- today
Category
๐ฅ
Short filmTranscript
00:00:00THE END
00:00:30THE END
00:01:00This is the jungle, the vast wilderness of giant lush foliage, of tropical birds and fierce animal life.
00:01:09The killer tiger, the cunning hyena, the deadly python that can crush a giant elk.
00:01:16The proud lion, a fierce lioness stalking a prey to feed her young.
00:01:23And the buzzards, the scavengers of the jungle, soaring lower, ever lower, eager to devour the dead or the dying.
00:01:36Kill or be killed. This is the law of the jungle. And here? What have we here? Who are these men? What can they possibly be doing in this cruel tropical wilderness?
00:01:49Do it, do it, do it, Alan?
00:01:56Come on, rachos.
00:02:04Here you go, okay?
00:02:06Hey, here you go, well. Hey, grab it.
00:02:16Here you go.
00:02:46Here you go, well.
00:02:47Here you go, well.
00:02:48Here you go, well.
00:02:49Here you go.
00:02:51Here you go, well.
00:02:56They never died?
00:02:58He didn't really go to them and any other.
00:02:59Can we tell them?
00:03:01There's not enough people to say that.
00:03:03There's a way for them to give up.
00:03:05So, we'll have to get home after this.
00:03:08Let's get home.
00:03:09Let's get home!
00:03:12Let's get home!
00:03:14Let's do that, let's get home.
00:03:16Let's get home!
00:03:17Let's get home!
00:03:19Let's get home!
00:03:21You've got a makeup difference.
00:03:25You have a makeup difference.
00:03:30You're a good person.
00:03:35It's a good person.
00:03:43I have yet to discover who is these men.
00:03:59Well, not yet, Father.
00:04:09Look, Father.
00:04:10Father, I think one of them is named Mervin.
00:04:15Mervin?
00:04:17Mervin?
00:04:19Who said that?
00:04:21Which one of you is Mervin?
00:04:24Our lady, you got us mixed up with two other guys.
00:04:28My name is Nona.
00:04:31Hiya, Nona.
00:04:32I'm Duke Mitchell.
00:04:34How do you do?
00:04:36Where are we?
00:04:37What place is this?
00:04:38This is the most southern fringe of the Zambo Anger Group, the island of Kola Kola.
00:04:43Kola Kola?
00:04:44Sounds like a commercial for some bubble water.
00:04:46How did we get here?
00:04:47Some of our men found you lying in the jungle and carried you here.
00:04:50Yeah, what are we all for carrying charges?
00:04:55Get it?
00:04:56Carrying charges?
00:04:57Funny wine?
00:04:57Let's wrap it up here, lady.
00:05:00Oh, come here.
00:05:01How did you get lost in the jungle?
00:05:04Well, we were on our way to do a show for the boys in Guam.
00:05:07We were in a plain high over the Pacific.
00:05:09Sammy goes to look for the powder room and he couldn't find it.
00:05:12I went there to show him.
00:05:13I walked through the wrong door.
00:05:15Like a dopey follows me.
00:05:16Yeah, lucky thing we had on parachutes.
00:05:18There we were, lost in a vast wilderness.
00:05:20We lived on wild berries and raw fish.
00:05:22Which is much better than the raw fish living on us.
00:05:24You have nothing to worry about.
00:05:26My father, the chief, will see that you're well cared for.
00:05:29Me, Chief Ruckus.
00:05:31King of this island.
00:05:33Well, gee, you sure look super, Chief.
00:05:35Super, Chief, Dad.
00:05:40Hiya, Chief.
00:05:42I'm Duke Mitchell.
00:05:43This is my partner, Sammy Petrello.
00:05:45You know, Mitchell and Petrello, songs, dances, and snappy patter.
00:05:48Have tuxedo, we'll travel.
00:05:50And not this far.
00:05:52Welcome to our island.
00:05:53We are honored.
00:05:55Our house is yours.
00:05:57Yeah, well, remind me to get some new wallpaper in here, will you?
00:05:59Shh.
00:06:00Bongo, Bongo.
00:06:02Papayo Koliha and Poi Poi.
00:06:04Ah, come on, boy.
00:06:06Come on, boy.
00:06:13Tonight, we have great luau.
00:06:17To celebrate you, my people will sing and dance for you.
00:06:22See, that sounds great.
00:06:24We'll do likewise, I'm sure.
00:06:25I'll have this one.
00:06:26Shake it, shake it, shake it.
00:06:28Go, go, go, go, Dad.
00:06:29Come here.
00:06:30Cut it out.
00:06:32Don't mind, my friend.
00:06:32He's young.
00:06:33He's foolish.
00:06:34No doubt.
00:06:35Come.
00:06:39See that?
00:06:40You made the chief mad.
00:06:41That's okay.
00:06:42He wasn't a good dancer anyway.
00:06:43You know, someday I'm gonna let you fry in your own grease.
00:06:45Couldn't you make it chicken fat?
00:06:47Maybe.
00:06:47I won't be.
00:07:01I won't be.
00:07:05Who ever hides his eating off the floor?
00:07:28What's the matter?
00:07:29Can't they afford chairs?
00:07:31Shh.
00:07:31Saba Baga Kanta.
00:07:33Hmm?
00:07:33Wasakmia?
00:07:34Saba Baga Kanta.
00:07:35No, Roya Rinto Kanga.
00:07:37Yala Paolo Malo.
00:07:38Mahalat Sark.
00:07:39Abrunulka Nukaruga.
00:07:41Okay, banga banga.
00:07:44Sis, when do you talk a native language?
00:07:46I just started today.
00:07:47Well, what'd he say?
00:07:48What'd he say?
00:07:49I don't even know what I said.
00:07:50Now, don't hit me, Duke.
00:07:51He hides me in the head.
00:07:52That's a wonderful dance they're doing.
00:08:04My people are happy to entertain you.
00:08:06Well, Sammy and I really appreciate it.
00:08:08Yeah, well, I'd be more entertained if I had a pretty girl to talk to.
00:08:11There's her wife, you do have all the meat and potatoes.
00:08:14Meat and potatoes?
00:08:15Don't mind, my friend.
00:08:16He speaks in a vernacular.
00:08:18I don't?
00:08:19Gee.
00:08:20Gee, I want a girl just like the girl the other.
00:08:24That's easy.
00:08:25I'll call my sister.
00:08:26You have a sister?
00:08:27Yes.
00:08:28Oh, boy.
00:08:34Saloma?
00:08:35Yeah?
00:08:36Come here.
00:08:37Well, we, she's got a sister in you all for me, Doogie.
00:08:40Lots of luck.
00:08:43Yes?
00:08:44I have a very nice friend for you.
00:08:46Oh, see?
00:08:48The little one.
00:08:49Doogie, and it's all for me.
00:08:53Doogie, no, no, no.
00:08:55Oh, I like.
00:08:58Go.
