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Blue Car 2002 Drama Romance Movie
Blue Car is a 2002 American drama film directed by Karen Moncrieff.
The movie follows Megan "Meg" Denning, a 17-year-old girl who witnesses her mother's infidelity and begins an affair with her male teacher, Pat. As Meg navigates her complex relationships with her family and Pat, she must confront the harsh realities of adulthood and her own desires.
Cast: Robin Tunney, as Megan "Meg" Denning
David Strathairn as Auster Sr.
John Slattery, as Paul
Ann Talman, as Mother
Sheeri Rappaport, as Lola
Wendy Gazelle, as Lila
#BlueCar2002, #Drama, #RobinTunney, #KarenMoncrief, #movies, #film, #movie, #cinema, #films, #hollywood, #actor, #s, #love, #art, #cinematography, #netflix, #horror, #actress, #moviescenes, #music, #filmmaking, #cinephile, #tv, #horrormovies, #bollywood, #comedy, #movienight, #photography, #cine, #instagood, #instagram, #director, #moviereview, #drama, #AdultMovies, #RomanceMovies, #SexMovies, #XXX, #XX,
Release Date: 2002
Genre: Drama
Director: Karen Moncrieff
Blue Car is a 2002 American drama film directed by Karen Moncrieff.
The movie follows Megan "Meg" Denning, a 17-year-old girl who witnesses her mother's infidelity and begins an affair with her male teacher, Pat. As Meg navigates her complex relationships with her family and Pat, she must confront the harsh realities of adulthood and her own desires.
Cast: Robin Tunney, as Megan "Meg" Denning
David Strathairn as Auster Sr.
John Slattery, as Paul
Ann Talman, as Mother
Sheeri Rappaport, as Lola
Wendy Gazelle, as Lila
#BlueCar2002, #Drama, #RobinTunney, #KarenMoncrief, #movies, #film, #movie, #cinema, #films, #hollywood, #actor, #s, #love, #art, #cinematography, #netflix, #horror, #actress, #moviescenes, #music, #filmmaking, #cinephile, #tv, #horrormovies, #bollywood, #comedy, #movienight, #photography, #cine, #instagood, #instagram, #director, #moviereview, #drama, #AdultMovies, #RomanceMovies, #SexMovies, #XXX, #XX,
Release Date: 2002
Genre: Drama
Director: Karen Moncrieff
Category
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Short filmTranscript
00:00:00Thank you for listening.
00:01:31Everything that went before is a dry leaf fallen from a dead tree.
00:01:36The tree's been cut down, the leaf crushed by feet and ground into earth.
00:01:42So now, there's only the memory of trees.
00:01:46I am the disease that rots the bark of trees.
00:01:52I am rust and gravity.
00:01:55In my dreams, we are all together again, and my mom is happy.
00:02:02But then the leaves all fall off the trees, and my dad is gone.
00:02:07I call out to him, but wherever he is, he can't hear me.
00:02:18Mr. Clark, please, this is AP English.
00:02:21If you can't extend a modicum of respect to your classmates, you are free to go right on down the hall to auto shop.
00:02:27Sorry.
00:02:27Oh, okay, thank you.
00:02:31Miss Denning, how do you feel about that piece of writing?
00:02:36Okay.
00:02:37Anyone else praise, criticism for Miss Denning's poem?
00:02:48It's very nice.
00:02:49Good work.
00:02:50Anyone interested in vying for the Discovery Award for Young Poets, we will be discussing the details today after school in Poets Circle, room 302.
00:03:02And just in case the $3,000 scholarship doesn't entice you, the finals are held in Florida over spring break.
00:03:11Journal to the box.
00:03:12Okay.
00:03:20Miss Denning, you can go deeper.
00:03:31You're not staying?
00:03:33I have to take care of my sister.
00:03:35Do you want me to pick up an application for you?
00:03:37You're not going to pick me.
00:03:39Officer's judging the finals.
00:03:41What do you say to you?
00:03:43Nothing.
00:03:43A man in Mexico bursts on the eardrums with a pencil and sewed his eyelids shut.
00:03:56He says because the government is deaf and blind to people's pain.
00:03:59Lily, shut up.
00:04:01Look.
00:04:04Stop it.
00:04:04Stop it.
00:04:04You better stay in there, you little brat.
00:04:25Where's Lily?
00:04:41Megan?
00:04:42I didn't do anything.
00:04:46Sorry.
00:04:48Open the door.
00:04:49what's it gonna take huh get ready for bed it wasn't my fault i expect you to take care of her
00:05:04when i'm gone get a babysitter i can't afford a babysitter you do have a responsibility to this
00:05:12family you had her you take care of her what did you say get out of my sight
00:05:42it's gonna get infected
00:05:52you gotta stop hurting yourself lily
00:06:12mr blazick channeling bukowski very good
00:06:39mr capital i believe blowjob is two words or maybe it's a hyphen
00:06:47miss denning
00:06:49mr sadler another adventure story
00:07:09crap
00:07:33want a ride
00:07:47no it's okay
00:07:49come on
00:08:03so you're starting to look for colleges
00:08:12oh i think i'm just gonna stay here and go to sinclair
00:08:17well there are scholarships you know in addition to the contest
00:08:23well i just got a job so i'm kind of busy
00:08:27okay
00:08:28have your parents ever read your work
00:08:36my mom has school after um after her work so she's kind of busy and
00:08:43i don't really see my dad
00:08:45hmm
00:08:47ever
00:08:48birthdays and christmas and
00:08:52he and my mom don't really get along so it's kind of
00:08:57it's kind of easier that way
00:08:59easier for you
00:09:01where the building up on the on the right
00:09:10i'd like you to enter the poetry contest
00:09:19i can give you my lunch hour a few days a week to help you prepare
00:09:23but i'm not a poet
00:09:25not yet
00:09:25you missed the bus
00:09:36you see me on it
00:09:39no
00:09:40draw your own conclusions
00:09:42where'd you get those
00:09:47did you take them from the store space
00:09:51draw your own conclusions
00:09:53put them away before mom comes home
00:09:58who's this
00:10:02dad
00:10:05no the baby
00:10:07duh
00:10:08i wasn't an angel
00:10:11it's not me
00:10:14you have his face
00:10:15same chubby cheeks
00:10:17same eyes
00:10:18you look just like him
00:10:21i got to miss the substanti space
00:10:27and i'm not just like a kid
00:10:27i was not even thinking about this
00:10:29i don't care to be a kid
00:10:30so it's just like horror
00:10:32that'd say
00:10:33exactly
00:10:33that's a good one
00:10:34to have a kid
00:10:35to be a kid
00:10:36that's really hot
00:10:36so i want to be a kid
00:10:38i want to be a kid
00:10:39so she's not like a kid
00:10:40so i want to be a kid
00:10:41but i can't help you
00:10:42and i can't help you
00:10:43and i can't help you
00:10:44i want to be a kid
00:10:44so i can't help you
00:10:46it's waiting for me
00:10:46with that
00:10:47i can't help you
00:10:48to help you
00:10:49Lily, get up.
