🐝🧪 The Wasp Woman (1960) Full Movie | Classic Sci-Fi Horror B-Movie |  👩‍🔬🕷️ - video Dailymotion

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⚠️ Aging, ambition, and a terrifying transformation collide in Roger Corman’s cult sci-fi horror classic, The Wasp Woman (1960). This low-budget gem delivers a shocking tale of vanity gone wrong—when youth comes at a monstrous price!  📽️ Plot Summary: Janice Starlin, the head of a struggling cosmetics company, turns to an experimental enzyme derived from wasps to restore her youth. But the serum has horrifying side effects… and soon, a deadly hybrid creature is unleashed.  🕰️ Year Released: 1960 🎭 Genre: Sci-Fi, Horror, Creature Feature 🎬 Directed by: Roger Corman 🎞️ Starring: Susan Cabot, Fred Eisley, Barboura Morris  🎯 Why Watch It? ✔️ Classic creature transformation story ✔️ Signature Corman style: fast-paced & chilling ✔️ Commentary on beauty standards & science obsession ✔️ Perfect for fans of 1950s/60s drive-in horror  🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more retro sci-fi horrors, creature classics, and public domain treasures!  👇 Watch More Classic Sci-Fi Horror & B-Movies Here: 📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY ━━━━━━━━━━━━━━━━━━ 🎞️ #TheWaspWoman #RogerCorman #CreatureFeature #SciFiHorror #1960sMovies #PublicDomainMovies #MonsterMashClassics #SusanCabot #VintageSciFi ━━━━━━━━━━━━━━━━━━ 👩‍🔬🐝 Beauty has a sting. Enter the world of mad science and monstrous consequences with The Wasp Woman (1960)! ________________________________________

Transcript

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00:05:29Good morning, Doc. What you got there?

00:05:37I've found some new friends. Listen.

00:05:45Wasps, you better be careful. They can sting a man to death.

00:05:48Don't worry. Don't worry. We understand each other. They know who their friend is. They can tell.

00:05:54Yeah, but they know when you ain't, too.

00:05:56Oh, nonsense. If you knew about wasps, what I know, you'd have no fear of them, my boy.

00:06:02No fear.

00:06:32give us a hand here hello there mr barker well surprised to see you out here in the field sir

00:06:38now how are things running at the front office smooth as honey renfro

00:06:44i see here you turned in over a thousand pounds of orange blossom honey

00:06:48and 400 of beeswax last month renfro congratulations you've made the top of the list again

00:06:54thank you sir holiday honey needs your kind of man renfro

00:06:59you stay with it and i can see a bright future for you with the company well i do try to do my best

00:07:05mr barker i try to take my inspiration from the bees always busy busy busy yes uh what about this

00:07:15fellow dr zinthrop center boy that's a nut him and his bees you know wouldn't surprise me someday to

00:07:22see him flapping his arms taken off after some queen bee with the rest of the drones

00:07:26uh-huh well he's paid to do research on royal jelly haven't had a progress report from him in a month

00:07:34well he has a little workshop up there back of the orange grove keeps a few colonies

00:07:39i suppose i better go up there and take a look

00:07:41hey you where's this fella zinthrop no he's up where the extractor is up there hey hey this isn't a

00:07:58honeybee these are wasps wasps who's responsible for this most likely dr zinthrop sir i told you it was a

00:08:07crackpot zinthrop huh zinthrop

00:08:13ah

00:08:19so

00:08:37zinthrop

00:08:49now look here zinthrop what's all this nonsense about wasps i'm so glad you dropped in mr barker

00:08:58mr barker i'm on the verge of a great discovery discovery what do you mean well sir i almost

00:09:06perfected a new method of extracting royal jelly from the queen wasps according to my figures you're

00:09:13better at extracting funds from the company now look here zinthrop over a thousand dollars last month

00:09:18for miscellaneous yes yes i know but mr barker let me just show you something just let me show you

00:09:25something already i've learned to slow the process of aging soon i shall be able to reverse it entirely

00:09:35what are you getting at zinthrop

00:09:39look what do you see see a big dog and a little dog let's say an old dog and a young dog

00:09:48all right so what well they're exactly the same age you see the little one greater has been given

00:09:57regular injections of my compound from the queen wasp just like i told you mr barker

00:10:06now look here zinthrop i understand about science and progress and all that but

00:10:12you were obtained to extract queen bee royal jelly now it's a health food a cosmetic it's not a miracle

00:10:20drug or an elixir of youth that sort of thing is impossible but mr barker zinthrop i i'm sorry zinthrop but

00:10:29i'm gonna have to let you go you just don't seem to be one of the team

00:10:33you understand good luck i'm sure you'll fit in somewhere

00:10:44fit in somewhere

00:10:46oh now now don't worry my friend we shall find a home somehow somewhere

00:11:06oh but you sound impatient i know it's your babies huh they're hungry and that they must be fed

00:11:16oh now now how would you like a nice juicy little catapult huh yeah you'd like that wouldn't you there

00:11:26now you must eat them be strong because oh a lot of work to do together yes sir

00:11:36a lot of work

00:11:51as you can see gentlemen sales for the last fiscal quarter have dropped

00:11:5914 and one half percent there's not been a corresponding drop in our competitor sales

00:12:06i trust one of you gentlemen has a satisfactory explanation for this decline

00:12:16not one little suggestion gentlemen

00:12:20we'll start with you thompson

00:12:22as public relations manager no doubt you have some faint glimmering of what's happening to stall and

