- 7/3/2025
The Buccaneers 2023 Season 1 Episode 2 - Full
Category
🎥
Short filmTranscript
00:00Transcribed by ESO, translated by —
00:30Sometimes a person looks at you
00:35And immediately you know
00:37You'll remember it till the day you die
00:40In that long month on the road
00:45We saw every corner of Cornwall
00:48Every town, every beach, every landscape
00:52But real life was going on elsewhere
00:56And I couldn't avoid it forever
00:58Conchita had spent the last month trying to be a mother
01:03While I had spent it wondering how on earth to be without one
01:07You haven't replied to any of your sister's letters
01:09Four weeks since we left London
01:12And you've not once been yourself
01:13Well, maybe I'm not who you think I am
01:16Well, Conchita will be glad of a relaxing weekend without the baby
01:20The house she's taken in Runnymede is simply beautiful
01:23A weekend, just you girls
01:25And Conchita can put her feet up
01:27I ain't afraid
01:29All the life's here
01:31You can't look me in the eyes
01:35You don't have any guilt
01:37You've had a little too much
01:39Cut off more than you could do
01:41Goodness, what a lady you are
01:44All I've ever wanted to be
01:46So, dancing first in Noria
01:48Or are you desperate to start gambling?
01:50Oh, I'll start the gambling
01:51I bet during that handstand you remembered
01:53It's only four weeks since you gave birth
01:55Oh my God, it's dance
02:02It's coming out
02:03Oh my God
02:04Are you actually here?
02:16Are you real?
02:17Or might you go again?
02:18Thank you
02:19Oh my God
02:20Oh my God
02:21How are you?
02:22A whole person came out of me
02:24And I'm ruined forever
02:25But Minnie's divine
02:26And nobody even looks at you
02:27Once you're her mother
02:28So, anyway, let's get a drink before we be melted to a party
02:39Lady of wild times keeping watch
02:40Hi, Noria
02:41The elegance
02:43I have no idea why my brother leaves him so often
02:48Would you like a drink?
02:49No, thank you
02:51I mean, what are we supposed to do?
02:53Kajita, I need to talk to you about something
02:55Leaving so suddenly when you promised you'd be here
02:57I am sorry I wasn't here when I was a mess
03:01I just wouldn't
03:02You should have seen the state I was in
03:03You can just please go inside and talk
03:05You can't think how much we have to tell you, Nan
03:07The balls we've been to, the opera
03:09God, opera's endless
03:11Mabel ripped her skirt and fell in her face in front of Lord somebody
03:14Well, Lizzie got bit by a spider at the races
03:16And Ginny's done nothing but dance with Lord Seedon
03:18Three times, maybe four
03:20They're virtually engaged
03:21I mean, we're virtually sisters-in-law
03:23Lizzie danced with Seedon too
03:24Yeah, once
03:27A whole weekend without mothers
03:30Now we have the whole weekend for whatever we like
03:32And as your chaperone
03:34I insist you behave exactly as I say
03:36First things first
03:38Down your drinks
03:39Then go down the lawn
03:40And spin as fast as ever you can
03:41Go, go, go!
03:48Mother sends her love
03:49Whose mother?
03:50Dad!
03:57A whirlwind of fun, aren't they?
03:59Look out!
04:08Look out!
04:18Who's this?
04:19I thought it was just us
04:20Richard, what on earth are you doing?
04:22Oh, now she's calm
04:23Conchita!
04:32Trying to bring you all off course
04:33And you're such an accomplished rider, Mr. Donnelly
04:37Well, look who it is!
04:38Conchita!
04:40What are you playing at?