00:10:59Lily, you better be ready to leave in two minutes.
00:11:10Why are you all dressed up?
00:11:12Do you have your lunch?
00:11:14No, I don't want it.
00:11:16Why are you wearing Mom's shirt?
00:11:18Why are you such a pest?
00:11:23That's his house.
00:11:25Oster's?
00:11:26Yep.
00:11:27He won some big award for writing a long time ago.
00:11:29You know that leather book he carries around?
00:11:31Yeah?
00:11:32It's his novel.
00:11:34How would you know?
00:11:35My parents used to be friends with him.
00:11:38If he told you to enter the contest, you're in it.
00:11:45Sorry.
00:11:46Oh, hello, please.
00:11:48Don't be.
00:11:49Don't be.
00:11:49Please, sir.
00:11:50Great poets touch the hidden nerve.
00:11:51Great poets touch the hidden nerve.
00:11:55So, we need a map of your nerve centers, if you're going to reveal them in your book.
00:11:58If you're going to reveal them in your work, you need to know where they are.
00:12:01So, we need a map of your nerve centers, if you're going to reveal them in your work, you need to know where they are.
00:12:06So, we need a map of your nerve centers, if you're going to reveal them in your work, you need to know where they are.
00:12:13So, we need a map of your nerve centers, if you're going to reveal them in your work, you need to know where they are.
00:12:21We need a map of your nerve centers, if you're going to reveal them in your nerve centers, if you're going to reveal them in your work, you need to know where they are.
00:12:30What was the memory of trees about?
00:12:45You said, I am rust and gravity.
00:12:50What does that mean?
00:12:52That I felt bad.
00:12:54Was there a particular time when you felt bad, or you just felt bad in general?
00:13:00I don't know.
00:13:08All right. What was the poem about?
00:13:13My dad.
00:13:16Leaving.
00:13:19So, what happened when your dad left?
00:13:24Was it day or night?
00:13:27Night.
00:13:28Did he say goodbye to you when he left?
00:13:35Miss Denning, I want you to write about that day.
00:13:37In detail.
00:13:38Write about the weather.
00:13:40Write about what you were wearing.
00:13:41What you were thinking.
00:13:42Be specific.
00:13:44A whole world emerges from little details.
00:13:46For example, when we buried my son, I had forgotten to put in my contact lenses, and I stood over him before they closed the coffin, trying to fix him.
00:14:07And in my memory, I could see the red from his sweater and his blue pants.
00:14:16And there was a scab on his forehead that hadn't healed.
00:14:22It was from a bicycle accident.
00:14:23And I could feel that scab when I kissed him, but when I looked at him, he was out of focus.
00:14:31So, when your dad left, what were you doing?
00:14:41I don't remember.
00:14:44Okay.
00:14:48Forget that I'm here.
00:14:50I'm not here.
00:14:52Just close your eyes.
00:14:53Where are you standing?
00:15:04By my window.
00:15:06In my room.
00:15:08Did your dad leave in a van or a taxi?
00:15:13A car.
00:15:15A car.
00:15:17What color was the car?
00:15:20Blue.
00:15:23Okay.
00:15:25Go on.
00:15:27You're on a voyage across an uncharted sea.
00:15:29You must believe that there is land beyond the horizon.
00:15:32What land remains is a question mark.
00:15:34But that is the mystery, the joy of discovery.
00:15:38He doesn't write that stuff to me.
00:15:40Maybe he'll ask it to the prom.
00:15:42Shut up.
00:15:53May, mom wants to talk to you.
00:16:13Hi.
00:16:14She won't, she's on a hunger strike.
00:16:22Well, I can't make her.
00:16:23I can't make her take it off.
00:16:24Come on.
00:16:31Hi.
00:16:31Bye.
00:16:32Bye.
00:16:33Bye.
00:16:34Bye.
00:16:35Bye.
00:16:36Bye.
00:16:37Bye.
00:16:37Bye.
00:16:37Bye.
00:16:45Bye.
00:16:46Bye.
00:16:47Bye.
00:16:48Bye.
00:16:48PHONE PHONE PHONE PHONE PHONE PHONE PHONE PHONE
00:16:56Hello?
00:17:01I thought your class was only until 9.
00:17:09Whatever.
00:17:18And I thought I'd had to go for a bit while you were looking at a office.
00:17:23I didn't have to go for that office.
00:17:28I thought I was going to have a few more minutes.
00:17:32Let's take a look at the office of the car.
00:17:36Don't have to go for it.
00:17:39I'm going to take a look at the car.
00:17:42Oh, my God.
00:18:10Mac.
00:18:12Okay, you tell me.
00:18:36I don't know.
00:18:38Why not?
00:18:42What's funny?
00:18:45Nothing.
00:18:46Why did you laugh?
00:18:50I don't know.
00:18:52Are you afraid I'm going to tell you that your work stinks?
00:18:57It doesn't.
00:18:58What do you think?
00:19:01Probably. I don't know.
00:19:08Come back when you do.
00:19:12It doesn't stink.
00:19:17There's a line that I like.
00:19:22Which one?
00:19:25Lost leaves spin past the glass, but the trees don't go.
00:19:31They stay by my window.
00:19:34What about the rest of it?
