- 2 days ago
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Short filmTranscript
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00:04:06Don't bother, Williams. I'll drive.
00:04:36What's the matter, sister?
00:05:05Oh, pardon me, ma'am. I didn't know. You just follow me.
00:05:16Thanks, officer.
00:05:21Yes, ma'am.
00:05:26Hey, brother, do you mind telling me what she said to you back there?
00:05:30Well, if you must know, she told me she had a part of her nose so bad she could hardly wake.
00:05:37Annette! Annette!
00:05:44Annette! Annette!
00:05:59Annette!
00:06:00Annette!
00:06:01Annette!
00:06:02Annette!
00:06:03I'm helping Miss Carolyn.
00:06:04Come on, she's old enough to dress herself.
00:06:07Geraldine!
00:06:08Come in.
00:06:09You might have waited until I was finished with an S.
00:06:13Sorry, I'm in a hurry.
00:06:15But where's the fire?
00:06:16You sound just like that motorcycle cop.
00:06:18Speeding again, eh?
00:06:19You better watch out. One of these days we'll get a ticket.
00:06:22Not as long as my powder puff rolls out.
00:06:27Hi, Rasputin.
00:06:30Excuse me, please. Gustav is the name.
00:06:33How are you from?
00:06:34You are welcome.
00:06:35What's that, black tapioca?
00:06:36Black tapioca?
00:06:38What's that, caviar?
00:06:40You're not a tapioca.
00:06:43You crazy people think when is the 5x tapioca?
00:06:49I'll make sure.
00:06:54What is it?
00:06:55You're a tapioca.
00:06:57Are you crazy or am I stupid?
00:07:00I will probably do you by myself.
00:07:03What's that, caviar?
00:07:08Tapioca.
00:07:13Caviar!
00:07:16Tapioca?
00:07:17Hey, does it stand here on this camp, please?
00:07:20Caviar.
00:07:22Does it stand here anything about the tapioca?
00:07:24No.
00:07:25Though you see, tapioca and caviar don't mix.
00:07:30The ones you had might have been caviar,
00:07:32but mine were black tapioca.
00:07:34Hey!
00:07:35I will give you the final provement now.
00:07:38Though I don't get caviar,
00:07:40and you don't get tachyvoka.
00:07:42We split it.
00:07:44So.
00:07:49Just your right.
00:07:50Thanks for the caviar.
00:07:55What's the matter?
00:07:56What's the matter?
00:07:57Now I've got to spread all the caviar before they come.
00:08:00Who's coming?
00:08:01Who is coming?
00:08:02Who isn't coming into this house?
00:08:04This is not a home.
00:08:05This is a hotel.
00:08:06Full with the people.
00:08:08Always full with the people.
00:08:11Just what Lincoln said.
00:08:12Of the people, for the people, and by the people.
00:08:15Use that, old man.
00:08:17This is Miss Charaldine.
00:08:18You better go and see right away what you want, please.
00:08:19Yes?
00:08:20You should have heard Gary's bowing.
00:08:21It was priceless.
00:08:22Is he really that good?
00:08:23Good?
00:08:24Your boyfriend after this one, he really belonged to a side show.
00:08:25You talk as though he were a freak.
00:08:26We'll use your own judgment, darling.
00:08:27Come in.
00:08:28Oh, I won't need the car anymore today, will you?
00:08:29Yes, Miss.
00:08:30But don't leave.
00:08:31Some people may drop in for cocktails.
00:08:32That'll be all.
00:08:33Yes, ma'am.
00:08:34Jerry, you shouldn't sit there like that with a man in the room.
00:08:37Why, he's already the shelfer.
00:08:38Let's go.
00:08:39I'm not gonna leave.
00:08:40How a boy he's been.
00:08:41Oh, I'm not going to go.
00:08:42I'm not going to go.
00:08:43Let's go.
00:08:44This guy, will you?
00:08:45I'm not going.
00:08:46I'm not gonna go.
00:08:47No.
00:08:48But it's not going to go.
00:08:49I'm not going to go.
00:08:51That was good.
00:08:52No.
00:08:53I'm not going.
00:08:54No.
00:08:55I'm not going to go.
00:08:56No.
00:08:57I'm not going to go.
00:08:58Don't go.
00:08:59I'm not going to go.
00:09:00No.
00:09:01Oh, the shopper.
00:09:14Hello, William. Is Miss Carol at home?
00:09:16Yes, Mr. Weatherby.
00:09:18Hello, Gary. Hello, my dear.
00:09:20I'm so sorry I couldn't be a bizarre this afternoon.
00:09:23My dear, you don't know what you've missed.
00:09:31What am I around here, anyway?
00:09:33A chauffeur or a butler?
00:09:35How many gathers?
00:09:37What are you talking about?
00:09:38You asked me a little. How many gathers?
00:09:41None.
00:09:45Then I won't play.
00:09:52Come on, big boys. Pick it up.
00:09:54They're dying of thirst tomorrow.
00:09:56If they don't make themselves at home, we'll be right in.
00:10:01Tapioca.
00:10:06Yunga, yunga, yunga.
00:10:08You got $500 from that old taekwad?
00:10:11Oh, it's impossible.
00:10:12Well, that's what he paid.
00:10:14To see Jerry do a fan dance.
00:10:16Jared Weatherby, do you mean to say that you let Jerry do a fan dance?
00:10:20Oh, but my dear, it wasn't my idea.
00:10:22Well, nevertheless, you shouldn't let her do it.
00:10:24My sister doing a fan dance.
00:10:27Well, now, don't get excited, dear. It was perfectly all right.
00:10:30Hi, Gary.
00:10:31Oh, hello, Terry.
00:10:32Geraldine, did you do a fan dance?
00:10:35Why, of course. Why not?
00:10:37But I think it's dreadful.
00:10:39It wasn't dreadful at all.
00:10:41As a matter of fact, it was very good, wasn't it, Gary?
00:10:43Yes, it was.
00:10:45You know, you should be in the theater.
00:10:47Gary, I don't want you to put those ridiculously wild ideas into our heads.
00:10:51Hey, give a load of what I just heard.
00:10:57What's his load?
00:10:58Can you imagine that screwy thing doing a fan dance?
00:11:01For charity.
00:11:02Ah, what do they know about charity?
00:11:04Hundreds of families would be glad for a 10 cent loaf of bread.
00:11:07Here they are eating caviar at $11 a pound.
00:11:10$19.50 a pound.
00:11:13Ah, what's the deal?
00:11:16You know, they're always sending out checks for charity.
00:11:19So what? Are they really trying to help somebody out?
00:11:21Nah, just an excuse for her to do a fan dance.
00:11:28You know, I shake a pretty wicked fan myself.
