Dimension 20 S26E01P2 (2025)

BRITCOM 2

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Transcript

00:00:00You have, over the years, every time people have sent goons after the McLeod family.

00:00:07Yeah.

00:00:08Look, sometimes, in Pilby especially, there can be some guys who want to come after people like you.

00:00:19People who have the last name McLeod.

00:00:22And I, as a favor to Comfrey, just said I would look out for you.

00:00:30Is that why all those guys died around me on the roller coaster?

00:00:34Yeah.

00:00:34They all had knives and they were all trying to drop them on your head in the loop-de-loop.

00:00:42That plan is...

00:00:44It's not a good plan.

00:00:45Oh my God.

00:00:47Oh my God.

00:00:47Sounds like something hat-well would come up.

00:00:49Like, I didn't blame myself, but I...

00:00:52It must be shocking to be on a roller coaster and you get the picture back and everyone's dead in the future.

00:00:58Everyone's dead.

00:01:00Yeah.

00:01:01I know it.

00:01:03I had my eyes closed screaming for the drop like you do.

00:01:05I probably should have explained that one.

00:01:07Yeah, wow.

00:01:08Oh my gosh.

00:01:09But thank you.

00:01:09You really did save me.

00:01:11But you're Daisuke Bucklesby.

00:01:16In the flesh.

00:01:18In the flesh.

00:01:21Wow.

00:01:22Right?

00:01:23Well, if you're in the business of doing favors for Professor McLeod, you might be interested in saving her because we have...

00:01:35She's in Zood and she's in trouble.

00:01:37What?

00:01:39Zood ain't real.

00:01:40Come on now.

00:01:42We have...

00:01:43We received a radio message from her.

00:01:45Maybe we can replay it.

00:01:46I don't know.

00:01:48It's in the mech suit that she gave me, actually.

00:01:50We also got...

00:01:52Apparently we found out that she left something in the Zephyr.

00:01:55Yeah.

00:01:55I brought the Zephyr.

00:01:56You brought the Zephyr here?

00:01:57Yeah.

00:01:59I can twist my arm.

00:02:01Let's go check it out.

00:02:02Let's go.

00:02:03Okay.

00:02:03Yeah.

00:02:04We go straight to the captain's quarters.

00:02:06Oh, you walk aboard the ship.

00:02:07Your mech is fueled and loaded.

00:02:09As it hits the deck, you see that they strap it to the outside of the deck.

00:02:12It's too big to fit below decks.

00:02:14But as it sits there, you see...

00:02:16Little steam releases from a couple of valves on the back as it...

00:02:21Rumbles up.

00:02:24Oh my god.

00:02:25Daisuke walks up pretty slow and he's doing a lot of this.

00:02:33Like my mom and a CJ Maxx.

00:02:39A lot of memories here.

00:02:41A lot of memories.

00:02:43Maxwell leans over by, like, the Gotch name on the side of the ship.

00:02:48Just kind of just standing there.

00:02:50Oh, that's you.

00:02:51Oh, I get it now.

00:02:54You're one of them Gotch boys.

00:02:56That's it.

00:02:57In the flesh.

00:02:58There's two Gotch boys on the ship.

00:03:00That's true.

00:03:01Ah, jump scare.

00:03:04You're so far away from me.

00:03:05He's standing on the other side of the railing on the very, like, the bowsprit of the...

00:03:12Sound travels strangely here.

00:03:14Okay, which Well are you?

00:03:15And Real Well just figured it out.

00:03:16That's Real Well.

00:03:17Which one are you?

00:03:18Samwell?

00:03:18I don't know if I'm supposed to be standing out of here.

00:03:20Maxwell.

00:03:20Samwell.

00:03:21You know Samwell?

00:03:23I know of the Gotchas.

00:03:24I mean, I've heard rumors and things.

00:03:26Right.

00:03:26Well, we funded the adventures.

00:03:28Yes, I knew your grandfather, I would.

00:03:31Right.

00:03:32Oh, um...

00:03:33Sorry.

00:03:34Yes.

00:03:35I'm a wonderful man.

00:03:36I'm proud to, uh, makes me proud to be a Gotch.

00:03:39Unlike, uh, eight or nine other people.

00:03:41The other ones?

00:03:42The other ones.

00:03:43Yes, I don't.

00:03:44Well, Real Well's fine.

00:03:45Real Well?

00:03:46You're gonna have to come closer next time to talk to me.

00:03:48I don't know how I got out here so I can't get back.

00:03:51There's just open ship between you and I.

00:03:54Huh?

00:03:55There's open ship between you and I.

00:03:57But is the area, is the raised area off limits?

00:04:00It's not.

00:04:01It's not.

00:04:02Well, the decks are a different altitude.

00:04:04Our family ship, I just go down the stairs if you'd like.

00:04:07Real well.

00:04:08Oh, little hand.

00:04:14He's sick.

00:04:15Wash your hands.

00:04:17Wash your hands.

00:04:18He's very sick.

00:04:18I pour gasoline on my hand.

00:04:20Anyway, yes.

00:04:23We got a message in the suit that said something about your original adventuring body.

00:04:32You.

00:04:33And that she said she shouldn't have gone on the adventure without you.

00:04:38She's trapped in Zood.

00:04:40Uh, what?

00:04:42I'm gonna have to listen to this message.

00:04:45Daisuke's, like, kind of tearing up, but trying to...

00:04:48I got gasoline in my eye a little bit.

00:04:51Oh, okay.

00:04:52Yeah.

00:04:52Convenient food right there, yeah.

00:04:55It ended in, I'm sorry, I never should have attempted this without you.

00:05:00She calls out, you.

00:05:02My heart.

00:05:02Kid, Val, Monty, everybody, the whole crew.

00:05:06But it sounded like she was in, kind of in trouble.

00:05:10She sounded a little bit scared.

00:05:11Is there any way for me to listen to this message again, or is it just...

00:05:15Can we try it?

00:05:15Taking your word?

00:05:16It's right there.

00:05:16Yeah.

00:05:17I'll just do, I'll do a little luck roll in front of the board.

00:05:2017.

00:05:21I think on a 17, yeah.

00:05:22You, you, so turn around.

00:05:24It takes a second to get there, but after a moment, the message begins to play, which

00:05:30is both helpful to confirm what you guys are saying, but also a little bit frightening.

00:05:35Because, of course, it means you have even less information.

00:05:38If that had been a present broadcast, you would know something, but it's a loop.

00:05:43Heading to the captain's quarters, you guys find the captain's log.

00:05:47Looking through it at, go ahead, anyone who wants you to give me an investigation check.

00:05:52Dice Gate's just sort of touching the walls.

00:05:55I got it.

00:05:55In the captain's quarters, you see that there is a sort of large California king-sized bed

00:06:02in the captain's quarters.

00:06:04A lot of memories here.

00:06:05What?

00:06:06Huh?

00:06:07What?

00:06:07What kind of memories I slept in there last night?

00:06:11I mean, it's been a while.

00:06:12I'm sure it's been cleaned and all that.

00:06:14I'll take some amount of comfort in that.

00:06:20I got a three.

00:06:22Three and an eleven.

00:06:23I can, can I?

00:06:24Yeah, go for it.

00:06:25It was an investigation?

00:06:26Yeah.

00:06:26Okay.

00:06:28Not one.

00:06:29Not one.

00:06:30I'm just still thinking about it.

00:06:32I'm just looking at types of...

00:06:33We're all thrown by that.

00:06:35We're all thrown by that.

00:06:36Yeah.

00:06:36We met in our 60s, so we were ready to go.

00:06:39On an eleven, you find a captain's log, and you are able to find a scrawled chicken-scratch

00:06:45note in Comfrey's handwriting about an effulgent bi-angle, which you know is what you're talking

00:06:50about.

00:06:50I said that in the thing, yeah.

00:06:51The effulgent bi-angle.

00:06:53Which, but, I think on those rolls, like, there's not even...

00:06:57You can make an arcana check to, like, know what that is, but you don't have any information

00:07:01here about it.

00:07:02I have an okay arcana.

00:07:03Go for it.

00:07:05Eleven.

00:07:06The effulgent bi-angle is a cosmic phenomenon.

00:07:08It's like the aurora borealis.

00:07:10It's something that occurs cosmically in the sky, but I think that you all look at this,

00:07:14and what you see is dense, technical gibberish.

00:07:18There's more numbers on the page than letters.

00:07:21However, Daisuke, you know who could read this.

00:07:26Well, I...

00:07:29Look, I'm kind of useless at this stuff, but I know a couple people who might be able

00:07:33to help us.

00:07:34Okay.

00:07:34Let's go find some junkers.

00:07:37All right.

00:07:38Yes.

00:07:38As in one junker.

00:07:39He has Captain Junker.

00:07:40Is that not clear?

00:07:42Captain Maria Yankova?

00:07:44Yeah.

00:07:45Excellent.

00:07:46We should go to her, then.

00:07:48You know her?

00:07:49Yeah.

00:07:50We're sort of fans of all of you guys.

00:07:53Yeah.

00:07:54I've heard of her.

00:07:55Be cool.

00:07:56All right.

00:07:57You don't have to tell me twice.

00:07:59You're hearing me talk about your sexual escapades and whatnot.

00:08:01I was trying to keep it cool.

00:08:03I opened up my bag from middle school, and there is a t-shirt, just the one where it's

00:08:06like all her face.

00:08:09It's just like her name, like, and cursive underneath it.

00:08:11Maria.

00:08:12Did you get this made?

00:08:14It's like really blinged out.

00:08:16Yeah.

00:08:17A lot of rhinestones on this bad boy.

00:08:18I made it.

00:08:19Um, so be, okay, then I won't wear that.

00:08:22What if it's, like, ironic?

00:08:24And I won't ask you to sign my copy of Showdown at Sassafrax Falls.

00:08:30Yeah.

00:08:30We're just going to have to try to be cool early.

00:08:32Yes.

00:08:32Okay, okay.

00:08:33Loud and clear.

00:08:34It will be very cool.

00:08:35So, prior to the gangplank being pulled up, Daisuke, is there anything that you would

00:08:41do as the ship's getting ready to take off?

00:08:43I think Daisuke will go, just like a little old man whistle, and, come on now.

00:08:52At the edge of the skyport, you hear,

00:08:55Come on, boy.

00:09:01Go, Stog.

00:09:01Come on.

00:09:02Zach, what do we see approaching this?

00:09:03So, you see this old, I want to say 38-year-old,

00:09:07Labrador, Black Lab, just a white, white face.

00:09:16Yeah.

00:09:17Clems.

00:09:18Just long nails scratching on the floor.

00:09:22Go on now.

00:09:24Ghost Dog gets up the gangplank, looks at you.

00:09:30Don't lay down.

00:09:32Oh, in there.

00:09:35Roll.

00:09:36Roll on now.

00:09:37Roll.

00:09:38Roll.

00:09:38He's coming.

00:09:40Amazing.

00:09:41Amazing, amazing.

00:09:41The Zephyr takes off, and as it does, we see endless plains,

00:09:50mountains, and crags of rusted scrap.

00:09:56The land of Scrapsylvania, an artificial landscape made of the wreckage of a generational war in the concentric sea.

00:10:07This towering land of ruins, junk, and refuse, cranes with massive chains hauling debris out of the salty brine beneath towering layers of the bygones of forgotten technology and war.

00:10:25This is Scrapsylvania, a hardy land.

00:10:32Lightning and storms.

00:10:34A city made of refuse, the buildings cobbled together by those who would forge a life, rebuilding from that which the world of Gath has thrown away.

00:10:48At the very top, as lightning rakes across the sky, touching massive coils.

00:10:54The imposing silhouette of a toy shop.

00:11:01Emily, could you please describe the scene that we behold at the top of this craggy town?

00:11:07Okay, so what you see is Maria's toys and trinkets and other drivel to distract you from life's tragedies, colon, a toy store.

00:11:19And then maybe in small print, it's like, by the way, before you enter, we are legally obligated to make sure you've had a tetanus shot.

00:11:29And then also there's like a 24-hour sign, like in neon, because I'm open 24 hours a day.

00:11:3624-hour toy store.

00:11:38Who's looking for toys then?

00:11:40And whenever you enter, instead of like a pleasant ding, I think there's like a harsh siren.

00:11:45Yeah, you push, so you guys are soaked, pushing up through this long wind, driving rain.

00:11:57You open it, everything in the store is underlit.

00:12:01So it's all just underlit, shadows looming everywhere.

00:12:06Welcome to Maria's toys and trinkets.

00:12:08Trinkets, we've got slinkies, we've got Hoopin' Stick, we've got Jack in the Coffin.

