- today
Category
๐ฅ
Short filmTranscript
00:00:00I will talk to you of art, for there is nothing else to talk about, for there is nothing else.
00:00:18Life is an obscure hobo bumming a ride on the omnibus of art.
00:00:23Burn gas, buggies, and whip your sour cream of circumstance, and hope, and go ahead and sleep your bloody heads off.
00:00:35Creation is, all else is not.
00:00:39What is not creation is graham crackers.
00:00:44Let it all crumble to feed the creator.
00:00:48The artist is, all others are not.
00:00:53A canvas is a canvas, or a painting.
00:00:58A rock is a rock, or a statue.
00:01:03A sound is a sound, or is music.
00:01:11A creature is a creature, or an artist.
00:01:15Where are John, Joe, Jake, Jim, Jerk?
00:01:26Dead, dead, dead.
00:01:29They were not born before they were born.
00:01:33They were not born.
00:01:34Where are Leonardo, Rembrandt, Ludwig?
00:01:40Alive.
00:01:41Alive.
00:01:43Alive.
00:01:43They were born.
00:01:44They were born.
00:01:47Bring on the multitude with a multitude of fishes.
00:01:51Feed them to the fishes for liver oil, to nourish the artist.
00:01:57Stretch their skins upon an easel, to give him canvas.
00:02:01Crush their bones into a paste, that he might mold them.
00:02:08Let them die.
00:02:11And by their miserable deaths, become the clay within his hands.
00:02:17That he might form an ashtray, or an ark.
00:02:21For all that is, comes through the eye of the artist.
00:02:27The rest are blind fish, swimming in the cave of aloneness.
00:02:32Swim on, you maudlin, muddling, maddened fools.
00:02:37And breathe, that one bright and sunny night,
00:02:42some artist will bait a hook, and let you bite upon it.
00:02:47Bite hard, and die.
00:02:52In his stomach, you are very close to immortality.
00:03:04Walter?
00:03:06Walter, what are you doing there?
00:03:07I was looking at Carla's picture.
00:03:08Do I pay you to look at pictures?
00:03:10I'll get to work.
00:03:11I was just looking.
00:03:12There are empty cups all over the place.
00:03:14Clear them out.
00:03:17You shouldn't be so rough on him, are you?
00:03:25Yes, sir, Walter.
00:03:26All right.
00:03:38Let me go, Kurt.
00:03:47Yes, man.
00:03:51How you making?
00:03:52Fine, man.
00:03:53How about you?
00:03:53You're in there now.
00:04:06Valdez, Vice.
00:04:07Yeah, LaCroix checking in.
00:04:08Lou took over a couple of minutes ago.
00:04:10Anything new at the door?
00:04:12Well, nothing you can pound nails in.
00:04:13A couple of hustlers.
00:04:14One of them short, fat, brunette, named Skinny.
00:04:18The other one was short also.
00:04:19She was bleach and skinny.
00:04:21Name of Fat?
00:04:23Probably.
00:04:23I didn't get it.
00:04:24They didn't give any pictures, though.
00:04:26I guess you can keep an eye on them.
00:04:27Okay.
00:04:28Any hits?
00:04:29Well, Jerry Sachs looked like he was straight.
00:04:31I'm sure he's on it, anyway.
00:04:34Didn't see any pushes around the place.
00:04:35Lou said he'd check out on Jerry.
00:04:36He'll sound him out later if he gets any higher.
00:04:39I guess that's about it.
00:04:41Okay, uh, go on home and get a good night's sleep, you think.
00:04:45Okay, so long.
00:04:50Everyone listen to my new poem.
00:04:51Do you think they really heard it?
00:04:53I heard it, Mr. Brock.
00:04:54Thank you, Walter.
00:04:55I'm sure you did.
00:04:57Bring on the multitude with a multitude of fishes.
00:04:59Feed them to the fishes for Live Royal to nourish the artist.
00:05:03That was word for word.
00:05:05Yes, sir.
00:05:06I forgot you.
00:05:07You mean you don't remember your own poem?
00:05:09I refuse to say anything twice.
00:05:10Repetition is death.
00:05:12I don't get it.
00:05:13When you repeat something, you are reliving a moment.
00:05:16Wasting it.
00:05:17Severing it from the other end of your life.
00:05:19I believe only in new impressions.
00:05:21New stimuli.
00:05:22New life.
00:05:22I thought you believed that life is an obscure hobo bumming a ride on a...
00:05:26I do believe that, Walter.
00:05:27But I also believe creative living.