00:11:31But I don't do it for charity.
00:11:34Who knows, maybe you have a good fan.
00:11:39Gustav, you've been thinking.
00:11:41I?
00:11:42I want to have something to help.
00:11:44Yes.
00:11:48Good afternoon, Mr. Kimbrough.
00:11:49Good afternoon, Lynette.
00:11:51Is Carol in?
00:11:53She's in her living room, Sarah.
00:11:59Oh.
00:12:00Hello, Mr. Kimbrough.
00:12:01Hello.
00:12:02Hello, Mr. Weatherby.
00:12:03Hello, Mr. Kimbrough.
00:12:04Hello.
00:12:05I'm sorry to break in like this, but I must talk to you.
00:12:09It's very important.
00:12:10Oh, will you pardon us?
00:12:11Why?
00:12:12Certainly.
00:12:13I was just thinking of going anyway.
00:12:15Yes.
00:12:16Goodbye.
00:12:17I'll phone you later.
00:12:18Goodbye.
00:12:20Have you seen the evening paper?
00:12:22Why, no.
00:12:23Why?
00:12:24Read this.
00:12:25Good.
00:12:26Let me see that.
00:12:34Well, here it is.
00:12:42Well, why don't you have some new pictures taken?
00:12:44This one is dreadful.
00:12:46Don't you think so, Mr. Kimbrough?
00:12:48Yeah.
00:12:49This is what I wanted you to see.
00:12:52Why, how perfectly ghastly.
00:12:57Why, we saw him only last week.
00:13:00He seems an excellent spirit.
00:13:02Whatever made him do a thing like that?
00:13:04It's not a pleasant story.
00:13:06Fletcher speculated with money that didn't belong to him.
00:13:09When the investigation started, he took the only way out.
00:13:12Well, I can hardly believe it.
00:13:15And he was such a good friend of father.
00:13:18That's just it.
00:13:19You know, your father entrusted him with all your affairs.
00:13:23Poor Mrs. Fletcher.
00:13:27I'm not thinking of Mrs. Fletcher.
00:13:30It's you I'm worried about.
00:13:32Your bank account has been wiped out.
00:13:35Everything you own has been sold.
00:13:37Even mortgaged your automobile.
00:13:40Well, isn't there anything left?
00:13:43Well, of course, the examination was rather hasty.
00:13:46It would take a little time to straighten things out.
00:13:49Yes, I know, but what are we supposed to do in the meantime?
00:13:52Well, your rent here is paid until the first of the year.
00:13:56By that time, I hope to have better news for you.
00:13:59If I can be of any assistance, you know where to call me.
00:14:03Thanks very much.
00:14:13Keep your chin up, sis.
00:14:15We've still got a roof over our head.
00:14:26But all that is paid up to the first of the year.
00:14:33Yes, but what are we going to do for food?
00:14:41Did you ring, miss?
00:14:43Yes.
00:14:44Tell Williams and the crooks to come in here.
00:14:46Yes, ma'am.
00:14:48Well, what are we going to do?
00:14:52The first thing to do is let the servants go.
00:14:55I want to tell you that your work has been very satisfying.
00:14:56Yes, ma'am.
00:14:57Yes, ma'am.
00:14:58Yes, ma'am.
00:14:59Yes, ma'am.
00:15:00Yes, ma'am.
00:15:01Yes, ma'am.
00:15:02Yes, ma'am.
00:15:03Yes, ma'am.
00:15:06I want to tell you that your work has been very satisfactory, but unfortunately we have
00:15:29to let you go.
00:15:31You mean we are get fired, we are get canned?
00:15:36Not exactly.
00:15:37We'd love to keep you, but we've lost our money.
00:15:42You mean I work for nothing?
00:15:45I won't get paid?
00:15:47Yes.
00:15:48Then I resign.
00:15:52I'm awfully sorry this had to happen.
00:15:58Of course, if you want references, we'll be only too happy to give them to you.
00:16:02That's fine.
00:16:03But how about my last month's salary?
00:16:05Your last month's salary?
00:16:07Yes.
00:16:08I went to Mr. Fletcher, he was busy, and said I'd get it all this month.
00:16:11Well, how much do we owe you?
00:16:12A hundred dollars for last month, a hundred for this, two hundred dollars.
00:16:15Well, we just can't pay you.
00:16:17We haven't any money.
00:16:18Look here, I haven't paid my room rent in weeks.
00:16:21I can't go back there without any money.
00:16:23But what do you expect us to do, ask you to live here?
00:16:29Not a bad idea.
00:16:32How much do you pay for your room?
00:16:33Ten dollars a week.
00:16:36And we owe you two hundred dollars?
00:16:38Okay, you can have the guest room for twenty weeks.
00:16:42I'll move right in.
00:16:44And how about you?
00:16:48Me?
00:16:49I'll take sixteen weeks.
00:16:53Have you gone crazy?
00:16:58Are you actually going to let them live here?
00:17:02Certainly.
00:17:03Why not?
00:17:04We get a couple of swell servants for nothing.
00:17:07Good luck.
00:17:32What number do I want?
00:17:34I don't want any number.
00:17:36I want to go to sleep.
00:17:42Oh, it's you.
00:17:44Come on, Carol, get up.
00:17:46Oh, what time is it?
00:17:48According to my stomach,
00:17:50it's time for breakfast.
00:17:52Your stomach must be fast.
00:17:54Oh, no, you don't.
00:17:56Oh, right.
00:17:58Ring for a mess.
00:18:02Where are you going?
00:18:06They want their breakfast.
00:18:08Sit down.
00:18:10You're not working here any longer.
00:18:12You're a paying guest.
00:18:14I beg your pardon, Mr. Williams.
00:18:18Quite all right, Miss Faye.
00:18:20More coffee, Mr. Williams.
00:18:22Please.
00:18:32I hope you'll overlook the disturbance.
00:18:34Neighbors, children, don't you know?
00:18:36Mischievous little darlings, aren't they?
00:18:38Quite.
00:18:42Oh, nut.
00:18:44Now, don't be so impatient.
00:18:46Well, why doesn't she answer?
00:18:48Maybe the bell's out of order.
00:18:50Annette! Annette!
00:18:52Now, you act like a child.
00:18:54Stop shouting.
00:18:56Where is she?
00:18:58Well, let's go and find out.
00:19:02I'll tell her if you think when I see her.
00:19:04Now, Geraldine, don't lose your temper.
00:19:08Okay.
00:19:14Got enough in the house for dinner?
00:19:16No.
00:19:17Well, you've got to get some.
00:19:21What would you like?
00:19:22Oh, I don't know.
00:19:23I'll leave that to you.
00:19:25But get enough for four.
00:19:29Annette!
