The Buccaneers (2023) Season 1 Episode 8

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The Buccaneers (2023) Season 1 Episode 8  #ShowMoviesTV  🎞 Please join  https://t.me/CinemaSeriesUSFilm

Transcript

00:00for tomorrow your wedding day it's exquisite if you think I'm giving it to

00:18you to underline the sense of occasion and history tomorrow represents whilst

00:22also intimidating you you're entirely correct

00:27well the point has been clearly underlined Theo is the main event tonight you can

00:33stand silently by his side which is the job of course to smile to wave perhaps to

00:43bestow your presence on the odd agricultural prize-giving but decisions

00:47even those which affect you both from now on aren't yours to make I'm not a

00:55monster now I liked you very much when we met but you lied to us your display at

01:04Christmas your determination to speak when your opinion has not been asked and

01:08you're urging of Theo to disrespect I haven't urged Theo to do anything his

01:16father and I worked hard for the family reputation Theodore insists he won't

01:20reconsider the marriage so tomorrow we host the wedding of the season perhaps

01:27the decade if you were to change your mind now particularly now your background is

01:33so well known Theo would be a laughingstock and for my honest loyal open-hearted

01:41son to be a laughingstock would break my heart but for it to happen to the Duke of

01:48Tintagel would undermine his position for the rest of his life

01:53an anxious bride is far from a new phenomenon I gave you the opportunity to leave on Christmas Day and you refused

02:06so now you must work through those pre-wedding nerves wear the tiara and stand tall by his side like a Duchess

02:13and stand tall by his side like a Duchess

02:20shake shake shake shake oh I don't know I don't know where to begin we are North Americans none of those of you who still think we're from England

02:40we're from England we're not no you see I love this place that I have long to know

02:49alright North America and yeah I know you wouldn't touch us with a ten foot pole

02:55because we're North Americans we're North Americans Ken

03:14Yeah, yeah, yeah, yeah , we are North Americans

03:19Oh

03:37My lady

03:49Tomorrow it'll all be yours

04:03We ought to stop avoiding each other

04:24This

04:25Tonight

04:27None of it feels the way the night before your wedding is supposed to feel

04:31I think that there's a lot of nonsense talked about weddings and how you're supposed to

04:35Are you in love with Guy?

04:40No, no

04:42Do you still want to marry me?

04:51You will be asked that question tomorrow

04:53You and I have put on enough public performances

04:57And then I love you

05:01But I won't wait here tomorrow with the packed church and the world watching

05:05Not if you're not sure

05:13So first thing in the morning let me know your decision

05:16Tomorrow I shall watch my son marry

05:28So I shall step aside

05:30And no longer be the Duchess of Tintagel

05:33I struggle to accept my new title of course

05:37As surely the Dowager Duchess is my elderly mother-in-law

05:41But I accept the new role with pride

05:45Because it means my son has fulfilled the role he was born for

05:50Now may I present the Duke

06:00My Lords, ladies and gentlemen

06:02Thank you all for coming

06:03And to my mother

06:05For agreeing to share the title of most important woman in my life

06:08But tomorrow

06:22Sorry

06:25Excuse me

06:26I'm so sorry

06:27Excuse me

06:29Sorry

06:30I'm so sorry

06:31Tomorrow Tintagel welcomes a new era

06:38And I welcome the woman with whom I very much hope to spend the rest of my days

06:44Whose strength, courage, and resilience we've already seen

06:52But who I have no doubt

06:54Will soon demonstrate her commitment, loyalty, and willingness to serve

06:59The new Duchess of Tintagel

07:03By my side

07:05Just as the last has been

07:10In my case, your presence, if you know that

07:23Letter for you, Lady Mirable

07:26Thank you

07:29Thank you

07:30Thank you

07:31Thank you

07:59You know I can just stay in here until you leave

08:14I'm not leaving

08:18No, no one

08:20I really don't want to hear you say sorry

08:22I'm happy for you

08:25Theo is a gentleman and to look after you

08:29I don't need looking after

08:31Well, we all do

08:34Sometimes

08:35Ginny, I'm sure it's cold and lonely in your world

08:38All you ever do is look after yourself

08:40And that's the end of it

08:42The moment we got off that boat, all you ever wanted was to find a man

08:46And the moment you did, you became a completely new person

08:51Your whole face has changed

08:54I can't bear to look at it

08:55We're going to Scotland

08:57For good

08:59Tomorrow, as soon as the wedding's over, the carriage is all packed

09:02And what difference will Scotland make?

