a sweep of the building and see what we can find.
07:37Stedman, Grant, you take the first three floors.
07:40Newman, Moore, next three, Chandler Vargas, theater and above.
07:44Let's go!
07:45Where's that coming from?
07:59This must be where she was rehearsing.
08:21Music's still on.
08:23Windows open.
08:24Money's still in her wallet.
08:31There's no sign of a struggle in here.
08:33I'm gonna keep going.
08:34I'm gonna keep going.
08:54It's okay, it's okay, it's okay, it's okay, it's okay.
09:21Vincent, what the hell?
09:25I heard you were looking for me.
09:28You can't just show up at my place like that anymore.
09:30Says the guy disturbing my crime, sir.
09:32It's dangerous.
09:33Yeah, JT might come at me with a bat again.
09:38I read your mom's paper.
09:42And?
09:43It's about genetic therapy for dengue fever.
09:47It's got nothing to do with the experiments they did on me or her murder.
09:50Then why were those guys following her?
09:51Were they Muirfield?
09:53Catherine, don't.
09:54Was she working on some other research for them?
09:56I don't know.
09:57But you told me that they were tracking her.
10:00Yes, so you would know it wasn't your fault and you would stop pursuing this.
10:03Yeah, but it means that you know more than you're telling me.
10:10I know that woman is lying.
10:13What?
10:13The other dancer you interviewed.
10:18How long have you been up here?
10:20Her pupils were dilated.
10:21She was sweating.
10:22I could hear her pulse racing.
10:24You could hear her pulse racing from all the way up here?
10:28Yeah.
10:32Okay.
10:32Well, maybe her pulse was racing because she just found out her friend died.
10:37Just trying to help.
10:38Vincent, I need help with my mom's case.
10:40No, okay?
10:41You are playing with fire.
10:43These people from Muirfield, they will not stop until they have buried me and anyone who knows about me.
10:49So it did have to do with Muirfield.
10:52Kat?
11:02What?
11:03Torn leotard?
11:05I don't think she jumped.
11:06This girl was up here with someone.
11:08Yeah, she was.
11:26Smoke?
11:27No, thank you.
11:28And from the looks of Gemma's lungs, she didn't either.
11:30Looked like a smoking lounge.
11:32So what was she doing up there so late?
11:33Taking in the view?
11:34It wasn't exactly a novelty.
11:36She'd been in the company four years.
11:39Maybe she was with someone she knew, and they got into an argument which would explain this.
11:44The cut on her scalp.
11:45It matches the end of this hairpin.
11:48But there are no cells on it.
11:50Which means that there has to be another one.
11:52Killer could have taken it.
11:53And she had a powder on her hands.
11:55Could be makeup.
11:56Missing hairpin and makeup.
11:58Sound like a catfight to you?
12:00Victoria Hanson.
12:03When you talked to her, did you get her alibi?
12:05She was at home getting ready to go to the studio, but no one was with her to corroborate.
12:09According to the company website, she played Odette last year.
12:12And now she's the understudy?
12:14Did it seem like she was lying to you?
12:16Yeah, it always seems like they're lying.
12:17So Victoria got her old rollback.
12:35I begged the board to postpone the show.
12:38Financially, they said we just can't take the hit.
12:40Mr. Bertrand, as artistic director, you obviously worked closely with both Gemma and Victoria.
12:45What was their relationship like?
12:46Well, they were like sisters.
12:48Sisters can be competitive.
12:49Especially given Victoria's demotion.
12:52Demotion?
12:53No, she broke her toe.
12:54It sounds minor.
12:56It's a devastating injury.
12:58She had to leave the city for almost a year to recover.
13:00It's not so devastating that she can't stand so dead now.
13:03Look, Victoria didn't have to kill anyone.
13:05The role was already hers.
13:06We were just waiting for her to make a full recovery.
13:08Wait, you mean Gemma was only a temporary Odette?
13:11That was no secret to anyone.