00:19:30Did you hear the buzzer?
00:19:31Yes, ma'am.
00:19:32Well, why don't you answer it?
00:19:33Do you know we're waiting for breakfast?
00:19:35Well, it was, uh...
00:19:36You seem to forget.
00:19:37We're not working here any longer.
00:19:40Yes.
00:19:41We're paying yes.
00:19:42Oh, I beg your pardon.
00:19:45Breakfast will be ready every morning at 8.
00:19:47You're welcome to it.
00:19:52But if you want it, you'll have to come and get it.
00:20:02You know, sis, we've been talking about going on a diet.
00:20:05Don't you think this is a good time to start?
00:20:08Yes.
00:20:09But I want my breakfast first.
00:20:11Where?
00:20:32Can you beat that?
00:20:33A guy looking for a job in a Rolls-Royce.
00:20:36Yeah.
00:20:41Sweetheart, you're in the wrong place.
00:20:53Good morning.
00:20:54Good morning.
00:20:56Sorry, but we've got more chauffeurs than we can play.
00:20:58Well, that's all right.
00:20:59I'll take anything.
00:21:01Okay.
00:21:02What's your name?
00:21:03Tom Williams.
00:21:058?
00:21:0630.
00:21:07Address?
00:21:08Manhattan Towers, Park Avenue.
00:21:11Park Avenue?
00:21:12Yeah.
00:21:14Education?
00:21:15Graduate engineer, construction.
00:21:18I think I've got a job for you.
00:21:20But it won't pay much.
00:21:21Well, that's all right.
00:21:22I'll take it.
00:21:24Off clerk with construction gang.
00:21:26Can you handle it?
00:21:27Sure.
00:21:28When do I start?
00:21:29Tomorrow morning.
00:21:30Train leaves at 10.30.
00:21:32Train?
00:21:33Yeah.
00:21:34Job from Philadelphia.
00:21:36Oh, I'm sorry.
00:21:37I can't take it.
00:21:38What's the matter?
00:21:39Married?
00:21:40No.
00:21:42Oh.
00:21:43Dependence, huh?
00:21:46Yeah.
00:21:47Dependence.
00:21:49All right.
00:21:52Taxi lady?
00:21:53Come on, Tinius.
00:21:54You take that one.
00:21:55Come on, Tinius.
00:21:56We'll take that one.
00:21:57Where to?
00:21:58Come on, Pinius. We'll take that one.
00:22:22Where to, lady?
00:22:24Do you know New York?
00:22:26Like a book.
00:22:27That's good.
00:22:28We're just a visitin' here.
00:22:30Well, what would you like to see?
00:22:32The aquarium?
00:22:33Statue of Liberty?
00:22:34No.
00:22:35I'm homesick.
00:22:37For grass and trees and horses.
00:22:43Yes, ma'am.
00:22:51Listen, Mug.
00:22:53If you don't want any trouble, keep this hack out of here.
00:22:55This is my spot.
00:22:57Yeah?
00:22:57You got another one on your shirt, huh?
00:22:59What place is this?
00:23:16It's a stewed ranch, ma.
00:23:19Who owns it?
00:23:21Why, no way.
00:23:22This is Central Park.
00:23:24Hmm.
00:23:25Just what I've been hankering for ever since I left Nevada.
00:23:28grass and trees and horses, ma'am.
00:23:32And horses, ma.
00:23:36Sit down.
00:23:37You see, just before Phineas was born, I was readin' Little Lord Fauntleroy.
00:23:49And he ain't got over it.
00:23:50And he ain't got over it yet.
00:23:53What's your name, son?
00:23:55Tom Williams.
00:23:57My name's Jones.
00:23:59Annie Jones.
00:24:00Back home, the folks call me Pancake Annie.
00:24:02Oh, ma.
00:24:03It ain't nothin' to be ashamed of.
00:24:06I make the best pancakes west of the Mississippi.
00:24:09That is, uh, I used to before I made my money.
00:24:13Well, tickle me with tactics.
00:24:21What sort of dugs are those?
00:24:23It's a ridin' habit, ma.
00:24:25I've seen men shot for lives.
00:24:29It's the style.
00:24:30All the best people dress like that when they ride.
00:24:33Is he society?
00:24:34Oh, yes.
00:24:35You see the smart set right here.
00:24:37Now that you've seen him.
00:24:39Are you happy, son?
00:24:40Oh, no, ma.
00:24:42I want to meet him.
00:24:43That's what we come to New York for, ain't it?
00:24:46He'll never stop pestering me until he does.
00:24:50I'd give a thousand dollars to have him mingle with them folks.
00:24:54You mean you'd really give a thousand dollars just to have him meet society?
00:24:59Yeah.
00:25:03If I ever catch him in one of them, they're ridin' habit.
00:25:11Hello, Tom.
00:25:12Any luck?
00:25:12Not bad.
00:25:13Mmm, liver and onion.
00:25:14Smells good.
00:25:15Be ready in a second.
00:25:17Say, uh, they have any breakfast?
00:25:20Yeah.
00:25:21Caviar and champagne.
00:25:23How about lunch?
00:25:25Caviar and champagne.
00:25:27Is that all they've had?
00:25:29Well, this afternoon they got kind of hungry.
00:25:31So they had caviar and champagne.
00:25:34Let's see.
00:25:36Let's see.
00:25:37Sixty-five and a dollar fourteen.
00:25:40That makes a dollar seventy-nine.
00:25:41Can't you get the rich on that?
00:25:43Yes, we can.
00:25:45There's bound to be somebody there we know who paid a bill.
00:25:49Let's see.
00:25:50We'll have avocado can of fish.
00:25:54And, uh, mountain trout.
00:25:55I don't want any fish.
00:25:57All right.
00:25:58No fish.
00:25:59We'll have squab and wine sauce.
00:26:02Artichoke hollandaise.
00:26:04Hot house strawberry.
00:26:07And a demi-tack.
00:26:08Is that enough?
00:26:10Perfect.
00:26:12But, Rosie, we don't meet anyone we know.
00:26:16There you go.
00:26:17Spoiling my whole dinner.
00:26:18Can I call him?
00:26:31No.
00:26:33They want to eat.
00:26:33Let them come and get her.
00:26:36He'd marry Gary when he asked you.
00:26:37We wouldn't be worrying about dinner.
00:26:39If I marry him now, people would say it was for his money.
00:26:42You rather starve.
00:26:44Well, that's just what we're doing.
00:26:45I wonder what happens before you starve to death.
00:26:50Well, I once read that just before you lose your mind completely,
00:26:54you have the most realistic dreams about good things to eat.
00:26:59Carol!
00:27:00It's happening.
00:27:02What?
00:27:03I smell food.
00:27:05Me too.
