- 2 days ago
#CinemaJourney
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Short filmTranscript
00:00It's been three months since Ginny and I left England, and in that time we've become acquainted with an entirely new life.
00:22Everything has changed, except the way I feel.
00:26I'm still dazed by the speed of our escape, still haunted by the million words left unsaid.
00:39Having word of Nan simply through newspapers is agony, and I refuse to believe the headlines which proclaim her constant joy.
00:51The bliss of their honeymoon tour.
00:56Is Nan's happiness real?
00:57I know the huge burden this letter puts at your door, but Nan has no truer or more loyal friend.
01:25I'm well aware that what I'm asking will shatter the Tintagel marriage, and yet, Lizzie, I must ask for your help.
01:35Every fiber of me longs to run to Nan, but this letter gives her the means to come to me, to be with me.
01:42My world is here now, but it can be our world.
01:49So, Lizzie, please, find a way to give Nan this letter.
01:54Do what's right for Nan, with endless gratitude.
02:00Guy.
02:00Shake, shake, shake, shake.
02:13Oh, I don't know, I don't know where to begin.
02:17We are North Americans, and those of you who still think we're from England, we're not.
02:25No, you see, I love this place that I have grown to know.
02:31All right, North America.
02:34And yeah, I know you wouldn't touch us with a ten-foot pole.
02:38Cause we're North American.
02:45We are North America's come.
02:48Yeah, yeah, yeah, yeah.
02:51We are North America's come.
02:54Do I gather the Duke and Duchess are a sensation?
03:24An exhausted sensation, delighted to be home.
03:29You have three months worth of correspondence in the hall.
03:32And a lifetime to answer it.
03:34A triumphant tour and best behaviour, eventually.
03:39Well done.
03:54Delighted to meet you.
04:02I trust that your journey wasn't too arduous.
04:05Are we happy with arduous?
04:07Good for difficult to be safe.
04:10She practically curtsies in her sleep.
04:13Cora Sheldon.
04:15Oh, yes Mother.
04:18And she walks like she's on wheels.
04:22That's very good.
04:25Now do you know your conversation topics?
04:27Yes, the weather, the scenery, the generosity of the hostess.
04:31And you've learned your list of lords and in which county they reside?
04:34I believe I could guess what they all have for breakfast.
04:37Well, I believe you're ready.
04:40So this is it?
04:42I've got butterflies.
04:43You'll look after my precious girl?
04:46Mrs. Merrigan, we're merely polishing your jewels to be presented to the world for admiration.
04:50Shall they all be there at this tentatial feast?
04:56Every year before Parliament opens, the Duke invites all the most influential lords.
05:01And your special invitation's from the Duchess.
05:04You know, at your wedding I shall wear ostrich plumes that brush the ceiling.
05:09So will I.
05:11Oh Cora, tonight your life begins.
05:18How was that?
05:19Good.
05:46Your Grace.
05:49Good.
05:50Good.
05:54Good.
05:57Good.
05:58I don't know.
06:28I don't know.
06:58I don't know.
06:59I don't know.
07:00I don't know.
07:03I don't know.
07:05I don't know.
07:06I don't know.
07:07It's so bad.
07:08I don't know.
07:09I don't know.
07:10You're Grace!
07:12Lizzie!
07:13Nan!
07:14Oh my Nan!
07:15I miss you so much!
07:16Oh, Grace!
07:17Lizzie!
07:18Nan!
07:19Oh, my Nan!
07:20I miss you so much!
07:21Well, how's it been?
07:22The papers made it sound crazy.
07:24The crowds.
07:25It's been madness everywhere we've been and the places we saw.
07:28And oh, it's so good to see you.
07:31It makes me miss Ginny a little bit less.
07:35And a little bit more.
07:36Both.
07:40There is someone else you might be pleased to see.
07:46I am.
07:48I am very pleased to see him.
07:50But Nan, I want to hear how you are.