13:13Including both the girls.
13:14Could there have been another rivalry between them?
13:17Maybe a boyfriend?
13:18No, neither of them.
13:19I would know.
13:20The girls are here 24-7, which is why I was pushing the board to pay for a security system.
13:24Anyone, thank you, can just wander off the street.
13:27Well, actually, one theory is this is someone Gemma knew.
13:30We're gonna need you to show us her locker.
13:32From the look on your face, I take it there's usually stuff in here.
13:40Overflowing?
13:41I don't understand.
13:43Did anyone else have access?
13:44Not that I'm aware of.
13:46Maybe she gave her combo to somebody.
13:47Like a sister?
13:52Maybe someone threw her things out.
13:54They're fresh.
14:10Yeah.
14:10Only time I toss fresh flowers is when they're from someone I don't like.
14:14Do you feel something powdery?
14:17Okay, Chandler.
14:18Powder on her hands was lily pollen.
14:20She got flowers from someone she didn't like right before she died.
14:23Ex-boyfriend?
14:25Overbearing stage mom?
14:26Her parents live in Ohio, and so far no indication of a boyfriend.
14:29Thanks.
14:30Well, blood work says she had something.
14:32We found mifepristone in her system.
14:34Do you just use big words to make me feel dumb?
14:37It's a medication which at these low doses is used as the morning after pill.
14:41And no, it's to impress you.
14:42Well, what would impress me more is if you could tell me how Victoria fits in.
14:47Sticking with your catfight theory.
14:48Maybe it was like, I don't know, a love triangle gone wrong?
14:52Those never seem to work out, do they?
14:53I walk on through the woods in the streets every night.
15:15I walk through people who are too close.
15:19Into each other behind him.
15:31I didn't want to get hit by a bat.
15:33And I'm not here about my mom.
15:36So working theory is secret boyfriend, but they're deli lilies, so they're untraceable.
15:41You want a drink or something?
15:42No, I want to figure out how Victoria fits into all this.
15:44Her alibi is weak, but she has no motive.
15:47Don't you have a partner to talk to about all this?
15:50You're the one who said she was lying.
15:51And you're the one who said her pulse was racing because her friend died.
15:54Okay, so is she guilty or is she just trying to cover something up?
15:58A lie is a lie, okay?
15:59Just like you say you're here about your case when you really just want information about your mom.
16:03What, my pulse is racing too?
16:06A little.
16:09I swear I used to be a normal person.
16:12From where I stand, you seem pretty normal.
16:16So much for your super senses.
16:23I saw this, um, old photo from camp yesterday.
16:29Couldn't even recognize myself.
16:31I don't know, ever since that day, I, I can't let it go.
16:37Just the thought that the people responsible for killing my mom are out there.
17:01I can't recognize myself either.
17:07Look at your hair.
17:10Yeah.
17:12Ah, thought I heard squealing.
17:16You owe me $29.99 for this lumbar pack.
17:19Can I, uh...
17:20Yeah.
17:23I'll be right back.
17:24You were supposed to deal with this.
17:31Yeah, it's not about her mom.
17:32Oh, great.
17:33So now she's just dropping by for some chit-chat?
17:35JT, relax.
17:36Relax?
17:37Yeah.
17:37Don't tell me to relax.
17:38I don't tell you to relax.
17:39You were gonna make sure she never came back here.
17:42And it's not just Muirfield I'm worried about.
17:45She's not gonna expose us.
17:47I'm talking about you.
17:49You look like you're about to make her a playlist in there.
17:52Come on, JT.
17:53We're talking about a case.
17:54It doesn't matter what you were talking about.
17:56You know what happened last time?
17:57You were busy making playlists.
18:00This would be worse.
18:01She's a cop.
18:01Yeah, okay, though.
18:02This isn't last time.
18:12All good?
18:14Yeah.
18:16So, who are they?
18:18Just guys.
18:25Were they part of?
18:27Yeah.
