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The Buccaneers Season 2 Episode 2
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Short filmTranscript
00:00it's been three months since Ginny and I left England and in that time we've
00:09become acquainted with an entirely new life everything has changed except the
00:15way I feel I'm still dazed by the speed of our escape still haunted by the
00:23million words left unsaid having word of Nan simply through newspapers is agony and
00:33I refuse to believe the headlines which proclaim her constant joy the bliss of
00:42their honeymoon tour is Nan's happiness real
00:53I know the huge burden this letter puts at your door
01:09but Nan has no truer or more loyal friend I'm well aware that what I'm asking will
01:18shatter the intentional marriage and yet Lizzie I must ask for your help every
01:26fiber of me longs to run to Nan but this letter gives her the means to come to me
01:31to be with me my world is here now but it can be our world
01:39so Lizzie please find a way to give Nan this letter do what's right for Nan with
01:47endless gratitude
01:49Guy
01:50shake shake shake shake shake oh I don't know I don't know where to begin we are North Americans and those of you who still think we're from England we're not no you see I love this place that I have grown to know
01:57alright North America and yeah I know you wouldn't touch us with the ten foot pole
02:04cause we're North American
02:06cause we're North American
02:11we are North America
02:13we are North America
02:18we are North America's come
02:21North America
02:23And yeah, I know you wouldn't touch us
02:26With a 10-foot pole
02:27Cause we're North America
02:30We are North America's come
02:38We are North America
02:51Do I gather that you conductors are a sensation?
03:14An exhausted sensation, delighted to be home
03:17Oh, you have three months' worth of correspondence in the hall
03:21And a lifetime to answer it
03:23A triumphant tour
03:25And best behaviour, eventually
03:27Well done
03:29Delighted to meet you
03:52I trust that your journey wasn't too arduous
03:55Are we happy with arduous?
03:58Good for difficult to be safe
04:00She practically curtsies in her sleeve
04:02Cora, show them
04:05Oh, yes, Mother
04:06And she walks like she's on wheels
04:11That's very good
04:15Now, do you know your conversation topics?
04:17Yes, the weather, the scenery, the generosity of the hostess
04:21And you've learned your list of lords
04:23And in which county they reside?
04:24I believe I could guess what they all have for breakfast
04:27Well
04:28I believe you're ready
04:30So, this is it?
04:33I've got butterflies
04:34You'll look after my precious girl?
04:36Mrs. Merrigan, we're merely polishing your jewels
04:38To be presented to the world for admiration
04:40So they'll all be there at this tentatial feast?
04:46Every year before Parliament opens
04:48The Duke invites all the most influential lords
04:51And your special invitations from the Duchess
04:54You know, at your wedding, I shall wear ostrich plumes that brush the ceiling
04:58So will I
05:00Oh, Cora, tonight your life begins
05:03How was that?
05:09Good
05:09Your Grace
05:36Good
05:58Dad!
06:28No, no, no, no, no.
06:58No, no, no, no, no.
07:28There is someone else you might be pleased to see?
07:37I am.
07:38I am very pleased to see him.
07:40But Nan, I want to hear how you are.
07:46Just be right back.
07:48Nan.
07:48I need to talk to you.
08:01So.
08:04How are you?
08:05Truly.
08:06I'm all right.
08:08I am.
08:09We've been so occupied.
08:11Everywhere we go is very fascinating.
08:13And people have been incredibly generous.
08:15And we've just spent the whole time...
08:16Nan, I'm asking about...
08:17I know what you're asking about.
08:18And Theo and I are happy.
08:20We are...
08:21He's kind.
08:23He makes me laugh.
08:24He looks after me.
08:25And we really enjoy each other's company.
08:27I'm sure.
08:31But darling, what about Guy?
08:33You think of him, of course.
08:37But we're here now and...
08:38The Dowager's promised Janie's safe.
08:40And I'm doing all I can to keep her out of the papers.
08:42So.
08:42I'm going to be all right.
08:46So what was it that was so important?
08:48Just that...
08:52I missed you.
08:54I miss you.
08:56And I've been really hoping that you're happy.
08:58And I'm really glad to hear that you are.
09:08Love you.
09:18Good afternoon.
09:27Good afternoon.
09:28Good afternoon.
09:34Good afternoon.
09:35Good afternoon.
09:37Good afternoon.
09:37Good afternoon.
09:37Good afternoon.
09:39Good afternoon.
