- today
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๐ฅ
Short filmTranscript
00:00:00on this fifth day of december in the year of our lord sixteen hundred and forty eight
00:00:27by virtue of the power vested in us by our noble sovereign this tribunal of justice hereby
00:00:33sentences you the crimson executioner to death you will die by one of the very instruments you
00:00:41devised to torture and kill your innocent victims you dared to take into your own hands the laws of
00:00:48both god and man you set yourself up as both judge and executioner you caused inhuman suffering and
00:00:56took life not from any sense of justice but from hatred and self-gratification
00:01:01you showed no mercy to your victims and no mercy will be shown to you you'll never kill me move along
00:01:17i'll return and be avenged turn around you fools all of you i am the crimson executioner
00:01:29this day shall be written in blood no man can judge me i am the supreme lord i shall have my revenge
00:01:47this day shall be said not to you i am the king of the king of the king of the king of the king of the king
00:02:12No!
00:02:42THE END
00:03:12THE SEAL OF THIS TRIBUNAL WILL ENTOMB FOREVER BOTH YOUR BODY AND YOUR EVIL SOUL
00:03:19LET NO MAN DARE TO BREAK THE SEAL
00:03:23YOU ARE ACCURSED, ETERNALLY DAMNED
00:03:27AS ARE THESE DUNGEONS
00:03:28AS IS THIS CASTLE THAT HAS WITNESSED SUCH INDESCRIBABLE HORRORS
00:03:38YOUR CASTLE WILL STAND THROUGHOUT THE CENTURIES
00:03:40AS A REMINDER OF THE BARBARISM AND CRUELTY COMMITTED WITHIN ITS WALLS
00:03:44MAY THE DUST OF TIME NOT ERASE FROM THE MEMORY OF MAN
00:03:49THE INFAMY OF THE CRIMSON EXECUTIONER
00:03:52THE END
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00:04:25Oh, my God.
00:04:55Oh, my God.
00:05:25Oh, my God.
00:05:55Oh, my God.
00:06:25Oh, my God.
00:06:55Oh, my God.
00:06:57Come on, Nancy.
00:06:58Gosh, I'm stiff from that long ride.
00:07:03It's made to order.
00:07:04Yeah.
00:07:04Yeah.
00:07:04Hmm, what of you?
00:07:31Hey, we don't want to lose you.
00:07:32Hmm, sure looks gloomy.
00:07:34How would you girls like to have a castle this old to live in?
00:07:37You'd have to be a creep to live in a place like this.
00:07:40I'd love to have a house like this all for myself.
00:07:43Imagine the peace and beauty of living all alone here.
00:07:48You're a funny one, all right.
00:07:51All right, girls.
00:07:53I wonder what it looks like inside.
00:07:55What's wrong? Are you tired?
00:07:58I don't know what it is, Perry. I just feel very uneasy.
00:08:01No.
00:08:02Susie.
00:08:03Let me alone, Ralph.
00:08:04Don't be like that, baby.
00:08:06Everybody will see us.
00:08:07Have it your way.
00:08:08Are you all dead?
00:08:10Lay you any odds you want, our dear publisher will wind up saying,
00:08:14this place isn't suitable after all. Let's go home.
00:08:17Hello, is everybody out?
00:08:19If they're all out, how can anyone be in the house?
00:08:22Huh, the brain has spelled it out.
00:08:25I'm not just a dumb blonde, you know.
00:08:27Who says you're a blonde?
00:08:28Must be-
00:08:29Hello! Why doesn't anybody answer?
00:08:31Maybe nobody lives here.
00:08:33What a nuisance.
00:08:35Someone should have told me the castle's empty.
00:08:38We might as well try to get in anyway.
00:08:41Maybe one of the boys could scale that wall.
00:08:44That's a job for Tarzan.
00:08:46Who's gonna volunteer to climb the wall?
00:08:49Okay, okay.
00:08:50Here comes Uncle Perry, the greatest acrobat in the world.
00:08:53We're batting the world.
00:08:54So, how are you going?
00:08:55Let's go.
00:08:56Give me a card.
00:08:58Give them a card.
00:08:59Give me a card.
00:09:02Give me a card.
00:09:03Give me a card.
00:09:21Hey, what a funny place this is.
00:09:23Funny place this is.
00:09:25Looks like a Frankenstein film sale.
00:09:53Harry, there's something evil about this castle.
00:10:09I'm sure of it.
00:10:09You Hawaiians are far too impressionable, Tinuyo.
00:10:19Raoul?
00:10:23Raoul?
00:10:23Raoul?
00:10:37You idiot!
