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00:00Previously on Men in Trees...
00:02Amy and I are back together.
00:04I don't get it. We started dating, and she rubs.
00:06What if she never comes back?
00:08Stewart.
00:09I want you to be my publisher.
00:11We kissed. You and Jack.
00:13Erin, stop.
00:14You want to go back to your pregnant ex-girlfriend? That's fine with me,
00:16because I'll tell you something, buddy boy. You just lost yourself a great catch.
00:30I woke up cold on a Tuesday. I'm looking tired and feeling fancy.
00:40I felt like there was something missing in my daily, daily life.
00:46So I quickly opened the wardrobe, rolled out some jeans and a T-shirt that seemed clean.
00:53Topped it off with a pair of old shoes that were ripped around the seams.
00:58And I thought these shoes just don't suit me.
01:05Good morning.
01:06Oh, hi.
01:08Do you have a deadline?
01:09Why would you say that?
01:10Because you've cleaned this entire inn over the last four days.
01:14Now, I once knit a whole dress instead of setting up my first photography exhibit.
01:20This is my writing process. I ruminate while I'm throwing out.
01:25I have no idea.
01:28I am looking for a trash bag.
01:30I already threw out the trash. Twice.
01:32Oh, I need a bag for some old stuff I'm donating to the Elmo rummage sale.
01:36You know, it's to benefit the Miss Lodge.
01:38Oh.
01:38They're still trying to build an actual lodge.
01:41You know, they're always looking for volunteers.
01:46If you're looking for a new project.
01:49Okay, thanks.
01:50All right, Elmo. Hope you're feeling a little trashy today because it's that time of year again.
01:57The Elmo Moose rummage sale is just around the corner.
02:00So bring those donations down to Grange Hall and grab a sneak peek at the plethora of merchandise.
02:06It'll be up for sale in just a few days.
02:08The pickings this year are anything but slim.
02:11Running the entire rummage spectrum from entirely useless crap to entirely useful crap.
02:18So come on down.
02:22Oh.
02:23Hey, Chuck.
02:23Hey, Aaron.
02:25Hey.
02:25What you got there?
02:26Uh, extra heavy hearts.
02:28That's a humane trap.
02:29Catches an animal, but doesn't hurt him.
02:31And then you drive him out to the woods and let him go.
02:34And now he gets hurt.
02:36Yeah.
02:38Some people have a lot of crap, huh?
02:40Yeah.
02:42Listen, in the spirit of letting go, of crap.
02:48We're good, right?
02:50Moving on or back or...
02:52How about friends?
02:55Great.
02:55Friends.
02:56Simple.
02:58We were always good at that.
02:59No, Ava!
03:02You can't buy until you're there!
03:04Uh, no.
03:04I was just dropping these off.
03:06Uh, table seven.
03:08Traps and lures.
03:09And I'm not a merely bird.
03:10I'm a volunteer.
03:11After my radio show, I am all yours.
03:13You're going to love being a volunteer.
03:16I am learning so much about organization from my mom, my...
03:19Okay, Miss Volunteer.
03:20What you gonna donate?
03:21Uh, I don't know.
03:22Why don't you ask the woman who stole all my New York clothes?
03:25Well, that was funny, wasn't it?
03:26Good times.
03:27Yeah.
03:27So what you got for my...
03:28I'm not hanging on to things anymore.
03:30In New York, my apartment was stopped.
03:31I could have given you 30 boxes of tchotchkes.
03:33Oh, why do you torture my...
03:35I moved back to Elmo with two suitcases.
03:38I'm living light.
03:39You know what's Rose said?
03:40Our life is frittered away by detail.
03:43Simplify, simplify.
03:45Why simplify when you can buy tchotchkes?
03:48Hey!
03:48Yo!
03:49Stop!
03:50Shut the door, kid.
03:51One, two, one.
03:53Sorry, I'm late.
03:55Actually, you're early.
03:57Avoiding writing, huh?
03:58Oh, what is with ye olde music?
04:04The ears want what the ears want.
04:06Just like the heart.
04:08I'm gonna propose to Andy tonight.
04:10Patrick, you are.
04:12You're gonna ask her again.
04:13Second time's the charm.
04:14I have the perfect plan.
04:22As perfect as the pie.
04:29Will you marry me?
04:32Well, not you.
04:33Annie.
04:34I can't.
04:36Taking her to Sitka Seshwa and they're gonna slip it in her fortune cookie.