04:41You're the one galloping into our girls' weekend
04:43You knew I was staying down the road
04:44You knew I was staying down the road
04:45I'm here with my friends, Nicky
04:46It's Seedon
04:47Don't look
04:48Make it face like I've said something smart
04:49But, seeing as you're all here
04:51And we're all pretending not to notice how sweaty we are
04:53I hope we're not improper in our ear
04:56It's just that there'd be a fuss, that's all
04:58There'd be more than a fuss
04:59Oh, it's one drink
05:00We're only being hospitable
05:01Dick, I'm sorry Miles can't control his horse
05:05But as you all know
05:06When a creature's born wild
05:07They're never truly to be tamed
05:12Now, it's such a scorching day
05:15And the question is
05:16Once we've all had our one drink
05:19What else might we do that's refreshing?
05:21Come on, boys
05:38Come on, boys
05:40Lookin' out the window
05:42And I see a million little lines
05:45Can't believe I see these things
05:47With my own eyes
05:50Guess before I thought of
05:52Only things
05:53Be in
05:54Black eyes
05:55What am I such a
05:57To use these things
05:58And
05:59Different
06:00Different
06:02Different
06:03Different
06:05Different
06:06But
06:11I
06:12I
06:14I
06:16I
06:18We
06:20I
06:26I
06:28I
06:30I
06:31I
06:32I
06:33I
06:34I
06:38I
06:39I
06:41I
06:42I
06:44Americans. And those of you who still think we're from England, we're not. No. You see, I love this place that I have grown to know. All right, North America. And yeah, I know you wouldn't touch us with a ten-foot pole.
07:03Cause we're North American. We are North American stars. We are North American.
07:20Yes, but if it were to get out that we were here on chaperone, what must Lord Seedon think? We'll get a reputation for what? Not being miserable? Well, I'm happy with that.
07:40There would be an almighty row when you know it. Ginny, you do know I'm married, right? I'm chaperoning. I'm a pillar of respectability.
07:47I mean, I guess Miss Tess Valley's in the lodge. Since when were we ever shy of a party? Girls, have you not noticed? We're not them. We're Americans.
07:58When did we ever care what people think of us? I mean, the English are so fascinated by their history. Well, we have a history of being fascinating. It's time that they learn from us.
08:08I didn't bring any party clothes. I virtually just bought nightclothes. I'm sure Seedon won't complain.
08:13Mabel, I only danced with him three times. Or fours. Or fours. Oh, Ginny, imagine the relief if we're in that family together.
08:25I happened to bring some dresses. Lizzie, you would look amazing in green. Maybe you'll find someone on your own tonight.
08:33Imagine someone on my own.
08:36I love it. It's gorgeous.
08:55Nan, I've been feeling just awful since that night. I wanted to, uh...
09:00Does Mother know?
09:03I thought you told me.
09:04No, no, no. Of course not.
09:07She'd be so horrified about the whole thing. You've no idea.
09:11God, what was I thinking?
09:13Suddenly, it was all just coming out of my mouth.
09:17Are you apologizing for telling me or for the 17 years of not telling me?
09:22No. No, I'm... I'm apologizing for my whole life, probably.
09:28What the hell? This is coming out wrong, Nan.
09:30I practiced. That's like practices for weeks, but I didn't have you to help me.
09:34By thinking of something funny or smart to say or always knowing the right word to choose.
09:39Nan, please say you'll forgive me.
09:42You forgive people. It's what you do.
09:43Well, you don't know me.
09:45I don't know me. I could be anyone.
09:46Hey, you are still Nan. You're still my sister. Let me help you, for heaven's sake.
09:57Every time we giggled and every time we fought or laid in bed and threw cookies up in the air, you had a secret.
10:04And my whole past is a lie.
10:08And I have to tell you, Cheetah. And I have to tell Mother.
10:11No, no, no. You mustn't tell anyone.
10:12If anyone knows, if anyone finds... I mean, you say your past is a lie, Nan, but your future, I mean, it won't exist.
10:19But it's you who cares about that. You've done this. You've ruined this. And now you're asking me to what?
10:24Just forget it.
10:26Just forget it.
10:28It's like it never even happened to me. What does it matter?
10:32This isn't a quarrel about a ribbon, Virginia, or being late to a party. This is my whole life.
10:39I feel hollow.