00:10:41Why must you play these childish jokes all the time?
00:10:45Raoul?
00:10:47Raoul?
00:10:48Raoul?
00:10:50Take off that silly costume.
00:10:51Raoul!
00:11:07These uninhabited castles always have their family skeletons.
00:11:10Uninhabited?
00:11:11There's not a trace of dust around here.
00:11:17Who are you?
00:11:18What are you doing here?
00:11:20I'm very sorry.
00:11:22Nobody answered the doorbell and we thought the castle was empty.
00:11:25Now, could we speak to the owner?
00:11:31I'd like a word with him about a business matter.
00:11:34Could you take us to him?
00:11:36Follow me.
00:11:39Let's go.
00:11:39The rest of you wait in there.
00:11:55The rest of you wait in there.
00:12:00Stop where you are.
00:12:01How dare you force your way into my castle like this?
00:12:05What do you want here?
00:12:06I want to apologize.
00:12:07We didn't think anyone lived here, that's all.
00:12:09It's no excuse for trespassing.
00:12:12I don't like having my privacy disturbed.
00:12:15I'm sorry, sir.
00:12:17You're quite right.
00:12:18My name is Parks.
00:12:19I'd like to explain.
00:12:21We've been scouting for suitable locations to photograph material for book jackets.
00:12:25I'm a publisher.
00:12:26That's no concern of mine.
00:12:28Look here, I'd like to show you one of my books.
00:12:30I'm preparing an anthology of horror.
00:12:32He told you to stay where you were.
00:12:34We took the liberty of coming in here,
00:12:36only because no one answered our knocking at the door.
00:12:40I don't like intrusion.
00:12:42I insist that you leave my castle immediately.
00:12:45Could you make just one exception?
00:12:47We've been on the road for several days.
00:12:50Everybody's so tired.
00:12:51I don't want any visitors here.
00:12:53I'd be only too glad to pay, of course.
00:12:55Pay.
00:12:56Now you're beginning to annoy me, Mr. Parks.
00:13:05I know my friend didn't mean to offend you,
00:13:07and we ask you to forgive us.
00:13:08On your feet, everybody.
00:13:24You've been told to shove off.
00:13:25The master of the house doesn't like having visitors around.
00:13:28What?
00:13:29Again?
00:13:30Oh, no.
00:13:31Not after all I went through to get you in here.
00:13:34So we're right back where we started.
00:13:35One castle's too modern.
00:13:37One's too old.
00:13:38Why don't we build our own and get it over with?
00:13:40Susie, but wouldn't it cost an awful lot of money to build one, huh?
00:13:45Oh, can't you change his mind?
00:13:47We're all tired.
00:13:48Well, I'm tired, too.
00:13:50But we have no choice.
00:13:52We've been told to go, and that's it.
00:13:55Let's get moving quickly, huh?
00:13:56Oh, Edith.
00:14:02Wait.
00:14:04Perhaps I was a little too hasty, Mr. Parks.
00:14:07I'm not usually so inhospitable.
00:14:09I realize you must all be very tired.
00:14:12You see, I don't usually receive people.
00:14:15You can stay here overnight,
00:14:16but I'll have to ask you to leave first thing in the morning.
00:14:19Thank you, sir.
00:14:20We really do appreciate your kind hospitality.
00:14:23Do you mind if we take a few pictures?
00:14:25All right.
00:14:26But please remember,
00:14:28I don't like to be disturbed.
00:14:31My servants will show you
00:14:33the chambers where you can do your work.
00:14:36Perfect.
00:14:37Let's get to work, girls.
00:14:38We mustn't waste any time.
00:14:39Go and change, quickly.
00:14:40Dermot, you'd better check out the setting we need.
00:14:42Edith, you go along with him.
00:14:44Good girl.
00:14:44Come on, Edith.
00:14:45Don't go near the dungeons.
00:14:46They're absolutely out of bounds for everybody.
00:14:48Okay, we won't.
00:14:49Get moving, Dermot.
00:14:50We're in a hurry.
00:14:51Come on, Edith.
00:14:51Come on, Edith.
00:14:52Come on, Edith.
00:14:55Okay, let's go.
00:14:57BIRDS CHIRP
00:15:27Oh, Max!
00:15:36Why don't you ever knock?
00:15:38Oh, come on. Now, what's all this nonsense?
00:15:40I'm just like a father to you girls.
00:15:43Turn around. We have to get into our costumes.
00:15:46Okay, have your little games, but hurry up.
00:15:48We haven't any time to fool around. We've got work to do.
00:15:54You can turn around now if you want.
00:15:57Edith, bring the girls downstairs.