09:41Good afternoon.
09:43Good afternoon.
09:45Good afternoon.
09:46Good afternoon.
09:47Good afternoon.
09:48Good afternoon.
09:48Good afternoon.
09:48Are you following me, Miss Elmseid?
09:52No.
09:56I'm not really not following you, but on this occasion I came to see Nan.
10:00I'd have looked forward a lot more to today if I had expected you.
10:04Me too.
10:06A castle full of lords and noise was not exactly my dream today.
10:11What was?
10:12Book.
10:13Hmm?
10:14Bath.
10:16Large bowl of food.
10:17No cutlery.
10:20Ah, cutlery-free day.
10:22The dream.
10:24I thought today was meant just for lords.
10:28And the occasional lowly MP.
10:31My lords and ladies, the warmest of welcomes to Tintagel.
10:36May I present the Duke.
10:38Contrary to popular opinion, our spring gala is not only an excuse for fresh air and drinking.
10:49Shame.
10:51Though my mother will ensure we're fed and watered.
10:53Obscenely so.
10:54But before next week's state opening of Parliament, we gladly open up our home.
11:01Tintagel.
11:03Birthplace of King Arthur, whose round table symbolised the chivalry and democracy we've prized so highly.
11:08And which you all represent, so.
11:23Lord Seedon.
11:24I hope this year you'll manage to avoid twisting any ankles down any rabbit holes.
11:31I always do my best to remain upstanding, Your Grace.
11:34Brave man, Seedon.
11:36You'll bring her back.
11:37We're all with you.
11:39Our quest, then.
11:45As always, the Holy Grail has been hidden, so we must search.
11:50Your clues await.
11:51And if your glasses are charged and your walking boots laced, Tintagel is at your disposal.
11:58Good luck.
11:59The purpose of today is to thank the lords for their service, and for the duke to maintain with them cordial and uncontroversial relations.
12:15The Duchess must do the same.
12:16The Duchess.
12:58The Duchess.
12:59Oh
13:25Hello
13:26Hello
13:28I'm glad it's you I um
13:31Don't honestly know what I'm even looking for
13:37So we're searching for a silver chalice that Jesus drank from supposedly
13:43At the Last Supper
13:45And in real life
13:48It's the bowl we keep the nuts in at Christmas
13:53King Arthur's quest was to bring it home to Camelot
13:56Though I imagine it had a lot to do with beating Lancelot
13:59Hmm
14:00Arthur's great friend and rival
14:04Guinevere, Arthur's wife, she and Lancelot were
14:10Even greater friends
14:13I see
14:15Hard to imagine how that must be, isn't it?
14:19Married to someone both in love with another
14:21It's regarded as a legendary love story
14:25That I'm never sure
14:26How did it end?
14:29Not well for Arthur
14:30Spear through the head
14:33And for Guinevere?
14:36Lancelot came back for her
14:37After Arthur died
14:39And found her in a nunnery
14:41Well, three meals a day
14:43A comfortable frock
14:45What more could a woman want?
14:47What more could a woman want?
14:54Oh, she's still a water lot
14:56Carry on this discussion
15:05Your Grace
15:06I don't seem to be doing much searching
15:12Ah
15:13While they search, I gather
15:15Signatures, promises of support
15:17When those with influence meet
15:19That's when their guards are down
15:20And they're open to business
15:21And you're unconcerned who you do business with?
15:24Can't look at him, never mind smile
15:27Your Grace
15:29Your Grace
15:32Lord Seedon
15:34Has no sympathy for me
15:36Not a shred
15:38But each promise of support
15:39Gets my bill closer to being passed
15:42Now I'm petitioning to give a voice to working men
15:46Now these are people who deserve to own land
15:49And if that improves lives for thousands of working families
15:53Then I will shake the odd and palatable hand
15:56I gather you're not averse to ruffling establishment feathers
16:01I wore a red dress to a black and white ball
16:05Just so for a few days the headlines wouldn't be about my sister
16:08As women, we may not be heard
16:12But we can rely on being looked at
16:16But you ought to go back and talk to the people with influence
16:19Your Grace
16:21I'm talking to someone with more influence than any lord in the land
16:24Should she choose to use it
16:29Imagine if one might turn being looked at
16:32Into being listened to
16:54Ginny?
17:01Ginny?
17:03Ginny?
17:05Ginny?
17:07Ginny?
17:09Ginny?