04:40A proposal and a cookie.
04:42What could top that?
04:44I can't think of a thing.
04:47Actually, it sounds like every girl's dream.
04:50Every girl who likes Chinese food.
04:52Yeah, thanks.
04:54I'll keep you chopsticks crossed because the last proposal went over like a lead balloon.
04:58A fiery, weeping, screaming, sad lead balloon.
05:02Well, you can't dwell on that.
05:04If the first time wasn't lead-filled, you'd never be able to propose in a cookie.
05:09Listen to the silver lining, lady.
05:11It's true.
05:12If you hold on to the bad stuff in your past...
05:15You won't have anything to donate to the rummage sale.
05:18Oh, yeah.
05:19There you go.
05:19You're on.
05:20Okay, so...
05:22Elmo, rummage sale fever is upon us.
05:27A lot of people are getting rid of a lot of stuff, making room.
05:30And there is a lot of baggage out there on those tables, people.
05:34So, I guess my question to you is...
05:38How much baggage do you have to get rid of in order to move forward?
05:44My skin.
05:46It's all that's gonna be easy.
05:48Wait, wait.
05:56What time is it?
05:57Who cares?
06:02Why'd you wear so many shirts?
06:05Because I was cold.
06:08Wait.
06:09Hey, I just put that back on.
06:15I don't know why.
06:22We can be fast.
06:24No, we can't.
06:25I don't know why.
06:26I don't know why.
06:27I don't know why.
06:28I don't know why.
06:29I don't know why.
06:30I don't know why.
06:31I don't know why.
06:32I gotta go back to the office.
06:33Oh, my God.
06:34It's like we're in high school.
06:36All we do is lie around and make out.
06:37I mean, who doesn't like making out?
06:39Yeah, I love it when it's the start of something more.
06:40You know, we're not 15.
06:41We haven't even gone to second base.
06:42I'm sorry.
06:43Did you just say second base?
06:44Yes, I did.
06:45How screwed up is that?
06:46Remind me of second base over or under the shirt.
06:48His shirt has not come off.
06:49I can tell you that.
06:50I'm really confused.
06:51So am I.
06:52You guys are back together, right?
06:53Yeah, I mean, he said he wants to try again.
06:55So?
06:56What's the hold up?
06:57I don't know.
06:58It's hard to go back.
06:59Lots happened between you guys.
07:00I mean, lots happened between you guys.
07:01I don't know.
07:02I don't know why.
07:03I don't know why.
07:04I don't know why.
07:05You guys aren't even going to second base.
07:06I'm sorry.
07:07Did you just say second base?
07:08Yes, I did.
07:09How screwed up is that?
07:10Remind me of second base over or under the shirt.
07:11His shirt has not come off.
07:12I can tell you that.
07:13I'm really confused.
07:14So am I.
07:15I mean, lots happened between you guys.
07:18I can't pretend that Ben didn't hook up with Sarah when we were split up.
07:21Or maybe it's a physical thing.
07:23Maybe he doesn't want to hurt the baby.
07:24Yeah, someone else's baby.
07:26It's complicated.
07:29Maybe he just doesn't want me anymore.
07:32I'm damaged goods.
07:34Honey, we're all damaged goods.
07:36Doesn't mean we don't deserve to be happy.
07:38Hey, can you rescue me here?
07:40I can't find the pretzels and Jerome is driving me crazy.
07:44Hey.
07:45Get back.
07:46Did you even look?
07:47They're right here.
07:48I know.
07:49This was all just a cheap ruse to get you back here.
07:50Oh.
07:51Mmm.
07:52I think we can see it.
07:53Sarah.
07:54Hey.
07:55Hey.
07:56Hey.
07:57Hey.
07:58Hey.
07:59Hey.
08:00Hey.
08:01Hey.
08:02Hey.
08:03Hey.
08:04Hey.
08:05Hey.
08:06Hey.
08:07Hey.
08:08Hey.
08:09Hey.
08:10Hey.
08:11Hey.
08:12Hey.
08:13Hey I didn´t know you were back.
08:19I didn´t know you were either.
08:23I´ll go feed Jerome.
08:28Hey.
08:29When did you get home?
08:32A few days ago.
08:34Are you okay?
08:36Yeah.
08:37Because I didn't know...
08:39I'm sorry.
08:40I had no idea where you were.
08:42I went and stayed at my mom's for a little while.
08:44I just needed to think things out.
08:47Look, I'm sorry about what happened the way I left.