00:12:16Jack in the Coffin?

00:12:17Yeah, he pop out, he scares.

00:12:20You look in the corner and you see there is an old woman with a broom who appears to be attending the shop as well as an employee of Maria's,

00:12:28who quickly goes,

00:12:29You will die.

00:12:34Yeah, kids love a memento mori.

00:12:38They really do.

00:12:40I'm sorry, is this Captain Junker?

00:12:42Oh yeah, I will say, actually compared to the earlier scene, compared to what you saw, I am now, 19 years later, a haunted woman.

00:12:52I am gaunt with starvation, not of the body, but of the soul.

00:12:57I am wearing like huge tinkerer's goggles that magnify my bloodshot eyes.

00:13:05I am wearing, still wearing like the silk shirt with the tactical corset, but it is defouled by grease, wrinkles, even some scratches.

00:13:15Are you sure this is, is this?

00:13:17And I also got perched on my shoulder, uh, like a pirate's parrot, uh, a rat with clockwork wings.

00:13:24I'm gonna be honest.

00:13:27She ain't right now.

00:13:29Is the rat doing that?

00:13:30How may I delight you with my toys?

00:13:32Maria, you look up, see unfamiliar faces, don't seem like Scrapsylvanians, and with them, Daisuke Bucklesby.

00:13:42Yes, I tinker and tweak.

00:13:45Is that you, Papi?

00:13:47It's me in the flesh, in the flesh.

00:13:51Wow, it has been two minutes since I have seen you.

00:13:55Yeah, you look, um, like, uh, you're running a toy shop.

00:14:00Yeah, well.

00:14:01It seems not great, I'm gonna be honest.

00:14:03Really?

00:14:04This is the first and only, this was our landmark for Scrapsylvania, our very first toy shop.

00:14:10You should see the half smiles I put on the face of the children here.

00:14:14Wow, I mean, when you put it like that, I guess it's...

00:14:17You can almost see their teeth peeking out.

00:14:20Half smiles, huh?

00:14:21Doesn't seem like there's that many people in here.

00:14:24Oh, yeah, well, you also have to be 18 to enter, it's very dangerous.

00:14:28This is Alethra, she's, uh, as you can tell...

00:14:33Alethra's trying to do the half smile so that you'll like her.

00:14:36Look at that, joy dances on your face.

00:14:41And I'm, uh...

00:14:42Wait, Alethra.

00:14:44It's good.

00:14:44Would I have met her before?

00:14:45Yeah, yeah, yeah, back, way back in the day when she, when she was very, very young.

00:14:50Alethra.

00:14:50It's good to meet you.

00:14:52McLeod, little kitten.

00:14:53Mm-hmm.

00:14:55Ah, you have grown.

00:14:57Thank you, I...

00:14:59I'm not surprised it's what humans do, but...

00:15:02Yeah.

00:15:02You've done it magnificently.

00:15:08Um, wow.

00:15:09Wow, you're showing me so many teeth.

00:15:11No, oh, okay.

00:15:12Wow, look at that.

00:15:13Uh, it's, it's just, it's really great to meet you.

00:15:16Uh, I, no offense, you're, uh, my, one of my favorite people from the books.

00:15:22Uh.

00:15:23Uh, the books.

00:15:24Um, yeah, it's just really crazy.

00:15:26Monty La Montgomery, he really did such a good job in Tiller Point.

00:15:31Yes.

00:15:32Four or five.

00:15:36I kind of want to ask you about, at one point, did someone take over and go straight?

00:15:40Yes.

00:15:40Totally.

00:15:41I, they're all kind of just okay to me.

00:15:43It's almost like the author found his voice and then lost it, right?

00:15:47Yeah.

00:15:47I'm not going to participate in this.

00:15:50Feeling a little.

00:15:52The most loyal man.

00:15:53Well, I have to tell you all, thank you for this walk down memory lane.

00:15:57Yeah.

00:15:58Nostalgia can be such a fucking cave of dopamine.

00:16:01Yeah.

00:16:01Yes.

00:16:02We'll see you later, I guess.

00:16:04Okay, wait.

00:16:05Take a slinky for the road.

00:16:07Make your staircase more fun.

00:16:08Uh, you see that the older woman leans over and says, you must purchase.

00:16:12Yes.

00:16:13Oh, yeah, that's true.

00:16:14I guess I'll...

00:16:14There was a small print that says, if you enter, you must purchase an order to leave.

00:16:18That's so tiny.

00:16:20How could anyone read that?

00:16:21I mean, what is the, what is the store worth?

00:16:24What is the store worth?

00:16:25I don't know.

00:16:26The blood-sfed tears of me and my Auntie Zuzu.

00:16:30What is that worth?

00:16:31Just, uh, yes.

00:16:33What, one diamond.

00:16:35One diamond.

00:16:36One diamond.

00:16:37One diamond.

00:16:38Give a diamond.

00:16:40I think I might have a diamond.

00:16:41Let me look.

00:16:42Are you kidding?

00:16:43I might have a diamond.

00:16:44You mean...

00:16:45Auntie Zuzu, steal the diamond.

00:16:46Okay.

00:16:47You should look rude, not to browse.

00:16:52Rude, not to browse.

00:16:54Check it out.

00:16:55We also have an old, you know, like a balling cup.

00:16:59A balling cup.

00:17:00We have one that's like a plunger and an old grenade.

00:17:03We have an all-black Rubik's Cube.

00:17:05Yeah.

00:17:06It's so easy to win.

00:17:11And sometimes in this life, you just need a win.

00:17:15Right.

00:17:15Give me the Rubik's Cube.

00:17:16Oh, Maria.

00:17:17I used to even hand it to you.

00:17:19All right.

00:17:19I sold it.

00:17:21That was so fast.

00:17:21You see that as Maria looks at the Rubik's Cube,

00:17:24the tiny little rat on her shoulder

00:17:26that not only has a pair of little clockwork wings,

00:17:29but a tiny little aviator's helmet

00:17:31and a little white silk scarf.

00:17:33I think his eyes are also as bloodshot.

00:17:35I'm smiling.

00:17:36You see, the rat sort of looks out

00:17:38as you look at the Rubik's Cube and...

00:17:40Do you want to do it?

00:17:44So...

00:17:45The rat does puzzles.

00:17:49Tragedy breeds intelligence, I think.

00:17:51Right, Koroshka?

00:17:52Yes.

00:17:53Well, perhaps more importantly than your toy shop,

00:17:58I am...

00:18:00You knew my grandfather, I believe.

00:18:02I am Maxwell Gotch,

00:18:03and I am actually the benefactor of a new expedition,

00:18:10and we would be honored to have you on board.

00:18:13My grandma's in trouble.

00:18:15She's in another place that I'm realizing not everyone believes in.

00:18:21I don't not believe in it.

00:18:23She's in Zood, and she's in trouble.

00:18:26Zood?

00:18:27Yeah.

00:18:28She's in Zood?

00:18:30Is this some kind of joke?

00:18:32We got a radio distress call.

00:18:35Let me tell you something about Zood.

00:18:39Zood is like hope.

00:18:42It's a honeypot that peckens in the young eager flies to their slow death.

00:18:49I don't know if I want to go down that road again.

00:18:55Okay.

00:18:56Auntie Zuzu says,

00:18:58we should make sure that you have tea with your Rubik's Cube,

00:19:04and puts a little blanket around you,

00:19:07and she looks and says,

00:19:09you have come here to Springtales,

00:19:12which is not right in Scrapsylvania.

00:19:15You should go browse the slinkies.

00:19:20Browse!

00:19:20We'll browse the slinkies, but we're not going to leave.

00:19:22Give me your diamonds.

00:19:24My hands are about right as we restore.

00:19:26If I have a diamond, I'll give you a little one.

00:19:27You must.

00:19:28All right.

00:19:29I'll see if I have a diamond.

00:19:31I'll look and see if I have a diamond.

00:19:32You better have a diamond.

00:19:33Give me an investigation check.

00:19:35This is going to be bad if you don't have a diamond.

00:19:37Four.

00:19:38You don't have a diamond.

00:19:40All right.

00:19:41I have to come clean.

00:19:41I didn't bring any of my diamonds with me.

00:19:44You will give me your watch.

00:19:47That's fine.

00:19:48Take it.

00:19:49She takes it.

00:19:50As you guys browse, to not be rude,

00:19:53everyone who wants to go ahead and give me either perception or investigation.

00:19:57Sure.

00:20:01God damn it.

00:20:0224 perception.

00:20:04Two.

00:20:05Cool.

00:20:05As you are looking around,

00:20:07Maria, you see that Zuzu sort of walks over with you.

00:20:11You see that Kochka looks over your little rat,

00:20:13goes...

00:20:14You need to take a shit.

00:20:27Okay.

00:20:27Get in your leash.

00:20:28I'll take you for a walk.

00:20:29As he gets in his little leash.

00:20:32And you see...

00:20:32He has a leash and a scarf.

00:20:34A leash and a scarf.

00:20:35It just clips onto the scarf.

00:20:37As he goes over, smoking his little cigarette,

00:20:39he looks up and pats this massive, like, mechanical,

00:20:42sort of, like, war construct.

00:20:45As you're looking around, I think, Alethra,

00:20:47you see this little war construct that has a tiny rat-sized cockpit in it.

00:20:53And you see that Kochka goes out with a leash, goes into the rain, goes over, fits into a storm rain.

00:21:00And, um, and, uh, you see, Zuzu says,

00:21:04I watched this story.

00:21:06I don't like these people from your old life.

00:21:11I know.

00:21:11I don't know what kind of expedition they're asking me to go back on,

00:21:18but I have broken my covenant with the sky.

00:21:23I have no place in it anymore.

00:21:25I will explain this to them,

00:21:27and I will politely ask them to buy just a couple hoop and stick.

00:21:32We need to move the hoop and stick.

00:21:35They're going bad.

00:21:36They're going really bad.

00:21:37Yeah, I'll get them out of here.

00:21:39Okay, thank you so much for this walk down memory lane, but...

00:21:43On this very high perception check,

00:21:45I think you look back at where the office is.

00:21:48Emily, could I ask you to describe Dysa Kay's quick eyes

00:21:51looking at your personal workstation and what it looks like?

00:21:56My personal workstation is, um,

00:21:59it is a pastiche of pictures of a behemoth mechanical crow.

00:22:10Half remembered.

00:22:11So each picture is a little different.

00:22:13Almost, um, how I emotionally remember it.

00:22:16And also just, like, written across, like a curse.

00:22:20Strakka! Strakka! Strakka!

00:22:23With my gun and all these bullets that I've carved.

00:22:27Strakka!

00:22:28And then even a little picture of me and a girl who looks like me in spirit,

00:22:38but about 15 years younger.

00:22:42The small portrait, images and drawings of this massive mechanical engine of war,

00:22:55but also ruinous.

00:22:57No engineer would design something this nightmarish.

00:23:02And the drawings of it, some of them seem to be almost from ancient texts.

00:23:08Others seem like actual diagrams,

00:23:11but diagrams made by someone who could only design something like this in half-sleep and nightmare.

00:23:21Beast with a furnace in its throat.

00:23:24And in this massive machine of war,

00:23:26you can only gawk, Daisuke,

00:23:29and see that there is no clue in all this vast machinery

00:23:35that this thing is crewed or piloted by human hand.

00:23:41And right behind you, the old woman goes,

00:23:45Strakka!

00:23:48Zuzu, say not this name!

00:23:51You see, she just opens a bag and starts throwing salt everywhere.

00:23:57So, uh,

00:23:59Captain, I see that you've been working on something besides toys?

00:24:05Oh.

00:24:07You mean nursing a bitter vendetta that will never be sated?

00:24:11Yeah, I have been working on that.

00:24:14Or are you talking about because I've started doing push-ups?

00:24:18I was mostly talking about that,

00:24:20but now that you say that, I can tell.

00:24:22Yeah, I know my shoulders are figuring out.

00:24:23They're flaring.

00:24:24Yeah, they're nuts.

00:24:26I don't know what you've heard with the grapevine,

00:24:29but, uh,

00:24:31my last voyage

00:24:33and...

00:24:34Screaming.

00:24:39Blood everywhere.

00:24:42Plummeting from the sky.

00:24:47Slipping on the deck

00:24:49in the blood.

00:24:52Peace and death shit

00:24:53of my most beloved comrades.

00:24:56I'm sorry to hear that.

00:24:58I think I heard a little bit about that.

00:25:00Which part did you hear?

00:25:02Well, that part, specifically.

00:25:04Okay.

00:25:05Yeah.

