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โ˜ข๏ธ๐Ÿงช In Monstrosity (1963)โ€”also known as The Atomic Brainโ€”mad science meets macabre terror as a deranged doctor attempts to transplant human brains into unsuspecting victims. This cult classic is a deliciously bizarre slice of vintage sci-fi horror!

๐Ÿ“ฝ๏ธ Plot Summary:
A wealthy, aging woman hires a mad scientist to transplant her brain into a younger body. When the experiment spirals out of control, the mansion becomes a house of horrors for the young women trapped inside. Mutation, mayhem, and mind-swapping madness ensue!

๐Ÿ•ฐ๏ธ Year Released: 1963
๐ŸŽญ Genre: Sci-Fi, Horror, B-Movie
๐ŸŽฌ Directed by: Joseph Mascelli
๐ŸŽž๏ธ Starring: Marjorie Eaton, Frank Gerstle, Erika Peters

๐ŸŽฏ Why Watch It?
โœ”๏ธ Campy, creepy, and wildly entertaining
โœ”๏ธ A cult favorite among bad movie lovers
โœ”๏ธ Classic drive-in era atomic horror vibes
โœ”๏ธ Perfect for fans of MST3K-style fun

๐Ÿ”” Don't forget to LIKE ๐Ÿ‘ | COMMENT ๐Ÿ’ฌ | SUBSCRIBE ๐Ÿ”” for more strange cinema, sci-fi oddities, and horror from the public domain vault!

๐Ÿ‘‡ Explore More Classic Sci-Fi & Horror Films:
๐Ÿ“บ https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
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๐ŸŽž๏ธ #Monstrosity1963 #AtomicBrain #CultHorror #PublicDomainMovies #SciFiBMovie #VintageHorror #BrainTransplant #CampyClassics #MadScience
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๐Ÿง โšก Dare to enter the lab where minds are swapped and science runs amokโ€”Monstrosity is one mutation you won't forget!
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Transcript
00:00:00Can death be outwitted?
00:00:07Is the secret of eternal life just around that corner?
00:00:12Today, medical science patches up mutilated bodies, transplanting human skin, eyes, limbs, even vital organs.
00:00:20Is the next step the transplantation of the human brain?
00:00:24Many scientists answer yes, but they pause and add a grim warning.
00:00:29For in the ancient folk legends, tales are told of blood-sucking vampires, crawling out of graves to live on the bodies of helpless victims.
00:00:39Is man now doomed to produce a race of ever-living monstrosities, worse than the vampires of legend?
00:00:46Will ruthless men and women of great wealth and power greedily buy or steal the living bodies of the young and beautiful, so their brains may live on forever?
00:00:56Such questions may seem fanciful, but at this very moment scientists are working on the answer to brain transplantation.
00:01:04And human bodies are used.
00:01:08This girl was buried in a nearby cemetery yesterday.
00:01:12Only a few hours ago, her body was stolen.
00:01:16By Dr. Otto Frank, and brought to this hidden laboratory, he has grafted a living animal's brain into this newly dead body.
00:01:26If the experiment works, the next step will be the transplantation of a human brain.
00:01:32The brain cells are being reactivated by an atomic fission produced in the cyclotron.
00:01:38Has he found the way to outwit death, or has he created another?
00:02:00Another!
00:02:02Number!
00:02:03Another!
00:02:04And both of us...
00:02:06Mother!
00:02:08Earth!
00:02:09Another!
00:02:11Earth!
00:02:13Earth!
00:02:25Earth!
00:02:26Deep below, Dr. Frank takes the chance of smashing his way into a newly sealed vault.
00:02:47His experiments cannot continue without another body.
00:02:56The watchman's mind was not on body snatches, just his usual nip.
00:03:07The watchman's mind was not on body snatches, just his usual nip.
00:03:26Inside the vault, a body waits.
00:03:42This is one of the doctor's mistakes, a monstrosity.
00:04:09An animal's brain grafted to a human body.
00:04:13Leaving the dead watchman, the monstrosity carried the girl's body out of the vault.
00:04:17It fears and obeys one master, Dr. Frank.
00:04:21Dr. Frank.
00:04:27Dr. Frank.
00:09:37More of his hocus-pocus, Eddie.
00:09:41The doctor transplanted a brain from a live dog to a dead human body.
00:09:47You saw the creature walk out of that cylinder alive.
00:09:51How many failures since then?
00:09:54Still, it's your money.
