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00:00The
00:30THE END
01:00THE END
01:30THE END
02:00Tonight, my dear Maxwell, I'm ready to try my experiment on a human.
02:23Yes?
02:25In the morgue, there is a lethal ghast suicide.
02:30An ideals peasant.
02:32Have you made arrangements?
02:41No.
02:42You know I do not work under prying ice.
02:51You will find a way for me to work without detection.
02:55It is your chance to show me your gratitude for my generosity and protection.
03:02I will never forget what you have done for me and will do anything to help you but the morgue.
03:15Dead people!
03:16I hope we shall be caught.
03:18How many times have you told me of your impersonations that you never had a chance?
03:33Maybe your art will serve you after all.
03:40You have seen the coroner?
03:43Why not impersonate him?
03:45No.
03:45That's it!
03:46No.
03:46No.
03:46No.
03:46No.
03:46No.
03:47No.
03:47No.
03:48No.
03:49No.
03:50No.
03:51And you can repay me for what I have done.
03:56It's horrible, I tell you.
03:57Working on the death.
03:59Trying to bring back life.
04:01It's not natural.
04:03You with your weird idea.
04:05What?
04:06Haven't I stayed here and earth dying dogs?
04:08Yeah.
04:09And even that miserable cat?
04:13And for what?
04:15For a measly roofing food.
04:17Because you took me in.
04:18And I was coming out.
04:23Once a ham, always a ham.
04:31You an actor?
04:37But don't forget, my dear Maxwell.
04:42The police would be very glad to find you.
04:46I didn't mean I wouldn't.
04:50Of course not.
04:54In time, you may become a great man.
05:16You have no place.
05:39I don't know.
05:39This is the one.
05:50Here.
05:57File number 26941.
06:01Maria Altura.
06:0324.
06:04Suicide.
06:06Carbon monoxide death.
06:07Not claimed.
06:09Carbon monoxide death.
06:39Perfect.
06:43But we'll have to work fast.
06:57Thank God.
07:00Them stiffs is getting heavier.
07:02More of them every day.
07:12Between the gangsters and the autodrivers, we don't need another war to carry off the population.
07:17You didn't even mention suicides.
07:19They even got the coroner working overtime.
07:31Say, did you see the butte that come in today?
07:35Did I?
07:36Did I?
07:37Yeah.
07:37She's the one that has the coroner doing the night work.
07:41What?
07:42Special autopsy?
07:54Must be.
07:55Must be.
07:56I wonder who that old...
07:57I wonder who that old...
08:10I must get her out of here.
08:13I must get her out of here.
08:15She must have oxygen.
08:27Unlock the side door.
08:28And back up the cart.
08:30But watch out for the guard.
08:32And as soon as he's out of the way, we'll take her out of here.
08:36Get her out of here.
08:49You say the corpse of the young woman has been stolen?
08:51Yes.
08:52And it sure has me puzzled.
08:55Well, I might thought I took it.
08:57Well, I just swore it was the coroner himself.
09:00There must have been a very strong resemblance.
09:07Yeah, he was a dead image of him.
09:10And talked like him, too.
09:12Oh!
09:13You talked to him?
09:14No.
09:15No, he was talking to some other old fellow there that looked like Sandy Claus.
09:19As I said to Jake, he had whiskers and bushy hair and his eyes were wild.
09:25It must have been some other two fellows.
09:27Could you positively identify if you saw the party?
09:32I wouldn't swear to anything now after being secured to the coroner.
09:37You know, Mike's description is very much like your friend Meyer Schultz.
09:43Tell me, have you seen him of late?
09:47Why, Dr. Meyer Schultz is really a great research scientist.
09:52Why, he has formulated some amazing methods for preserving gland extracts
09:55in the most potent state?
09:58He's no body snatcher.
10:01Well, doctors and scientists often have some queer things in their minds.
10:06Anyway, I'll look into it.
10:09Go easy, Jones.
10:11I wouldn't like to offend the doctor.
10:13Don't worry.
10:15I'll do nothing to embarrass you.
10:26Captain?
10:27What do I do about this?
10:34Collins.
10:36See if you have anything there on Don Maxwell.
10:38Last heard from in this city.