00:12:27products well thompson

00:12:29well you see i had no idea you're such an excellent public speaker thompson oh i'm sorry miss darlin i

00:12:36guess i'm not feeling very well this morning i'm sorry you aren't i think i can tell you why

00:12:42starlin products are falling off so badly miss darlin we're listening main where would you put the

00:12:48responsibility for this decline on you miss darlin

00:12:55i imagine you have arguments to support that contention we've all been looking at it for the past 20

00:13:02minutes the most convincing argument is right on that graph

00:13:06may i show you thank you now right here in april is when starlin sales started falling off very clever of you lane

00:13:22would you mind waiting until i finish mr starlin that's enough lane relax willis

00:13:26my apologies for the interruption god thank you now as i said sales began to fall in april but the reason

00:13:36for the fall was back here in february

00:13:41starlin products have always been thought of as something of a modern miracle in the cosmetics trade

00:13:48the firm built to a multi-million dollar a year business on the strength and appeal of of one person

00:13:52janice starlin from the beginning right through until february of this year only one woman's face

00:13:59was used to advertise those products your face miss starlin the public have come to accept you as a as a

00:14:06symbol well now after 16 years they see a different face they they don't trust it they feel cheated

00:14:14the simple fact is that starlin cosmetics should have janice starlin's picture advertising them

00:14:20well that's about all i've got to say and a darn good job of saying it too i agree lane makes a lot of

00:14:27sense on that score miss starlin i think i've had enough flattery for one morning gentlemen

00:14:36it was a very convincing argument lane there's only one small fact you've overlooked not even janice

00:14:44starlin can remain a glamour girl forever miss starlin yes mary there's a mr zinthrop in reception he

00:14:52says he has an appointment thank you well this has been a very informative get together that'll be all for

00:15:01for now

00:15:10i'd like to see you in my office

00:15:16thank you

00:15:17sure miss starlin take it easy hot shot

00:15:27something on your mind miss stolen you've done some work on royal jelly haven't you a little

00:15:33are there any real therapeutic values in it well i'd say so of course a lot depends on each

00:15:42individual's reaction to the stuff what do you mean just that no two people reacted precisely the same

00:15:49way one man's meats another man's poison oh but you think royal jelly can be beneficial in some cases

00:16:00queen bees said a lot of store by it

00:16:01i'll accept that as an affirmative answer

00:16:08supposing a more powerful form of royal jelly could be obtained from the queen wasp for example

00:16:15i mean what do you suppose that might have some rejuvenating effect on a human being

00:16:20i'd stay away from wasps if i were you miss stone

00:16:24socially the queen wasp is on a level with a black widow spider they're both carnivorous they

00:16:29paralyze their victims and then take their time devouring them alive

00:16:33they kill their mates in the same way too strictly a one-sided romance

00:16:42well i'm not exactly interested in in the love life of the queen wasp

00:16:49i want your opinion on the possibilities of using enzyme extracts from royal wasp jelly

00:16:55commercially commercially well if you want an honest opinion miss stolen of course i want an honest

00:17:01opinion then my advice is forget about it

00:17:04thank you arthur any time miss stolen

00:17:22i have mr zinthrop come in yes miss darlin uh you can go in now sir oh well come

00:17:29you can go in now

00:17:33janice starlin enterprising

00:17:39miss darling

00:17:41yes how do you do

00:17:44i'm afraid i won't be able to give you much time mr central

00:17:47but it is i who give you the time miss darling

00:17:50oh yes plenty of time i give you 10 maybe 15 years i give you

00:17:55i want you to understand one thing very clearly mr zinthrop

00:18:03i expect absolute proof of what you've claimed in your letter tangible proof not words such proof you

00:18:09shall get madame and more but i think i better show you in the laboratory yes

00:18:18all right

00:18:25look

00:18:32they look terrible

00:18:34why don't you put them out of their misery madame you ask for proof please be kind enough to look at

00:18:39proof you ask for may i proceed thank you

00:18:55come

00:19:02Come, come, come, come, little...

00:19:16In a few minutes, madame, you shall see a miracle you shall not believe.

00:19:21Oh, no tricks.

00:19:23You may look if you like. I have no tricks.

00:19:26Well, don't look at me. I'm not changing.

00:19:32I don't believe it. It's not possible.

00:19:42I see you do not believe one animal, so I bring two.

00:19:49I don't believe it. It's not possible.

00:19:54I see you do not believe one animal, so I bring two.

00:20:00I, uh, I show you again, yes?

00:20:04Yes, I must be sure.

00:20:06Yes, madame.

00:20:08All this, darling, does my, uh, secret have interest in you?

00:20:14Yes, madame.

00:20:15Yes, madame.

00:20:16Yes, madame.

00:20:17Well, Miss, darling, does my, uh, secret have interest for you? Yes?

00:20:22What are your terms, Mr. Zinthrop?

00:20:23First, I must have a laboratory equipped with everything I need for my research.

00:20:28If we're successful, well, I ask for a little percentage.

00:20:31But I must get full credit for my discovery that is most important to me.

00:20:34I'll have Gordon draw up the contracts.

00:20:37Oh, contracts, contracts, contracts, I do not need you. Give me your word. Good enough for me.

00:20:42You amaze me.

00:20:44Frankly, when I received your letter, I thought you were just, uh, another person.

00:20:49But there was always a chance you might not be.

00:20:51But there was always a chance you might not be.

00:20:54Then you walk in here and you go.

00:20:56I asked for a little percentage.

00:20:57I have not, I must be my knowledge.

