- 7/8/2025
Sensation Hunters takes you on a thrilling journey filled with suspense, danger, and unexpected twists. Follow the relentless pursuit of those who chase adrenaline, mystery, and the truth—no matter the cost. A classic cinematic tale that combines drama, action, and intrigue in every scene.
🎬 Genre: Adventure / Drama
📽️ A restored classic film experience
🔔 Don’t forget to like, comment, and subscribe for more timeless stories!
🎬 Genre: Adventure / Drama
📽️ A restored classic film experience
🔔 Don’t forget to like, comment, and subscribe for more timeless stories!
Category
🎥
Short filmTranscript
00:00:00THE END
00:00:30Oh, my God.
00:01:00Oh, my God.
00:01:30Oh, my God.
00:02:00Oh, my God.
00:02:04Enjoying yourself?
00:02:05You know, it's frankly embarrassing and all that sort of thing, but I've, uh, I've dropped a guinea.
00:02:10Did you drop it in my room?
00:02:13Oh.
00:02:13Oh, I say, I, I hope you didn't think that I...
00:02:19First, I thought that, uh...
00:02:21Well, you shouldn't, should you, eh?
00:02:22No, I guess I shouldn't.
00:02:24Bye-bye.
00:02:25Uh, uh, toodaloo.
00:02:41Could you tell me what time we get into Los Angeles?
00:02:43About four o'clock this afternoon, Miss Jordan.
00:02:46But you're not leaving us yet, are you?
00:02:47Oh, no.
00:02:47Now, you can't get rid of me before Panama.
00:02:49Hey, my.
00:02:56What's your honor?
00:02:57Oh, Ray.
00:03:01Get out.
00:03:32Hey, that dive was a beauty.
00:03:37Oh, by the way, Miss Jordan, I've arranged to have you with us at the captain's table.
00:03:42They might brighten it up a bit.
00:03:44Oh, that's not so lovely, Mr. Bacon.
00:03:46I'm sure I shall enjoy it.
00:03:49Were you hungry?
00:03:50Oh, so hungry.
00:03:51Well, that was actually good to me.
00:03:53Hello, darling.
00:03:55Hello, darling.
00:03:57I got down lovely for you.
00:04:01I say, I hear that we are to have a little game this afternoon.
00:04:05Yeah, we've got quite a little time.
00:04:08Are you hungry?
00:04:10I believe you all know Miss Jordan.
00:04:12How do you do, Miss Jordan?
00:04:16Oh, yes, you do.
00:04:17Does Miss Jordan know Mr. Montmorency Upson?
00:04:19Oh, yes, we've met.
00:04:22Charles.
00:04:24If I'm not too inquisitive, Miss Jordan, was it on the continent you met Mr. Upson?
00:04:29It was on a boat.
00:04:31You know how it is in life sometimes.
00:04:33You open a door and before you know it you bump into somebody.
00:04:37I say, old thing, do we take on any passengers at Los Angeles?
00:04:42Why, yes.
00:04:43As I recall, there's a group of passengers going through to Panama.
00:04:46The Trickster Snell girls going down to perform in the Bull Ring Cabaret.
00:04:50You mean cabaret girls?
00:04:52Well, dancers, entertainers, hostesses.
00:04:55You can call them almost anything you like.
00:04:57Hoochie-coochie dancers, eh, what?
00:05:01Will they be permitted to mix with the passengers?
00:05:03They are passengers, Mrs. Grayson.
00:05:05The company cannot discriminate.
00:05:06Well, the passengers can discriminate, I assure you.
00:05:10Yes, I quite agree with you, Mother.
00:05:12That type should be kept in its place.
00:05:14Don't you think so, Dale?
00:05:16That depends on the type and the place.
00:05:20Well, let's go.
00:05:42Hey, red!
00:05:44Her hair is a different color every year, but they still call her red.
00:05:50Pam the chatter, save your pet for Panama.
00:05:58Say, you'd forget your rosy cheeks if they weren't slapped down with a paintbrush.
00:06:01I know I had them when I bumped into that traveling man last night.
00:06:04The brakes, I guess.
00:06:06Another farmer's doctor.
00:06:08Have you looked in the First National?
00:06:10Oh.
00:06:14Hurried.
00:06:15Well, try the second branch, you sims.
00:06:20Oh.
00:06:21Hot dog!
00:06:22Hot dog!
00:06:29One side, sailor.
00:06:30You ain't seen nothing yet.
00:06:35In all the world, no trip like this.
00:06:39Hi, Skipper.
00:06:40How's your old compass?
00:06:41Well, hello, Miss Mel.
00:06:42Glad to see you again.
00:06:43I'll be so proud of all of us.
00:06:44I hate you.
00:06:48Hey, Admiral.
00:06:49Are there any hot hoppers on this tug?
00:06:51Scram, dumb bell.
00:06:52Scram, push down until you get where you can use it.
00:06:55Take down!
00:06:56Hey, sailor!
00:06:57Look who's back!
00:06:58Come on, come with me.
00:06:59Scalones.
00:07:00Yes.
00:07:01If you'll excuse me, Mr. Grayson, I think I'll go down to my cabin.
00:07:05Well, I'll see you later, won't I?
00:07:06Why, yes.
00:07:07Unless you look the other way.
00:07:11That's it.
00:07:12I think it is.
00:07:13Oh.
00:07:14Who's the roommate?
00:07:15Last time, he had bumped me with a contortionist.
00:07:18Every time I looked at her in bed, I thought I was having a nightmare.
00:07:19Oh, she's a kid I picked up in Frisco.
00:07:20Kind of green, but she can sing.
00:07:21Oh, amateur, huh?
00:07:22What are we supposed to do, wiener?
00:07:23Well, there's nothing like a little fresh meat.
00:07:24After all, I'll see you later, won't I?
00:07:25I'll see you later, won't I?
00:07:26Why, yes.
00:07:27Unless you look the other way.
00:07:28That's it.
00:07:29I think it is.
00:07:30Who's the roommate?
00:07:31Last time, he had bumped me with a contortionist.
00:07:32Every time I looked at her in bed, I thought I was having a nightmare.
00:07:34I thought I was having a good thing.
00:07:35Oh, amateur, huh?
00:07:36What are we supposed to do, wiener?
00:07:38Well, there's nothing like a little fresh meat.
00:07:40After all, customers get kind of tired of has-been.
00:07:43You should know.
00:07:45Why, you low down, plug face.
00:07:47Oh, as I was saying, dear, we're going to have a delightful trip.