00:09:01This is Saloma.
00:09:03This is your sister?
00:09:05My baby sister.
00:09:07Saloma, this is Sammy.
00:09:09Well, it's been nice knowing you.
00:09:10So long, Salome.
00:09:15Saloma like you.
00:09:17Saloma think you're beautiful.
00:09:19Saloma needs glasses.
00:09:21You eat.
00:09:22I don't want to eat, thank you.
00:09:24You eat.
00:09:25No, I told you I don't want to eat.
00:09:27Hey, Doogie, I've got to get away from this blimp or she'll kill me.
00:09:30Well, you ask for it.
00:09:31I got it.
00:09:32When locked in the corner, do a routine.
00:09:34Go.
00:09:35Great.
00:09:35You eat.
00:09:36Oh, that's not good.
00:09:38Eat me.
00:09:39Let's go of the shirt.
00:09:40What are you trying to feed me for?
00:09:42You're not my mother.
00:09:43You can't feed me.
00:09:45Saloma, no falapa.
00:09:46Oh, no falapa.
00:09:49After all, I've been eating for a long time.
00:09:50I know how to feed myself.
00:09:51I've been feeding myself ever since I was a little boy.
00:09:53Do you understand?
00:09:54I know how to feed myself.
00:09:54I'm sorry.
00:09:55No falapa.
00:09:58No falapa.
00:10:29Oh, well, good evening, ladies and gentlemen, and welcome to Showtime at the Royal Thiesian, and what a wonderful show we have lined up for you tonight.
00:10:42You know, as you know, this is my first visit to your beautiful island of Cola Cola, and I want to tell you that the climate is wonderful.
00:10:46It really makes a guy feel full of Pepsi.
00:10:48Get it?
00:10:48Cola, Pepsi?
00:10:50Pepsi, Cola?
00:10:57Gentlemen of the jury, I'd like to ask the prisoner one question.
00:10:59Have you ever been up before, Judge Smith?
00:11:01I don't know.
00:11:01What time did Judge Smith get up?
00:11:07You want to hear a funny one?
00:11:08On the way over to the island, the fellow stopped me at a coconut tree, and he said I hadn't had a bite for three days.
00:11:13You know what I did?
00:11:14I bit him.
00:11:14What did he say?
00:11:19I knew you'd get one of them eventually.
00:11:35Oh, I have a million in him.
00:11:36Listen to this one.
00:11:37Listen to this one.
00:11:38Did you take a bath this morning?
00:11:39Why?
00:11:40Is there one missing?
00:11:40I thought I told you to wait in the truck.
00:11:52You dance with Saloma?
00:11:56Oh, it is ridiculous.
00:11:57Oh, come dance.
00:11:59Left your motor running, kid.
00:12:00I don't want to dance with you.
00:12:01Leave go of the arm, will you?
00:12:02You're breaking the whole arm, will you?
00:12:04Let go of the arm already.
00:12:06Saloma.
00:12:07Leave go of me.
00:12:08Don't get physical, I can't leave go of me.
00:12:10Saloma, don't hate me, please.
00:12:15Do you think perhaps she is too rough?
00:12:18Probably doesn't know her own strength.
00:12:22It's okay.
00:12:23Saloma, come on down by the way.
00:12:27My father says, do you wish to dance for us?
00:12:34Well, I don't dance, but I'll do eight or ten tunes for you.
00:12:37Well, that's fine.
00:12:37All righty.
00:12:42Okay, folks, let's wrap it up.
00:12:44You.
00:12:46Now you.
00:12:51You.
00:12:54Do I want you?
00:12:57Oh, my.
00:12:58Do I?
00:12:59Baby.
00:13:01Indeed I do.
00:13:04Do I need you?
00:13:08Oh, my.
00:13:09Do I?
00:13:10Baby.
00:13:11Of course I do.
00:13:13Of course I do.
00:13:16Do you know that I'm the one who found you?
00:13:22That's why I'm always hanging around you.
00:13:26Do I love you?
00:13:30Oh, my.
00:13:31Do I love you?
00:13:32Oh, my.
00:13:33Do I love you?
00:13:33Baby.
00:13:35Indeed I do.
00:13:36You.
00:13:36Oh, yeah.
00:13:37You should only think you do.
00:13:39Do I love you.
00:13:39Do I want you, oh, my.
00:13:43Do I, baby?
00:13:45Indeed I do.
00:13:49Do I need you, oh, my.
00:13:54Do I, baby?
00:13:56Of course I do.
00:13:58Of course I do.
00:14:02You know that I'm the one who found you.
00:14:08That's why I'm always hanging around you.
00:14:13Do I love you, oh, my.
00:14:17Do I?
00:14:19Baby.
00:14:19Indeed I do.
00:14:25Baby.
00:14:26Indeed I do.
00:14:30Baby, baby, baby, baby, baby, babe.
00:14:32Of course I do.
00:14:36Of course, baby.
00:14:38Yes, sir, baby.
00:14:41Of course, baby.
00:14:43Indeed I do.
00:14:46Boy, look at that moon.
00:14:55You wouldn't think it was the same one that was shining over the Bronx, Brooklyn, Coney Island.
00:15:00But it is.
00:15:01Yeah, but it's so much bigger and brighter out here.
00:15:03You sure have a beautiful place to live in.
00:15:05I've heard about places like this, read about it.
00:15:08In fact, I've even seen them in movies.
00:15:10Never really expected to be here, though.
00:15:12Yes, we have everything here to make us happy.
00:15:14A calm, peaceful atmosphere.
00:15:17No noisy streetcars or automobiles.
00:15:20No rushing around in and out of subways.
00:15:22No smoky factories smudging up the air we breathe.
00:15:25Say, how come you know about these things?
00:15:27And how come you talk like a college girl?
00:15:29Perhaps it's because I went to college.
00:15:32Come again?
00:15:33I was sent to your country to be educated.
00:15:35Someday I will be queen of this island.
00:15:38My people would like their queen to be smart.
00:15:40Well, what do you love?
00:15:41Well, what do you love?
00:15:44Sammy!
00:15:50You know, I kind of hate to leave this place.
00:15:52Then why go?
00:15:53Huh?
00:15:54Do you have to go?
00:15:55Well, we're part of an entertainment group.
00:15:57We do to entertain the boys on Guam.
00:15:59In fact, we're overdue.
00:16:01How do we get off this island?
00:16:02Do any ships stop here?
00:16:04Oh, yes.
00:16:04A ship stops once every two months.
00:16:07Oh, we'll have to do better than that.
00:16:08Perhaps Dr. Szabo can help you.
00:16:11Dr. Szabo?
00:16:12Yes.
00:16:12He's the only white man on the island.
00:16:14Well, how come we haven't seen him?
00:16:16Where is he?
00:16:17He lives on the other side of the island.
00:16:19He's a scientist working on an experiment in evolution.
00:16:22He's very clever.