00:09:58The bodies must be fresh.
00:10:00This specimen is excellent.
00:10:04And the police are looking for the body structure.
00:10:07Why the local cemetery, doctor?
00:10:09Are you trying to blaze a trail to our door?
00:10:12The final test was essential for your protection.
00:10:15As for the police, if they come here, I hit the switch.
00:10:18A nuclear reaction is set off.
00:10:20Close the circuit breaker.
00:10:21And in a matter of minutes, this house and any evidence it might contain becomes a radioactive hole in the ground.
00:10:28Be careful.
00:10:30We can wait for that until after your operation.
00:10:32Well, nothing must go wrong.
00:10:34There's no sign of life.
00:10:42Watch.
00:10:43There's no sign of life.
00:10:44There's no sign of life.
00:10:45There's no sign of life.
00:10:46There's no sign of life.
00:10:47There's no sign of life.
00:10:48There's no sign of life.
00:10:49There's no sign of life.
00:10:50There's no sign of life.
00:10:51There's no sign of life.
00:10:52There's no sign of life.
00:10:53There's no sign of life.
00:10:54There's no sign of life.
00:10:55There's no sign of life.
00:10:56There's no sign of life.
00:10:57There's no sign of life.
00:10:58There's no sign of life.
00:10:59There's no sign of life.
00:11:00There's no sign of life.
00:11:01There's no sign of life.
00:11:02There's no sign of life.
00:11:03There's no sign of life.
00:11:04There's no sign of life.
00:11:05There's no sign of life.
00:11:06There's no sign of life.
00:11:07She lacks but one thing.
00:11:22The brain.
00:11:25Hans was still living when he was dragged from that wrecked car.
00:11:28That's why we succeeded with the transplant.
00:11:31She seems odd.
00:11:33If she is, to a limited extent, she'll be able to move around,
00:11:37but the brain deterioration is too extensive of thought processes.
00:12:03The brain.
00:12:05By 21, we are back in the vehicle of Portland and Penn.
00:12:09The one with the number of 70s,
00:12:11followed by a trucking...
00:12:13...and a trucking...
00:12:15...and a trucking truck...
00:12:19...and a trucking truck...
00:12:21...and a trucking truck...
00:12:23...and a trucking truck...
00:12:25...and a trucking truck...
00:12:28Sikes, pardon me, but how far is Hollywood from here?
00:12:55All right, let's see.
00:12:58Sixteen kilometers.
00:13:01About ten miles.
00:13:02Which way?
00:13:04That way.
00:13:07Are you going to Hollywood?
00:13:09No such luck.
00:13:11I'm what's known as a foreign domestic.
00:13:13For the next twelve months, I'll be scrubbing floors and making beds.
00:13:17But when my time's up, Hollywood will look out.
00:13:21That's strange.
00:13:22A foreign domestic agency paid my passage, too.
00:13:26I'm from Vienna, Austria.
00:13:28Oh, really?
00:13:28Mm-hmm.
00:13:29I'm from England.
00:13:30No.
00:13:31Is this your first trip?
00:13:33Yes.
00:13:34I'm awfully excited.
00:13:36Por favor.
00:13:37I know you speak English very good.
00:13:40I know you speak English very good.
00:13:40Are you going to work for Mrs. Marge, too?
00:14:04This sounds like a sister act.
00:14:06You, too?
00:14:11Nina Rose?
00:14:14Yes, sir.
00:14:17Anita Gonzales?
00:14:24Beatrice Mullins, sir?
00:14:26That's right.
00:14:27Are you Mr. Marge?
00:14:28No, I work for Mrs. Marge.
00:14:32Come along.
00:14:36Three new bodies.
00:14:38Fresh, live, young bodies.
00:14:41No families or friends within thousands of miles.
00:14:43No one to ask embarrassing questions when they disappear.
00:14:59Victor wondered which one Mrs. Marge would pick.
00:15:02The little Mexican?
00:15:03The girl from Vienna?
00:15:03Or the buxam blonde?
00:15:06Victor knew his pick.
00:15:07But he still felt uneasy.
00:15:09Making love to an 80-year-old woman in the body of a 20-year-old girl is insanity.
00:15:15Still, Hedy's plan to transfer her fortune to the new body had been brilliant.
00:15:19Unpleasant to think of what was going to happen to these girls, but a man has to consider his own future.
00:15:24What would happen to him if Hedy were to cast him off after all these years?