00:19:35I could go deeper.
00:19:39Good for you.
00:19:42So, Meg, um, how are things going over at Seymour and Cedar?
00:19:46Fine.
00:19:49Did they say they were happy with her?
00:19:51Well, Steve hasn't called.
00:19:54Well, I guess that's good.
00:19:55You don't have school tomorrow.
00:20:00Do you know?
00:20:01No, honey, my, uh, interview is tomorrow.
00:20:04Why?
00:20:05Well, I just have this thing, this writing contest where we, um, are going to read our stuff.
00:20:12What time?
00:20:14Um, after school.
00:20:15I don't know if I'll be able to make it.
00:20:19I don't know when I'll be done.
00:20:23I didn't call to confirm.
00:20:25It's all right.
00:20:26I talked to him this afternoon.
00:20:28Oh.
00:20:28Well, um, did he say who else he was considering?
00:20:30Hmm?
00:20:32Somebody in plastics.
00:20:33Hmm.
00:20:34A man or a woman?
00:20:36Dan, stop.
00:20:37Then you'll have to take the bus to Mrs. Rand's tomorrow, okay?
00:20:49Maybe when I get this job, we can all go out and celebrate, huh?
00:20:52The four of us?
00:20:54Hmm.
00:20:59Did you send down a thank you note?
00:21:01No.
00:21:02Oh, please do that.
00:21:03I didn't have to help you get that job.
00:21:07I'd like to read your story.
00:21:11It's not a story.
00:21:13Oh, well, I thought you said...
00:21:14It's a poem.
00:21:16Well, I would like to read it.
00:21:23Georgia in the contest, too?
00:21:25Yeah.
00:21:27Well, maybe her mom can drop you off at Mrs. Rand's.
00:21:30I don't want to go there, Mom.
00:21:32Her house stinks.
00:21:34Don't start.
00:21:37Don't go into a lot of trouble to get me this interview, and if I get that job, it'll be a lot more money for all of us.
00:21:42So, come on, don't be a pimp.
00:21:45Wish me luck.
00:21:46Good luck.
00:21:47Good girl.
00:21:48Good girl.
00:21:48Good girl.
00:21:50This is called blue car.
00:22:00I rode my bike past her old house.
00:22:06A rusty chair keeps your place on the lawn.
00:22:10Lily cuts holes in herself to hurt you.
00:22:13But you just won't bleed.
00:22:15Now she won't eat.
00:22:18Since you left, Mom doesn't say your name.
00:22:22But even gone, I remember your face.
00:22:24The way the sun stays bright when I shut my eyes.
00:22:29The way a torch whipping the dark leaves a long red scar.
00:22:34Some nights when I wake up, I forget where we are.
00:22:40From our apartment, I can't see the stars or the horizon.
00:22:44Only the road.
00:22:48I know it goes to wherever you are.
00:22:54Miss Denning?
00:22:56Do you have a second?
00:22:59Sure.
00:22:59Sure.
00:23:14Losing a contest doesn't mean you lack talent any more than winning one makes you Ezra Pound.
00:23:23Do you understand that?
00:23:29All of your life you'll be judged.
00:23:32Some people will love you.
00:23:33Some will say you stink.
00:23:36None of it matters.
00:23:38The opinions of these judges, your friends, your mother, me.
00:23:42What matters is the condition of your soul.
00:23:45That it remain intact.
00:23:48And that you stay strong and you keep doing the work no matter what.
00:23:52I will.
00:23:54No matter what.
00:23:56I will.
00:23:58I have to go.
00:24:00So congratulations.
00:24:05I won.
00:24:07Yes, you did.
00:24:09So now, we have to talk about how to get you to the finals.
00:24:13Florida?
00:24:15Are you going to be there?
00:24:17Yeah, I'll be there.
00:24:22Okay.
00:24:23Ms. Pound, you can go.
00:24:26I would actually be reporting directly to Don.
00:24:32Though Frank would be my boss.
00:24:35So when do you hear?
00:24:38Could be as soon as Monday.
00:24:39I know you've been picking up the slack lately.
00:24:48How does sperm get into the egg to fertilize it?
00:24:55I have some books at home.
00:24:56I've read those books.
00:24:58If the sperm is in the man's penis and then the egg is in the woman's urethus,
00:25:04so how do they come together?
00:25:09Did I give you permission to borrow my blouse?
00:25:12So how does the egg come out of the urethus?
00:25:14Do we have to have another talk with Father Allwart?
00:25:17No, thank you.
00:25:17I'm going to keep your hands off of things that don't belong to you.
00:25:21How does the egg come out of the urethus?
00:25:24Urethus!
00:25:25Did you hear me?
00:25:26Don't touch my things without asking.
00:25:29So our lives are difficult and perhaps unpardonable.
00:25:32And the fae gods of youth have, as the old men told us they would, faded.
00:25:36But still, it is morning again this day.
00:25:39In the flowering trees, the birds take up their indifferent, elegant cries.
00:25:43Look around.
00:25:44Perhaps it isn't too late to make a fool of yourself again.
00:25:47Perhaps it isn't too late to flap your arms and cry out.
00:25:50To give one more cracked rendition of your singular aspirant song.
00:25:59Is this where they have it?
00:26:03Yep.
00:26:06Oh, you can hold on to that if you'd like.
00:26:12No lunch?
00:26:14No.
00:26:15Oh, come on, here.
00:26:16Oh, no, thanks.
00:26:17No, no, I will be offended if you don't.
00:26:24What kind of bread is this?
00:26:26Um, it's a rosemary.
00:26:28You've never had it before?
00:26:30Mm-mm.
00:26:33Um, tell your mom if she has any questions she can call me.
00:26:38Yeah.
00:26:38Do you think she'll be able to come with you?
00:26:43I, um, I haven't asked her yet.
00:26:46Well, if your family can't afford to send you, the school might consider.
00:26:49We can afford it.
00:26:50Blue car.
00:26:56Do you think I could win?
00:26:59The girl wants to win.
00:27:00Uh, maybe I should write that here on the application.
00:27:03Well, no, maybe I should change my poem.
00:27:06Like, write about America, write about something nice.