00:16:24And we are in the midst of a series of...
00:16:25Did you say we?
00:16:26Yes.
00:16:27You see, he hired me as his assistant.
00:16:29Oh.
00:16:30Tomorrow I shall take you to him.
00:16:32He'll be very glad to see you both, I'm sure.
00:16:35Oh, great.
00:16:39Hey, Duke.
00:16:40Sogey.
00:16:41What?
00:16:44Oh, never mind.
00:16:50You let that away.
00:16:56Run for your life!
00:17:01Run for your life!
00:17:05Come on, get out of here.
00:17:06Run for your life!
00:17:11Sammy!
00:17:12Maybe I should run for mine, too, now?
00:17:14Sammy!
00:17:18Sammy!
00:17:24Oh, pardon me.
00:17:25Sammy!
00:17:27Sammy!
00:17:30Sammy!
00:17:30Sammy!
00:17:52Let me alone, will you?
00:17:53Get out of here, when you won't.
00:18:06Here we are.
00:18:08Well, thanks for seeing me home.
00:18:10That's the custom of the island.
00:18:12No kidding.
00:18:13Yes, that's right.
00:18:14Well, there's a switch.
00:18:15What other customs do you have?
00:18:17Oh, many quaint ones.
00:18:20I shall tell them to you sometime.
00:18:21Well, that'll be peachy.
00:18:24I must go.
00:18:25It's getting late.
00:18:27Good night.
00:18:28Wait a minute.
00:18:29You can't take a guy home and then leave him with just a good night?
00:18:33No.
00:18:33Don't.
00:18:34Oh.
00:18:48Help, Dookie!
00:18:49Help, Dookie!
00:18:51Let me go.
00:18:52Let me go, will ya?
00:18:54See?
00:18:55Salome will bring you home, yes?
00:18:57Yeah, thanks loads.
00:18:58But you didn't have to go out of your way.
00:19:00Shut up, Cuckoo.
00:19:02It's a custom of the island.
00:19:03Right?
00:19:04Right.
00:19:05Well, we better go.
00:19:07Until tomorrow.
00:19:10Come, Salome.
00:19:13Good night, my little one.
00:19:14Get out of here!
00:19:15Get out of here!
00:19:16Get away!
00:19:16Ah!
00:19:17Get out of here!
00:19:19Bye.
00:19:19Yeah, wait for me in the glove compartment, will ya?
00:19:24Well?
00:19:25Well, uh...
00:19:26Well, aren't you going to carry me across the threshold?
00:19:29Get out of here!
00:19:39How much fight do we have to go?
00:19:41Oh, not very much.
00:19:43Boy, now I know how Livingston felt when he couldn't find Stanley.
00:19:46You have that wrong.
00:19:48It's just vice versa.
00:19:49It's vice-a-what-sa?
00:19:50Vice-a-versa.
00:19:52Livingston didn't find Stanley.
00:19:54Stanley found Livingston.
00:19:56This is a vice versa.
00:19:57That's right.
00:20:00What are you looking for?
00:20:02I expect two tons of limey to come out here charging after me at any minute.
00:20:05Oh, don't worry about that.
00:20:07You won't.
00:20:08None of my people venture very close to the castle.
00:20:10It is forbidden.
00:20:11Castle?
00:20:12What castle?
00:20:13The castle where Dr. Szabo lives and works.
00:20:16Well, how come you go there and work?
00:20:17I don't share all the beliefs of my ancestors.
00:20:20Where is this castle?
00:20:22There it is.
00:20:25Cozy, little shack.
00:20:26I wish it was on 42nd Street and Broadway.
00:20:2942nd and Broadway?
00:20:31What kind of a crack is that?
00:20:32Well, if it was on 42nd and Broadway, we'd be standing in front of the automat.
00:20:36And boy, could I use a good cup of coffee right now.
00:20:40Come on, Duke.
00:20:42Hey, hey, hey, wait for me!
00:20:44Hey!
00:20:44Hey!
00:20:47This looks like Death not only took a holiday, but he got a hangover from taking it.
00:20:55Oh, this looks like Sing Sing.
00:20:56I gotta get out of here.
00:20:57What are you worrying about?
00:20:59I ain't worried.
00:21:01Just wish I was back in Brooklyn playing the Lois Pitkin, that's all.
00:21:07Good morning, Chula.
00:21:08Morning.
00:21:09Tell Dr. Szabo I am here, and I bring two white visitors.
00:21:12I tell, Master.
00:21:15Close the door.
00:21:16Close the door.
00:21:17Close the door.
00:21:18Oh, it's me.
00:21:25Master.
00:21:26Now, what is it, Chula?
00:21:28Why do you disturb me?
00:21:29The girl, she is here.
00:21:31Since when does she have to be announced?
00:21:34She has two men with her.
00:21:36White men.
00:21:37White men?
00:21:39Who are they?
00:21:40I not know, Master.
00:21:42Come on, Dougie, let's go.
00:21:43The doctor's probably busy, and besides, I forgot something at the hut.
00:21:47What?
00:21:47I forgot to stay here.
00:21:49I'm getting out of here.
00:21:50Relax, Cuckoo.
00:21:51You want to get off this island, don't you?
00:21:52Sure I want to get off the island.
00:21:54Well, the doctor's going to help us get off, isn't he?
00:21:56Yes.
00:21:57Dr. Szabo's a very brilliant man.
00:21:59Brilliant man, huh?
00:22:01Anybody who live in a creep joint like this must be a moronic idiot.
00:22:04Good morning.
00:22:04I'm Dr. Szabo.
00:22:08Welcome to my creep joint.
00:22:14Oh, gosh, I'm sorry, Mr. Idiot.
00:22:16I didn't mean to call you creep joint a creep joint.
00:22:18I think nothing of it.
00:22:19Doctor, I would like you to meet my friends.
00:22:21Yes?
00:22:22Hiya, Doc.
00:22:23I'm Duke Mitchell.
00:22:24It's my partner, Sammy Petrillo.
00:22:26We were on our way to do a thing.
00:22:28Don't I know you from someplace?
00:22:30I don't think so.
00:22:32Hey, Dukey, come here.
00:22:41I think I know where you know this guy from.
00:22:43Where?
00:22:44Ain't just the fellow that goes around with the hands and the faces,
00:22:47biting people on the neck and wearing capes.
00:22:48You're crazy.
00:22:50Watch out for bats!
00:22:52Wait a minute, I'll prove it to you, won't you?
00:22:54Dr. Szabo?
00:22:55Yes?
00:22:56Would you do me a favor?
00:22:57What is it?
00:22:58Make a face.
00:22:59What?
00:23:02Thanks.
00:23:03See?
00:23:04What did I tell you?
00:23:05Now go over and apologize.
00:23:06I ain't gonna do it.
00:23:07Come on, you embarrassed me.
00:23:08Go over and apologize.
00:23:10Come on.