00:16:00We can't afford to waste any time.
00:16:02All right.
00:16:27You know, Perry, I wouldn't mind being the owner of this castle.
00:16:38You can have it. It gives me the creeps.
00:16:40Skeletons don't have nerves.
00:16:42What do you mean it gives you the creeps?
00:16:43Oh, no, no.
00:16:58You can have to.
00:17:29Shh. You'll wake up the ghosts.
00:17:32Come on.
00:17:33This way.
00:17:59It's no fun being dead.
00:18:27Come on, sweetie.
00:18:35Come on.
00:19:05Hold it.
00:19:17Hold it.
00:19:23Now, Nancy, honey, give me the feeling of a cat.
00:19:30You know what I mean.
00:19:31Meow.
00:19:32Meow.
00:19:33Shh.
00:19:35Meow.
00:19:35Shh.
00:19:37No, Nancy, that's too domesticated.
00:19:39I want you to think wild, fierce.
00:19:41Meow.
00:19:43Meow.
00:19:44Meow.
00:19:45Can't you think like an alley cat?
00:19:47For instance, you're about to fight another cat for a fish head or something.
00:19:51Meow.
00:19:52No, no, Nancy, that's the intellectual approach.
00:19:54You'll never be an alley cat.
00:19:55Let's try something else.
00:19:57I've got an idea.
00:19:58There.
00:19:59Now, raise your leg up.
00:20:01Up.
00:20:01Up.
00:20:02Up.
00:20:02Up.
00:20:03That's it.
00:20:04That's it.
00:20:05Now, imagine you're floating in the air like a thistle blown by the wind.
00:20:10That's beautiful.
00:20:11No.
00:20:12No, not like that.
00:20:13You've got to go up.
00:20:15Gently.
00:20:16That's right, baby.
00:20:17Now, hold it.
00:20:18No.
00:20:18No.
00:20:19Can't you keep that arm over your head?
00:20:20Now, everything's in place.
00:20:21Arm, leg, head, everything.
00:20:25Now, don't move.
00:20:28Come on, Nancy.
00:20:29Get that lovely foot of yours up.
00:20:31Like a feather, like a thistle blown by the wind.
00:20:33No.
00:20:34No, I can't, sir.
00:20:36It's too heavy.
00:20:37I can't.
00:20:38Oh, do it for me, baby.
00:20:39Let's fly together.
00:20:40Hold it.
00:20:41Hold it.
00:20:51And we're about here.
00:20:59There.
00:21:01Dermot, can we take a break for a few minutes?
00:21:03No, no.
00:21:03We've got to be finished before morning.
00:21:05Put the spots over there.
00:21:06Okay.
00:21:07What are you doing here?
00:21:17I'd like to see the owner of the house.
00:21:18It's not possible.
00:21:19My master doesn't want to be disturbed.
00:21:21But tell him...
00:21:21I said it's impossible.
00:21:22Your master has a right to his privacy, but that's no way to speak to a lady.
00:21:28Rick.
00:21:28You met the owner of the house.
00:21:35What's he like?
00:21:36It's difficult to say, really.
00:21:37He was half hidden behind a table.
00:21:40Have you noticed the windows?
00:21:42They're all barred.
00:21:44What a strange place.
00:21:46If I was still a reporter, I bet I could discover a lot of interesting facts about this castle.
00:21:53Rick, but why are you wasting your time on horror stories?
00:21:57You should be doing the kind of work you were cut out for.
00:22:00Reporting.
00:22:01I guess you're right, but I'm a little lazy.
00:22:03I've been taking the easy way out by doing this.
00:22:05I started out with the usual dreams and found out there's more money than writing this kind of commercial book.
00:22:11Edith, I realize I'm being indiscreet, but why did you want to speak to the owner of the castle?
00:22:17Just curiosity.
00:22:19Nothing more than that.
00:22:25Everything's ready, Dermot.
00:22:26Can I go?
00:22:26Not more than a few minutes, though.
00:22:28Time's running short.
00:22:28You bet.
00:22:29Come on, Susie.
00:22:30Don't fool me like that.
00:22:31Come on.
00:22:32But where?
00:22:32Oh, come on.
00:22:34Okay, I'm all set.
00:22:35Everybody out of the way.
00:22:37That's right.
00:22:38Hold that pose, Perry.
00:22:40Don't move.
00:22:41I'll be done in a minute.
00:22:43Now, here we go.
00:22:47Perry!
00:22:49Oh, no!
00:22:50Oh, my God!
00:22:59Oh, my God!
00:22:59Oh, my God!
00:23:14Rose?
00:23:16Didn't you hear that yell?