10:44Impersonations, vaudeville.
10:47Yeah.
10:48Okay, Cap.
10:50Let's see what they got in their files on Don Maxwell.
10:59With 24 hours complete rest, she will recover.
11:03Think of it.
11:22Life.
11:24Back in a body that's sought oblivion.
11:28It's uncanny.
11:30The possibilities terrify me.
11:39But not one word out.
11:43This is but a step.
11:47Cases like this has the element of doubt.
11:51What I want is a victim with a shattered heart.
11:56Yes, a heart.
11:58Yes, a heart.
12:02That I can replace with this beating thing I have forced life back into.
12:12You will get me such a victim, Maxwell.
12:16It will be my supreme accomplishment.
12:20Not from the morgue.
12:21They'll get the spitties.
12:22I don't care where you get it.
12:23From the morgue.
12:24From the streets.
12:25The undertaker.
12:26Get one.
12:28The end will justify the means.
12:29The undertaker.
12:30The undertaker.
12:31Around the corner.
12:32That gangster shot today.
12:33Just the thing.
12:34That gangster shot today.
12:35Just the thing.
12:36The undertaker.
12:37The undertaker.
12:38Around the corner.
12:39That gangster shot today.
12:40Just the thing.
12:42The undertaker.
12:46No.
12:47No.
12:48It's okay.
12:50No.
12:51You.
12:52No.
12:53No.
12:54No.
12:55No.
12:56No.
12:57The undertaker.
12:58No.
13:00No.
13:01No.
13:02No.
13:05No.
13:06No.
13:07No.
13:08No.
13:09No.
14:10Where is it?
14:12I couldn't get it.
14:19Coward!
14:21Oh, you fools!
14:29You have filled me in the greatest moment of my life!
14:35Oh, you fools!
14:37Oh!
14:38Oh!
14:42Oh!
14:43Oh!
14:44Oh!
14:46Oh!
14:47Oh!
14:48Oh!
14:49Oh!
14:52Oh!
14:53Oh!
14:54Oh!
14:58Oh!
15:03Oh!
15:04Oh!
15:05Oh!
15:06Oh!
15:10I have it.
15:19You know my powers.
15:21You have worked with me.
15:23You have faith in me.
15:26Here, take this.
15:28Take it and take your life and I will give it back to you.
15:32My living heart shall be in your body and will live again.
15:37Only think of it.
15:39You will live.
15:42You will live.
15:47Live.
16:09Live.
16:10Live.
16:11Live.
16:12Live.
16:12Live.
16:14THE END
16:44Murder
16:46Murderer
16:54And of my benefactor
16:57Horrible
17:00You have so much to give the world
17:02But
17:10Has he
17:11Why should the unconscious
17:16Peace of the dead
17:17Be disturbed
17:19Isn't the spark
17:22That moves the maggot
17:23The self-seeing spark that moves the man
17:27Preserving that spark
17:30In the individual
17:31Is not important
17:32What we do with the spark
17:34While we have it is important
17:36In Myers-Shoth
17:40The spark is gone
17:42In Maxwell
17:44It lives
17:46The spark is
18:16But nothing to bring him back
18:19I'd better hide him
18:23He's
18:27No
18:28We are
18:35He's
18:38Dr. Meyer Schultz, please.
18:58Why, he isn't here.
19:00How terrible.
19:02It's so very urgent.
19:04Will you tell him that Mr. Buckley is having positively alarming hallucinations?
19:10Why, he thinks he's the orangutan murderer in Poe's murder of the room morgue.
19:15Tell the doctor I must have some definite help.
19:19I'll go get him and bring him in.
19:25No, don't do that.
19:33Myers Schultz would be missed.
19:58But, Maxwell never would.
20:02No, don't do that.
20:32No, don't do that.
20:58They're clean.
21:28Not only do I look like Meier Schultz, I am Meier Schultz.
21:34I will be a great man.
21:58I'll give him a shot.
22:28I'll give him a shot to relieve the nerve tension.
22:30May I help him?
22:32We'll try that first.
22:34Take off your coat.
22:58I'll give him a shot.
23:00I'll give him a shot.
23:05Super-adrenaline.