00:23:14Dr. Szabo?
00:23:15Yes?
00:23:17What are you going around scaring little children for?
00:23:20What are you doing?
00:23:21What's the matter with you?
00:23:24Don't mind him, Doc.
00:23:25He thinks you're the guy that goes around biting little kids on the neck.
00:23:28You know what I mean?
00:23:28It's him.
00:23:36Doctor, my friends fell out of a plane and landed on the island.
00:23:40They would like to get back to civilization.
00:23:43I told them you could help them.
00:23:44That's possible.
00:23:45Thank you, Doctor.
00:23:47It may take several days to make arrangements.
00:23:49In the meantime, please, accept my hospitality.
00:23:52Allow me to furnish you with suitable clothes.
00:23:54Gee, thanks, Doc.
00:23:55But no capes, huh?
00:23:56Oh, Chula!
00:24:02Yes, Master.
00:24:03Take these men to my room.
00:24:05Yes, Master.
00:24:06Pick out anything you want from my wardrobe.
00:24:08When you have changed, Chula will bring you to the study.
00:24:12Follow Chula.
00:24:13Come.
00:24:13A most interesting cranium.
00:24:21Strange, but interesting.
00:24:24Really think so?
00:24:26Oh, what a charming compliment.
00:24:27It was very thoughtful for you to bring these men here.
00:24:39I'm sure I can help them.
00:24:41I was hoping you would.
00:24:44I would do anything for you in my power.
00:24:46Please, Doctor, Zabor.
00:24:49I'll be in the laboratory, Doctor.
00:24:50Why do you treat me so coldly, my dear?
00:25:10Do you know I love you?
00:25:14I want you.
00:25:16Now, what is wrong?
00:25:18Why do you not accept my love?
00:25:21Please, Doctor, must we go over that again?
00:25:23Yes, we must.
00:25:26You shall love me.
00:25:27Certainly nice of you to fix us up like this, Doc.
00:25:36Yeah, I always wanted a Palm Beach suit.
00:25:38Thanks.
00:25:38Very happy to do it.
00:25:40It's quite a drugstore you got here, Doc.
00:25:42This is my laboratory.
00:25:45Laboratory?
00:25:46No kidding.
00:25:48Hey, Duke, look.
00:25:50Looks like the monkey house in the Bronx Zoo, doesn't it?
00:25:53Only smaller, of course.
00:25:55They are my guinea pigs.
00:25:56Guinea pigs?
00:25:57They look like monkeys to me.
00:26:05They are monkeys.
00:26:07Silly boy.
00:26:10They are so monkeys.
00:26:12Certainly they are monkeys.
00:26:14But they are also guinea pigs,
00:26:16for the reason that I use them in my experiments.
00:26:18Do you understand?
00:26:20Yes.
00:26:20No.
00:26:22Hey, Doc, what's this?
00:26:24Streptococca.
00:26:25Yeah, no kidding.
00:26:27Hello, Streptococca.
00:26:28Hiya, Cacca.
00:26:29Don't mind, my friend.
00:26:30He has a one-syllable brain.
00:26:32I can see that.
00:26:33What kind of experiments are you making, Doctor?
00:26:35Oh, I'm performing a series of experiments in evolution.
00:26:39Evolution?
00:26:40What's evolution?
00:26:40Scientists have proven that all living things originated in a process of evolution.
00:26:45They also know that there is a growth force that tends to make genetic changes physiologically and morphologically.
00:26:53Chimpanzees and gorillas are the highest members of the ape family and are the ancestors of man.
00:26:59Darwin, Darwin, in his provisional hypothesis of pangenesis, assumes that every living cell contains a gemule, which is a hypothetical granular.
00:27:12I have found a chemical formula that simulates the growth force.
00:27:18And when nature takes years, I can, in a matter of hours, make a complete embryonic metamorphosis, both physiological and morphological.
00:27:29Do you understand?
00:27:30Well, uh...
00:27:31Sure.
00:27:32What?
00:27:33Yeah.
00:27:34You mean you understood him?
00:27:35Uh-huh.
00:27:36What'd he say?
00:27:37What'd he say?
00:27:38Well, he was just trying to tell you that due to the great lines of the cerebium, which have been perplexed by the fact of where the last type of dog had its first origin,
00:27:43you cannot confuse tyrannical and spasmonic conditions when it is inevitable that he is a satellite of inconvenience.
00:27:48Shut up!
00:27:48Shut up!
00:27:48You have no embryonic physical morphosis.
00:27:50Understand this?
00:27:53Nephys, period.
00:27:55Master Pepe Bordeaux, here to see you.
00:28:00And in conclusion, I'd like to add that if you took the embryonic metamorphosis, the only thing...
00:28:07Shut up!
00:28:13What's he so mean about?
00:28:14Oh, Ramona isn't mad.
00:28:16She just wants to play.
00:28:17Come, I'll show you.
00:28:21Well, Ramona?
00:28:23Do you like our friends?
00:28:26Do you want to come out?
00:28:27No, don't let her out.
00:28:28Don't let her out.
00:28:30Oh, Ramona's a pet.
00:28:31She's very tame.
00:28:32Watch.
00:28:35All right, Ramona.
00:28:37Open the door.
00:28:39Open the door.
00:28:41Give it to Ramona.
00:28:44That's a good girl.
00:28:46Come on out now.
00:28:47Come on.
00:28:49That's a good girl.
00:28:50I want you to meet my friends.
00:28:53Shake hands with Dookie.
00:28:54Shake hands.
00:28:54Hi, Ramona.
00:28:55Good girl.
00:28:55And now I think I want you to kiss Sammy.
00:28:57No, no, no.
00:28:58Get her out of here.
00:28:59Get her...
00:28:59I don't want to know.
00:29:00I don't...
00:29:00I don't want to know that I'll get her out of here.
00:29:02Oh, she won't hurt you, Sammy.
00:29:07You know something, Dookie?
00:29:09What?
00:29:09It looks a little like her age, you know?
00:29:10Yeah.
00:29:16Pepe has come for some acid for his batteries, Nona.
00:29:19Very well, Doctor.
00:29:21Come on, Ramona.
00:29:22That's a good girl into your case.
00:29:25That's a good little girl.
00:29:28All right, Pepe.
00:29:30This is Pepe Bordo.
00:29:31Mr. Mitchell, Mr. Pepe.
00:29:32Hi, Pepe.
00:29:33How are you, Mr. Bordo?
00:29:34Pepe is representing the law on the island.
00:29:37Oh, a cop, huh?
00:29:38You call them a cop.
00:29:40My friends are from America.
00:29:42How did you get here?
00:29:44There has been no boat for months.
00:29:46Oh, we just dropped in.
00:29:47They parachuted from a plane.
00:29:54Oh.
00:29:55Pepe has the only means of outside communication on the island.
00:29:59A small, wireless outfit.