00:23:17I didn't hear anything at all.
00:23:18Come along.
00:23:19Where are you taking it?
00:23:20You'll find out.
00:23:25Look at that.
00:23:27What is it?
00:23:28I don't know.
00:23:30Maybe it was an old torture cell.
00:23:32You know these old castles.
00:23:35Nothing in it.
00:23:38Let me alone, Raul.
00:23:39I'm scared.
00:23:41Susie.
00:23:44Susie.
00:23:49Susie.
00:24:15Come, Canoio.
00:24:16Staying here won't help any.
00:24:18Come with me.
00:24:21There's no point in disturbing my master.
00:24:24He's been informed already of what has happened down here.
00:24:28And he hopes that you will all remain calm.
00:24:32The rope was badly worn, Rick.
00:24:33We overlooked that, I'm afraid.
00:24:35Well, what are you going to do now?
00:24:38I don't know.
00:24:42We'll see.
00:24:43We'll see.
00:24:47I know exactly how you feel, girls.
00:25:06But we must finish our work before daybreak.
00:25:08With poor Perry lying dead?
00:25:10Oh, it's a big tragedy.
00:25:11You know, Perry was like a son to me.
00:25:13Don't you think I have a heart like the rest of you?
00:25:16How do I know?
00:25:17I never had a chance to see it.
00:25:20Perry would have known what I meant.
00:25:22Yeah, but he's dead.
00:25:24And I want to go on living.
00:25:28I'll double your salary.
00:25:29My life's worth more than that.
00:25:32Triple it.
00:25:33Okay, it's a deal.
00:25:34Me too.
00:25:35Then let's get back to work.
00:25:37Rick.
00:25:38Look at this.
00:25:38What is it?
00:25:43It's the negative of the photograph I took right when the accident occurred.
00:25:48Poor Perry.
00:25:50What a terrible thing.
00:25:53What's this?
00:25:55What's that strange shadow near the frame of the door?
00:26:00It almost looks like a man's head.
00:26:02Yes, it does.
00:26:03That's exactly what I thought.
00:26:08But it just can't be.
00:26:10Still, it does look like a man's head.
00:26:13With a hood on.
00:26:22Ah!
00:26:22Ah!
00:26:22Ah!
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00:27:02No! No!
00:27:08No! No!
00:27:27Will it show up more Kaley on the print?
00:27:30It should.
00:27:32We'll see in a minute.
00:27:35I've done the best I could.
00:27:38Of course, it's only a small detail.
00:27:44There.
00:27:46This is the maximum enlargement I can make here.
00:27:50Of course, it's still not very clear.
00:27:55This doesn't help us very much, I'm afraid.
00:27:58It's hardly at all visible.
00:28:00Well, do you think the negative could have been defective?
00:28:02No, it was perfect.
00:28:04May I see that photograph?
00:28:06I heard about the accident that took place tonight.
00:28:16A most appalling accident.
00:28:18Unfortunately, it's blurred.
00:28:22Yeah, it was out of focus.
00:28:24Perhaps this will sound strange.
00:28:28But I've something to tell you.
00:28:30Let me provide an explanation of the shadow in your photograph.
00:28:34Have you ever heard of the Crimson Executioner?
00:28:38The Crimson Executioner?
00:28:40Who did you say?
00:28:42The Crimson Executioner?
00:28:44He was a maniac and a killer who was put to death for his crime centuries ago.
00:28:48He was buried in his own castle.
00:28:50What you don't know is that this is the castle where the Crimson Executioner lived and died.
00:28:54When I came here, the castle had been uninhabited for centuries.
00:28:59For me, it was ideal because I desired solitude.
00:29:03Everybody else feared the curse that had been placed on it.
00:29:07When they sealed up his tomb, the Crimson Executioner swore that he would avenge himself.
00:29:11He was a man of extraordinary physical strength.
00:29:17Obsessed by an ideal of purity.
00:29:19For centuries he was entombed.
00:29:23There in the dungeons,
00:29:24and only a seal has protected mankind from his supernatural powers.
00:29:30If the shadow in the photograph is the Crimson Executioner,
00:29:34I fear anything might happen.
00:29:36I had to tell you.
00:29:41Well, I can see you two already know each other.
00:29:54I've never had the pleasure.
00:29:56This is the first time I've seen this lady.
00:30:04I must retire now.
00:30:06I'm a creature of habit.
00:30:08I hope you will sleep well.
00:30:14Good night.
00:30:38You think it's too daring?
00:30:41No.
00:30:42I bet Max will like it.
00:30:43He always does.
00:30:54They desecrated your world of beauty.
