👻 Carnival of Souls (1962) Full Movie | Surreal Psychological Horror Masterpiece 🎡🕯️💀 - video Dailymotion

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🖤 Haunting organ music, ghostly visions, and a descent into the unknown... Carnival of Souls (1962) is a cult horror classic that blurs the line between reality and the supernatural in one of the most atmospheric films of the early 60s.  📽️ Plot Summary: After surviving a fatal car crash, church organist Mary Henry relocates to a new town—but something is wrong. She’s followed by eerie, pale-faced figures and drawn to a mysterious abandoned pavilion that hides terrifying secrets. Is she losing her mind, or is something otherworldly at play? 🕸️👁️  🕰️ Year Released: 1962 🎭 Genre: Psychological Horror, Mystery, Cult Classic 🎬 Directed by: Herk Harvey 🎞️ Starring: Candace Hilligoss, Frances Feist, Sidney Berger  🎯 Why Watch It? ✔️ A haunting blend of existential dread and surreal visuals ✔️ Influenced directors like David Lynch, George Romero ✔️ Dreamlike cinematography and spine-chilling score ✔️ Public domain horror essential for every film fan  🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more eerie gems, public domain thrillers, and vintage horror cinema!  👇 Explore the World of Classic Horror & Cult Oddities: 📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY ━━━━━━━━━━━━━━━━━━ 🎞️ #CarnivalOfSouls #1960sHorror #PsychologicalThriller #PublicDomainHorror #CultClassic #VintageCinema #CreepyMovies #HerkHarvey ━━━━━━━━━━━━━━━━━━ 🎡 Lost between life and death. Haunted by visions. Carnival of Souls is a surreal nightmare that will stay with you long after the final frame. ________________________________________

Transcript

00:00:00Hey Joe, drag your foot, boy. Look what we got here. Hey, you want to drag, huh? Come on. See that telephone pole? We'll take you to it, yeah. Yeah, we can take you to it.

00:00:17Come on, you want to try?

00:00:18No.

00:00:23Rev it up. Come on, man, get ready.

00:00:48I'm sure I'm going to try this. Watch me.

00:00:54I'm sure I'm going to try this. Watch me.

00:00:56Hold on.

00:01:19Hold on.

00:01:25Hold on.

00:01:35Hold on.

00:01:40Oh, oh, oh, oh, oh.

00:02:10Oh, oh.

00:02:40Oh, oh, oh, oh.

00:03:10Oh, oh, oh.

00:03:39Oh, oh, oh.

00:03:40Oh, oh, oh.

00:03:41Oh, oh, oh, oh.

00:03:42Oh, oh.

00:03:43Oh, oh, oh.

00:03:44Oh, oh, oh.

00:03:45Oh, oh, oh.

00:03:46Oh, oh, oh.

00:03:47Oh, oh, oh.

00:03:48Oh, oh, oh.

00:03:51Oh, oh, oh, oh.

00:03:52Oh, oh, oh, oh.

00:03:54Oh, oh.

00:03:55Oh, oh, oh.

00:03:56All right, now let's hear your story about how it happened.

00:04:00It wasn't our fault.

00:04:01Yeah.

00:04:03We were the first ones on the bridge, and coming along following the tracks,

00:04:08and they wanted to get around us, I guess, and they lost control when they dropped off.

00:04:12Are you sure you didn't crowd them off?

00:04:26Three hours?

00:04:29Yeah, not sure I want to find that car now.

00:04:33We're just standing with that current.

00:04:35We may never find it.

00:04:36Yeah, all I guess we can do is keep trying.

00:04:56Come on up, get down there.

00:05:09Come on up, get down there.

00:05:13Come on up, get down there.

00:05:26It's Mary Henry.

00:05:31Are you all right?

00:05:33How'd you get out?

00:05:35Put this on, we better get you back to town.

00:05:38What about the other girl?

00:05:44I don't remember.

00:05:49I don't remember.

00:06:01I don't remember.

00:08:44It's satisfying to you, I think.

00:08:45It's just a job to me.

00:08:47Well, it's not quite the attitude for going into church work.

00:08:51I'm not taking the vows.

00:08:53I'm only going to play the organ.

00:08:54Oh, I don't want more than that.

00:08:56Of course, it doesn't pay much, but, well, at least it's a start.