00:27:07Smells like onions.
00:27:10Liver and onions.
00:27:11What a dream.
00:27:13Gary, it's no dream.
00:27:15How do you know?
00:27:16Because if I ever dream of food, it won't be liver and onions.
00:27:24You're not a bad cook.
00:27:26Oh, I have other accomplishments.
00:27:29Hello.
00:27:30Hello.
00:27:31I beg your pardon.
00:27:32I hope I'm not serving you.
00:27:34Not at all.
00:27:35Have some liver and onions?
00:27:36I don't mind if I do.
00:27:38Help yourself.
00:27:39You'll have to pardon the informality.
00:27:43We had to let the servants go.
00:27:46What a coincidence.
00:27:47So did we.
00:27:48Oh, do you have some potatoes?
00:27:52Say, I ran across something today that mine interest you.
00:27:54Really?
00:27:55How'd you like to make a thousand dollars?
00:27:57How?
00:27:58A woman who's visiting New York engaged me as a sort of guide.
00:28:02She's here with her only son and a lot of money.
00:28:04And she'll pay a thousand dollars to have the boy meet the right people.
00:28:07I've never heard of such a thing.
00:28:09Well, it is a little unusual, but then so is Annie.
00:28:12Annie?
00:28:13Yes, her name is Mrs. Annie Jones, but out west her friends call her Pancake Annie.
00:28:16Well, are you suggesting that we introduce her to our friends?
00:28:20Mrs. Van Dyke, I want you to meet up with my old friend, Pancake Annie.
00:28:25They're really very nice people.
00:28:27I don't care how nice they are.
00:28:30I'm really amazed at you for even suggesting such a thing.
00:28:33I'm sorry.
00:28:34I simply thought you might be able to use the money.
00:28:36I don't care to hear any more about it.
00:28:38Come, Jarlene.
00:28:47Oh, haven't you forgotten something?
00:28:49Oh, I beg your pardon.
00:28:51Thank you for the dinner.
00:28:52Never mind that.
00:28:53These dishes have got to be washed, you know.
00:28:56You're not suggesting that we wash them.
00:28:58Why not?
00:28:59You've eaten, haven't you?
00:29:01Might as well get this thing straightened out.
00:29:03I'll buy the food and that'll cook it.
00:29:04You'll simply have to do your part.
00:29:06All your life you've been living on the front of the land, but that's all over now.
00:29:10If you want to eat, you've got to work.
00:29:16Of course, you don't have to wash the dishes if you know one of them.
00:29:19Then you don't have to eat either.
00:29:20A couple of swell servants for nothing.
00:29:37That's my last notice, but I've got some good reviews from the Junior League shows, if you'd care to see them.
00:29:56Yes, I know, but this is the middle of the season, and all the shows are cast.
00:30:02Well, isn't there anything at all?
00:30:04Nightclubs, vaudeville?
00:30:06Did you ever do a vaudeville act?
00:30:09No.
00:30:09Well, I've simply got to have a job.
00:30:12I don't care what it is.
00:30:15Okay, sister.
00:30:17Go down and see Joe Thomas.
00:30:19He's always looking out for a new talent.
00:30:22And here's the address.
00:30:24Just tell him Al Kingston sent you.
00:30:26And here.
00:30:27Show him this.
00:30:28Oh, thank you, Mr. Kingston.
00:30:30Pardon me, is Mr. Thomas in?
00:30:39Yes, you'll find him over there.
00:30:57Mr. Thomas, I'm funny.
00:30:58All right, make me laugh.
00:31:01What do you do, Irish, Dutch?
00:31:03No, I take bumps.
00:31:05Not for my money.
00:31:06Well, listen, I'm terrific.
00:31:08I can take a bump like nobody.
00:31:09When I take a fall, it looks like I broke my neck.
00:31:11Here, lady, hold this.
00:31:13You watch this.
00:31:22Not bad.
00:31:24Hey, Sam.
00:31:25Yeah?
00:31:26Get that guy's name.
00:31:27I can use him.
00:31:30He's good.
00:31:32You mean he was good.
00:31:33Hey, Dutch.
00:31:34Well?
00:31:53Mr. Kingston sent me.
00:31:55Yeah?
00:31:55What do you do?
00:31:57I sing.
00:31:58Okay, let's hear it.
00:32:03I haven't any music with me.
00:32:05Well, it's all right.
00:32:06You name it, and Louie will play it.
00:32:14Do you know Manhattan Love Song?
00:32:15In every climb, and no matter what the time,
00:32:39Love Bird Street,
00:32:41Love Bird Street,
00:32:43Of a cottage small bill,
00:32:45Beside a waterfall.
00:32:48That's their theme.
00:32:52Though it's the same in Greek or Latin,
00:32:56It's not the love song for Manhattan.
00:32:59Underneath the moon, you can hear the lovers' broom
00:33:04Not like this, in our little shack on 5th Avenue
00:33:11We'll cuddle and coo, we'll be happy though the place may be small
00:33:19Twelve rooms in all will do
00:33:24Just a cozy little lovable nest
00:33:27Away from the rest
00:33:31There's no furnishes with no place for bloom
00:33:35Not even a room that's blue
00:33:38We must buy a bar to ride in
00:33:45We haven't much choice
00:33:48Maybe you'd be satisfied in
00:33:53A little rose rose
00:33:57And a little shack on 5th Avenue
00:34:00A mansion for two
00:34:04With the simple things that make life a song
00:34:08I'll struggle along with you
00:34:16Not bad sister, now let's take a look at your game
00:34:29Your leg
00:34:31Come on, step back and show them to us
00:34:34Come on, higher, higher, come on, let's see them
00:34:41Higher, higher, let's take a look at them
00:34:43Not bad
00:34:47Any experience
00:34:51Oh yes sir
00:34:53Say lady, this is the scandals burlesque
00:35:00That band dance business may be alright for Park Avenue
00:35:03But it's old stuff down here
00:35:05I'll show you the kind of stuff we want
00:35:07Hey Daisy
00:35:09Yeah
00:35:10Hang up your hat
00:35:13All right
00:35:14Okay, Louis
00:35:15Leave the open spaces, start going places
00:35:26Do a hot show instead of hey hey
00:35:29Grab yourself a locker and knickerbocker
00:35:32And just hang up your hat on Broadway
00:35:35Lose your country habit, don't be a babbitt
00:35:38Start awake and you're taking the nap
00:35:41Leave the tuna trolley, a folly dolly
00:35:44We'll make scenery on any map
00:35:47I can bear a bill of fare
00:35:50A bundled ground honky talk
00:35:53Just let me share the sweet fresh air
00:35:56That's only found in the bronze
00:35:59Get sophisticated, inebriated
00:36:02It's a system you've got to obey
00:36:04It's a system you've got to obey
00:36:06It's a system you've got to obey
00:36:09Better start to batten around Manhattan
00:36:12And just hang up your hat on Broadway
00:36:17That's what we want
00:36:19The more clothes you take off, the more they applaud
00:36:22The more they applaud, the more you take off
00:36:25I pay $35 a week, how about it?