08:50I made a mistake. I made a lot of mistakes.
08:53I thought that we had something between us.
08:57We did. Of course we did.
08:59But you left.
09:00I left Elmo, but I still have feelings for you, Ben.
09:04Look, I...
09:06Got some thirsty guys out here.
09:11I'll, uh, see you guys around.
09:19Come on.
09:23This is really beautiful.
09:26I like painting lakes.
09:27They don't move and they don't chase you up a tree.
09:31It really feels like Elmo.
09:33I'm gonna miss this place.
09:34I'm moving down south, Minneapolis.
09:37Huh?
09:38Gonna live with my idiot of a son.
09:42If you really like this picture, we can make a deal.
09:44Three bucks.
09:46No early birds!
09:49Thanks, but I'm not shopping today.
09:51I saw you trying to jump the gun!
09:53All right, first off, you gotta cool it with a bullhorn.
09:55Secondly, I am not buying this painting.
09:57I'm not buying anything.
09:58Oh, something will tickle your fancy.
09:59I don't need anything.
10:02I like living this way without all the clutter.
10:04I like being light.
10:06Don't start throwing the throw again.
10:09Hey!
10:10No personal phone calls until your break.
10:15Don't worry, I am not getting this call.
10:17It's from my publisher.
10:18He's looking for my next chapter.
10:20I'm a little behind.
10:21Throw away.
10:22Here, start unloading these boxes from Jack.
10:24This is so interesting.
10:40I've never had mooshu moose before.
10:42You should save the rest for tomorrow.
10:43Always better the next day.
10:45Are we in a hurry?
10:46Do I have moose in my teeth?
10:48Hell no.
10:49Just wanted to save some room.
10:51You know what they have for dessert?
10:53No.
10:53No.
11:00Fortune cookies!
11:04Thank you!
11:09I love these things.
11:11The rest of your life is spelled out for you
11:12and tucked inside a delicious sugary wafer.
11:17Go ahead.
11:18Crack that psychic puppy.
11:23So, uh, what do you got there?
11:29You will live with the energy of a tiger.
11:32In bed.
11:35What?
11:36Do you ever do that?
11:37I like to add in bed to the fortune.
11:39It's funny and sexy.
11:41Let me see that.
11:41No, that's wrong.
11:47Why?
11:48I'm not going to live with the energy of a tiger?
11:50Do you know something?
11:51Oh, you're fine.
11:52Totally a tiger.
11:54Oh, man.
11:54What is yours saying?
11:57You will flourish in the world of finance.
12:00In bed.
12:01No, it doesn't work with that one.
12:02Oh, my God.
12:04Yes!
12:05Yes, yes.
12:06I'll marry you.
12:07Oh!
12:08It's not the most romantic thing ever.
12:27Everyone in the restaurant was congratulating them.
12:29One guy even offered them a low-interest home loan for an engagement present.
12:33It was a nightmare.
12:35Stupid jerk cookie.
12:36Actually, why don't you just tell her what happened?
12:39She'll laugh.
12:40Right.
12:41Aha.
12:42What a loser I am.
12:44Will you marry me, Annie?
12:45And then we can suck together for all eternity.
12:48She said it was the best proposal ever.
12:50How am I going to top that?
12:51I'm just a man, Maren.
12:53Just a man.
12:55You don't have to top it.
12:57Just pick a normal moment.
12:59The second you propose, it will be plenty special.
13:02Believe me.
13:02We're back, Elmo.
13:06Let's go to Duncan in Upper Copper Corner on line five.
13:09Uh, hi, Duncan in Upper Copper Corner.
13:11Uh, how can I help you?
13:13Hey, so, I don't know what to do about my girlfriend.
13:16Fiance, actually, I guess.
13:18What's the problem?
13:19Well, I was going to break up with her, so I took her out, and I was getting up the nerve,
13:23and then she got this fortune cookie with a proposal on it.
13:28Hello?
13:28Uh, uh, yes, you're still on, Duncan.
13:32So, this girl, I was going to dump, and she's, like, all happy, and I'm trapped.
13:36I mean, what do I do?
13:37Um.
13:38And who's out there putting, will you marry me into a random fortune cookie?
13:41Because it's like an emotional terrorism.
13:43Ah.
13:45Well, making out.
13:47I haven't heard that in a while.
13:49Yeah.
13:50On the couch, after lunch.
13:53What happened next?
13:55What do you mean?
