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00:32¡Suscríbete al canal!
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02:40Es muy emocionante.
02:42Es la primera vez que he viajado este camino.
02:47La primera vez es muy emocionante.
02:49No importa lo que uno hace.
02:51Estamos llegando a la curva de alta velocidad.
02:54El punto de la caja es muy ligado.
02:56¿Y eso?
02:57Puede que te pierda una de las manos.
03:04¡Oh!
03:06¡Oh!
03:08You're a doctor.
03:10I need some doctoring.
03:11The degree is honorary.
03:12I don't practice medicine.
03:14My poor finger.
03:22You told me this was the first time he had been over this route.
03:25How did you know we were approaching a curve?
03:28I warned you in time.
03:31I never listened to warnings.
03:33Besides, I'm glad it happened.
03:35Anything to break this monotony.
03:39I'm too forceful.
03:41Perhaps I'm too stubborn to listen to warnings.
03:44When I do listen,
03:47in one ear,
03:48out the other.
03:50That isn't good.
03:53I could tell you of a forceful woman.
03:56She knew what she wanted and
03:59thought she knew how to get it.
04:01Sounds like me.
04:03She was warned to some danger?
04:05Yes.
04:06She was on a train.
04:07She was warned to stay on it,
04:09but in one ear,
04:11out the other.
04:12As the train pulled into the town of Kleberg,
04:16it was after nine.
04:18and then,
04:19She must be punctuated.
04:20She was worried,
04:21and she took care of loneliness.
04:22Because she knew she was once in a while.
04:23She could go out the morning,
04:24and I'd hear you,
04:25and I'd hear you guys.
04:26I could say,
04:27she told you,
04:28she said,
04:29she told me she knew she was going on the other side.
04:30She has treated me.
04:31and she had to make it.
04:32Hey, wake up.
05:02How far are we going?
05:11I don't know.
05:12Didn't know if we were still on 77.
05:14We weren't on 77 at all.
05:16Guess from the looks of things, this is Clayburg.
05:19Well, there were a couple of roads washed out, so I just turned around and kept on driving.
05:24I should have stayed awake and drove myself.
05:27Can't get you staying up late.
05:29I got enough news about the flood anyway.
05:31Staying here?
05:33Can't go anywhere else.
05:35Where's the hotel?
05:36Hotel.
05:37Get in.
05:44Tell Mrs. Mitchell McPhee sent you.
05:46An old friend.
05:48Thanks for the lift.
05:49Didn't get you very far.
05:51You'll get out tomorrow, right, maybe.
05:54Well, good night.
05:57Good night.
05:59All right.
06:02All right.
06:03¡Suscríbete al canal!
06:33Bridge washed out up ahead, can't get through that way. Hop in. Maybe we can get through on 77.
06:54River overflowing all the way up to Portland. Snow. Might have put it in the wintertime.
07:03Then comes along the spring thaw and rain. Ain't nothing pretty about that. Going far?
07:12No, not far. Lucky thing for you, I came along. I had to cover the news about the bridge.
07:19Otherwise, I'd have been in bed long for an hour.
07:24Clayberg Bulletin. I'm the reporter, publisher, and editor. One-man organization.
07:32McPhee.
07:35Dunlap.
07:37Dunlap? Dunlap?
07:40No, don't know any Dunlaps here. Going north?
07:44Yeah. Crazy.
07:48A lot more snow than me. Had my way, I'd go south.
07:57Yeah, I read a lot about fellas getting picked up at night nowadays.
08:01First thing, they'd knock the driver over the head, take his money, car, and whew, shoo.
08:11Away they go.
08:12The station was deserted except for a man. He was a man trying to lead a simple, happy life. He found out life was neither simple nor happy.
08:28The girl, the girl who was worn, made his life complicated and miserable.
08:33You can't ditch me like a coven!
08:45What?
08:49And she didn't have much opportunity to regret the unheeded warning.
09:03What?
09:17Hi.
09:21Did you miss the train, mister?
09:24What's the matter? You hurt?
09:28They're tied up. Make a tourniquet.
09:31Michael?
09:33That's my mother. She doesn't want me to come down and watch the trains at night.
09:38Don't say anything. Come here.
09:42Let's hide in here.
09:48Why'd you put that bundle on the back of the train?
09:51The baggage car's for bundles. The back of the train is for people.
09:54Michael? I'll fix you.
10:03She never left me alone for a minute. I'm always waiting something's going to happen to me. I'm too big to be treated like a baby. She's always telling me how I'm going to be carried home with a broken something.
10:16I'd better get us. Sorry I can't help with that tourniquet. Go see Doc Omp. Bye!
10:25Bye!
10:55Gracias.