00:36:28No thanks
00:36:30I couldn't do that
00:36:32Okay, sister
00:36:33You ever change your mind?
00:36:35Drop in, I'll give you a job
00:36:37Thanks
00:36:45What's the matter, Joe?
00:36:46You saw for the dame?
00:36:47Don't be a sucker
00:36:49It isn't her
00:36:51It's the name
00:36:53That society bunkers are great
00:36:55Come on
00:36:56For the yokels
00:36:57For the yokels
00:37:13Oh, my back is killing me
00:37:17You'll have to finish this room yourself
00:37:19Oh, come on
00:37:20Oh, come on
00:37:21Quit stalling
00:37:22Get to work
00:37:23I can
00:37:27Oh, look
00:37:28I'll give you my black negligee if you will
00:37:31I've got a negligee
00:37:33Miss Jerry gave me one for doing her route
00:37:37Well, I could use that Cerise tea gown of yours
00:37:40I should say not
00:37:41I've only worn that gown once
00:37:43Oh, hey
00:37:44Then get to work
00:37:49Oh
00:37:51All right, you can have the gown
00:37:53Jarlene
00:38:09Jarlene
00:38:10Oh, hello, sis
00:38:12You look tired
00:38:13I am tired
00:38:16Did you have any luck?
00:38:18Well, I found a job, all right
00:38:19But I didn't take it
00:38:20Why not?
00:38:22It was awful
00:38:24Did some bird make a pass at you?
00:38:28It was worse than that
00:38:30I never realized people could be so filthy
00:38:33Well, what was it?
00:38:35Let's not talk about it, please
00:38:48Well, what's the matter with you?
00:38:51Too risky to do a little work around here?
00:38:59What's gotten into her?
00:39:00You have no right to talk to her that way
00:39:02She's been out looking for a job all day
00:39:04I'm sorry I spoke that way
00:39:18Will you forgive me?
00:39:22I didn't mean to hurt your feelings
00:39:23Really, I didn't
00:39:34I didn't mean to hurt her
00:39:40Blow
00:39:41Blow
00:39:46Thanks
00:39:48Now
00:39:50Let's start all over again
00:39:52I'm sorry
00:39:54That's not what you said at first
00:39:56Oh, isn't it?
00:39:57No
00:39:58You said I'm sorry I spoke that way
00:39:59Will you forgive me?
00:40:01Well, then why didn't you answer me?
00:40:03I don't know
00:40:04I wasn't angry with you anyway
00:40:06Well, what were you crying for?
00:40:08Until today
00:40:09I never realized how rotten people could be
00:40:12Look at them down there
00:40:19Running around
00:40:20Shoving
00:40:21Pushing
00:40:22Crowding each other like a bunch of insects
00:40:27Yes, you're right
00:40:28They do look like that from up here
00:40:29But if you get down there, you'll find out they're just
00:40:34Normal human beings
00:40:37Working
00:40:38Creating homes
00:40:40What if they do crowd each other a little?
00:40:43They're struggling for their very existence
00:40:45And it's not so easy
00:40:47You've never understood that before
00:40:49Because you've always looked at life from up here
00:40:51I never thought of it that way before
00:40:54It looks a little different now
00:40:55That's the spirit
00:40:56Hey
00:40:58If you want dinner, you'd better come in and give me a hand
00:41:01How you feeling, Geraldine?
00:41:02There's nothing wrong with her that money won't cure
00:41:03You're right
00:41:05That's all we do need is money
00:41:06Yes, but how are we going to get it?
00:41:08You ever see that pancake person you were telling us about?
00:41:09Sure, I've been driving her around every day
00:41:11Would she still pay to meet the right people?
00:41:12Geraldine, are you serious?
00:41:13Well, certainly
00:41:14We can't go on like this any longer
00:41:15We need money
00:41:16How do we manage?
00:41:17I don't know
00:41:18But I do know that tomorrow I'm driving her over to the writing academy in the park
00:41:19Yes, but how are we going to get it?
00:41:21You ever see that pancake person you were telling us about?
00:41:22Sure, I've been driving her around every day
00:41:25Would she still pay to meet the right people?
00:41:26Geraldine, are you serious?
00:41:28Well, certainly
00:41:29We can't go on like this any longer
00:41:31We need money
00:41:33How do we manage?
00:41:34I don't know
00:41:35But I do know that tomorrow I'm driving her over to the writing academy in the park
00:41:46Hmm, that's a right smart looking horse
00:41:51But what's that on top of it?
00:41:53Reggie Vandergriff
00:41:54Gee, real society
00:41:56I'll say so
00:41:57They've got so much class they wouldn't even eat pig's feet unless they had spats on
00:42:02You know everybody, don't you?
00:42:03Not exactly
00:42:04They visit the people I work for
00:42:07I mean...
00:42:09Well, this isn't my car
00:42:12I thought it was
00:42:13No, someone put that for hire sign on it as a joke
00:42:16And I carried it through because
00:42:18Well, I sort of needed the money
00:42:22William
00:42:24Yes, miss?
00:42:29What's the meaning of this?
00:42:31You told me the car was out of order
00:42:32It was, Miss Carroll
00:42:34Well, then what are you doing here?
00:42:35Well, you see, I uh...
00:42:36It ain't his fault, miss
00:42:38I'm to blame
00:42:39Maybe you better let me explain
00:42:41Take my horse to the stables
00:42:42Yes, Miss
00:42:47Uh, you see, my taxi broke down
00:42:50So I hailed your car
00:42:51And your boy said he couldn't take me no further than this
00:42:54That's how it happened
00:42:55Ain't it, Phineas?
00:42:56Yes, Ma
00:42:58Um...
00:42:59Oh, excuse me
00:43:00This is my boy, Phineas
00:43:01How do you do?
00:43:02How do you do?
00:43:03I'm Annie Jones
00:43:05Back home they call me Pancake Annie
00:43:07Pancake Annie
00:43:09I've heard that name before
00:43:11Yeah, when Ma came to New York
00:43:12They put a picture in the paper
00:43:14Oh, yes, of course
00:43:16That's it
00:43:17You're the woman who started with a pancake
00:43:18And ended with a silver mine
00:43:19Oh, shucks, it wasn't nothing
00:43:23I just grubstaked a few of the boys
00:43:26Well, I'm glad to know you
00:43:27I'm Carol Stewart
00:43:28I'm Carol Stewart
00:43:29How do you do?