10:43I am not the same Nan that I used to be.
10:45And that's just a fact. And you're only my half-sister.
10:49So maybe you're only half-sorry.
10:52Nan.
10:53Don't say anything to you.
10:54I just really need to...
10:55I have invited someone for you tonight.
10:56What?
10:57This weekend wasn't supposed to be about someone's.
10:58Oh, Nan, come on.
10:59No, why are you pretending all of this is an accident?
11:00Dick is staying right next door in the embarrassing runaway horserade. I need to talk to you. Just you and I.
11:04Just you and I. Just you and I. Just you and I. Like when I was giving birth and terrified and alone. Shouting for you. Screaming.
11:10And you were on a beach.
11:12I wanted to stay. I so desperately wanted to stay. But I really need to talk to you.
11:14Dan, please just no. You listen to me.
11:16Any minute now, you'll be back home in New York and I'll be back at that house. With those people. And those walls. And those silences. Yes, I planned this weekend. And England will be horrified, of course. But that's perfect for England. They love being horrified.
11:31Everything Dick adored about me. His family now loathed. You've seen English girls. They just nod and, and, and obey and do embroidery. We're like a whole other species. But I love that.
11:48family now loathe. You've seen English girls. They just nod and obey and do embroidery. We're like
11:55a whole other species. But I love him, Nan. I so love my husband. And if I can't make him love me
12:07the way he used to, to remember who I am and not just look at me with disappointment, then
12:13I shan't survive this. So will you help me? Oh, ever since the baby, I've just been so...
12:28Anyway, I'm... I need to make tonight work. Goodness, Nan, thank you. Thank you so much.
12:38We must keep our heads up and our drinks down, mustn't we, darling? Yes.
12:48Mabel, Lizzie, Ginny. You look divine, Mabel. Oh, you look beautiful. You all look gorgeous.
12:59Oh, girls, isn't this just like old times? Don't worry. I'm a married woman now and a mother.
13:06So tonight we'll just be a quiet, grown-up gathering. Sophisticated and low-key.
13:14Look at Ginny. She's got the whole room in her pocket.
13:21Listen, Dick, even your sister's having more fun than you.
13:27Oh, Dick, your wife's got the moves.
13:34Oh, I've seen her moves. Not recently, you haven't. And I've been working on a new one.
13:40Everybody, look. Get you into her moves.
13:43Woo!
13:46Look and learn. Be the party.
13:53Oh, please, please.
13:55Hi.
13:56Hello, love, look.
13:58Hello, love.
13:58Oh, look.
13:59Oh, yeah, baby.
14:01No, look.
14:02What?
14:03I'm sorry.
14:04Make it up to me.
14:06You know it's better.
14:09Make it up to me.
14:11You know it's better.
14:14Be sweet to me, baby.
14:16I want to believe in you.
14:18I want to believe.
14:21Be sweet to me, baby.
14:24I want to believe in you
14:27I want to believe in something
14:30Are you going to offer me one of those?
14:36A drink?
14:37Well, I don't know what else is on offer
14:39In England, Mr. George
14:43We find presumption unappealing
14:54You're very beautiful
15:07My nose was...
15:09I'm sure you know that from the admiring glances on every side
15:12Might I hope for a dance?
15:24I want to believe in you
15:32I want to believe
15:34I want to believe in something
15:44I want to believe in you
15:50I want to believe
15:51It's so hot
15:55Can we go outside?
15:56Darling, go out to the garden
15:57I'll be there soon
15:59He actually came
16:07Hey
16:08My neighbor
16:10Guy Thwart
16:12He practically begged for an invitation
16:14Oh
16:15I want to believe in you
16:19He also showed in original
16:19My neighbor
16:21He'd nhiに
16:23We're ready
16:23He's an Bruiser
16:24I'm not a교
16:25We're ready
16:26I'll be there
16:27We're ready
16:29To save
16:29You
16:30I'm not a beast
16:32I'm not a beast
16:32I inteq
16:38I'm not an girl
16:40I'm not an abbass
16:41I'm not a beast
16:42I'm not a beast
16:43I'm not a beast
16:43I'm not an alleging
16:44Theodore, Miss Hokely is interested in nature.