00:09:00Are you driving by Benton to see you folks?

00:09:05No, I can't.

00:09:06I, I, I must hurry.

00:09:08I, I, I've got to leave.

00:09:09I'm going to drive safe through.

00:09:11Mary, it takes more than intellect to be a musician.

00:09:16Put your soul into it a little.

00:09:18Okay?

00:09:19Good luck, Mary.

00:09:28Stop by and see us the next time you're in.

00:09:31But I'm never coming back.

00:09:33I don't know about that girl.

00:09:49How do you mean?

00:09:51The day before yesterday, she was the only one of three girls to survive an accident.

00:09:55You'd think she'd feel a little something like humbleness or gratitude.

00:10:01Never know what she thinks.

00:10:03She's always kept pretty much to herself.

00:10:06Yeah, and maybe in her place I'd do the same thing.

00:10:09Just pick up life again.

00:10:11Well, she's so quiet like she fools you.

00:10:15But she's a tough-minded little thing.

00:10:18I guess that's what it takes to survive.

00:10:21But I still say she's behaving strangely.

00:10:24Well, if she's got a problem, it'll go right along with her.

00:10:29Yep.

00:10:41Well, you're not.

00:10:49Well, if she's crying, don't let her go.

00:10:53Oh, my God, you're too.

00:10:53What's she saying?

00:10:54Well, she's trying to explain to me.

00:10:55She's having to wait a minute.

00:10:57I don't know.

00:10:58I don't know.

00:10:59You're too.

00:10:59I don't know.

00:11:00I don't know.

00:11:01I don't know.

00:11:02I don't know.

00:11:04I don't know.

00:11:05I don't know.

00:11:06I don't know.

00:11:08I don't know.

00:11:11THE END

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00:14:48I help you fill it up all right.

00:15:18I have anything else lady could you tell me what that big structure is back a few miles

00:15:41by the lake.

00:15:42Oh you mean the old bath house and it used to be a pretty richy place in the old days and

00:15:49the lake went down and they made a dance hall out of it and they put those buildings up

00:15:53out there and made some sort of a carnival there for a while.

00:15:58That years ago though just stands out there now.

00:16:01I see.

00:16:06I have an address here of a rooming house could you direct me.

00:16:11Oh sure.

00:16:12Well that's just right over here little Wade.

00:16:18I've been saving it for you since I got your letter.

00:16:27I could have rented it yesterday if I'd want them.

00:16:34Oh it's fine.

00:16:35It's just about what I expected.

00:16:36I knew you'd like it.

00:16:37There's ain't no regular rooming house you know.

00:16:40I only got you Mr. Linden across the hall.

00:16:44Each room's got its own private bathroom too.

00:16:52You can take all the dives you want.

00:16:59I'm not one to fuss about things like that.

00:17:03I think I'll be quite comfortable.

00:17:05I hope you'll stay alive.

00:17:08I'm downstairs in the back part of the house though.

00:17:11If there's anything else you need I guess I'll have to wait a warning.

00:17:16Good night.

00:17:26Good night Mr. Talbot.

00:18:46You know this was made in the same town where I've been studying.

00:18:49Of course.

00:18:50That's where we heard about you.

00:18:52Oh, by the way, you have found a place to stay.

00:18:54Yes, I have a room.

00:18:56Good.

00:18:57Well, we hope you're going to like it here.

00:19:00We're not the largest church in this area, of course, but we have a nice congregation.

00:19:05We'll have to have some sort of a section.

00:19:09They want to meet you.

00:19:10Couldn't we just skip that?

00:19:12Skip that?

00:19:13I don't suppose it's an absolute necessity.

00:19:16I don't know what some of the ladies will say.

00:19:20If they say I'm a fine organist, that should be enough, shouldn't it?

00:19:23Well, yes, of course.

00:19:26We'll let it go at that for the time being.

00:19:29But, my dear, you cannot live in isolation from the human race, you know.

00:19:37Mind if I try this now?

00:19:38I want you to.

00:20:01I'll be next door tonight.

00:20:05It's a reason.

00:20:06We have an organist capable stirring soul.

00:20:36I want you to.

00:22:08You need some fresh air.

00:22:10I've got to make a call out past the lake.

00:22:13Would you like to come along for the ride?

00:22:15You know that old pavilion out there?