09:05You're already so far away

09:06You're already so far away

09:25Would you excuse me?

09:27Achita, I looked in on Minnie and she was sleeping with her hands above her head like this

09:31Oh, I love her so much

09:34How is she?

09:35The baby

09:37Her name's Minnie

09:39When I was checking on her

09:41Baby's the best left either sleep or cry it out

09:45What about adults?

09:49Honoria?

09:51Would you like to join us for a drink?

09:52Honoria's happy to stand and take in the room, thank you

09:54She doesn't believe in drawing attention to herself

09:57I'm sorry, my scenario speak for herself

09:59And might you perhaps resist making Conchita feel uncomfortable?

10:02Your wife has a great deal to learn about our ability in this country

10:06To stand upright

10:08Upright?

10:10I may never have stood upright

10:12Except for a few months last summer in New York with Conchita

10:15And in fact, there's a strange feeling in the backs of my shoulder blades right now

10:19What is this?

10:21Hmm?

10:22I'd almost feel like dignity

10:24Oh, God

10:25For my entire life, Mother

10:27You've avoided checking on me

10:31You've chosen silence

10:33We're stepping back from all of this

10:35So I am happy to now remove every last shred of joy and noise from your home

10:40My family and I will no longer be part of yours

10:44Oh, good luck

10:45Entirely on your own

10:46I am severing ties, Mother

10:49Full financial independence on both sides

10:53I'm putting my family first

11:00Oh, and don't be tempted to check on me later

11:02As my wife and I intend not to be upright for much more of this evening

11:10Anything you'd like to add, my love?

11:13I have never loved your son more

11:15I'll get you a drink

11:16I'll get you a drink

11:17Get me a drink now

11:18Bedtime, the party's over

11:19What? What's wrong?

11:20What? What's wrong?

11:21Your friend's causing scene again

11:23I just need you

11:24Virginia, come on, stop

11:26Ginny?

11:27Ginny?

11:28Ginny?

11:30Ginny?

11:32Ginny?

11:33Ginny?

11:34What? What's wrong?

11:36What? What's wrong

11:37What is this?

11:38Your friends causing scene again

11:39I just need you

11:41Virginia, come on

11:42stop

11:43Ginny?

11:44Ginny?

11:45Ginny?

11:48Ginny?

11:50From now on

11:52This is the three of us

11:54Yeah we can buy our own house

11:56We can spend long stretches in Europe

11:57Don't you tip the feeling?

11:59This feeling of having no duty or expectation

12:01your expectation. Dickie. It's all gone. Everything. What do you mean? There's a list of excuses

12:17here from daddy but the fact is his big investment. He made some mistakes and he lost all of his

12:24money. Our money. Breaking away from your family is fine when we had money but now how are we

12:35going to live? Well it won't be easy but I love you and honestly what else matters? We can do

12:47anything. We can start again. This means we are properly free. Yes. Of all of them. No money,

12:53no ties, just us. Just us and Minnie. We can live. The three of us can just live.

13:10She's sleeping. Too much heat and noise, that's all. It's common to find this kind of event

13:17overwhelming when a woman in her condition. Congratulations to your birth.

13:23I don't know that you didn't. I quite understand. Do you want news to tell?

13:29sticking with this whole made-up headache thing are you? Patty we should be on top of the world. Both

13:55daughters settle with their titles and you and me we are the Duke and Duchess of Madison Avenue. The whole world envies our family.

14:02Our family no longer exists. The girls will be in England and what will we do Tracy?

14:08Whatever the hell we want Patty. Well, I believe I'm the only one who will find that a novelty.