00:25:06So,

00:25:07though I appreciate the house call,

00:25:09and I honestly,

00:25:10I think we should do this more often,

00:25:11but, uh,

00:25:13I,

00:25:14I am the only one

00:25:16who didn't go down to that ship,

00:25:18so,

00:25:19I consider myself

00:25:21exiled from the sky.

00:25:22the message that we received

00:25:29from my grandma

00:25:29ended in

00:25:31all of your names,

00:25:33and then it said,

00:25:35I'm sorry,

00:25:35I never should have attempted this without you.

00:25:37Your grandmother

00:25:41put so many foolish notions

00:25:44in all of our empty heads.

00:25:47I cannot keep chasing her dreams

00:25:50and losing people left and right

00:25:53to the dreams of a mad woman,

00:25:56the dreams that I wish

00:25:57I had the audacity to believe in.

00:26:00My place now is here,

00:26:02with the scrap metal toys,

00:26:07bringing half-smiles

00:26:09to children

00:26:11that labor and toil.

00:26:16Can I ask you

00:26:17why these hoop sticks

00:26:18smell like this?

00:26:20Oh, because it's,

00:26:21it's from,

00:26:22okay, so the,

00:26:23the hoop

00:26:24is like a ring

00:26:26from a barrel

00:26:26that once contained...

00:26:27The hoop is really heavy.

00:26:28Yeah, it was a ring

00:26:29from a barrel

00:26:30that once contained

00:26:31gunpowder,

00:26:32and the stick

00:26:33is a lightning rod.

00:26:35Oh.

00:26:36Oh.

00:26:37Don't bring outside.

00:26:39Okay, okay.

00:26:40Yeah, yeah.

00:26:41Indoor hooping sticks.

00:26:42You see,

00:26:42it's an indoor hooping stick.

00:26:44When you buy,

00:26:45we hold on to you,

00:26:46you come here to play.

00:26:47Yeah, yeah.

00:26:48We have to rent

00:26:49one of those lockers?

00:26:50Yeah, yeah, yeah.

00:26:51Locker,

00:26:52it's 20 marks a month.

00:26:54Yeah, in fact,

00:26:55before you buy anything,

00:26:56we have like a consumer

00:26:57Geiger counter

00:26:58to make sure

00:26:58nothing is radioactive

00:27:00because it is all scrap metal

00:27:01that we don't really know

00:27:02where a lot of it come from.

00:27:04Oh, well, that's responsible.

00:27:06Yeah, yeah, yeah.

00:27:07Well, at the very least,

00:27:10there was a strange message

00:27:12on the Zephyr

00:27:14that was left to us

00:27:15by McLeod.

00:27:17If you wouldn't mind

00:27:18looking at it for us,

00:27:20we don't have the

00:27:21navigational know-how

00:27:24to...

00:27:25to...

00:27:27Okay.

00:27:28Yeah, I'll look at it.

00:27:30God, this is so fucking McLeod

00:27:32to just dangle

00:27:33an interesting carrot

00:27:35in front of my face

00:27:36and make me want a salad.

00:27:39Make you want a salad?

00:27:40Make you want a salad?

00:27:41There are no salad in Scrabson.

00:27:43We don't have vegetables here.

00:27:45It's the most rare treasure.

00:27:47We have salad on the ship.

00:27:49What?

00:27:49Yes, we have vegetables.

00:27:51We have like a Brussels sprout salad

00:27:53right now

00:27:53with some cranberries

00:27:54and blue cheese.

00:27:55I think we can do that.

00:27:55Instead of darling,

00:27:56we say salad.

00:27:58Yeah.

00:27:58It's the word we use for real.

00:27:59Yeah, yeah.

00:28:00My little salad.

00:28:01My little salad.

00:28:02We will make some

00:28:03mean cob salad.

00:28:04God.

00:28:06Susu, they are tempting me.

00:28:09Okay, okay.

00:28:09Feed me this information.

00:28:11I will...

00:28:12I will engage with it.

00:28:14You can give me

00:28:15Investigation Arcana

00:28:16or you can give me

00:28:17Tinker's Tools.

00:28:18I'm going to do

00:28:18Tinker's Tools

00:28:19because I have

00:28:20Expertise

00:28:21and I...

00:28:22Yeah.

00:28:23Okay, so I think

00:28:24to Tinker's Tools

00:28:25I have plus 11

00:28:27because I'm an Artificer.

00:28:32That is at 28.

00:28:35To use a modern analogy,

00:28:38this is like

00:28:38a previously saved version

00:28:40of all the work

00:28:42that Comfrey

00:28:43would have figured out.

00:28:45So it's like,

00:28:46oh, these are all

00:28:47the raw materials

00:28:47that got her

00:28:48to the Effulgent Bi-Angle.

00:28:50And as you look at it,

00:28:51you see

00:28:52it is

00:28:53a mathematical rhythm

00:28:56to anticipate

00:28:57the unpredictable.

00:29:01The Effulgent Bi-Angle

00:29:02as a cosmic phenomenon

00:29:03within Gath

00:29:04is a

00:29:06legendary beam of light

00:29:09that seems to have,

00:29:11you know,

00:29:11it's only in Legends

00:29:12connected with Zub,

00:29:13but it's connected

00:29:14with all sorts

00:29:15of missing cities

00:29:16and lost battalions

00:29:18and heroes

00:29:19that walked into the mist

00:29:20and were never seen again.

00:29:21The Bi-Angle is sort of

00:29:22where things go to vanish.

00:29:25And a lot of people

00:29:25think that it's a

00:29:27sailor's legend

00:29:29for describing

00:29:30what is ultimately

00:29:31shipwrecks

00:29:32and being lost at sea.

00:29:33But you see here

00:29:35everything you need

00:29:36to construct

00:29:38the mathematical rhythm

00:29:40of coordinates,

00:29:42not only for where

00:29:43this thing has been,

00:29:44but potentially

00:29:45for where it will be.

00:29:48The notes that you

00:29:49are able to

00:29:50read here

00:29:51navigationally,

00:29:53you feel like

00:29:54you could find

00:29:54this thing

00:29:55no problem.

00:29:56That's not what concerns you.

00:29:58On a 28,

00:29:59what concerns you

00:30:00is that

00:30:02wherever this thing

00:30:04appears,

00:30:05it is a meteorological

00:30:07catastrophe.

00:30:10Like,

00:30:11finding this thing

00:30:12is less than

00:30:13half the battle.

00:30:13Finding it

00:30:14to get to it,

00:30:15to sail through it,

00:30:17you would need

00:30:18a crew

00:30:19and more specifically

00:30:20leadership of that crew

00:30:22to get an aircraft

00:30:23through

00:30:24gale force winds,

00:30:26driving rain,

00:30:27and a phenomenon

00:30:28that would leave you,

00:30:30you don't know where.

00:30:31And of course,

00:30:31the whole thing

00:30:32about the byingle

00:30:33that you can see

00:30:33in these notes,

00:30:35left in cipher

00:30:36by Comfrey,

00:30:38is there's no telling

00:30:40where you would be

00:30:42if you got there.

00:30:43So,

00:30:44even if you could

00:30:45sail through the storm

00:30:46to get there,

00:30:47surviving on the other side

00:30:49in whatever wilderness

00:30:51you were deposited in

00:30:53with maybe no infrastructure

00:30:54to refuel

00:30:55or no infrastructure

00:30:57to feed yourselves,

00:30:58it is a

00:30:59tantalizingly

00:31:02perilous endeavor.

00:31:07Do I feel like

00:31:08in this

00:31:10uncertainty

00:31:13there would be

00:31:16a path to

00:31:17the past

00:31:20or

00:31:21those who have been lost

00:31:23or

00:31:24a great

00:31:26beast

00:31:28that has only

00:31:30been seen once

00:31:31by a crew

00:31:33that most of which

00:31:34did not survive it?

00:31:35On 28,

00:31:37there's something there,

00:31:39an image,

00:31:41a point of light,

00:31:43and as you look down

00:31:45at it,

00:31:46there is

00:31:48a metric

00:31:50of

00:31:51how much light

00:31:53is produced

00:31:54by this blinding phenomenon

00:31:56and it's part of calculating

00:31:58how to approach it safely

00:32:00and there's a rhythm

00:32:01almost like going up

00:32:03in a strange musical scale.

00:32:04as you go up,

00:32:07you recognize

00:32:08that rhythm

00:32:09is a reflection

00:32:12of a similar progression

00:32:13of how

00:32:15boilingly hot

00:32:17it gets

00:32:18as you approach

00:32:19the mouth

00:32:20of the beast.

00:32:21I pick up

00:32:23one of my bullets

00:32:24and I push

00:32:26my finger

00:32:27into it

00:32:27so that it

00:32:28presses

00:32:28the carving

00:32:29of Straka

00:32:30into my finger.

00:32:32I will entertain

00:32:32the idea

00:32:33of joining

00:32:33your crew

00:32:34on one condition.

00:32:37Okay.

00:32:37You look scared.

00:32:38I am a little scared

00:32:40but that's

00:32:41I,

00:32:42the way you're

00:32:43holding that bullet.

00:32:44Anyways,

00:32:44go on.

00:32:46Why?

00:32:48Nothing,

00:32:48you just,

00:32:49it seems like

00:32:50maybe not a lot

00:32:51of blood flow

00:32:52to your fingers.

00:32:53Well,

00:32:54not all of us

00:32:54have the luxury

00:32:55of blood flow.

00:32:56Oh,

00:32:57okay.

00:32:58I will go

00:32:58on one condition.

00:33:00If we hear

00:33:02the mechanical

00:33:03flapping

00:33:03of wings,

00:33:06the snapping

00:33:06of a copper beak,

00:33:10the cracking

00:33:11of other

00:33:13worldly talons,

00:33:16I can just

00:33:17kind of U-turn

00:33:18right toward

00:33:19that sound

00:33:20and then

00:33:20take my

00:33:21fucking

00:33:22revenge.

00:33:24Yeah,

00:33:25of course.

00:33:26Yes.

00:33:26Of course.

00:33:28Kill this giant

00:33:29bird?

00:33:31Beast.

00:33:32I can,

00:33:32um,

00:33:33I can lasso it.

00:33:36At home,

00:33:37I,

00:33:37it's kind of

00:33:38mostly what I do.

00:33:40Lasso it to bring it back

00:33:41and give it a fair trial.

00:33:43Yeah,

00:33:44totally.

00:33:45We could,

00:33:46we could definitely

00:33:47lasso it.

00:33:48I just,

00:33:49bring it back

00:33:50for a fair trial.

00:33:51It's a machine bird

00:33:52that can stand trial.

00:33:54Machine bird!

00:33:56Machine bird!

00:33:57I'm not giving

00:33:58any new information.

00:33:59Zuzu,

00:34:00stand down.

00:34:01You don't know

00:34:02what you speak.

00:34:03She reaches a bag

00:34:04of salt.

00:34:05Straka.

00:34:06You said it,

00:34:07you're the one

00:34:07who said it.

00:34:08Ah,

00:34:08my eyes!

00:34:09Ah!

00:34:10Hands around the salt,

00:34:11every piece of salt.

00:34:11Straka is the spirit

00:34:14that what you throw away

00:34:17one day throws you away.

00:34:20Yeah,

00:34:21it's an old,

00:34:22well,

00:34:22it was an old

00:34:23husband's tale here,

00:34:25but then we met it

00:34:27in the sky.

00:34:28You think it is legend?

00:34:30No.

00:34:30No,

00:34:31it is real.

00:34:32It is the ruin.

00:34:34We did not make it,

00:34:35but we fight it,

00:34:37and you made it.

00:34:39Yeah.

00:34:39Peace.

00:34:41Take your salting.

00:34:44Take your salting.

00:34:45That's a lot of salt.

00:34:46The fuse to be salted.

00:34:49Okay.

00:34:49If we are agreed on that,

00:34:51then yes,

00:34:52I will come,

00:34:53but I don't think

00:34:56I can be your captain.

00:34:58I can be your pilot,

00:34:59but I think,

00:35:02like,

00:35:03I've broken my covenant

00:35:04with this guy.

00:35:05I cannot enter

00:35:06as a captain.

00:35:07Okay.

00:35:08Yeah,

00:35:08we would just love to have you.

00:35:10I mean,

00:35:10you were able to read

00:35:11all of that,

00:35:12and you're so awesome.

00:35:15Really?

00:35:15It would be really cool.

00:35:17In what?

00:35:18You've just witnessed?

00:35:19You look exactly the same.

00:35:20Like,

00:35:20you're still

00:35:21at the top of your game.

00:35:23Seriously.