00:43:35Park 6500
00:43:38Hello
00:43:39Hello, Jerry
00:43:40You better have everything ready
00:43:43I don't know, but she's talking with Miss Carol now
00:43:46Oh, good
00:43:47I'll take care of everything at this inn
00:43:49Annette, it's working
00:43:55Let's go
00:43:57What's the matter?
00:43:58But they'll be here soon
00:43:59I'll make the sandwiches while you change
00:44:02And what part do I play in this?
00:44:06The maid, of course
00:44:08Nobody said anything to me about it
00:44:11Can't you see how important this is?
00:44:14Not to me it ain't
00:44:15As far as I'm concerned
00:44:17You can include me out
00:44:23And you can trim my hat with sagebrush
00:44:25If that ain't the gospel truth
00:44:28Those toys of yours are positively delicious
00:44:31I took me my dear Morgan
00:44:33Won't you come and have tea with me?
00:44:35Now that's real nice of you
00:44:38Ain't it, Phineas?
00:44:39Yes, Ma
00:44:40Home, William
00:44:41Yes, Miss
00:44:45Well, Geraldine
00:44:46Ixnay Akincray
00:44:47I'm the aid maid
00:44:51Where's Annette?
00:44:53Ongay Otznay
00:44:57A French maid
00:44:59Yes, ma
00:45:00where's it on gay arts night a French maid we we ma shall I 13 miss Carol why
00:45:19yes please you know Finney's I always did want to see one of these here out
00:45:24houses and house ma come mrs. Jones see
00:45:54well what's the idea where's Annette she's in a room she's got temperamental oh so
00:46:13you're the maid yes and I'm the chauffeur yes
00:46:17in the best families the chauffeur always kisses the maid I have an electric company where's the
00:46:33meter over there now what's the idea you won't need this anymore I'm gonna shut off the juice
00:46:45well you can't do that so why don't you pay your bills well there must be some mistake
00:46:53hey look I'll pay it myself how much is it now you'll have to take that up to the collection
00:46:58department I'm all in service bye sweetheart
00:47:15now what do we do they're waiting for tea well you go in and stall I'll think of something but
00:47:25whatever you do don't let them touch the lights imagine they use electricity to light cigarettes
00:47:32why don't we even cook by electricity must be right handy having all those modern improvements
00:47:39have you got a match
00:47:46thank you I did want to use that why didn't you x-may there's only use jay what oh yay isn't they a pay the
00:48:08bill day oh oh I'll take care of it tomorrow we'll take eight lady use jay is there off
00:48:15hmm you savvy that party who just like a native yeah just like a native
00:48:24oh I beg your pardon I didn't know you were receiving my dear oh come in my dear
00:48:38mrs. Jones I want you to meet Mr. Faye she's the my house guest how do you do mrs. Jones this is indeed a pleasure
00:48:52pleased to meet you ma'am I beg your pardon this is my son Phineas
00:48:57oh charmed I'm sure yes ma'am
00:49:01Geraldine a cigarette
00:49:08Williams the bell is out of order yes sir I'll see you sir is this Carol at home well uh yes sir I'll see you sir I'll see you sir
00:49:15I'll see you sir I'll see you sir is this Carol at home well uh uh yes sir she's in the living room
00:49:35Is Miss Carol at home?
00:49:36Well, uh, yes, sir.
00:49:38She's in the living room.
00:49:46Hi, Jerry, what's...
00:49:47How do you do, Mr. Weatherby?
00:49:49Don't say anything after me.
00:49:52Hello, Jerry.
00:49:53Oh, hello.
00:49:54Mr. Jones, this is Mr. Weatherby.
00:49:56Mr. Jones.
00:49:56And Mr. Jones.
00:49:58How do you do?
00:49:58How do you do?
00:49:59And Miss Faye.
00:50:00Miss...
00:50:01Haven't I met you somewhere before?
00:50:05Oh, I'm sure you haven't.
00:50:07Unless Faye just returned from Europe.
00:50:10That's it.
00:50:11I never forget a face.
00:50:14Doveville.
00:50:16No.
00:50:17Uh, San Sebastian?
00:50:20No, no.
00:50:21Now, don't tell me.
00:50:23I never forget a face.
00:50:26Annette, we...
00:50:26Annette.
00:50:28That's it.
00:50:30Now I know where I met you.
00:50:32It was Laufheim.
00:50:36No.
00:50:37Now, wait.
00:50:39Wait, just give me a minute.
00:50:41I'll, uh, concentrate.
00:50:43Annette, will you show Mr. Jones the view?
00:50:46Yes, yes.
00:50:47Phineas, go with Miss Faye.
00:50:49Yes, Ma.
00:50:50I'm sure I've met that young lady somewhere.
00:51:09Williams, what the devil are you doing?
00:51:12Preparing tea, sir.
00:51:13Preparing tea.
00:51:14Certainly, Gary.
00:51:15Haven't you ever had tea?
00:51:16Well, I really don't know.
00:51:18Uh, with all these here modern improvements,
00:51:21I never thought you'd boil water over an open fire like we do out on the range.
00:51:25That's it.
00:51:25Yes.
00:51:26You see, Gary, a Mrs. Jones is from the West.
00:51:29And we're having tea, Western fashion, in her honor.
00:51:33Now, that's what I call downright sweet of you, trying to make me feel at home.
00:51:38And Phineas thought New York people were so uppity.
00:51:41Life is such a bore.
00:51:48Just a continual round of parties, banquets, and balls.
00:51:52Yes, Ma'am.
00:51:55I'm so tired of it all.
00:51:59Oh, how I long for the wholesome life of the great open spaces.
00:52:04Yes, Ma'am.
00:52:06Oh, you're such a comfort.
00:52:08Yes, Ma'am.
00:52:13Oh, Mr. Jones, we really shouldn't be out here alone.
00:52:17People will talk.
00:52:20Yes, Ma'am.
00:52:23Call me next.
00:52:26Yes, Ma'am.
00:52:28Next.
00:52:32William, I think tea is ready.
00:52:34Yes, Miss.
00:52:35You're just in time for tea.
00:52:37Oh, splendid.
00:52:41I feel just like a dish of tea.
00:52:44Oh.
00:52:47Carol, dear.
00:52:48How can you tolerate such a careless service?
00:52:51Oh, shucks.
00:52:52That's nothing.
00:52:53That's liable to happen to anybody.
00:52:55Oh, don't worry.
00:52:55William's going to have tea ready in no time.
00:52:57Oh, don't go to no bother on my account.
00:53:00Do it in your usual way.
00:53:03Oh, I insist.
00:53:05It's no bother at all.