07:56Just be right back.
07:58Nan.
08:01I need to talk to you.
08:11So.
08:14How are you?
08:15Truly.
08:17I'm alright.
08:18I am.
08:19We've been so occupied.
08:21Everywhere we go is very fascinating.
08:23And people have been incredibly generous.
08:25And we've just spent the whole time-
08:26Nan, I'm asking about-
08:27I know what you're asking about.
08:28And Theo and I are happy.
08:30We are.
08:31He's kind.
08:33He makes me laugh.
08:34He looks after me.
08:35And we really enjoy each other's company.
08:37I'm sure.
08:41But darling, what about Guy?
08:43I think of him, of course.
08:47But we're here now and the Dowager's promised Ginny's safe.
08:50And I'm doing all I can to keep her out of the papers.
08:52So I'm going to be alright.
08:56So what was it that was so important?
08:58Just that I missed you.
09:04I miss you.
09:05And I've been really hoping that you're happy.
09:08And I'm really glad to hear that you are.
09:11Love you.
09:12Love you.
09:37Good afternoon.
09:38Good afternoon.
09:39Good afternoon.
09:40Good afternoon.
09:41Good afternoon and morning and evening.
09:46Good afternoon, thank you.
09:48You're following me, Mrs. Elmsley?
10:03I'm not really not following you, but on this occasion, I came to see Nan.
10:10I'd have looked forward a lot more to today if I had expected you.
10:14Me too.
10:16A castle full of lords and noise was not exactly my dream today.
10:21What was?
10:22Book.
10:23Hmm?
10:24Bath.
10:26Large bowl of food.
10:28No cutlery.
10:30Ah, cutlery-free day.
10:32Mm-hmm.
10:32The dream.
10:34I thought today was meant just for lords.
10:38And the occasional lowly MP.
10:41My lords and ladies, the warmest of welcomes to Tintagel.
10:46May I present the Duke.
10:54Contrary to popular opinion, our spring gala is not only an excuse for fresh air and drinking.
10:59Shame.
10:59Though my mother will ensure we're fed and watered.
11:03Obscenely so.
11:06But before next week's state opening of Parliament, we gladly open up our home.
11:11Tintagel.
11:13Birthplace of King Arthur, whose round table symbolized the chivalry and democracy we've prized so highly.
11:18And which you all represent, so...
11:20And which you all represent, so...
11:21Lord Seedon.
11:34I hope this year you'll manage to avoid twisting any ankles down any rabbit holes.
11:41I always do my best to remain upstanding, Your Grace.
11:44Brave man, Seedon.
11:46You'll bring her back.
11:47We're all with you.
11:49Our quest, then.
11:55As always, the Holy Grail has been hidden, so we must search.
12:00Your clues await.
12:01And if your glasses are charged and your walking boots laced, Tintagel is at your disposal.
12:08Good luck.
12:09The purpose of today is to thank the lords for their service, and for the duke to maintain with them cordial and uncontroversial relations.
12:25The Duchess must do the same.
12:26The Duchess must do the same.
12:39The Duchess must do the same.
13:09Hello.
13:35Hello.
13:36Hello.
13:39I'm glad it's you.
13:40I, um, don't honestly know what I'm even looking for.
13:47So we're searching for a silver chalice that Jesus drank from?
13:52Supposedly, at the Last Supper.
13:56And in real life?
13:59It's the bowl we keep the nuts in at Christmas.
14:04King Arthur's quest was to bring it home to Camelot.
14:06Though I imagine it had a lot to do with beating Lancelot.
14:11Arthur's great friend and rival, Guinevere, Arthur's wife, she and Lancelot were even greater
14:23friends.
14:24I see.
14:25Mm-hmm.
14:26Hard to imagine how that must be, isn't it?
14:30Married to someone, but in love with another.
14:32It's regarded as a legendary love story, yet I'm never sure.
14:37How did it end?
14:38Not well for Arthur.