00:07:51Why, here's Miss Jordan now.
00:07:54Jolly what?
00:07:55Oh, hello, Miss Jordan.
00:07:56You see my wire, eh?
00:07:58Yes, I did, Miss Nell.
00:07:59I didn't really expect to hear from you.
00:08:01This is Jerry Royal, your roommate.
00:08:03Been with me before, and she knows the ropes.
00:08:05How do you do, Miss Royal?
00:08:06Shake, Jordan.
00:08:07Hey, Trixie, when do rehearsal start?
00:08:10Not till this gang of slobs get their sea legs.
00:08:13And listen, you.
00:08:14Keep their mitts off those sailors.
00:08:15They've got enough on their hands keeping this tub afloat.
00:08:21The last we'll see of Trixie till we get into port.
00:08:24She's a good egg, except when she gets scrambled.
00:08:26Got a nail file, honey?
00:08:28What's the matter?
00:08:29Did you lose the key?
00:08:30No, I locked it in my trunk so they'll know where it is.
00:08:32First time in show business?
00:08:33Yes, it's my first to been.
00:08:34Well, you sure picked a tough spot for a beginner.
00:08:35Well, you've got to begin someplace.
00:08:36Yeah?
00:08:37Well, you don't know the bull ring or Trixie Snell's technique.
00:08:38Have you been there before?
00:08:39Honey, I've been to Panama so often I feel like an isthmus.
00:08:40Well, if it's so bad, why do you and the other girls keep on going back again?
00:08:43Oh, different girls, different reasons.
00:08:45But mostly because it's just our speed.
00:08:46You know, you can't make a silk purse out of a horse's neck.
00:08:47And there's another reason.
00:08:48Good hunting for husbands.
00:08:49Say, there's plenty unmarried men to every woman.
00:08:50Why, it's a regular he harem.
00:08:51I shouldn't think a good looking girl like you'd have any trouble finding a husband.
00:08:52She wanted one.
00:08:53She wanted one.
00:08:54Thanks for them kind words, sister.
00:08:55But I am a man.
00:08:56Well, if it's so bad, why do you and the other girls keep on going back again?
00:08:57Oh, different girls, different reasons.
00:08:59But mostly because it's just our speed.
00:09:02You know, you can't make a silk purse out of a horse's neck.
00:09:05And there's another reason.
00:09:07Good hunting for husbands.
00:09:09Say, there's plenty unmarried men to every woman.
00:09:12Why, it's a regular he harem.
00:09:14I shouldn't think a good looking girl like you'd have any trouble finding a husband.
00:09:18She wanted one.
00:09:19Thanks for them kind words, sister.
00:09:22But I am married.
00:09:23You are?
00:09:24Yeah, I am was and is going to be.
00:09:27Are you joking?
00:09:28No, sir.
00:09:29Three times loser.
00:09:30Trouble with me is I go gaga over a tattoo mark.
00:09:34Three splices and three sailors.
00:09:36The kind of sailors I hitched up with ain't never seen an anchor.
00:09:39How do you lose them?
00:09:41They don't just run away, do they?
00:09:43Well, some of them get lost in the fog.
00:09:45The rest of them I just throw out.
00:09:48Well, it was open all the time.
00:09:50They forgot to lock it.
00:10:03Well, that was number one.
00:10:04Olaf Anderson.
00:10:05He's a pretty good guy.
00:10:07Not much to look at.
00:10:09But oh, sister, what a man.
00:10:11What happened to him?
00:10:13Poor Olaf.
00:10:14He signed on one of those round the world cruises.
00:10:17Lost his boat in Shanghai.
00:10:18And I guess the dumb dodo can't learn enough Chinese to ask his way home.
00:10:22Want me to help you put your things away?
00:10:24Nope.
00:10:25I don't need any help.
00:10:32Well, I'm all settled.
00:10:34Haven't helped the poor sailors on a night like this.
00:10:37I thought you said you'd sworn off on sailors.
00:10:40Well, the gal's got to have some practice.
00:10:42Some of those sailors are pretty good at practice.
00:10:54Well, your girlfriend turned out to be one of Trixie Snell's hot numbers.
00:11:12Well, I have a frightful headache.
00:11:27Will you see me to my cabin?
00:11:36Coming, children.
00:11:42Miss Jordan, I've been waiting for days to find someone to introduce us.
00:11:57Looks as though I'll have to take fate by the forelock and present myself.
00:12:01How do you do, Mr. Bayless?
00:12:03You knew my name.
00:12:04You knew mine?
00:12:05Well, would you dance?
00:12:12Aren't you afraid you'll lose your social standing?
00:12:24I haven't any.
00:12:25I might acquire some dancing with you.
00:12:36Phew!
00:12:37How many ports have you been in?
00:12:39A whole lot, baby, but I always go back to the same one.
00:12:42The same what?
00:12:44Back home where there's Mama and Gretchen and Mabel and Catherine and Isaacs and Hallowish.
00:12:51And now, baby, I ain't even seen yet.
00:12:53And what am I supposed to be, the godmother?
00:12:56Do you realize that for the whole evening you've made me talk of nothing but myself?
00:13:08I certainly couldn't think of a better subject.
00:13:10Mr. Bayless, suppose you tell me the story of your life?
00:13:13Do you think you'd be interested?
00:13:15I think that depends on the story.
00:13:17It's a long one.
00:13:19It'll probably take all of tomorrow afternoon.
00:13:21Think you could stand it?
00:13:23I think so, Mr. Bayless.
00:13:24Tom.
00:13:25Tom.
00:13:26Oh, it must be very late.
00:13:28I think I'd better go.
00:13:30I've had a delightful evening, Tom.
00:13:32Good night, Dale.
00:13:33Good night, darling.
00:13:34Nice.
00:13:35Good night.
00:13:36It's in the stairs.
00:13:37Hi, please.
00:13:38She asked any other place.
00:13:39You knew I was welcome.
00:13:40All bye.
00:13:41Just me.
00:13:42So, boys, have your family spoken.
00:13:43It must be very late.
00:13:44I think I'd better go.
00:13:45I've had a delightful evening, Tom.
00:13:46Good night, Dale.
00:13:47Good night, 다음에.
00:13:48Oh, my God.
00:14:18Oh, dear.
00:14:31My $10 gold piece.
00:14:33Allow me to help you, my dear.
00:14:35Deucid embarrassing, what?
00:14:37Yes, yes.
00:14:38I think the bally thing rolled under my chair.
00:14:41Yes.
00:14:48Well, still dropping things, I see.