00:20:58You have my knowledge!

00:20:59But, my knowledge, my knowledge, my knowledge, my knowledge, my knowledge, my knowledge,

00:21:01and my knowledge.

00:21:07You are, sir, that you love me.

00:21:10You are, my knowledge."

00:21:11You are.

00:21:12You, my knowledge, you are very good.

00:21:16No problem.

00:21:17not be then you walk in here and show me nothing short of a miracle two miracles and you say that

00:21:24you'll accept my word that i won't cheat you you won't i know you're a good woman even if you do

00:21:31not like other people to know it however uh my formula may not be good for human beings i have

00:21:39not tested yet you will on me oh no no no no there might be danger those are my terms mr

00:21:47zinthrop janice darlin will be your next guinea pig very well though it may take a little time to

00:21:56prepare sufficient extract a week maybe more i'll make whatever arrangements you may need for your

00:22:01equipment thank you madame now i say are you built all this i'm very close to losing it mr zinthrop

00:22:11maybe working together we can save janice darlin enterprises maybe even make it bigger than ever

00:22:20before yes oh yes i'm sure the next three months we will see a rise in starlin sales that will

00:22:30surpass anything we've dared imagine mr zinthrop is working on the final stages of the development

00:22:38that will revolutionize the cosmetic industry he's to have a free hand in his experiments

00:22:43and will be answerable to no one but myself at the moment i cannot divulge the nature of mr

00:22:49zinthrop's experiments but i can assure you it will bring worldwide recognition to janice darlin enterprises

00:22:57so

00:23:04so

00:23:09so

00:23:16I don't know. This Zinthrop must be the granddaddy of all confidence men

00:23:33to take in a gal like Starlin. Why doesn't somebody wise her up?

00:23:39Like you, for instance?

00:23:42Bill, what makes you think Zinthrop really isn't on the level?

00:23:47After all, we don't even know what he's working on. It could be very legitimate.

00:23:50You're as bad as she is. Oh, women!

00:23:57Men.

00:23:59Every time you're stuck to an answer, you always come up with women.

00:24:04You're not getting out of this one so easily.

00:24:08I'd like to know why you think Zinthrop really hasn't got something.

00:24:12Well, you can call it male intuition, if you like.

00:24:14It's just that there's something about this whole business that doesn't smell right.

00:24:17The private laboratory, the secret experiments, Zinthrop himself.

00:24:22The only thing that's missing is a genie with a lamp.

00:24:25You'd better leave the intuition to me.

00:24:31I'll let you buy me dinner.

00:24:32Buy you dinner?

00:24:34What's happened to your sporting blood? I thought we were going to toss for the check.

00:24:38Oh, no.

00:24:38You won the last three times.

00:24:42All right, look, I'll make a deal with you.

00:24:44Dinner is on me if you promise to keep an eye on what goes on in there.

00:24:48What do you want me to do?

00:24:50Read her mail and send your messages and keep your code?

00:24:52You could do worse.

00:24:53Oh, no, Mr. Cooper, not you, too.

00:24:57I've been trying to tell Bright Eyes here that I think Zinthrop is a phony and a confidence man.

00:25:02If I were sure of that, I wouldn't be worried.

00:25:04I think he's a lot more dangerous.

00:25:06A quack.

00:25:07Well, I don't follow you, Coop.

00:25:09Well, a confidence man would just be interested in your money.

00:25:12The only damage they can do is to your pocketbook.

00:25:15A quack can be fatal.

00:25:16So I says to him, I says, listen, I think, I'm getting sick of this TV every night.

00:25:30I mean, you know, we can do the same thing in a nightclub.

00:25:33Well, almost.

00:25:38Good morning.

00:25:39Janice Starlin Enterprises.

00:25:43I got two words for you.

00:25:45Drop dead.

00:25:47Twice.

00:25:49Irving?

00:25:50Calls me to tell me Dr. Cyclops is on Channel 9 tonight.

00:25:54What a crust.

00:25:55I've seen it twice already.

00:26:00Good morning.

00:26:05Is, uh, is Miss Starlin in her office now?

00:26:08Miss Starlin's in conference.

00:26:11Would you like to speak to her secretary?

00:26:13Oh, no, no, no.

00:26:13Just say to Miss Starlin, I should like to see her when she has time, huh?

00:26:17Yes.

00:26:22Was there something else, Mr. Zinthro?

00:26:24No, no, no, no.

00:26:26Goodbye.

00:26:31Goodbye.

00:26:43What a character.

00:26:45A regular two-eyed Dr. Cyclops.

00:26:47Even a bow.

00:26:48Good morning.

00:26:49May I see Miss Zardling, please?

00:26:51He's a real weirdy.

00:26:54I wonder what his game is.

00:26:56Who cares?

00:26:57You know, Morton thinks he's a crackpot.

00:26:59I heard him telling Cooper so.

00:27:02Old Bug Eyes really has the execs worried.

00:27:04About what?

00:27:05That's just it.

00:27:06They don't know.

00:27:07Oh.

00:27:09So anyway, back to Irving.

00:27:21Good morning, Miss Darling.

00:27:30Good morning.

00:27:31Good morning.

00:27:31I couldn't get away any sooner.

00:27:33Is it important?

00:27:35Miss Darling, do you remember the big cat I showed you last week?

00:27:40No.

00:27:41What about it?

00:27:43Well, I want you to look at him.

00:27:46Come.

00:27:51No.

00:27:54Quite the difference, yes?

00:27:58That's incredible.

00:28:01The same mark.