18:29Will you tell me about them?
18:34Like...
18:35Like this guy.
18:37Who is he?
18:41That's Ray.
18:42You know, we used to call him Pammy Sue.
18:47His girlfriend back home.
18:52You would always talk about her.
18:55Convince she was cheating.
18:56Was she?
18:59You never got to find out.
19:01Vincent, you ever thought about coming forward?
19:09About what Muirfield did?
19:11You're kidding, right?
19:12No, we could investigate them.
19:13No, we are not investigating anything.
19:15But this photo, it proves that it wasn't just you.
19:17Do you not understand yet what these people from Muirfield can do?
19:20Okay, but if we did this right,
19:23you could come out of hiding.
19:25You could tell me what you know about my mom.
19:26And it comes back to your mother.
19:31Okay, yes, they were from Muirfield.
19:33The men that were tracking her.
19:34That is all that I know.
19:36Then we can work together to get these guys.
19:38I have access to databases.
19:40Classified information.
19:42Catherine, I'm a criminal.
19:44You're a victim.
19:47Don't you have some ballerina secret boyfriend to track Tanya?
19:51Maybe focus on that instead of starting a whole movement.
19:56Let's give it up, baby.
20:06Got you.
20:16See you next time?
20:19I love you.
20:20So I haven't been totally honest.
20:39Hey, my man cleanse.
20:42I was on a date the other night.
20:44Yeah, your earrings kind of gave you away.
20:46I just, I can't help it.
20:47I broke the diet.
20:48Well, unlike you, I cannot find any evidence that Gemma had a boyfriend.
20:53It's not a boyfriend.
20:54Or why she took that morning after pill.
20:56She dating a platoon?
20:58Um, pop-up.
21:00But I did find something.
21:03Gemma's Facebook page.
21:04In the last six weeks, there are 22 posts from some guy named Alan Arabesque.
21:09Arabesque? That is not a real name.
21:11You even made drinking your latte seem graceful.
21:13You looked smoking in those red jeans today.
21:16God, this guy sounds like a stalker.
21:18I tossed flowers from him, too.
21:19Let's talk to IT, see if we can figure out where this Mr. Arabesque is posting from.
21:33The IP address matches the computer at the Bertrand Ballet Company.
21:37Secret stalker at work?
21:38Well, it explains how he knew her day-to-day so well.
21:40We cross-referenced everyone's time cards with those postings.
21:43The only employee there every time was Julio Ramirez, the janitor.
21:47So what's your theory?
21:49He came forward, confessed his feelings.
21:51Gave her lilies.
21:51She rejected him.
21:53He killed her.
21:53He would have had access to her locker.
21:56Maybe he was looking for those red jeans.
21:59Sounds like you two should go find Julio.
22:00Julio wasn't even working that night.
22:17He has Zumba class on Tuesday.
22:19You sure he went?
22:22I'm not.
22:25Mom, I'm home.
22:26I'm starving.
22:27We're in here, E-ho.
22:40Easy, pal.
22:47Hey!
22:48Oh!
22:50Ah!
22:57Where's my picture?
23:26Vincent.
23:29Now, where is it?
23:30I left it in my office.
23:31I was going to give it back.
23:33Look, you say you're a criminal, but you're a victim, just like my mom.
23:35Now, that picture is not about your mother.
23:37No, it's about you.
23:39And it's about those guys in your unit.
23:42Raymond, Matthew, Eric.
23:45I ran it through facial recognition.
23:46Are you insane?
23:47It is evidence.
23:48Mirfield tracks everything.
23:50Okay.
23:51I have to go.
23:52You think I just want to show up here?
23:53Put you and me both in jeopardy if I don't have to.
23:56Vincent, I am trying to help.
23:57That's what I do.
23:58I'll prove, Catherine.
24:00I'm me, JT.
24:01And those guys in your unit.
24:03But Raymond, you know, his parents think their son died a hero.