00:35:24Mario looks at her,

00:35:26the skin on her,

00:35:27like,

00:35:27clinging to her bones

00:35:29by spite alone.

00:35:31Beautiful.

00:35:33You think so?

00:35:34Still the same?

00:35:35Yeah,

00:35:36totally.

00:35:36You seem,

00:35:38like,

00:35:39you know,

00:35:40I mean,

00:35:40you were able to read that,

00:35:41like,

00:35:41right away.

00:35:42That's so cool.

00:35:43You still got it,

00:35:44you know?

00:35:45Sometimes you don't forget it.

00:35:46I still got it.

00:35:46I still got shit.

00:35:47Yeah.

00:35:48That's a slogan?

00:35:49Very good.

00:35:50Some people,

00:35:51some of my less clever brothers

00:35:52might say that.

00:35:53Less?

00:35:54Less clever,

00:35:55yes.

00:35:55Huh.

00:35:57He's like that.

00:35:58Okay.

00:35:59You see,

00:36:00as you are packing up,

00:36:01you get your blunderbuss,

00:36:02you see that

00:36:03your auntie,

00:36:05Suzanne,

00:36:05looks at you and says,

00:36:06be careful.

00:36:10I don't want

00:36:11the big world

00:36:12out there

00:36:13to let you down.

00:36:14Here in Scrapsylvania,

00:36:16the half-smile

00:36:17consistent.

00:36:18Yeah.

00:36:19No,

00:36:19you're right.

00:36:20If you're half-smiling,

00:36:21at least you're not frowning.

00:36:22It's true.

00:36:23Yeah.

00:36:24I give you

00:36:25a salt

00:36:25and battery

00:36:27for the machine.

00:36:29Thank you,

00:36:29thank you.

00:36:30Zuzgu,

00:36:31you think you can

00:36:32keep up

00:36:33with the ravenous

00:36:34demands

00:36:34for the toy shop?

00:36:36It depends.

00:36:38If they rebuild

00:36:40that sort of,

00:36:42what is it?

00:36:43If they rebuild

00:36:44that docking station

00:36:45up here,

00:36:45we might get

00:36:46more foot traffic,

00:36:47maybe one or two people

00:36:48per day,

00:36:48and I'll try

00:36:49to handle the rush.

00:36:50Can you handle that?

00:36:51Can you handle that?

00:36:51I can handle it.

00:36:53All right, Zuzgu.

00:36:55Please,

00:36:56a hug for the road.

00:37:00So gaunt.

00:37:03You see,

00:37:04she says,

00:37:05make sure

00:37:05to give her salad.

00:37:08A little handless.

00:37:10Heading off,

00:37:11you approach

00:37:12the Zephyr

00:37:13and see

00:37:13the old ship

00:37:14once more.

00:37:17Wow.

00:37:18I think

00:37:19I reach out

00:37:20a hand

00:37:20exactly same place

00:37:22that Pappy

00:37:23touched it.

00:37:25And then

00:37:26I think

00:37:26it's very scary

00:37:28getting on.

00:37:29I have

00:37:29a quivering foot.

00:37:32I...

00:37:32kind of

00:37:33help you up.

00:37:34I need a hand.

00:37:37Yes.

00:37:38Okay.

00:37:39I'm waiting.

00:37:42Looking up...

00:37:42So small.

00:37:43I'm holding

00:37:44your arm like this.

00:37:46You look up

00:37:47and as you get

00:37:47on board

00:37:48on the deck

00:37:48of the ship

00:37:48sort of shivering,

00:37:49a small group

00:37:50of Dodge

00:37:51family retainers

00:37:52are standing

00:37:53in uniform

00:37:53side by side.

00:37:54They salute.

00:37:55You see

00:37:55the captain,

00:37:56Miriam,

00:37:57says,

00:37:58Captain Junker,

00:37:59welcome aboard.

00:38:01The ship,

00:38:02of course,

00:38:03you are familiar with.

00:38:04I just want to say

00:38:05that myself

00:38:05and the crew

00:38:06are enormous fans

00:38:07and we are very excited

00:38:09to help get you

00:38:11to Zune.

00:38:13Wow.

00:38:14Is that what I

00:38:15like?

00:38:17Pretty much.

00:38:18Yeah.

00:38:18I like the cut

00:38:20of your jib.

00:38:20I'm going to give

00:38:21you a little hint.

00:38:22Okay.

00:38:22McLeod always

00:38:24kept a secret

00:38:25cabinet

00:38:26of snacks

00:38:27in the cabin.

00:38:31Love it.

00:38:32Yeah.

00:38:32Yes.

00:38:33Great.

00:38:34Perishable,

00:38:34but yeah.

00:38:35I will get on

00:38:37searching for that.

00:38:38Yeah,

00:38:38I'm going to go

00:38:39touch the wheel.

00:38:40You touch the wheel.

00:38:41You look out

00:38:42and you know

00:38:43one thing

00:38:43for damn sure.

00:38:45You will not

00:38:46survive

00:38:47flying this ship

00:38:49to the effulgent

00:38:50bi-angle

00:38:51if this is

00:38:53the crew

00:38:53that you're

00:38:54working with.

00:38:56Okay.

00:38:57Crew meeting.

00:39:00Guys,

00:39:01crew meeting.

00:39:02Let's talk

00:39:03personnel.

00:39:05Right.

00:39:05Actually,

00:39:06a half crew meeting.

00:39:08All of you

00:39:08in the crisp uniforms,

00:39:10take a piss break.

00:39:11It's piss break time.

00:39:13Rush off.

00:39:15Okay.

00:39:15That's my energy too?

00:39:17You're kind of,

00:39:18never mind.

00:39:18You're fine.

00:39:19Okay.

00:39:19You're fine.

00:39:20Pappy,

00:39:21this is,

00:39:21we can't work with this.

00:39:22We can't work with this.

00:39:23It's not,

00:39:24it's going to be,

00:39:25they're good for

00:39:26parking the car.

00:39:27Yeah,

00:39:27no,

00:39:28and also,

00:39:29I don't want to be

00:39:29the person who

00:39:30goes around shouting

00:39:31or anything.

00:39:32We need,

00:39:33I need a bosun.

00:39:35We need a bosun?

00:39:37We need,

00:39:38we just need some real,

00:39:41I don't know.

00:39:42You know what,

00:39:43that's another domain.

00:39:43Je ne sais quoi.

00:39:44I have a very,

00:39:45I have a bosun I want.

00:39:46Okay.

00:39:47You want me,

00:39:48you got to get Van.

00:39:51Let's get Van.

00:39:53Yeah.

00:39:54I think she runs

00:39:55like a little cocktail place now.

00:39:57Yeah.

00:39:58Rusty,

00:39:58not?

00:40:00The rusty nut?

00:40:01Rusty nut sounds right.

00:40:02What would a nut be rusty?

00:40:05No,

00:40:05not like,

00:40:06like a,

00:40:07like a pee.

00:40:08Rusty nut?

00:40:08Yeah,

00:40:09the rusty nut.

00:40:10Okay.

00:40:11As you say the rusty nut,

00:40:12we move from Scrapsylvania

00:40:14to see the uplands.

00:40:17A gorgeous town

00:40:19perched in the clouds.

00:40:21We see little

00:40:22fleece-covered sheep,

00:40:24their fleece

00:40:24almost made of mist

00:40:26and vapor and cloud itself

00:40:27outside of a

00:40:28tiny,

00:40:29quaint little hamlet

00:40:30in a hidden

00:40:32sky pirate

00:40:34thorp.

00:40:35Up here

00:40:36on the top side,

00:40:37sun-facing,

00:40:39windswept of the clouds.

00:40:41Siobhan,

00:40:41would you please describe

00:40:42the rusty nut for us?

00:40:43Absolutely.

00:40:44The rusty nut

00:40:45is an old

00:40:47sailing ship

00:40:48that has been

00:40:50brought up here

00:40:52to the uplands.

00:40:54On the outside,

00:40:55it still looks gorgeous

00:40:57and weathered.

00:40:58On the inside,

00:40:59it is painted

00:41:00a beautiful,

00:41:02gorgeous

00:41:03millennial gray.

00:41:05Everything is a

00:41:06different shade

00:41:07of gray,

00:41:08the most expensive

00:41:09laminate

00:41:10that you can find

00:41:11on the floor.

00:41:12Every light bulb

00:41:14you see

00:41:14is an Edison

00:41:15light bulb

00:41:15that is hanging

00:41:16right at forehead

00:41:18height.

00:41:19Can I get some

00:41:20truffle fries

00:41:20and some blistered

00:41:22shishitos?

00:41:22You'd never ask.

00:41:26And who do we see

00:41:27tending to the

00:41:28establishment?

00:41:29Van Chapman

00:41:30is standing

00:41:30behind the bar,

00:41:31her face

00:41:32grizzled in the way

00:41:33that only a white

00:41:34woman who has

00:41:35never heard of

00:41:36sunscreen

00:41:36and has only

00:41:38worked outside

00:41:39can get.

00:41:40In the intervening

00:41:41years since we

00:41:42last saw her,

00:41:43Van has lost

00:41:44her left arm

00:41:45and it's been

00:41:45replaced with a

00:41:47very cool

00:41:49steampunk

00:41:50brass and copper

00:41:51prosthesis,

00:41:53which just

00:41:53spits steam out

00:41:55every time she

00:41:56moves it.

00:41:58She's wearing a

00:41:59green

00:41:59wool suit,

00:42:01a bowler hat

00:42:03and she's wearing

00:42:03a very,

00:42:05very,

00:42:05very clean

00:42:06crisp apron

00:42:08tied in the

00:42:09front.

00:42:10Welcome,

00:42:11Fred.

00:42:11Oh,

00:42:12what?

00:42:13No.

00:42:14What?

00:42:14What as I

00:42:16live and breathe?

00:42:17A family reunion?

00:42:19I never thought

00:42:20I'd see you

00:42:20in an apron.

00:42:21You look skinny.

00:42:23I'm hollow

00:42:23with vaunt.

00:42:25If we're gonna

00:42:26speak poetically.

00:42:28You look fantastic

00:42:29though.

00:42:30Walking up

00:42:31beside Van,

00:42:32we see a

00:42:33little mustachioed

00:42:35man,

00:42:35much shorter

00:42:37and sort of

00:42:38a little bit

00:42:39like he could

00:42:39blow away

00:42:39on the breeze.

00:42:40He goes,

00:42:41hello,

00:42:41lovely.

00:42:42Those are

00:42:42your friends.

00:42:43Bert,

00:42:44this is my

00:42:44old crew.

00:42:46Van,

00:42:46is this the

00:42:47man that

00:42:48stole you

00:42:48from the

00:42:49skies?

00:42:50Well,

00:42:51you know,

00:42:52I mean,

00:42:53Van,

00:42:53I gotta look

00:42:54after me

00:42:55mom's old

00:42:55pub,

00:42:56you know.

00:42:56I gave her

00:42:57a fresh lick

00:42:58of paint,

00:42:59but it's

00:42:59a family.

00:43:00It's a beautiful

00:43:01paint.

00:43:01Thank you,

00:43:02thank you,

00:43:03thank you.

00:43:03I really,

00:43:03me and Bert

00:43:05really deliberated

00:43:06over what

00:43:06colors of gray

00:43:07went where.

00:43:08It's thrilling

00:43:08to find out

00:43:09how many shades

00:43:10of gray

00:43:10there are.

00:43:11Yeah.

00:43:12Welcome to the

00:43:12uplands

00:43:13and a rusty

00:43:13nut.

00:43:14Any friend

00:43:15of Van's,

00:43:15of course,

00:43:16is gonna

00:43:16drink on

00:43:17the house.

00:43:18I'll take it.

00:43:19Would you like

00:43:20an aioli fly?

00:43:20Yes.

00:43:21Oh,

00:43:21we got so many

00:43:22aioli flies.

00:43:23We got

00:43:24chipotle aioli.

00:43:29We got a

00:43:29garlic aioli.

00:43:30We got

00:43:31truffle aioli.

00:43:31Lemmon.

00:43:33Parsley aioli.

00:43:35Oh my god.

00:43:36Is this

00:43:36status?

00:43:38Is this

00:43:39where you eat?

00:43:41Where I would

00:43:42personally eat?

00:43:43Where your family

00:43:44eat.

00:43:44Where my family

00:43:45would personally eat.

00:43:46Are we partaking

00:43:48in something classy?

00:43:49Yes.

00:43:49You're that

00:43:50gosh kid.

00:43:51The one that's

00:43:51scared of everything.

00:43:53What?

00:43:53Scared of everything?