16:58You saw a... didn't you, Jane?
17:02A hedgehog, I did, yes.
17:07And was it prickly or...?
17:11Yes, very prickly.
17:12Perhaps you might embroider it, if I know you.
17:24Imagine being a hedgehog on this estate.
17:27Just hedgehogging around,
17:29not realising you're in the presence of a Duke.
17:40Would you excuse me?
17:42KOUR R
17:47Forever
17:51Seven
17:52Seven
17:54Number
17:54Seven
17:55Seven
17:57Seven
17:58Nine
17:58Nine
18:00Nine
18:01Nine
18:02Six
18:03Seven
18:04Eight
18:05Nine
18:06Seven
18:06One
18:06Ten
18:08Red
18:09One
18:10FIFA
18:10I don't know.
18:40I don't know.
19:10I don't know.
19:11I don't know.
19:12I don't know.
19:13I don't know.
19:14I don't know.
19:15I don't know.
19:16I don't know.
19:17I don't know.
19:18I don't know.
19:19I don't know.
19:20I don't know.
19:21I don't know.
19:22I don't know.
19:23I don't know.
19:24I don't know.
19:25I don't know.
19:26I don't know.
19:27I don't know.
19:28I don't know.
19:29I don't know.
19:30I don't know.
19:31I don't know.
19:32I don't know.
19:33I don't know.
19:34I don't know.
19:35I don't know.
19:36I just wanted to see the garden.
19:38Sometimes you just need to breathe, don't you?
19:42I don't know.
19:43I don't know.
19:44I don't know.
19:45I don't know.
19:46I don't know.
19:47I don't know.
19:48I don't know.
19:49I don't know.
19:50I don't know.
19:51You know.
19:52You're not.
19:53No.
19:54I don't know.
19:59I've missed you.
20:02I've missed us.
20:03I've missed us.
20:04Just being near you.
20:06Being able to talk to you.
20:11I know.
20:13I know. Ever since Mindy, we just haven't had a...
20:17Oh, little girl.
20:19We have a baby.
20:21A baby!
20:33Conchita, let's do your move together, shall we?
20:36Seaton has hardly noticed me, please.
20:39Let's do it. Both of us together.
20:40Darling, you're drunk.
20:42Please, Conchi.
20:42Okay.
20:43Everybody, we're doing the move.
20:44Conchita, we've seen your moves. Come and sit back down.
20:47We're doing the move.
20:48Yes.
20:50Shall we, Conchi?
20:51Yes.
20:52He's still not looking.
20:54Hey, Darlie, let's get you a drink.
20:57You're still the beautiful one, okay?
21:00Isn't she wonderful?
21:02All right, guys, it's time.
21:05Sardines!
21:09Mabel!
21:11Mabel!
21:11Mabel, it's time! Sardines!
21:14You're the best at hiding.
21:15You hide first.
21:16Come on!
21:20Let's go.
21:24Has anything...
21:25I mean, since the last four years, anything happened?
21:29What do you mean?
21:32You seem more still.
21:37You're the first to notice.
21:39How are you?
21:52I'm sorry there is no and to everything.
21:53How are you?
21:54How are you?
21:54Everybody just goes on with life.
21:57It's hard to accept them laughing and smiling, isn't it?
22:02Hmm.
22:02Yeah.
22:04There's sometimes the thought of everyone dancing and joking and talking about cheese or whatever.
22:11I do like cheese.
22:15I mean, obviously, that's a bad example, but...
22:19Yeah, it's good.
22:20Yeah.
22:23Your mother's suddenly not being there, though.
22:26It is.
22:28Sometimes the memory bubbles up.
22:31Not having a mother, it's...
22:32It's...
22:33Yeah.
22:42Don't...