24:06You want to tell them that they turned him into a killing machine?
24:09And JT, you know, he has risked his life the past decade trying to hide me in a warehouse.
24:14You shouldn't have to hide.
24:15That's why we have to build a case.
24:17No, I am not one of your cases.
24:19Vincent, this was a huge injustice.
24:21Stop!
24:44Cat, I've got the perp.
24:47Sorry.
24:49There you are.
24:50You're okay.
24:51You're shaking.
24:52Yeah, it's just winded.
25:06Leo, we just spoke to the Y.
25:08They confirmed you were at the 815 Zumba class the night Gemma was murdered.
25:11I told you I didn't do anything.
25:12It's not entirely true.
25:14You stole her things.
25:16And I think you did it because you cared.
25:21I just wanted something to remind me of her.
25:24She was the only person who spoke to me there.
25:27Did you give her flowers too?
25:29No.
25:30Julia, you kept pretty good tabs on Gemma.
25:32Did you see or hear anything that might help us figure out who did this to her?
25:36I don't know what it was about, but a few days before she died, she went to a police station.
25:45How do you know?
25:47I followed her.
25:49She seemed upset.
25:50Which precinct?
25:5227th and Chelsea.
25:55Near the Bally's studio.
25:56Sign in sheet says she walks in at 840.
25:59There she is.
26:00Is that Victoria?
26:07Ooh, Gemma does not look happy to see her.
26:12Gemma never filed a complaint.
26:13Maybe Victoria's trying to talk her out of it.
26:17Tess, this is dated four days ago.
26:20It's the same day Gemma got the morning after pill prescription.
26:22So she had sex and then went to a precinct.
26:24Sexual assault.
26:26Yeah, we should talk to that desk clerk, see if she heard anything.
26:28Do you mind taking care of that?
26:30There's something I need to follow up on.
26:32Yeah, go do what you have to do.
26:54Hey.
26:58I-I parked far away.
27:00I left all of my electronics at work.
27:01Come on in.
27:04Okay.
27:05Okay.
27:06I'll-I'll only be a few minutes.
27:08No worries.
27:11May I get you something?
27:13Water, soda, turkey sandwich?
27:15I think the turkey's still good.
27:17What's the cutoff?
27:17Five days?
27:18What's going on?
27:28The turkey or...
27:29Oh, you mean this.
27:34Where is everything?
27:35I'm assuming with him.
27:37Which is where?
27:38I have no idea.
27:39But wherever it is, it's safer than here where you keep showing up.
27:42Okay, JT, please.
27:43I just need to-
27:44What?
27:44See him again?
27:45Look around.
27:47This is not a subtle hint.
27:49He doesn't want to see you again.
27:51Not only do I not know where he is,
27:52I don't even know when or if he's coming back.
27:55So, see yourself out.
27:58Us again.
28:13You have a minute?
28:14Yeah, of course.
28:16I heard you guys think this is a murder.
28:18Victoria, did you and Gemma have any issues or arguments just before she died?
28:22No.
28:22I mean, she'd been on at me about these crazy diets I've been on, and I guess I got defensive.
28:31But when I was out with my toe, I gained like 15 pounds.
28:34And Gemma felt the need to report that to the police?
28:37Or was this about a sexual assault?
28:39Okay.
28:44Look.
28:46I don't really know what happened.
28:48That's why I didn't mention it.
28:50Who's the guy?
28:51I don't know.
28:52When I went to meet her at the precinct, she was so emotional, I could barely understand a word she was saying.
28:56So you talked her out of reporting anything?
28:58No.
29:00No, she's the one who wanted to leave.
29:02And you let her, knowing what this was about?
29:04You know, Gemma got those exact same flowers the day she died.
29:15Who gave you those?
29:18I don't remember.
29:20We get flowers all the time.
29:22That picture's from, like, last year.
29:24Were they from Joshua?
29:26You had to spoke to the desk clerk at precinct 27, and she didn't hear anything about pressure.