17:11I know you have a husband but laughing with women
17:12Nights of laughing, it's the best
17:14No, apart from nights of under the sheets
17:15Oh, I never really enjoy any of that
17:17What?
17:18I've wanted to, I want to
17:20Don't you just lie there and wait for it to be over
17:21No, jeannie
17:22No, jeannie
17:24Oh no, but you know, sometimes yes, but in that case
17:27I'll give you a tip, encouraging noises, it speeds it up a little bit
17:31Ginny?
17:32Ginny, did you run?
17:34Did you and Guy elope?
17:36Was it that kind of running?
17:38And Ginny?
17:39Ginny?
17:40And Ginny?
17:41Ginny?
17:42Ginny?
17:43No, but you know, sometimes yes, but in that case
17:44I'll give you a tip, encouraging noises, it speeds it up a little bit
17:48Ginny, did you run?
17:49Hm?
17:50Ginny, did you run?
17:52Hmm?
17:53Did you and Guy elope?
17:55Was it that kind of running?
17:59And Ginny was the running, not all you hoped.
18:07I think running might have been the biggest mistake I ever made.
18:20Ah, here he comes.
18:23Mr. Under the sheets.
18:25Oh, no, no.
18:26Time to come home.
18:27I didn't mean that.
18:28We're taking you home.
18:29Too bad.
18:30Ginny, remember encouraging noises.
18:36Are you trying to make me panic?
18:38I was trying to get out of that house, of that room.
18:41I'm just always there.
18:43You know if Freddy needs you?
18:45Yes, every second.
18:46Well, you know it every second or he needs you every second?
18:48Both.
18:49I don't understand.
18:50You know I've given up a life for this, and I've given up...
18:52Yes, I shouldn't be here.
18:53Nan should.
18:54You and Nan should be wherever you want in the world.
19:00Do you resent me?
19:04Sometimes.
19:07So do I.
19:10I think Freddy does too.
19:12My own baby resents me.
19:14I'm going home.
19:19Yes, good.
19:20Then we can help Freddy.
19:21No, I ain't going home.
19:23I thought I could do this, but I can't.
19:27And I should have never dragged you into it.
19:29We'd both be better off at home.
19:31I need to show you something.
19:32Go on.
19:33I don't want to have to tell you.
19:34They're making me out to be mad.
19:35They think I'm a kidnapper.
19:37Well, you've taken Seeden's property.
19:38I carried that baby.
19:39He came out of my body.
19:40He came out of my body.
19:41I still feel it.
19:42I'm not good at this.
19:43I'm not.
19:44But I feel desperate every second that I'm failing him.
19:45I don't want to have to tell you.
19:46I don't want to have to tell you.
19:47They're making me out to be mad.
19:48They think I'm a kidnapper.
19:49Well, you've taken Seeden's property.
19:50I carried that baby.
19:51He came out of my body.
19:52I still feel it.
19:53I'm not good at this.
19:54I'm not.
19:55But I feel desperate every second that I'm failing him.
19:58And he needs me all the time.
20:12And I'm scared to even pick him up when you're so good with him.
20:16Ginny, I know I'm not Nan.
20:18I know I'm not one of the other girls.
20:20I'm not your mother.
20:21But I love this boy.
20:23Look at him.
20:38He's doing so well.
20:44And with his noises.
20:50I promise you, both of you, I will do my very best to be in love.
20:55No.
20:58When you imagine traveling the world, did you picture this?
21:01Stuck here with some mad woman that you hardly know.
21:05A loud baby.
21:07Yeah, it wasn't a dream.
21:11Maybe it should have been.
21:13Nothing.
21:14All right.
21:15Mother?
21:16Well, don't just stand there gawping, Richard.
21:18Let Joy be unconfined.
21:19Your mother is moving in.
21:20Mother?
21:30Well, don't just stand there gawping, Richard.
21:33Let joy be unconfined.
21:35Your mother is moving in.
21:42Your late father was many things, Richard.
21:45Thrifty, it turns out, he was not.
21:47Bayless came for the lot.
21:49The house?
21:50Both houses.
21:51And all the furniture.
21:52Every stick.
21:54Gone.
21:55We may need to establish some rules with regard to florals.
22:00With all of us here together, it might feel like Christmas.
22:02That's exactly what we're afraid of.
22:04Mother, you can't just barge into our lives like this.
22:08This is our house.
22:09Now we all live in it.