14:15Patty, if it is adventures you want then the moment we get back to New York- I don't belong in New York. I've had my fill of being your audience at parties. I have never been enough for you but what has changed is you are no longer enough for me. I'm not scared of the scandal of divorce. As the mother of a duchess I will have options.

14:27And invitations. And invitations. And I can have all the adventures I want. Patty, we have be- I wanted to talk to you.

14:34Yeah, I need a drink. This country has put ideas into her head.

14:52This country has put ideas into her head.

14:57You know, I've always had ideas in my head.

15:01It's only now I realize people might want to hear them.

15:05Ha.

15:12Do you regret marrying Daddy?

15:14No, because I wouldn't have had you girls.

15:16But now, I need to...

15:19...re-find my spark.

15:25Do you understand?

15:28I believe I can see that spark already.

15:33Well, you gave me that gift.

15:36You marrying Theo lets me be myself again.

15:39Even the scandal of divorce won't shut out the mother of a duchess from society.

15:45Now, what did you come here to talk to me about?

15:47About who I am.

15:54It's, um...

15:57Annabelle.

16:04You're sure, are you?

16:05Are you quite sure about tomorrow?

16:10Because you mustn't feel with...

16:14...with the grandness of it all.

16:17You mustn't...

16:19...feel pressured.

16:21No.

16:22No, of course not.

16:24And I'm...

16:24I am sure.

16:26I just need some sleep.

16:29I'll see you tomorrow.

16:30Sarah, I love you.

16:33I love you.

16:38I can't hear you.

16:43You're too far away.

16:46I can't see you.

16:49The light is in my face.

16:53I can't touch you.

16:56I wouldn't if I could.

17:02I can't love you how you want me to.

17:07I can't love you how you want me to.

17:12I can't love you how you want me to.

17:17To us being next.

17:21Yes.

17:22At some stage.

17:24Whatever comes after.

17:26I mean, I guess for us, that's the joy of it.

17:28After the wedding, we get to just be as we are.

17:35Until the children come along.

17:37Yeah.

17:41I assume we'll...

17:44Even a convenient marriage can continue the line and...

17:51Definitely.

17:58What are we...

18:04You look so frightened.

18:08What's happened?

18:10This is how I am.

18:13This is how I've always been.

18:15Underneath.

18:17But I don't want to be anymore.

18:20I feel broken.

18:23What do you...

18:24What do you mean, broken?

18:27When we were little.

18:29The way you and others...

18:32Looked at boys and...

18:34Got butterflies.

18:35Like with Harry Hamilton.

18:37Do you remember?

18:38The blushing you all did.

18:39Harry Hamilton was the fastest runner in town.

18:42Well, for me, I know I should have had butterflies about Harry Hamilton.

18:47That's what's normal.

18:50But I never did.

18:53I had those feelings.

18:54I have those feelings.

19:00About girls.

19:04And I tried to be like you.

19:07But I'm just not.

19:10Mother walked in on me.

19:12In New York with a maid.

19:14She looked at me like I was a monster.

19:19Mabel, I'm so sorry.

19:23What did she say?

19:26She just...

19:28walked back out.

19:29Like I was nothing.

19:33Mabel, listen to me.

19:36Listen.

19:37You're...

19:38You're...

19:39Talking about...

19:43Love.

19:46How can love ever be wrong?

19:53If that's what gives you butterflies...

19:57Then you are exactly who you're supposed to be.

20:02You're Mabel.

20:03You're beautiful.

20:06You're not disgusted.

20:08Charlie.

20:10Shame.

20:12You have to try and let that go.

20:17You're too lovely to be, Romita.

20:19Thank you for telling me.

20:29Hold on.

20:33Which maid?

20:35Not Martha.

20:36She's 80.

20:37She's 80.

20:37We agreed no more secrets.

21:01We agreed no more secrets.

21:03I wanted to tell you.

21:14Yeah, you seem to delight in separating yourself from me, Ginny.

21:18Stopping me looking after you.

21:19I didn't mean to keep it a secret.

21:20I just...

21:21I didn't mean to keep it a secret.

