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8- Memento Mori, Dance Macabre, Vanitas (ميمينتو موراي، دانس ماكابريه، فانيتاس) الموت في الفن الغربي
المحاضرة رقم ٨ بتاريخ ١٤ ديسمبر ٢٠١٩
سلسلة الفن
المحاضرة رقم ٨ بتاريخ ١٤ ديسمبر ٢٠١٩
سلسلة الفن
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LearningTranscript
00:00.
00:30The world's world's world
00:33until the current time
00:35It's a very easy way to understand
00:37about the world and how to make it
00:39the people who have been working
00:41from the past few years in Europe
00:43Of course, the world's world is a very difficult
00:46but we don't have to make it
00:48from a philosophy or a philosophy
00:50even though the world is the most
00:52the most important thing that
00:54has worked in the past few years
00:56and the world's world
00:58in the early years, in all the philosophies, and cultural traditions, and ancient traditions.
01:08We don't need to use examples we'll find in the ancient religion, the ancient religion,
01:17the ancient religion, the ancient religion, the ancient religion, the ancient religion.
01:23In history, the ancient religion was used to use for a flight after death.
01:30We can only establish the ancient religion from this subject.
01:35The ancient religion has been working more in life than death.
01:40Therefore, the ancient religion was working with the ancient religion,
01:48which they are living in such a long life and long way and
01:58and the ancient religion, the ancient religion,
02:01the ancient religion.
02:04The ancient religion was created as a place that will be haunted by this age.
02:09and it was from the power of death, and it was in a moment that he was going to die.
02:13This is the only one thing that we can do is that Confucius had to ask about death.
02:24What is the death? One asked him what is the death?
02:26He asked him what is the death? He asked him what is the death?
02:31He said I don't know what is the life, but how do I get the death?
02:35In other countries, in other countries, in other countries, in other countries,
02:39there is a difference between Europe.
02:42In Europe, in the war, which hit Europe in the coronavirus,
02:48and will have died of this war,
02:51what is the death of Europe?
02:57He said that this war is a virus from China.
03:02He said that this war is a virus.
03:04What is the cause of this virus?
03:06It was a virus.
03:07One of the Europeans had been in a journey in China,
03:10and he returned to the virus from China,
03:13and returned to Europe and left the virus.
03:17So it was a virus from China.
03:19It was a virus from China.
03:21It was a good thing or bad.
03:23It was a good thing or a bad thing.
03:25It was important to China.
03:27When we talk about the death of the world,
03:32and how to use the death of the world,
03:35we find three words that are reading them.
03:41The first thing is the name of the world.
03:44The name of the world is Memento Morai.
03:46The name of the world is Dance Macabre.
03:49The third name of the world is Vanitas.
03:53What is the difference between this and this and this?
03:57First of all, Memento Morai
04:01is the most important thing that is
04:04which is called Dance Macabre and Vanitas.
04:09Let's take the first Memento Morai
04:14and vote for the first Memento Morai
04:16and start the first Memento Morai
04:18and start by moving up with the other FN.
04:20From the other Memento Morai
04:22and developing the world'son
04:24andываем the word FN.
04:26and understand how it works.
04:28And then we wrote our monthly label
04:30and cannot be able to understand what the FN is said to work.
04:32That's why we are looking for the FN.
04:34Even if you are looking for FNA.
04:36If you have the FNA.
04:38This is the meaning behind the scenes.
04:44Memento Morai is a Latin word meaning remember that you will die.
04:52Remember that you will die.
04:54He says that in one of those days, the German soldiers and the Roman soldiers were from war.
05:09They were in the city of Memento Morai.
05:15They were in the city of Memento Morai.
05:21They only reaffirmed these words, Memento Morai.
05:25It is meant to remember that you will die.
05:28When you die, you will die.
05:32This is the beginning.
05:35When it enters the English language, Memento Morai.
05:39It is meant to remember the Bonanza, meaning remember the death.
05:44To remember the death.