22:11Stop feeling sorry for yourself, Richard.
22:13If you think things are bad for you, pity your poor sister.
22:16Honoria will have to share a room with Mabel.
22:19One year, they hid the grout in the water.
22:37Sneaky.
22:38Not today, though, I am.
22:40I don't fancy getting wet.
22:41Isn't that it there?
22:49I'm sorry.
22:52So that's the game, is it?
22:53What are you doing?
22:57Theo?
22:59Don't.
23:01Don't stop!
23:04What is it?
23:06My bracelet.
23:07Your bracelet?
23:08It's gone.
23:08I see it, I see it, I see it, I see it, I see it.
23:15Well, that'll teach me to splash the dukes.
23:18Here.
23:19All right.
23:19Well, it's a beautiful spot.
23:35You're a good friend.
23:37To none.
23:40That's me.
23:41I'm a good friend to everybody.
23:46Well, if I was hiding a grail.
24:03The main event's downstairs.
24:27Burial chambers.
24:27Burial chambers.
24:28I hear her.
24:37I hear Nan crying.
24:41When she's alone, she cries.
24:46It's not as though I didn't suspect how she felt.
24:50About Guy.
24:58You think my wife has a broken heart?
25:10Found!
25:11Well, he's panicked.
25:12The grail is found.
25:14You found it.
25:16Here we are.
25:16What is this place?
25:24Is King Arthur buried here?
25:26So they say.
25:29And Guinevere.
25:39My uncle.
25:40My father.
25:46Mother will be next to him.
25:49And one day.
25:51You.
25:55And also.
25:59Me.
25:59Me.
25:59Me.
25:59There'll be a ring on that finger in no time.
26:20I assume you must be Richard and Conchita's project.
26:27All set to meet the love of my life.
26:29Oh, I must have misunderstood.
26:32I thought the goal was marriage.
26:33That's right.
26:35Oh, for God's sake.
26:36Don't be under any illusion.
26:38Love comes into it.
26:40Leave sentimentality to the weak.
26:44Or the French.
26:46These transatlantic unions are hardly love matches.
26:49Their purpose is to pay the bills.
26:52But what about Conchita and Richard?
27:02When Richard needed to find a wealthy bride,
27:06he had to sail all the way to New York to pick one up.
27:10This new season of hard-up lords don't even have to get on a boat.
27:15And the good news for you is that none of them will care
27:18how bad you are at balancing books on your head.
27:22You'll be balancing the books in a different way.
27:25I hear your father's a veritable gold mine.
27:28This little piggy went to market.
27:31Cora?
27:31Richard's bringing the carriage around.
27:35Are you ready?
27:36Yes, ready.
27:38Quite ready.
27:38You look perfect.
27:40I'll meet you outside.
28:11He hears you.
28:28Theo hears you crying when you're alone.
28:30It's killing him.
28:32I think he knows about Guy.
28:36He knows he was here the night before the wedding?
28:37No.
28:39Not that.
28:40He's just, he's, he's trying to understand and he's worried about you.
28:47We both are.
28:47Well, no one asked you to worry.
28:49Why can't everyone just mind their own business?
28:52Nan, I came here to see you and I've been trying to figure out if you're happy or not.
28:55Why?
28:57I was happy before you started asking me.
28:59And what does happy mean?
29:01Oh, I would love to know, but I just, I don't think it means crying in secret whenever you get the chance.
29:10And what do you know about marriage?
29:14You saw that place earlier.
29:16We'll be buried together.
29:18This marriage is forever.
29:21And I'm trying every day to be a good wife.
29:24And we were all in on the plan, all of us.
29:25But I am the one who has to live it every single day.
29:28So excuse me if every once in a while I think about Guy and I can't bear it.
29:31Well, then just listen.
29:32You listen to me.
29:33This is my marriage and I'm trying to make it work.
29:38I'm just trying to understand it.
29:40Why?
29:42No one asked you to.
30:01Nan!
30:04Oh, it's so good to see you.
30:06You too.
30:07How are you?
30:08I'm good.
30:08How are you?
30:09This is Cora.
30:11Hello, Cora.
30:12How are you?
30:13I was just coming in to join the party.
30:35Oh, let's not.
30:36I mean, not quite yet.
30:40Ta-da.
30:43Now, Catherine, let's not go down and face everyone yet.
30:47Go on.
30:50Miss Merrigan, have you been able to do much sightseeing in England?
30:55I've walked a lot.