00:22:17Mm-hmm.

00:22:19Will we pass it?

00:22:20Go right by it.

00:22:21Stop and look at it if you like.

00:22:23I would, with you along.

00:22:24Good.

00:22:25Good.

00:22:26Good.

00:22:27Good.

00:22:28Good.

00:22:29Good.

00:22:30Good.

00:22:31Good.

00:22:32Good.

00:22:33Good.

00:22:34Good.

00:22:35Good.

00:22:36Good.

00:22:37Good.

00:22:38Good.

00:22:39Good.

00:22:40Good.

00:22:41Good.

00:22:42Good.

00:22:43Good.

00:22:44Good.

00:22:44This used to be quite a place. It's been deserted for a long time now. Will you take me in. Goodness no. It isn't safe out there anymore. That's why they put up this barrier.

00:23:13It'd be very easy to step around it. What attraction could there be for you out there? I'm not sure. I'm a reasonable person. I don't know. Maybe I want to satisfy myself that the place is nothing more than it appears to be. Would you take me out there? No. The law has placed it off limits. Wouldn't be very seemly for a minister to break the law, would it? No. Maybe I can come back some other time.

00:23:43Shall we go along now?

00:23:46Oh.

00:23:49Oh.

00:23:56Oh.

00:24:03Oh.

00:24:08Oh.

00:24:13Oh.

00:24:18It must take a long time. You've been gone almost a whole day.

00:24:21I went for a long drive in the country with my new boss, an elderly minister.

00:24:27Oh, that must have been a kick in my head.

00:24:33I learned that from my other boarder, Mr. Linden.

00:24:37Did you get your supper?

00:24:39Oh, I forgot.

00:24:41Well, there's no boarding house, but I got some coffee and a sandwich making's left.

00:24:47It's time to bring your thumb up after a while.

00:24:50Good.

00:24:51I'll be taking one of those bags you're so generous with.

00:24:53Well, take as many as you want.

00:24:55I ain't one to make a fuss about a thing like that.

00:25:17I'm going to get a demo.

00:25:20I'm going to go.

00:25:22I'm going to go.

00:25:26I'm going to go.

00:25:28I'm going to go.

00:25:29Come here, Mrs. Farmer.

00:25:49Just a minute.

00:25:59I thought you were Mrs. Farmer.

00:26:14Yeah, I wasn't when you asked me.

00:26:17I'm Jonathan and I'm your neighbor right across the hall.

00:26:21Hey, I just wondered if you're not doing...

00:26:25I forgot to introduce myself. I'm married, haven't you?

00:26:54Yeah, I know.

00:26:56I heard you tell Mrs. Farmer that you haven't ate anything there.

00:27:00I just thought you'd be enabling all this.

00:27:03I haven't eaten anything either.

00:27:05I just thought we had to ask you out for dinner.

00:27:08That's very thoughtful of you, but I can't accept.

00:27:10I know, I know.

00:27:11We haven't met or anything yet, but I just thought...

00:27:13I'm sorry, you have to excuse me.

00:27:15Look, there's a nice restaurant, you know, right down the street, and I just thought...

00:27:19Well, I'm the kind of guy who doesn't like to eat by himself.

00:27:22I've made arrangements to eat in my room for now.

00:27:25I guess, uh...

00:27:27If you can't do mine, you just follow him.

00:27:33Well, it's kind of old for me.

00:27:35Good night, Mr. Lennon.

00:27:37I guess I'd love you.

00:27:39That's really fun.

00:27:41I guess if I could have...

00:27:43Well, I'll get a new boat.

00:27:45I've got a new boat.

00:27:47I think I was going to have a new boat.

00:27:49My husband, I'm going to have a new boat.

00:27:51I've got a new boat.

00:27:53It's a new boat.

00:27:55And it's just a new boat.

00:27:57I don't live with my boat.

00:28:00I guess, you know.

00:28:01And it's been hauled by.

00:28:03I think.

00:28:05I'm

00:28:13I'm

00:28:18I'm

00:28:22I'm

00:28:31I'm.

00:28:34I'm.

00:28:41Miss Henry?

00:29:01It's Miss Palmer.

00:29:11Who's the man in the hall?

00:29:25Oh, you must mean Mr. Linden.

00:29:32He has a room across the hall.

00:29:34No, I mean the other one.