00:28:03It's a cat.

00:28:05You're young again.

00:28:07Can you realize what that means?

00:28:09You're a kitten again.

00:28:11Your whole life to live over.

00:28:14How does it feel?

00:28:15I think perhaps you'll be able to find out for yourself, Miss Darling.

00:28:19Today, today will be your first injection.

00:28:27Come.

00:28:43Sedumeters.

00:28:44Sedumeters.

00:29:12Sedumeters.

00:29:13Mr. Gleeson of Accounting, on line three.

00:29:31What is it, Gleeson?

00:29:34I sent you a memo.

00:29:36Mr. Zinthrop has carte blanche to order anything he requires.

00:29:40It is no concern of yours, Gleeson.

00:29:42Make out a check for the full amount.

00:29:50Sue? Mary.

00:29:53Can I talk to Mr. Lanham over?

00:30:00Bill?

00:30:01Hey, listen. Gleeson just got a bill for $2,300.

00:30:06Zinthrop.

00:30:07Enzyme extracts.

00:30:15Yes, yes, yes. We are making progress. There's great improvement in the tissue.

00:30:31Why is it taking so long?

00:30:35It's the third week.

00:30:37You forget, my dear, there's more to you than a little kitten, huh?

00:30:42Besides, there's a difference in metabolism.

00:30:46Why not increase the dosage? Wouldn't that step up the process?

00:30:50Patience, my dear, patience.

00:30:52We must tread lightly. We'd care.

00:30:55Here, your arm, please.

00:31:12There.

00:31:12You know, I've been experimenting with the concentrate solution of the enzymes.

00:31:19Oh, a great deal more powerful than the solution I've been using in your injection.

00:31:24Oh?

00:31:24Yes.

00:31:26And I think...

00:31:28I think it will be better for lotions.

00:31:30As an emollient lotion, it'll make estrogenic creams and all such products.

00:31:34Old-fashioned.

00:31:35My dear,

00:31:37Stalin will be world famous,

00:31:39bringing you to millions.

00:31:41If you're right, Zinthrop,

00:31:44there are going to be a few red faces of my advertising department.

00:31:47But I am right.

00:31:49Why, your own mirror will tell you that I am right.

00:31:51Why, you look at least five years younger than you looked three weeks ago.

00:31:56I know.

00:32:21Will you let me talk to Bill a minute, Sue?

00:32:42Thanks.

00:32:45Bill, I think I've got it.

00:32:48Yeah, I'm a nervous wreck.

00:32:49At lunch.

00:32:52At lunch.

00:32:54You'll have to translate for me, Coop.

00:32:55I'm not very good at that technical stuff.

00:32:58Pseudo-technical.

00:33:00Mr. Zinthrop is a very capable confidence man, from what I read in his letter.

00:33:04He claims he can stimulate the processes of rejuvenation

00:33:07through the use of enzymes extracted from wasps.

00:33:11Oh, for...

00:33:12Well, what are you two Sherlock's going to do about it?

00:33:17Right now, I don't know.

00:33:18Frankly, I'm getting tired of the whole business.

00:33:20That woman's so intent on holding back time,

00:33:22she's ready to fall for the first phony line she hears.

00:33:25Wasps.

00:33:26Bill.

00:33:27Face the facts.

00:33:28Mary Janice Starland has built her whole life on youth and beauty.

00:33:31Now that she's losing them, she's scared to death.

00:33:33Well, right now she's on cloud nine with that quack Zinthrop,

00:33:36but I'd hate to be around when she comes back down to earth.

00:33:39Well, maybe we can let her down easy.

00:33:41I think we owe her that much.

00:33:42Yeah.

00:33:44Well, what are we going to do?

00:33:45We can't just let Zinthrop build up her hopes

00:33:47and then knock the props out from under her.

00:33:49How can he do such a terrible thing?

00:33:52Poor Jan.

00:33:53There must be something we can do before it's too late.

00:33:58He's got a mighty convincing argument.

00:34:00Very impressive to the layman.

00:34:02Ten to one, he's got a record just as impressive.

00:34:06There are ways to find out.

00:34:07The answer might be right here in her hands.

00:34:11Kids.

00:34:15I'm going to keep this letter for a day or two.

00:34:18Wait a minute.

00:34:19Suppose she finds out it's gone.

00:34:20I'm the only one with access to that desk.

00:34:22She'll know I took it.

00:34:23Well, that's a chance you have to take, Mary.

00:34:25I think we can be pretty sure that Coop knows what he's doing, honey.

00:34:29Well, come on, young lovers.

00:34:53I'm going to keep it.

00:34:54I'm not going to get a good place.

00:34:55Good.

00:34:56I'm Élide quiere, Mary.

00:34:57I'm going to be very well.

00:34:58I'm going to be perfectly honest.

00:35:01I'm going to have fun with

00:35:14my friends earlier.

00:38:16Finish your nails.

00:38:22Maureen.

00:38:24Hmm?

00:38:24I think your phone is ringing.

00:38:26Oh, yes, Miss Starlin.

00:38:30Good morning.

00:38:32Janice Starlin Enterprises.

00:38:34Gentlemen, Janice Starlin Enterprises is about to start on the most widespread publicity campaign in the history of the cosmetic industry.

00:38:44Our slogan will be, return to youth with Janice Starlin, our slogan will be, return to youth with Janice Starlin.

00:38:50When Mr. Zinthrop, when Mr. Zinthrop arrives, there will be a press interview and all questions regarding the rejuvenation process will be referred to him.