11:25¿Se acuerdan?
11:27¿Se acuerdan del río?
11:30Sí.
11:31La ciudad se acuerdan de cualquier manera que se ve.
11:34¿Se acuerdan de una vez?
11:36No tengo un caldo.
11:38¿Vale?
11:39Ruth, no se acuerdan de una vez, ¿verdad?
11:43No voy a tener un chico en mis manos.
11:47No, no, no.
11:49Voy a estar aquí y tener tu piel.
11:51Open.
11:52No, no, no.
11:54No, no, no, no.
11:56Ahora, no, no, no.
11:58No, no, no.
12:00No, no.
12:01Ahora te cuida, ¿verdad?
12:03Si no fuiste a la estación de la estación, ¿verdad?
12:08Bien.
12:09No lo haré.
12:11Pero si te has sido un culo...
12:13¡Oh, Dios mío!
12:14¿Vale, te lo haré?
12:16Este hombre dijo que la escena de una habitación.
12:18Se está estupendo.
12:19Oh, eso es malo.
12:21Pero si eres un amigo de McPhee,
12:23creo que podemos encontrar una habitación para ti.
12:24Este es Mrs. Mitchell.
12:25Dunlap.
12:26Harold Dunlap.
12:27¿Cómo estás?
12:28I'm Jean Maxwell.
12:29Hola.
12:30¿Dónde está la verdad?
12:31Bueno...
12:32Bueno...
12:33Buenas noches.
12:34Voy a ir a la cama.
12:37Para leer.
12:38Buenas noches.
12:39Buenas noches.
12:40Oh, sé.
12:41Voy a la puerta.
12:42La primera puerta a la izquierda.
12:43Y...
12:44Y...
12:45Y...
12:46Y...
12:47Y...
12:48Oh, Dios mí both.
12:50Ay, peoples.
12:51Get out of those wet clothes,
12:52o Ruth will have you under vapors too.
12:53«Come down later for a cup of tea.»
12:54O que diablos...
12:57You...
12:58You won´t have anything to come down in,
12:59will you?
13:00master me ir a pair of Willie's work pants.
13:01They should fit you.
13:02And he won´t mind.
13:04He´s out now piling up sandbags at the river.
13:06¡Suscríbete al canal!
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14:35No, no, no, no, no, no.
15:05No, no, no, no.
15:35No, no, no, no, no, no.
16:05No, no, no, no, no.
16:07No, no, no.
16:09No, no, no, no.
16:11No, no, no.
16:13No, no, no.
16:15No, no.
16:17No, no, no.
16:19No, no, no.
16:21Oh, you know I had to hide it.
16:23Mrs. Mitchell doesn't approve of drinking on the premises.
16:25Oh, she doesn't, huh?
16:27Well, listen.
16:28If we want a can of beer, who's gonna stop us?
16:32Besides, Mrs. Mitchell and me is just like, just like that.
16:39Yes, sir.
16:40Well, the ice box, I take it.
16:43Whenever I want to do something, it's okay.
16:48You go.
16:50You know, she knows that I'm not feeding well around here.
16:53I'll move just like that.
16:55Ah, bourbon bottles.
16:57This is a man-sized job.
16:59And you want to know something?
17:01I can twist the old girl around my little bits if they are.
17:05Tell her she's beautiful.
17:07Can't you use flattery without being a...
17:10Look, bud.
17:11When you tell a woman that's over 40 that she's beautiful,
17:14you ain't a liar.
17:15You're a lot of handled women.
17:17Nothing to it.
17:18Don't interrupt.
17:20Women are women.
17:24Mrs. Mitchell.
17:25Yes, Mrs. Mitchell, too.
17:27I've bored her here so long, but I practically own the place.
17:31All right, go ahead.
17:33Have a can.
17:34I think I've had enough already.
17:36Ahem.
17:37Shhh.
17:42Did you get that way falling into the river?
17:44Uh, no, Miss Mitchell.
17:46Well, we just had one each.
17:48And, uh, uh, we got a lot left over.
17:51Try one.
17:52What?
17:53Oh, oh, we really worked hard, uh, uh, Miss Mitchell.
17:57That, the river's up two feet more than an awful.
18:00Oh, it's really terrible.
18:02It's kind of like a nightmare.
18:03Heh.
18:04All right, Willie.
18:06Go to bed.
18:07Please혁 Leac.
18:08Wait a minute, guys?
18:10Hi, Elizabeth.
18:10It's a day.
18:11Hi.
18:12See you next time.
18:13Here we go.
18:16Oh, my god.
18:18Yes,
18:27never at night.
18:27I'm glad we're farting you around
18:29Okay,wide.