22:43Kitty?
22:44Don't come in.
22:46You didn't lock it.
22:48Yeah.
22:48Well, would it stop you if I had?
22:50Are you about Zidane and everything?
23:03It's fine.
23:06Only he asked me to dance.
23:08He asked me, and I would never if I thought that you and him were...
23:12Of course not.
23:12It's fine.
23:13Because that comes first to me, of course, our friendship.
23:16Look, we're not engaged.
23:17I'm not engaged to him, as my mother reminds me every four minutes.
23:20The thing is, we don't know.
23:28Do we?
23:30We never know.
23:34Ginny, what if this is our love story?
23:38Mine and his?
23:41Well, it's up to Zidane, isn't it?
23:44In England, they find presumption unappealing, so...
23:47He'll decide, and...
23:50I guess it depends whether he's interested in beauty and charm, or...
23:54Or...
23:55What?
24:00Well, whatever it is you're offering.
24:02Girls!
24:04Sardines!
24:04Where are you?
24:05We're all looking for Mabel.
24:06Girls!
24:07The games are starting!
24:08We're going to play!
24:31We're going to play!
24:31You're right on time, you're right on time, you're right on time, you're right on time.
24:50Oh, come on.
24:52Lizzie!
24:53Wait, what is this of yours?
24:55Can't control her.
24:56Bable's the queen of hiding in corners.
24:58Where'd you go upstairs?
25:00Hello.
25:01I've been pretending to look for your sister.
25:04Have you?
25:05I'm afraid I've really been looking for you.
25:09Well, maybe we should look together.
25:25I like the stillness too, you know.
25:28We've established, I hope, that I'm a big fan of the dropping shoes in cakes and climbing out of buildings and the rest of it.
25:35Big fan.
25:37But, um, just strolling and being still is also...
25:43I haven't climbed any buildings lately.
25:50What you're seeing here?
25:51I love it.
25:52I'm trying to go.
25:53Hello?
25:54I've got this back on my shift.
25:55Does this look like the sort of place Mabel might hide?
25:59Does this look like the sort of place Mabel might hide?
26:16Well, perhaps we ought to check.
26:27Nothing.
26:29Do you want to close the door?
26:53Oh, you found me.
26:55Sit over there.
27:00Do you want to sit here?
27:04Take off your dress?
27:14It's not actually even my dress.
27:23Do you want to?
27:26Take it off.
27:31Take it off.
27:35I feel like you speak a different language.
27:45Conchita and the rest of you.
27:54Loud.
27:55That's Conchita's language.
27:57That's Conchita's language.
28:00It's like she's fearless.
28:02She's magnificent.
28:07Do you love her?
28:11No.
28:13Well, I don't think she understands somebody choosing to be alone any more than she understands
28:18what a lord is.
28:20Richard?
28:21Well, he's just a man.
28:24Conchita's herself.
28:33Extraordinary to know what that even means.
28:36I think one day you'll just figure it out.
28:52Oh, she's too busy fighting Genie over your brother.
29:05What's he done?
29:07They don't know him.
29:09What I hear is an enigma.
29:15He's a monster.
29:37Don't move a muscle.
29:56London was over for me when you went to Cornwall.
30:03Was it?
30:05Completely.
30:06Hmm.
30:07It was irrelevant.
30:09Since the person I wanted to share it with was gone.
30:13Well, that person from before, from the ball and so on, she might actually be gone.
30:18Hello.
30:19What are you?
30:20What?
30:21Hi.
30:22I was looking for you.
30:23Have you been playing out for a while?
30:25It's a chaperone's job.
30:27What are you doing?
30:28What are you doing?
30:29You told me to hide.
30:30Are you waving at someone?
30:31Like this?
30:32Yes?
30:33This is casual.
30:34This is how I stand when I'm casual.
30:48Oh, you're breezy.
30:49Do you want some help?
30:51Yes, please.
30:53I'm sorry.
30:54Why?
30:55You just make me want to apologize.