00:38:58That will be all for now, gentlemen.

00:39:03That will be all for now, gentlemen.

00:39:03It's amazing.

00:39:04Why, it's wonderful, you mean.

00:39:05Look, Mark.

00:39:06I said that will be all for now, gentlemen.

00:39:10Good morning.

00:39:10Oh, not you, Mary.

00:39:17Wait a moment, please.

00:39:19Yes, Miss Starlin.

00:39:20Mary, isn't it wonderful?

00:39:32It's a miracle.

00:39:33A wonderful, incredible miracle.

00:39:36We were so worried about you.

00:39:38We really thought you were in danger.

00:39:41We even went to plotting how to rescue you from Mr. Zinthrop.

00:39:46It all seems so silly.

00:39:48It seems ridiculous.

00:39:49Oh, Mary.

00:39:51Mary, how old do I look?

00:39:53Tell me.

00:39:55How old?

00:39:56How old do I look?

00:39:57Tell me!

00:39:59How old?

00:40:03Twenty-three.

00:40:04Maybe twenty-two.

00:40:06Twelve.

00:40:09That's how old I was when I started Janice Starlin Enterprises.

00:40:13Do you realize what that means?

00:40:16I'm back where I started.

00:40:17Eighteen years ago.

00:40:20With what it took eighteen years to accomplish.

00:40:25It's like a dream.

00:40:26Don't go, boy.

00:40:33What?

00:41:34I don't know.

00:41:37If I could just get inside of his lab and run a breakdown on what he's using.

00:42:04I don't know.

00:42:11I don't know.

00:42:19I don't know.

00:42:26I don't know.

00:42:34I don't know.

00:42:41I don't know.

00:42:49I don't know.

00:42:56I don't know.

00:43:26I don't know.

00:43:56I don't know.

00:43:57I don't know.

00:44:01I don't know.

00:44:02I don't know.

00:44:03I don't know.

00:44:04I don't know.

00:44:05I don't know.

00:44:06I don't know.

00:44:07I don't know.

00:44:08I don't know.

00:44:09I don't know.

00:44:10I don't know.

00:44:11I don't know.

00:44:12I don't know.

00:44:13I don't know.

00:44:14I don't know.

00:44:15I don't know.

00:44:16I don't know.

00:44:17I don't know.

00:44:19I don't know.

00:44:20I don't know.

00:44:21I don't know.

00:44:22I don't know.

00:44:23I don't know.

00:44:24I don't know.

00:44:25I don't know.

00:44:26I don't know.

00:44:27I don't know.

00:44:28I don't know.

00:44:29I don't know.

00:44:30I don't know.

00:44:31I don't know.

00:44:32I don't know.

00:44:33I don't know.

00:44:34I don't know.

00:44:35Again, I don't know.

00:44:36Just two days.

00:44:37Sorry.

00:44:58I want you to find him, Mr Hellman.

00:45:01I don't care what it costs.

00:45:02We'll find him, all right.

00:45:04Sooner or later, we find them all.

00:45:07Time is vital, Mr. Hellman.

00:45:10Every hour he's gone,

00:45:11it means more than you can possibly imagine.

00:45:14Well, you haven't given me very much to go on.

00:45:17No home address, no former employer, no phone.

00:45:20This is just like starting from scratch.

00:45:24Mr. Zinthrop wasn't a conventional employee.

00:45:28He didn't go through regular personnel.

00:45:31Uh-huh.

00:45:33You say he came here about a month ago.

00:45:35Well, how did he come here, Miss Starlin?

00:45:36He just didn't walk in off the street, did he?

00:45:40The letter.

00:45:42Right here in my drawer.

00:45:48Maybe, uh, one of the other drawers.

00:45:53So that's what she meant.

00:45:55What who meant?

00:46:00Miss Starlin.

00:46:01Miss Starlin.

00:46:01The letter's been taken,

00:46:04and you think you know who took it, is that right?

00:46:08My secretary, Miss Janice.

00:46:11You got her address handy?

00:46:13Her phone number.

00:46:14It might be better if I busted in on her cold.

00:46:17This way she'll have a chance to prepare a story.

00:46:18I know what I'm doing.

00:46:19I know what I'm doing.

00:46:20All right.

00:46:22Mary?

00:46:23Janice Starlin.

00:46:25But before I went to lunch, I made a duplicate copy of Mr. Zinthrop's letter.

00:46:29I was going to take that one to Bill and Mr. Cooper at first, but then I thought that the original would be better.

00:46:37Have you got the copy?

00:46:38Yes, it's in my desk.

00:46:40Get that copy, Miss Denison.

00:46:44Uh-huh.

00:46:45946 West 73rd Street, Manhattan.

00:46:48Yeah, that's right.

00:46:50Get right on it, Jerry, and check back with me as soon as you can.

00:46:52We'll see you next time.

00:47:22We'll see you next time.

00:47:52We'll see you next time.

00:48:22We'll see you next time.

00:48:52We'll see you next time.

00:48:53We'll see you next time.

00:48:54We'll see you next time.

00:48:56We'll see you next time.

00:48:58We'll see you next time.

00:49:00We'll see you next time.

00:49:02We'll see you next time.

00:49:04We'll see you next time.

00:49:06We'll see you next time.

00:49:08We'll see you next time.

00:49:10We'll see you next time.

00:49:12We'll see you next time.

00:49:14We'll see you next time.

00:49:16You next time.

00:49:18We'll see you next time.

00:49:20We'll see you next time.

00:49:22We'll see you next time.