29:31But she did say you and Gemma were arguing about some guy named Joshua.
29:35I don't know Joshua.
29:38The desk clerk must have heard wrong.
29:42All right.
29:43Well, if you remember things differently, give us a call.
29:46Yeah.
29:53So I guess we go back over everything.
29:56Yeah.
29:56Maybe try to lip-read the precinct footage, because now she really seems like she's lying.
30:00Yeah, she does.
30:07Kat, I'm moving back to Dad's.
30:10What?
30:11It's just all the stuff.
30:12The board, the boxes.
30:15I don't want to remember Mom like that.
30:17I didn't mean for you to see that.
30:19I'll keep it in my room.
30:21But it's more than that.
30:23After Mom, I felt kind of like I lost you two.
30:28It's work.
30:40It'll just be two seconds, okay?
30:43Chandler.
30:43Detective Chandler, it's Larry from IT.
30:46Hi, Larry.
30:47How's my computer looking?
30:48Well, I don't know what you did, but it triggered some nasty malware.
30:52The entire hard drive's been wiped clean.
30:54I ran it through facial recognition.
30:56Are you insane?
30:57Mirafield tracks everything.
30:59Can we tell where it's from?
31:01I doubt it.
31:02This is some seriously badass stuff.
31:03This is like the Ebola of malwares.
31:06You should get in here.
31:08Tell me what's important, and I'll see if I can salvage it.
31:10Oh, my God.
31:39Are you okay?
31:40I am so sorry.
31:41I am so sorry.
32:09Don't go.
32:32Oh.
32:33It's okay.
32:50I'm okay.
33:03I am the cops.
33:26Victims show signs of lacerations and subcutaneous hematoma indicating blunt force trauma to the head and neck.
33:31I jumped out to help him. He came right at me. Classic mugging scam.
33:37No visible chest or torso injuries. No evidence of clinical fractures.
33:41You're off duty, right? Yeah.
33:43Well, he caught you while he covered his down. I thought it was up.
33:49And there were no weapons involved?
33:51No, I used the force necessary to defend myself. He fell backwards. Must have hit his head on the back of the car.
34:01The cortex appears to be lacerated.
34:05I guess that's why bikers should wear helmets, even if they are muggers.
34:09Yeah, but to cause this kind of impact for somebody who's a buck two, you must have really been working out.
34:13Adrenaline kicked in.
34:16Evan, I obviously didn't mean for this to happen.
34:20No, of course not. It's just...
34:21Are you sure that you did this?
34:27Yes. Why would I lie about it?
34:31Hey. Hey.
34:34You okay?
34:35Mm-hmm.
34:35You sure?
34:36Yes.
34:37Evan, so what am I telling internal affairs?
34:44That it was self-defense.
34:45I've been thinking about the lines we cross for the people we care about.
34:53Like telling a lie or going too far no matter who else gets hurt.
34:58Who could be that important to you, Victoria?
35:01A secret boyfriend named Joshua.
35:03There is no boyfriend named Joshua.
35:05No boyfriend, but there is a Joshua.
35:08We remembered your toe injury.
35:10Most athletes, they get hurt.
35:12They sit on the sidelines and watch, but you moved away.
35:15For almost a year, and you gained 15 pounds doing it.
35:19You know, we, uh, we subpoenaed your medical records.
35:22Your doctor wasn't an orthopedist.
35:23She was an OB.
35:24You were pregnant.
35:26That's who Joshua is.
35:28He's your son.
35:29Those worries.
35:31You got yours last year right around the time Joshua was conceived.
35:34Gemma got the same ones after she was sexually assaulted.
35:36That's what the fight in the precinct was about.
35:39Gemma wanted to come forward.
35:40He's a player, but he's not...
35:42He doesn't have to force himself on anyone.
35:46Maybe with Gemma he did.
35:49And maybe he pushed her off that roof to keep her quiet.
35:58I didn't want to believe.