00:27:09No.
00:27:11You write what you care about.
00:27:12Can you read me some of your novel?
00:27:21What do you mean, my novel?
00:27:23Georgia told me.
00:27:25Oh.
00:27:26I'm not going to copy you or anything, you know, just for inspiration.
00:27:31Hmm.
00:27:34Um, okay.
00:27:36Okay.
00:27:36In one creative thought, a thousand nights of love revive, filling it with sublimity and
00:27:51exaltation.
00:27:52And those who come together in the night, in a rocking delight, do an earnest work and
00:27:59gather sweetnesses, gather depth and strength for the song of some coming poet, who will arise
00:28:06to speak of ecstasies beyond telling.
00:28:10And though they err and embrace blindly, the future comes all the same.
00:28:18It's beautiful.
00:28:23Sorry.
00:28:25Yeah, I know.
00:28:26What's up?
00:28:27Can I have some money for lunch?
00:28:28I think this is, uh, this is my son, Rob.
00:28:36It's big.
00:28:37Hi.
00:28:39Thanks.
00:28:44I never realized here's your son.
00:28:47That's my son.
00:28:49Ready or not, the future comes all the same.
00:28:52Where's mom?
00:29:02She took me to the doctor.
00:29:05What do you do?
00:29:07The usual.
00:29:10We met Don afterwards.
00:29:13Did she get the job?
00:29:14Babine.
00:29:25I was like, oh my god.
00:29:28Did she hear me?
00:29:30I was like.
00:29:34I don't know if I had a job.
00:29:37Did she get?
00:29:37She's like.
00:29:39I didn't know if I was too.
00:29:39So I went.
00:29:42I was like, oh, ma'am, no.
00:30:13I don't look like anyone. Not even myself.
00:30:25He said not to indulge her. When she gets hungry enough, she'll eat.
00:30:30He's a quack, Mom. She hasn't had anything but water in two weeks.
00:30:33She's probably eating at school.
00:30:37Maybe we can take her to Florida.
00:30:40Over spring break, it's a really good place for sick people.
00:30:43I cannot afford the bills I have, Megan. I can't take you on a vacation.
00:30:47Well, if you get the job, then...
00:30:49I'm not getting the job.
00:30:54Angels don't fall out of the sky. They emerge from within.
00:30:58There is an angel within each one of you, and he is your personal bridge to heaven.
00:31:03This is the body of Christ.
00:31:09This is the body of Christ.
00:31:15Blessed are the pure at heart, for they shall see God.
00:31:18I'm an angel.
00:31:19The Lord knows you are my child.
00:31:26The body of Christ.
00:31:32The body of Christ.
00:31:42Lily?
00:31:43Oh, God.
00:31:49Honey.
00:31:51Lily.
00:31:52Lily?
00:31:54Honey?
00:31:56Is it hurting you?
00:31:58Yes?
00:32:00I can't get the nurse to fix it, huh?
00:32:02What do you think?
00:32:03Mr. Oster, it's Meg Dunning.
00:32:28I'm sorry to bother you.
00:32:34Well, I just wanted to talk.
00:32:37My sister's not doing very well.
00:32:41Mr. Castron?
00:32:42Yeah?
00:32:42I have a family emergency. Is it okay if I go home early? My dad's here.
00:32:46Are there any customers upstairs?
00:32:47No.
00:32:48Go ahead.
00:32:49Megan, she's going to be okay.
00:32:56I don't know.
00:32:57No, she will.
00:32:59She's in the hospital now, and they're going to take very good care of her.
00:33:07It's okay.
00:33:08She's going to be fine.
00:33:12I'm going to take her to Florida.
00:33:14Mm-hmm.
00:33:14Everything's going to be fine.
00:33:17I'm not going to listen to my mommy.
00:33:19You're going to be okay?
00:33:34Yeah.
00:33:39Sorry if I, um, got stuff all over your shirt.
00:33:43It's not a problem.
00:33:49Why are you so nice to me?
00:33:55I mean, I'm glad.
00:34:01Thanks for coming.
00:34:04Anytime.
00:34:04Where the hell have you been?
00:34:18I forgot my backpack.
00:34:20Where were you?
00:34:21Work.
00:34:23I called work.
00:34:24They said that you were left with your father.
00:34:26How did you get home?
00:34:27A friend.
00:34:32I've been driving around for two hours looking for you.
00:34:37I called your father, and he had absolutely no idea what I was talking about.
00:34:41You want to go to Florida?
00:34:42I can't even trust you two miles from home.
00:34:44Get in there.
00:34:44You can go to school, and to work, and to the hospital.
00:34:51That's it.
00:34:53You will come straight home after work.
00:34:55And if you don't, then you don't get to work.
00:34:58Do you understand me?
00:34:59When I find out who your little boyfriend is, I'm going to tell his parents he's an inconsiderate
00:35:03little brat.
00:35:03Unfortunately, we do need your mother to co-sign for any withdrawals.
00:35:14But it's my account.
00:35:16That's the way the account was originally set up.
00:35:33I wish that you could stay with us.
00:36:01Do you guys drive?
00:36:04No, we fly.
00:36:05Unless Pat goes.
00:36:07He's on Pearl, thank God.
00:36:10The four of us in one car for ten hours is basically hell.
00:36:13You know, you probably could stay with us.
00:36:16I don't think Tampa's very far from Siesta Beach.
00:36:19That way, all you'd have to do is pay for the airline ticket.
00:36:23I don't know these people.
00:36:25They're really nice.
00:36:29Did they invite us, or is this just Georgia?
00:36:31Georgia said that she was going to ask her family.
00:36:37If you need to work, then, you know, I could take Lily and you can have a break.
00:36:42I don't know, Megan.
00:36:43I just...
00:36:44Hello?
00:36:50Could you close that door, honey?
00:36:52Yeah.
00:36:53Because I don't believe it.
00:36:56No.
00:36:58Do you?
00:37:00What about my thing?
00:37:04Here.
00:37:05I got you some chocolate, too.
00:37:22Your favorite.
00:37:23They can make you disappear in the night.
00:37:32They break the doors and windows, and then they amputate the wings.