00:49:24We'll see you next time.

00:49:26We'll see you next time.

00:49:28We'll see you next time.

00:49:30We'll see you next time.

00:49:32We'll see you next time.

00:49:34We'll see you next time.

00:49:36We'll see you next time.

00:49:38We'll see you next time.

00:49:40We'll see you next time.

00:49:42We'll see you next time.

00:49:44Just how much we can't tell as yet.

00:49:45How long before you'll know?

00:49:46It's hard to say, Miss Starlin.

00:49:49Who's the best man for this kind of injury?

00:49:51Well, there are several top specialists.

00:49:53Get the best.

00:49:54I'll take full responsibility for the expenses.

00:49:57Yes, Miss Starlin.

00:50:08I don't know, Arthur.

00:50:10I think it best we wait.

00:50:13It's been three days since the accident, Jan.

00:50:15And no sign of improvement.

00:50:17He's still in a coma.

00:50:18You heard what the doctor said.

00:50:20He may never regain consciousness.

00:50:22And even if he does,

00:50:23who knows how badly his brain has been damaged.

00:50:30Well, I'll give it another 48 hours.

00:50:35He doesn't regain consciousness by then.

00:50:37Well, you can take over the laboratory, Arthur.

00:50:40But Jan has...

00:50:41It's my decision.

00:50:42It's my decision.

00:51:12It's incredible.

00:51:25Right in front of our noses.

00:51:29I can't have used it all.

00:51:33I could run a qualitative analysis.

00:51:42I can't have used it.

00:52:12I can't have used it.

00:52:42I can't have used it.

00:53:12I can't have used it.

00:53:16I can't have used it.

00:53:20I can't have used it.

00:53:24I can't have used it.

00:53:28I can't have used it.

00:53:32I can't have used it.

00:53:36I can't have used it.

00:53:40I can't have used it.

00:53:42I can't have used it.

00:53:46I can't have used it.

00:53:50I can't have used it.

00:53:54I can't have used it.

00:53:58I can't have used it.

00:54:02I can't have used it.

00:54:04I can't have used it.

00:54:08I can't have used it.

00:54:10I can't have used it.

00:54:14I can't have used it.

00:54:16I can't have used it.

00:54:20I can't have used it.

00:54:22I can't have used it.

00:54:24I can't have used it.

00:54:26I can't have used it.

00:54:30I can't have used it.

00:54:32I feel lekker for the last years.

00:54:34I can't have used it.

00:54:35It depends on how used it to.

00:54:38I want the

00:54:58It's all right, Mary.

00:55:02Well, that'll be all for now, gentlemen.

00:55:22Hi.

00:55:23Hi, sweetie.

00:55:25Gee, I sure hope they give the girls working at Starlin first crack of that new stuff.

00:55:31Imagine being 18 again?

00:55:33I guess if they can take 15 years off Starlin, they can take 10 off you.

00:55:38What do you mean, 10?

00:55:40Face it, honey. This is Maureen you're talking to.

00:55:44Yeah? Well, if I were you, I'd take a double dose.

00:55:47Then maybe Irving wouldn't watch television so much.

00:55:50So who says he looks at it?

00:55:52I can't imagine what else he does.

00:55:54Three guesses.

00:55:57Say, did Cooper come in yet?

00:55:59Mm-mm.

00:56:00Missed a board meeting this morning.

00:56:02I bet Starlin's having a fit.

00:56:04He should wear it.

00:56:06Uh-oh.

00:56:07See you later.

00:56:08Bye, honey.

00:56:14Hi, pretty puss.

00:56:16You know where, um, Miss Starlin's office is?

00:56:25Sweet number one.

00:56:27La-dee-da, the Duchess of Flatbush herself.

00:56:31How'd you like to have this phone wrapped around your ear?

00:56:34Wise guy.

00:56:35That's more like it, sister.

00:56:43Sweet number one.

00:56:54Miss Starlin.

00:56:55Oh, what is it, Mary?

00:56:57Is there anything I can do?

00:57:00Yes.

00:57:01Is, uh...

00:57:02Is Mr. Zinthrop's room ready?

00:57:04Uh-huh.

00:57:05The nurse is fixing the emergency equipment now,

00:57:07and the ambulance is due any minute.

00:57:10Well, be sure to let me know when it arrives.

00:57:13Oh, Mary, please, before you go,

00:57:14could you see if you could work that thing?

00:57:18Oh, sure.

00:57:20I've seen lots of these.

00:57:27Oh.

00:57:28Simple enough.

00:57:29That'll be all, Mary.

00:57:35We've had a room especially made over for you, Mr. Zinthrop,

00:57:38and Miss Warren has a room adjoining yours,

00:57:40so there'll be someone near you at all times.

00:57:45When you're feeling better, Mr. Zinthrop,

00:57:48there are a few things I'd like to discuss with you.

00:57:51Good, good.

00:58:03We'll do everything we can to make you comfortable, Mr. Zinthrop.

00:58:07I'm going to spend the nights here in my office,

00:58:10so if anything develops, I'll be at hand.

00:58:17Can we start?

00:58:21Only...

00:58:22Only...

00:58:23Something...

00:58:25I must tell you.

00:58:27Something important.

00:58:30But...

00:58:31Important, but...

00:58:34I cannot remember.

00:58:36I'm sure it can wait.

00:58:41Right now the main thing is to get you back to help.

00:58:46Take good care of him, Miss Warren.

00:58:47Yes, Miss Tarlin.

00:58:49Sure is funny about old Coop.