13:55Did you ask her to go steady?
13:59Come on, man.
14:00You know what I'm talking about.
14:01What with that next?
14:01Just talk to me about that.
14:03Don't be a tease, man.
14:06Actually, I can't talk to you about it, because we haven't done anything else.
14:13It's fine.
14:17And all you guys are doing is making out?
14:19Yeah, we are.
14:21Don't you want more?
14:22I'm taking it slow.
14:23Because of Maren?
14:26No.
14:28You know, it's not always about another woman.
14:30Mister, I have two chicks after my ass.
14:32Hey.
14:33Is there a payphone in here?
14:35I can't get a signal on this.
14:36Yeah, well, actually, Jerome's on with his mother.
14:40It might be a while.
14:42Come on, Jack.
14:43It's your shop.
14:47Excuse me.
14:48Are you Jack, uh, Menesance, Jack?
14:52Uh, yeah.
14:53Yeah.
14:54I read about you a Maren Frisk New Yorker piece.
14:56Yeah, who didn't?
14:58She's a pretty talented woman.
15:00Yes, she is.
15:01I feel like I know you already.
15:04Hey, you guys know where I could find her?
15:08We might.
15:09Yeah, what do you want with her?
15:10Oh, uh, yeah, I'm not a stalker, gentlemen.
15:13I'm Stuart.
15:14Stuart.
15:17What a surprise.
15:18Spiffy apron.
15:20Oh, um, I'm on lunch break from a rummage sale.
15:23What are you doing here?
15:25Well, I was visiting one of my riders in Seattle, and I thought I'd take advantage of the company
15:29jet and come see you.
15:29Uh, fancy.
15:32See Elmo, see what inspires you, and see why you missed your first deadline.
15:37So do you always fly in to personally put pressure on your riders?
15:41No.
15:42No, just the ones I want to have dinner with.
15:43Oh, guys, uh, this is Stuart Max, my publisher from New York.
15:51Hey.
15:51Hey.
15:52Hi.
15:52So, how about it?
15:54I'll trade you some pages for dinner tonight.
15:57It's a great way to procrastinate.
15:59Dinner, yeah.
16:02Dinner's good.
16:03Great.
16:04Great.
16:13Hey, look at you, volunteering at the rummage.
16:27Doing my part for the moose.
16:29Oh, wow.
16:31Credence.
16:32I love this album.
16:34You know how some records are a soundtrack for a part of your life?
16:37This was high school.
16:38I was more of a talking heads girl.
16:39Yeah, I like them, too.
16:40Uh, Little Creatures.
16:41Speaking of times, burning down the house.
16:45Burning down the house.
16:47You can take that.
16:49I don't want to cross my, she scares me.
16:51No joke.
16:52But it's okay if you take the album.
16:54It was Jack's.
16:57Hey, Jack donated this?
16:58Yeah.
16:59He got rid of a whole box of records.
17:02Well, what's real?
17:03No.
17:04Thanks.
17:07You really can't take it.
17:09That's okay.
17:09I guess you wanted to get rid of it.
17:13But thanks.
17:14No problem.
17:27Wow.
17:28This place is really clean.
17:29Look who's back in my bathroom.
17:35I thought it would be better for Maddie if I left him in Juneau with my mom for a while until I get my act together.
17:42Wow, that must have been hard.
17:43It was.
17:44It is.
17:46I'm leaving the hospitality business.
17:48That's great.
17:50Time to hang up the handcuffs.
17:51I'm happy for you.
17:53You're making a change.
17:54I'm not the only one making a change.
17:57Ben and Teresa.
17:59How'd that happen?
18:01I still want to be with them.
18:04I know.
18:04I gave up that right when I skipped town.
18:07I left town and Lynn came back.
18:10I heard.
18:11You okay?
18:12Yeah.
18:13I'm moving on.
18:15I'm moving out.
18:16Oh my God.
18:18You're moving out?
18:19Yeah.
18:20I don't need the office anymore.
18:22I don't need the office anymore.
18:33Hey.
18:35Hey.
18:36Wow.
18:37That's a dress.
18:39Oh.
18:41Thanks.
18:42Where are you headed?
18:43Just kidding.
18:46Hi.
18:46Hi.
18:47Hey.
18:50Oh, hi, Stuart.
18:51Hi. Jack, good to see you again.
18:55Hey. Wow, you look great.
18:58Oh, thanks.
19:00You should wear this dress every day.
19:04Amber may help you with that.