00:30:59With their sordidness, the day of the Crimson Executioner has now come.
00:31:03I've been wondering about the owner of this castle.
00:31:09Well, if you want my opinion, I think he's slightly off his nut.
00:31:11You would be too.
00:31:12If you lived isolated in this place, you'd end up the same way he is.
00:31:18Hey, Dermot.
00:31:19Yeah?
00:31:20Look at this.
00:31:21This must be where the executioner was killed, if the legend is true.
00:31:25What is it?
00:31:26It looks like a coffin.
00:31:27No.
00:31:28It was a medieval instrument of torture.
00:31:30The infamous iron melee.
00:31:40Susie!
00:31:41What?
00:31:42No one can dare say that this was an accident.
00:32:03Come on.
00:32:12Just as I thought, the rope wasn't worn.
00:32:28It was cut.
00:32:31At this point, there's only one explanation.
00:32:35Deliberate murder.
00:32:37Deliberate murder?
00:32:39But why, Rick?
00:32:41It doesn't make any sense.
00:32:42That's what we've got to find out.
00:32:45Any idea where Raoul is?
00:32:47Raoul?
00:32:48No, no.
00:32:49I don't mean he had anything to do with this.
00:32:51But perhaps he saw who did it.
00:32:53He was near Susie all the time.
00:32:56Here.
00:32:57Take this.
00:32:58My car is the fastest we have.
00:32:59Go to the nearest police station and try and get help.
00:33:02Okay, Rick.
00:33:03I will.
00:33:04But how about you?
00:33:05Hmm?
00:33:06What are you going to do?
00:33:07Stay here?
00:33:09With a murderer at large, you're all in danger.
00:33:11I know, but it's impossible to leave with things as they are.
00:33:13And we've got to find Raoul.
00:33:14He might have some evidence.
00:33:15I'll be as fast as I can.
00:33:35How much longer do we have to wait now?
00:33:38We get paid.
00:33:39Why should you care?
00:33:46Well, you get prettier by the minute, girls.
00:33:48Take a look at this, Max.
00:33:49I have a new idea.
00:33:51I don't want the girls to know this yet.
00:33:53Susie's been murdered.
00:33:54What's that?
00:33:55So you like the idea?
00:33:57Oh, sure.
00:33:58It's great.
00:33:59You'd better watch out.
00:34:00Dermot's already on his way to the police station.
00:34:01Don't tell the girls.
00:34:02They'd only get panicky.
00:34:03But then Perry was killed, too.
00:34:04We completely agreed.
00:34:05Well, what do we do now?
00:34:06I'll have a look around.
00:34:08You'd better stay with the girls.
00:34:10See you later.
00:34:33What are you doing here?
00:34:34I want to see your master right away.
00:34:35No, he doesn't want to see anybody.
00:34:36It's urgent that I see him no matter what, understand?
00:34:37I said you can't see him.
00:34:38Peter, what are you doing here?
00:34:39I want you to see what I found.
00:34:40What are you doing here?
00:34:41What are you doing here?
00:34:42I want to see your master right away.
00:34:43No, he doesn't want to see anybody.
00:34:44It's urgent that I see him no matter what, understand?
00:34:45I said you can't see him.
00:34:46Peter, what are you doing here?
00:34:47I want you to see what I found.
00:34:48Peter, what are you doing here?
00:34:51Peter, what are you doing here?
00:35:04I want you to see what I found.
00:35:10I'm sure you recognize him.
00:35:12Peter, what's your portrait doing in this castle?
00:35:15Then you do know the owner.
00:35:17Yes, Travis and I were engaged.
00:35:19Travis Anderson.
00:35:20Isn't he the actor who disappeared several years ago?
00:35:22Yes, he used to be a muscle man in costume films.
00:35:27It all happened so suddenly, so unexpectedly.
00:35:30He left without a word.
00:35:32He just vanished.
00:35:33He's always been a little strange.
00:35:36Even with me, he seemed so cold.
00:35:39Yet I'm certain that he really loved me.
00:35:42In all this time, I haven't stopped wondering why he ever disappeared like that.
00:35:48Now I found him here in this castle.
00:35:51I thought I recognized his voice, and now that I've found this, I know it's Travis.
00:35:55I must try to speak to him.
00:35:57Edith, we have no time for that.
00:35:59You've got to trust me.
00:36:00What is it?
00:36:01I'll tell you later.
00:36:03Where's Canullo?
00:36:04I left her downstairs when I went to find Travis.
00:36:06There's not a moment to lose.
00:36:07We must find her.
00:36:08What's happened, Rick?
00:36:09Don't ask any questions.