00:37:38Can you see them?
00:37:39What?
00:37:43Wings.
00:37:45They won't grow because there's invisible food in the tubes.
00:37:52Lily, you don't need wings.
00:37:55We're going to fly to Florida in a plane.
00:37:58The ceiling's too low.
00:38:17What do they say?
00:38:20They're going to move her.
00:38:22Where?
00:38:22The psychiatric way.
00:38:35Hey.
00:38:35Everything okay at home?
00:38:37Oh, yeah.
00:38:37Yeah, everything's fine.
00:38:38Um, I was just wondering if it would be possible to get my pay in cash this week.
00:38:43That could probably be arranged.
00:38:44Thanks a lot.
00:38:45You bet.
00:38:52When did you purchase these?
00:39:01A couple weeks ago.
00:39:03They were like $40 each.
00:39:05You bought them here?
00:39:06Yeah.
00:39:07This isn't our stock.
00:39:09Perhaps if you can find your receipt.
00:39:11I got them at the Beermans in Oak Meadow.
00:39:13I'm afraid I can't help you.
00:39:15I'm afraid I can't help you.
00:39:16I'm afraid I can't help you.
00:39:46I'm afraid I can't help you.
00:39:49Oh, Jesus, God, no.
00:39:52We deliver her up to you, O Lord, to your arms and your mercy.
00:39:57The 23rd Psalm.
00:39:59The Lord is my shepherd.
00:40:00I shall not want.
00:40:02He makes me lie down in green pastures.
00:40:04He leads me beside still waters.
00:40:06He restores my soul.
00:40:08He leads me in right paths for his name's sake.
00:40:11I don't belong here.
00:40:39I'll stay away.
00:40:40For God's sake, she's my daughter.
00:40:41You wouldn't know it.
00:40:43You don't come around.
00:40:45And whose fault is that, exactly?
00:40:47Am I the one trying to turn the kids into you?
00:40:49You don't get any part of her.
00:40:51You never did.
00:40:52You're going to stay away from her.
00:40:54You don't know what she's on.
00:40:56You don't know where she's going to be now.
00:40:58You don't know where she's going to be now.
00:41:28You don't know where she's going to be now.
00:41:58You don't know where she's going to be now.
00:42:28You don't know where she's going to be now.
00:42:29You don't know where she's going to be now.
00:42:30You don't know where she's going to be now.
00:42:31You don't know where she's going to be now.
00:42:32You don't know where she's going to be now.
00:42:33You don't know where she's going to be now.
00:42:34You don't know where she's going to be now.
00:42:35You don't know where she's going to be now.
00:42:36You don't know where she's going to be now.
00:42:37You don't know where she's going to be now.
00:42:38You don't know where she's going to be now.
00:42:39You don't know where she's going to be now.
00:42:40You don't know where she's going to be now.
00:42:41Yeah, yeah, all right, fine.
00:43:07That's how we'll handle it then.
00:43:08Bye.
00:43:11Do you have any personal belongings here?
00:43:14No.
00:43:15Good.
00:43:16Clear up.
00:43:17Your patient just about covered the cost of the ties.
00:43:22Get out of my store.
00:43:24I need my money.
00:43:25Yeah, you should have thought of that before you stole from me.
00:43:26What are you talking...
00:43:27I didn't steal anything.
00:43:28Come on, get out of here anyway.
00:43:29No, I didn't steal anything.
00:43:32Asshole!
00:43:32What are you doing?
00:43:51Where are they?
00:43:52The things you stole.
00:43:54I didn't steal anything.
00:43:56I thought we were done with this.
00:43:57Get out of my room.
00:44:01When you contribute to the rent of this place, then it'll be your room.
00:44:06Hey, hey, that's my stuff.
00:44:10Go ahead, ground me.
00:44:12You're never even home.
00:44:13What are you going to do, hire an armed guard?
00:44:16I'm going to Florida or wherever else I want to go.
00:44:18It's none of your business.
00:44:19Then maybe you better find someplace else to live.
00:44:25Fine, I'll go live with Dad.
00:44:27Oh, good.
00:44:28You do that.
00:44:28You do that.
00:44:29You think he is so wonderful?
00:44:30You go see how you like it over there.
00:44:32At least he doesn't try to control everything I do.
00:44:34Your father doesn't give a shit about you.
00:44:38How many times did he come around here last year?
00:44:40What, three?
00:44:40He doesn't come here because of you!
00:44:42He can't even manage to pay the lousy $60 a week in child support he owes me!
00:44:47I am up to here, in debts, trying to give you a life I can't afford!
00:44:51I go to work 12 hours a day and I go to school at night so that I can make life nice for you
00:44:56and all that I ask is that you respect the few rules that I lay down.
00:45:00And when I stick my neck out to get you a job, you don't embarrass me in front of my friends.
00:45:06That's all you care about, isn't it?
00:45:07What?
00:45:08Your stupid friends!
00:45:09Stupid Dawn!
00:45:13You're an ungrateful brat.
00:45:17What do you think you're doing?
00:45:39You can't just pack her away into a storage unit like you did with Dad.
00:45:42Put her back in here.
00:45:44She's not yours, you fucking bitch!
00:45:46Jabba.
00:45:50Ah!
00:45:51Yeah.
00:45:52Yeah.
00:45:54Yeah.
00:45:59And when she goes up...
00:46:04I guess I hope her Twain would give them something.
00:46:06I will give you up myema with Dad.
00:46:06It's yourrastione.
00:46:07I don't see that I'mremosine from all my weapons!
00:46:09Using Jane!
00:46:10Yeah, I think you're so HBWIM now.
00:46:11I've got my presenting every next step.
00:46:12All I have is I've noticed your doctor's!
00:46:13I've got myographies.
00:46:14I'm sure your mother feels a tremendous grief, and, you know, to lose a child is, uh, well,
00:46:34my son Lucas was only four.
00:46:41Do you want to tell me how you feel?
00:46:44I don't know.
00:46:46How do you think your sister would feel if she lost you?
00:46:56Sad.
00:46:57Yeah.
00:46:58I don't know.
00:46:59Mad at her.