30:56For having your arms stuck on a trellis.
30:57Nan.
30:58I've never met anyone.
30:59I find it so easy to be honest with.
31:00I've never met anyone I find it so easy to be honest with.
31:01I'm sorry.
31:02I'm sorry.
31:03Why?
31:04You just make me want to apologize.
31:06For having your arms stuck on a trellis.
31:20Nan.
31:21Nan.
31:22I've never met anyone I find it so easy to be honest with.
31:27Isn't that strange?
31:30Shall we go to bed?
31:58Maybe we can do better than that.
32:01What's better than bed?
32:03Come and see her.
32:22What is it Nan?
32:24Just...
32:25Just Ginny blurted something out and...
32:29It's all just, um, a bit too enormous and I just don't know what to do with it all.
32:35Might I help?
32:39Nobody can.
32:40And Ginny said I mustn't tell anyone.
32:45Anyone I tell will think less of me.
32:49Well, I think I've made it very clear already that my opinion of you is really very high.
32:57I also have a little experience of the world thinking badly of me.
33:02Do you?
33:03You've all done things we're not proud of.
33:12My mother isn't my mother.
33:17It's, it's, it's all ridiculous.
33:19The fact is that I am not who I thought I was.
33:28Mother...
33:33Mrs. St. George.
33:34She, um, she forgave my daddy.
33:37Out loud, at least as she always does.
33:38And she took me in.
33:41I don't know the full story.
33:42Ginny just let it out and she's known this entire time.
33:44They've all known this entire time.
33:48That's almost the worst part of it.
33:51The lying.
33:53The aspiring to lie.
33:55The whole lot of them.
33:56So your, your birth wasn't, your, your mother and father weren't.
34:00And people will judge because that's just what they do, but it's the secrets.
34:03It's, it's the whole life's worth of them.
34:09I remember there was this girl back in Saratoga and her name was Amy Fairchild.
34:14And she was born, she was born out of wedlock.
34:18And so, Amy said she got called, but it was also partly because of her hair, which was
34:24all over the place and it wasn't really helping her.
34:26But there was just this face that people pulled when her name was mentioned.
34:29And at parties she would sit at the side and there was a circle around her that no one
34:32would step into because we all knew what her life would end up being.
34:35And she would never be normal because how could she?
34:37And now that's just, now that's me.
34:40I am Amy Fairchild and some days I can't be bothered with my hair, but other days I,
34:47I can spend hours at it.
34:50But we're just all different, aren't we?
34:56I am so sorry, I shouldn't have just, I didn't want you to feel that I was...
35:01Of course not, of course not. It's fine.
35:03It's fine.
35:08Should we just...
35:09Yes, it's getting late. I should probably go.
35:12Yeah, I think we, I think we should.
35:16Lord Seedon has gone to bed. He asked me to tell you he'll see you at breakfast.
35:30I'll see you at breakfast.
35:31I'll see you at breakfast.
35:33What's up?
35:34I think I'll do.
35:35Oh...
35:36what's up?
35:39What's that?
36:09You've been practicing your moves Finally England's what I hoped it would be
36:39I don't want to be Amy Fairchild
37:07Then don't
37:13Though you did bring a hairbrush didn't you?
37:17It's looking a little...
37:23Oh man
37:25We know together now at least and I am entirely sorry
37:31I'm not just half sorry I am fully sorry
37:35I'm blue with it
37:39Don't be blue
37:41I will clash with your trust
37:45Who was it if it wasn't mother?
37:55I don't know
37:59No really
38:01There was a letter
38:05I was looking at daddy's desk for barley sugar but I just read bits of it I didn't see a name just insults for daddy and arrangements for the money that changed hands
38:21They bought me
38:27Your mother knew exploded but she found me looking at it
38:29And I mean it if you talk to her she'll...
38:33I mean she'll...
38:35I won't
38:37Let's just close the box
38:39Let's just close the box
38:40Alright
38:41Just...