00:15:27Well, where can they hang out?
00:15:37Well, there's your new home, girls.
00:15:42Gives me the shivers.
00:15:45Aren't there any neighbors?
00:15:46No.
00:15:48Are there any other servants?
00:15:51No, but I don't think you're going to find it boring.
00:15:57I don't think I'm going to take a nap to work.
00:16:08We'll be there.
00:16:09I don't know.
00:16:10I don't know.
00:16:16I don't know.
00:16:18I don't know.
00:16:19I don't know.
00:16:22I don't know.
00:16:24I don't know.
00:16:25I don't know.
00:16:25THE END
00:16:55What a jolly little place this is.
00:17:12What was that?
00:17:13No one's to leave this house without permission.
00:17:15Enough.
00:17:16Hurry along.
00:17:17Hurry up.
00:17:17Now go.
00:17:25Now go.
00:17:55Put it on your luggage.
00:17:56Turn around.
00:18:20Get the doctor.
00:18:25Get the doctor.
00:18:26Get the doctor.
00:18:50As with the other bodies stolen from cemeteries, the nerve endings of the brain were too far
00:19:00gone to receive a proper transplant.
00:19:03The experiment had failed to produce anything more than a walking, breathing, zombie-like
00:19:06creature.
00:19:07But the doctor permitted her to wander about the laboratory.
00:19:10She was quite harmless and, at times, even amusing.
00:19:15Charming, isn't she?
00:19:18Did you want something?
00:19:19Oh, Mrs. Marks is waiting for you.
00:19:22The girls have arrived.
00:19:26She doesn't have a brain.
00:19:29There might be advantages.
00:19:30I want them examined immediately.
00:19:41Very well.
00:19:43This way.
00:19:49Victor, the doctor can conduct the examination perfectly.
00:19:53Oh, what an old spoiled spot I am.
00:20:00Have you disconnected the phone?
00:20:02Can't I depend on you for anything?
00:20:04Won't it be nice when those girls start calling police, employment agencies, immigration authorities,
00:20:11consulates?
00:20:11There will be no phone calls.
00:20:22Idiot.
00:20:23She's useless.
00:20:24There is one more test I should make.
00:20:26Do anything you want with her.
00:20:28The other two?
00:20:29Perfect medical specimens.
00:20:32All right, Anita.
00:20:33Get dressed now and wait for the others.
00:20:41Mrs. March, I am now giving you notice.
00:20:49I do not care to work in this house any longer.
00:20:51I demand that...
00:20:52You have signed an agreement.
00:20:54If you have any objection, you will discuss them with the immigration authorities,
00:20:58as provided for in your papers.
00:21:01But, Mrs. March...
00:21:02Later.
00:21:05Stand up, my dear.
00:21:07I've got the same measurements as Mal and Monroe.
00:21:09I have.
00:21:24The lucky girl?
00:21:25Yeah?
00:21:27Allow me to be the first to offer congratulations.
00:21:32To both of you.
00:21:39For me?
00:22:02Come on.
00:22:04Come on.
00:22:04Come on.
00:22:09Your room is in the basement, Anita.
00:22:20Nina, your room is upstairs.
00:22:22Right across from the top of the stairs.
00:22:28I'll have to show you.
00:22:29I think it will be lonesome down there.
00:22:58Nonsense.
00:22:59You'll be all right.
00:23:00Go on.
00:24:31Who is it?
00:24:43Who is it?
00:24:47Who is it?
00:25:11Fee, are you sure she's not in her room?
00:25:16Yes.
00:25:18Victor left a little while ago. Maybe she went with him.
00:25:21She didn't get out of this prison without permission, that's for sure.
00:25:28Yes.
00:25:29But she would have said goodbye.
00:25:32Why should she? We only met her yesterday.
00:25:34I don't blame her for not wanting to sleep in the basement.
00:25:42It's funny, though.
00:25:45Mrs. March wouldn't even listen when I asked to be dismissed.
00:25:49This house gives me the creeps.
00:25:59She doesn't even have any uniforms for us.
00:26:02B, what in the world do you think you're doing?
00:26:04She told us last night to clean and polish in here.
00:26:06Look at your hands.
00:26:08That will leave a stain on them.
00:26:11Now, don't argue. Go in and wash them immediately.
00:26:15You can put the things away after Nina cleans them.
00:26:17Mrs. March, where is Anita?
00:26:23Anita?
00:26:24Oh.