00:47:01Well, who would she be mad at?
00:47:04I don't know.
00:47:06I don't know.
00:47:09Mad at her.
00:47:11I don't know.
00:47:12Who would she be mad at?
00:47:14My mom.
00:47:16Well, why would she be mad at your mom?
00:47:23Do you think your mom could have saved her?
00:47:28Maybe I...
00:47:33Maybe I could have.
00:47:36This is not your fault.
00:47:38It's not your fault.
00:47:40It's not your fault.
00:47:41Oh, come here.
00:47:43The last time.
00:47:44Maybe, on the other side.
00:47:45How did she just say that?
00:47:46That was not your fault.
00:47:47No.
00:47:48Yeah, she's in the end.
00:47:49They're not my fault.
00:47:51I'm sorry.
00:47:52The last time.
00:47:53I was not your fault.
00:47:54It was my fault.
00:47:55You stood up.
00:47:56It was my fault.
00:47:57I was not your fault.
00:47:58I was not with your fault.
00:47:59It was my fault.
00:48:00I was not with it.
00:48:01It was my fault.
00:48:03It was my fault.
00:48:04You are very beautiful, and you are, um, and you are very, um,
00:48:27listen, I should take some time, take all the time you need, and, you know, you can stay here.
00:48:40Okay. All right. We'll be home in half an hour. All right. Bye. It's okay. You can stay with us.
00:49:03Every time we have a break, he comes...
00:49:07You ladies have a full evening planned? Huh? Sex, drugs, and rock and roll?
00:49:12Pat's a delinquent. Pat's a delinquent. Na-na-na-na-na.
00:49:16Do I detect a fellow fuck-up?
00:49:20So I was lifting credit cards, because nobody ever checks that shit.
00:49:24I'd buy some stuff, okay, and I'd sell it for cash.
00:49:28Yeah. I've done a bunch of fucked-up shit that I'm not really proud of in my life,
00:49:32but, you know, now I'm, uh, really trying to make it up to the people I hurt, like my parents.
00:49:36They're so fucking cool. I'm sorry. But the fucking feds, okay,
00:49:39bust my ass in Vegas because some chick at the bank is supposed to tell the casino
00:49:42that I got some sort of line of credit set up, but instead she fucking bones me.
00:49:46Yeah. Do you believe that shit? She's my fucking French.
00:49:50But these motherfuckers, I'm sorry, cuff me, haul my ass down to jail,
00:49:55and my parents, they gotta fucking bail me out. Now, let me tell you something.
00:49:58You put that shit out there, it's coming back. You gotta set it straight. Seriously, it's like a boomerang.
00:50:03Well, I've done some things. Stole some things.
00:50:07Yeah? Well, you know, you just gotta try and find a balance. You know, you see a hungry guy?
00:50:12You're getting some food, you know? Now, if I gotta take something from somebody, you know,
00:50:20I just gotta try and find a way to give something back. It's a give and take sort of thing.
00:50:25Yeah, I was trying to go to Florida. You going with my folks?
00:50:30No, no, I was trying to get the money so I could take a bus.
00:50:34You ever been on a bus before? Huh? Yeah.
00:50:37Yeah. Gonna sit beside some fat fucking bat, sorry, some fat guy, okay, for 14 hours.
00:50:43Forget about it, I'll take you. I'm heading down to the Bahamas, so when do you need to go?
00:50:48Well, I have this thing, this contest in a couple of days. Okay, I'll tell you.
00:50:53I don't have any money, but I could share the driving.
00:50:56Hey, don't worry about it, okay? If I need a favor, you know, you'll do it for me, right?
00:51:03What's the name on the prescription?
00:51:05Uh, Gross. G-R-O-S-S. Her first name is Doris.
00:51:11Um, do you know when he called it in? This morning.
00:51:16Um, hang on.
00:51:23You all right? Yeah, yeah. You sure? Let's go over here, see what you got.
00:51:36All right. Show me the goods.
00:51:39We got Barcetta. Nice. Good score.
00:51:42People pay a lot of money for it.
00:51:44Oxycontin. Oh, man, this stuff is so good, you know why?
00:51:47It bucks you up, okay?
00:51:50Xenocal. Fat people love this stuff, and that kind of...
00:51:54What the... I have no idea what the hell that is.
00:51:56Come on, what's in here?
00:51:58We got Viagra and contraception diaphragm. Nice.
00:52:04I don't know what these people are up to, huh?
00:52:07Good job, partner.
00:52:09Let's go to the bank.
00:52:28The day I started GA, some dude says to me,
00:52:31going straight takes falls.
00:52:33So I got me some.
00:52:35There you are. Mad money for the lady.
00:52:38Huh?
00:52:39Give and take.
00:52:41Come on.
00:52:42Come on.
00:52:43Come on.
00:52:48You're so stupid.
00:52:49Sure.
00:52:50Every day is on.
00:52:51That one's funny.
00:52:52Hey, back in the room.
00:52:53I do the assignment...
00:52:58Shut up!
00:53:00Shut up!
00:53:11You have the, uh, hour to write.
00:53:22Uh, then please put your journals in the box.
00:53:25And, uh...
00:53:27Uh, bon vacance.
00:53:41I was gonna leave you a note.
00:53:57Guess I'll just see you in Florida.
00:54:08Something wrong?
00:54:11I tell you everything.
00:54:23Did I do something?
00:54:27Come here.
00:54:41Come here.
00:54:59I wish I could show you how I feel.
00:55:11Hey!
00:55:12Hey!
00:55:13Whoa!
00:55:14Um...
00:55:15Thank you for helping me.
00:55:16Yeah, that's great.
00:55:17Uh...
00:55:18Well, I tie, uh...
00:55:19Yeah.
00:55:20It's real nice.
00:55:21Gonna have to get myself a shirt.
00:55:22Yeah.
00:55:23So what are we leaving?
00:55:24Crack it on.
00:55:25Okay.
00:55:26Yeah, so...
00:55:27Why don't you get your bon ass to bed?
00:55:28Yeah.
00:55:29Alright.
00:55:30Good night.
00:55:31Why don't you get your bon ass to bed?
00:55:32Yeah.