00:36:10Hurry.
00:36:14We've got to reach the others.
00:36:15It's important that we all stay together.
00:36:17But what's going on?
00:36:18I don't understand.
00:36:20Canullo?
00:36:33Canullo?
00:36:34Canullo.
00:36:35Canullo.
00:36:36Canullo?
00:36:37Watch out, Rick.
00:36:38Don't try to get me close to me, or you'll get killed.
00:36:41There's no escape from me.
00:36:42I know it.
00:36:43You must save yourself while there's still a chance.
00:36:44Don't you see?
00:36:45It's a diabolical trap.
00:36:46It's impossible for anyone to reach me.
00:36:47These wires are connected to the balls on the walls.
00:36:49You must save yourself, while there's still a chance.
00:36:53Don't you see?
00:36:54It's a diabolical trap.
00:36:57It's impossible for anyone to reach me.
00:37:00These wires are connected to the balls on the wall.
00:37:03The slightest touch will release the arrows in every direction,
00:37:06and anyone nearby will be killed.
00:37:09Nobody can stop the mechanism that operates.
00:37:12The spider.
00:37:14It has poison in its claws.
00:37:16I'll be killed.
00:37:17The moment it reaches me.
00:37:23Now it's hopeless.
00:37:26Watch out, Rick.
00:37:29Don't do it, Rick.
00:37:32You'll be killed.
00:37:47I tell you, it's hopeless.
00:37:52Don't do it, Rick.
00:37:53Leave me.
00:37:54It's no use.
00:38:06Please don't come any closer.
00:38:08You're mad to rip to your life like this.
00:38:13Rick.
00:38:14Rick.
00:38:14Rick.
00:38:28Rick.
00:38:28Doug.
00:38:52Oh, word of God.
00:38:54Oh.
00:38:54Oh, word of God.
00:38:55Oh, word of God.
00:38:56Come on.
00:38:56Oh, no!
00:39:06Yes, your jacket's cold!
00:39:26It's all over for me.
00:39:43It's the end for all of us.
00:39:56Give up, Rick. It's no use. It's too late.
00:40:03Rick!
00:40:26Rick!
00:40:33Canoio!
00:40:36Canoio!
00:40:40Poor Canoio.
00:40:43What a horrible death. I've got to get her down for me.
00:40:46Eden, go find the others. Hurry up!
00:40:49You've got to get out of the castle at once, at once!
00:40:52No, no, Rick, no. Not without you.
00:40:54Know what I tell you!
00:40:58Go away, Eden. Go away!
00:41:00Don't worry about me.
00:41:02Derbert will be back here soon with the police.
00:41:24Let us out! Let us out! Let us out!
00:41:25It's no use. We've been locked in.
00:41:26No!
00:41:27What do we do?
00:41:28Max! Max, what's happening?
00:41:29Where are the others?
00:41:30I don't know, but don't lose your head.
00:41:33Just come on down here.
00:41:34Go and tell Rick that we need him.
00:41:35All right.
00:41:36We have to get out of here.
00:41:37We have to get out of here.
00:41:38I don't know, but don't lose your head.
00:41:39Just come on down here.
00:41:40Go and tell Rick that we need him.
00:41:41All right.
00:41:42We have to get out of here.
00:41:43We have to get out of here.
00:41:44Rick!
00:41:45Rick!
00:41:46All the doors are locked.
00:41:47We can't get out.
00:41:48use. We've been locked in. No! What do we do? Max! Max, what's happening? Where are the others? I don't know, but don't lose your head. Just come on down here. Go and tell Rick that we need him. All right. We have to get out of here. Rick! Rick, all the doors are locked. We can't get out. Keep calming it. We'll make it somehow. Just a minute.
00:42:18Rick!
00:42:20Rick!
00:42:35Rick!
00:42:39Rick!
00:42:48Rick!
00:42:59Rick!
00:43:02Rick!
00:43:08Travis!
00:43:10Don't come any nearer. Don't touch me.
00:43:16You were the murderer.
00:43:19Now I know it, Travis.
00:43:23How could you?
00:43:25You're a monster! A monster!
00:43:30You.
00:43:32You no longer mean anything to me.
00:43:35Even though I missed you when I abandoned the world.
00:43:40I was forced to retreat to this castle.
00:43:50Mankind is made up of inferior creatures.
00:43:54Spiritually and physically deformed.
00:43:57Who would have corrupted the harmony of my perfect body.