00:14:54Ho!
00:14:55Who is it?
00:15:14Hello, kid.
00:15:16I guess you've been having quite a laugh at my expense, haven't you?
00:15:19Laugh?
00:15:19What do you mean by coming into my room?
00:15:21Oh, well, the joke's on me, all right.
00:15:23Here I was being so very, very careful.
00:15:26And all the time you were one of Trixie Snell's girls.
00:15:32I think you've made a mistake.
00:15:34Good night, Mr. Grayson.
00:15:35Oh, come on, kid.
00:15:40That act's over.
00:15:41Be yourself.
00:15:43Is your face red?
00:15:45Oh, I see.
00:15:47Just a couple of...
00:15:48Outside, Bluebeard.
00:15:52Scram, bug, before I step on you.
00:15:54Say, you're no babe in rompers.
00:16:00You can take care of yourself.
00:16:01Only your technique's old-fashioned.
00:16:04Old-fashioned?
00:16:05Yeah, that face-slapping gag.
00:16:08They're mature-ish.
00:16:09It's all right for them parlor books and all that.
00:16:12But say, when a goof makes a pass at me,
00:16:14I ups to him and gives him a right hook to the kisser.
00:16:17You know, you've got to be prepared for things like that
00:16:19when you get in a troop of Trixies.
00:16:21Maybe I should have studied boxing instead of singing.
00:16:24You think you're kidding?
00:16:25Maybe you'll wish you had.
00:16:27You're going to meet plenty of palookas.
00:16:29Jerry, you make it sound pretty terrible.
00:16:33Oh, gee, kid.
00:16:34I didn't mean to scare you.
00:16:37You just tie onto Jerry's apron strings
00:16:39and everything will be all right.
00:16:41You know, Jerry knows their onions.
00:16:43And their tamales, too.
00:16:54Why, Tom, what an odd curio.
00:16:57It's a sort of good luck charm.
00:17:00I got it from an Indian chap that I managed to pull out of the water
00:17:02down in the San Blas Islands.
00:17:04That's where your business is.
00:17:05I'm in the copper trade down there.
00:17:07It's pretty wild.
00:17:09Often I don't see a white man for months.
00:17:11I spend my days visiting native villages,
00:17:13sleeping outdoors.
00:17:14Sounds almost as exciting as the bullring.
00:17:16Deal, tell me.
00:17:21How much do you actually know about Trixie Snell and the bullring?
00:17:24Not much.
00:17:25But I seem to be learning.
00:17:26But you must have known something about what you were getting yourself in for.
00:17:29Things are a little different from what I thought they'd be,
00:17:31but I think I'll be able to take care of myself all right.
00:17:35Why, though?
00:17:36You know, until I heard about your stage ambitions,
00:17:40I was a little puzzled at seeing a girl like you in Trixie's troop.
00:17:42Most of the girls in the bullring I've known signed up with Trixie
00:17:46either as a last resort or at most
00:17:48because they were hunting for sensations.
00:17:52I don't think I really belong to other class.
00:17:55How the old thing is a spippin' day?
00:17:58Haul.
00:17:59Say, what is this haul business you're always getting off of?
00:18:03Why, my dear, it's an expletive
00:18:06that is indigenous to my stratum.
00:18:09You don't mean it.
00:18:10Isn't there something a doctor could do about it?
00:18:13Haul.
00:18:14We're right back where we started.
00:18:17I say, you know,
00:18:18I was quite distressed over your losing your money last night.
00:18:22So after you'd retired,
00:18:24I went back to your chair
00:18:26and looked around for your gold piece.
00:18:29Quite sporting of you, old thing.
00:18:32Too bad you didn't find it.
00:18:34But I did, you know,
00:18:35right under your chair.
00:18:37You know, I have remarkable eyesight.
00:18:41Remarkable eyesight?
00:18:43Why, you're a walking microscope.
00:18:46I think you're a honey.
00:18:48I say, old thing.
00:18:49I think you're a little bit of all right yourself.
00:18:52Quite spiffing.
00:18:53What?
00:18:54Say, what is this old thing in spiffin' business?
00:18:58Are you trying to make fun of me?
00:19:00My word, old dear.
00:19:02So you're making fun of me, huh?
00:19:04Say, listen, Egg.
00:19:05If you think you can make fun of me
00:19:07for ten bucks, you're screwy.
00:19:12Paul.
00:19:20Well, Tom,
00:19:21tomorrow we'll be in Panama.
00:19:24That's right.
00:19:25This is our last night out.
00:19:29I'd better hurry and dress.
00:19:32What's the matter?
00:20:02You look as glum as one of those Indians
00:20:04on that island of yours.
00:20:06Oh, I don't know, Dale.
00:20:07Thought of your leaving as bad enough.
00:20:09Leaving with Trixie Snell and all that.
00:20:11That's awfully sweet, Tom.
00:20:12I'm really flattered
00:20:13that you should be worried about me.
00:20:15Worried about you?
00:20:17Why, Dale, I...
00:20:19All right, kids, come up for air.
00:20:35Jerry!
00:20:35Jerry!
00:20:35I didn't know you were here.
00:20:39I'd like to know how you do it.
00:20:41Do what?
00:20:42Turn a sphinx into a caveman in six days.
00:20:45I wish you'd loaned me some of your technique.
00:20:48You seem to be doing all right with the men.
00:20:50How about your friend, Uppy?
00:20:52Oh, I just did him two days ago.
00:20:55What?
00:20:56You know the ritzy way I talk
00:20:58when I try to impress someone?
00:20:59Yes.
00:21:00Well, Uppy tried the same thing on me,
00:21:02so I gave him the air.
00:21:05But, Jerry,
00:21:07that's the way Mr. Upson really talks.
00:21:09Oh, my gosh.
00:21:11Well, why didn't he say so?
00:21:34What a glorious night.
00:21:39Everlasting moonlight.
00:21:43One of the baits of the tropics.
00:21:47Face the truth, Dale.
00:21:49Half the girls who come down here
00:21:50never get home unless some man pays their way.
00:21:52You're exaggerating.
00:21:54I'm not exaggerating.
00:21:55I know what I'm talking about.
00:21:57I've seen how it goes.
00:22:00The girls start drinking
00:22:01to forget how rotten and sordid the whole thing is.
00:22:04They show up some night too drunk to go on,
00:22:06there's a fight with Trixie,
00:22:07and she kicks them out.
00:22:07But, Tom,
00:22:09nothing like that's going to happen to me.
00:22:20It might, Dale.
00:22:22That's why I'm worrying.