23:24I'll give him a shot.
23:26No, not that.
23:30Ah!
23:31Water.
23:40That will do no harm, and I will be rid of them.
23:50I'll give him a shot.
24:02I'll give him a shot.
24:09I'll give him a shot.
24:22There now.
24:23You'll feel better.
24:25Slipping.
24:32Doctor, he seems to be getting worse instead of better.
24:40Stealing through my body.
24:51Creeping through my veins.
24:55Pouring in my blood.
24:58Oh, dust the fire in my brain.
25:04Stabbing me.
25:07Agony.
25:09I can't stand this torture.
25:13This torment.
25:16I can't stand this torture.
25:18I won't.
25:20I won't.
25:21I won't.
25:23Agony.
25:37What was in that hypo?
25:42at
25:44when
25:49the
25:51the
25:55lot
25:58for
26:00Oh, you're dead.
26:25Doctor, what have you done?
26:28This looks like murder.
26:30No, no, not murder.
26:35My assistant shot himself.
26:41Shot himself?
26:43When?
26:45Why, I only saw him an hour ago.
26:48Why didn't you call the police?
26:50No, not the police.
26:52I wanted to bring him back to life.
26:55I wanted to experiment on him.
26:57In fact, I must.
27:02I can bestow him.
27:07You shot your assistant just to experiment on him?
27:12I can't tell you.
27:14No!
27:17No!
27:17No!
27:19No!
27:20No!
27:21No!
27:22No!
27:23No!
27:23No!
27:24No!
27:25Dr. Martin, I have often heard of your uncanny experiments, but this tops them all.
27:48But I think we speak the same language.
27:53Am I right?
27:55Well, I just don't get what you mean, same language.
28:00We have a common interest.
28:03When you bring your assistant back to life, his mind will do as you direct.
28:11You can do the same to Buckley.
28:14Then he will do as I direct.
28:18Buckley saw my body.
28:43The police.
28:46If they should come, I must bring him back.
28:51I'll find that formula.
29:06Kitty, kitty.
29:08Kitty, kitty, kitty, kitty.
29:09Oh, howdy, Doc.
29:16Say, a couple of my cats got away.
29:18You seen them anywhere?
29:20Of course not.
29:20What would I want with your cats?
29:22Oh, well, I didn't know.
29:24I thought maybe, you know, you might use them for, well, some experiments or something.
29:31Me, cats?
29:32Never.
29:34Oh, uh, that is, I think too much of Satan to use cats for experiments.
29:40Oh, well, that's what I thought, you know.
29:43Well, no harm, man, Doc.
29:50Well, so long.
29:51All right.
30:06What am I going to do?
30:09The police won't be here any minute.
30:13I must have fallen to the body.
30:16I'll hide it.
30:18I'll burn it.
30:20No.
30:22That camera bath.
30:26The basement.
30:43I'll burn it.
30:52I'll burn it.
31:05I'll burn it.
31:08Satan, the gleam, you wretch, stand between me and Falbaten, will you?
31:38To be continued...
32:08Why, it's not unlike an oyster or a crepe, but the gleam is gone.
32:38Ha, ha, ha, ha, ha, ha.
32:49Do it.
32:56THE END
33:26THE END
33:56THE END
33:58Do you know why Dr. Marshall and his assistant Don Maxwell?
34:03Sure. They're sort of queer, I'd say.
34:06There's lots of queer goings on up there.
34:08Why, they even brought a dead dog back to life once.
34:10Well, that sounds very remarkable to me.
34:12It may be, but to my notion,
34:15those of the monkeys with what they got no business to
34:17gets queer sooner or later.
34:19Maybe you're right.
34:20I know I am.
34:21Well, I even heard a shot up there last night.
34:24Why didn't you notify the police?
34:25That's their business, not mine.
34:27I understand for your neighbors that your cats are making noise at night.
34:43Dr. Marshall has complained.
34:49Yeah?
34:50Well, he's been stealing my cats for his experiments.
34:53I know.
34:54I've been spying on them.
34:55How many cats have you?
34:56What's the matter, rats?
34:57Oh, thousands of them.
34:59Right here in my backyard.
35:01Thousands?