14:40A spear through the head.
14:43And for Guinevere?
14:45Lancelot came back for her after Arthur died and found her in a nunnery.
14:51Well, three meals a day.
14:54A comfortable frock.
14:56What more could a woman want?
14:58Well, that's still a lot.
14:59Carry on this discussion.
15:00Your Grace?
15:01You don't seem to be doing much searching.
15:10Your Grace.
15:21You don't seem to be doing much searching.
15:23Ah, while they search, I gather signatures, promises of support.
15:28When those with influence meet, that's when their guards are down, and they're open to business.
15:33And you're unconcerned who you do business with.
15:37Can't look at him, never mind smile.
15:39Your Grace.
15:42Lord Seedon has no sympathy for me.
15:47Not a shred.
15:48But each promise of support gets my bill closer to being passed.
15:53Now, I'm petitioning to give a voice to working men.
15:56Now, these are people who deserve to own land.
15:59And if that improves lives for thousands of working families, then I will shake the odd and palatable hand.
16:06I gather you're not adverse to ruffling establishment feathers?
16:10I wore a red dress to a black and white ball, just so for a few days the headlines wouldn't be about my sister.
16:18As women, we may not be heard, but we can rely on being looked at.
16:27You ought to go back and talk to the people with influence.
16:30Your Grace.
16:32I'm talking to someone with more influence than any lord in the land, should she choose to use it.
16:36Imagine if one might turn being looked at into being listened to.
16:43Ginny.
17:12Ginny?
17:13Ginny?
17:14Ginny?
17:15Ginny?
17:16Ginny?
17:17Ginny?
17:18Ginny?
17:19Ginny?
17:20Ginny?
17:21Ginny?
17:22Ginny?
17:23I know you have a husband, but laughing with women?
17:27Nights of laughing, it's the best.
17:30No, apart from nights of under the sheets.
17:33Oh, I never really enjoy any of that.
17:37What?
17:38I've wanted to.
17:41I want to.
17:42Don't you just lie there and wait for it to be over.
17:45No, Ginny.
17:47Oh no, but you know, sometimes yes, but in that case, I'll give you a tip.
17:53Encouraging noises, it speeds it up a little bit.
17:56Ginny, did you run?
18:01Did you and Guy Lope?
18:04Was it that kind of running?
18:07And Ginny was the running, not all you hoped.
18:17I think running might have been the biggest mistake I ever made.
18:20Ah, here he comes.
18:33Mister under the sheets.
18:35Oh no, no.
18:36Time to come home.
18:37I didn't mean that.
18:38We're taking you home.
18:39Too bad.
18:40Hey Ginny, remember encouraging noises.
18:42Are you trying to make me panic?
18:47I was trying to get out of that house, of that room.
18:50I'm just always there.
18:52You know if Freddy needs you?
18:54Yes, every second.
18:55Well, you know it every second or he needs you every second?
18:57Both.
18:58You wouldn't understand.
18:59You know I've given up a life for this and I've given up-
19:01Yes, I shouldn't be here.
19:02Nan should.
19:03You and Nan should be wherever you want in the world.
19:09Do you resent me?
19:14Sometimes.
19:16So do I.
19:20I think Freddy does too.
19:21My own baby resents me.
19:23I'm going home.
19:28Yes, good.
19:29Then we can-
19:30No, I'm going home.
19:33I thought I could do this, but I can't.
19:36And I should have never dragged you into it.
19:38We'd both be better off at home.
19:41I need to show you something.
19:42Go on.
19:54I don't want to have to tell you.
19:55They're making me out to be mad.
19:59They think I'm a kidnapper.
20:02Well, you've taken Seedon's property.
20:05I-I carried that baby.
20:07He-he came out of my body.
20:09I still feel it.
20:10I'm not good at this.
20:13I'm not.
20:14But-
20:15I feel-I feel desperate every second that I'm failing him.
20:20And he needs me all the time.