00:29:38There is no other.

00:29:41Me and you and Mr. Linden.

00:29:44Us three is all there is in this house.

00:29:47But do you want the bathroom out there?

00:29:50You're needing this food.

00:29:53On the back?

00:29:54Eating makes you jumpy sometimes.

00:29:57Maybe you heard the boards pop or something.

00:30:00These old houses creak worse than mine is.

00:30:03I didn't hear him, Mrs. Thomas.

00:30:05I saw him.

00:30:09Now, don't talk that way.

00:30:11I don't think so good as it is.

00:30:16These old houses, they're big enough so that you can hide a man in every corner.

00:30:26You've just got to not let your imagination run away.

00:30:29Are you going out there?

00:30:31Well, of course.

00:30:31There's nobody there.

00:30:54Now, you just go and eat that sandwich I made for you.

00:31:03Don't drink the coffee.

00:31:04If coffee keeps you awake, it won't.

00:31:07Coffee never keeps me awake.

00:31:13Coffee never keeps me awake.

00:31:14I don't have to be awake, but it's broken on my face.

00:31:15I'm happy to be there.

00:31:16This is the wife and I live in a hurry.

00:31:18It won't look beyond my face.

00:31:19There was no one, Mr. Thomas.

00:31:19I have to go over with me.

00:31:21There won't be enough.

00:31:22It's so great.

00:31:22Now, you know.

00:31:28If you go home, you can wait for the questions.

00:31:29THE END

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00:33:25Look, I got a couple of shots left over from last night.

00:33:27You want a little bit in yours?

00:33:29No, thanks.

00:33:30It's not the recommended breakfast for a church organist.

00:33:33Oh, is that what you do?

00:33:35Hey, you mean they pay somebody to play the organ in church?

00:33:38Some churches do.

00:33:40Hey, I hope you don't mind about this.

00:33:43I just didn't know you were a church woman.

00:33:45To me, a church is just a place of business.

00:33:48Well, that's a funny way to look at it.

00:33:50Why?

00:33:51People seem shocked because I took a job in a church,

00:33:54and I regard it simply as a job.

00:33:57I'm a professional organist and I play for pay, that's all.

00:34:00Thinking like that, don't I give you a nightmare?

00:34:05Strange you should say that.

00:34:08As a matter of fact,

00:34:10not for that reason, mind you,

00:34:11but I had the strangest feeling last night.

00:34:15Yeah.

00:34:16I had kind of a lost night myself.

00:34:19Funny.

00:34:19The world is so different in the daylight.

00:34:25But in the dark,

00:34:26your fantasies get so out of hand.

00:34:29But in the daylight,

00:34:31everything falls back into place again.

00:34:35Let's have no more nights.

00:34:37Or let's make them more interesting.

00:34:40Hey, how'd you get to be at church organist?

00:34:46I studied it in college.

00:34:48I could have gone to college.

00:34:50Yeah, I used to play pretty good football,

00:34:52but they wanted me to take a lot of class and things, you know?

00:34:55Well, they're that way.

00:34:56Well, I'm just as smart as the next guy.

00:34:59Yeah, but I just didn't dig with their teaching in school, you know?

00:35:02And the thing I hated most was principal product.

00:35:07Principal product?

00:35:08You know, you know, like a principal product to Brazil.

00:35:15Coffee, beans, a snake oil, you know, like that.

00:35:19Now, at school, I couldn't care less.

00:35:22Now, you know what I cared about was girls.

00:35:24Didn't they offer a course in that?

00:35:26If I would have done that, I would have graduated.

00:35:28What's the matter?

00:35:31Can you still taste the coffee?

00:35:34Come on, what do you think?

00:35:35I'm an alcoholic?

00:35:37Look, I'd just like to start the day off in a good mood, that's all.

00:35:40You must be hilarious by noon.

00:35:42Look, I'm just the kind of a guy employers want.

00:35:44You know, the happy worker.

00:35:47Come on, come on.

00:35:48Did I make your morning happy?

00:35:50This morning, you're exactly what I needed.

00:35:53You're going to need me in the evening, too.

00:35:55You just don't know it yet.

00:35:55I'll rinse off these cups.

00:35:59Oh, come on.

00:36:00Just spoiled the flavor for tomorrow.

00:36:03Thank you for the coffee.