00:30:01Gee, maybe you can get us off this island.
00:30:02Wireless, some passing ship or something.
00:30:04Yeah, you know, a moist coat.
00:30:06What does that mean?
00:30:08Well, my transmitter only carries to the neighboring island.
00:30:12A little over a hundred miles.
00:30:14But some ship may pick her up.
00:30:15I shall try.
00:30:16Hey, well, thanks a lot.
00:30:18Gee, that'll be peachy.
00:30:19Here you are, Pepe.
00:30:20Oh, thank you.
00:30:21And thank you to the doctor.
00:30:22My brother.
00:30:23Gentlemen, it had been a pleasure.
00:30:25Same.
00:30:25Goodbye.
00:30:26And don't forget.
00:30:29I see you to the door.
00:30:36Wow, it'll be great if we can get a ship to stop here, won't it?
00:30:38Sure will.
00:30:39Sooner the better.
00:30:40Gee, no, no, why don't you tell us there was a wireless outfit on this island.
00:30:43I just didn't think, I guess.
00:30:45Well, if a ship stops here, we can go right out to Guam.
00:30:53Gee, honey, what's the matter?
00:30:55Nothing.
00:30:56Come on, baby, don't feel that way.
00:30:58Come on, baby.
00:31:00Smile.
00:31:01It's getting awful sticky around here.
00:31:18What do you want?
00:31:19What?
00:31:19What?
00:31:20What are you doing?
00:31:20That's pretty cute, you know?
00:31:32What are you doing?
00:31:37Help, Kooky!
00:31:38Get me out of here!
00:31:39Help, Kooky!
00:31:40Kooky, get me out of here, will you?
00:31:42Get me out of here!
00:31:42Get me out of here!
00:31:43Get me out of here!
00:31:45Get me out of here!
00:31:45Get me out of here!
00:31:46Get me out of here!
00:31:46Get me out of here!
00:31:47Get me out of here!
00:31:47You know something?
00:31:47I don't like the way that Dr. Zaber looked at you a couple of times tonight.
00:31:52And do you know something?
00:31:53I don't think Dr. Zaber liked the way you looked at me a couple of times tonight, either.
00:31:57Well, it's just too bad.
00:31:59I don't know if I like the idea of living there or not.
00:32:01Why not?
00:32:02Well, it's too far from the village.
00:32:04And you.
00:32:05But I'm there every day.
00:32:06Yeah, but you're always busy.
00:32:08You can always take me home at night.
00:32:11Well, I guess that'll have to do until I can think of something better.
00:32:15I shall have my father invite all of you to dinner some night soon.
00:32:18Would you like that?
00:32:20I can hardly wait.
00:32:21Anything else, Master?
00:32:27No.
00:32:28Go to bed.
00:32:29Good night, Master.
00:32:31Good night.
00:32:37Frank, think.
00:32:39You know that I'm afraid to be left alone.
00:32:42Oh, I wouldn't think of letting you go home alone.
00:32:45I'll see you home.
00:32:46Well, thank you very much.
00:32:47But wouldn't Sammy like to come along?
00:32:49Oh, no.
00:32:50Sammy wouldn't like to come along.
00:32:51Sammy's tired.
00:32:53Sammy's tired.
00:32:53Sammy's tired.
00:32:54How does he know if I'm tired?
00:32:58Come to think of it, I am a little tired.
00:32:59I mean, STEW่ฝ
00:33:06I mean, one may go home.
00:33:10I'm very scared.
00:33:12I'm tired.
00:34:23That you, Duke?
00:34:25It's about time you got home.
00:34:33Lie still.
00:34:34Will you go to sleep?
00:34:35Well, cut it out. Will you go to sleep?
00:34:49Hey, Duke, what's with the angora patch?
00:34:51Ramona, how did you get up here?
00:35:03Come on, you gotta go back to your cage.
00:35:06Come on now, Ramona, let's go.
00:35:08I had a baby, come on.
00:35:19What are you doing with Ramona?
00:35:21What am I doing with Ramona?
00:35:23Are you kidding?
00:35:25I'm upstairs sleeping in my own bed.
00:35:26And very peacefully, mind you.
00:35:28Next thing I know, this is staring at me right in the kisser.
00:35:31The whole thing's very ambiguous.
00:35:33Take her back in her cage.
00:35:35What?
00:35:36Take her back in her cage!
00:35:39All righty.
00:35:42Ramona, now it's time to go betty-bye.
00:35:52Get into your cage.
00:35:55Oh, no, you know.
00:35:56You're not gonna lock me in again.
00:35:59All right.
00:36:00Well, we'll end on to that tonight.
00:36:01Now, what do you want?
00:36:13Oh, you want I should sit down and rock you to sleep, huh?
00:36:15Oh, okay.
00:36:19Come on, Ramona.
00:36:21Up we go!
00:36:22And over!
00:36:23Over!
00:36:25Rock-a-bye, baby, on the treetop
00:36:30When the wind blows
00:36:32Cut that out, now, Ramona.
00:36:33You gotta go to bed.
00:36:34The cradle will rock
00:36:36Do I want you, oh, my
00:36:39Do I, baby
00:36:41Dee-da-doo
00:36:43Do I need you
00:36:45Rock-a-bye, baby
00:36:48On the treetop
00:36:50When the wind blows
00:36:53The cradle will rock
00:36:56Nothing
00:36:57When the wind blows
00:37:11It's so cold
00:37:16Why do I owe it in?
00:37:19I know
00:37:20When the wind blows
00:37:21Whatใ
00:37:22Why do we owe it to bed?
00:37:23No.
00:37:42Boy, what a light.
00:37:44What a moon.
00:37:45Could reach right up and touch it.
00:37:47Well, good night.
00:37:49Sammy in bed?
00:37:50No.
00:37:51Still in the laboratory.
00:37:53In the laboratory?
00:37:54What's he doing in there?
00:37:55Putting Ramona to bed.
00:37:58Babysitting with a chimp?
00:38:00This I gotta see.
00:38:10Oh, no.
00:38:12Now he's seen everything.
00:38:15Good night, cuckoo.
00:38:23Chief Rock, it's honored to have a great doctor visit his humble abode.
00:38:29And how goes scientific work?
00:38:32Good, I hope.
00:38:34Huh?
00:38:34Oh, yes.
00:38:35Fine, fine.
00:38:37Everything is progressing satisfactorily.
00:38:40That is good.
00:38:42Mm, this is great.
00:38:43Try this.
00:38:46Hey, I like that.
00:38:47Hey, Duke.
00:39:00Get a load of that, will ya?
00:39:05Does he sleep with that thing on?
00:39:07You eat.
00:39:09Look, I told you 40 times, get out of here.
00:39:12I know how to feed myself.
00:39:14You gotta eat to grow fat.
00:39:16Will you get out of here?
00:39:18Get out of here.
00:39:19I know how to eat my own food.