00:43:55Didn't want to

00:43:55climb.

00:43:57I have been

00:43:58called a rowdy

00:43:59today and

00:44:00Oh,

00:44:01well,

00:44:01good for you

00:44:02for growing

00:44:02some balls.

00:44:03Good for you,

00:44:04kid.

00:44:07I really

00:44:08wish you

00:44:09would.

00:44:09I really

00:44:10wish you

00:44:11would.

00:44:11All right.

00:44:12I really

00:44:12wish you would.

00:44:13Well,

00:44:13I'm an athlete,

00:44:14not a fighter,

00:44:15all right?

00:44:15And this is

00:44:15not the,

00:44:16not the scene,

00:44:17but um.

00:44:18And you're the,

00:44:19are you the,

00:44:19you're the.

00:44:20I will say this,

00:44:21as you go to

00:44:21pull your glove,

00:44:23you hear every

00:44:24chair and

00:44:25stool in the

00:44:26place squeak.

00:44:27You see a guy

00:44:28turn around

00:44:29who has what

00:44:30looks like a

00:44:31rocket lodged

00:44:32in his head

00:44:33and he goes,

00:44:35I've got a

00:44:36problem with

00:44:37van.

00:44:39Do I have a.

00:44:39Nigel,

00:44:40it's not worth it.

00:44:41Well,

00:44:41no.

00:44:41Nigel,

00:44:42it's not worth it.

00:44:42Because it's

00:44:42your sport in it.

00:44:44Yeah,

00:44:44all right,

00:44:45Nigel,

00:44:45I've got it

00:44:45covered.

00:44:46Sit down.

00:44:47Yeah,

00:44:49sit down.

00:44:50What was your name?

00:44:50I love the

00:44:51Chipotle.

00:44:52Thank you,

00:44:53thank you.

00:44:54We grew them

00:44:54ourselves,

00:44:55you know,

00:44:55on the roof.

00:44:56Oh,

00:44:56that's marvelous.

00:44:57Yeah,

00:44:57smoked them.

00:44:58It's nice in here

00:44:59and they're gray,

00:45:00it's modern.

00:45:01Yeah.

00:45:02Yes,

00:45:02it's wonderful.

00:45:03It's timeless.

00:45:04It's really,

00:45:05thank you.

00:45:06So,

00:45:06I'll get you a booth

00:45:07and we do like

00:45:08a small plates,

00:45:09large plates thing.

00:45:10Oh my God,

00:45:11yes.

00:45:11Have you done

00:45:13with us before?

00:45:14Yes.

00:45:14Can I explain how?

00:45:15I always say yes

00:45:16to that

00:45:16even if I haven't.

00:45:19Always.

00:45:20I'll figure it out.

00:45:22Oh,

00:45:22it's tacos?

00:45:23I'm going to figure it out.

00:45:25Oh yeah,

00:45:26but the taco,

00:45:26we do a cauliflower taco.

00:45:28Oh yeah,

00:45:28I've been here.

00:45:29I've been here.

00:45:30Yeah.

00:45:31So what we like to do

00:45:32is based on what you order,

00:45:33the kitchen will prepare

00:45:34those meals.

00:45:35That's sort of how

00:45:36we do these meals.

00:45:37Yes,

00:45:37and they come out

00:45:38as they come out

00:45:39of the kitchen.

00:45:39There's really no control

00:45:40over it.

00:45:41So you have to order

00:45:42everything at once,

00:45:43but maybe you'll get

00:45:44your dessert second.

00:45:45Oh,

00:45:46wow.

00:45:46It's fun.

00:45:47We find that dessert

00:45:48tends to come out last

00:45:50a lot of the time.

00:45:50Yeah.

00:45:51Oh,

00:45:51that's good.

00:45:52That's great.

00:45:54Okay,

00:45:54as stimulating

00:45:56as this all is,

00:45:58actually then,

00:45:59we came here

00:46:00because we need you.

00:46:03My grandma's missing.

00:46:04we think that she is in Zood

00:46:07and she left us a message

00:46:09where she named

00:46:10all of your names

00:46:11and she said,

00:46:13she made it to Zood.

00:46:15Yes.

00:46:15And she said,

00:46:16she's sorry,

00:46:17she never should have

00:46:17attempted it

00:46:18without you all.

00:46:20And the gotchas

00:46:21are sponsoring

00:46:22a trip to Zood.

00:46:26We've got the ship

00:46:27outside right now.

00:46:28I knew it was real.

00:46:29I always said it was real.

00:46:31I always said it was real.

00:46:32Didn't I say it was real?

00:46:34I believe you said

00:46:35it was real.

00:46:35I said it was real

00:46:36over and over

00:46:37and over

00:46:38and over and over again.

00:46:39Yeah, I know.

00:46:40Sometimes we would be like,

00:46:41okay,

00:46:41we're all going to bed now

00:46:42and go hang out somewhere else

00:46:43so we can talk about

00:46:44something else.

00:46:45That does actually,

00:46:46looking back on it,

00:46:46does make sense, yeah.

00:46:48There was not as much

00:46:48evidence to it.

00:46:49It was just sort of

00:46:50a thing you said.

00:46:51Well, yeah.

00:46:52You don't need evidence

00:46:54for something

00:46:54that's blatantly true.

00:46:57All right.

00:46:58Okay.

00:46:58You were right.

00:46:59Well, you were right, yeah.

00:47:00You were totally,

00:47:01you were totally right.

00:47:02So she made it?

00:47:04Yeah.

00:47:04She sounded concerned.

00:47:06She wasn't doing very well.

00:47:07Yes.

00:47:08Yeah.

00:47:08She sounded kind of scared.

00:47:10You're going to go get her.

00:47:11I'm going to try

00:47:13to get the ship

00:47:14to a place

00:47:15that it can cross into Zood.

00:47:17Right.

00:47:18But the pub's looking

00:47:19pretty busy.

00:47:20I left.

00:47:21It's pretty busy.

00:47:22I left an incredibly

00:47:23prosperous toy shop

00:47:25to be here.

00:47:27That's true.

00:47:28So I know a thing or two

00:47:30about sacrifice.

00:47:31We have an open mic

00:47:32on Thursdays.

00:47:33Oh, yeah,

00:47:34and a pub quiz

00:47:34on Wednesdays.

00:47:36It's gangbusters.

00:47:37People love it.

00:47:39Bert writes the questions.

00:47:40He's so clever.

00:47:41That's great.

00:47:42Multiple choice.

00:47:44How many,

00:47:45which of the following

00:47:45vehicles is capable

00:47:47of aerial travel?

00:47:48I didn't know this one.

00:47:49A, balloon.

00:47:50B, train.

00:47:53C, foot.

00:47:55What if it's a sky train?

00:47:56I don't know.

00:47:57Then,

00:47:57how did you not know

00:47:58that we flew on an airplane?

00:48:01Sort of a nervous test taker.

00:48:02For just like

00:48:04most of our lives.

00:48:06I'm trying to make him

00:48:06feel good about it.

00:48:07Oh.

00:48:08On Mondays,

00:48:09I sing karaoke.

00:48:10He loves writing the quiz.

00:48:11Now, is it open

00:48:12to other people

00:48:13or is it just...

00:48:14He's such a good cook.

00:48:14Oh!

00:48:15He really wants

00:48:17to be a quiz writer

00:48:17and I'm just trying

00:48:18to encourage him?

00:48:19Okay.

00:48:20Such good questions,

00:48:21Eli.

00:48:21So on Mondays,

00:48:22you just sing

00:48:23but you're calling it karaoke

00:48:25and no one else

00:48:26gets to sing.

00:48:27Oh, but he has

00:48:28a beautiful voice.

00:48:30Is it technically karaoke

00:48:31because you don't know

00:48:32the words to the songs?

00:48:33So you need to have

00:48:34like the visual aid

00:48:35right there?

00:48:36We made a sign

00:48:36originally saying

00:48:37Burt performs the hits

00:48:39off of a prompter

00:48:41but it didn't...

00:48:42It was confusing

00:48:43so karaoke.

00:48:44What's your favorite

00:48:45song to sing?

00:48:46Burt could come, right?

00:48:47What's your favorite?

00:48:48You take the sky

00:48:50and I'll take the ground

00:48:54and I'll be

00:48:56in the uplands

00:48:57of Hawaii.

00:49:00Every sky pirate

00:49:00is full weeping

00:49:01in the bar.

00:49:02Maxwell's also weeping.

00:49:04I mean...

00:49:05Okay.

00:49:06Alethra hasn't felt

00:49:07homesick yet

00:49:08until this moment

00:49:09and she's like,

00:49:10oh my God,

00:49:10I really love my dad.

00:49:12The restaurant is great.

00:49:14You're great.

00:49:15You're brilliant.

00:49:17So you say I can't leave?

00:49:18I can't leave the pub

00:49:19because me and my tulip

00:49:22would...

00:49:23Could we put Burt

00:49:27in a little bag

00:49:28and take him?

00:49:29I brought my brother

00:49:30Wheelwell.

00:49:30He doesn't really do anything.

00:49:32Do you have a restroom?

00:49:34Come closer.

00:49:35Well, generally...

00:49:36He's way outside.

00:49:37You know,

00:49:38we just generally

00:49:38do just piss and shit

00:49:39off the side

00:49:40because it's a skyland,

00:49:41you know.

00:49:42Oh, that's probably

00:49:43who you were thinking of

00:49:44when you said

00:49:44the gotch kid

00:49:45who was scared of everything.

00:49:45Oh!

00:49:47Yes.

00:49:48Sorry, who are you?

00:49:49I'm very easily frightened

00:49:50but people think

00:49:51that I also am hot.

00:49:53Yeah, you are.

00:49:54You're not supposed

00:49:55to say that.

00:49:58The only reason

00:49:59we have the zephyr

00:50:00is because of Wheelwell.

00:50:01So I can take a moment

00:50:02and thank Wheelwell

00:50:03for doing a salad.

00:50:04You brought the zephyr?

00:50:05You can't make me.

00:50:07Yeah.

00:50:08You will respect Wheelwell.

00:50:09I can't.

00:50:10Van,

00:50:11as you look out

00:50:12the window at the zephyr,

00:50:13you see the gotch

00:50:16family retainers

00:50:18sort of futzing around

00:50:21with one of the sheets

00:50:22up on the side

00:50:23of the thing

00:50:24and you see

00:50:24that they're attempting

00:50:25to basically bring in

00:50:28the...

00:50:28Like,

00:50:29they're attempting

00:50:30to bind the sails

00:50:31before bringing them in

00:50:32up on the side.

00:50:34What bloody Norman's doing?

00:50:36That's...

00:50:36What is that?

00:50:37What are you doing up there?

00:50:39You're a bunch of...

00:50:40You're gonna break

00:50:41the bleeding sails!

00:50:42See, Van?

00:50:43It's like watching

00:50:44a toddler walk

00:50:45around a sharp coffee table.

00:50:46Oh, yeah.

00:50:47Oh, God.

00:50:48And then they...

00:50:49Like, I...

00:50:49They want me to fly the ship.

00:50:51I'm going to pilot the ship.

00:50:52But I don't want...

00:50:53I don't have time.

00:50:54I can't even project

00:50:55my voice loud enough.

00:50:56You can't train.

00:50:57You can't train.

00:50:58Captain.

00:50:59I'm...

00:51:00I'm loyal to the nut.

00:51:02I am, too.

00:51:04But if you're asking me

00:51:05to come,

00:51:07I look at Bert.

00:51:10I think I've got to go

00:51:11on one last adventure.

00:51:13The nut needs you.

00:51:15The nut.

00:51:15I know.

00:51:16We love the nut.

00:51:17I love the nut.

00:51:18Bert, come on.

00:51:19You know I love the nut.

00:51:21We love the nut.

00:51:22I love the nut.

00:51:23I love the nut.

00:51:23Let her.

00:51:25My guy.

00:51:25You've got to honour the nut.

00:51:28You've got to honour the nut.

00:51:32He looks at you and says,

00:51:34Penelope, darling.

00:51:35Yeah.

00:51:37You come from

00:51:37a long line of sailors.

00:51:40Yeah.

00:51:40And I know that

00:51:41you were the first chapman

00:51:43to take from the sea

00:51:44to the sky.

00:51:45I was.

00:51:45And I know the sky

00:51:46calls to you.

00:51:47I know it does.

00:51:49And I know that

00:51:50we were married.

00:51:51We were wed.

00:51:53But I know that you

00:51:55had a first marriage

00:51:57which is to the sky.

00:51:59And that means

00:52:00that we're in

00:52:01a group marriage.

00:52:03Yeah.