00:26:26She left.
00:26:28Last night.
00:26:30I would like to give notice, too.
00:26:32I will discuss it with you.
00:26:35Another time.
00:26:47Nina, Nina, come here this instant.
00:27:14Nina, come here this instant.
00:27:17Yes, Mrs. March?
00:27:23Your name is at Nina.
00:27:25But Mrs. March, she's got polish all over there.
00:27:27And so I'm not doing anything.
00:27:28I don't want you running up and downstairs.
00:27:32Those pretty legs of yours will get ugly muscles.
00:27:36Send Nina to me.
00:27:38Yes, ma'am.
00:27:40I'll be in my room.
00:27:47I want to show you something.
00:28:08I want to show you something.
00:28:10Anita wouldn't leave without taking her clothes.
00:28:24I think we'd better get out of there.
00:28:25Fast.
00:28:26Bea, I'd hate to go if she's still here.
00:28:29You'll go now if you go with me.
00:28:30This hinge is loose.
00:28:55Help me.
00:28:56I'll be in my room.
00:28:57I'll be in my room.
00:28:58I'll be in my room.
00:28:59I'll be in my room.
00:29:00I'll be in my room.
00:29:01I'll be in my room.
00:29:02I'll be in my room.
00:29:03I'll be in my room.
00:29:04I'll be in my room.
00:29:05I'll be in my room.
00:29:06I'll be in my room.
00:29:07I'll be in my room.
00:29:08I'll be in my room.
00:29:09I'll be in my room.
00:29:10I'll be in my room.
00:29:11I'll be in my room.
00:29:12I'll be in my room.
00:29:13I'll be in my room.
00:29:14I'll be in my room.
00:29:15I'll be in my room.
00:29:16One last experiment before Dr. Frank would be ready, but this was the most critical of all the experiments.
00:29:43For the first time, the grafting operation would be performed on a living human body, and the brain would come from the doctor's favorite cat.
00:29:54Anita was ready.
00:30:08It's me, Nina.
00:30:10What about your clothes?
00:30:13Never mind, let's go.
00:30:17Be.
00:30:33B.
00:30:34She almost saw us.
00:30:35Let's wait a while to make sure we won't run into her.
00:30:40B.
00:30:41B.
00:30:42B.
00:30:43B.
00:30:44B.
00:30:45B.
00:30:46B.
00:30:47B.
00:30:48B.
00:30:49B.
00:30:50B.
00:30:51B.
00:30:52B.
00:30:53B.
00:30:54B.
00:30:55B.
00:30:56B.
00:30:57B.
00:30:58B.
00:30:59B.
00:31:00B.
00:31:01B.
00:31:02B.
00:31:03B.
00:31:04B.
00:31:05B.
00:31:06B.
00:31:07B.
00:31:08B.
00:31:09B.
00:31:10B.
00:31:11B.
00:31:12B.
00:31:13B.
00:31:14B.
00:31:15B.
00:31:16B.
00:31:17B.
00:31:18B.
00:31:19B.
00:31:20B.
00:31:21B.
00:31:22B.
00:31:23B.
00:31:24B.
00:31:25B.
00:31:26B.
00:31:27B.
00:31:28B.
00:31:29B.
00:31:30B.
00:31:31B.
00:32:40Bee!
00:32:42Bee!
00:32:52Bee!
00:33:00Bee!
00:33:02Bee!
00:33:04Bee!
00:33:14Bee!
00:33:16Bee!
00:33:18Bee!
00:33:20Bee!
00:33:32Bee!
00:33:34Bee!
00:33:36Bee!
00:33:38Bee!
00:33:40Bee!
00:33:42Bee!
00:33:44Bee!
00:33:46Bee!
00:33:48Where are you?
00:33:50Answer me!
00:33:52I'm here, Mrs. March!
00:34:04I'm here, Mrs. March!
00:34:18She's locked us in.
00:34:22Open it!
00:34:23I said open it!
00:34:24Mrs. March!
00:34:26Victor!
00:34:40Victor!
00:34:42Victor!
00:34:44Victor!
00:34:50Victor!
00:34:51Victor!
00:34:52Victor!
00:34:54Victor!
00:35:07Well, you took long enough.
00:35:09The lawyer will see you in the morning.
00:35:11I told her you were going to change her will.
00:35:19You'll have to check the basement door.
00:35:21It broke loose.
00:35:23You failed.
00:35:41You failed.
00:35:43You failed.