35:01Yeah, I've got thousands of cats, too.
35:04Want to see them?
35:05What's the idea?
35:06You sell them?
35:07Oh, no.
35:08It's my own idea.
35:12I'm in the business.
35:20Spa business.
35:22Oh, I see cats for her.
35:25Don't get it.
35:25Quick.
35:27Where do the rats come in?
35:29Oh, you ain't as quick as I thought.
35:33Look.
35:34You see, I figured out that rats breed faster than cats.
35:42And cat skins makes good fur.
35:45Cats eat rats.
35:47And rats eat raw meat.
35:50That is, they eat the carcasses of the cat.
35:54So, the rats eat the cat.
35:57The cats eat the rats.
35:58And I get the skins.
36:03Well, rats eat and cats.
36:04Well, that is news.
36:06Simple, ain't it?
36:07Say, by the way, did you hear a shot last night?
36:11Maybe.
36:12I don't know.
36:13Hey, Maisie.
36:36We know your heart's boiled.
36:38You don't have to stay in the water 30 minutes to prove it.
36:40Oh, let me alone.
36:42I may not be decent, but I'm sure going to be clean.
36:45Say, if anyone is entitled to the first place in that bathroom, it should be me.
36:51Didn't I sign the register and welcome you all as secret guests?
36:54If it wasn't for nervy little Alice, you'd all be sinking your weary bones into the soft recesses of some park bench with light, fleecy coverlets made by the great American press.
37:09Press.
37:11That reminds me.
37:12I have pressing business.
37:14Here's one for the book.
37:32Sandwich Man pounding pavements, walks out of a wallet with 42 grand in it.
37:37I'd like to find that man.
37:40Maybe we could sandwich him in.
37:41Can you imagine if the darn fool turns it in?
37:44His head must be a jelly bean instead of what they thought it was.
37:47Well, it sure was soft, all right.
37:51But would it be soft to land on 42 grand?
37:55Yeah, but listen, after he turned it in, people made such a fuss over him that he went nutty.
37:59Thought he was the almighty in person.
38:01So that's what being honest gets you.
38:03A nice, soft, padded cell in the bug house.
38:06It's pretty tough.
38:13Imagine the poor guy.
38:15I'll bet nobody noticed him all his life.
38:17And then, say, wasn't there some guy in history that spent all his life looking for an honest man?
38:24Sure.
38:25In his day, men were men.
38:28But today, they're too scared to be anything but honest.
38:31Yeah, but a brave guy can sure get away with plenty.
38:37Say, you must have been reading the papers.
38:39Or maybe you've been drinking crazy water and your head's crickling.
38:42Be yourself, Alice.
38:43Playing the heavy, heavy don't suit you.
38:46Oh, it's getting me down.
38:48Always broken, never a break.
38:51Why don't you bitch that ham and pick yourself a rich husband?
38:55Rich husband?
38:56I've heard they come that way.
38:58Not very often.
39:00Often enough, but not our way.
39:02Oh, the girl has brains.
39:04You don't have to put a zipper on her to prove it either.
39:06Alice, listen to this.
39:09Down next, well, personality impersonator gets lucky break.
39:12Why, that's your husband, ain't it?
39:14Pipe down, will ya?
39:16Let her read it.
39:17By queer quirk of fate, actor falls heir to Australian estate.
39:21This paper is trying to find him.
39:23He used to be around in vaudeville days, but we haven't heard much of him lately.
39:27The lucky ham.
39:29From now on, he'll have the company of a good egg.
39:32We have wonders every season.
39:35Say, I wonder if he's still with that goofy professor.
39:43He's inherited a fortune.
39:46You say a fortune?
39:48He never spoke to me of any rich relative.
39:51He hardly knew of them himself.
39:53I believe it was his uncle in Australia.
39:57I am certainly glad to hear that.
40:00I'm sure you'll be blamed.
40:02Oh, but don't tell him.
40:04You see, I want to tell him the news first.
40:08Oh, that's only natural.
40:10Mrs. Maxwell, your husband will be here at eight tonight.
40:15All right.
40:46Oh, my God.
41:16The gleam.
41:42It was in Meyer Schultz's eyes when he wanted to murder me.