21:21I expect Nan knows.

21:22No, she doesn't.

21:23About the baby.

21:24Nobody does.

21:25Nobody does.

21:25Is it mine?

21:27Of course.

21:28That's what I wonder.

21:28Of course.

21:29This is why the secrets.

21:30I should have told you.

21:31Are you pleased?

21:34Am I pleased?

21:37That my wife tells me lies.

21:41I think ashamed is a better word.

21:44I'm sorry.

22:00I'm sorry.

22:01I'm sorry.

22:01This was so much easier to climb when I was 15.

22:21Can we pretend I did that in a more elegant way?

22:36How?

22:43Theo thinks you're ill.

22:44No, he doesn't.

22:47No, he doesn't.

22:48I've called it off with Jeanne.

22:58She deserves better.

23:03Than you?

23:04Oh, certainly.

23:08But mainly than someone who's...

23:10...hopelessly, irretrievably, overpoweringly in love with you.

23:24Don't say that.

23:25If I've learned anything from you Americans, it's that when you think something, you should say it out loud.

23:30The wee English, have a cup of tea, then decide to keep it to ourselves.

23:33But this, I'd like to tell the entire world.

23:39God, Nan.

23:41I spend the entire time I'm not with you trying to convince myself that I must just be making it up.

23:48The amount I love you, the amount I actually, physically need you.

23:56But then I'm with you.

23:59And I look at your face.

24:02And your skin.

24:07And your neck.

24:08And your mouth.

24:33What about Theo?

24:34Listen, Nan.

24:37I want Theo to be happy.

24:40More than anything.

24:44Except...

24:45Maybe not...

24:47Not quite as much.

24:49Not as desperately as I want you to be.

24:54So I wanted to ask...

24:55Please don't.

24:56There's just been so much talk about marriage.

24:58Oh, God, no.

24:59That's not what I'm asking.

25:00And listen, Nan.

25:06I think this is forever.

25:10God, I feel it every minute.

25:14It is all I feel.

25:18But for now...

25:20I just...

25:21I just...

25:21For now, I just...

25:23Let's just let it be for now.

25:25I'm going away.

25:33Tomorrow.

25:35Because the thought of you both, I just shan't stand it.

25:38So, Brazil at first.

25:41And then...

25:42Who knows?

25:44And those pens that I had in my globe, I want to see it all.

25:47Come with me.

25:48What?

25:48I feel miserable asking this.

25:50The one thing I can't risk is not asking.

25:54And now you're just looking at me.

25:57You can't tell if you're thinking that you want to...

26:00Yes.

26:01To what?

26:03Yes, to all of them.

26:04Yes.

26:05Yes.

26:06Yes.

26:07Yes.

26:08Yes.

26:09Yes.

26:10Yes.

26:11Yes.

26:12Yes.

26:13Yes.

26:14Yes.

26:15Yes.

26:16Yes.

26:17Yes.

26:45Yes.

26:46Yes.

26:46What do you do when you've got so much to lose?

27:01Maybe tomorrow we'll get away and I'll stay lost to you

27:13Get away and I'll stay lost to you

27:24Get away and I'll stay lost to you

27:34Someone's here.

27:41Just a moment!

27:43Ann?

27:44Ann?

27:45I think I need your help.

27:48Oh gee.

27:50Okay, well I'll go get mother.

27:51No, no, no, no.

27:52She'll go straight to Stephen and she wouldn't be able to help herself and then she'll tell

27:56Daddy.

27:57I just can't.

27:58I don't have long any minute.

27:59He's going to realize that I'm gone.

28:03Okay.

28:04I'm here.

28:05He's not a bad person.

28:06He's not.

28:07He's not.

28:08He likes things in a particular way like the way that I talk and dress and I don't know,

28:13hold a fork or get undressed.

28:14He likes me to be perfect.

28:15He just gets so angry.

28:16It's all my fault probably.

28:17It's not your fault, Ginny.

28:18It's not your fault.

28:19It's not your fault, Ginny.

28:20It is not your fault.