38:43Just...
38:44Not tell a soul
38:45And...
38:46It'll be just like before
38:48Oh man
38:50I'm sorry
38:52Oh man
38:54I'm sorry
38:56I'm sorry
38:58Yeah
39:00I'm sorry
39:02No
39:04No
39:13I'm sorry
39:15Good morning.
39:45Morning.
39:46Morning.
39:47Morning.
39:56What happened?
40:02Nothing real when they're awake at home.
40:05I knew it.
40:08I knew it.
40:09The awful truth.
40:11Before the wedding, I suspected I would spend the rest of my life apologizing for Conchita,
40:15and I should have listened to my gut.
40:17I think the fact is, there are women and there are wives,
40:20and New York was amazing.
40:22Of course it was, but it was pretending.
40:24It was just like this.
40:25It's pretending.
40:26Pretending every day.
40:27And in real life, I just think,
40:31Mother's right.
40:33Conchita just doesn't fit.
40:37And she never will.
40:38But she's like an addiction.
40:57And I love her my whole life.
40:59I'll never stop.
40:59I mean, how could I?
41:04Any more than I could stop breathing?
41:12Nan, darling.
41:15Last night...
41:17Were you watching Dick's face as I was dancing?
41:22He did love it, didn't he?
41:23What's wrong?
41:29I'm not the kind of wife that needs him to notice my new gloves.
41:32Of course not.
41:33Or sit adoringly watching me sleep.
41:37But I do watch my baby as she sleeps.
41:44God.
41:46Nan, ever since she was born, I've been such a mess.
41:49You know, she needs me, and they won't even let me be with her.
41:55Also, everything hurts, and I just feel so...
41:57You talk to Dick.
41:58Oh, God.
41:59I want him to desire me, not pity me.
42:01Certainly not.
42:02Be absolute worst.
42:05Be ashamed of me.
42:10I would have never gone to Cornwall if they hadn't made me.
42:14I know, Nan.
42:16Okay, I know.
42:19I just need a new plan, and that's that.
42:24Until then, I shall be all smiles.
42:26You mustn't cease breaking me.
42:31Listen, Nan.
42:32When you start looking for someone,
42:34if that day ever comes,
42:37try to find someone who doesn't want you to pretend.
42:42Someone I can trust and tell my secrets to.
42:46Who listens.
42:47I'm someone who understands what I need to hear.
42:50Oh, darling, Nan, I do love you,
42:52but I think you might have to lower your expectations.
42:56Just a tiny bit.
43:00Hey, can we talk?
43:04Look, it's all right.
43:05It's fine.
43:06No, but it's not what you...
43:07Listen, it doesn't matter, really.
43:10Of course he chose you.
43:11He didn't.
43:12He didn't tell nothing.
43:15Nothing happened.
43:17It's...
43:17It's never going to be anything more than...
43:20Look, it's over.
43:20That was shocking.
43:28Not bad.
43:30Campaign?
43:31It's 11am.
43:32We've waited long enough.
43:33Yes, we have.
43:34Well done.
43:35Oh, it went early.
43:45Did you see that, Dick?
43:47Yeah, I'm afraid my husband doesn't know how to satisfy me
43:50when it comes to my morning champagne.
43:53Miss St. George?
44:11Mary?
44:20Oh, let's go.
44:23I've enjoyed, Miss St. George,
44:25the opportunity of making your acquaintance these past weeks.
44:30I've long waited to meet someone
44:32who might put me in a marrying frame of mind.
44:38Might you...
44:40Might you agree to be my wife?
44:46Do you mean it?
44:47I mean it entirely.
44:49Then, yes.
44:50Yes.
44:51I agree.
44:52I agree.
44:52You will ask me again, my mother's nearby to hear, won't you?
45:08Congratulations, dear.
45:09You're right, Sarah.
45:10And I'm getting married!
45:15Congratulations, everyone!
45:17Happy wife!
45:18Woo!
45:18Thank you, dear.