30:58I like to walk calmly but with purpose.
31:03There are some beautiful parks and museums you must see while you're here.
31:06Oh, I don't like museums.
31:07I don't like parks much either, or England.
31:10Oh.
31:11Lord Harris, Miss Merrigan's father is a distinguished businessman.
31:15He owns a shop.
31:17It is a very big shop.
31:20Very big.
31:21And Miss Merrigan has a substantial dowry.
31:23A generous allowance.
31:25And an iguana.
31:26I see.
31:32And would your iguana come with you to England?
31:35Oh, I plan to have six iguanas.
31:39Well, you're not too attached to him, though.
31:42Are you?
31:43No.
31:45I'm not attached at all.
31:46What's your iguana's name?
31:49Darling.
31:49Darling.
31:49Right.
31:55Right.
32:15Alone.
32:15Um, two of us in a bedroom, what might possibly happen next?
32:36Come on.
32:37I've missed you.
32:41I've missed you.
32:45Me too.
32:53So, do we live together now?
33:00I think we might be living in sin.
33:02Oh, that's absolutely my favorite way to live.
33:15Oh, I need a reason to get out of your loss.
33:18And it's just a little things I can't bring you through.
33:22Oh, I've missed you.
33:23Oh, I need a reason to get out of your loss.
33:27Texting to somebody, it would be up
33:33Oh, I need a reason to...
33:36Maria!
33:40Sorry, sorry, sorry, Mother. I'm just getting dressed.
33:44They don't seem to have backgammon.
33:46What do they do here?
33:47I don't know.
33:49Just go downstairs, Mother.
33:51I'll be there in just a second.
33:53Don't be long.
33:54I won't.
33:57I think she's gone.
34:04Come.
34:08I can't.
34:10I'm all she has.
34:13Sorry.
34:24One minute she won't speak,
34:25next she's telling the Earl of Derby to trim his bloody moustache.
34:29Girl's a menace.
34:33Cora, what are you playing at?
34:36He's not here.
34:38There are some stuffed shirts in here.
34:40Of course there are. This is England.
34:42But there are some excellent options.
34:44You think the Lord's uninterested in my iguana?
34:46Nor your snoring, nor your itchy head, nor your fear of children.
34:50Cora, why the sabotage?
34:51There were no thunderbolts.
34:53Not one.
34:55And I won't just marry any heart-up Lord who needs my father's cash, unlike some.
34:59You little...
35:00Lady Brutal-
35:01Lady Brutal-
35:02I hope I don't have to tell my mother who's paying you good money.
35:05They just took that tone with me.
35:08Oh, God.
35:10That girl is complicated.
35:26I fell in love with the queen of complicated.
35:33Do you know what?
35:35Did I fall in love with the first man who looked at me?
35:38No.
35:39Hardly.
35:41Cora's going to be trouble, but...
35:43I like trouble.
35:44Yes, thank you.
35:45Excuse me.
35:46I must make most of tonight, Your Grace.
35:47I won't be in the grave.
35:48No.
35:49No.
35:50No.
35:51No.
35:52No.
35:53No.
35:54No.
35:55No.
35:56No.
35:57No.
35:58No.
35:59No.
36:00No.
36:01No.
36:02No.
36:03No.
36:04No.
36:05No.
36:06No.
36:07No.
36:08No.
36:09No.
36:10No.
36:11No.
36:12No.
36:13No.
36:14No.
36:15No.
36:16No.
36:17No.
36:18No.
36:19No.
36:20No.
36:21No.
36:22No.
36:23No.
36:24No.
36:25No.
36:26No.
36:27No.
36:28No.
36:29No.
36:30No.
36:31No.
36:32No.
36:33No.
36:34No.
36:35No.
36:36No.
36:37No.
36:38No.
36:39No.
36:40No.
36:41No.
36:42My Lord Megan Shepard's dinner is served!
37:09Wine?
37:10Yes, please.
37:25Ready?
37:30Ladies and gentlemen, may I present the...
37:37May I actually speak?
37:39Because, believe it or not...
37:47I have, um...
37:49I have plenty to say.
37:51Mr. Hector Robinson is fighting to give...
37:57A voice to all working men.
37:59Yet...
38:01What a novelty.
38:03How staggering for even one woman to be allowed to have a voice.
38:07A working man should be able to own his own land.
38:11True.
38:13But no man should be allowed to own his wife.