00:35:57You failed.
00:35:58She thinks she's a cat.
00:36:04Nice kitty.
00:36:13Well, I see you still resent the way Mrs. Marsh treats you.
00:36:26I can't say that I blame you.
00:36:28Kitty's always been very fond of me.
00:36:30Haven't you?
00:36:34Does she have all the instincts of a cat?
00:36:37Watch.
00:36:43She ate it.
00:37:13B.
00:37:40is that anita well oh i don't think so
00:38:10look out somebody help her
00:38:18back
00:38:40uh
00:38:50huns huns
00:39:10I still think you should have locked them up.
00:39:13They're not about to leave this house after what they've witnessed.
00:39:16They know Hans is outside there.
00:39:31Even if we could get past that creature outside, there's still the electric fence.
00:39:37The phone's dead.
00:39:38Can't get help that way.
00:39:40If we could get the car, that's it.
00:39:47Victor!
00:39:48Victor!
00:39:50He likes me, I guess.
00:39:54If you could get the keys from him...
00:40:01Hey.
00:40:04I was having a little nightcap.
00:40:06Who do you think you are, pinching me?
00:40:13What?
00:40:14What?
00:40:14What?
00:40:15Maybe you'd like some company.
00:40:19Someone like me?
00:40:22Mm-hmm.
00:40:23That's more like it.
00:40:29Don't you like me, Victor?
00:40:30Wait.
00:40:31Wait.
00:40:31Wait.
00:40:43Wait.
00:40:43Hans is chained
00:40:57let's go outside
00:40:59outside
00:41:00I think I'd like that
00:41:13Victor!
00:41:38Victor!
00:41:43Victor!
00:42:08Victor!
00:42:09Anita, what's the matter with you?
00:42:22Don't you know me?
00:42:24Anita, listen to me.
00:42:39Anita, stay right there.
00:43:08Don't move.
00:43:09I'm coming.
00:43:38Anita.
00:43:39Anita.
00:43:45Anita.
00:43:46Anita.
00:43:52Let me help you.
00:43:59Anita, let me help you.
00:44:14Anita, wait.
00:44:15Anita, wait.
00:44:16Anita, wait.
00:44:22Anita, wait.
00:44:23Anita, wait.
00:44:37Anita, wait.
00:44:38Anita, wait.
00:44:39Anita, wait.
00:44:40Anita, wait.
00:44:41Anita, wait.
00:44:42Anita, wait.
00:44:43Anita, wait.
00:44:44Anita, wait.
00:44:45Anita, wait.
00:44:46Anita, wait.
00:44:47Anita, wait.
00:44:48Anita, wait.
00:44:49Anita, wait.
00:44:50Anita, wait.
00:44:51Anita, wait.
00:44:52Anita, wait.
00:44:53Anita, wait.
00:44:54Anita, wait.
00:44:55Anita, wait.
00:44:56Anita, wait.
00:44:57Anita, wait.
00:44:58Anita, wait.
00:44:59Anita, wait.
00:45:00Anita, wait.
00:45:01Anita, wait.
00:45:02Anita, wait.
00:45:03Anita, wait.
00:45:04Anita, wait.
00:45:05Anita, wait.
00:45:06Anita!
00:45:08Anita!
00:45:24Astonishingly complex, isn't it?
00:45:26The human eye.
00:45:28That's the plane.
00:45:30See?
00:45:34She's unconscious, but she'll live.
00:45:38No.
00:45:40She will live.
00:45:42Well, Anita won't. She's dead.
00:45:50Nina, dear, come along with us now.
00:45:54You've had a bad shock.
00:45:58Get out of here.
00:46:00Both of you.
00:46:04I'm staying with me.
00:46:28Why don't you do something for her?
00:46:32I've done what I can for now.
00:46:34Later, an operation might be possible.
00:46:38I'm preserving the eye.
00:46:40Let me show you. Come over here.
00:46:42The cellular structure is being kept alive by these electrical vibrations.
00:46:52I use the same principle in keeping that hand alive.
00:46:58Dee is a very lucky girl.
00:47:02You think that ironical?
00:47:04Let me explain.
00:47:06I'm the only man alive today capable of restoring your friend's sight.
00:47:10Dr. Alexis Carell, who pioneered the transplanting of vital human organs.
00:47:16A proportion of an animal's heart alive for many years.
00:47:20For this, he received the Nobel Prize.
00:47:24And I, who have so far surpassed his efforts.