00:55:33Alright.
00:55:34Good night.
00:55:35Good night.
00:55:52When was the last night you saw him?
00:55:54Last night.
00:55:55Did he give you any, uh, indication as to where he was going?
00:55:59No.
00:56:00So just the, uh, the jewelry, uh, coins, and the car.
00:56:07Anything else?
00:56:08Some silver.
00:56:13My stupid idiot brother.
00:56:14What happened?
00:56:15He skipped his parole.
00:56:18So maybe he's gonna come back.
00:56:19He's not coming back.
00:56:21He took my dad's watch collection and my mother's heirloom silver.
00:56:26What time are you guys going to the airport?
00:56:28We're not going.
00:56:29We're not going.
00:56:58Uh.
00:56:59I'll give you 75.
00:57:27That's with the jacket and the bike.
00:57:30That's a diamond.
00:57:31Yeah, but see that little brown spot?
00:57:34That ain't worth nothing.
00:57:57Yeah, but see that little brown spot.
00:58:04Yeah.
00:58:05Yeah.
00:58:06Yeah.
00:58:07Yeah.
00:58:08Yeah.
00:58:09Yeah.
00:58:10Oh, my God.
00:58:12Still the mornings will appear
00:58:17Just a cock
00:58:19We hit you out on the sun into your eyes
00:58:24With you, sometimes it burns
00:58:28Now you're closer to your skin
00:58:32Fly baby, fly
00:58:35And you take care of it
00:58:38Take enough time
00:58:41Fly baby, fly
00:58:44You know your heart is a passion
00:58:48Up everywhere the world is calling out
00:58:54You keep your head and don't look down
00:58:59You don't look down, no you just fly
00:59:11Is this where the poetry contest is?
00:59:16Yes it is
00:59:17How much are the rooms?
00:59:18They start at about $189, the front desk is this way
00:59:21Oh no, it's okay, I'm at another hotel
00:59:23I'm at another hotel
00:59:24Mm-hmm
00:59:26Let's go.
00:59:56Let's go.
01:00:26Let's go.
01:00:28Oh, it's great.
01:00:32I should go in.
01:00:33Well.
01:00:34It's great.
01:00:35Here.
01:00:36I can do it.
01:00:37No, you never do.
01:00:38Hi.
01:00:39Hey.
01:00:41Miss Denning.
01:00:43You all know one another?
01:00:46Miss Denning's in my AP English.
01:00:49Oh.
01:00:50You're here for the contest?
01:00:52Yeah.
01:00:53Would you like to join us?
01:00:54Uh.
01:00:55Yeah, come on.
01:00:56Here.
01:00:57Pull up a towel.
01:00:58I don't know if that's allowed, Tony.
01:01:00Fraternizing with the contestants before the big event.
01:01:02I am the very soul of objectivity.
01:01:05Right.
01:01:07I'm Delia.
01:01:08Pleased to meet you.
01:01:09Come along, little fish.
01:01:11Now.
01:01:12Get your water wings on.
01:01:13Oh, come on.
01:01:14Come on.
01:01:15Come on.
01:01:16Come on.
01:01:23When did you get here?
01:01:25Oh, just last night.
01:01:28Uh, you missed the gala opening night festivities.
01:01:32I missed seeing you there.
01:01:39You don't like the sun?
01:01:41I like it too much.
01:01:43Yeah.
01:01:46Your ex seems nice.
01:01:49She can be.
01:01:53You're like a wimpy voice.
01:01:54Okay, please.
01:01:57Okay, let's have some drinks.
01:02:01Rob, the barrage.
01:02:03I love a beer.
01:02:04Yeah.
01:02:05Oh, I'm sorry.
01:02:06What's your name?
01:02:07Meg.
01:02:08Meg.
01:02:09Here.
01:02:10Why don't you and Meg go in search of drinks?
01:02:12Meg can change.
01:02:14You're miserable.
01:02:15I don't know.
01:02:16Don't worry, you're the
01:02:40Let the relaxation begin.
01:02:51Who wants to play a game?
01:02:53You ain't gonna cheat like you always do?
01:02:54Oh, I never cheat. I've never cheated in my life.
01:02:57I'm constitutionally incapable of cheating.
01:03:01Of course, I am a sore loser.
01:03:02I mean, yeah.
01:03:03That's different.
01:03:08So what kind of things do you write?
01:03:10Holmes?
01:03:12Holmes?
01:03:14Holmes.
01:03:15Dear, it's pronounced poem.
01:03:18Delia.
01:03:19What?
01:03:21I thought she'd want to know.
01:03:23Oh, I'm sorry.
01:03:24You're her teacher.
01:03:28Well, I'm sure Meg would like to go swimming with you, darling.
01:03:32Would you like me to walk you home?
01:03:50Sure.
01:03:52Okay, just let me get a sweater.
01:03:53Okay.
01:03:54What time are you going out tonight?
01:04:12Night.
01:04:14You boys are going to behave yourselves.
01:04:16Probably not.
01:04:28You okay?
01:04:34Right as rave.
01:04:37Fine as what?
01:04:38Finish it.
01:04:38You're a lovely girl.
01:04:56Thanks.
01:04:57You're welcome.
01:04:59Good luck in the contest tomorrow.
01:05:08I'm sure you'll do very well.
01:05:10I might do a little work.
01:05:22Bravo.
01:05:26Your wife seems really smart.
01:05:29She is.
01:05:31She's also extremely unhappy.
01:05:33We've known each other for a long time.
01:05:41Well, since we were children, really.
01:05:44Younger than you.
01:05:49Does that make you feel uncomfortable?
01:05:53No.
01:05:55You should put this sweater on to look cold.
01:06:14All right.
01:06:25What's funny?
01:06:28I don't know.
01:06:32It just feels funny.
01:06:33Good.
01:06:35Funny.
01:06:41I have a friend who, uh, is going to come down tomorrow.
01:06:45He edits the art in review.
01:06:47I'm going to talk to him about publishing your new improved blue car.
01:06:53I have something for you.
01:06:55What?
01:06:56It's kind of stupid, but...
01:06:58What is this?
01:07:03A tie?