18:30Then we're all right.
18:31Thank you.
18:34Okay.
18:35¡Suscríbete al canal!
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22:29Hey, you're walking too fast. Wait for me.
22:42Well, Mike, so there you are.
22:44That awful cat scared the life out of me.
22:46I found him. He was starting from home anyway.
22:48Oh, what he?
22:49What did he hit me for? I just went for a walk.
22:51Just a walk. You'll have a hard time walking or sitting before I get through with you.
22:55Thank you for finding him, Mr. Dunlap.
22:57This is my son.
22:58Well, come on.
23:04Two minutes more and he's been through the park.
23:06That boy always disappearing.
23:08Where's he now?
23:09Where were you?
23:10I got in dressed in a bathroom like you told me.
23:12Come on, Mike. Get to bed. We're ready.
23:15One little misstep and you'd fall out the window.
23:18What's the matter with you? Tired of living?
23:21What's this?
23:23Popcorn in a noiseless bag, so I won't keep him awake.
23:26Well, get to bed.
23:28His father used to eat crackers.
23:35Good night.
23:36Good night.
23:37And don't get out of bed until morning.
23:39You'll keep an eye on him, won't you?
23:41You'll be all right.
23:41How can you keep an eye on me if you're asleep?
23:43No, listen.
23:44Come on, Ruth.
23:46Good night.
23:47Good night.
23:47Good night.
24:08Good night.
24:09Good night.
24:17Good night.
24:18Good night.
24:19¿Estás dormido?
24:27No, Chad.
24:29No me gusta dormir.
24:32¡Mira!
24:33¡Mira lo que puedo hacer ahora mismo!
24:36Si no me ha gustado, no me ha gustado.
24:39Como mirar los trenes de la estación.
24:43¿Sabes?
24:44Se ve como alguien que me ha visto en la noche.
24:46No te diré que mi madre estaba en la estación.
24:50¡Mira la estación!
24:52No, no estaba en la estación.
24:55Bueno, bueno, tú sabes que yo.
24:59Mi madre sabía que no me hubiera de la estación de seis meses.
25:03Y me hubiera de una estación.
25:05No me gusta estar estación.
25:09¡Mira, Tremble, muy bien!
25:11Especialmente en la noche.
25:12Tremble, muy bien.
25:14Tremble, muy bien.
25:14Tremble, muy bien.
25:15Tremble, muy bien.
25:16Tremble, muy bien.
25:17Y me whistle, y smoke, y rattle.
25:20¡Mira, tremble, tremble!
25:23¿Qué es lo que pasó en la estación?
25:26Ah, solo un hombre.
25:28Un hombre.
25:28Un hombre, un hombre, un hombre, un hombre.
25:30Y me hubiera de la estación.
25:32Y me hubiera de la estación.
25:33Me hubiera de la estación.
25:35¿Por qué me estaba viendo mi vestir de mi vestir?
25:38Yo estaba estaba pensando.
25:40No muchos de ellos vienen a Claiborne.
25:42Y tú eres el único hombre,
25:44o sea, que es nuevo aquí.
25:49¿Tú quieres ver mi vestir?
25:50No.
25:51No, no te preocupes.
25:53Si eres el mismo hombre.
26:00Bien.
26:07No estaba en el estación.
26:10Estoy en el viaje a Claiborne.
26:12¿Recuerdas eso?
26:13Sí, pero nadie...
26:14Mira.
26:17No, no hay nada.
26:20Nada en el estación.
26:22Sí, bien, pero...
26:24No, no.
26:24Yo no viajo a los trenes.
26:26Las cosas que buscan, no las que buscan.
26:28No sé qué es el estación.
26:30Sí, pero no hay nada de estar allí.
26:33Si hay alguien como mi madre que no quiere ir.
26:36La primera vez que nos vimos fue en el parque.
26:39Claro, en el parque.
26:43Sí.
26:44Fue feliz que te encontré antes de mi madre.
26:46¡Vamos!
26:48Estoy seguro que te llegaste a Claybro.
26:51Si, ¿por qué no vamos a ir por el río?
26:56Ok, estoy dormido.
26:59No hay nada.
27:01¡Buenos días!
27:02¡Hola, Mike!
27:03Mi madre ha sido así.
27:04¡Buenos días!
27:05¡Ah, eso es bien!
27:06¡Oh, este es Rufa Bennett!
27:08¡Chau!
27:09¡Muy meto lo día!
27:10¡Ah!
27:11¡Y aquí es mi amiga, Jean!
27:13¡Oh, también!
27:15¡Ah, sí!
27:16¡Buenos días a ti!
27:19¡Ah, este es Barney!
27:20¡Bien de conocerte!