00:05:29To be uncreative, you might as well be in your grave.
00:05:32Or in the army.
00:05:34They tried to draft me once.
00:05:37I couldn't pass the test.
00:05:40Walter?
00:05:41Leonard's looking at you.
00:05:46He's just about gone.
00:05:48Walter has a clear mind.
00:05:50One day something will enter it.
00:05:51Feel lonely and leave again.
00:05:53That's too much.
00:05:54Yes, cats, yes.
00:05:56If you want to know how beatniks live, William and me will show you.
00:06:00We'll introduce you to some wild one.
00:06:03You may even discover an artist of your own.
00:06:05And how much is that going to cost us?
00:06:08What cost?
00:06:09A couple of bucks.
00:06:10You want to meet some beatniks, don't you?
00:06:11Oh, no, it's the artist.
00:06:12I'm just crazy about artists.
00:06:14All that is comes through the eye of the artist.
00:06:16The rest are just blind fish swimming in a cave of aloneness.
00:06:19Oh, you must be an artist.
00:06:21And working as a busboy, too.
00:06:23Feed him that he will be satisfied.
00:06:25The artist is.
00:06:26All others are not.
00:06:27That's most intriguing.
00:06:29Are you a painter?
00:06:30Well, no.
00:06:31I work...
00:06:32I'm working on something that's not ready yet.
00:06:34What is it, man?
00:06:35Fingerpainting?
00:06:36Draw me a picture of a house, Walter.
00:06:38Make some smoke coming out of the chimney.
00:06:40I am working on something.
00:06:41I'll show you soon.
00:06:42Walter.
00:06:48Is he...
00:07:04You get a good look, kid?
00:07:15Fine, home.
00:07:34Hello, Mrs. Swickard.
00:07:46Oh, Walter, you look awful pale.
00:07:48What'd you have to eat tonight?
00:07:49I had a salami sandwich, Mrs. Swickard.
00:07:51Oh, if you were my son.
00:07:53Why don't you let me fix you a nice bowl of soup?
00:07:55Won't take but a minute.
00:07:56Oh, it's okay.
00:07:57I can fix myself something.
00:07:58Besides, I got something important to do.
00:08:00Say, Walter, did you see anything of Frankie's
00:08:03night when you went out?
00:08:04I didn't see him at all.
00:08:05Well, if you do, tell him I got a nice,
00:08:07fresh piece of halibut for him.
00:08:09Tell him that?
00:08:10I mean, do you think he'll understand?
00:08:12He's only a cat.
00:08:14Good night, Walter.
00:08:33Bye.
00:08:34Bye.
00:08:35Bye.
00:08:42Bye.
00:08:59Bye.
00:10:01Frankie?
00:10:11Canvas is a canvas or a painting.
00:10:15A rock is a rock or a statue.
00:10:18A sound is a sound or it's music.
00:10:37Come on.
00:10:38Be a nose.
00:10:40Be a nose.
00:10:44Be a nose.
00:10:46Come on.
00:10:48Come on.
00:10:50Come on.
00:10:52Come on.
00:10:54Come on.
00:10:58Frankie, shut up!
00:11:00Frankie, shut up!
00:11:15Oh, what's the matter, Frankie?
00:11:17How'd you get yourself stuck in a wall?
00:11:20Wait a minute, I'll get you out.
00:11:30Frankie, Frankie, you all right, Frankie?
00:11:44Frankie.
00:11:59Frankie.
00:12:06Oh, Frankie.
00:12:09I'm sorry.
00:12:14Oh, Mrs. Squickard.
00:12:24She had a nice, fresh piece of halibut for you.
00:12:32I'll give you to her in the morning.
00:12:33I'll give you to her in the morning.
00:12:43Repetition is death, Frankie.
00:13:03Oh, my God.
00:13:04That is what he told me.
00:13:05If it's not that man, I will give you to her in the morning.
00:13:08That's what I can do.
00:13:09I'll give you to your family.
00:13:10If it's not that woman, I will make her out.
00:13:16Oh, my God.
00:13:24Oh, my God.
00:13:27Oh, my God.
00:13:28Oh, my God.
00:13:30Let them die, and by their miserable deaths become the clay within his hands,
00:13:47that he might form an ashtray, or an ark.
00:13:52Pray that you might be his diadem, gold, glory, paint, clay,
00:13:58that he might take you in his magic hands and wring from your marrow wonders.
00:14:07Where are John, Joe, Jim, jerks?
00:14:21Dead, dead, dead.