38:23To choose her like an ornament or to gradually erase her like she's some mistake.
38:27In a world where a woman's safety is far from guaranteed.
38:37Even...
38:39In her own home.
38:41In her own home.
38:44It is my fight to make sure that she is at least believed and heard.
38:47And that any man who threatens that safety will feel the full force of what he deserves.
38:53I seem to have an audience.
38:59I seem to have a voice.
39:01And I will use it.
39:03Use it.
39:20Theodore?
39:33I believe my wife has spoken for us both.
39:56Excuse me.
40:03Tio!
40:14Tio!
40:23Tio!
40:24Dio?
40:54Humiliation, is that your game?
41:02I'm not playing any games.
41:05Nor am I.
41:07You regret that little performance.
41:14Stay away from my wife.
41:18Are you all right?
41:20Yes, I'm fine. I'm fine, thank you.
41:24I'm so sorry.
41:30I've been finding this marriage way harder than I've been able to admit.
41:34None of it's your fault, and I'm so sorry.
41:38I really want to make this work.
41:43I do.
41:54Honoria, is there a sudden drought?
42:11Where's the sherry?
42:12Why?
42:14Why must these things always happen to me?
42:17Mother.
42:20I believe we all mess, Father.
42:23Who does?
42:24Both your brothers are wasting their lives running around after Americans.
42:28I'm entirely on my own.
42:30You know, I'm virtually New York's backgammon champion.
42:46Honoria, why don't you go to bed?
42:49Your mother and I will be all right.
42:51You're not leaving me.
43:00Mother?
43:10You're sticking with that dressing gown, are you?
43:13If you're sticking with that face.
43:15I'm fine.
43:42I'm fine.
43:44I have to let Geico.
44:09I'm really sorry.
44:14I kept telling myself that I could live a whole life thinking that Guy would eventually
44:25come back because Guy was everything, but he's gone.
44:30I told him to go.
44:33So I have to let go of the grief of Guy.
44:36I have to.
44:37And also I think Theo and I have a chance.
44:40And I really want to make this version of my life work for Theo, for me, for Ginny.
44:49And also this life is, it might be important.
44:54And you've always been important.
45:00Now that you have influence, imagine what you might do.
45:09I feel like I can breathe again.
45:16Same.
45:18Oh, don't cry because it does no good Loving you don't feel like it should
45:39So I could forget it all It reminds me not to fall
45:50Under the weight of your love I was drowning like a stone in the ocean
46:01No point wishing that we never met It hurts, but there's no regrets
46:14Move on, no, it hasn't happened yet I can't forgive, can't forgive
46:23Never at the time I understand I would grow right out of your hands
46:38It hurt for so long and it's so fast You cut the tie and never look back
46:48Even blood can turn the same I was drowning like a stone in the ocean
46:59No point wishing we never met It hurts, but there's no regret
47:09Move on, no, it hasn't happened yet I can't forgive, can't forgive
47:20Never got anything I needed from you There wasn't anything I could lose
47:33I was waiting, I was waiting, but you couldn't give When you left, there wasn't much to miss
47:50No point wishing that we never met It hurts, but there's no regret
48:00Move on, no, it hasn't happened yet I can't forgive, can't forgive
48:09I can't forgive, can't forgive I can't forgive, can't forgive
48:21I can't forgive, can't forgive, can't forgive, can't forgive
48:42Yesterday I was uncontrolled
48:44Self-restraint is a difficult skill to master.
49:00I've lost my father.
49:05And I may already be a father.
49:07I must ask your help.
49:09I can't help you, Sid.
49:10Nan has no idea where she is.
49:13I know.
49:14I've established that, but I don't believe you haven't heard from Guy.
49:20What's Guy got to do with it?
49:23Surely he told you about his plans.
49:26He and Ginny left together, so he must have some information.
49:28Guy left weeks before Ginny.
49:30He wasn't at the castle on our wedding day.
49:34Uh, no, actually.
49:39Guy was seen by several of your servants on the morning of your wedding, leaving in a carriage with my wife.
49:49Witnesses also saw him the night before, running round the castle grounds with Nan.
50:00So if he was there the night before, and at first light, well, he must have stayed the night.
50:09Whoa.
50:10So if I had an accident, I would've been there.
50:17Oh yeah.
50:17I'm like, don't worry about painting it.
50:18You haven't.
50:18I would've been for years.
50:19Find her yet
50:20on the of us.
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