20:22And I'm scared to even pick him up when you're so good with him.
20:25Ginny, I know I'm not Nan.
20:28I know I'm not one of the other girls.
20:30I'm not your mother.
20:32But I love this boy.
20:40I love this boy.
20:42And look at him.
20:48He's doing...
20:49so well.
20:53And with his noises.
20:54I promise you, both of you, I will do my very best to be in love.
21:09When you imagine traveling the world, did you picture this?
21:13Stuck here with some mad woman that you hardly know, a loud baby.
21:17Yeah, it wasn't a dream.
21:22Maybe it should have been.
21:39Mother?
21:40Well, don't just stand there gawping, Richard.
21:42Let Joy be unconfined.
21:45Your mother is moving in.
21:52Your late father was many things, Richard.
21:55Thrifty, it turns out he was not.
21:57Bayless came for the lot.
21:58The house?
21:59Both houses.
22:00And all the furniture.
22:02Every stick, gone.
22:04We may need to establish some rules with regard to florals.
22:09With all of us here together, it might feel like Christmas.
22:12That's exactly what we're afraid of.
22:14Mother, you can't just barge into our lives like this.
22:17This is our house.
22:18Now we all live in it.
22:20Stop feeling sorry for yourself, Richard.
22:22If you think things are bad for you, pity your poor sister.
22:25Honoria will have to share a room with Mabel.
22:44One year they hid the grout in the water.
22:46Sneaky.
22:47Not today, though, I hope.
22:48I don't fancy getting wet.
22:49Isn't that it there?
23:00I'm sorry.
23:01So that's the game, is it?
23:03What are you doing?
23:06Theo?
23:07Don't.
23:08Don't.
23:09Stop!
23:11What is it?
23:14My bracelet.
23:15Your bracelet?
23:16It's gone.
23:17I see it.
23:18I see it.
23:19I see it.
23:20I see it.
23:21I see it.
23:24Well, that'll teach me to splash dukes.
23:27Here.
23:28Oh.
23:29Well, it's a beautiful spot.
23:44You're a good friend.
23:46It's a nun.
23:48That's me.
23:51I'm a good friend to everybody.
23:56Well, if I was hiding a glare...
24:12The main event's downstairs.
24:35Burial chambers.
24:37I hear her.
24:47I hear Nan crying.
24:50When she's alone, she cries.
24:52It's not as though I didn't suspect how she felt...
24:58...about Guy.
25:09You think my wife has a broken heart?
25:19Found!
25:20When he's panicked, the grail is found!
25:23You found it!
25:25Here we are.
25:26What is this place?
25:31Is King Arthur buried here?
25:35So they say.
25:36And Guinevere.
25:38And Guinevere.
25:49My uncle.
25:53My father.
25:56Mother will be next to him.
25:58And one day...
26:01You.
26:02And also...
26:03Me?
26:04There will be a ring on that finger in no time.
26:27I assume you must be Richard and Contita's project.
26:34All set to meet them all over my life.
26:38Oh, I...
26:39I must have misunderstood.
26:40I thought the girl was marriage.
26:42That's right.
26:44Oh, for God's sake.
26:45Don't be under any illusion.
26:46Love comes into it.
26:48Leave sentimentality to the weak.
26:52Or the French.
26:55These transatlantic unions are hardly love matches.
26:59Their purpose is to pay the bills.
27:05Um...
27:06But what about Conchita and Richard?
27:07When Richard needed to find a wealthy bride, he had to sail all the way to New York to pick one up.
27:20This new season of hard-up lords don't even know how to get on a boat.
27:24And the good news for you is that none of them will care how bad you are at balancing books on your head.
27:30You'll be balancing the books in a different way.
27:34I hear your father's a veritable gold mine.
27:37This little piggy went to market.
27:40Cora?
27:42Richard's bringing the carriage around.
27:44Are you ready?
27:45Yes, ready.