00:52:04And it's non-hierarchical

00:52:05but the needs

00:52:06of the various partners

00:52:08have to be considered equally.

00:52:11The sky is calling to me.

00:52:13I would love you.

00:52:14I would love you to come.

00:52:15We've always needed

00:52:17a chef.

00:52:19Quite frankly,

00:52:20the chips, biscuits

00:52:21and hardtack

00:52:22and those weird

00:52:23dried fruits

00:52:24that nobody likes.

00:52:25gets old

00:52:26pretty quick.

00:52:27Well, you know

00:52:27what goes great

00:52:28with dry biscuits?

00:52:32Several different

00:52:33helllies.

00:52:35If you want me

00:52:36to come, darling,

00:52:37I'll come.

00:52:38Or I can stay

00:52:39and take care of the nut.

00:52:40I worry about it.

00:52:42This town needs

00:52:43the nut.

00:52:43It does.

00:52:44It really ties

00:52:45the town together.

00:52:46It's up to you.

00:52:47Whatever you think

00:52:48is right.

00:52:48But I think

00:52:49I do have to go.

00:52:51All right.

00:52:51I'll miss you.

00:52:53I'll miss you too, darling.

00:52:54Unless you come with me,

00:52:55in which case

00:52:55I'll see you all the time.

00:52:58Wow.

00:52:58How about this?

00:53:00I'm going to go.

00:53:00We have some orders

00:53:01piling up.

00:53:02Great.

00:53:02I'm going to go do them.

00:53:03And when I'm done with them,

00:53:04if the ship's still here,

00:53:05I'll jump on.

00:53:06You bring out

00:53:07some of those crispy

00:53:07Brussels sprouts

00:53:08for the table.

00:53:09Oh, God.

00:53:11I'll do some crispy

00:53:12Brussels sprouts.

00:53:13I would love

00:53:13a Brussels sprout.

00:53:14We also do

00:53:15a quesadilla.

00:53:16Oh, yeah.

00:53:17That too.

00:53:18That too.

00:53:19I don't know

00:53:20if any of y'all

00:53:21are saying anything right.

00:53:23We can get some crispy

00:53:23chicken in the quesadilla.

00:53:25Yeah.

00:53:26You know what?

00:53:27I'm crewing this ship.

00:53:28I need you, Bert.

00:53:31Everyone,

00:53:32the rusty nut

00:53:33is closed

00:53:33until further notice.

00:53:35You see all these

00:53:36sky pirates go

00:53:36dang

00:53:37and get up.

00:53:38Big Nigel.

00:53:39What's that?

00:53:40If you want to keep it open

00:53:41as simply a drinking

00:53:42establishment,

00:53:43I don't trust you

00:53:44in the kitchen.

00:53:45No food.

00:53:46Only drinks.

00:53:47Everyone's running a tab

00:53:48and everyone

00:53:50eats on a system.

00:53:51And you see

00:53:52all these sky pirates

00:53:53salute.

00:53:56It'll be fine.

00:53:57It'll be fine.

00:53:57A tab on the honor system?

00:54:01With a bunch of pirates.

00:54:02The pirates.

00:54:03There's pirates.

00:54:04There's an honor system

00:54:05among pirates.

00:54:06It'll be fine.

00:54:07You see Bert

00:54:08gets a bunch of cauldrons

00:54:09and greasy things

00:54:10and comes along.

00:54:11Brass, brass.

00:54:12Hey, holly.

00:54:12Sweet potato fries.

00:54:13All right.

00:54:14We're ready.

00:54:16And goes into the kitchen

00:54:18to board the zephyr.

00:54:19Can you make a pizookie?

00:54:20A pizookie?

00:54:22We do a personal

00:54:23pan pizookie.

00:54:25It's a big cookie

00:54:26shaped like a pizza.

00:54:27A pizza cookie?

00:54:28Yeah.

00:54:29That's right.

00:54:30When there's pizza

00:54:30on a cookie,

00:54:31You can get the

00:54:32small plate version

00:54:33or the large plate version

00:54:34of a pizookie.

00:54:36That's not it.

00:54:36What?

00:54:37It's not a pizza

00:54:38on a cookie.

00:54:38Pizza on a cookie

00:54:40You can have pizza

00:54:41any time.

00:54:42Oh, so it's just

00:54:42a really small pizza then.

00:54:45Chocolate chip.

00:54:46Chocolate chip base.

00:54:48Marinara sauce.

00:54:49I'm not going to

00:54:50watch the rest of it.

00:54:51Oh my God.

00:54:51We do gooey chocolate chunk

00:54:53marinara.

00:54:55And then we do

00:54:56a basil

00:54:57and a burrata.

00:54:58Everything sounded good

00:54:59until now.

00:55:01I eat the dried fruit.

00:55:02I have to say,

00:55:03I don't know

00:55:04where we're going to

00:55:04get the ingredients

00:55:05for this.

00:55:06We'll figure it out.

00:55:07Okay.

00:55:07Don't worry about that.

00:55:08Okay.

00:55:08You jump aboard

00:55:09and you see the same

00:55:10crew of people.

00:55:11I'm going to.

00:55:18All right,

00:55:19two horrible lot

00:55:20lying up right now

00:55:21in front of me

00:55:21right now lying up.

00:55:23I ain't never seen

00:55:24a more horrible lot

00:55:26of crew ever once

00:55:27in my life

00:55:28or once in my life.

00:55:30I want these.

00:55:32nasty locking floors.

00:55:35Clean as a whistle.

00:55:36I'm going to eat

00:55:36my bazooki off of them

00:55:37by the end of the day

00:55:38if I am no doubt.

00:55:40See,

00:55:40as soon as you say

00:55:41you've never seen

00:55:41a worse crew in your life,

00:55:42there's the fifth person

00:55:44in line goes,

00:55:44what?

00:55:46And then they get slapped

00:55:47by one of their cocks.

00:55:48No crying in the sky.

00:55:49No bloody crying

00:55:50in the sky.

00:55:50All right.

00:55:52And they drop down

00:55:53and start to scrub

00:55:54the fucking deck.

00:55:55As you look,

00:55:56Van,

00:55:56Bert gets in the kitchen.

00:55:58You look out

00:55:58to each other.

00:55:59You have your notes

00:56:00on the bi-angle.

00:56:01However,

00:56:02I think

00:56:04especially

00:56:05looking at

00:56:06the captain's quarters

00:56:07you see.

00:56:07Maybe we're missing someone.

00:56:08You see,

00:56:09and I think you do see

00:56:10it's that dog-eared copy

00:56:12of A Strange Foe

00:56:15at Oh No Plateau.

00:56:17Last good book.

00:56:19I grab it.

00:56:21Was this her

00:56:21personal copy?

00:56:23Or if my characters

00:56:24have been introduced

00:56:25to him

00:56:25and I already

00:56:26I'm coming in swinging.

00:56:29Fighting an uphill battle.

00:56:30Can I grab that copy

00:56:33and kind of thumb through?

00:56:34It was like

00:56:34my grandma's copy.

00:56:35Yeah, yeah, yeah.

00:56:37You thumb through

00:56:38looking at that one.

00:56:41Yeah.

00:56:41Do you think

00:56:45we need

00:56:45one more person?

00:56:46Yeah.

00:56:47Yeah?

00:56:47Okay.

00:56:48Yeah.

00:56:48We need Monty.

00:56:50Yes, yeah.

00:56:51That'd be so cool.

00:56:52It's coming together,

00:56:54but he is

00:56:54the

00:56:55Chipotle Aoki.

00:56:57Yes, exactly.

00:56:59You guys said it correct.

00:57:00On the Suzuki of life.

00:57:02Disgusting.

00:57:03Yeah, totally.

00:57:05Totally.

00:57:05Chipotle Aoki

00:57:06on the Suzuki of life,

00:57:09which we've now learned

00:57:09is a pizza made

00:57:11on top of a cookie.

00:57:12On a chalk.

00:57:13And you can get ice cream

00:57:13if you like,

00:57:14but that is, you know,

00:57:15whatever you like.

00:57:15There's a chalk

00:57:16sandwich board set,

00:57:17and you see that

00:57:17Bert listens to that

00:57:18and goes,

00:57:19Chipotle Aoki.

00:57:21Okay.

00:57:21When's the last time

00:57:29I heard, like,

00:57:30what Monty's up to?

00:57:32I've been reading

00:57:34all of his books.

00:57:35Me too.

00:57:35And I underline

00:57:36my favorite passages.

00:57:38So the legendary crew

00:57:40of Comfrey MacLeod

00:57:41in a rusty toy shop

00:57:44hanging out

00:57:45with a life of, like,

00:57:47fighting goons

00:57:49in the back alleys

00:57:50of Gulch Canyon

00:57:51and serving aiolis

00:57:52at the Rusty Nut.

00:57:54Montgomery LaMontgomery

00:57:55has not been in the sky

00:57:57in years

00:57:58because he is

00:57:59one of the world's

00:58:00most successful authors.

00:58:03And I think you would know

00:58:04that he's probably

00:58:05easy to track down

00:58:06because he's sort of

00:58:07a renowned celebrity.

00:58:09Okay.

00:58:10Does he have, like,

00:58:10a book signing?

00:58:11Yeah.

00:58:11Or something that we can

00:58:12try to look up?

00:58:13Yeah.

00:58:14Let's check the bulletin boards

00:58:15for anything about, like,

00:58:17Monty LaMontgomery

00:58:18is, like,

00:58:19doing a meet and greet

00:58:20or...

00:58:21Do you think he's in

00:58:22Belle Nuit?

00:58:24Yeah.

00:58:24Oh.

00:58:26Belle Nuit is a crazy place.

00:58:28If we go there,

00:58:28we're not leaving.

00:58:29Wait, what happens

00:58:30in Belle Nuit?

00:58:32Yeah.

00:58:32What's it like?

00:58:33Is it, like,

00:58:34Pilby,

00:58:34but kind of crazier?

00:58:36It's, like,

00:58:37an underground city

00:58:38and everyone you meet,

00:58:39you think they're normal,

00:58:41but then,

00:58:41surprise,

00:58:42they're covered

00:58:42in back tattoos

00:58:43and know how to dance.

00:58:44And they really know

00:58:47how to dance.

00:58:48Does that explain it for you?

00:58:49That explains it

00:58:50to a T.

00:58:52Yeah?

00:58:53Yeah?

00:58:53The swinging city

00:58:55of Belle Nuit

00:58:56in the great

00:58:59subterranean congress,

00:59:02a 18-tiered

00:59:04crystal chandelier

00:59:06shedding light

00:59:08over a vast

00:59:09marble rotunda.

00:59:11You see champagne

00:59:13trickling across

00:59:14the crystals,

00:59:15falling into glasses

00:59:16as servants

00:59:17wheel out on trays.

00:59:19And Belle Nuit

00:59:20with a fabricated sky

00:59:23of twinkling stars

00:59:25and constellation

00:59:26of gas lamps,

00:59:27the city itself

00:59:28subterranean.

00:59:30You see undershirt-wearing,

00:59:33suspender-clad poets

00:59:35on fire escapes,

00:59:37taking puffs

00:59:38of their cigarettes,

00:59:40playing a moment

00:59:40of saxophone

00:59:41returning to write

00:59:42their poetry.

00:59:43Just a moment.

00:59:44Just a moment of sax.

00:59:47There it is.

00:59:49There it is.

00:59:50Absolute mad lads.

00:59:52I don't know

00:59:52who pays them,

00:59:53but it's not enough.

00:59:54Having docked above,

00:59:55moving through the streets

00:59:57towards the great

00:59:58subterranean congress,

01:00:00you look and see

01:00:02a street corner,

01:00:04a band stand-up,

01:00:05bass,

01:00:06a trumpet player,

01:00:08music fills the street

01:00:09as people are dancing

01:00:10out here in the promenade.

01:00:12But within that rotunda

01:00:13as you approach,

01:00:14we see all of the vast

01:00:17and various delegates

01:00:19and senators

01:00:20and representatives

01:00:21of a great

01:00:23and important congress.

01:00:24And in their number,

01:00:27we see Montgomery,

01:00:28LaMontgomery.

01:00:29Lou, could you please

01:00:29describe your character

01:00:30for us?

01:00:31Of course,

01:00:31same physical build

01:00:34as when we saw him earlier.

01:00:35Big, broad shoulders,

01:00:37big chest,

01:00:37a little bit more

01:00:38of a gut

01:00:39than he had

01:00:40in his younger years.

01:00:41His mustache

01:00:42has now grown

01:00:43to connect

01:00:43to his sideburns

01:00:46to complete the arc.