19:09Thanks.
19:13Should we go?
19:14Yeah.
19:16You have a good time, Coach.
19:18You too.
19:21So, what do you think?
19:27I think this beats the corner table of Del Silvano.
19:30Cheaper wine, better view.
19:34Outstanding company.
19:35And at night you can't see the bear poop.
19:39You're funny.
19:41Usually beautiful girls aren't funny.
19:43You're sweet.
19:44I'm honest.
19:46Okay.
19:47Then what did you think about my new pages?
19:50Well, there's a lot in there that's good.
19:52Wow.
19:53Damning with faint praise.
19:55What you wrote about the landscape was pretty, but after your first chapter this just felt a little, um, fluffy.
20:02That was intentional.
20:04I wanted something breezier.
20:07It seems like you were avoiding things.
20:09But Thoreau wrote about the land.
20:10You wrote a whole book about a pond, for God's sakes.
20:13You gave me that book.
20:14Thoreau wrote about the wilderness because it made him feel things more deeply.
20:18It wasn't a travelogue.
20:20Ouch.
20:21I'm being honest.
20:22What made that first chapter great was that it was messy and complicated.
20:30Can I ask you something?
20:32What made me think I was a writer in the first place?
20:34Why didn't you write about the messy stuff?
20:37What you were feeling?
20:38Mostly I was feeling lousy.
20:39It wouldn't have been a fun read.
20:41If I wanted fun, I would have commissioned a pop-up book.
20:43I guess I lost my muse.
20:48Hmm.
20:50Before you started dating someone else.
20:52No, Jack was not my muse.
20:54Not your own muse.
20:55Elmo was its own character.
20:57It inspired you.
20:58You're a gifted writer, Merit.
21:01But you gotta get back into this place.
21:02Build a foundation.
21:04Be a part of something instead of just skating over the surface.
21:13It's so beautiful here, I forgot.
21:19Yeah, it's been a while.
21:20So why'd you sell the Clearwater?
21:22I saw it at the rummage sale.
21:24You love that album.
21:25You've played it all the time now.
21:26Remember the first night at the house?
21:29Lodi on repeat?
21:30Yeah.
21:31Cold meatball?
21:32That was a great night.
21:34Yeah, I know.
21:36Look.
21:39Every single thing in that house
21:41said something about you and me
21:43and I just needed to let some of it go.
21:45Well, we built that up together.
21:47We lived together.
21:48We used to sleep together.
21:50Why aren't we now, I mean?
21:51Why are we acting like we're still in high school?
21:54Well, it was simple about that.
21:56How simple can I make it?
21:57I'm here.
21:59I want to be with you.
22:00I thought you wanted to be with me.
22:02But you're pregnant.
22:04Okay.
22:06It's part of who I am now.
22:08But don't throw the baby out with the clearwater, Jack.
22:13P-I-T-I-F-U-L.
22:40Pitiful.
22:41Your turn.
22:52I'm thinking.
22:54Okay.
22:54Okay.
23:11Mart.
23:16That's it.
23:17Mart.
23:18That's my word.
23:19Patrick, you can do better than that.
23:21I'm trying as hard as I can.
23:22I should go help Mama organize the mucklucks.
23:26Have a nice day.
23:29Cutie.
23:34Bye.
23:35Hey, Amy.
23:37Good to see you.
23:41You're her cutie.
23:44She should have spelled a wimp.
23:46Why?
23:52I choked.
23:53It was perfect, too.
23:55She even spelled Carita.
23:56Yeah.
23:58Wow.
23:58She says it means the girl you love.
24:00She was really good at this game.
24:02I was good, too.
24:03I had my tiles, ready to spring.
24:05So?
24:06What happened?
24:07I started thinking about fortune cookies, thinking about the pie, thinking about failure,
24:11and then wham!
24:13Mart.
24:15Patrick, don't worry.
24:16There will be another moment.
24:18But will it be perfect?
24:19I mean, as perfect as it needs to be.
24:21What if I'm jinxed?
24:23I don't think I can do this.
24:25I don't think I'm a proposer.
24:27So, what are you, then?
24:31A dial owner.
24:36An OU order?
24:44I've got an emergency.
24:45I need an engagement party.
24:49Hey, congratulations.
24:51You and Annie?
24:52Patrick, that's great.
24:53No, no, I can't propose.
24:55That's the emergency.
24:56So, why am I throwing you a party?
24:59Because I'm putting a clock on it.