00:36:05It was unsanitary, but delicious.

00:36:07Well, I should have put some of the germ killer inside.

00:36:13Well, I take the least early.

00:36:16I think you can get through the door.

00:36:19You know, you got the wrong impression of me.

00:36:21Well, I know, but you had so many things to carry.

00:36:24Oh.

00:36:25Like I said, I got to leave.

00:36:27Well, it's been a pleasure, Mr. Linden, but I'm sure you have to get to work.

00:36:31Well, don't you?

00:36:32No, I had the whole day free for shopping.

00:36:34Does the hem hang right in back?

00:36:49We might change the hemline a little.

00:36:52The dress is just fine.

00:36:54Otherwise, it looks very nice.

00:36:56I'm sure it isn't very chic to take the second dress, but I like it.

00:36:59We also have a little here to make it straight all the way around.

00:37:04There, do you want to go back to your dressing room?

00:37:05There, do you want to go back, to my resurrection room?

00:37:11No.

00:37:12No.

00:37:19Do you want to go back?

00:37:20Ah, there.

00:37:22Here.

00:37:25Do you want to go back?

00:38:26I believe I'll have you deliver the dress, if you don't mind.

00:38:32I did say I'd take it.

00:38:34What's the matter with her?

00:38:52Oh, what's the matter with everyone?

00:39:01Why don't they answer me?

00:39:03I don't know.

00:39:10I don't know.

00:41:12There was someone else there.

00:41:19That strange man was there.

00:41:21Now look, look, you've had a fright.

00:41:24Hysteria won't solve anything.

00:41:26Now control yourself.

00:41:27Look, I'm Dr. Samuel.

00:41:28My office is right across the street there.

00:41:33You've had a shock.

00:41:35If you would like my assistance, I'll be glad to offer it.

00:41:39Could I come with you now?

00:41:41Certainly.

00:41:42I'll take her over to my office.

00:41:44We'll see that she's all right.

00:41:45It was more than just not being able to hear anything or make contact with anyone.

00:42:06It was as though for a time I didn't exist.

00:42:15So I had no place in the world.

00:42:18No part of the life around me.

00:42:20And then you saw this, this man.

00:42:27Yes.

00:42:27You'll excuse my back, but I wanted to get some of that written down.

00:42:34I must have been talking for an hour.

00:42:37Anything else?

00:42:38Anything you haven't told me?

00:42:41That's all there is.

00:42:43That's the whole story.

00:42:44He's been following me.

00:42:46That's all there is to it.

00:42:47It isn't that simple, though, is it?

00:42:50What do you mean?

00:42:51He could hardly have been in the park this afternoon, or one of us men would have seen him.

00:42:55And that night in the hallway, you said yourself, the landlady came up a minute later, and she didn't see him, did she?

00:43:01What are you driving at?

00:43:03It's been less than a week since you were in a car that crashed into the river.

00:43:07How you got out of that, no one seems to know.

00:43:10But that experience must have been a serious emotional shock.

00:43:13You think I imagined all of it, don't you?

00:43:15You think I'm insane?

00:43:16I didn't say that.

00:43:17I don't mean that.

00:43:18I'm a competent person.

00:43:20If anything, I'm a realist.

00:43:21I'm not given to imagining anything.

00:43:24Hardwash.

00:43:26All of us imagine things.

00:43:27Have you never heard two men talking behind your back and imagined they were talking about you?

00:43:34Have you never imagined you saw someone you knew and walked up to them and found they were a perfect stranger?

00:43:38I don't see what this has to do with it.

00:43:41The point is this.

00:43:42Our imaginations play tricks on it.

00:43:44They often misinterpret what we see and hear.

00:43:47Do you agree?

00:43:48I suppose so.

00:43:49If that can happen in ordinary times, go a step further.

00:43:54Look what can happen in a high fever or following a serious emotional shock.

00:43:59It's just as if possible that I could have imagined all of it.

00:44:02Does this man, this figure, resemble anyone you've ever known?

00:44:06An acquaintance?

00:44:07Or your father?

00:44:08No.

00:44:09You have a boyfriend here or back home?

00:44:11No, and I have no desire for one.

00:44:13Never?

00:44:14No.

00:44:14I'm surprised to find myself saying that.

00:44:19But it's true.