27:47Quite ready.
27:48You look perfect.
27:50I'll meet you outside.
28:00Yeah.
28:03You look perfect.
28:10You look perfect.
28:34He hears you.
28:38Theo hears you crying when you're alone.
28:40It's killing him.
28:41I think he knows about Guy.
28:45He knows he was here the night before the wedding.
28:47No.
28:49Not that.
28:53He's just, he's trying to understand and he's worried about you.
28:56We both are.
28:57Well, no one asked you to worry.
28:58Why can't everyone just mind their own business?
29:01Nan, I came here to see you and I've been trying to figure out if you're happy or not.
29:05Why?
29:07I was happy before you started asking me.
29:09And what does happy mean?
29:12Oh, I would love to know.
29:14But I just...
29:17I don't think it means crying in secret whenever you get the chance.
29:23And what do you know about marriage?
29:25You saw that place earlier.
29:26We'll be buried together.
29:27This marriage is forever.
29:30And I'm trying every day to be a good wife.
29:33And we were all in on the plan, all of us.
29:35But I am the one who has to live it every single day.
29:37So excuse me if every once in a while I think about Guy.
29:39And I can't bear it.
29:40Well then just listen.
29:41You listen to me.
29:42This is my marriage and I'm trying to make it work.
29:47I'm just trying to understand it.
29:50Why?
29:52No one asked you to.
29:53What?
29:59I'm just trying to help you.
30:03Dan.
30:04Oh, it's so good to see you.
30:05You too.
30:06How are you?
30:07I'm good, how are you?
30:08This is Cora.
30:09Hello, Cora.
30:10How are you?
30:11Nan! Oh, it's so good to see you!
30:15Me too!
30:17How are you? I'm good. How are you?
30:19This is Cora.
30:21Hello, Cora. How are you?
30:41I was just coming in to join the party.
30:44Ah, let's not. I mean, not quite yet.
30:50Ta-da!
30:52No cutlery.
30:53I mean, let's not go down and face everyone yet.
30:56Go on.
31:00Miss Merrigan, have you been able to do much sightseeing in England?
31:04I've walked. A lot.
31:07I like to walk calmly but with purpose.
31:12There are some beautiful parks and museums you must see while you're here.
31:15Oh, I don't like museums.
31:17I don't like parks much either. Or England.
31:20Oh.
31:21Lord Harris, Miss Merrigan's father is a distinguished businessman.
31:24He owns a shop.
31:26It is a very big shop.
31:29Very big. And Miss Merrigan has a substantial dowry.
31:33A generous allowance.
31:35And an iguana!
31:37I see.
31:41And would your iguana come with you to England?
31:45Oh.
31:46Oh, I plan to have six iguanas.
31:49Well, you're not too attached to him though. Are you?
31:53No.
31:54Not attached at all.
31:56What's your iguana's name?
31:58Darling.
31:59I'm fine.
32:04Right.
32:06Ichi-
32:15Ichi-
32:18Ichi-
32:19Sexy to swim
32:21That's all I really want
32:24Alone
32:25Two of us
32:28In a bedroom
32:30What might
32:32Possibly
32:34Happen next
32:36Sexy to swim
32:41I think about it all
32:44Checking out the
32:45Come on
32:47I've missed you
32:53Me too
32:56So do we
33:04Live
33:06Together now
33:08I think we might be living in sin
33:11That's absolutely my favorite way to live
33:17Sexy to somebody
33:21It would up me up
33:23Oh I need a reason to get out of your house
33:28And it's just a little things
33:31I can't believe in
33:33Sexy to somebody
33:40It would up me up
33:42Oh I need a reason to get out of your house
33:46Gloria?
33:49Sorry, sorry, sorry Mother
33:52I'm just getting dressed
33:54They don't seem to have backgammon
33:56What do they do here?