27:21¡Y Willy!
27:22¿Quién estábamos a dormir?
27:24¡Ah!
27:25¿Cá, no tienes manos de las pantas y las pantas que te llevas?
27:28Oh, yes. My things were wet.
27:30I'll loan them to him, Willie.
27:33Well, he'll buy them for me. How much?
27:34$4.50.
27:35Willie?
27:36Okay. Two bucks.
27:38Give him a dollar.
27:41So, where are you from?
27:46North.
27:47North?
27:48Greenfield?
27:49Lundstown?
27:51Barton?
27:52Helmville?
27:53Barton.
27:55Barton?
27:56I used to work in the post office in Barton.
27:59Knew every street and alley by heart.
28:01Where did you live?
28:03I didn't live there very long.
28:06It was on Orchard Street.
28:09Orchard Street?
28:11Orchard Street.
28:12Of course.
28:13Down near the paper mill.
28:16I'm full.
28:18Can I go out now?
28:19You go out on the porch and stay on the porch.
28:20If you put one foot...
28:22Okay, okay, Ma.
28:23I'll stay right on the porch.
28:24I won't even put one toe off it.
28:29Close the windows.
28:30They're coming through the door.
28:32Hi, McPhee.
28:33Well, if it isn't little Lord Fauntleroy's bad brother.
28:36Morning, McPhee.
28:39Morning.
28:40Morning.
28:41Come in.
28:42Sit down.
28:45The morning will it in person.
28:48You're late, McPhee.
28:49The coffee's lukewarm.
28:50That's just the way I like it, huh?
28:52Uh, morning.
28:54Morning, sweetheart.
28:55Hiya, Westbrook.
28:56Don't call me that.
28:58Hi.
29:00Didn't steer you wrong, did it?
29:01Oh, thanks very much.
29:03Couldn't have done better anywhere.
29:05What about the...
29:06Bridge is out.
29:07They tried to put up a pontoon affair, but it didn't last long.
29:11You'll be able to get out around dinner time.
29:14Trains can't get through either.
29:16Bad thing happened on the Limited last night.
29:19Another wreck?
29:20I just knew the Limited would do something like that.
29:22I've warned Michael a hundred times.
29:24Calm down, calm down.
29:26Nothing was wrecked.
29:27Except a girl.
29:29Can happen to anybody.
29:30This magazine's full of things like that.
29:32Got it over the wire this morning.
29:35Some herself killed on the Limited.
29:38Found her on the rear platform.
29:40Nail pile.
29:42Like that.
29:44Right through the heart.
29:45Somebody do her in?
29:47They weren't cleaning her nails.
29:50What did happen?
29:52Don't know yet.
29:53Somewhere up around Seattle, they found the body.
29:56Mike should hear about this.
29:58Maybe this will stop him from running down to that railroad station.
30:02Oh, Mrs. Bennett.
30:03Mrs. Bennett, let me tell him.
30:05Mike and I got pretty friendly last night.
30:07There's no sense in scaring the boy.
30:09He should be scared.
30:10I'm scared when he's out alone, never knows where.
30:13If scaring was scaring, he should be scared.
30:15I'll tell him.
30:16I think he'll behave himself.
30:18Uh, you don't know that boy very well, do you?
30:23Need some discipline.
30:23That's what he needs, all right.
30:26He needs a father.
30:29Gotta go.
30:30Wait for me.
30:33Nice to meet you, Dunlap.
30:36I'll give him a good tort, just like a big brother.
30:38Make sure you scare him.
30:40Take it easy, dearie.
30:52He offered to be Mike's best.
30:54I'll just ignore all that.
30:55Mark.
30:58Hello, Mike.
30:59Hi.
30:59Mike, your mother's on the warpath.
31:08It's nothing new.
31:09I just thought I'd tell you.
31:11I think you better hide for a while.
31:12What have I done now?
31:14Holy cow.
31:16She's always after me for something.
31:18She'll calm down, but maybe you better beat it.
31:21Nah.
31:22That'll make her murder.
31:23She'll get over it.
31:24Don't worry.
31:25But not if she sees you now.
31:28I'd better stay right here on the porch.
31:31Okay.
31:31Do what you like.
31:32Stay here.
31:33I don't like staying here.
31:34Well, if you don't like it, don't do it.
31:36Listen, I'll bet you know lots of places where you could have more fun than sitting here
31:40twiddling your fingers.
31:41Sure.
31:41I knew a lot of places down by the river, or road tracks, or the park.
31:48Gosh.
31:49I sure would like to ship one of them big trees.
31:51I could see the whole town, and tracks, and river, and everything from the top of a tree.
31:57Why don't you go?