00:14:28Dead, dead, dead, dead.
00:14:37Hi, Carla.
00:14:39Walter, what are you doing here so early?
00:14:41Well, I've brought something. I think you'll like it.
00:14:43Take that stop to the laundry map, Walter.
00:14:45Huh?
00:14:46Don't mind him.
00:14:47What have you got?
00:14:48It's a thing I made.
00:14:50Walter.
00:14:51You like it?
00:14:52What's he got?
00:14:53Oh, come look at this, Leonard.
00:14:54Where'd you get that, auction?
00:14:55I made it.
00:14:56You made that?
00:14:57I said I did, didn't I?
00:14:58Walter, it's very good.
00:14:59Honest?
00:15:00Honest.
00:15:01What's it called?
00:15:02Dead cat?
00:15:03Dead cat?
00:15:04Dead cat?
00:15:05That's its name?
00:15:06Sure.
00:15:07Well, it sure looks dead enough.
00:15:08You, you want to buy it?
00:15:09Buy it?
00:15:10That thing?
00:15:11Scared people out of the place.
00:15:12Don't be silly.
00:15:13It's tremendous.
00:15:14It's tremendous.
00:15:15It's tremendous.
00:15:16What's he got?
00:15:17Oh, come look at this, Leonard.
00:15:18Where'd you get that, auction?
00:15:19I made it.
00:15:20You made that?
00:15:21I said I did, didn't I?
00:15:22Very good.
00:15:23Honest?
00:15:24Honest.
00:15:25That thing?
00:15:26Scared people out of the place.
00:15:28Don't be silly.
00:15:29It's tremendous.
00:15:30Look at the detail.
00:15:32The anatomy's perfect.
00:15:34Look at the expression on its face.
00:15:37How come you put a knife into it?
00:15:39I didn't mean to.
00:15:41Just got carried away, huh?
00:15:44Well, all right.
00:15:46I'll tell you what I'll do.
00:15:48I'll put it in the corner of the alcove.
00:15:50If it sells, we'll split 50-50, okay?
00:15:52Sure.
00:15:53Does this mean I'm an artist?
00:15:55Maybe so.
00:15:56You can do other things as well.
00:15:58Well, all that is comes through the eye of the artist.
00:16:01Yeah, you're a real artist now.
00:16:03I go in back and scrub down those garbage cans.
00:16:06Much now.
00:16:10You really like it?
00:16:12We like it.
00:16:13Now go on.
00:16:23Did you see my cat?
00:16:24What's the matter?
00:16:25Are you losing?
00:16:26How do you like my cat?
00:16:27You make this thing mad?
00:16:28Uh-huh.
00:16:29It's crazy.
00:16:30It's...
00:16:31crazy.
00:16:32You wanna buy it?
00:16:33For me, Matt?
00:16:34It's on tap.
00:16:35He likes my cat.
00:16:36You got to work.
00:16:37How do you like my cat.
00:16:38You like my cat?
00:16:39You make this thing mad?
00:16:40Uh-huh.
00:16:41It's crazy.
00:16:42It's...
00:16:43crazy.
00:16:44You wanna buy it?
00:16:46For me, Matt?
00:16:47It's on tap.
00:16:49It's on tap.
00:16:57He likes my cat.
00:16:58He got to work.
00:17:10Hey, hey, Walter.
00:17:11Give me a minute.
00:17:16Hey, congratulations, man.
00:17:18Walter, you're famous.
00:17:20I saw your cat.
00:17:21Did you like it, Mr. Brock?
00:17:23You may call me Maxwell.
00:17:24How'd you do it, Walter?
00:17:26Oh, I just took some clay and fixed it up.
00:17:31Attention.
00:17:32Attention, everyone.
00:17:34As you pass through these yellow portals,
00:17:36I am sure you noticed on your right a small clay figure
00:17:39and assumed this transfixed effigy to be the work of a master sculptor.
00:17:44And indeed, so it is.
00:17:46That master sculptor is in our midst.
00:17:49He is none other than Walter Paisley, our very own busboy,
00:17:54whose hands of genius have been carrying away the empty cups of your frustrations.
00:17:59Mark well this lad.
00:18:01His is the silent voice of creation.
00:18:06Within the dark, rich soil of humility,
00:18:09he blossoms as the hope of our nearly sterile century.
00:18:15Beautiful, Maxwell.
00:18:16Bring me an espresso, Walter.
00:18:18Maxwell, really beautiful.
00:18:21Man, you are in.