00:58:52He misses one day of work and you're ready to call missing persons.

00:58:55Well, he's a pretty conscientious guy, honey.

00:58:57If he felt sick or something, he'd have called in.

00:59:00Relax.

00:59:01He'll probably be in Brighton Shipper in the morning.

00:59:04Oh, interrupting something?

00:59:06Oh, we were just having a little coffee clutch, Miss Tarlin.

00:59:09We were talking about Mr. Cooper.

00:59:11What about Mr. Cooper?

00:59:13Well, about his missing the meeting this morning.

00:59:15Nobody's been able to reach him all day.

00:59:16I wouldn't worry about that.

00:59:19Mr. Cooper's been here a long time.

00:59:22Probably feels he's entitled to take a day for himself now and then.

00:59:26That's what I've been trying to tell, Mr. Lane.

00:59:28Oh, by the way, Miss Tarlin, how is Mr. Zinthrop?

00:59:32Oh, fine.

00:59:34In a few days we'll start the layouts for the campaign.

00:59:37Oh, I'm ready when you are, boss.

00:59:41Look this over.

00:59:43Hey, Bill.

00:59:44Huh?

00:59:46Don't go get any ideas about the boss.

00:59:48Well, me?

00:59:49Don't be silly.

00:59:50I just wanted to know that I'm an eager member of the team.

00:59:53Still, she is looking a lot younger these days, isn't she?

00:59:58You think Zinthrop would give you any of those treatments?

01:00:01You know, break a watch or something?

01:00:09Guarantee of this, too.

01:00:14What?

01:00:15What?

01:00:16What?

01:00:17What's that?

01:00:18What?

01:00:19Here, lie back now.

01:00:20You just had a bad dream.

01:00:21Lie down now.

01:00:22Go to sleep.

01:00:23Such, such horrible sound.

01:00:24Like a nightmare.

01:00:25No!

01:00:26Oh, no!

01:00:27No!

01:00:28No!

01:00:29No!

01:00:30No!

01:00:31No!

01:00:32No!

01:00:33No!

01:00:34No!

01:00:35No!

01:00:36No!

01:00:37No!

01:00:38No!

01:00:39No!

01:00:40No!

01:00:41No!

01:00:42No!

01:00:43No!

01:00:44No!

01:00:45You just have the looks and dies in the ballroom.

01:00:47.

01:00:48Oh!

01:00:49Oh!

01:00:50Mmm!

01:00:51What?

01:00:52What?

01:00:53What's that?

01:00:54What?

01:00:55Yeah, lie back now.

01:00:57You just had a bad dream.

01:00:59Lie down now.

01:01:01Go to sleep.

01:01:02Mr. Green, that personnel is his responsibility.

01:01:06I have other things to think about than worrying whether the night watchman walked off the job.

01:01:10Well, that's just it, Miss Starlin.

01:01:12Mr. Green feels that the watchman never left the building.

01:01:15His lunch pail and his raincoat are still in the basement.

01:01:20I don't want to hear anything more about it, Mary.

01:01:25All right, Miss Starlin.

01:01:28We'll use these.

01:01:30Oh, fine.

01:01:33She swears she heard a scream from one of the other floors.

01:01:37Zinthrop heard it, too, but she convinced him he was having a bad dream.

01:01:41Oh, maybe they both were.

01:01:45That's not funny anymore, Mary. There's something going on in that building.

01:01:49And I'm going to find out what it is.

01:01:51How?

01:01:52Have a look around Cooper's lab, for one thing.

01:01:55After that, I... I don't know.

01:01:58Hold it steady.

01:02:03Bill, this is crazy.

01:02:05We can really get in trouble.

01:02:08I won't tire him, Miss Warren.

01:02:14But...

01:02:15It is important.

01:02:18All right, Miss Starlin. I'll be in my room.

01:02:24Zinthrop.

01:02:26Zinthrop, you've got to help me.

01:02:29Something's happening.

01:02:31Something's happening to me. I can't control it.

01:02:33There's something I must remember, but... I can't.

01:02:39Try to think.

01:02:41The wasp enzymes.

01:02:43The extracts you were experimenting with before the accident.

01:02:47Try to think.

01:02:49I can't.

01:02:50Well, this is Zinthrop's notebook, Mary.

01:02:55Notes on his experiments with Jan.

01:02:58Well, how did Cooper get hold of it?

01:03:00I don't know.

01:03:02If only Coop would show up.

01:03:05Mary, look.

01:03:07It's Mr. Cooper's pipe.

01:03:10Well, don't you get it?

01:03:11He'd sooner go out without his pants than leave that pipe behind.

01:03:14He's still somewhere in the building.

01:03:15I bet a year's salary on it.

01:03:18If he is, he...

01:03:20He's dead.

01:03:22And the night watchman.

01:03:27There's only enough left for one more injection.

01:03:30One more.

01:03:31You've got to make more, Zinthrop.

01:03:34Help me, Zinthrop.

01:03:36Please, breathe my head away.

01:03:38Zinthrop, help me!

01:03:40Help me!

01:03:42Zinthrop, help me!

01:03:44Help me!

01:03:46Help me!

01:04:01Help me!

01:04:24Is he asleep?

01:04:26I don't know.

01:04:31I don't know.

01:04:35Bill, don't touch him.

01:04:36If anybody knows what's behind all this, it's him.

01:04:41Mr. Zinthrop.

01:04:44Bill.

01:04:47Look it.

01:05:01I don't think I can't be after him.

01:05:02One more time.