31:58My mother'd find out.
32:00She's got something magic about her.
32:02Why she finds out everything.
32:05No, she'll cool off later.
32:07Sometimes she boils for days.
32:10Here.
32:11You get yourself something you'll want for dinner.
32:14Lots of candy.
32:15Anything you like.
32:17Nope.
32:18I'd really catch it.
32:20I think your mother found out about the station.
32:22Did you tell her?
32:23Of course not.
32:25Thanks.
32:26Now, pal.
32:27Stay away till after dinner.
32:28Okay.
32:30I'll do the same for you someday.
32:32Okay, Mike.
32:33You make the best coffee of this, Selma.
32:45Sorry, McPhee.
32:46The pot's empty.
32:48In that case, I'll run along back to the shop.
32:50You couldn't have done a good job that quickly.
32:52That boy of yours won't go near the train again.
32:54I gave it to him good.
32:56Oh, here.
32:56Let me take these.
32:57Oh, my.
32:58Thank you.
32:59You're going to spoil things around here for me, young fellow.
33:03I'd have a good mind going on a bridge myself and get you out of here faster.
33:06I wish you would.
33:07I've got to leave today.
33:09Maybe you can.
33:11If you're hearing anything, I'll call you.
33:12Bye, all.
33:15Bye, McPhee.
33:15See you later.
33:18Why, Gene, what has happened to you?
33:20I just don't like to do things that are expected of me, that's all.
33:23I have to do them myself when I'm in the mood.
33:25Well, it's the nicest thing I've ever heard.
33:27Oh, I won't say another word.
33:29I'll catch up on my book.
33:32What book are you reading?
33:34None.
33:35But I've read many, and they seem so easy.
33:38I decided to write one myself.
33:42You wash, I'll dry.
33:50Didn't think you were the type.
33:52I'm not.
33:54How could you tell?
33:55Well, if you're going to dry, dry.
34:16Maybe you are the type.
34:17You were right the first time.
34:20Where are you from, Harold?
34:23Look, if you want to dry, I'll call you when I'm done washing.
34:27You won't have to call me.
34:29I'll be right here.
34:30I don't really care where you're from.
34:38But I wonder where you're going.
34:41I'm just going.
34:42The sooner the better.
34:45Not going to some little hick town like this, I don't.
34:48You know, I'm a poor little orphan girl myself.
34:51I'm from San Francisco.
34:53I'd have stayed there if I'd have had any money.
34:55You want to try working?
34:56Yeah, I tried it.
35:00I used to know a girl like you.
35:03The only work she ever did was working some guy for all he had.
35:07Spent every dollar he ever made.
35:10Lucky girl.
35:11Every man I ever met was ruined before I could get him.
35:15I don't get any breaks at all.
35:18You're different.
35:19Same as all the others.
35:21Only you admit it.
35:23A girl's a girl.
35:25Oh, I talk like I'm wised up.
35:28The truth is, I'm this way because of some guy.
35:32It all happened two and a half long years ago.
35:36Guess I'm about over it by now.
35:38I was sweet and gay and we were madly in love.
35:43The sun shined every day, but the moon blotted it out.
35:48Then one day I found a note.
35:51Darling, this is goodbye.
35:53I'm going back.
35:55And my wife.
35:57Jerk was married, I didn't know.
36:01Perf.
36:04Yeah.
36:04What's with you now?
36:06We're all friends.
36:07Tell me all.
36:08Who, what.
36:10Why are you running away?
36:14The girl you used to know.
36:16The one you said was like me.
36:18She spent all your dollars?
36:20Yeah.
36:21She spent all my dollars.
36:23I didn't care.
36:26Then one day I found out a few things.
36:29A switch.
36:30She was married and she left you a note.
36:32You know, she wanted to marry me.
36:35I loved her.
36:37I guess.
36:38I don't know why.
36:40It happened.
36:42It was fine.
36:44Just a few days ago,
36:46I found out she was supporting some other guy.
36:49You just ditched her, huh?
36:51Yeah.
36:52I ditched her.
36:54That dame on the train that McPhee mentioned.
36:57She got it good.
36:59Paid for a lot of others.
37:00I wonder what she did to deserve such a happy end.
37:06Probably took some guy like you over the coals
37:08and he didn't like it.
37:09You're very pretty
37:19when your lips aren't moving.
37:29Why don't we gin sometime?
37:31Without the toe.
37:33You're well off now.
37:37Don't look for trouble.
37:40Excuse me.
37:42I forgot the beer I brought home last night.
37:44Nobody likes the stuff but me,
37:46so I might as well take it down to the place with me.
37:48Nobody will be in for gas.
37:50Nothing to do, you know.