00:18:22Oh, Walter, it was wonderful.
00:18:24Yeah.
00:18:25Yes, then.
00:18:26Cat's cat.
00:18:27Yeah.
00:18:28This is my man.
00:18:29Took him everything.
00:18:30Yeah, yeah.
00:18:31Listen, man, you got a fin.
00:18:32Huh?
00:18:33This is my man.
00:18:35Hey, Bobs, what's happening?
00:18:37Making a big scene for Walter.
00:18:39Who'd he shoot?
00:18:41He made a cat.
00:18:43Out of clay.
00:18:44See you around.
00:18:45Yeah.
00:18:46Later.
00:18:47Will somebody clear this table, please?
00:18:48This is my man.
00:18:49Come on.
00:18:50Will somebody clear this table?
00:18:51Cat's cat.
00:18:52My cat.
00:18:53Ow.
00:18:54Did you hear them, Mr. DeSantis?
00:18:55They all like my cat.
00:18:56Yeah, very good.
00:18:57I like Walter.
00:18:58You must be tired.
00:18:59Why don't you take the rest of the night off, huh?
00:19:00I don't know.
00:19:01No, no, no, no.
00:19:02You got it coming.
00:19:03Besides, you're creating an incident.
00:19:04When people are applauding, they don't order coffee.
00:19:05So go on home and work on something.
00:19:07Make another cat.
00:19:08No.
00:19:09I don't know.
00:19:10No, no, no.
00:19:11No.
00:19:12No, no, no.
00:19:13No.
00:19:14No, no.
00:19:15No, no.
00:19:16No, no.
00:19:17No, no.
00:19:18No, no.
00:19:19No, no.
00:19:20No, no.
00:19:21No, no.
00:19:22No, no.
00:19:23No, no, no.
00:19:24No, no.
00:19:25No, no, no.
00:19:26No, no, no.
00:19:27Take another cat.
00:19:28Well, I haven't got another cat.
00:19:30Just go to the movies.
00:19:32Please, Walter.
00:19:33Go.
00:19:34All right, Mr. DeSantis.
00:19:35Good night.
00:19:36Good night, Walter.
00:19:38Walter?
00:19:39Walter, wait a minute.
00:19:41Oh, hello, Naomi.
00:19:42Walter, I dug it.
00:19:45My cat?
00:19:46It was the most wonderful, wildest, like wiggiest thing I've ever seen.
00:19:52Walter, you've done something to me.
00:19:55Something deep down inside of my prana.
00:19:58I have?
00:19:59Oh, Walter, I want to be with you.
00:20:02You're creative.
00:20:04You've got a hot light bulb glowing inside of you.
00:20:08And I want to be warmed by it.
00:20:10Gee, that's nice of you, Naolia.
00:20:13Walter, take me away from here.
00:20:16Take me away to some cool blue place.
00:20:19And gas me.
00:20:20I can't.
00:20:21I've got to go home.
00:20:22Oh, then I'll go home with you.
00:20:23Oh, no.
00:20:24Mrs. Swickard wouldn't like that.
00:20:25She's my landlady.
00:20:26Isn't there anything I can do for you?
00:20:29I don't think so, Naolia.
00:20:30Walter, I can't let you just split like this.
00:20:33I've got to do something.
00:20:34I've got to contribute.
00:20:35You don't have to do anything.
00:20:36Wait.
00:20:37Wait.
00:20:38Wait.
00:20:39There is one thing I can do.
00:20:40One little thing.
00:20:41Don't leave, Walter.
00:20:42I want to give you something.
00:20:43Something that'll make you remember me.
00:20:44Put it in your pocket.
00:20:45I can't let you just split like this.
00:20:46I can't let you just split like this.
00:20:47I've got to do something.
00:20:48I've got to contribute.
00:20:49You don't have to do anything.
00:20:50Wait.
00:20:51Wait.
00:20:52There is one thing I can do.
00:20:53I want to give you something.
00:20:55Something that'll make you remember me.
00:21:03Put it in your pocket.
00:21:05Now go, Walter.
00:21:07Don't look back.
00:21:09Just go.
00:21:23Let's demolish it.
00:21:26It looks like I want to cut you out.
00:21:27Let's go.
00:21:28Let's go.
00:21:29Let's go.
00:21:31No.
00:21:32Get down.
00:21:33I don't know what to do.
00:21:34You're good.
00:21:35I don't know what to do.
00:21:36I can't do it.
00:21:37No.
00:21:38Let's do it.
00:21:39You're good.
00:21:41It's all.