25:00If there's a cake and sparklers waiting here this afternoon,
25:03I know I'll have to pop the question before Annie sees it.
25:07Using the old brain to control the heart.
25:10Okay, okay.
25:11One engagement party coming up.
25:13You bring the fiancée.
25:14Mission will be accomplished, sir.
25:19Classified?
25:21I'm looking for a new job.
25:24What about your old job?
25:26I'm moving on.
25:27Finally.
25:28Good for you.
25:29Any prospects?
25:31Well, Elmo's got a lot to offer, girl.
25:33I could gut fish, I could pack fish,
25:35or I could hose out the place where they gut and pep the fish.
25:38I was hoping for something a little less.
25:40Smelly?
25:41Yeah.
25:42Hey, Teresa.
25:43Okay, great order here.
25:46Listen, Ben, I'm sorry if I put you in a weird position the other day.
25:51I've forgotten all about it.
25:53I wish I could.
25:55You know, I'm back with Teresa.
25:57Well, that doesn't mean I don't want to throw my hat back in the ring.
26:21Could you throw a couple burgers on for me, babe?
26:23I'm just making small talk.
26:27That's all it is.
26:28Like always, Ben, the nice guy.
26:31Listen, you have nothing to worry about.
26:34I want to be with you.
26:35Yeah.
26:36But when you made that decision, she wasn't here.
26:39You think that you and I are back together because Sarah wasn't here?
26:42You're my wife.
26:44I want to be with you.
26:46I've always wanted to be with you.
26:48I wanted to be with you even when you didn't want to be with me.
26:50Yes.
26:51But you and Sarah had real feelings for each other.
26:56And now that she's back, I...
26:59Well, how did you expect me to feel?
27:01Well...
27:01I'm not happy.
27:03I'm not saying that it's fair.
27:04I'm just saying that that's how I feel.
27:06Okay.
27:06Okay.
27:07So what can I do to make you feel better?
27:11Nothing.
27:13I'm sorry.
27:14Come on.
27:15Come on.
27:17Game changes, people.
27:27It's almost go time.
27:29Anything good?
27:32Yeah.
27:33Nobody likes records.
27:34Everybody downloads now.
27:43Look, she probably gave this to him for his 15th birthday.
27:47Happy birthday, Jay.
27:48Heart, Lynn.
27:50Okay.
27:50You need to stop.
27:52I'm fine.
27:53Fine.
27:54You need to call your own radio show.
27:56This is amazing.
27:58This is their history right here.
28:00They were 15 together.
28:02Childhood sweethearts.
28:05They are who they are because of each other.
28:07I mean, she says Heart, Lynn.
28:10Okay.
28:11Heart, Lynn goes on the 5-cent table.
28:13Heart, Lynn goes on the 5-cent table.
28:15Game time.
28:16Game time.
28:17Open them up.
28:34Attention, shepherds.
28:36Head only.
28:38No personal check.
28:39Snowshoes aren't going to sell themselves.
28:47You have to push.
28:48Yes, ma'am.
28:50Hey, how?
28:52Having fun, Vice President Rummage?
28:54I don't see why we can't fire volunteers if they're incompetent.
28:57Uh, so, uh, just thinking after the sale, maybe we go for a walk.
29:02You know, down by the water.
29:04Nothing special.
29:05And then head to the chieftain for a bite.
29:07Oh, sorry, Patrick.
29:10Well, Mom, my assigned is to take whatever doesn't sell and drive you to the dump.
29:14Oh.
29:15Are you mad?
29:17No.
29:18The, uh, dumps are great this time of year.
29:22Maybe we can go for a walk after.
29:24Okay.
29:24What's that?
29:27Now, if you can be pretty sure that we've got the size matching to each.
29:30Is it good?
29:31Oh.
29:33Look.
29:33Oh.
29:34Cute.
29:34Was that Maddie's?
29:35Yeah.
29:36He's outgrown all of this.
29:39It's time to get rid of it and start a new chapter.
29:42I need one of those myself.
29:43Especially since my publisher hated the one I've been working on.
29:48Screw him.
29:48Where is he?
29:49I'll give you a piece of my mind.
29:50He's in Anchorage for the day, meeting an up-and-coming poet.
29:55You know what?
29:56He was right.
29:58I was just typing, keeping my fingers busy.
30:01God, I need inspiration.
30:04My clients used to find this inspiring.
30:08I'll think on that one.
30:09Thanks.
30:23Hey.