00:44:12I came to the isolation
00:44:41of this castle, to avoid the contagion of human sentiment, and a woman's love would have
00:45:00destroyed me. It's because of that I abandoned you. Travis, you've lost your sanity. You're
00:45:19an egotist, obsessed with your sick thoughts. You're wrong, Edith. Last night I had a moment
00:45:26of weakness because of you. When I first caught sight of you, and I said you could stay together
00:45:40with your friends, but that was a mistake. I know of only one who was never overcome by
00:45:51weakness. The Crimson Executioner. He despised your world. As passionately as I do. Look
00:46:03at him. Look at him. His magnificent body was preserved intact through all these centuries,
00:46:14undisturbed. His spirit lives in me, and I'll continue his mission of vengeance. This is
00:46:27the sacred duty I've sworn to. We're alike. Now that you have profaned his tomb and broken
00:46:43the seal that imprisoned his great spirit, his power has been released at last. And his noble
00:46:57crusade against sin lives again through me.
00:47:02Yes, the black fire of the long-awaited vengeance is here. And your friends cannot escape. The Crimson
00:47:25executioner has passed judgment. And now, at last, you'll witness the glory of his return.
00:47:48And you'll pay just like the others.
00:47:55Travis! Don't do it! Come back!
00:48:09Travis!
00:48:12Travis!
00:48:17The Crimson Cloud
00:48:23The Crimson Cloud
00:48:28The Crimson Cloud
00:48:29Let's go.
00:48:59Now you'll be punished for your lechery, too.
00:49:12The Crimson Executioner will torture you.
00:49:17Yes, will torture you.
00:49:21Till death.
00:49:29Oh!
00:49:38Oh!
00:49:51Oh!
00:49:52Oh
00:50:22Oh
00:50:52Oh
00:51:17That's just a small portion of the torture that awaits you
00:51:22I
00:51:25Promise you that none will escape the wrath
00:51:30Of the crimson executioner
00:51:42As for Rick
00:51:46This is how he will die
00:51:48Why are you doing this?
00:51:50Why don't you let us go?
00:51:54What have we done to you?
00:52:02You're torturing innocent people
00:52:04Come back to your senses
00:52:06You're the owner of this castle
00:52:10Not the crimson executioner
00:52:14Oh see
00:52:16I am the crimson executioner
00:52:18Oh
00:52:20Oh
00:52:22Oh
00:52:24Oh
00:52:26Oh
00:52:28Oh
00:52:30Oh
00:52:32Oh
00:52:34Well
00:52:36Oh
00:52:42Oh
00:52:44Oh
00:52:46Oh
00:52:48Oh
00:52:52Oh
00:52:54What's wrong with you?
00:52:56What's wrong with you?
00:53:24I don't know.
00:54:54I can't stand it anymore.
00:55:03Let me go.
00:55:05The Crimson Execution invented the torture of icy water for creatures like you.
00:55:12My vengeance needs blood.
00:55:33The Crimson Executioner cries out for blood.
00:55:42You better prepare to die.
00:56:07You sinner!
00:56:09Ah!
00:56:10Ah!
00:56:11Ah!
00:56:12Ah!
00:56:14Ah!
00:56:16Ah!
00:56:17Ah!
00:56:18Ah!
00:56:19Ah!
00:56:20Ah!
00:56:21Ah!
00:56:22Ah!
00:56:23Ah!
00:56:24Ah!
00:56:26Ah!
00:56:27Ah!
00:56:28Ah!
00:56:29Ah!
00:56:30Ah!
00:56:31Ah!
00:56:32Ah!
00:56:33Ah!
00:56:34Ah!
00:56:35Ah!
00:56:36Let's go.
00:57:06Let's go!
00:57:36Oh
00:58:06Oh
00:58:36Oh
00:59:06Rick
00:59:10Rick
00:59:32Rick
00:59:34Edith
00:59:44Where are you?
00:59:46You mustn't worry about me
00:59:48I'm not in danger
00:59:50Try to find the others if you can Rick
00:59:52They're in Anderson's hands
00:59:54He took them to the dungeon
00:59:56He's insane
00:59:58He thinks he's the Crimson Executioner
01:00:00You've got to stop him
01:00:02Or he'll kill them all
01:00:04Hurry Rick
01:00:06Yes, but where are you Edith?
01:00:08Watch out
01:00:10Oh
01:00:12Oh
01:00:16Oh
01:00:18Oh
01:00:20Oh
01:00:22Oh
01:00:24Oh
01:00:34Oh
01:00:36Oh
01:00:38Oh
01:00:40Oh
01:00:42Oh
01:00:44Oh
01:00:46Oh
01:00:48Oh
01:00:58Oh
01:01:00Oh
01:01:02Oh
01:01:04Oh
01:01:06Oh
01:01:08Oh
01:01:10Oh
01:01:12I'm not through with you yet
01:01:14What more do you want with me?