05:46but it means that you will die
05:52remember that you will die
05:56this is the most important thing
05:58after the plague of Europe
06:00during the coronavirus
06:02and the population of the world
06:04100,000
06:06the people of the world
06:08started to think about
06:10the death of the world
06:12they saw them today
06:14in a daily way
06:16they started to think about
06:20the death of the world
06:22this was the end of the year
06:24this was the end of the year
06:26the 15th
06:28the world is known
06:30when we say that the middle of the world
06:32is roughly speaking
06:34from the 5th
06:36to the 15th
06:38from
06:40the end of the world
06:42to the end of the world
06:44this is the end of the world
06:46this is the end of the world
06:48so you can see
06:50what happened
06:52in the European history
06:54they can think about
06:56the beginning
06:58and the end of the world
07:00in the European history
07:02in the European history
07:04except for the year
07:06the year
07:08the end of the world
07:10the years
07:11the end of the world
07:12that had been
07:14the end of the world
07:16before
07:18this was to be
07:19for the 15th
07:20the 15th
07:22area
07:24that were
07:25as well
07:26the time of the death
07:28was
07:28very
07:30very
07:31the 15th
07:32there was
07:34another
07:36and the other way he was able to enter the Memento Morai
07:40and he was able to enter the Memento Morai
07:44but he was able to enter another name
07:48because of the theme and the theme of the characters
07:52the subject of the characters
07:56so the idea of the characters
08:00was the personification for the death
08:04and he built the persons one who grew up
08:12and saw that that human person went up and went down
08:16from where he was there
08:18and would have to settle the death
08:20and the number one he wore to the H май
08:26so that the Madras the people would бег
08:29so he called it penses
08:32.
08:37.
08:42.
08:47.
08:52.
08:53.
08:58.
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10:59and the beautiful
11:00The
11:00The
11:02The
11:03The
11:04Vanitas
11:06is a
11:07person
11:08and
11:09and
11:10has
11:11a
11:12death
11:13and
11:14death
11:16and
11:17death
11:18and
11:19death
11:20and
11:21death
11:22and
11:23death
11:24and
11:25death
11:26and
11:27that
11:29we
11:30can
11:31do
11:32the
11:33three
11:34and
11:35until now
11:36we
11:37still
11:38the
11:39most
11:40people
11:41have
11:42sent
11:43them
11:44and
11:45we
11:46will
11:47see
11:48these
11:49are
11:50not
11:51only
11:52in
11:53the
11:54music
11:55the
11:57fourth
11:59of
12:00the
12:01moment
12:02morae
12:03and
12:04many
12:05are
12:06on the
12:07online
12:08but
12:09we will talk about
12:10the
12:11only
12:12We can see this now.
12:14This is a very good
12:16...
12:18We will go back to the next one.
12:20If there is any video, I'll say it on every one.
12:24Let's see the next one.
12:28This is the first one.
12:30We can see
12:32this one.
12:34This one is
12:36...
13:04the word. It's clear that Adam is the answer to this. Another example is Fireda. The
13:15Antonia do Fireda. You find this beautiful woman, which is a queen, meaning there is
13:22even a girl. But of course you see here one, two, three, four, five, and here six, seven,
13:33one, one, two, three, four, five, five, five, six, six, seven, seven, seven, seven, eight, five, six, five, four, nine, ten, eight, eight, the
13:52This is the definition for the living, so that's the definition of the living.
14:00What else can you do with this? Let's take a look at this one.
14:07This этого can be seen at the following beginning.
14:11This is the color of the light.
14:15Also, when you find a shaman in the world, it turns to the life, and even the shaman itself, it turns to the life, and even the shaman itself here, it turns to the death.
14:33Let's move on to the next one, the tour to Mary Magdalene in the 17th century, the same woman, and the same woman.
14:45but it is used in a
14:47...
14:49...
14:51...
14:53...
14:55...
14:57...
14:59...
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15:05...
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15:09...
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15:13...
15:23...
15:25...
15:27...
15:29...
15:31...
15:33...
15:35...
15:37...
15:39...