37:51Don't apologize, Willie.
37:52You want your beer.
37:53Take it.
37:54Have a can?
37:55No, thank you.
37:56That's enough.
37:58Well, a friend might drop in.
38:00Yeah, I know.
38:01You don't care who you share your beer with.
38:03Last night I heard you offered something to Mike.
38:05Well, I didn't know what I was doing.
38:07What's the matter of that kid anyway?
38:09I saw him outside
38:10and I told him what I heard on the radio
38:12and he acted like I was chasing him with a gun.
38:15What did you hear?
38:15Uncle Hobill?
38:17Good news
38:17about that girl
38:18that was murdered on the train last night.
38:20The police up in Seattle
38:22thinks that she was murdered
38:23between here and Lundstown.
38:24Sure you won't have a can?
38:29Oh, excuse me again.
38:54I don't see why anyone should take it upon themselves
39:19to tell my son he could go for a walk.
39:22Since when does anyone have to tell him?
39:24When he wants to go, he goes.
39:25I warned him not to put one foot off the porch.
39:29Yes, but you didn't say anything about both feet.
39:36Yeah?
39:39That Jean?
39:41Sweetheart.
39:42McPhee.
39:46Mike's here.
39:49He's a nuisance.
39:52He'd break something if he hangs around here.
39:54Oh, cut it out.
39:55You were a boy once yourself, McPhee.
39:57Why don't you let him help you run your press?
40:00After all, somebody has to take over
40:01when you get old and fat.
40:02You...
40:03All right.
40:05All right, I'll keep him here till dinner time.
40:07Am I invited to dinner?
40:09Okay.
40:10Listen.
40:11The road's still washed out.
40:13Tell that man.
40:15Bye.
40:25You're thinking things?
40:27Think them.
40:27You got something to say, say it.
40:30Feel like a game of checkers?
40:33I just knew you were a checker fiend.
40:35Something about you that gives you away.
40:37What do you want?
40:38Red or black?
40:41Well, I can't play standing up.
40:49Ladies first.
40:53Well, sure move.
40:56I'll move this one for you.
40:59I'm bound to win this way.
41:01Playing against myself.
41:03Don't kid yourself.
41:04That's the best way to lose.
41:07Fight yourself on the part that wins doesn't count.
41:10It's the part that loses.
41:12I have a short memory.
41:14One time I lose, the next time I win.
41:16Sort of balances the books.
41:20You know, you've been in this burglar's been a full day.
41:23I've been here two and a half years.
41:26Question.
41:27Which one of us is more anxious to leave?
41:30You?
41:32Me?
41:33Or both of us?
41:36You know, I tried working once.
41:38I could maybe try it again.
41:41That's a real nice thought.
41:42Real nice.
41:43I could get my old job back in San Francisco.
41:47Fine.
41:47Why don't you?
41:48I've never seen the Golden Gate.
41:51When you get there, send me a picture postcard.
41:53Well, I send it.
41:54Are you really going?
41:56That all depends on you.
41:59Don't depend on me, honey.
42:01Not me.
42:03Harold.
42:06I've been doing some thinking.
42:09Without even trying.
42:12You better do some thinking, too.
42:13She's just covering up for him, that's all.
42:24And if she did tell him he could go, what right is she doing to...
42:26I told Mark he could go, not Gene.
42:29You told him?
42:30Why didn't you say so?
42:32Has he come back yet?
42:33No, but if you send him somewhere, I guess it's all right.
42:37Oh, I didn't send him anywhere.
42:38I just told him he could go.
42:40I shouldn't have.
42:42You're very right to be strict with him.
42:44Why, he's liable to go down to the river.
42:47Maybe hurt himself.
42:49Might even fall in the deep water.
42:52I worry too much.
42:53He's always come right back till now.
42:55He'll be all right.
42:57Would you like to try a game of checkers?
42:59No, thanks.
43:00I've tried one.
43:01Harold.
43:01McPhee just called.
43:05Mike's with him.
43:06They'll be home for dinner.
43:07Don't tell me.
43:09Oh, no.
43:10I'm only his mother.
43:13Been thinking?
43:15All done.
43:17Wait a minute.
43:22The roads are still washed out.
43:24Still they're washed out.
43:25The bridge is still down, too.
43:28Takes more than a day to build another one.
43:29Look, if you go, where are you going to go?
43:33You've got to stay here.
43:35You've got nothing to run away from.
43:38Except me.
43:48It's to dinner, Michael.
43:50I'm not hungry, Ma.
43:51All right.
43:52Don't eat unless you.
43:53No, Harold isn't hungry either.
43:55No one has to eat unless they want to.
43:58How's the flood, Mr. McPhee?