00:22:26I'm crazy about you.
00:22:29I've even thought about selling my business interests.
00:22:32Well, Tom.
00:22:32It might sound foolish, but
00:22:34maybe if you'd promise not to drink.
00:22:38After all, that's how the whole thing starts.
00:22:43You cheapen me by even asking such a thing.
00:22:46Cheapen you?
00:22:47You've cheapened yourself already
00:22:48by associating with Trixie's crowd.
00:22:50Tom!
00:22:51Why act like a child?
00:22:53Why put yourself in the way of temptations
00:22:55that thousands of women haven't been able to resist?
00:22:57Just a minute.
00:22:58I've had just about enough of this.
00:23:00It's going to take more than climate or a crowd
00:23:02to make me a wanton.
00:23:03I know, Dale, but...
00:23:03As Trixie's crowd,
00:23:04I only really know one of them.
00:23:06If she's an example of the rest,
00:23:07I'll throw my lot in with them.
00:23:09I'll throw my lot in with them.
00:23:39We've got a full house, girls.
00:24:02So buckle up your preserves
00:24:04and get ready for Jerry's number.
00:24:09You ain't hurting us with problem yet, huh?
00:24:16No, not a word.
00:24:17Maybe he's out in front.
00:24:19Yeah, sipping a lemonade.
00:24:23Hey, handsome.
00:24:26Who's the stew at the end table?
00:24:30Uh, wait.
00:24:35All right, girls, let's go.
00:24:37See you later, kids.
00:24:43Good luck.
00:24:44Get out of the way, let me in.
00:24:47Smile.
00:24:48Now, customers, I'm going to introduce
00:24:59110 pounds of American squab
00:25:02with a chili dressing and a tamale tone
00:25:04that'll knock you on your tortilla.
00:25:06Miss Jerry Royal.
00:25:07There's a gal they say to wish you
00:25:21Just a pal who knows what to do
00:25:26Has a saying that I'm telling you
00:25:31If it ain't one last
00:25:37If it ain't one last
00:25:37It's another
00:25:40I'm the shady, splendor and crown
00:25:47Just a lady who's been around
00:25:51She ain't got an enemy in the town
00:25:56If it ain't one last
00:26:02It's another
00:26:05Undertaker's face long and sad
00:26:12Tried to shake her
00:26:14Tried to shake her
00:26:14That made her mad
00:26:16Ain't Ben Scott
00:26:18But she's gonna be happy
00:26:20But she's gonna be happy
00:26:21If it ain't one last
00:26:25If it ain't one last
00:26:27It's another
00:26:29It's another
00:26:31Round the world
00:26:34That gal made her swing
00:26:36She got famous
00:26:39Famous
00:26:40Doin'
00:26:41Doin'
00:26:42Doin'
00:26:43That
00:26:44Doin'
00:26:45That
00:26:46The
00:26:47Queen
00:26:48Was
00:26:49Hiding
00:26:50The
00:26:51King
00:26:52If it ain't one last
00:26:54It's another
00:26:57Travel
00:27:00Every land
00:27:01Every time
00:27:03She told Candy
00:27:05When it hit crime
00:27:07If it ain't one man, it's another.
00:27:10On her tombstone's face to elude.
00:27:14Walked dead ripped when she wasn't free.
00:27:17Gone to Hades to kiss the devil's face.
00:27:20He's gone.
00:27:21He's gone.
00:27:22He's gone.
00:27:23He's gone.
00:27:24He's gone.
00:27:25He's gone.
00:27:26He's gone.
00:27:27He's gone.
00:27:28He's gone.
00:27:29He's gone.
00:27:30He's gone.
00:27:31He's gone.
00:27:32He's gone.
00:27:33He's gone.
00:27:34He's gone.
00:27:35He's gone.
00:27:37He's gone.
00:27:38I'll go away from Hades to kiss the devil begins.
00:27:42If it ain't one man, it's another.
00:28:04Hey, you showed about as much pep as a nervous oyster.
00:28:12What's the matter?
00:28:13Too much navy on the boat?
00:28:14Oh, I don't know.
00:28:15I guess it's the heat.
00:28:16Well, you'll be in a hunter place someday.
00:28:20Jerry, not so bad, but next time, give them all you got.
00:28:24No rainy days down here to save anything for.
00:28:27Jordan, you're on next.
00:28:29Come on.
00:28:29On the up and up, kid.
00:28:35You never played a cabaret before, did you?
00:28:37No.
00:28:38Only college shows.
00:28:39I knew you were lying.
00:28:41They all do.
00:28:43Well, you're on the spot now.
00:28:45Honey boy.
00:28:48There's the one I mean.
00:28:53Oh, you mean the one with the glasses?
00:28:56Well, that might be the case.
00:29:00All right, sucker.
00:29:01Now there's two of you.
00:29:09And now, hikers, I'm going to introduce the answer to a traveling salesman's prayer.
00:29:15She can go up and down the scale faster than a Wall Street bond.
00:29:18She's been a hit in New York and Chicago and other foreign countries.
00:29:22So get a firm grip on your blood pressure and meet Miss Dale Jordan.
00:29:27She's been a my son.
00:29:41She's been aller in New York at Westonia.
00:29:43Muchas band �ely years back at the time.
00:29:48Congratulations, dear dad.
00:29:49She's been a big for that, yeah.
00:29:51Somehow two-year than she would call,
00:29:52she decided to call meLife on man's birthday.
00:29:53Some things make me do, things I oughtn't do.
00:29:59How I try to find the reason I do.
00:30:04Say, listen to that kid's thing.
00:30:08There's something in the air that's bringing a new desire.
00:30:16My senses are all on fire.
00:30:19Oh, tell me what can it be?
00:30:23That air of I don't care has something to me so thrilling.
00:30:30I feel oh so weak and willing.
00:30:33Oh, tell me what can it be?
00:30:37Something that makes an old man get busy with his feet.
00:30:45Something that makes a calm man get busy with the heat.
00:30:51There's something in the air that's holding me close and closer.
00:30:59I know that I can't say no.
00:31:02Oh, tell me what can it be?
00:31:06There's something in the air that's making me see things double.
00:31:12Oh, making my feelings bubble.
00:31:16Oh, tell me what can it be?
00:31:20That air of I don't care has something beyond revealing.
00:31:27It's lifting me to the ceiling.
00:31:30Oh, tell me what can it be?
00:31:34Something that makes a teacher start acting like a clown.
00:31:41Something that makes a preacher just lay his Bible down.