00:39:21Duke, will you make her stop already?
00:39:23Fight your way out of it, kid.
00:39:24She outweighs me.
00:39:25Come on.
00:39:45Come on.
00:40:15Oh, I get it.
00:40:31You're going to go out that door.
00:40:33I'm going to go out this door, and then we're going to meet over here.
00:40:35Right?
00:40:36Oh, it's a very good idea.
00:40:38Oh, by the way, here's the bowl.
00:40:39You get two cents back on it.
00:40:41Let's go.
00:40:45Let's go.
00:41:15What are you laughing about?
00:41:25I was just thinking.
00:41:26I had to fall out of a plane to meet you.
00:41:30Baby, when we get back to the States, we're going to have a big wedding with all the trimmings.
00:41:34But, darling, my father will probably wish me to be married here with the full tribal ceremony.
00:41:39Okay, okay, we'll get married in a car bond by a motorman, if you want.
00:41:45Just so it's you.
00:41:45This belonged to my great-great-grandmother.
00:41:54In your country, it is the custom for the man to give his sweetheart an engagement ring.
00:41:59Here, this is the custom.
00:42:07Where'd you learn that tune?
00:42:28That used to be my favorite tune in college.
00:42:31No kidding.
00:42:32That's right.
00:42:34Well, it's one of the tunes in our act.
00:42:35Really?
00:42:35Too soon, it was only part of the game you played.
00:42:46Too soon, I'll be more than willing to give my heart.
00:43:10Too soon, too soon, for a kiss that offers a world of pause.
00:43:22And just like a fortune teller, I take your hand.
00:43:32But only misfortune beckons at your command.
00:43:41You promise a future bright with the early dawn.
00:43:51But when I awake, tomorrow will you be gone.
00:43:57Am I waiting in vain, may I kiss you again?
00:44:08Please don't hurt me or ever desert me.
00:44:15Am I too late?
00:44:20Too soon?
00:44:27To your health, my good doctor.
00:44:36To yours.
00:44:47Mighty Chief Rackers, I thank you for your hospitality.
00:44:51As it grows late, and I have much to do tomorrow.
00:44:55Good night.
00:44:55My pleasure, you come.
00:45:04Good night.
00:45:11Many kisses.
00:45:14She talked marriage.
00:45:16She gave boy necklace very serious.
00:45:19Very interesting.
00:45:21Very interesting.
00:45:23Very interesting.
00:45:49Chula.
00:45:59Yes, master.
00:46:00Open the cage.
00:46:13All right, open it.
00:46:19Pick her up.
00:46:32All right.
00:46:34Lay her down.
00:46:49She will be big like Gorilla, no?
00:47:00No.
00:47:02I think not.
00:47:08I think not.
00:47:10Master, she is back to Little Monkey.
00:47:22What is wrong?
00:47:23Nothing is wrong, Chula.
00:47:25Nothing.
00:47:28Now I can change a man into a gorilla.
00:47:34A man to a gorilla.
00:47:37Not me, master.
00:47:39Not Chula.
00:47:41Please.
00:47:42No, Chula.
00:47:43Not you.
00:47:53Good morning, Chula.
00:47:55Morning.
00:47:58Good morning.
00:47:59Good morning.
00:48:00I'm sorry I'm late, doctor.
00:48:02Perfectly all right, my dear.
00:48:03I slept late myself this morning.
00:48:05I have a surprise for you.
00:48:28It wasn't strong enough.
00:48:30It's worked, but it wasn't strong enough to hold.
00:48:39What did you say, doctor?
00:48:41It wasn't strong enough.
00:48:43I thought I...
00:48:45Nothing in my dear.
00:48:50Good morning, Ramona.
00:48:51Come and shake hands.
00:48:53How are you today?
00:48:55Oh, I forgot to bring you something.
00:49:00When are we going to get out of here, Duke?
00:49:02How should I know?
00:49:03Yeah, a fat like you care.
00:49:05You're happy here.
00:49:05You got Nona.
00:49:07After all, where are you going to find a Nona in the Bronx?
00:49:09You know you got something there, chump?
00:49:11Me?
00:49:11The two-legged blimps got me crazy.
00:49:14I nearly froze to death last night in those trees trying to get away from her.
00:49:17Imagine me trying to do a Tarzan.
00:49:20I ain't got the bill for it.
00:49:21Well, I'll go look up this guy, Pepe.
00:49:24See if he's contacted any ships.
00:49:26You want to come along?
00:49:27And run into Salami?
00:49:29No thanks.
00:49:30All right.
00:49:33Oh, try to keep out of Ramona's cage, will you?
00:49:37Very funny.
00:49:38Very funny.
00:49:39Ha, ha, ha, ha.
00:49:44Keep out of Ramona's cage.
00:49:46Does he think I am an idiot or something?
00:49:48Hiya, baby.
00:49:56So early in the morning.
00:49:59Well, I'm on my way to see Pepe.
00:50:01We've got to get back to the States.
00:50:02I'll go with you.
00:50:03All right.
00:50:07Oh, Nona.
00:50:09Yes?
00:50:10I need you in the lab.
00:50:15Very well.
00:50:15You'll never find Pepe's place by yourself.
00:50:20Go to my father.
00:50:21He'll get you a guide.
00:50:22All right.
00:50:23I'll see you later.
00:50:24I'll see you later.
00:50:25Oh, my God.
00:50:55Oh, my God.
00:51:04Good morning, everybody.
00:51:08Where is everybody?
00:51:14Hello. Hello, hello, hello. Good morning.
00:51:16Good morning.
00:51:17Hiya, Pop.
00:51:18Good morning.
00:51:20Well, how are you today, my little anthropoid?
00:51:24Anthropoid?
00:51:25Where did I get that one?
00:51:27Oh, well.
00:51:30How about a little strip the cockey?
00:51:31Strip the cockey?
00:51:32Never mind that.
00:51:40When you get through with that, will you make me a malted?
00:51:41Master.
00:51:53I think that will be all for today, Nona.
00:51:58Now, why don't you take our guests along with you to the village to meet your friend, Duke?
00:52:03All right, doctor.
00:52:04Come along, Sammy.
00:52:24Good, Shula.
00:52:25Very good.
00:52:26First, we'll make sure he does not come to until we're finished.
00:52:30Then, put him into the cage.
00:52:44They got disclosed.
00:52:48Remember, Nona, you promised to protect me from salami.
00:52:50You mustn't be afraid of her.
00:52:52She's only a baby.
00:52:53Yeah, a baby elephant.
00:52:54Hey, look.
00:52:55Honeys didn't grow on these trees out here, don't they?
00:52:57Why, it's my necklace.
00:53:00Yeah, that's right.
00:53:01It's the one Duke he had on.
00:53:02I wonder how it got here.
00:53:04He's awful careless with his jewelry.
00:53:07Don't tell him we found it.
00:53:08I want to tease him about losing it.