36:01After she went to the precinct, I told him what she was saying.
36:04He swore it wasn't true.
36:08I didn't have a father growing up.
36:10I didn't want that for Joshua.
36:12I was just trying to protect my son.
36:18He did it, didn't he?
36:21Who, Victoria?
36:23Who's Joshua's father?
36:25I didn't want that for her.
36:30Strong center.
36:33Support.
36:35Soft fingers.
36:38Mr. Bertram, we need to speak with you outside.
36:40I'm in the middle of rehearsal.
36:42We spoke to Victoria Hanson.
36:49Put your hands behind your back.
36:52This is ridiculous.
36:53We found Gemma's hairpin in the dumpster outside your apartment.
36:56Yours and her DNA are on it.
36:58You're under arrest for the rape and murder of Gemma Parker.
37:01Anything you say, can and will be used against you.
37:11The thing is,
37:13it's hard to always stay inside the lines.
37:19So we do the best we can.
37:23What do you have a tracking device on me now?
37:31Your TA said you couldn't give a lecture
37:32without your skinny caramel macchiato.
37:39I wanted to return this.
37:43And if you do see him again,
37:45maybe you could give this to him too.
37:46I'm sorry I screwed things up for you guys.
37:55I'm sorry I screwed things up for you guys.
37:56I didn't realize you were leaving today.
38:10I figure I get a jump start on plan B.
38:12Oh, um, I have your key for you.
38:20I don't want you to go.
38:22The boxes,
38:23the board,
38:25I shouldn't have left them out.
38:27She was your mom too.
38:31It's okay.
38:32No, it's not.
38:34I want to get back to where we were.
38:36You know, I have to...
38:37I am not just saying it.
38:41Do you have a hickey?
38:45No.
38:46No, this is a work injury.
38:48But if it's ever anything that exciting,
38:52I promise I'll tell you.
38:56Please stay.
38:56I'll go in there.
39:07Okay.
39:08And next week,
39:09sushi's on me.
39:10It's my arm.
39:12But somewhere along the way,
39:14I forgot
39:15that if you care about someone,
39:18you need to pay attention
39:19to their lines too.
39:20Black flies on the windowsill
39:23That we are,
39:25that we are,
39:26that we are to me.
39:39I didn't know her else to meet.
39:54Vincent, I'm sorry I took the photo.
39:56You've been betrayed by so many people
40:00and then I go and...
40:01Cross the line.
40:05I've read your four-page manifesto.
40:08Well,
40:08at least the first two pages anyway.
40:12Okay, look, you were right.
40:13I haven't been thinking about anyone but myself.
40:16I have been so consumed
40:20with trying to figure out who did this
40:22that I push people away.
40:25I turn them into a case.
40:31But
40:31I won't bother you anymore.
40:34This time, for real.
40:35You can
40:36go back to the warehouse
40:38and I promise
40:38and I promise that I will
40:39never
40:40say anything to anyone.
40:43That'd be great.
40:44Yeah.
40:47But
40:48as much as I keep saying
40:50stay away,
40:51I
40:51keep showing up too.
40:55You know,
40:56the truth is
40:57I don't really have anyone to contact.
41:02You know,
41:02I mean,
41:02there's JT
41:03but that's JT.
41:10And, uh...
41:12You've seen me
41:15when I don't want anyone to see me.
41:20And you still haven't run.
41:24It looks like you haven't run from me either.
41:27Can we
41:31start over?
41:35Yeah.
41:38Like I said,
41:39being a detective
41:40is all about drawing lines.
41:43But being human,
41:45I think maybe it's about
41:46knowing how and when
41:48to cross them
41:48together.
41:57more
42:01to
42:04you
42:05or
42:06you
42:08or
42:12you
42:15how
42:16you
42:16or
42:17you
42:19or
42:20you
42:22or
42:22you
42:24or
42:24you
42:25or
42:25you
42:26or
42:27Transcription by CastingWords
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