00:31:48There's something in the air that takes everything it touches.
00:31:55It hides me within it, but it's all.
00:31:59Oh, tell me what can it be?
00:32:02Good work, kids.
00:32:27You sure put it over.
00:32:28Oh, thank you, dearie.
00:32:30Check your hat, sir.
00:32:58You see that Miss Dale Jordan gets this, please?
00:33:26Yes, sir.
00:33:33All right, scallions.
00:33:34Get out and make the customers thirsty.
00:33:36Okay.
00:33:42Well, Goofus, what do you want?
00:33:44I could have...
00:33:48Here, Jordan, you've collected a dividend already.
00:33:52All right, nosey.
00:33:53Take a run-out powder.
00:33:54There's a guy at the table.
00:33:56He says 16, calling for Miss Royal.
00:33:58Maybe I'll get a break, too.
00:34:00Hey, wait a minute.
00:34:02Say that he buys plenty, and don't let that whiskey tin of yours catch up on you.
00:34:08There, what is it...
00:34:10If I can see, I can see, huh?
00:34:11I can see now.
00:34:12I don't know.
00:34:13It's fine.
00:34:14Oh, my God.
00:34:18Yes, sir.
00:34:19I don't know.
00:34:20But it's hard.
00:34:21If I can see her, I'm...
00:35:25I don't know whether it's the heat or what it is it's getting me.
00:35:28I'm so tired of the same old faces and the same old songs.
00:35:35Oh, it affects different people different ways.
00:35:38Now, take me, for instance.
00:35:39I like to get drunk and go on a toot and kick Trixie's cash register.
00:35:44Sometimes I wonder whether Tom Bailey wasn't partly right.
00:35:48Of course he was right, but don't give him a break and admit it.
00:35:51Well, it won't be long now, baby.
00:35:53Keep a stiff upper lip.
00:35:55That's all we've got to do is keep our head in the clinches.
00:36:00Well, how'd you like your hen fruit?
00:36:02Let's have them sunny side up.
00:36:04Atta girl, we'll have them.
00:36:05There's something in the end
00:36:13That's making me see things double
00:36:16Making my feelings bubble
00:36:20Oh, tell me what can it do
00:36:23That hair of I don't care
00:36:27Has something beyond revealing
00:36:30It's lifting me to the ceiling
00:36:34Oh, tell me what can it do
00:36:37Something that makes a teacher
00:36:41Start acting like a clown
00:36:45Something that makes a preacher
00:36:48Just laying his wife all down
00:36:51There's something in the end
00:36:53There's something in the end
00:36:55That takes everything it touches
00:36:58It hatches me within it
00:37:01But it's all
00:37:03Tell me what can it do
00:37:05Say, Bill
00:37:14That one's different
00:37:16I'd like to meet her
00:37:18It should be easy
00:37:20Say, uh, Trixie
00:37:24I'm off you for life, Bill Burr
00:37:27Me with a brand new show
00:37:29And it's taken you two, three months
00:37:30To get around here
00:37:32Don't blame me, Trix
00:37:33The boss has kept me jumping
00:37:34Ever since he got in from Havana
00:37:35Oh, Trixie
00:37:37Meet Jim Crosby
00:37:38How do you do?
00:37:41General manager
00:37:42Standard Airlines
00:37:43And general nuisance
00:37:45Round a Panama officer
00:37:46Not Jimmy Crosby
00:37:48The flyer
00:37:49Right
00:37:49Gosh, Jimmy
00:37:51I saw you at the races last year
00:37:53And you gave me heart failure
00:37:54You've been doing that
00:37:56To girls for years
00:37:57Say, Trixie
00:37:58How about the little girl
00:38:00That did the last number?
00:38:02Lay off, kid
00:38:03She'd give a cold potato chill
00:38:05Come on
00:38:07I've baked some potatoes before
00:38:09Any of the others, Jimmy
00:38:11But not this one
00:38:12You'd only be wasting your time
00:38:14Well, it'd be the first time I ever have
00:38:17I've got a hundred bucks
00:38:19That says I won't be wasting my time
00:38:21And I've got a hundred
00:38:23That says you will
00:38:24It's a bet
00:38:25Go buy yourself some lollipops
00:38:27I like all-day suckers, too
00:38:30Good night, Mr. Crosby
00:38:37Say, um
00:38:40How about a little supper with me somewhere
00:38:44After you're through here
00:38:46No, thank you, Mr. Crosby
00:38:48Not tonight
00:38:48Well, Miss Jordan
00:38:52How about breakfast at my hotel in the morning?
00:38:56Yes
00:38:56You're very sweet, Dale
00:39:02You've been very sweet, too, Jimmy
00:39:04You know, if I'd had my way
00:39:08We'd be drinking champagne up in my room
00:39:10I'd show up a rehearsal full of champagne
00:39:14And Trixie'd kick me out
00:39:15Oh, come on, Dale
00:39:17Couldn't you chuck rehearsal just for today?
00:39:20No, I'm afraid not, Jimmy
00:39:22Well, how about tomorrow?
00:39:27I thought
00:39:27I thought we might take a little spin in my car
00:39:40Have a nice day
00:39:50Oh, lovely
00:39:51It's been like a dream
00:39:53Feel like going back to the bull ring?
00:39:55Of course I don't, Jimmy
00:39:57But I have to
00:39:58You don't have to go back there, Dale
00:40:00I could make life very happy for you
00:40:03Make this day last forever
00:40:05You don't believe that, Jimmy
00:40:07Any more than I do
00:40:09There'd have to be a rude awakening sometime
00:40:12I love you, Dale
00:40:14I mean it
00:40:15Oh, I admit I've said that many times before
00:40:20I haven't been exactly a plaster saint
00:40:22But you've made me realize for the first time
00:40:26What it means to say
00:40:27I love you
00:40:29Jimmy, no wonder you swept them off their feet
00:40:33Do you know what I'd like to do?
00:40:35Hop into my plane with you
00:40:37And fly back to the States
00:40:38It would only take a few hours
00:40:40Mr. Kirby
00:40:41Am I to consider this a proposal?
00:40:44You can take this any way you want to
00:40:46You name the terms
00:40:48But I
00:40:54I don't love you
00:40:56I could make you love me
00:40:59Well, Jimmy
00:41:00If you can make me love you
00:41:10I'll marry you
00:41:12Of course
00:41:12But if you don't take me right back to town
00:41:15I'll be late for my number
00:41:17The bull ring
00:41:18You mean he actually asked you to marry him?