15:41In the end of this beautiful face, it will be this
15:44And the mirror that has hidden it is a
15:49A reference to the human life
15:53That will not fall and fall
15:57This is also a self-portrait
16:01This is a self-portrait
16:03The artist himself wrote to Thomas Smith
16:07In the 17th century, in 1680, he painted himself himself and put his head on his head on his head
16:15And this card is also the key and the key to the scientific knowledge
16:22For the books, the books that we see in the book, also the books
16:27They draw to the scientific knowledge and scientific knowledge
16:32Which is also the most important thing
16:36The last one in the Momentum Morai is called Young Man with a Skull
16:42A young man with a skull
16:44For France Health
16:46It's a beautiful young man
16:48He has a beautiful hat and a beautiful hat
16:52He has a beautiful hat
16:54But he is wearing a mask
16:56This is the Momentum Morai
17:00Until now we have seen the mask
17:04To the sky
17:06To the sky
17:08To the sky
17:10The sky
17:12The sky
17:14And the sky
17:16These are the colors that we have seen
17:18Until now
17:20The Formos
17:22Before we see the Vanitas
17:26Let's see the Dance Maccabry
17:28The Dance Maccabry
17:30The Dance Maccabry started before Vanitas
17:32The Dance Maccabry
17:34The Dance Maccabry
17:36The Dance Maccabry
17:38and you can see that the word macabre is very similar to the word macabre
17:45macabre is very similar to the word macabre
17:49macabre is French, French accent is French
17:53but we remember the word macabre
18:00I think that the word macabre is very similar to the word macabre
18:07for example
18:09let's see the first one here
18:12all the same here
18:15the word macabre is called Holbein the younger
18:18Holbein the younger
18:20this is the old man, this is the old man
18:22this is the dead
18:24the dead
18:26the dead
18:27the dead
18:32and you notice that the dead
18:33was its cause, the dead
18:36the dead
18:37this is the deadly
18:39unequivocal
18:40it is a would like to turn it up
18:43it was not limited to the dead
18:46to give up
18:48no, the dead
18:50his uncle became empresarial
18:52and he turned out the and for him
18:54This is the same drawing, Holbein the Younger, Old Woman, the old man, the old man, the old woman.
19:02This is two, the old man has two skeletons, one one who has to do it, and the other one has to do it.
19:12This is Dance Maccabry.
19:15The third one is the bishop, the bishop, the priest, the Christian priest, the priest.
19:27This is the bishop.
19:30The bishop is the bishop.
19:32The bishop is the fourth one.
19:35The cardinal is also the Christian priest.
19:42He talks about the Spanish Bible, and he also says that he supports the gospel to someone born.
19:50He would give it to someone, but he comes out to the bottom.
19:54He'll give it to the kid and he takes it with him.
19:56This isn't for him to use.
19:59The third one is the child.
20:03The child is the child, the child is the child.
20:05The third one is the child that is the child.
20:09The child is the child.
20:11and the mother is giving him the food and the mother is eating and the death is eating
20:18and you can see this in the picture, this is the hour of the rambles
20:22this hour is also a reference from the death of the death in the lochic
20:26the memento morai and the vanitas
20:29when you see this hour of the rambles, this hour is a reference to the death and it is a reference to this
20:35the other one is the count and this
20:42the count
20:44the sif and everything that he wears
20:49and the death came from behind
20:54the doctor
20:57the doctor is taking care of the disease
21:00and he takes care of the disease
21:03the muer
21:05the motor, the flu
21:06the duke
21:08the duke
21:09thuke
21:10the mast
21:11the muer
21:13the defining
21:13the muer
21:14virus
21:15the muer
21:17the muer
21:18than you
21:20the
21:20pull
21:23the ahmok
21:24the muer
21:26the judge
21:28the judge
21:31Also he is here.
21:34He is here.
21:36The king.
21:40The king.
21:42The king.
21:44He is on his arms.
21:46And the dead is here.
21:48He is here.
21:50He is here.
21:52He is here.
21:54He is here.
21:56The last judgment.
22:00Here is the last judgment.
22:02The full-bind.
22:04The last judgment.
22:06He is here.
22:08And another judgment.
22:10He is here.
22:12He is here.
22:14He is here.
22:16He is here.
22:18The dead is here.
22:20And the dead is here.
22:22The dead is here.
22:24He is here.
22:26Here is the monk.
22:28The monk.
22:30The monk.
22:32Young.
22:33The Wald material.
22:34The어줘ers.
22:36The monk.
22:38The monk.
22:40The monk.
22:42The serpent.
22:44The monk.
22:46The priest.
22:48surely!