01:07:06Probably don't even wear ties.
01:07:25Is this okay?
01:07:26Are you sure?
01:07:30Are you sure?
01:07:30Is this where you write?
01:07:59Yeah.
01:08:05No.
01:08:08You okay?
01:08:10Yeah.
01:08:11Yeah?
01:08:11Yeah?
01:08:18Oh, God.
01:08:19You're warm now?
01:08:31Yeah.
01:08:32Yeah?
01:08:32Yeah?
01:08:32Oh, you are so beautiful.
01:08:45Oh, you are so beautiful.
01:08:45That's okay.
01:08:59Oh, my God.
01:09:01Oh, my God.
01:09:02Come here.
01:09:03Come here.
01:09:09You alright?
01:09:10Yeah.
01:09:33Will you lie down with me?
01:10:03Are you okay?
01:10:04Yeah.
01:10:09Do you want me?
01:10:11No.
01:10:13Do you want me?
01:10:19Say yes.
01:10:20Say yes.
01:10:23Say yes.
01:10:27Do you want me?
01:10:33Do you want me?
01:10:38Oh, come on.
01:11:03Come here.
01:11:11Come here.
01:11:15I'm good.
01:11:20I can have a new haste.
01:11:23It will be so cold anyway.
01:11:26Yeah.
01:11:28Now, I have to discuss before this.
01:13:03Do you need me to walk you home?
01:13:06No, it's okay.
01:13:14What's your book about?
01:13:15It's about an old man who falls for a young girl.
01:13:25Really?
01:13:25You don't believe me?
01:13:31How does it end?
01:13:32They make love, and he is transformed.
01:13:44Make me proud tomorrow.
01:13:47No.
01:13:49Strike that.
01:13:51Make yourself proud, and fame and fortune will follow.
01:13:55Good night, Debbie.
01:14:12Good night.
01:14:12Good night.
01:14:17Are you sure you don't want something to eat?
01:14:19No, thanks.
01:14:22I'm fine.
01:14:23Hey, Ricky.
01:14:24Yeah?
01:14:24Make me some pancakes, will ya?
01:14:26And put some bacon on the side.
01:14:28Do you like bacon?
01:14:29It's okay.
01:14:30I'm not hungry.
01:14:31And real syrup, too.
01:14:32None of that fake crap.
01:14:33Oh, wait, I need that.
01:14:44The napkin?
01:14:45Oh, I'm sorry, honey.
01:14:46I'm just trying to get some of this stuff out of your way.
01:14:48I never got a check.
01:14:51Oh, don't worry about it.
01:14:57Meg Dunning?
01:14:59Sue Axden?
01:15:03Sally Janet?
01:15:04Dini Parker.
01:15:11Hey, it's him.
01:15:18Good luck.
01:15:42So do not look up to me, my friend.
01:15:49For now I realize that growing up is nothing more than knowing your own size.
01:15:56This poem
01:16:25Poem
01:16:30is for Mr. Oster.
01:16:36It's called Now That I've Read Your Book.
01:16:41I've memorized the lines.
01:16:44It was easy.
01:16:46The dirty white pages,
01:16:48a margin of fancy designs.
01:16:51You draw outlines of inverted hearts,
01:16:54but mine's real.
01:16:55Not a valentine.
01:16:57As for the details,
01:17:02as for the details,
01:17:02fiction, fiction, lies, lies.
01:17:19I am the coming poet who will arise.
01:17:23Crippled phoenix,
01:17:24I fly up from your bed of ashes.
01:17:27When my dad left,
01:17:30I cut off my hands
01:17:31and sewed up my eyes.
01:17:33But that didn't keep me from reaching for you.
01:17:37Thank you for the gold star and your leaving.
01:17:42blue car,
01:17:47the leaving is a gift I will always hang on to.
01:17:51you're going to be looking for the gold star.
01:17:55I'm going to be going to be a good one.
01:17:56You're going to be going to be a good one.
01:17:58I'm going to be a good one.
01:19:30Hi, um, is my dad there?
01:19:44Hello.
01:19:48Hi, dad, it's, um, it's Meg.
01:19:52I called dad.
01:20:11I know.
01:20:15Maybe it'll be better for a while.
01:20:19I'm sorry.
01:20:23Me too.
01:20:24I'm sorry.
01:20:26I'm sorry.
01:20:28I'm sorry.
01:20:30I'm sorry.
01:20:32I know he's not perfect.
01:20:57I need him too.
01:20:59I need him too.
01:21:01I need him too.
01:21:03I need him too.
01:21:07I need him too.
01:21:13Oh, my God.
01:21:43Oh, my God.
01:22:13Oh, my God.
01:22:43And we were driving over the bumps on the road so fast it felt like we were flying.
01:22:53I like this car.
01:22:54This old car likes you, too.
01:23:03Oh, my God.
01:23:12Today the sun almost shines.
01:23:23Can you feel the sun?
01:23:29Have you been bleeding all this time?
01:23:33Soon spring will come.
01:23:40Can you feel the sun?
01:23:49Today the sun all shines.
01:23:53Can you feel it?
01:24:00And I am away on your side.
01:24:10You may not believe it.
01:24:19And I know it's been an insane ride, but...
01:24:32I am always on your side.
01:24:37I am always on your side.
01:24:42I am always on your side.
01:24:48If we should go at this time, then the living's done.
01:25:01We should go this time.
01:25:10I am always on your side.
01:25:12If we should go at this time, then the living's done.
01:25:21If we should go this time, then the living's done.
01:25:24If we should go at this time, then the living's done.
01:25:35If we should go at this time, then what's the use been?
01:25:37If we should go at this time, then what's the use been?
01:25:41And I am always on your side.
01:25:45And you may not believe it.
01:25:50And I know it's been an insane ride, but...
01:26:04I am always on your side.
01:26:09I am always on your side.
01:26:14I am always on your side.
01:26:19I am always on your side.
01:26:24I am always on your side.
01:26:34I am always on your side.
01:26:38I am always on your side.
01:26:45I am always on your side.
01:26:50I am always on your side.
01:26:57I'm always on your side.
01:27:27I'm always on your side.
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