01:00:50His hair has gone

01:00:51completely gray.

01:00:52He now rocks

01:00:53a little bit

01:00:54of the George Jefferson

01:00:55kind of like

01:00:56halo of hair

01:00:57around a bald spot

01:00:59in the center

01:00:59wearing a three-piece tuxedo

01:01:01with a giant

01:01:03dire boar tusk

01:01:05just hanging

01:01:06in the center

01:01:07of his chest

01:01:07like a necklace.

01:01:09You are surrounded

01:01:09by Senator Acabane,

01:01:11Senator DeMarco,

01:01:12and the Lady Greypace.

01:01:14You see the lady

01:01:15as you're all sort of

01:01:16holding champagne

01:01:16looks at you

01:01:17and says,

01:01:18oh my God,

01:01:19a creature

01:01:20that dangerous.

01:01:21The legend said

01:01:22it was a man-eater.

01:01:23Was it pursuing you?

01:01:24What did you think

01:01:24to do in that moment?

01:01:26Were you even

01:01:27expecting to find it

01:01:28that close to count?

01:01:30These are all

01:01:30good questions.

01:01:32Questions worth asking.

01:01:35But it's these

01:01:36kinds of questions

01:01:37that create assumptions

01:01:39about the great creatures

01:01:41that walk this land

01:01:42with us.

01:01:44The boar

01:01:45bore me

01:01:47no ill will.

01:01:51He sought only food

01:01:52and water

01:01:53for his family.

01:01:56And after some time

01:01:57I treated

01:01:57with the boar

01:01:58met

01:01:58that family.

01:02:01Walked with them

01:02:02under many suns

01:02:03and many moons.

01:02:07It was a beautiful time.

01:02:09What I remember fondly.

01:02:12He gave me this tusk

01:02:13as it molted

01:02:15and he grew another.

01:02:17A gift to remember

01:02:18our time together

01:02:19and I gave him

01:02:19one of mine.

01:02:20It did not grow bad.

01:02:24My God, man.

01:02:26You gave your tooth

01:02:27to a wild boar.

01:02:28You would have done

01:02:29the same

01:02:30should you have known

01:02:31the life they live

01:02:33understood them

01:02:34the way that I did.

01:02:35It was my honor

01:02:36to pull my tooth

01:02:37and give it to that boar.

01:02:39And I know

01:02:39he holds onto it

01:02:40to this day.

01:02:42You see that

01:02:42Senator Acabane

01:02:43turns to Senator DeMarco.

01:02:45I am withdrawing

01:02:46my vote

01:02:47for the widow's birth

01:02:48legislation.

01:02:50That forest

01:02:51will be maintained.

01:02:52It will be maintained.

01:02:55And I will move there

01:02:56and I will shed my clothes

01:02:58and become one

01:02:59with the boars.

01:03:01I will live my life

01:03:02as a boar.

01:03:03Senator, Senator, Senator.

01:03:04I am a piggy.

01:03:10That's all right.

01:03:11That's all right.

01:03:12You are.

01:03:13We are.

01:03:13I don't want to hurt the boar.

01:03:15Good.

01:03:15That's right.

01:03:16That's right.

01:03:17The boar is worth

01:03:18to protect.

01:03:19As are you.

01:03:21So please take clothes

01:03:22with you.

01:03:23Okay.

01:03:24I do that.

01:03:25You see that Senator DeMarco

01:03:26says,

01:03:26Acabane,

01:03:27don't you think?

01:03:27He says,

01:03:28enough!

01:03:29Those Eisengeist ghouls

01:03:30can try to strip

01:03:32every last square inch

01:03:33of their confederated

01:03:34imperial republic,

01:03:35mine all the widow's breath

01:03:36and choke the world

01:03:37in green smog.

01:03:39But that forest

01:03:40will remain pure

01:03:41and I will kill

01:03:42this legislation dead.

01:03:43I want to say

01:03:44I've been a member

01:03:45of the

01:03:47La Montgomery

01:03:47Cog Scout Club

01:03:49for many years.

01:03:51I got myself

01:03:52a subscription.

01:03:53My child obviously

01:03:53joined first

01:03:54and then I wanted

01:03:55copies for myself

01:03:56and I really appreciate

01:03:56you.

01:03:57I mean,

01:03:57he'd enormous be.

01:03:57We welcome all ages.

01:03:59There is no age limit

01:04:00on the La Montgomery

01:04:01Cog Scout Club.

01:04:04And you see,

01:04:05he walks away.

01:04:06You see that Senator DeMarco

01:04:07looks at you

01:04:07and sort of furrows

01:04:09his eyes.

01:04:09touching story,

01:04:15Mr. La Montgomery.

01:04:17I wonder if that,

01:04:19that boar has any idea

01:04:22about the true cost

01:04:23of progress.

01:04:27He does not.

01:04:31It is the weight of man

01:04:33to carry an understanding

01:04:35of what it takes

01:04:35to move human society forward.

01:04:38but I beg

01:04:40that you ask

01:04:41the question

01:04:41that that cost

01:04:44the world bears it

01:04:46but at some point

01:04:48the world comes

01:04:49and will ask you

01:04:50to pay in kind.

01:04:53You see,

01:04:53he turns and storms off.

01:04:55The Lady Grey Pace

01:04:56smiles

01:04:57and she puts

01:04:58a hand on your arm

01:04:59and says,

01:05:01I don't think this night

01:05:02could have gone

01:05:03any better.

01:05:05We owe you everything,

01:05:06Monty.

01:05:06I appreciate the invitation.

01:05:08It was an honor

01:05:09just to speak

01:05:10and meet these people.

01:05:12And I think you feel

01:05:12a tug on your coat

01:05:14as the Lady says,

01:05:16there are a few other people

01:05:16we should talk to

01:05:17and I think,

01:05:18and feeling a tug

01:05:19on your coat,

01:05:20I think you turn around

01:05:21and whoever's here

01:05:23is here.

01:05:23I think I have a copy

01:05:24of Naughty No Good Nicks

01:05:27at Nollipond

01:05:29and I say,

01:05:29Mr. Montgomery,

01:05:30will you sign a copy

01:05:32of my favorite book?

01:05:33No, no.

01:05:40God damn.

01:05:43They're great books, man.

01:05:44Surprise.

01:05:45Surprise.

01:05:46So soft,

01:05:47so absorbent,

01:05:48the paper.

01:05:49What's that supposed

01:05:50to be, man?

01:05:51Good to see you.

01:05:55Junker.

01:05:55God damn.

01:05:56Okay, Monty,

01:05:58you've got a pretty

01:05:59big fan here

01:06:00and then a kind

01:06:01of lukewarm one.

01:06:02You are,

01:06:04I am Maxwell Gotch.

01:06:06You are the author of-

01:06:07Oh, the Gotch family.

01:06:08The Gotch family,

01:06:08of course.

01:06:08An absolute pleasure

01:06:09to meet you.

01:06:09I think you might

01:06:10have known my grandfather.

01:06:11You are the author

01:06:11of three or four

01:06:13of my favorite books.

01:06:13Maxwell,

01:06:14why don't you get drinks

01:06:15for everybody here?

01:06:17Why didn't that be

01:06:18such a good idea?

01:06:19I'll take two champagnes.

01:06:21Me?

01:06:23Yeah.

01:06:24We'll take two champagnes.

01:06:25You might have to

01:06:26track them down

01:06:26or something.

01:06:27Yeah, could you

01:06:28track down champagne?

01:06:28You see,

01:06:29I know.

01:06:30What's your morning

01:06:30routine like?

01:06:31What?

01:06:33What are every-

01:06:34It's Montgomery,

01:06:36La Montgomery.

01:06:37Absolutely nice to meet you.

01:06:38This is-

01:06:39My name is Alethra.

01:06:40Alethra.

01:06:41McLeod.

01:06:42Oh.

01:06:43Comfrey McLeod

01:06:44is my grandma.

01:06:45Yes, of course.

01:06:46La Montgomery,

01:06:47Cogscout 01714.

01:06:49Yes, yes,

01:06:50exactly.

01:06:51Yes, exactly.

01:06:52A Pilgrim Mantis

01:06:52six years ago

01:06:53that I added to my collection.

01:06:55A near-perfect specimen.

01:06:57I'm so glad

01:06:58that you liked it.

01:06:59It was honestly

01:07:00pretty hard to find.

01:07:01They are.

01:07:02Yeah.

01:07:03It's so great to me.

01:07:05I really thought

01:07:05I was going to be cool,

01:07:07actually,

01:07:07but I read all your books.

01:07:09They're each one

01:07:09better than the last.

01:07:10Well, it's absolutely

01:07:12unnecessary that you be cool.

01:07:14In fact,

01:07:14for your physical health,

01:07:15it is important

01:07:16that you stay warm.

01:07:18Wow.

01:07:19I can't with it.

01:07:20Got away with work.

01:07:21I'm just standing behind him.

01:07:23Oh, okay.

01:07:25I think Elethora faints.

01:07:29Elethora falls out for it.

01:07:30You see,

01:07:31Wheelwell goes,

01:07:31no!

01:07:33Wheelwell.

01:07:34What?

01:07:34Wheelwell faints.

01:07:36Wheelwell,

01:07:36I asked for champagne.

01:07:37Where are you on that?

01:07:41I swear,

01:07:41I'm going to need

01:07:4210 on the champagne.

01:07:43He's so solid.

01:07:45He was going to get

01:07:46a champagne.

01:07:47How nice of that.

01:07:47He's my older brother.

01:07:48I actually think

01:07:49he's pretty liquid.

01:07:50He's a pretty liquid lad.

01:07:52Can I make a medicine

01:07:53check on Elethora?

01:07:54Yeah,

01:07:54I think you can move

01:07:55off with Elethora.

01:07:56What about Wheelwell?

01:07:58What?

01:07:5923.

01:08:0023!

01:08:01I love you.

01:08:03Oh, my God.

01:08:05Did you save me?

01:08:06Did you save me?

01:08:07I don't believe

01:08:09you fainted out

01:08:10of a bit of shock,

01:08:12which is perfectly normal.

01:08:13This is so cool.

01:08:14This is so cool.

01:08:17I love you.

01:08:18I love you

01:08:19from the bottom

01:08:19of my heart.

01:08:20And I'm sure

01:08:21in time I will

01:08:21come to admire you.

01:08:23How are you two?

01:08:24It's been some time.

01:08:25Are you still in Pilbys?

01:08:26I'm still at will,

01:08:27you know.

01:08:28Until now,

01:08:29I've been in Pilbys.

01:08:30Are you still running

01:08:31with a pack of coyotes?

01:08:33It's been a minute.

01:08:34That was just

01:08:34sort of a phase.

01:08:35Okay,

01:08:36that was a phase.

01:08:37It was sort of

01:08:37a mourning period

01:08:38of, um,

01:08:40of, uh,

01:08:40I don't want

01:08:41to talk about it

01:08:41right now.

01:08:42Oh, it was very public.

01:08:43We all know

01:08:44you got divorced.

01:08:44Okay, that's how

01:08:46I handled it,

01:08:47and I'm actually

01:08:47normal now.

01:08:48I think that's healthy.

01:08:49Yeah.

01:08:50What about you?

01:08:52I'm sort of

01:08:52haunted by a tragedy

01:08:54in my life

01:08:55in which I lost

01:08:56my sheep,

01:08:57my crew,

01:08:58and I was

01:08:58exiled from the sky.

01:09:00And so,

01:09:01the only thing

01:09:02that animates me

01:09:03is a fleeting

01:09:05dream of revenge.

01:09:06Oh,

01:09:07how about this?

01:09:08I'm going to grab

01:09:09a piece of champagne,

01:09:10like a glass of champagne

01:09:11and toss it

01:09:12in the air

01:09:12in front of you.

01:09:16And then I,

01:09:16I drink in

01:09:17all of the shattered

01:09:18champagne.

01:09:19There she is.

01:09:20There she is.

01:09:21All right,

01:09:22well,

01:09:22there's still a little bit

01:09:23of junkery in there.

01:09:24Okay, okay, okay.

01:09:25Hey, Maxwell,

01:09:26you've watched this

01:09:27from these older legends,

01:09:29and you're like,

01:09:30oh, this is rowdy.

01:09:31This is what

01:09:32I've been

01:09:33You want to run

01:09:34with us?

01:09:34You want to run

01:09:35with us?

01:09:35Learn how to swallow

01:09:36glass.

01:09:38Very well.

01:09:39Yeah.

01:09:40You've got to start

01:09:41with little bits of glass.

01:09:42Small parts.

01:09:44I think I can handle

01:09:45a medium amount of glass.