00:44:21I have no desire for the close company of other people.

00:44:25Have you always felt this way?

00:44:29I don't know.

00:44:30Don't you want to join in the things that other people do?

00:44:33Share the experiences of other people?

00:44:35I don't think capable of being very close to people.

00:44:38I do fear that perhaps I am trying to reach out for those other things.

00:44:43Do you feel guilty wanting them?

00:44:46I don't understand you.

00:44:48I'm not a psychiatrist, and perhaps I'm being clumsy at all this.

00:44:52But I am suggesting that perhaps this figure represents a guilt feeling.

00:44:56Oh, that's ridiculous.

00:44:58Maybe.

00:44:59Frankly, I don't know.

00:45:00Well, I know one thing.

00:45:04My imagination is playing tricks on me.

00:45:07I'm going to put a stop to it.

00:45:09You're a very strong-willed person, aren't you?

00:45:11I survived, if that's what you mean.

00:45:14That old pavilion out by the lake.

00:45:17Somehow you associate it with all this, don't you?

00:45:21I could go out there.

00:45:23I could put an end to that, too.

00:45:26I could go out there.

00:45:27Now, don't be hasty.

00:45:28If it is all my imagination, I could put a stop to it.

00:45:34Maybe, but at least someone should be with you.

00:45:36Now, I can't possibly get away now.

00:45:38As you say, Doctor, I'm a person of strong will.

00:45:40And the time to go out there is now.

00:45:43And if I have to, I can go alone.

00:45:58I can go home.

00:46:12I can go.

00:46:13I can go alone.

00:46:14THE END

00:46:44THE END

00:47:14THE END

00:47:44THE END

00:48:14THE END

00:48:44THE END

00:49:14THE END

00:49:44THE END

00:49:46THE END

00:49:50THE END

00:49:52THE END

00:49:56THE END

00:50:02THE END

00:50:08THE END

00:50:12THE END

00:50:14THE END

00:50:18THE END

00:50:20THE END

00:50:24THE END

00:50:26THE END

00:50:30THE END

00:50:36THE END

00:50:38THE END

00:50:40THE END

00:50:42THE END

00:50:46THE END

00:50:48THE END

00:50:50THE END

00:50:52THE END

00:50:56THE END

00:50:58THE END

00:51:00THE END

00:51:06THE END

00:51:08THE END

00:51:10THE END

00:51:12THE END

00:51:14THE END

00:51:16THE END

00:51:18THE END

00:51:20THE END

00:51:22THE END

00:51:24THE END

00:51:30THE END

00:51:32THE END

00:51:34THE END

00:51:36THE END

00:51:38THE END

00:51:40THE END

00:51:44THE END

00:51:46THE END

00:51:48THE END

00:51:50THE END

00:51:52THAT

00:52:06THE END

00:52:08THE END

00:52:10THE END

00:52:17THAT

00:52:18Amen.

00:52:48Amen.

00:53:18Amen.

00:53:48Amen.

00:54:18Amen.

00:54:49Profane, sacrilege, what are you playing in this church?

00:54:55Have you no respect?

00:54:57Do you feel no reverence?

00:55:00And I feel sorry for you and your lack of soul.

00:55:05This organ, the music of this church, these things have meaning and significance to us.

00:55:11I assume they did to you.

00:55:14But without this awareness, I'm afraid you cannot be our organist.

00:55:20In conscience, I must ask you to resign.

00:55:44That does not mean that I am abandoning you, nor should you turn your back on the church.

00:55:53There is help here and I urge you to accept it.

00:56:01I've been waiting an awful long time

00:56:29for you. My car's just over there.

00:56:31I know just the right place to go.

00:56:57What's the matter? Don't you drink, either?

00:56:59It's not really.

00:57:01Not really.

00:57:03How else is there if you don't drink, really? Answer me that.

00:57:06Now, me, I not only drink, really, I really drink.

00:57:18What's the matter? Do you like the music, either?

00:57:21I like it fine.

00:57:22You don't like it?

00:57:23You don't like to dance, and you don't like to drink.

00:57:27You don't like for a man, I'll hold you close. That's it, isn't it?

00:57:32I didn't say that.

00:57:33You haven't said anything all evening.

00:57:38Why don't I go play that song again? You like it so much.

00:57:41Hey, Johnny, who's the doll?