33:58I don't know
33:59Just go downstairs Mother
34:01I'll be there in just a second
34:03Don't be long
34:05I won't
34:05I think she's gone
34:10Come
34:15I can't
34:20I'm all she has
34:22Sorry
34:24One minute she won't speak
34:36Next she's telling the Earl of Derby to trim his bloody moustache
34:39Because a menace
34:40Cora
34:44What are you playing at?
34:47He's not here
34:48There are some stuffed shirts in here
34:50Of course there are
34:51This is England
34:52But there are some excellent options
34:55You think the Lord's not interested in my iguana?
34:58Nor your snoring
34:59Nor your itchy head
35:00Nor your fear of children
35:01Cora, why the sabotage?
35:02There were no thunderbolts
35:04Not one
35:05And I won't just marry any hard-up Lord
35:08Who needs my father's cash
35:09Unlike some
35:10You little
35:11Lady Brutalcy
35:12I hope I don't have to tell my mother
35:14Who's paying you good money
35:16That you just took that tone with me
35:19Oh my God
35:20That girl's complicated
35:31I fell in love with the queen of complicated
35:38Do you know what?
35:46Did I fall in love with the first man who looked at me?
35:49No, hardly
35:49Cora's going to be trouble
35:52But I like trouble
35:54I must make most of tonight, your grace
36:11I won't be in the country long
36:25News arrives every day
36:27And I'm afraid your poor sister's not in her right mind
36:31But when I brought her and our baby safely back to where she belongs
36:37You can be sure she'll get the medical attention she needs
36:39My lord, ladies and gentlemen, dinner is served
36:57Wine?
37:04Yes, please.
37:04Wine?
37:19Yes, please.
37:34Ready?
37:37Ladies and gentlemen, may I present the...
37:48May I actually speak?
37:52Because, believe it or not, I have, um, I have plenty to say.
38:02Mr. Hector Robinson is fighting to give a voice to all working men.
38:11Yet, what a novelty.
38:14How staggering for even one woman to be allowed to have a voice.
38:22A working man should be able to own his own land. True.
38:26But no man should be allowed to own his wife.
38:37To choose her like an ornament or to gradually erase her like she's some mistake.
38:41In a world where a woman's safety is far from guaranteed.
38:50Even...
38:51In her own home.
38:54It is my fight to make sure that she is at least believed and heard.
38:58And that any man who threatens that safety will feel the full force of what he deserves.
39:07I seem to have an audience.
39:10I seem to have a voice.
39:11I have a voice.
39:12And I will use it.
39:14What?
39:31Theodore?
39:32I believe my wife has spoken for us both.
40:06Excuse me.
40:17I'm sorry.
40:19I'm sorry.
40:20I'm sorry.
40:22I'm sorry.
40:23TÃo!
40:25TÃo!
40:34TÃo!
40:42TÃo?
40:47TÃo!
41:08Humiliation, is that your game?
41:12I'm not playing any games.
41:14Nor am I.
41:17You'll regret that little performance.
41:24Stay away from my wife.
41:29Are you alright?
41:30Yes, I'm fine.
41:31I'm fine, thank you.
41:32No.
41:37I'm so sorry.
41:40I've been finding this marriage way harder than I've been able to admit.
41:44None of it's your fault, and I'm so sorry.
41:48I really want to make this work.
41:49I do.
41:50I love this work.
41:53I do.
41:54not to learn how did you manage your life.
41:55It's not as stupid.
41:56Honey.
41:57Honey.
41:58It's not as good as I've seen it.
41:59I love you.
42:00I love you.
42:02Honey.
42:03I'm sorry, honey.
42:04No, you're sorry?
42:05You're sorry.
42:06I'm sorry I'm sorry.
42:08You're sorry?
42:09Any other person?
42:10You're sorry.
42:11I'm sorry.
42:12It's kind of being.
42:13Honoria, is there a sudden drought?
42:21Where's the sherry?
42:24Why must these things always happen to me?
42:27Mother.