41:50It was in Mrs. Buckley's eyes when she wanted to murder her husband.
41:56Alice had the gleam in her eye when she wanted to find me.
42:02She'd murder me.
42:05That's what she wants to do.
42:08I must get rid of her.
42:12But now...
42:15Mrs. Buckley.
42:18She will help.
42:21She must help.
42:25We are lost.
42:27You are right.
42:31But before I can get him back here, you will have to help me.
42:36Mrs. Maxwell is crazy and will be here any minute.
42:40She thinks that I murdered her husband and wants to turn me over to the police.
42:46We must keep her subdued till I can get Buckley.
42:53Down in the basement is a secret vault.
42:57We will put her down there.
43:01You quiet her by jabbing this in her arm.
43:05And in the meantime, I will go get Buckley.
43:08It sounds all right.
43:11Except the fact she's crazy.
43:15It seems to me she has the right idea.
43:19So you feel that way too.
43:25Stay in there.
43:26I'll call you when needed.
43:28At last I have really secure living for us.
43:37We can travel or anything we want.
43:39Then you knew of the inheritance?
43:41Sure.
43:42I have one little job to accomplish.
43:44Then we can leave together.
43:46No doubt you were surprised at this disguise.
43:48Oh, no.
43:49I wouldn't be surprised at anything from you.
43:53No, honey.
43:54You were here in time to help me.
43:55I knew there was a catch in this someplace.
43:57But spill it.
44:02In the other room, I have a crazy woman I've been treating.
44:06Ha ha!
44:07So you've been treating?
44:09Quiet, will you?
44:10Now this is serious.
44:11Our lives are in danger.
44:13What do you mean, are?
44:15That's what I said.
44:17Now listen to me.
44:18I want you to help me take this woman downstairs.
44:23I'll give her a shot.
44:26Then you take care of her till I get help.
44:29Well, how about me getting the help?
44:33She's quiet now, isn't she?
44:38Yes.
44:39But she'll break out any minute.
44:41She's not afraid of a woman.
44:43So if she happens to get wild, just shove this into her arm.
44:48Now keep it hid.
44:50And all will be well.
44:52And all will be well.
44:53All right, Mrs. Buckley.
45:07We will go downstairs now.
45:09I have a special treatment room there.
45:12I'm going to room there.
45:13I'm going to room there.
45:14I'm going to room there.
45:19I'm going to room there.
45:21I don't see each other in a room.
45:22I'm going to room there.
45:23I'm going to room there.
45:25So these are manyProfΰΉ„ sizer.
45:26I'm going to room there.
45:28And see she gets attached to me more.
45:29One and four.
45:30Wow.
45:31So, this is what you might be okay with right away.
45:32It says he is in the room.
45:34Whole stro 73.
45:35range rats himself and Macall savings card.
45:38The rest is cremement for Yam speak Demon.
45:40Oh, oh, oh, oh, oh.
46:10Oh, oh, oh.
46:21Oh.
46:22Oh.
46:24Oh.
46:34Oh.
46:37Who the hell are you?
46:45Help! Help! Help!
46:50Help!
46:56Where are you?
47:00Look in that room, Parker.
47:15You come with me, Vinnie.
47:21I've got orders to search this place and take everyone in it down to headquarters for questioning.
47:29What is that?
47:30I'm not seeing a couple of my patients having a little argument.
47:35Take me down there.
47:37It won't do any good.
47:38There are a couple of wooden mortisers fighting it out.
47:41Man, you're crazy.
47:42What kind of a place is this?
47:44Oh, I'm crazy, am I?
47:46Oh, let me tell you something.
47:49Those women have their dreams.
47:51I know you're saying you're lying.
47:52Oh, that's a real person.
47:54All right, get it going.
47:55Come on.
48:07Come on, come on.
48:10Quiet down.
48:11What's behind this wall?
48:24Vinnie, tear this wall down.
48:26Murderous Satan.
48:28The rest of the deep martial arts.
48:30He still has the gleam.
48:39Why do I keep crying with me?
48:41I don't know.
48:50Never mind.
48:54I'm sorry.
48:54Come on.
48:55I don't know.
48:55THE END
49:25THE END
49:55THE END
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