00:47:28Surely you don't want to compare yourself with Dr. Carell.
00:47:32He was humane.
00:47:34I too fight to preserve life.
00:47:36And to find the means to improve the lives of future generations.
00:47:40Your viewpoint is that narrow, ignorant one.
00:47:43Held by the medical society today.
00:47:45Which forces me to work in a place like this.
00:47:47To give in to the whims of a foolish old woman.
00:47:50Because she can supply me with the funds I need to continue my work.
00:48:00You're going to be alright.
00:48:01Nina?
00:48:02Yes, please.
00:48:05I, I can't see.
00:48:06What?
00:48:07You're intervandaged.
00:48:10Something happened.
00:48:11Don't think about it now.
00:48:13Listen to me, Bea.
00:48:15Are you listening?
00:48:16This is important.
00:48:17Yes.
00:48:18We must be ready if a chance comes.
00:48:21I remember now.
00:48:22It was Anita.
00:48:24She...
00:48:25Oh, my eye!
00:48:27My eye!
00:48:28My eye!
00:48:29My eye!
00:48:30Ah!
00:48:37You better leave.
00:48:38Did this chest take effect?
00:48:41I'm a doctor.
00:48:42I'll take care of her.
00:48:43I'm sure you will take excellent care of her.
00:48:46Until your plans call for something else.
00:48:50Or am I to be the next one, doctor?
00:48:53Doctor.
00:49:03There.
00:49:04You got all the clothes?
00:49:05Yes.
00:49:06And made my hair appointment?
00:49:08I took care of everything on your list.
00:49:11While you were talking with the lawyer.
00:49:13Hair appointment Monday, 10 a.m.
00:49:16Charles of the Ritz.
00:49:18Under Nina's name.
00:49:20I want Nina to model these.
00:49:23Later.
00:49:24After I've rested.
00:49:25You tell her.
00:49:39They're back.
00:49:40I'll have to leave you now.
00:49:42Remember, I'm going to try to get us out of here tonight.
00:49:45No.
00:49:46No.
00:49:48Forget about me.
00:49:49I won't go.
00:49:51Bea.
00:49:53Don't talk like that.
00:49:54Mrs. March had not realized her new body had such a satisfactory shape.
00:50:12Perhaps not as spectacular as the English girl, but in excellent taste.
00:50:17She couldn't help being amused.
00:50:19The stupid girl was not only modeling Mrs. March's future wardrobe, but Mrs. March's future body.
00:50:25So firm.
00:50:26So nicely rounded in places manlike.
00:50:34You might have knocked when you came in, Victor.
00:50:38I'm sorry.
00:50:39Don't stop yourself showing my account.
00:50:41Does my, uh, aged Lachinvar disturb you?
00:50:47That's unkind.
00:50:48Shut up.
00:50:50You see, it's hard for a vain, stupid man to realize that he holds no attraction for a lovely young girl.
00:51:03You're not needed now, Victor.
00:51:05Close the door quietly when you go out.
00:51:10I'm not going to be needed at all.
00:51:14That's what you're saying, isn't it?
00:51:17After tomorrow, when...
00:51:18Victor!
00:51:20That's enough!
00:51:22Get out!
00:51:23If it's the way it's going to be when what?
00:51:34Don't ask tiresome questions.
00:51:37That will be enough for tonight.
00:51:39I want us both to get some rest.
00:51:42Try to sleep.
00:51:43But Mrs. March...
00:51:44That's an order!
00:51:46Do as I say!
00:51:53You're not looking for me, are you?
00:52:12Why would a pretty young girl want to be around an old man?
00:52:18What did you try to tell Mrs. March?
00:52:20Hmm?
00:52:23So that's what you plan to do.
00:52:26Get rid of old Victor once you get all that money.
00:52:30The only thing is, of course, it won't really be you.
00:52:36Victor, please tell me.
00:52:39Try to make sense.
00:52:40I am telling you.
00:52:42Tomorrow you'll be one of the richest women in the world.
00:52:47There's a press release that's in the mails now.
00:52:50To all the major news syndicates.
00:52:54Orphan girl, soul heir to March millions.
00:52:58Nina Rhodes has a lucky star.
00:53:05I don't understand.
00:53:06The next press release will be March mansion destroyed by fire.
00:53:13Cinderella girl, Nina Rhodes, soul survivor.
00:53:18Only it won't be you.
00:53:22It's a pity, too.