00:53:10Make him worry a little before I give it back.
00:53:12There's him right.
00:53:13That's it.
00:53:36How long it take, master?
00:53:38I don't know.
00:53:39Quiet.
00:53:43Oh, you are back, my little one.
00:53:53Remember, Nona, you promised.
00:53:55No, Saloma.
00:53:56Nonga, Pascal, nonga.
00:53:58Just a little?
00:53:59Not a little.
00:54:00Oh.
00:54:01Did our father supply Duke with a guide to go to Pepe's?
00:54:04Duke not come here.
00:54:06Sure?
00:54:07Not sure.
00:54:10He must have gone to find Pepe alone.
00:54:12That's bad.
00:54:13Dugar.
00:54:15Osmo.
00:54:19Uncasano, unucapada, con lado, unpepe.
00:54:22Encosado, uncuado, un tesla, unpepe.
00:54:28What did you call him?
00:54:29To look for Duke.
00:54:30Good.
00:54:31And hurry.
00:54:32Pronto, schnell.
00:54:33Let's go back to Dr. Zay, boys.
00:54:35He may have turned back looking for this.
00:54:37All right.
00:54:38Come on.
00:54:38Me go too.
00:54:39No, Saloma.
00:54:40No, no.
00:54:41No, no.
00:54:41A thousand times no.
00:54:44No, no.
00:54:45A thousand times no.
00:54:49No.
00:55:49Now, let's see if my lovely Nona will prefer you to me.
00:56:03Suppose he ain't here.
00:56:04Then what?
00:56:05Then he must be lost in the jungle and we better go find him before it's too late.
00:56:08Dookie, come out, come out, wherever you are.
00:56:16Maybe he's hiding.
00:56:20Dookie!
00:56:21Hide his clothes in there and put Ramona in there too.
00:56:24Dookie!
00:56:36Dookie!
00:56:38Maybe he's in the laboratory.
00:56:40Come on.
00:56:40Doctor, the Duke come...
00:56:50Where'd he come from?
00:56:55Another step in my experiment, my dear.
00:56:58Ramona is now a gorilla.
00:57:00Ramona?
00:57:01Did you hear Ramona?
00:57:01Yes.
00:57:03Boy, I'd hate to have to rock to the sleep now.
00:57:07Do you intend to advance her one more step?
00:57:10To the human level?
00:57:11No.
00:57:13I don't blame you, Doc.
00:57:14It's the stupidest looking gorilla I ever saw.
00:57:16Did Pepe have any good news for our friend, you?
00:57:21I don't know.
00:57:22We can't find him.
00:57:24He must be lost in the jungle.
00:57:28Some of my people are searching for him.
00:57:31Sammy, I think we'd better go back to the village.
00:57:33Not me.
00:57:34I'm tired of chasing around.
00:57:35I'll wait here.
00:57:38I will be glad to go with you, my dear.
00:57:41Come.
00:57:46Well, well, so long, Ramona.
00:57:49And don't take any wooden bananas.
00:58:10Chula, if Duke should return, bring him to the village.
00:58:14Yes, master.
00:58:14Let's go, dear.
00:58:16Wait, wait, what are you trying to say, Ramona?
00:58:29Wait, wait, wait, what are you trying to do, Ramona?
00:58:31I don't understand you.
00:58:32What?
00:58:39Oh, it's your head.
00:58:40Oh, good, oh, oh, uh-huh.
00:58:48Three words, three words.
00:58:53First word, first word.
00:58:57Pupil, pupil.
00:59:02Lash, eyelash.
00:59:03No, no, uh, brow, brow, brow, brow.
00:59:05Uh, eye, eye, eye, eye, eye.
00:59:08Second word, second word.
00:59:10Here.
00:59:11Uh, no, no, sounds like, sounds like, sounds like.
00:59:15Bang.
00:59:17No.
00:59:18Uh-uh.
00:59:19Hit, hit, hit, hit, hit, hit.
00:59:21No, no, no.
00:59:25Uh, uh, uh, um, uh, bang, bang.
00:59:28Ram.
00:59:29Sam, sounds like ram.
00:59:31Ram.
00:59:32Ritz, uh, Sam.
00:59:34Hey, hey, ham.
00:59:35Ma-ma'am?
00:59:36Well, uh, lamb, lamb, lamb, lamb.
00:59:38Wait, wait a minute, Ramona.
00:59:40I can't hear you with all that noise.
00:59:41You wait right here.
00:59:42I'll be right there.
00:59:44Look, will you clear out all that racket out there now?
00:59:46You're confusing me, and I'll...
00:59:50Ramona!
00:59:54Then who are you?
00:59:55Ramona!
00:59:55Ramona!
00:59:55Ramona!
00:59:55Ramona!
00:59:55Ramona!
00:59:57Ramona!
00:59:57Ramona!
00:59:57Ramona!
00:59:58Ramona!
00:59:59Ramona!
01:00:03Duke's close.
01:00:05How'd they get there?
01:00:07And where'd he go?
01:00:08Without him?
01:00:11Oh, this is all very confusing.
01:00:15Look, look, look, look.
01:00:16What are you trying to tell me?
01:00:17I don't understand a word.
01:00:18What am I, dumb or something?
01:00:20Don't answer that.
01:00:22No, if only Duke were here.
01:00:23He'd figure it out.
01:00:24He's a smart one.
01:00:25Little Ramona, big Ramona,
01:00:27eights, gorillas,
01:00:28jungles,
01:00:29jungles,
01:00:29natives,
01:00:30mere doctors.
01:00:31What an interesting cranium.
01:00:32Make me nervous with all this stuff.
01:00:34I'm a young kid.
01:00:35I got a lot of talent.
01:00:36I don't want to go through all this stuff.
01:00:38Dookie!
01:00:39Dookie!
01:00:40What have they done to you?
01:00:45How'd you get like that?
01:00:48Oh, Dookie, what?
01:00:50No, I don't understand, Dookie.
01:01:01What am I going to do with you?
01:01:06Ki, Ki, Ki, we've got to get the Ki.
01:01:09Where, where's the Ki?
01:01:11Oh, Dookie.
01:01:19Ah, take it easy.
01:01:20You don't know your own strength.
01:01:22Come on, we've got to get out of here.