42:30I believe we all miss, Father.
42:33Who does?
42:34Both your brothers are wasting their lives running around after Americans.
42:38I'm entirely on my own.
42:43You know, I'm virtually New York's backgammon champion.
42:56Honoria, why don't you go to bed?
43:00Your mother and I will be all right.
43:03You're not leaving me.
43:10Mother?
43:13You're sticking with that dressing gown, are you?
43:23If you're sticking with that face.
43:25You're not leaving me.
44:09I have to let Guy go.
44:19I'm really sorry.
44:26I kept telling myself that I could live a whole life thinking that Guy would eventually come back.
44:36Because Guy was everything, but he's gone.
44:40I told him to go.
44:43So I have to let go of the grief of Guy.
44:46I have to.
44:47And also I think Theo and I have a chance.
44:49And I really want to make this version of my life work.
44:54For Theo.
44:55For me.
44:56For Ginny.
44:57And also this life is...
45:03It might be important.
45:06And you've always been important.
45:09Now that you have influence, imagine what you might do.
45:12I feel like I can breathe again.
45:27Same.
45:27I'm done crying because it does no good
45:45Loving you don't feel like it should
45:50So I could forget it all
45:55It reminds me not to fall
46:00Under the weight of your love
46:07I was drowning like a stone in the ocean
46:11No point wishing that we never met
46:17It hurts but there's no regrets
46:22Move on though it isn't happened yet
46:27I can't forgive, can't forget
46:33Never at the time understand
46:40I would grow right out of your hands
46:48It hurt for so long and it's so fast
46:52You cut the tie and never look back
46:58Even blood can turn to save
47:03I was drowning like a stone in the ocean
47:08No point wishing we never met
47:14It hurts but there's no regret
47:19Move on though it isn't happened yet
47:24I can't forgive, can't forget
47:29I can't forgive, can't forget
47:31Never got anything I needed from you
47:36There wasn't anything I could lose
47:42I was waiting but you couldn't give
47:48I can't forgive, when you left
47:50When you left there wasn't much to miss
47:59No point wishing that we never met
48:04It hurts but there's no regret
48:09Move on though it hasn't happened yet
48:13I can't forgive, can't forget
48:15I can't forgive, can't forget
48:20I can't forgive, can't forget
48:26I can't forgive, can't forget
48:32Yesterday, I was uncontrolled.
48:57Self-restraint is a difficult skill to master.
49:02I've lost my father, and I may already be a father.
49:18I must ask your help.
49:19I can't help you, Sid.
49:21Nan has no idea where Jin is.
49:24I know.
49:25I've established that, but I don't believe you haven't heard
49:29from Guy.
49:30What's Guy got to do with it?
49:33Surely he told you about his plans?
49:36He and Ginny left together, so he must have some information.
49:38Guy left weeks before Ginny.
49:40He wasn't at the castle on our wedding day.
49:44Uh, no, actually.
49:53Guy was seen by several of your servants on the morning
49:56of your wedding leaving in a carriage with my wife.
50:03Witnesses also saw him the night before, running round the
50:09castle grounds with Nan.
50:13So if he was there the night before, and at first light,
50:18well, he must have stayed the night.
50:19Will King be a mobile Thorpe across the door inары,
50:21he was's home.
50:23Grandma?
50:23I have I?
50:24Shhh, I got a dis evidently.
50:25Yeah, he's really Presardician, but it was already
50:28in the future.
50:29He's kind of so beautiful, so товарищi was
50:31watching her?
50:32He's always coming back to me.
50:33He'sーモ chemist?
50:34He's hooked up Szusi and I know what
50:35we are and I do nothing for him,
50:37so he saw him.
50:37Sam.
50:38And was he?
50:39He did nothing for me at...
50:41Go God!
50:42I don't know what to do.
50:43Let's watch the LEO Tacoh
50:43terms look for you on the other day.
50:45I wonder if you have he's pet
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50:54
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