43:59It's fine.
44:01Still is a promising job for the Red Cross.
44:04Any more news about the gal who had a heart manicured?
44:07No.
44:08No new developments.
44:10They figured she was killed about five hours out of Seattle.
44:13Somewhere near Lundstown.
44:15Maybe even right here in Clayburg.
44:18Trouble is, no one got off the train in Lundstown.
44:22Or here.
44:22And she must have got off the train.
44:25Because the soles of her shoes were wet.
44:28No one else on the train had wet soles on her shoes.
44:32So the police are stuck.
44:34No one saw her get off, huh?
44:36No.
44:36And what's more important is, no one saw anyone else leave the train.
44:42Now that anyone else is the one that done the killing.
44:47Ma.
44:49Now, Michael, we're not going to talk anymore about trains.
44:52I'm going to try a new method.
44:53Starting a new slate.
44:55But Ma, last night at the stage...
44:58What happened?
45:01What happened?
45:02Why don't you mind it, boy?
45:02Oh, dear, is he hurt?
45:04I tripped.
45:05That's my ankle.
45:05I think I sprained it.
45:07Could you help me upstairs?
45:09I'll go out and fix the bat.
45:10Sure, we'll get you upstairs, okay, son?
45:12Just take it easy now.
45:14That's it.
45:15Now, come here, aren't we?
45:16Oh, it's sprained.
45:17Oh, he's gone, Terry.
45:18Come on, now.
45:22Just hold it.
45:24Just hold it.
45:27Just hold it.
45:29There you are.
45:31Almost there.
45:34Here's it.
45:36Ain't swollen yet.
45:38Here he is.
45:39Hiya.
45:41Michael helped me manage it.
45:42Thanks, Lafay.
45:43I wasn't cut.
45:44The girl was.
45:46Besides, where's your suit?
45:48Show me the suit if it wasn't you.
45:52Oh, is that all?
45:54Well, here, I'll get it for you.
45:57Let me lean on your shoulder.
45:58All right.
45:59All right.
46:00What's going on up there?
46:06What's going on up there?
46:21That fellow, Harold, probably hopping around on one leg.
46:26Mrs. Bennett, Mrs. Mitchell, come up here, quick.
46:29Mike ran out the back way.
46:40I couldn't stop him.
46:41My ankle.
46:42Well, why are you so upset?
46:43Well, he said he was going down to the park to shinning a tree
46:45so he could see what they're doing down at the river.
46:47I told him it was dark and he might fall and hurt himself,
46:49but before I could stop him, he ran off.
46:51Mike, there's no controlling.
46:52That's all I can do.
46:53Well, you'd better get back into bed.
46:55Here, put your arm on my shoulder.
46:56I'll be all right, but you'd better look for Mike, too.
46:59Everyone should look for him before it's too late.
47:01Oh, my goodness.
47:03You're...
47:04Oh, yes, you're right.
47:08Mr. McPhee.
47:10McPhee, Mike's run off.
47:12Not again.
47:13Please, please help me find him.
47:14He may fall out of a tree.
47:15What's he doing in a tree?
47:18All right, let's go find the boy.
47:19Hey, wait a minute.
47:20Wait a minute.
47:20What's the big idea?
47:21I was winning.
47:22Come on, let's go to the park.
47:23We'll drive there first.
47:26Willie, Willie, he may be just loitering on the street.
47:36You go down to the station.
47:37What is this, a posse?
47:38Okay.
47:41Gene, you stay here and take care of Harold.
47:44We won't be long.
47:45I hope.
47:56It's a pretty clumsy job of faking an accident.
48:11Why'd you do it?
48:12I like to be alone occasionally.
48:15But you're not alone, though.
48:17You've got me.
48:17Why'd you pull that sprained ankle stump?
48:22I told you why.
48:23All right.
48:24Forget it.
48:25I'll guess.
48:27Could be you wanted me to nurse you instead of Mike.
48:31Is that why you let him run off again?
48:33Yeah.
48:34I did want to be alone with you for a few minutes.
48:37It would have been so simple.
48:39All you had to do was walk to my room.
48:41If it was empty, you could have waited.
48:44You're not dumb, Harold.
48:46I'm not dumb either.
48:48Something's brewing.
48:50You planning to leave?
48:52How can I?
48:53Water, water everywhere, and not a drop to drink.
48:56Hmm.
48:57That's why you're all dressed for bed.
48:59In your suit.
49:01I was going to go out and lift the mic.
49:03Hmm.
49:04That's a pretty good reason for changing your clothes.
49:08Or would you like to try again?
49:12I don't suppose you heard the news.
49:14In about a half an hour, the highway's going to be open.
49:19Oh?