00:53:07Carol, dear.
00:53:08Why don't you let Mrs. Jones have her own way?
00:53:10I have an idea.
00:53:12We'll compromise.
00:53:14That's all goes to the risk.
00:53:15Well, if you insist.
00:53:16Are you coming, my dear?
00:53:19No, no, no.
00:53:19You'll have to excuse me.
00:53:20I have a headache.
00:53:22Oh, I'm so sorry, darling.
00:53:24Oh, both.
00:53:28Thanks for a lovely time.
00:53:29I'll call you real soon.
00:53:31Yes, do.
00:53:35Phew.
00:53:36Now I have got a headache.
00:53:39You're not the only.
00:53:46Well, we certainly made a mess of things.
00:53:48You mean you have.
00:53:50Garrett hasn't telephoned me in ten days.
00:53:52That's nothing.
00:53:52I've lost my only cash customer.
00:53:54And that's nothing.
00:53:56Look at me having to play a maid.
00:54:06Good grief.
00:54:20Who can that be?
00:54:21I'll answer it.
00:54:22And you better hide.
00:54:23Maybe it's Mrs. Jones.
00:54:36This is a letter for you.
00:54:42What is it?
00:54:45My dear Carol, I enjoyed my visit immensely.
00:54:49You must come and be our guest sometime.
00:54:51Devotedly.
00:54:52And this.
00:54:54T.S.
00:54:55I almost forgot.
00:54:57Phineas and I are getting married.
00:55:06Circle 74745.
00:55:18I'm going to call Mrs. Jones before it's too late.
00:55:21She's too nice to have this happen.
00:55:24Hello.
00:55:25Mrs. Annie Jones.
00:55:28What?
00:55:31Are you sure?
00:55:34Didn't she leave any forwarding address?
00:55:36All right.
00:55:43Too late.
00:55:44She's gone.
00:55:46Poor Mrs. Jones.
00:55:48Poor Phineas.
00:55:49Poor us.
00:55:51There goes our thousand dollars.
00:55:53Well, we're not any worse off than we were before we started.
00:55:56I can't make any money sitting here.
00:55:58I guess I'll take the car out.
00:56:00Do you want dinner when you get back?
00:56:02Sure.
00:56:02Why not?
00:56:03What would you have?
00:56:05Caviar and champagne.
00:56:07You'll get liver and onion.
00:56:08I'll take it.
00:56:09I suppose now you're going to start dining his sock.
00:56:15No, no.
00:56:15I'm going to keep him back so he can't walk out on you.
00:56:18Are you hearing that Gary walked out on me?
00:56:20You haven't seen him lately, have you?
00:56:21Well, maybe he's ill.
00:56:24Well, maybe he's ill.
00:56:24That's it.
00:56:25I bet he is ill.
00:56:27That's too bad.
00:56:28Don't you think you ought to go see it?
00:56:30That's a good idea.
00:56:31I will.
00:56:33I hope he is sick.
00:56:36For your sake.
00:56:37Hey, Joe.
00:56:46That slug's back again.
00:56:47Oh, yeah?
00:56:48Well, watch me.
00:56:50Go get him, kid.
00:56:50I'm with you.
00:56:55Hey, Joe.
00:56:57I thought I told you to stay away from here.
00:56:59This is a public hack stand, isn't it?
00:57:00Not for you, it ain't.
00:57:02Well, I'm staying right here till somebody moves me.
00:57:04Oh, yeah?
00:57:05Well, here's why you move.
00:57:21What are you crying for?
00:57:24Because I cooked slithering onions, and now you won't be able to eat it.
00:57:28Don't worry.
00:57:29You'll pay more than a bump on the head to spoil his appetite.
00:57:32He's as strong as a horse.
00:57:33Get around of here, Doc, before I really do get sick.
00:57:37Okay, young man.
00:57:38I'll see you tomorrow.
00:57:46Telegram, Mr.
00:57:47Oh, thanks.
00:58:03How do you feel?
00:58:17All right.
00:58:18Are you sure?
00:58:19Certainly.
00:58:20What's the matter?
00:58:20Listen, Gary feels fine.
00:58:24Stop.
00:58:25Wouldn't take no for an answer.
00:58:27Stop.
00:58:27Leaving on honeymoon.
00:58:29Stop.
00:58:30We'll be back in a few days.
00:58:31Stop.
00:58:32Love, Carol.
00:58:33Now, how do you feel?
00:58:34Now, how do you feel?
00:58:37Terrible.
00:58:38Get out of that bed.
00:58:39I don't feel so good myself.
00:58:44Well, you're showing remarkable improvement for only five days.
00:58:48He had nothing to do with it.
00:58:50Why don't you tell it after you're at all to proper nursing?
00:58:52Yeah.
00:58:54I had to get well in self-defense.
00:58:56Mm-hmm.
00:58:57When he grouches like that, it means he's hungry.
00:59:00Will you excuse me, please?
00:59:04Hey, Doc.
00:59:05How soon before I can get out of here?
00:59:07Oh, you're coming along nicely.
00:59:09Better play safe and take it easy a little while longer.
00:59:11Better play safe and take it easy.
00:59:41Well, let's begin.
01:00:11Let's go.
01:00:41Scandal, Bella.
01:00:45Mr. Thomas, please.
01:00:47Oh, hello, Mr. Thomas.
01:00:49This is Geraldine Stewart.
01:00:51I've been thinking it over, and if that job is still open, I'll take it.
01:00:55Okay.
01:00:56Come right down, and we'll rehearse you.
01:00:58Sure.
01:01:00You can go on tonight.
01:01:02Watch that?
01:01:04Sure, I'll let you take a couple of bucks.
01:01:06After the show...
01:01:09There.
01:01:09Sam.
01:01:12Sam.
01:01:14It's that society day.
01:01:16I want you to go out front and make a great big sign.
01:01:18Put it up on top.
01:01:21Extra added special attraction.
01:01:27Hello, William.
01:01:28Hello, William.
01:01:29Welcome home, Miss...
01:01:30I mean, Mrs. Weatherby.
01:01:32May I offer my congratulations?
01:01:33Thank you, William.
01:01:34Hey, Geraldine.
01:01:35Oh, she went out.
01:01:36Said she'd be a little late.
01:01:39Well, uh, is there anything else?
01:01:42No, no, that's all.
01:01:43Oh, uh, Williams.
01:01:45Yes, sir?
01:01:46Mrs. Weatherby has told me everything that has happened, and we both appreciate all you've
01:01:51done.
01:01:52Uh, you, of course, will get your back salary, and, uh, beginning tomorrow, uh, your salary
01:01:57will be raised.
01:01:57Twenty-five dollars a month.
01:01:59Considering everything, don't you think it would be better if I were to leave?