45:19Thank you, dear.
45:20Oh, all right.
45:20Jenny?
45:20Thank you, dear.
45:21Thank you, dear.
45:22Thank you, dear.
45:23Thank you, dear.
45:24Thank you, dear.
45:25Thank you, dear.
45:26I am so glad that you are back to yourself of the last night's silliness.
45:34Yeah, back to normal.
45:35Back to normal.
45:36See?
45:37Can you believe it?
45:37Good.
45:38I told you...
45:39Champagne.
45:44Good morning.
45:45Good morning.
45:46And we'll have a sister-in-law.
45:47Jamie and I will be a sister.
45:49Hey!
46:44Are you okay?
46:46No!
46:50Are you sure?
46:51I hope you don't think that...
46:54Congratulations, Ginny.
46:56A lord.
46:59I'm sorry.
47:00No.
47:04I am.
47:05I'm sorry.
47:11But listen...
47:14...after everything.
47:16I wonder if she didn't...
47:19I mean, I wonder if...
47:21...when you're imagining how it might be to be married to him...
47:24Well, I shall marry him and report back.
47:26Right.
47:27Are you sure?
47:28You're really sure?
47:29Nothing happened last night.
47:30That's what you said.
47:31Nothing happened.
47:32Nothing happened.
47:33Nothing happened.
47:34That's what you said.
47:35Nothing happened.
47:36I just...
47:37I would so hate for you...
47:38...to be...
47:39...disappointed.
47:40Don't spoil it for me, Lizzy.
47:41After all this time, it's usually Nan overshadowing things.
47:42She's been quite wonderful, in fact.
47:43Can't you just be pleased for me?
47:44At least for today.
47:45...I just...
47:47...I just...
47:48...I would so hate for you...
47:50...to be...
47:52...disappointed.
47:53Don't spoil it for me, Lizzy.
47:58After all this time, it's usually Nan overshadowing things.
48:01She's been quite wonderful, in fact.
48:04in fact. Can't you just be pleased for me? At least for today.
48:34Theo! Hello there. Hello, what are you doing here? This is very unlike me indeed. I tracked
48:55you down on the way from Cornwall. Meet me at the gate. Okay.
49:04Sir, madam, you have to come. The Duke of Tintatel's carriage is on the drive. Duke?
49:12What's he doing here? Oh, poor Judy. It turns out that she was off the shelf. Let's go.
49:19Why would the Duke be coming to Runnymede? Where's Nan? How are you actually? I'm well,
49:30much better now. I struggled to find you at first. Yes. Where have you been? Just, um,
49:37there at my friend's endless party. And if they were here with us now, your friends, who
49:47would you tell them I was? Um, well, just an artist friend of mine who likes
49:55a skulking round headshot. You'd be within your rights to have me arrested. Perhaps, but
50:02I'm... I'm impossibly pleased to see you. So let's just go for a walk first, and then maybe
50:10I'll call the authorities afterwards. No, no, no, I need to... please. You said you
50:18wish you could stay in Cornwall forever. I did. And you're not interested in fuss? Not
50:25one bit. Which is very unusual, I find. The girls I generally meet don't think or talk
50:31so freely. Or so passionately. And they wouldn't care for me being just an artist. Particularly
50:39a bad one. You're a wonderful artist. The fact is, I must speak before everyone comes
50:44and it's all ruined. I could pretend I was just passing today, or had some kind of garden
50:51fascination. But the truth is, I set off from Tintagel at first light with a quite deliberate
50:59intention. This is ridiculous, of course, and I apologise, the speed of it and everything.
51:09But I have to. It feels essential. I think you're extraordinary. Truly. And on the beach,
51:22the two of us had this... Well, it felt perhaps like you felt it too. Maybe. And if we agreed
51:37that we might always swim in the sea, hiding from life's nonsense. Not caring what anyone else thinks.
51:45Might you do me the honour of being my wife?
52:04Being angry.
52:07.
52:14.
52:16.
52:19.
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