30:25Hi.
30:25What's the business?
30:26Slow.
30:28Not too much of a market for broken toasters these days.
30:31Hey, uh, I think I made a bit of a mistake giving this away.
30:35How much is it?
30:36Thirty-five cents.
30:41I thought he didn't want all this junk, but...
30:45It's not all junk.
30:46It's history.
30:48That can be good to have sometimes.
30:51Yeah.
30:53Hey, um...
30:56Do you like this painting?
30:58Yeah.
30:59I do.
31:00I do, too.
31:01I'm thinking I might need some stuff.
31:04Hands off, Blondie!
31:05Uh-uh.
31:06I'm not an early bird.
31:07I have my five dollars.
31:08You're a late bird now.
31:09Too late.
31:10Aw.
31:11Who bought it?
31:12I did.
31:13Outside of art movement.
31:14Good investment.
31:15Why?
31:15I really loved that painting.
31:17Was that one of Minnie's?
31:18Yeah.
31:19Don't you know her?
31:20Oh, yeah.
31:20She's been painting since I was a kid.
31:22She might have more to sell.
31:24Listen, I know where she lives.
31:27If you want to ride out there.
31:30Now?
31:30Yeah.
31:34Yeah.
31:34Okay.
31:39Uh, my?
31:41You took my painting?
31:42I'm taking my hour break.
31:47Cover on table five!
31:52Good.
31:52Teresa, hey.
32:02Were you looking at this?
32:04Yeah.
32:04Actually, I was thinking of buying it.
32:05Oh, that's funny.
32:06I was, too.
32:07Yeah, that is funny.
32:08Someone buying something here, ladies?
32:10Yes.
32:11Uh, how much is this?
32:12How much do you want?
32:13Oh!
32:13This deal at five dollars.
32:15Look at the stitch work around this unicorn's nostrils.
32:19Seriously, Sarah, I saw it first.
32:21No.
32:21As an other fact, you didn't.
32:23Did I say five?
32:24I meant fifty.
32:25What's going on here?
32:27Shh.
32:27Fitting wall.
32:28Will you please let go now?
32:29I'm not walking away.
32:30You're being ridiculous.
32:31I'm not going to ask you again.
32:33Take your hands off my quilt.
32:34Hey, stop it, all right?
32:36Quit it.
32:36Hey, hey.
32:37It's just a stupid quilt.
32:39Let go now.
32:43Oh, my God.
32:44Ben?
32:45Ben?
32:45Ben?
32:51One more deep breath.
32:55Good.
32:56You didn't have a heart attack.
32:59What was it, then?
33:01Ventricular tachycardia.
33:02Rapid heartbeat.
33:03Probably from stress.
33:05You just need some rest.
33:07I'll take him home.
33:08I want to see you in my office tomorrow.
33:10Okay.
33:11Ben, I'm so sorry.
33:14Oh, forget it.
33:15I was the idiot who got himself between two women and a unicorn.
33:20Come on, let's go.
33:21What about the bar?
33:23The town can survive without beer for a few days.
33:26Well, the man has a work ethic.
33:28Let him run his business.
33:29Teresa.
33:30The fishing boats are coming in tonight.
33:32And there's a cake in the refrigerator for Patrick.
33:36You open the bar.
33:37I can drive myself home.
33:38You're not going alone.
33:40I can do it.
33:42I mean, I can open the chieftain.
33:44God bless you, woman.
33:47Teresa, let me help.
33:48Will you stay with your husband?
33:49Okay.
33:49So, what did the publisher say about the chapter?
34:11He said the people don't want to buy fluff.
34:13He said I need to get into my feelings again.
34:17That's hard.
34:19It's not a walk in the park.
34:21Putting it all out there, exposing how I feel again.
34:24It's scary.
34:26It's scary.
34:27Yeah.
34:31You know, I like her.
34:33Lynn kind of kills me, but I do.
34:37I like how direct she is.
34:39Yeah.
34:39And I don't mean that in a way that means I really mean she's obnoxious.
34:43I mean it in a good way.
34:47No, she's always had that ever since she was a kid.
34:53We go back a long way, man.
34:55Please, you don't have to explain.
34:56I get it.
34:57I hate it a little, but I get it.
35:12I'm sorry, sweetie.
35:13I just don't have any other paintings to sell.
35:15They're all packed up and shipped.
35:17Well, that's too bad.
35:19I really love that painting.
35:21Now, where were you when I was trying to make a living as an artist?