01:05:05Thank you, Mr. Zinthrop.

01:05:07Let's see.

01:05:09I have a look now.

01:05:11I can't see.

01:05:13I have a look now.

01:05:15They're gonna come back!

01:05:17I've seen them!

01:05:19I've seen them!

01:05:21I've seen them!

01:05:23To be honest, my friends.

01:05:25Who are you?

01:05:26I don't know.

01:05:27Well, her coat, purse, and everything else are still in there.

01:05:37She wouldn't go out without her purse.

01:05:39Bill, let's get out of here. I don't like it.

01:05:42The cat. The cat. You must warn her.

01:05:49Mr. Synthra.

01:05:52Who are you?

01:05:54Well, there's nothing to be alarmed about, Mr. Synthra.

01:05:55I'm Bill Lane, and this is Miss Denison, Miss Starlin's secretary.

01:05:59Miss Starlin. The cat.

01:06:01What about a cat?

01:06:03Must warn her. Injections.

01:06:06Must not take any more injections.

01:06:08Is Miss Starlin in danger?

01:06:10Terrible danger. I must...

01:06:12Take it easy, Mr. Synthra, if you're still pretty weak.

01:06:14Mary, see if you can get Jan on the phone.

01:06:15All right. All right.

01:06:25There's no answer.

01:06:33Oh, Miss Starlin?

01:06:35Is that you, Mary?

01:06:36Where are you?

01:06:37We're in the building.

01:06:38We're in Mr. Synthra's room.

01:06:39Something's happened down here.

01:06:40Here, let me talk to her.

01:06:42Hello, Miss Starlin. This is Lane.

01:06:43Why are you and Mary still in the building?

01:06:46It's after 10.

01:06:46I must help.

01:06:48Don't let me go, Mary.

01:06:49I must help.

01:06:50You must not hold me back.

01:06:53I can't explain now, Miss Starlin.

01:06:54I must... I must go.

01:06:55Hang on to her.

01:06:56I must help.

01:06:57You must not hold me back.

01:06:59Don't worry, Mr. Synthra.

01:07:00We won't let anything happen to Miss Starlin.

01:07:03Hello.

01:07:04Hello, Miss Starlin.

01:07:05What's going on down there?

01:07:06Stay in your office. I'll be right up.

01:07:11Keep an eye on Synthra, honey. I'm going upstairs.

01:07:13Oh, no. No, no.

01:07:14The insects. The insects.

01:07:16Take it easy, Mr. Synthra.

01:07:18You do not understand, Miss Darling.

01:07:20She's in danger.

01:07:21I must warn her.

01:07:22Look, I'll have to stay here.

01:07:23You go for Jan.

01:07:24Okay.

01:07:25When you get up there, call the police.

01:07:26You can't get outside on this phone.

01:07:28All right. All right. I'll hurry.

01:07:35That's nothing for us.

01:07:36I'll allow it, please.

01:07:50Miss Starlin.

01:07:51Miss Starlin.

01:07:56Miss Starlin.

01:07:57It's me.

01:07:58Mary.

01:08:00Miss Starlin.

01:08:01Please.

01:08:02Open the door.

01:08:10What is it, Mary?

01:08:12Miss Starlin.

01:08:12Please.

01:08:13Will you please call the police?

01:08:15What for?

01:08:15Look, I don't have time to...

01:08:17Nevermore.

01:08:18Mary!

01:08:22I'm sorry I had to do that.

01:08:24There's no time for hysteria.

01:08:26Now, what is this?

01:08:29The enzymes.

01:08:31The enzymes.

01:08:32They've gone crazy.

01:08:33Sure, Mr. Synthra.

01:08:34Now, you just relax and take it easy.

01:08:36Everything will be all right.

01:08:37We'll take care of those...

01:08:38Whatever you call us.

01:08:39You do not understand.

01:08:39You do not understand that girl.

01:08:41You shouldn't have sent her upstairs.

01:08:42She's in danger.

01:08:43You must stop her before it is too late.

01:08:45Okay, as soon as the cops get here, we'll take the...

01:08:47Oh, you fool.

01:08:48You fool.

01:08:49Miss Starlin will kill her and tear her body to shreds.

01:08:52Miss Starlin, kill Mary?

01:08:55Miss Starlin is not a human being any longer.

01:08:59The enzymes have changed her.

01:09:01She will destroy the girl as a female wasp would destroy her enemies.

01:09:04And then devour the remains.

01:09:06Then Bill found Mr. Synthra's notebook in Cooper's desk.

01:09:16Now, there's no mistake.

01:09:18We've got to call the police now.

01:09:20Now, Mary, you're just getting a little excited.

01:09:23Who could possibly want to hurt Mr. Cooper?

01:09:27I don't know.

01:09:29But it's not only Mr. Cooper.

01:09:32What about...

01:09:34No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no

01:10:04I told you we were too late.

01:10:09Mary!

01:10:22Mary!

01:10:23Wait, I'll find you a way to.

01:10:26I can't wait, I'm going to take the stairs.

01:10:28Oh, look!

01:10:29Laboratory, she's going to Loperator.

01:10:31Get up the stairs, Max.

01:10:34Hurry!

01:10:43Mary!

01:10:45Hurry!

01:10:46Let's go.

01:11:16Let's go.

01:11:45Let's go.

01:12:15Let's go.

01:12:45Let's go.

🐝🧪 The Wasp Woman (1960) Full Movie | Classic Sci-Fi Horror B-Movie | 👩‍🔬🕷️

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