01:02:02Nonsense.
01:02:03Well, we'll just forget everything, and, uh, you'll go back to your old position.
01:02:06Well, I'll think it over.
01:02:08Oh, by the way, uh, uh, what time does Miss Geraldine leave?
01:02:11Three o'clock.
01:02:13I wonder where she can be.
01:02:14I don't know, but I bet wherever she is, she's the light of the party.
01:02:20The meaning of this.
01:02:22Ain't you ever been presented at court, Dearing?
01:02:24Yeah, quit the problem, baby.
01:02:25You told me so many times, people think we're going together.
01:02:27Hello.
01:02:46Yes?
01:02:49What?
01:02:51Where?
01:02:53Okay, be right down.
01:02:55Is that Jerry?
01:02:56Yes.
01:02:56Well, where is she?
01:02:57In jail.
01:02:58Well, what happens, what for?
01:02:58I don't know, but whatever it is, she did it.
01:03:01Now, this is no time for joking.
01:03:02Now, don't get excited, dear.
01:03:04Come on, Williams, we'll go down and get her out.
01:03:05I'll go with you.
01:03:06You stay here.
01:03:08Thanks, dear.
01:03:12But what is she in for?
01:03:14Fifty days.
01:03:17Unless you want to pay fifty dollars.
01:03:22Uh, pay the clerk.
01:03:24Yes, sir.
01:03:25Oh, Gary, you don't know how glad I am to see you.
01:03:41This is certainly a fine welcome home you've given us.
01:03:44Oh, now, don't start scolding.
01:03:45If you have no regard for your own reputation, please have some consideration for your sister
01:03:49and myself.
01:03:50Now, now, you listen to me, Gary, Weatherby.
01:03:52Just because you're married to my sister is no sign you can tell me what to do.
01:03:55Mr. Weatherby's right.
01:03:57There's no excuse for this sort of thing.
01:03:59And you keep out of this.
01:04:00Of all the people in the world, you should be the last one to say anything.
01:04:03And if it hadn't been for you...
01:04:04I beg your pardon, Mr. Stewart, I've forgotten myself.
01:04:07It won't happen again.
01:04:11Say, Larry.
01:04:13What is it, officer?
01:04:14Oh.
01:04:15I beg your pardon.
01:04:17Never mind.
01:04:19Sister, you can send it back.
01:04:20Well, Mrs. Jones, how do you do?
01:04:37Hello, Miss Carroll.
01:04:39Come in, children.
01:04:44The newlyweds.
01:04:47Well, congratulations.
01:04:47I hope you'll be very happy.
01:04:50They're just like a couple of lovebirds, ain't you?
01:04:53Yes, Ma.
01:04:55Well, uh, won't you come inside?
01:05:02We just dropped in to say goodbye.
01:05:04Well, uh, when are you leaving?
01:05:06Tomorrow morning.
01:05:08Did you have a nice honeymoon?
01:05:10Oh, yes.
01:05:11It was grand.
01:05:14Did you go, too?
01:05:15Sure.
01:05:16Uh, I always did want to see Niagara Falls.
01:05:19But it's no good without a honeymoon.
01:05:22So I just tagged along.
01:05:29Yes?
01:05:31Mr. Weatherby is driving Miss Geraldine home.
01:05:34They'll be here in a few moments.
01:05:36Uh, I'd like to say goodbye to Tom.
01:05:39Do you mind?
01:05:40Why, why, why, no.
01:05:42Go right ahead.
01:05:51Oh, hello, Mr. Jones.
01:05:56You leaving?
01:05:57Yes.
01:05:59Where are you going?
01:05:59I don't know.
01:06:00I don't know.
01:06:01I don't know where to get away from here.
01:06:02Tom, you were never cut out to be a chauffeur.
01:06:06I'll give you a real job.
01:06:08Why don't you come out west with me?
01:06:10I'm sorry, but I can't.
01:06:12What is it?
01:06:14A girl?
01:06:15No.
01:06:16You got any money?
01:06:20I'll get by.
01:06:23I owe you $1,000.
01:06:25No, I can't take it.
01:06:27Why?
01:06:29Well, I can't tell you.
01:06:31Is it on account of Annette?
01:06:34No, no, no, no, no, no, of course not.
01:06:36Listen, son, you don't have to lie.
01:06:40I was a biscuit tutor myself for 20 years,
01:06:43and I spotted her for a pop rustle at the minute I laid eyes on her.
01:06:47I knew it all the time.
01:06:50She's a good girl, and she'll make Phineas a good wife
01:06:54when I get through with her.
01:06:56Well, if she's ever half as good as you are, that'll be plenty.
01:06:59Oh, shucks.
01:07:02The train leaves tomorrow morning at 10.
01:07:05Will you be there?
01:07:07You bet I will.
01:07:09You won't be sorry, son.
01:07:23Well, I guess we'll have to be running along.
01:07:26Come, children.
01:07:30All right, Phineas.
01:07:32On behalf of my wife and myself,
01:07:37I want to thank you for bringing us together
01:07:40and all you've done for us.
01:07:43If you ever...
01:07:44If you ever come to Nevada,
01:07:47you must visit us.
01:07:48We'd love to have you.
01:07:49Well, thank you very much.
01:07:52I'd like to.
01:07:56Yes.
01:07:57Where's Tom Williams?
01:08:00He's in his room.
01:08:02Good.
01:08:05Full of old,
01:08:07fruity-looking outfits.
01:08:08Annette?
01:08:09Annette?
01:08:11Yes, ma'am.
01:08:13Come, children.
01:08:14Goodbye, Miss Carroll.
01:08:15Goodbye, Mr. Jones.
01:08:17It's a nice to see you.
01:08:18I want to talk to you.
01:08:33Well, I'm listening.
01:08:35Why did you walk out on me?
01:08:36Because I felt like it.
01:08:38Don't talk to me that way.
01:08:39I won't have it.
01:08:40No?
01:08:41Now you listen to me.
01:08:43You were beginning to be a real human being,
01:08:45but just as soon as a few dollars
01:08:46came back into the family,
01:08:47you went right back to what you were,
01:08:49an 18-carat pain in the neck.
01:08:51Well, I wouldn't take it from you
01:08:52if you were the last woman in the world.
01:08:54I'm through.
01:08:55I'm quitting.
01:08:56Oh, dear.
01:09:03Blow.
01:09:08Where are you going?
01:09:10Well, if you must know Nevada,
01:09:12Annie Jones is giving me a real job.
01:09:14Well, do you suppose she could use a maid, too?
01:09:18Why?
01:09:19Well, even in Nevada,
01:09:22the chauffeur always chipping the maid.
01:09:26Oh, what's the use?
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