01:09:46All right, okay.

01:09:47I would like to eat

01:09:48a medium amount of glass.

01:09:51And then,

01:09:51how's Bert?

01:09:52Immediately bleeding.

01:09:53Oh, he's such a good,

01:09:54but he's here.

01:09:55Oh, incredible.

01:09:57Yeah, no, he's come with.

01:09:58I haven't seen him

01:09:59since the wedding,

01:09:59so it would be great

01:10:00to catch up.

01:10:01Yeah, I wish

01:10:02he could have come.

01:10:03Yeah, sir.

01:10:04We would have loved

01:10:05to see you.

01:10:07But it's okay.

01:10:08We're all here now, eh?

01:10:10I mean, Bert's here.

01:10:11You guys can just

01:10:11recreate it for us.

01:10:13That's true,

01:10:13and you are a captain.

01:10:15Yeah, that's true.

01:10:16I've actually married

01:10:17quite a few people.

01:10:19And some of them

01:10:20to other people.

01:10:21Yeah, yeah, yeah, yeah.

01:10:23But actually,

01:10:25Mr. La Montgomery,

01:10:26we actually are

01:10:28approaching you

01:10:29because the gotchas

01:10:30are actually sponsoring

01:10:32another adventure.

01:10:35Well, I'll stop you there.

01:10:38I have been asked

01:10:39many times.

01:10:41I am no longer

01:10:43a windrider.

01:10:44Those days are behind me.

01:10:45She fan-zoed, Monty.

01:10:48She fan-zoed.

01:10:51And she's stuck there.

01:10:52Nobody else can do it, Monty.

01:10:57It's got to be us.

01:10:58Think of what kind of book

01:10:59that would be, huh?

01:11:01Yeah.

01:11:02Yeah.

01:11:02I don't know

01:11:03if you have your next book

01:11:04figured out

01:11:06because I think

01:11:07I've read up

01:11:07to where we lived.

01:11:09Yeah.

01:11:10Well, and I've got one

01:11:12that's a rough draft

01:11:13that's one past that,

01:11:14but it's...

01:11:15Past when we lived?

01:11:17Well, past our last adventure.

01:11:19You know, I just kind of

01:11:20made up one

01:11:21out of whole cloth

01:11:22and it's...

01:11:23Yeah, I'm gonna have to

01:11:24read that.

01:11:26Yeah, it's not great.

01:11:29She found Sue.

01:11:30She found Sue.

01:11:30She's not...

01:11:31Okay, she sounded

01:11:32really scared.

01:11:34She's...

01:11:34Can I have, like,

01:11:35a transcript

01:11:36or something of it

01:11:37that I've written down

01:11:38or, like...

01:11:38Yeah, yeah, yeah, yeah.

01:11:39Just, like, kind of

01:11:39the bullet points.

01:11:41It doesn't really

01:11:41make a lot of sense.

01:11:42Some of it's total gibberish.

01:11:44We don't even know

01:11:44when this was recorded.

01:11:46These locations

01:11:46we haven't heard of.

01:11:48The math is tight, though.

01:11:50You think we can get there?

01:11:52I think I can take you

01:11:54all someplace

01:11:55that is a rare opportunity

01:11:57to see something

01:11:58that most people

01:12:00have not seen.

01:12:01True wild space.

01:12:03Give me a survival check.

01:12:05You got it.

01:12:06That is a 28.

01:12:1228.

01:12:13It's what we do, baby.

01:12:14It's what we do, baby.

01:12:15Survive.

01:12:17Oh, we really still have it.

01:12:20You listen to it.

01:12:22There's a piece

01:12:23in the sort of transcript

01:12:24of hearing this looped recording

01:12:26that Professor McLeod says

01:12:28broadcasting from

01:12:29the seventh sub-VIM parallel.

01:12:33You think,

01:12:35as you listen to that,

01:12:35because it's not a term

01:12:36you've ever heard before,

01:12:37but you listen to seventh parallel,

01:12:40and I think you go,

01:12:42whatever Zood is,

01:12:44it doesn't have

01:12:44a magnetic north.

01:12:46Something truly amazing

01:12:50is out there.

01:12:52A shotgun and pack

01:12:53or a coat check.

01:12:54Let's go.

01:12:55Tell her to bring the champagne

01:13:03and bring it on the ship.

01:13:04All right.

01:13:04He's pretty hurt.

01:13:05I, the medium piece of glass

01:13:07is just in the roof of my mouth.

01:13:08Junko, is it the kingfisher?

01:13:10She's gone.

01:13:12The kingfisher

01:13:12is no more,

01:13:14but it is the zephyr.

01:13:17No.

01:13:18The gotchas have secured the zephyr.

01:13:20Oh, god damn.

01:13:22She's just as gorgeous as ever.

01:13:24Come on aboard.

01:13:25Come on aboard.

01:13:26Yeah, I'm,

01:13:28the party's gone.

01:13:28As you go to coat check,

01:13:32you see that

01:13:33the Lady Greypaste

01:13:34comes over

01:13:34and also has

01:13:35Harry Urg,

01:13:37your publisher.

01:13:38Yes.

01:13:38Oh, and you see

01:13:38Harry walks up and says,

01:13:40all right,

01:13:41you're doing great

01:13:41at this party, buddy.

01:13:42I gotta tell you that

01:13:43right now.

01:13:44Listen,

01:13:45I took a look

01:13:45at the other draft

01:13:46and I think,

01:13:47you know,

01:13:48it's just that the first

01:13:49and last act

01:13:50are a little dry.

01:13:51Harry, it's done.

01:13:52It's done.

01:13:52Put it down,

01:13:53put it away.

01:13:54We're doing something miraculous.

01:13:57We're going back.

01:13:58We're gonna do a reboot.

01:13:59We're gonna write

01:14:00all the books again.

01:14:01No, I don't want

01:14:01to do the reboot.

01:14:02You're gonna write

01:14:03all the books again.

01:14:04You're gonna write

01:14:05all the books.

01:14:05No, I know.

01:14:06We talked about that.

01:14:07Ah, come on.

01:14:08It's fine, Matty.

01:14:09It's too hard.

01:14:10How do you reboot?

01:14:11What are you gonna call them?

01:14:12Re-books?

01:14:13You will do re-books.

01:14:14We're gonna use

01:14:15more modern language.

01:14:17Oh, yeah.

01:14:18The kind of stuff

01:14:18that maybe change

01:14:19a few of the themes.

01:14:20Put it in a little,

01:14:21put a little more tits.

01:14:22Oh, that'd be so fun.

01:14:23Yeah.

01:14:23More tits.

01:14:24Yeah.

01:14:25Put it in a little more.

01:14:25I'm gonna get more tits.

01:14:27Ah!

01:14:28You see Dicekate

01:14:29just raring,

01:14:30wrestles your publisher

01:14:31to the ground.

01:14:32What's wrong

01:14:32with a little more tits?

01:14:34Listen,

01:14:34I don't like

01:14:35what you're doing right now.

01:14:37And I'm gonna send you

01:14:38down this slide.

01:14:39Help me!

01:14:41Shoots out

01:14:42a champagne slide.

01:14:43At the bottom,

01:14:44you see some Gatsby-esque figure.

01:14:45It goes,

01:14:46I guess the slide's open.

01:14:48Swim suits!

01:14:50And you see that

01:14:51Lady Greypaste looks

01:14:52and says,

01:14:54Monty,

01:14:54are you here?

01:14:56Things we could find.

01:14:58The stories we could tell.

01:15:01We wouldn't need

01:15:03to attend

01:15:04a single gala or two.

01:15:05If this place

01:15:08is what we

01:15:09always believed it was,

01:15:11it will change the world.

01:15:13See,

01:15:14she leans over,

01:15:14takes your hands,

01:15:15gives you a kiss

01:15:16on your cheek.

01:15:19Come back home,

01:15:20Monty.

01:15:20I don't know

01:15:21what world

01:15:21you're headed to,

01:15:22but this one needs you.

01:15:24And if you're looking

01:15:25for any cookbooks,

01:15:26my husband Bert

01:15:27has some beautiful recipes.

01:15:28It's all Aeolies.

01:15:29It's a lot of Aeolies.

01:15:31Oops,

01:15:31all Aeolies.

01:15:32And Aeolies.

01:15:33And Aeolies,

01:15:33Aeolies,

01:15:34yeah,

01:15:34which is the difference.

01:15:35Beautiful singing voice.

01:15:36You see Bert looks out

01:15:37and says,

01:15:37I can make a Pazooki Aeolies

01:15:39or I can sing.

01:15:40You have a dealer's choice.

01:15:42Bert's so solid.

01:15:43Difficult to write

01:15:45a book about.

01:15:46Come on,

01:15:46I want to see the Zephyr.

01:15:48You guys head out.

01:15:49We'll well.

01:15:51We'll see you.

01:15:52We'll well.

01:15:53Leave me for death.

01:15:55I'm going to leave you

01:15:55at a party to die,

01:15:57We'll well.

01:15:57You're my party.

01:15:58You guys head

01:15:59to the Zephyr

01:16:01and you get up

01:16:02to see the ship.

01:16:05Yeah.

01:16:06Yeah.

01:16:06Right.

01:16:07You remember?

01:16:08Oh,

01:16:08this thing right here.

01:16:10Oh.

01:16:11That's when I shot my gun

01:16:13straight in through the air

01:16:14because I got scared.

01:16:17Yeah,

01:16:18you got scared.

01:16:19Which really happened.

01:16:21Easily.

01:16:21Oh,

01:16:22I remember it.

01:16:23Clear as day.

01:16:24Oh.

01:16:24As you stand

01:16:27on the deck

01:16:28all together,

01:16:29Monty,

01:16:30Van,

01:16:31Maria,

01:16:32Daisuke,

01:16:34Max,

01:16:34you're finally

01:16:35not on the ground anymore.

01:16:37Lethra,

01:16:38your grandmother's ship,

01:16:40she's out there somewhere.

01:16:42Come on.

01:16:42Come on, Max.

01:16:43Touch it.

01:16:44All right.

01:16:44It's all right.

01:16:45You touch the ship.

01:16:48You look at the inscription,

01:16:50the Zephyr,

01:16:51Cloudward Ho.

01:16:52And as you all

01:16:55share this moment,

01:16:57spotlights.

01:17:00This is Lord Kensington

01:17:02Cosgrove Mergeshire.

01:17:04I'll thank you

01:17:05for the return

01:17:06of that vessel.

01:17:08And that's all

01:17:08for this episode

01:17:09of Dimension 20,

01:17:11Cloudward Ho.

01:17:12We'll see you

01:17:14next week, baby.

01:17:15Well, well, well.

01:17:17Young Master Gotch,

01:17:19I don't believe

01:17:20we've had the pleasure.

01:17:20I can't fly the ship.

01:17:21You must fly the ship.

01:17:23All right, Junker.

01:17:24Someone needs to fly the ship.

01:17:25Junker, I can't fly the ship.

01:17:26And I'm poisoned meat.

01:17:27Lived a long life.

01:17:29And I'm happy

01:17:29for it to be over.

01:17:31Depending on what

01:17:32you say next.

01:17:33We enter combat.

01:17:35All right, what the bloody

01:17:36are you thinking

01:17:36you're doing?

01:17:37Get to those guns

01:17:38and get those wasps

01:17:39out of the air.

01:17:40We've got to reverse

01:17:41the Freo dynamic flow

01:17:42from the geodestical.

01:17:43Go, go, go, go, go, go, go, go.

01:17:47The mech closes over you.

01:17:50Okay.

01:17:5014.

01:17:5114 hits.

01:17:52Oh, yes.

01:17:52What you sniffing on, boy?

01:17:55Call off your rowdies.

01:17:57Call off your ships.

01:17:58The documents.

01:17:59We've been beaten to the punch.

01:18:0517 points of damage to you.

01:18:06I'm down.

01:18:07You're down?

01:18:07What?

01:18:09What?

01:18:10There's only one way

01:18:11things that are really bad

01:18:12can get really good.

01:18:13And that's by doing them

01:18:14really good.

01:18:15Just like his first few books.

01:18:18What's your problem, man?

01:18:20I don't know.

01:18:21I don't know.

01:18:22I don't know.

01:18:23I don't know.

01:18:24I don't know.

01:18:25I don't know.

01:18:26I don't know.

01:18:27I don't know.

01:18:28I don't know.

01:18:29I don't know.

01:18:30I don't know.

01:18:31I don't know.

01:18:32I don't know.

01:18:33I don't know.

01:18:34I don't know.

01:18:35I don't know.

01:18:36You

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