00:41:22Well, that was the general idea, darling
00:41:25But I don't love him
00:41:26Oh, baloney
00:41:27I married three clucks
00:41:28Who couldn't give me anything but love
00:41:30It's a high-class name for hooey
00:41:32Say, you still stuck on that bimbo
00:41:35From the Indian country
00:41:36What'd he ever give you?
00:41:39A worm-eating piece of coral
00:41:40Back to his wigwam
00:41:41Say, the big salami did you a favor
00:41:44If you let that Crosby off the hook
00:41:47You ought to be
00:41:48Say, passion flower
00:41:49What's the idea of keeping that Dutch skipper waiting?
00:41:52Oh, nerd
00:41:53He's so dumb we have to talk in the sign language
00:41:55He can't even recognize a stop signal
00:41:57Your boyfriend's outside, innocent
00:42:00And listen, if you bail out of Panama with Crosby
00:42:03I want a month's notice to get another singer
00:42:04You savvy?
00:42:05I don't think you need to worry about it, Trixie
00:42:07Well, I don't care
00:42:08But I never allow love to interfere with business
00:42:11I thought that in your case
00:42:13They were the same thing
00:42:14Say, listen, high-hat
00:42:16Did you ever get a sock on the beezer?
00:42:19No, how does it feel?
00:42:39You better lay off that kid
00:42:40You're all next, you know
00:42:41Say, where is this Germany?
00:42:54In Switzerland?
00:42:55Switzerland, nothing
00:42:56It's just on the other side of Hoboken
00:42:58Oh, ducky wucky
00:43:00What's the matter, Dale?
00:43:09You look worried
00:43:10Trixie's been hitting the bottle lately
00:43:13And the girls are all on edge
00:43:15You know what I told you
00:43:18Over and over again
00:43:20Yes, I know, Jimmy
00:43:24Oh, don't you're all mad
00:43:28Why, you old pretzel
00:43:33What? You want the pretzel?
00:43:35Better, better
00:43:36What is locian
00:43:37No, stupid
00:43:38I got one
00:43:39He wants a bottle of champagne
00:43:42Yeah, he has champagne
00:43:44And now, folks
00:43:51I'm going to introduce
00:43:52The sweetest little girl
00:43:53Miss Delore
00:43:55Jim Hammond
00:44:06Sit tight, honey
00:44:11I'll be right back
00:44:12Oh, Vidman
00:44:14You little pig
00:44:19What do you mean
00:44:19By hooking up my show?
00:44:20I can't go on
00:44:22I'm home, sir
00:44:23You think this poison's going to cure you?
00:44:25I won't have you freaking before your numbers
00:44:27I'm fed up with you and your rotten old show
00:44:30Why, you dirty little unwed
00:44:32Seven years, bad luck
00:44:41Fourteen years, bad luck
00:44:45Excuse me, Jimmy
00:44:46I might have to go on
00:44:51Stay here, you fool
00:44:53I'll beat some brains into you, you cheap little
00:44:57Keep out of my business or I'll give you a dose of this yourself
00:45:06I've never known a woman as low as you
00:45:08Get out, Dale
00:45:12You raise that bottle one inch
00:45:16And I'll knock those false teeth of yours down your gizzard
00:45:18Jimmy
00:45:27Get me out of this
00:45:29Take me away
00:45:30Anywhere
00:45:31What's happened?
00:45:42Joan
00:45:46Joan
00:45:47Joan
00:45:49You don't have to go back there
00:45:51Jimmy
00:45:53Do you still mean what you said about marrying me?
00:45:58Why, yes
00:46:01Yes, of course
00:46:04All right
00:46:06I'll fly to New York with you tomorrow
00:46:08And I'll spend my whole life being grateful to you for taking me out of all this
00:46:15All right
00:46:18All right
00:46:38Oh, dearie, you've got my nose
00:46:39Oh, yes
00:46:40Jerry, dear
00:46:41Won't you come and visit me in my suite at the Hotel Washington?
00:46:56Boy, what a dump this is
00:46:59Never saw so much plush since Astor's pet horse died
00:47:03Oh
00:47:05Boy, if I ever climbed into this, I'd never get out
00:47:12Putting you up in style, huh?
00:47:15Oh, no, Jerry, I'm paying for this
00:47:18That's the way it's going to be until after we're married
00:47:20Well, you better get hitched in a hurry
00:47:22Your bankroll won't stand this over a couple of days
00:47:25When the festivities coming off?
00:47:27We'll probably start to fly to New York
00:47:29Late today or early tomorrow
00:47:31When's the splicing going to be, before or after?
00:47:34I mean before or after New York
00:47:37Oh, I'm willing to leave that to Jimmy
00:47:39The only thing I'm sorry about is leaving you, Jerry
00:47:43But I miss you too, kid
00:47:46And I'm glad for your sake
00:47:47You never were cut out for this kind of a racket
00:47:49It's only for slobs like me
00:47:52Oh, no, it isn't, honey
00:47:54You've got to get out of it too
00:47:57Sure
00:47:59When one of my ships comes in
00:48:01Come in
00:48:05Oh, good morning, Jimmy
00:48:09Hello, darling
00:48:10You remember Jerry, don't you?
00:48:11Well, yes, of course
00:48:12How are you, Jerry?
00:48:13Oh, topping
00:48:20Well, I guess I'd better be going
00:48:22I'll see you before you go, won't I?
00:48:24Well, of course
00:48:25Jerry, I'm going out and buy some clothes
00:48:27Why don't you drop in this afternoon and look them over?
00:48:29Okay, I'll do that
00:48:31So long, Crosby
00:48:32You're a lucky egg
00:48:34How are you, darling?
00:48:38I'm fine, thanks, Jimmy
00:48:40When do you think we'll be getting away?
00:48:42Well, I don't know just yet
00:48:44I have some business affairs to attend to
00:48:46And then I've got to test out that plane
00:48:49I'll tell you what I'll do
00:48:51I'll fly over the hotel
00:48:53It'll be about four o'clock
00:48:54I'll be watching for you
00:48:56Why don't you sit down?
00:48:58Well, if you don't mind, dear
00:48:59I've got to get back to the office
00:49:01I'm expecting an important message
00:49:03Nothing else you need, is there?
00:49:06No
00:49:07Money?
00:49:08No, thanks, Jimmy
00:49:10I don't want to take it
00:49:11Not yet, anyway
00:49:12Bye-bye
00:49:26Hello, Trixie
00:49:27Hello, Baylor
00:49:28How's San Blaston, the Red Men?