00:53:24You're nice the way you are.
00:53:25Please don't let it happen.
00:53:31You could help me and Bea get away.
00:53:34When you're a rich woman, you wouldn't forget an old friend.
00:53:40A friend who'd saved your life, would you?
00:53:42Get out of the car.
00:53:52And stay there.
00:53:53Victor, Bea too.
00:53:54Bea must come too.
00:53:57Wait a minute.
00:53:59Just to make sure.
00:54:12Sign this.
00:54:15Sign this.
00:54:2230.
00:54:42City, Lord.
00:54:43You're a good friend.
00:54:45You're a good friend.
00:54:46I'm ready.
00:54:47I'm ready.
00:54:49I'm ready.
00:54:50Good friend.
00:54:51I'm ready.
00:54:52I'm ready.
00:54:53I'm ready.
00:54:54We're ready.
00:54:55I'm ready.
00:54:56All now.
00:54:58We're ready.
00:55:00Is there a new place?
00:55:01All soon.
00:55:03It's ready.
00:55:05All soon.
00:55:06It's ready.
00:55:07Bees, you've got to come with me.
00:55:32No, I won't go.
00:55:34Why should I want to go on living like this?
00:55:39I'll get Victor to help me and we will carry you.
00:55:56Did you want something from Victor, dear?
00:56:00Sit down, my dear.
00:56:03I'm afraid you're wearing yourself out with all this rushing round.
00:56:07I don't like that.
00:56:08You realize she's mad, don't you, Dr. Frank?
00:56:11Relax.
00:56:12Hurry, Doctor.
00:56:18I'll be ready for you shortly, Mrs. March.
00:56:21I'll be waiting.
00:56:35It's finally about to happen.
00:56:37You don't know what it's been like for me living with this ugly body of mine, knowing that any attention I received was not for me but my money.
00:56:58Well, nobody got any of it.
00:57:10I've never known what it was like to be loved for myself alone.
00:57:17Why did you kill Victor, Mrs. March?
00:57:21Victor?
00:57:23Victor was a fool.
00:57:32I'm a practical woman, Dr. Frank.
00:57:35A business woman.
00:57:36I've never been a very practical person.
00:57:40I suppose that makes me a fool, too, in your eyes.
00:57:44Of course not.
00:57:45Relax, Mrs. March.
00:57:46Just relax.
00:57:48Relax.
00:57:49Relax.
00:57:50Relax.
00:58:19Relax.
00:58:20Relax.
00:58:39Waking up, are you?
00:58:41Good.
00:58:42I want to talk to you.
00:58:50You signed a paper making Vicky a legal guardian.
00:58:55That's right, isn't it?
00:58:58I did something, something, didn't I?
00:59:01That would probably work as well for me.
00:59:05We could stay here.
00:59:08None of this would have to be destroyed.
00:59:12Reading better, aren't you?
00:59:14I'll let you try it on your own.
00:59:15I wonder now if Mrs. March didn't intend blowing me up,
00:59:22along with all the rest of this.
00:59:30You're a very wealthy woman now, Niner.
00:59:32What I must decide is how to keep you and your friends available
00:59:37with the least amount of nuisance to myself.
00:59:39I could keep you under sedation.
00:59:42I thought your signature was required.
00:59:46Or I could replace your brain with one more amenable.
00:59:54What about Mrs. March, Doctor?
00:59:57Mrs. March no longer has a thing to say.
01:00:00Do you, my dear?
01:00:01Do you, my dear?
01:00:06Completely recovered, I'd say.
01:00:08How do you feel?
01:00:12I guess a transplant would be better.
01:00:18It won't hurt.
01:00:19It won't hurt.
01:00:26Dr. Frank had enjoyed this transplantation.
01:00:29Mrs. March's brain winding up in the body of the cat.
01:00:35Poetic justice to think of autocratic Mrs. March scavenging in back-alley garbage cans for her dinner.
01:00:50But Mrs. March doesn't take things lying down.
01:00:54glass.
01:00:55ะฐะปัŒะฝั‹ะน
01:01:03little
01:01:05little
01:01:17little
01:01:19Come on.
01:01:49Come on.
01:02:19Come on.
01:02:49Come on.
01:03:19Mrs. March did not intend to let her money get out of sight.
01:03:22She would follow that girl.
01:03:24Sometime, someplace, revenge would come.
01:03:49She would follow that girl.
01:03:56THE END
01:04:26THE END

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