22:50priest
22:53the assise
22:56the word
22:57even
22:59he was able to
23:00get his
23:01hand
23:02to
23:04the
23:05dance
23:06and here
23:07rich man
23:08the rich man
23:09is still
23:10in his money
23:11in his money
23:12in his money
23:13in his money
23:15in his money
23:16and
23:17the
23:18the sum of money
23:20came back
23:22he remembered
23:24his
23:24Church
23:26the
23:27government
23:28Apathy
23:30Israel
23:32the the senator
23:33senator
23:34democrats
23:35of Fed
23:36the senator
23:38antes
23:40of
23:42the younger
23:43molt
23:44太
23:45performed
23:46scenes
23:47Danse Macabry, when you see the skeletal, the skeletal,
23:52the skeletal, the skeletal, the skeletal,
23:55so you can know that this is called Danse Macabry,
23:59the body of death, and that this skeletal,
24:01the skeletal, the skeletal, the body of death.
24:05Let's go to the Vanitas, the Vanitas here,
24:09as I said, still life,
24:14but it has a shape of the body of death.
24:19For example,
24:22let's look at the first one here,
24:26a shape of the body of death,
24:28and a shape of the body of death.
24:33What does this shape of the body of death?
24:36When you look to the body of death,
24:38what does this shape of the body of death?
24:40First,
24:42the
25:02The
25:31This is Abraham Meagnon.
25:38This is Abraham Meagnon.
25:40This is another one.
25:43Adrian Van Oetrich.
25:46Of course, the subject of the book is clear.
25:53This is a beautiful look like this.
25:55The eyes are beautiful and beautiful.
25:57This is a beautiful look,
26:25It's also a story of Charles First of England
26:29It's also a beautiful and beautiful
26:36But this is a story of the figures
26:42It's a piece of paper for the future
26:46And it's not going to end at any point
26:49It's going to be a story of the future
26:51And it's going to end the future
26:52This is a reference for this
26:55The next step is a big picture
27:00For the picture
27:04This is a reference
27:06The music
27:08When you saw it in the lower part
27:10You know that the music is also a reference to the center of the life
27:14And the center of the life
27:17This is also a reference to the center of the time
27:21and this is the dark one
27:28I said that the word vanitas is also a word for me
27:33meaning you, meaning you, meaning you, meaning you
27:36vanitas is meaning you, meaning you
27:40it is a word for you
27:42it is a word for you
27:45and this is a word for you
27:48I will continue this word because I call this word for you
27:55and this is a word for you
27:58all this narrative is a word for you
28:03and this is a word for my book
28:06this is the book for professional knowledge
28:09and the knowledge of our divine knowledge
28:12that we have not been able to touch on us
28:15in our life, and there is no harm in front of us. After that, there is a
28:20for Harman Strewick. It is clear that the
28:25Jumjumma is in the center of the Jumjumma and on the right side of the Jumjumma is
28:29the Jumjumma. Jumjumma, of course, this is the book too, and this is also
28:36the Jumjumma. This is all this Jumjumma. Jumjumma is beautiful, but it is
28:44remembered by the dying of our life. You also find this
29:09There is a
29:11a
29:12a
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33:40o
33:42. . . . . . . . . . . . . .
34:12. . . .
34:42. . . . . . . .
35:12Also, if you see a duchan in the lochah, you can see it.
35:22Of course, we've seen a duchan in the lochah.
35:26It's a terrible thing.
35:27When you see a duchan in the lochah, you can see a duchan in the lochah.
35:31It's like a human's tongue.
35:35You can see a duchan in the lochah, still life.
35:42It's like a duchan in the lochah.
35:45It's like a duchan in the lochah.
35:48It's like this.
35:50It's like this.
35:52What can we say about how the fernanians look at their actions?
36:02I hope that the episode will be what you can find.
36:08I'll do a special episode about the gothic.
36:11The meaning of the gothic in the art and art.
36:14Even in the movies.
36:17In the art and in the art.
36:19In the art and in the art.
36:21In the art and in the art.
36:23It's something that's what he's taking.
36:25If I'm talking about the gothic in the art.
36:27In the art and in the art.
36:29It needs a lot.
36:31And God bless you with us.
36:33We will be able to have a Sesan and Aadab.
36:36My fort is in the art.
36:37Peace be upon you.
36:38Peace be upon you.
36:41In the art and our lives.
36:42The art and our lives.
36:44The art and our lives.
36:46To think about your sins.
36:48In the art and our lives.
36:50What about your sins?
36:52Off the act.
36:54I'm not a requirement for the first time.
36:57And I'm not a requirement for the first time.
37:00And don't wait for people to wait for people to wait for them.
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