00:49:30I've sold out
00:49:31Going back to San Francisco
00:49:32Well, I guess this place will struggle along without you
00:49:35You never gave me much of a play anyway
00:49:38Listen, Trixie
00:49:39Can you give me Miss Jordan's address?
00:49:41Sure, that's easy to remember
00:49:43Washington Hotel
00:49:45Just asked for Jimmy Crosby's suite
00:49:49What?
00:49:50Sure
00:49:51She's been playing around with him for a week
00:49:53She's a smart girl
00:49:55She'll do all right for Dale Jordan
00:49:58But she ran out on me and left me in the lurch
00:50:00And if I never see that snob again
00:50:02It'll be years too soon
00:50:16Hello, Miss Baylor
00:50:17Want your key?
00:50:19Do you have a Miss Dale Jordan registered here?
00:50:21Yes
00:50:22She's out now
00:50:23Want to leave a message?
00:50:25I don't think so
00:50:27She's checking out tonight or tomorrow morning
00:50:30Flying to New York with Jimmy Crosby
00:50:34When my luggage arrives, check it through to San Francisco
00:50:36You have my forwarding address
00:50:37Yes, sir
00:50:41Why, Tom
00:50:43Hello, Dale
00:50:46I...
00:50:47I've been buying some new clothes
00:50:48So I see
00:50:49Doing all right, aren't you?
00:50:52I guess I was wrong about you
00:50:54You're really doing better than I expected
00:50:57What do you mean?
00:50:58Well, you moved up from the Bull Ring to the Washington Hotel
00:51:02I understand the next hop is New York
00:51:05And I suppose a Park Avenue apartment
00:51:09Yes, Mr. Baylor
00:51:11I'm afraid that if I stayed in this part of the world any longer
00:51:14I might be contaminated by some of its filth
00:51:19My key, please
00:51:21Thank you
00:51:35Guess what?
00:51:38I saw Tom Baylor going out of the lobby
00:51:40I know
00:51:41I saw him too
00:51:42You did?
00:51:43And?
00:51:44I don't know, Jerry
00:51:45Maybe it'll do me good to get away
00:51:48I guess Tom Baylor's just one of those things that's in the air down here
00:51:51Well, he won't be here much longer
00:51:53He's checking out
00:51:54Bag and baggage
00:52:01What is this?
00:52:02The new truce, sir?
00:52:03Boy, it must have cost plenty of sugar
00:52:05Everything I had but a couple of dollars
00:52:09Hey, what is this?
00:52:10A marriage or a Dutch treat?
00:52:12All 54
00:52:27All 54
00:52:32All 54
00:52:34All 54
00:52:36All 54
00:53:07Oh, I've been looking all over for you.
00:53:14What's up?
00:53:16Bill, I got myself into a tough spot.
00:53:22You know about me and Dale.
00:53:37You never told me we're married, Jim.
00:53:49It was years ago, Bill.
00:53:51Before I ever even knew you.
00:53:54It's just one of those things.
00:53:57The woman's impossible.
00:53:59Every son I've ever given has been just like blackmail.
00:54:02What are you going to do about Dale?
00:54:09I don't know.
00:54:11That's what I've got to think of.
00:54:16Am I playing ready?
00:54:17It's ready now.
00:54:21You're in no condition to fly, old man.
00:54:23Don't you worry about me, Bill.
00:54:25That's where I've always thought things out.
00:54:29Solved all of my problems.
00:54:35Up in the clouds.
00:54:39Boy, I could get myself an admiral in this.
00:54:41Oh?
00:54:43There must be Jimmy now.
00:54:44There must be Jimmy now.
00:54:56Isn't it thrilling?
00:54:58You can have it.
00:54:59I've got to go get packed now.
00:55:17Pick them up and tie them in a bundle and throw them in like I do.
00:55:29The last two dollars and seventy-five cents.
00:55:45What should we blow it in on?
00:55:47How about a bottle of scotch?
00:55:49Now, I'm liable to get sentimental and turn on the waterworks all over your new dress.
00:55:55I have an idea.
00:55:56Let's get some flowers to brighten up the room for Jimmy when he comes back.
00:56:00Okay, kid.
00:56:01Anything but heliotripe.
00:56:03Gives me hay fever.
00:56:09Hello?
00:56:11Yes.
00:56:12Mr. Barrett?
00:56:14Certainly.
00:56:14Send him right up.
00:56:15Oh, wait a minute.
00:56:16Will you please ask the florist to send me up some flowers?
00:56:20Oh, about two dollars and seventy-five cents worth.
00:56:26Bill Barrett's on his way up.
00:56:29I wonder what he wants.
00:56:30Probably trailing me to find out why I didn't buy those lollipops.
00:56:34Come in.
00:56:38Hello, Mr. Barrett.
00:56:39How are you?
00:56:40How'd you do, old thing?
00:56:41It's a topping day.
00:56:42What?
00:56:49Why, Mr. Barrett.
00:56:50Is there anything wrong?
00:56:54Jimmy.
00:56:57Crashed.
00:56:57Oh, gee, kid.
00:57:20He was a regular guy.
00:57:21You'll never know quite how regular he was.
00:57:29Here are your flowers, Miss Jordan.
00:57:30You've got your nerve coming back asking for a job.
00:57:46Threw me down for a mug that was on the make for you.
00:57:50Please don't talk like that about Jimmy Crosby.
00:57:52Sure, he was going to marry Dale.
00:57:55Well, you poor sap.
00:57:56He bet me a hundred dollars on you.
00:57:59Looks like if he hadn't cashed in, I'd have to pay the bet.
00:58:03Now, listen, Trixie.
00:58:05You lay off of Dale.
00:58:06She's been through enough.
00:58:07Say, you get fresh with me and you'll go out on your ear, too.
00:58:10Oh, yeah?
00:58:11Yeah, you, you sailor's delight.
00:58:18I know how you feel about this cobra joint, Dale.
00:58:22Gosh, we've got to eat, let alone earn enough dough to get out of this godforsaken old woman's land.
00:58:27I know, Jerry, but that man burger that runs the place for boating.
00:58:33Aren't there any more cabarets we haven't tried?
00:58:35Listen, I've tramped the streets until my pet bunion's gone on strike.
00:58:41Trixie and the bullring have all the high-class trade in town all sewed up.
00:58:45All the rest of the joints are just like the cobra.
00:59:05Oh, my God.
00:59:26Well, maybe I'd like you.
00:59:54What's the matter? He's a good customer. You think you're too good for him, huh?
01:00:01Oh, I know, Mr. Berger. I thought it was time for my song.