35:24Thirty-five years in Elmo, and I had to make my money the old-fashioned way.
35:30Excuse me?
35:31Minnie owned a fishing boat.
35:33Oh.
35:34Stood on my own two feet when a lot of men in this town didn't think that was possible.
35:38Good for you.
35:41Oh, my God.
35:42What?
35:50Well, this is it.
35:52This is the painting.
35:53Yeah, I was sitting right there when I painted that.
35:57Just a few weeks after I finished building this place.
36:00You built this cabin?
36:02With my own two hands.
36:04Wow.
36:06Is it for sale, the cabin?
36:09And?
36:10What?
36:10Yes, it's for sale.
36:13Are you serious, dear?
36:17I think I am.
36:18Well, I'll put on the tea, and we can talk turkey.
36:21Okay.
36:23Maren, are you sure this place is a mess?
36:28Well, then it will be my mess.
36:29I'll fix it up.
36:30I've got two hands, too.
36:32Look out there.
36:34It's worth it, right?
36:35You can do whatever you want to do, today.
36:49Ow!
36:50Patrick?
36:51Patrick?
36:53It's a half-hour trap.
36:55I think it has a me.
36:56I'll go get help.
36:58Drive fast.
37:00Okay.
37:01Wait.
37:02Wait, where?
37:03It's Houston.
37:04No, you can't go there.
37:05Annie, stop.
37:06But your foot could be hers.
37:08I don't care.
37:10I love you more than my foot.
37:12I love how good you are in emergency.
37:14I love you.
37:16Will you please marry me?
37:27Oh, my God.
37:29I'm sorry we're in the dump.
37:31Yes.
37:32I'll marry you, Patrick.
37:34Yes.
37:35Yes.
37:36Yes.
37:37And I love the dump.
37:40What do you do?
37:41No.
37:41Oh, Patrick, you're crying.
37:48I am in so much pain.
37:51Oh.
37:52Will you get help, please?
37:53Please.
37:58I love you.
38:00I love you, too.
38:08Oh.
38:11Hey.
38:15Hey.
38:18Well, where do you want to show me?
38:25You got it back.
38:26Yeah.
38:28Yeah.
38:30There's, uh, stuff that I want to keep.
38:32Nice view.
39:01Thanks for coming by.
39:08Thanks for inviting me.
39:11Brought you a present from the rummage sale.
39:16Hey.
39:17Thanks.
39:19And, uh, it comes with an apology.
39:21I was too harsh about what you wrote.
39:23Well, it wasn't my dream review.
39:25I'll give you that.
39:25But you were right.
39:29It was one man's opinion.
39:30Delivered poorly.
39:32I should have taken your feelings more into account.
39:35Seriously?
39:36Don't let the curls fool you.
39:37I'm pretty tough.
39:38And I like that you told me what you thought.
39:41Believe me, that is rare.
39:43And a guy does stop doing it.
39:47I won't.
39:49Mm-hmm.
39:50I gotta go.
39:55So.
39:55Well, I wish you could save her a glass of water.
39:57Assuming I have running water.
40:00You're my first house guest.
40:02I'll be back.
40:04Okay.
40:10Elmo grows on you.
40:13Some even say it's inspiring.
40:20Hey, thanks for the gift.
40:21Oh, yeah.
40:22You need to get it fixed.
40:23The, uh, the period doesn't work.
40:25Oh.
40:26Uh, you know what?
40:27That's fine.
40:29I don't know.
40:29I don't think I'm ready for my story to have a period yet.
40:33To be continued.
40:39Thoreau wrote,
40:41If you built castles in the air,
40:42your work need not be lost.
40:45That is where they should be.
40:47Now, put the foundations under them.
40:52History can be messy and painful.
40:55But it's not our destruction.
40:59If we're lucky, it's our foundation.
41:03You just have to work your way through the mess
41:18to find what matters.
41:24To find the pieces of your past
41:26you still want to carry with you.
41:27I want you to move back in.
41:30Rush on for everyone.
41:33Rush on for everyone.
41:37Rush on for everyone.
41:43And sometimes,
41:45if you have just the right view
41:46and just the right castle,
41:48you can build the foundation
41:50for your new history
41:51all by yourself.
41:52Rush on for everyone.
41:54Rush on for everyone.
41:58Rush on for everyone.
42:01Rush on for everyone.
42:02Rush on for everyone.
42:04Oh,
42:05you need to know to you.