00:57:50Nobody you know, Chippin.

00:57:52Oh, come on now. You've been holding out on me.

00:57:54That's not the kind of pig you usually drag around.

00:57:58You quit licking your chops. She's out of your class.

00:58:00You want a bet?

00:58:04Lay off, huh?

00:58:06I got something on the stove there, man.

00:58:08Well, listen, I'll help you put it over.

00:58:10I don't want her to think I even know creeps like you.

00:58:15Good luck.

00:58:20Meet someone you know?

00:58:22He's a college fella.

00:58:29He, uh, told me about this girl.

00:58:31He wanted to meet me.

00:58:34He wanted to meet her.

00:58:36What are you telling?

00:58:38I said, how could I? You're my date, you know.

00:58:46He said you, uh, didn't seem to enjoy my company much.

00:58:50That's not true.

00:58:52I really appreciate you taking me out this evening.

00:58:56I've had a miserable night if you haven't.

00:58:59All right.

00:59:00Forget it. Come on. Here.

00:59:01Join a party. Drink up.

00:59:09I paid good money for that stuff.

00:59:11It ain't poison.

00:59:12I'm sorry if I annoy you.

00:59:16You know, I don't get you.

00:59:18First you stand me off.

00:59:20Well, that's okay.

00:59:20That's class.

00:59:22Figured you got something, you just hold them back.

00:59:25Now, everything I say is okay.

00:59:27You're a mouse.

00:59:29Yesterday, I didn't care.

00:59:32Tonight, I want to be with you.

00:59:35Me or just with anybody?

00:59:37With you.

00:59:37Why don't you fall out, hmm?

00:59:50But maybe you want to be alone, huh?

00:59:52I'll be alone.

00:59:52That's what you want.

00:59:53I like being with you.

00:59:56Really, I do.

00:59:56I don't want to be alone tonight.

01:00:01I want to be near you.

01:00:02You mean that?

01:00:13Yes.

01:00:14Why don't you and me get out of here, hmm?

01:00:28You know, my room's only a couple of feet from yours.

01:00:32It's likely to get very far from me, aren't you?

01:00:34I don't know.

01:00:54I'm going to wake Mrs. Thomas.

01:00:58Hello, girl. This is my back of the house. She won't hear nothing.

01:01:11Honey.

01:01:14You don't want to go in there all by yourself, do you?

01:01:19It's dark and it's lonely in there.

01:01:21You don't have to be alone tonight.

01:01:25Just come in a while and stay with you.

01:01:29You don't want to be alone, do you?

01:01:32No.

01:01:45Sorry, I'm not again.

01:01:47You asked me, didn't you?

01:01:50You'd like me a little, huh?

01:02:21What's the matter with you?

01:02:26What's going on around here?

01:02:29What's the matter with you?

01:02:31Ben's after me.

01:02:33You've got to stop me or he's after me again.

01:02:35I'm getting home.

01:02:36I don't want to go.

01:02:37Not me, sister.

01:02:39That's just what I need.

01:02:41Get mixed up with some girls off her rocker.

01:02:43I don't want to be like that at all.

01:02:45Not me, don't let them play.

01:02:46I don't20.

01:02:48Not me, son.

01:02:50Oh my, son.

01:02:53Not me.

01:02:55Ah, Mom.

01:02:56No.

01:02:59Oh.

01:03:02Oh.

01:03:03THE END

01:03:33What did you find out, Doctor?

01:03:42Not very much, I'm afraid.

01:03:45I'm sure glad you just happened around.

01:03:49I was going to call somebody, but I was afraid you'd have to pay the bill.

01:03:53I came on purpose.

01:03:56I've been thinking about her ever since she left my office yesterday.

01:03:59What's she been up to?

01:04:00Only the devil knows that.

01:04:05I heard her moving things all around that room all night.

01:04:10Never heard such goings-on.

01:04:13And she wouldn't let me in her room this morning.

01:04:15She's a strange one.

01:04:17She absolutely refuses my help.

01:04:21I can't say that I blame her.

01:04:22There's something about her that completely baffles me.

01:04:26I've urged her to call upon me if she feels she needs help, and I hope she will.

01:04:31I can't let her stay in this house.

01:04:33You won't have to worry about that.

01:04:35She's determined to leave the city, and she wants to get away as soon as possible.