28:21Man, the fact is it's not just going to be two of us anymore.

28:23Really?

28:24He doesn't like me to be near anyone.

28:36What if I can't protect my baby?

28:41We'll have to figure out how we're going.

28:48No.

28:49I can't. Wherever I go, he's going to find me. He's always so close.

28:59It's all right. It's all right. It's just...

29:02So you can come out now.

29:13You can trust him.

29:14It's okay. I promise you it's fine.

29:17What can I do?

29:17The wedding? The wedding?

29:21Well, I'll talk to Theo, but none of that matters right now.

29:25We need to get you out.

29:26I don't know.

29:28I don't know.

29:31I don't think I can survive on my own.

30:01We're coming with you.

30:06Come on.

30:10What are you doing?

30:13Why are you outside?

30:16You weren't anywhere to be found, so I came to check you hadn't wondered.

30:22No, not at all.

30:24Well, I know how you can be. I was worried, that's all.

30:31Ginny and I, we made up.

30:35Good news, my love.

30:38I wanted to show her the travel, but we could just wait till the morning.

30:41And I'll send you word about tomorrow.

30:43We should go to bed.

30:44Mm-hmm.

30:45And in the meantime, Ginny and I will stick close together.

30:48And I'll make sure she's well looked after.

30:51Good night.

30:52Good night.

30:53Good night.

30:54Whose courage is this?

30:55Oh.

30:56Sure, Nan just grabbed it on the way out.

30:58Hm.

30:59Huh.

31:00Who's courage is this?

31:04Oh.

31:05Sure, Nan just grabbed it on the way up.

31:07Hm.

31:08Oh, sure. Nan just grabbed it on the way out.

31:12Hm.

31:37Guy.

31:43Oh, Guy.

31:46You're better than the man I knew.

31:56We were in a band and you wouldn't flinch and wouldn't make a move.

32:06Try to forget the rest is how much you get undressed.

32:20Bring God this won't be a mess.

32:28And I keep running away but when I leave you pull me in again.

32:34Oh, here we go.

32:38I'll take that.

32:50I'm sorry.

32:52I'm sorry.

33:02Noria!

33:03Lady Noria, they're awful!

33:05How big is this castle?

33:09How big is this box?

33:11I'd still like to see you.

33:21Well, once you're married we can wave to each other from a distance.

33:25I talked to Miles.

33:27I'm not getting married.

33:29I know you and I won't get any of this.

33:31We won't get any of their world.

33:32Not really.

33:33Not in a way we deserve.

33:34But perhaps if we can be brave, we can make our own world.

33:38And maybe, maybe it'll be better.

33:42They don't know who we are, the rest of them.

34:07But they don't need to.

34:12Yes, we do.

34:17We do.

34:21Do we?

34:27We do.

34:30We do.

34:31We do.

34:37We do.

35:07No, this isn't about apologizing to your mother.

35:11It's me.

35:13The doctors.

35:14Doctors?

35:16I'm afraid it's bad.

35:18I've been married to your mother long enough to be able to withstand pain, but...

35:24They say weeks rather than months, damn it.

35:29They're rolling out the old affairs should be an order line.

35:33Which means, of course, it's time to step up, old boy.

35:38The estate, all the workers and so on, all down to you.

35:47And, of course, your mother, your sister, they'll be counting on you.

35:53It's time, Bridget.

35:56You'll be Lord Brittlesey.

35:59And Conchita...

36:01will be Lady Brittlesey.

36:07I owe you an apology.

36:22I hope you know that wasn't me yesterday.

36:29I should never have, uh...

36:39And I have a surprise.

36:45Might we put last night behind us?

36:47Let's go.

37:06What?

37:07зм collar.

37:08I don't know.

37:38Trust me.

37:49Um, where's the father?

37:51We don't need him.

38:08We don't need him.

38:38We don't need him.

39:08We don't need him.

39:38Go. You both have to go now.

39:44What is going on?

39:46Now, what is going on?

39:49Jenny, listen to me.

39:50This isn't just about you anymore.

39:52This is what mothers do.

39:53We have to go.