49:19Mm-hmm.
49:21A couple of men with badges and notebooks.
49:24Handcuffs are coming here to talk with the state police.
49:30You know, I'm a little more suspicious than these homegrown small-towners.
49:37You did something.
49:40And I think I know what it is.
49:45All my life, I've been attracted to the wrong kind of guy.
49:49If you're thinking of leaving, forget it.
49:51You're going to stay right here in Claybrook for the time being.
49:56For me.
49:59No one saw you get on or off the train.
50:01You're a free man.
50:04Well, did anyone see you?
50:08Who saw you?
50:12If they can identify you, you're finished.
50:13Mike!
50:27So he's the one.
50:29He saw you get off the train.
50:33What have you done to him?
50:34Nothing much yet.
50:35But there must be something, some other way.
50:38He'll talk.
50:39That's what I thought.
50:40I don't know what's going on in your mind, but you can't touch him, do you hear?
50:47Some women get what they're looking for.
50:49But you can't kill a kid.
50:54You're pretty awful.
50:57You're even too bad for me.
51:00I don't know what you're planning to do, but I won't let you do it.
51:03You're very pretty when those lips aren't moving.
51:21Mike!
51:30Come back!
51:31Sounds like you're coming over there.
51:35Wait.
51:43Hey, Dunlap!
51:52Was that you yelling come back?
51:55Yeah.
51:56You see him?
51:57That's it.
52:01Get him.
52:02You can run faster than I can.
52:04Got good news for you.
52:05The road's open.
52:13Mike!
52:13Harold!
52:14Harold!
52:16Harold just run after Mike.
52:18We got him spotted.
52:19I'm glad somebody's able to run.
52:21Did you say Harold ran after Mike?
52:25Like a deer.
52:26But when I was young, I used to...
52:27Harold's ankles sprained.
52:29He couldn't even walk to his room.
52:31Sorry.
52:33Oh, wait,ència...
52:34Toby.
52:42I...
52:43I...
52:44I...
52:56Oh, Ruth, Ruth.
53:00Oh, you poor darling.
53:02Oh, you poor baby who did this to you.
53:05Wait a minute.
53:06There, there.
53:09Oh, darling, everything's going to be all right.
53:12He drove, he tied me up.
53:14Now, now, now, calm down, Mike.
53:17He's coming after me.
53:19Let me go, he'll kill me.
53:21No, no, dear, nobody's going to.
53:22Michael, I'll give you the beginning of your life.
53:24Oh, Ruth, Ruth, can't you see the boy's frightened?
53:27You should be frightened because when I get through with him...
53:28Mike, tell me, who was trying to kill you?
53:31I didn't think I was going to kill him.
53:32Now, you keep hold of this, mind you.
53:33You...
53:34Shut up.
53:36Mike, go on, tell me.
53:38She'll hit me if I tell.
53:39She won't lay a hand on you, I promise you that.
53:43Last night at the station, I'm so...
53:46You were at the station.
53:48Yes, dear, go on.
53:50You won't hit me?
53:52We'll see.
53:54Well, I saw Harold.
53:58He killed that girl.
54:00He knows I saw him dump her on the train.
54:03He tried to kill me.
54:05Oh, good heavens.
54:07And he's here in the park.
54:08We'd better go home.
54:10McPhee, how can a big man like you move so quietly?
54:15Rubber heels.
54:17See, you found Mike.
54:18Couldn't catch up with Harold.
54:20He was running like blazes.
54:21Harold, a killer.
54:22You see, something might have happened to you.
54:24I won't go out again, Ma.
54:28A killer.
54:29Tell me something quick.
54:30What's going on?
54:31I'm the newspaper.
54:32Come on, McPhee.
54:34I know, but tell me something.
54:35All my readers depend on the bullet and latest news.
54:38Come on, I'll tell you on the way home.
54:40Come on, McPhee.
54:47Come on, McPhee.
54:49¿Has olvidado algo?
55:07No, nada más.
55:10Mike está bien.
55:13¿El camino está abierto?
55:15No es para mí.
55:17¿No te quedas?
55:19No.
55:24Estoy cansado de correr.
55:28¿Sabes?
55:29Tú y yo...
55:31Sí.
55:34Nosotros nos hemos estado bien juntos.
55:39Si ella quedó en el tren,
55:42ella estaría vivo y yo sería libre.
55:44No, no, no, no.
55:44No, no, no.
55:48Los policías de Seattle,
55:50no deberían estar aquí.
55:55No, no, no.
55:56No, no, no, no, no, no, no, no, no.
56:26No, no, no, no, no, no, no, no.
56:56No, no, no, no.
57:26No, no, no, no, no.
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