01:00:16There's something in the air
01:00:20That formed all the world around me
01:00:24With crackers of pain
01:00:26And bound me all
01:00:28Tell me what can it be?
01:00:31That air of I don't care
01:00:35Has slowly and surely gripped me
01:00:39Right down to the ground
01:00:42It strips me off
01:00:44Tell me what can it be?
01:00:48Something that drags and shatters
01:00:52Everything's good inside
01:00:56Leaving just drags and shatters
01:01:00Nothing that holds you high
01:01:04There's something in the air
01:01:08That single always dreams
01:01:12It's taken my very dream
01:01:15Oh, tell me what can it be?
01:01:19A hundred and thirty-nine
01:01:25A hundred and forty
01:01:26A hundred and forty-one dollars
01:01:28Uh-uh
01:01:29Oh, and, um
01:01:31Eighty-five cents
01:01:34Only sixty-five dollars to go
01:01:35And we're on our way to San Francisco
01:01:37Only ten more days in that Berger joint
01:01:39Oh, stomach, be good to me now
01:01:42Oh, Jerry, why don't you keep your own money?
01:01:44I don't like the responsibility for all of it
01:01:46Oh, you don't know me like I do
01:01:48A dreadnought's liable to come into port
01:01:50I'll wake up to find I've been out in a binge
01:01:52And bought the grog for the whole fleet
01:02:04Come on, baby, give us the sweet little kids, huh?
01:02:06Give us the kids, huh?
01:02:08Give us the kids, huh?
01:02:12You blame at my customers and cleanser, get out
01:02:17I'm here to sting
01:02:19Not to be mauled by a lot of drunken socks
01:02:21Is that so?
01:02:22Well, I don't want no lilies around here
01:02:24You're through
01:02:25Get out
01:02:30Hello, Berger
01:02:31Hello
01:02:32Indian Joe around?
01:02:33Well, why do you want Joe?
01:02:34Plenty
01:02:35Another knifing about the dock
01:02:42Come on, Joe, the captain wants to talk to you
01:02:55Come on, Joe, the captain wants to talk to you
01:02:57Get out of here
01:02:58Get out of here
01:02:59Take out of here
01:03:00Get back
01:03:02You're a puppy
01:03:04Oh, Molly
01:03:06Oh, Gary
01:03:07Who am I
01:03:09Something like that?
01:03:10Jerry!
01:03:21Oh, Jerry!
01:03:22Jerry!
01:03:23Oh, Jerry
01:03:24Oh, dearie!
01:03:45You can come in for a minute, Miss Jordan,
01:03:46but please don't excite the patient.
01:03:48She's a little weak.
01:03:54I'm sorry.
01:04:02Gary, honey?
01:04:04How are you, Dale?
01:04:07Number one could only see me now.
01:04:09You're feeling better, aren't you?
01:04:12Sure, I'll be okay.
01:04:15It's a knife more or less than your gizzard.
01:04:18Listen, kid, I want you to promise me something.
01:04:24Of course, dearie.
01:04:26Anything.
01:04:28Don't you give old sore bones or this joint any of the dough we saved up.
01:04:32I want you to buy yourself a ticket and scram for Frisco.
01:04:35Oh, no, dearie.
01:04:36I couldn't do that.
01:04:38Do what I tell you.
01:04:40You'd be a sap.
01:04:42This joint can't throw me out.
01:04:44Let them stand the gaff.
01:04:52I'll come to see you every day, honey.
01:04:54All you have to worry about is getting well.
01:04:56Don't forget what I told you.
01:05:02She's still pretty weak, isn't she?
01:05:04Yes.
01:05:05I am afraid it's going to be a long convalescence.
01:05:08She lost a great deal of blood, you know.
01:05:10What do you think we ought to do for her?
01:05:12What she needs most is to be a long convalescence.
01:05:14She lost a great deal of blood, you know.
01:05:16What do you think we ought to do for her?
01:05:18What she needs most is sunlight, proper nourishment, and treatment.
01:05:23The place for her is a sanitarium.
01:05:25How much will that cost?
01:05:27We have one near here, where the rates are rather reasonable.
01:05:30Somewhere around $50 a week.
01:05:32All right, doctor.
01:05:34You make the arrangements.
01:05:36I'll do it.
01:05:38I'll do it.
01:05:39I'll do it.
01:05:40I'll do it.
01:05:41I'll do it.
01:05:42I'll do it.
01:05:43I'll do it.
01:05:44I'll do it.
01:05:45I'll do it.
01:05:46I'll do it.
01:05:47I'll do it.
01:05:47The hospital bills are payable in advance.
01:05:55The total is $174.
01:06:10Here's $150.
01:06:14I'll get the rest.
01:06:15Somehow.
01:06:45I'll do it.
01:06:46I'll go ahead.
01:08:27Come in.
01:08:43Tom.
01:08:45Why, Dale.
01:08:46I thought you were ill.
01:08:47Ill?
01:08:48What do you mean?
01:08:49What do you mean?
01:08:54Why?
01:08:55Why?
01:08:56Why, little Ming.
01:08:58She's up in the hospital now.
01:09:00You...
01:09:01You...
01:09:02You came all the way down here because of this?
01:09:06Yes.
01:09:07Tom, I...
01:09:08I want to explain to you about Mr. Crosby.
01:09:10You don't have to explain anything to me, Dale.
01:09:11Excuse me.
01:09:12I reckon this is how you dropped your bracelet.
01:09:17Thank you very much.
01:09:19Thank you very much.
01:09:21Thank you very much.
01:09:22Thank you very much.
01:09:23Thank you very much.
01:09:24Thank you very much.
01:09:25Thank you very much.
01:09:28Thank you very much.
01:09:33Hello.
01:09:35Hello, Jerry.
01:09:44Dale!
01:09:46He's gone.
01:09:48I'm here.
01:09:49He's gone.
01:09:51I'm here.
01:09:52I'm here.
01:09:53I'm here.
01:09:54I'm not here.
01:09:56Oh, dear.
01:09:57Stop.
01:09:58Look baby.
01:09:59I'm here.
01:10:00I don't do that.
01:10:01Oh, dear.
01:10:02Dale, he's back, he's back.
01:10:05Who? Who's back?
01:10:06Number one, my ship's come in.
01:10:14And guess what?
01:10:16Olaf's an admiral.
01:10:19In the Chinese Navy.
01:10:23Oh, Olaf, tell me something in Chinese.
01:10:32I love you.
01:10:34Oh, Olaf.
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