39:56Okay.

39:58You have the time it takes for the three of us to walk down the aisle before he notices.

40:08Never all time.

40:21Every one of them marches to their own drum.

40:26Your grace.

40:29A word.

40:38We love you.

40:45We love you both.

40:46We have to go.

40:46I'm so sorry.

40:48I see all of you for everything.

40:51Essentially, we're always on our own, don't you think?

40:54As mothers.

40:57So we must stick together.

40:59Who comes first?

41:00Always.

41:02We come first.

41:02I'm drunk.

41:04I'm drunk.

41:06I'm drunk.

41:07And I can't let you watch your son be humiliated without some sort of warning.

41:17Theo's a good man, and I would hate to see him.

41:21But Nan would never hurt anyone unless it was the absolute right thing to do.

41:29This has all happened very fast for Nan, your grace.

41:34And she cares very deeply for Theo.

41:37Since the news of her father's indiscretion, she's had a lot of growing up to do.

41:56But she's really very young.

42:03Better, I'm sure you will agree for both of them, to avoid the suffering of a hollow marriage, a life sentence.

42:10Nan, does Guy Thorpe make your heart sore?

42:12Yes.

42:13And your head's bent?

42:14Yes.

42:16Are you sure you want to do this?

42:17Of course.

42:17So I believe Nan is not coming.

42:25Annabelle is a strong-minded girl.

42:29Yes, she is.

42:31And her determination today, it seems, is to save her sister.

42:35Do you have the boat tickets?

42:44Come on, Ghanan.

42:46Ginny.

42:47Shoulders back and head high, okay?

42:50Come on, Ghani.

42:50Wait, what do you mean?

42:52What do you mean?

42:53I'm just going to look after you, okay?

42:54I love you.

42:54One daughter's sacrifice, for the other daughter's freedom.

43:01No, Nan, you're coming with me.

43:03You're coming with me, Nan.

43:04And this is my own wedding.

43:06But you don't even want to get married.

43:08You never have.

43:09And you love Guy.

43:10And I love you.

43:11And I'll choose you every time.

43:13Nan.

43:14It's going to be okay.

43:15Nan.

43:17Nan, Nan.

43:18Just listen, there's no time.

43:19Listen.

43:20You take my breath away.

43:22I hope you know that.

43:23Ever since that first day, whenever I close my eyes, or open them even, always, it'll always

43:31be you I see.

43:32I love you.

43:34I love you too.

43:35And love, deep, abiding love, it has to win, doesn't it?

43:42Somehow.

43:44Okay, I have to go.

43:46Okay.

43:49Nan.

43:51Nan, please.

43:52I'll take care of her.

43:53I'll take care of myself, I promise.

43:58Please, Nan.

43:59I'm so sorry.

44:06I'm so sorry, Nan.

44:08Nan.

44:08Nan's a clever girl, too, of course.

44:26She understands the severity of what Ginny's about to do.

44:29And a young girl, running away from her husband, taking his unborn child.

44:36A child?

44:37She'd never make it.

44:40Could never happen.

44:42Nan and Jenny leaving together would be just two powerless young girls.

44:45But as a duchess, as a duchess, as a duchess, Nan has absolute power to protect her sister.

44:59Her whole family.

45:02I believe we have a wedding to attend.

45:09Don't you care, as a mother, that your son will marry someone who can't be happy?

45:18How will they both live?

45:20He deserves to know.

45:21Yes, but I'm not only a mother.

45:24I'm a duchess.

45:25And as Nan will see, the institution always comes first.

45:55I'm a duchess.

46:25I'll look on your face and bring on all the pretenders.

46:31One day we will be remembered.

46:34Purely beloved, we are gathered here today in the presence of God inside of this congregation

46:40to join together this man and this woman.

46:43The body falls to the ground, made these memories so far far.

46:55You're too late.

47:01She's here.

47:04She's inside, Patty.

47:05Right now, she is inside the castle.

47:09Who?

47:11The mother.

47:15Nan's mother.

47:16Introducing the new duchess of Tintagel.

47:25There she is.

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