01:04:39I hope she does leave.

01:04:41I hope she can.

01:04:46I hope she can.

01:05:16I hope she can.

01:05:37I can't refund none of your week's rent when you go off like that.

01:06:07I don't know.

01:06:37Sounds like a transmission can you pull it up on the ramp.

01:06:57OK fine.

01:06:59Will it take off.

01:07:00Well I have to check it first.

01:07:02Would you like to get out.

01:07:04May I just sit here.

01:07:06Yeah.

01:07:07Suit yourself.

01:07:08Yeah.

01:07:09Yeah.

01:07:10Yeah.

01:07:11Yeah.

01:07:12Yeah.

01:07:13Yeah.

01:07:14Yeah.

01:07:15Yeah.

01:07:16Yeah.

01:07:17Yeah.

01:07:18Yeah.

01:07:19Yeah.

01:07:20Yeah.

01:07:21Yeah.

01:07:22Yeah.

01:07:23Yeah.

01:09:54When is the next bus leave?

01:09:55I must get on.

01:09:56I want to get out of here.

01:10:14I want to get away from here.

01:10:18I want to get out of here.

01:10:22I want to get out of here.

01:10:28I want to get out of here.

01:10:32I want to get out of here.

01:10:36I want to get out of here.

01:10:40I want to get out of here.

01:10:46I want to get out of here.

01:10:52I want to get out of here.

01:10:56I want to get out of here.

01:10:58I want to get out of here.

01:11:00I want to get out of here.

01:11:36Don't close the way.

01:11:46Wait, wait.

01:11:47Let me in, Papa.

01:11:48Let me in.

01:11:49I've got to get away from here.

01:11:52Please.

01:11:53Please.

01:11:59You hear me.

01:12:01You can hear me.

01:12:06They can't see me.

01:12:17Why can't they see me?

01:12:19Why?

01:12:20Why can't I need anything?

01:12:38Why can't I need your help?

01:12:50Just a moment, please.

01:12:52Why can't I need my help?

01:13:11Why can't I need my help?

01:13:12Why can't I need my help?

01:13:13Why can't I need my help?

01:13:14Why can't I need my help?

01:13:15Why can't I need my help?

01:13:16Why can't I need my help?

01:13:17Why can't I need my help?

01:13:18Why can't I need my help?

01:13:19Why can't I need my help?

01:13:20Why can't I need my help?

01:13:21Why can't I need my help?

01:13:22Why can't I need my help?

01:13:23Why can't I need my help?

01:13:24Why can't I need my help?

01:13:25Why can't I need my help?

01:13:26Why can't I need my help?

01:13:27Why can't I need my help?

01:13:28Why can't I need my help?

01:13:29I don't know.

01:13:59I don't belong in the world.

01:14:11That's what it is.

01:14:13Something separates me from other people.

01:14:24Everywhere.

01:14:26They're everywhere.

01:14:27They're not going to let me go.

01:14:31Everywhere I turn.

01:14:35There's something that's blocking my experience.

01:14:39He's trying to prevent me from living.

01:14:43He's trying to take me back somewhere.

01:14:46I can't fight him.

01:14:48I don't know what's real anymore.

01:14:52I came to you, doctor.

01:14:55Because you're my...

01:14:57My last hope.

01:15:00If you don't help me, I...

01:15:02I have to go back there.

01:15:05He's...

01:15:06Trying to take me back somewhere.

01:15:10Doctor.

01:15:12You've got to tell me what to do.

01:15:14Come here.

01:15:29Oh.

01:15:30Oh.

01:15:31Oh, my God.

01:16:01Oh, my God.

01:16:31Oh, my God.

01:17:01Oh, my God.

01:17:31Oh, my God.

01:18:01Oh, my God.

01:18:31Oh, my God.

01:19:01Oh, my God.

01:19:31Oh, my God.

01:20:01Oh, my God.

01:20:31Oh, my God.

01:21:01Oh, my God.

01:21:06Oh, my God.

01:21:36Oh, my God.

01:22:06Oh, my God.

01:22:07Oh, my God.

01:22:08Oh, my God.

01:22:10Oh, my God.

01:22:12Oh, my God.

👻 Carnival of Souls (1962) Full Movie | Surreal Psychological Horror Masterpiece 🎡🕯️💀

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