01:01:16You're insane
01:01:18You can't get away with this
01:01:19Let me out of here
01:01:20I'll pay you anything you want
01:01:22What are you going to do now?
01:01:24Oh
01:01:26This fire will purify your miserable soul
01:01:28No
01:01:29You're impure
01:01:30This fire will cleanse you
01:01:31No
01:01:32No
01:01:33You can't do this to me
01:01:34Stop
01:01:35Stop
01:01:36Stop
01:01:37No
01:01:38I don't want to die like this
01:01:39No
01:01:40No
01:01:41Let me out
01:01:42Burn
01:01:43Burn
01:01:44Burn
01:01:45No
01:01:46Pau
01:01:59Oh
01:02:00Oh
01:02:01Oh
01:02:02Oh
01:02:03Oh
01:02:04Oh
01:02:06Oh
01:02:07Oh
01:02:08Oh
01:02:10Oh
01:02:11Oh
01:02:12Oh
01:02:13Oh
01:02:14Oh, my God.
01:02:44Oh, my God.
01:02:47You love her.
01:02:48No.
01:02:49There he is, the lover of death.
01:02:51Embrace his poisonous man.
01:02:53Go on.
01:02:54He's waiting.
01:03:44You're a lover of death.
01:03:48No, I don't want to die.
01:03:49Embrace him.
01:03:49No, no.
01:03:52Embrace him.
01:03:53No.
01:03:54Why do you resist?
01:03:55Annie, let's go.
01:03:56Annie.
01:04:00Annie.
01:04:12No.
01:04:13No.
01:04:14No.
01:04:15Let me go.
01:04:17Let me go.
01:04:18No.
01:04:19No.
01:04:20Help.
01:04:22Help.
01:05:22No, no, let me go.
01:05:26Stop, let me go.
01:05:30Oh, Travis, don't, don't.
01:05:33Oh, please stop.
01:05:36Oh, please let me go.
01:05:41You're mad.
01:05:42Don't do this to me.
01:05:53Oh, Travis, Travis!
01:06:11The executioner has risen from his tomb.
01:06:14Your atonement has just begun.
01:06:22It's done.
01:06:24I killed the right.
01:06:26It's not true.
01:06:28No, it's impossible.
01:06:31No.
01:06:31They'll all die.
01:06:36No, I can't stand this.
01:06:39No, I beg you, Travis.
01:06:42What you're doing is insane, Travis.
01:06:44Oh, my God.
01:06:52The Crimson Executioner.
01:06:58No.
01:07:00Go away.
01:07:01I am the Crimson Executioner.
01:07:14Rick!
01:07:15It's impossible.
01:07:19It can't be.
01:07:21It's impossible that he's alive, I tell you.
01:07:23I killed him myself.
01:07:25I saw him die.
01:07:26It wasn't me you murdered.
01:07:28You hit the dead body of poor Raoul.
01:07:30I put his corpse in the tower, and that's what your arrow hit.
01:07:33You'll have to try again.
01:07:35Kill him!
01:07:36Go on.
01:07:38Go on.
01:07:40Kill him, I said.
01:07:41Kill him.
01:08:06Kill him.
01:08:36Kill him.
01:09:02Watch out, Rick.
01:09:06Kill him.
01:09:36Kill him.
01:10:06Kill him.
01:10:36Kill him.
01:10:55My perfect body.
01:11:01In the poisonous clutches of the lover of death.
01:11:06Oh!
01:11:17Edith.
01:11:18Rick.
01:11:27My body.
01:11:28My pure body.
01:11:29It has been contaminated.
01:11:39The body of the Crimson Executioner.
01:11:59He was completely mad.
01:12:04Like the Crimson Executioner, Travis was obsessed with a dream of absolute purity and physical
01:12:09perfection.
01:12:10That's why he retired to the isolation of this castle.
01:12:15Our intrusion into his world was too much for him.
01:12:18And it was then that he assumed the identity of the Crimson Executioner and decided to
01:12:23carry out the ancient legend of revenge.
01:12:26His striking resemblance to the real Executioner made it easy for him to believe his own hallucination.
01:12:34Striking resemblance.
01:12:38Anderson and his folly created the legendary Executioner in his own image.
01:12:44The Crimson Executioner has been dust for centuries.
01:12:47It was terrible.
01:12:49Please take me away from this castle.
01:12:51It was a nightmare.
01:12:52I won't write any more horror stories.
01:12:55The man that said life is stranger than fiction made no mistake.
01:13:02He-
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