01:01:35all right all right all right stop me with the tarzan stuff now let's go upstairs and hide until
01:01:52i can figure this thing out they have not found duke no you don't come to my place we must find him
01:02:09father something has happened to him we will find him cool about cakey i'm sure he's safe my dear
01:02:22father we've got to find him
01:02:27when you were human you did all the thinking for the both of us
01:02:42find him to have to get out of and with nothing but my poor little brain to help us
01:02:47and don't look at me will you
01:02:52we gotta get that screwy doctor to change your back again
01:03:12what if he hasn't got the combination
01:03:15oh don't cry dookie just think what a sensation will be when we get back home
01:03:24i can see it all now sammy petrello and duke mitchell
01:03:28the singing gorilla i will kill him we may even play the palace
01:03:34don't cry nona they find duke for real they find him
01:03:42everybody look for him they find him honest
01:03:49don't cry my child
01:03:53master
01:03:58it's about duke
01:04:08no my dear ramona is uh loose she's dangerous if she comes here you have my permission to kill her
01:04:27look don't worry we can get a nice apartment near the bronx zoo
01:04:35and you can go over to the monkey house and visit any time you want
01:04:49look will you cut out the hysterics we gotta think now
01:05:10quiet quiet quiet quiet
01:05:15now sit down we've got to think this over
01:05:32can't stay here forever
01:05:36when they get to the village alive it'll kill you before i can explain explain
01:05:40who can explain this they'll probably think i'm a sugar then they'll kill me too
01:05:46well we got to take a chance come on get up
01:05:51wait a minute i'll put some clothes on you maybe that'll fool
01:06:10there's something that ought to do it dookie
01:06:22here this will cover you up put it on what are you doing what are you climbing here put it on
01:06:32you put it on now look dook mitchell i'm running this game you understand and i'll throw it back
01:06:43there now put it on because we gotta get out that door
01:06:46dookie dookie this is you over here right now dookie
01:07:02this is you ain't it dook oh come on dookie tell me it's you will you
01:07:10dookie dookie please tell me it's you will you dook
01:07:20oh come on sing dance do something will you
01:07:25do i love you oh my do i baby
01:07:32oh come on baby come on
01:07:37let's go
01:07:55come on dookie come on hurry up boy
01:08:00you hurt this time master
01:08:17no no no get my rifle come on let's go
01:08:27move you
01:08:28hurry up will you come on come on don't let him get us boy
01:08:31come on let's go hurry up will you
01:08:35Don't let him block me, Duke. Don't let him block me.
01:08:42Don't let him block me.
01:09:04Come on, Duke. There's no time for romance. Look.
01:09:08Come on, tell her you'll see her later and let's get out of here.
01:09:12No, no, no, wait, wait. Get out of here, please.
01:09:24It's only Dookie Mitchell. Look, it's only my partner, Dookie Mitchell.
01:09:28Come on, Dookie.
01:09:32No, no, no, wait, wait, wait. Put that away. It's only Duke.
01:09:35Oh, no. What crazy thing is this?
01:09:38It was Duke that doctor's neighbor changed into a gorilla, not Ramona.
01:09:48Duke, is it really you?
01:09:50Oh, Duke, my darling, what have they done to you?
01:09:58We'll find doctor. He'll pay for this.
01:10:00You won't have to find me.
01:10:02a very touching scene, my dear.
01:10:06Step aside, my dear.
01:10:08Oh, no, no.
01:10:10Step aside.
01:10:12No, no, Duke. Duke, what are you nuts? Come on back, Dookie.
01:10:16Come on back, Dookie.
01:10:18Sammy.
01:10:20Sammy.
01:10:22Duke. Duke, I don't want to die, Duke.
01:10:24I'm too young. I have too much talent. I don't want to die.
01:10:28Come on. Wake up, will you? Let's go. Hey, come on. Come on. Duke. Duke, you're not a gorilla anymore.
01:10:50Duke, you're not a gorilla anymore.
01:10:52Gorilla? What are you talking about?
01:10:58Where am I?
01:10:59Where are you?
01:11:00You're in our dressing room of the jungle hut in Passaic, New Jersey, and we're on next.
01:11:05Let's go. Come on.
01:11:06Boy, what a dream.
01:11:07Hurry up. Straighten up.
01:11:11Come on, will ya?
01:11:13Come on. I'm sharp, Duke. I'm going.
01:11:15Come on.
01:11:20Ah.
01:11:21Hello, Dukeie.
01:11:22Hi, baby. How'd it go?
01:11:23Sensational. What a crowd. We really killed them.
01:11:25Really?
01:11:26Good luck, honey.
01:11:28Gee, Frankos.
01:11:29Hot work, huh, Pop?
01:11:30Oh, yeah? You're not kidding.
01:11:32Bye-bye, baby.
01:11:33Bye. Cuckoo, come on.
01:11:38Watch it, Bob. Watch it.
01:11:40Peppy.
01:11:41What?
01:11:42Nothing, nothing.
01:11:45Chula!
01:11:46Hurry up. You're on next.
01:11:50What kept you?
01:11:51Oh, Dukeie, the most awful thing happened.
01:11:56And you'd better get some laughs this time, or you'll be collecting unemployment insurance.
01:12:02Dr. Zaymore!
01:12:07What's the matter with you?
01:12:08Oh, Dukeie, I just saw everybody in my dream.
01:12:10Chula, Peppy, and that's the guy that says,
01:12:12what it is, but it's been cranium right over there.
01:12:14That's the fella.
01:12:23Oh, no!
01:12:25Where's my little Tarzan?
01:12:26Hiya, doll!
01:12:27And now, ladies and gentlemen, those two fireballs of fun, Duke Mitchell and Sandy Petrillo.
01:12:40Come on, Duke.
01:12:41Come on, Duke.
01:12:42Come on.
01:12:43Come on, break it up.
01:12:44Come on.
01:12:45Gee, you're not so bad.
01:12:46Good evening, ladies and gentlemen.
01:12:47Hey, Dukeie, Dukeie, look.
01:12:48There's the New Arbery.
01:12:49The New Arbery.
01:12:50The New Arbery?
01:12:51New Arbery.
01:12:52Yeah, don't you know what a New Arbery is?
01:12:56No, what's a New Arbery?
01:12:57It's a bird that lays square eggs.
01:12:58Then he goes, oh, oh, I'm going to see you in the sun now.
01:13:03The New Arbery.
01:13:04The New Arbery.
01:13:05The New Arbery.
01:13:06The New Arbery.
01:13:07The New Arbery.
01:13:08The New Arbery.
01:13:09The New Arbery.
01:13:10The New Arbery.
01:13:11Hey, Doogie, Doogie, look, there's a noir bird.
01:13:15A noir bird?
01:13:16Yeah, don't you know what a noir bird is?
01:13:18No, what's a noir bird?
01:13:19That's a bird that lays square eggs.
01:13:20Then he goes,
01:13:21Playboys.
01:13:30Do I love you, oh my do I?
01:13:38Indeed I do.
01:13:41Baby, indeed I do.
01:13:48Baby, baby, baby, baby, babe, of course I do.
01:13:53Cause baby, yes sir baby, cause baby, indeed I do.
01:14:03Oh, baby be on fire.
01:14:10You are wild.
01:14:11You are wild.
01:14:12ems, but boy, because baby, themselves your Mรคdels are dear.
01:14:14Baby, we can't get away from you up to you up to you up to you up to you up to you up to you up to you up to you.
01:14:16You are wild.
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