00:21:42Hello.
00:21:43It's a very easy one.
00:21:44I can't do it.
00:21:45Give me a horse.
00:21:46I can do it.
00:21:47You are good.
00:21:48Maybe you are good.
00:21:49I'll give you a little big one.
00:21:50I can't do it.
00:21:51Can I have your autograph, Mr. Paisley?
00:22:11Why, certainly, my good woman.
00:22:15Everybody likes my cat.
00:22:19You want to buy my statue, mister?
00:22:21Ten thousand dollars?
00:22:23Okay.
00:22:27Gee, I'll be famous.
00:22:30And then I can ask Carla and she'll say, yes, I know she will.
00:22:51Hello, Walter.
00:22:52Oh, hi.
00:22:53A yellow, ain't you?
00:22:54I've seen you down the yellow door plenty.
00:22:55Come on in.
00:22:56I was just making some pancakes.
00:22:57You can have some if you like.
00:22:58Did you see my cat?
00:22:59Yeah, I saw your cat.
00:23:00I also saw that chick lay these on you.
00:23:01Oh, that was Neolia.
00:23:02She's a nice girl.
00:23:03She's kind of strange, though.
00:23:04I guess she figures I get headaches or something.
00:23:05Okay, Walter, who's your connection?
00:23:06Connection?
00:23:07Yeah, connection.
00:23:08Who do you score from?
00:23:09Where do you buy your horse?
00:23:10Horse?
00:23:11Horse, junk, white stuff, heroin.
00:23:13Is that what that is?
00:23:14I've never seen any of that before.
00:23:15I always thought that was expensive.
00:23:16Yeah, Walter, that can be real expensive.
00:23:17Gee.
00:23:18Well, wasn't that nice in Neolia to give me that expensive horse?
00:23:20Walter.
00:23:21Huh?
00:23:22Police officer.
00:23:23You're like an undercover man.
00:23:24You're under arrest, Walter.
00:23:25Oh, no.
00:23:26No, no.
00:23:27No, no.
00:23:28No, no.
00:23:29No, no.
00:23:30No, no.
00:23:31No, no.
00:23:32No, no.
00:23:33No, no.
00:23:34No, no.
00:23:35No, no.
00:23:36No, no.
00:23:37No, no.
00:23:38No, no.
00:23:39No, no.
00:23:40No, no.
00:23:41No, no.
00:23:42I'm under arrest, Walter.
00:23:43Under arrest for what?
00:23:44Possession of narcotics.
00:23:45For me?
00:23:46What are you talking about?
00:23:47Walter, I got you cold.
00:23:49Now, you just come along quietly.
00:23:51I didn't do nothing.
00:23:52And Neolia give me those.
00:23:53I didn't ask her for it.
00:23:54I didn't even know what was it like.
00:23:55All right.
00:23:56You can tell them that downtown.
00:23:57Now, let's go.
00:23:58I ain't going no place with you.
00:23:59Walter, do I have to point this at you?
00:24:01You're gonna shoot me.
00:24:02No.
00:24:03Don't shoot me.
00:24:04Walter, just relax.
00:24:05No, you're gonna shoot me.
00:24:06Now, just relax.
00:24:07No, don't shoot me.
00:24:08Just shut up, Walter.
00:24:09No, you're gonna shoot me.
00:24:10Don't shoot.
00:24:12You're gonna shoot me.
00:24:13You're gonna shoot me.
00:24:14You're gonna shoot me.
00:24:15Walter?
00:24:16Walter?
00:24:17Walter?
00:24:18Walter?
00:24:19Walter!
00:24:20Walter?
00:24:21Are you all right?
00:24:22I thought I heard you shouting a minute ago.
00:24:27Walter?
00:24:28Are you all right? I thought I heard you shouting a minute ago.
00:24:36Walter!
00:24:46What's all the noise in here?
00:24:47Noise, Mrs. Swickett? What noise?
00:24:49Don't tell me I didn't hear a racket. Are you sure you're all alone?
00:24:53I'm always alone, Mrs. Swickett.
00:24:55Walter, have you been talking to yourself again?
00:24:58Well, I guess maybe I have Mrs. Swickett. Somebody's got to.
00:25:02Walter, you know, what you need is a girl.
00:25:04She doesn't have to be pretty. Just so long she takes good care of you.
00:25:09Well, I can take real good care of myself, Mrs. Swickett.
00:25:12Yeah, I can see that. Look at this pad. It's terrible.
00:25:15Why did you ever clean it up? And when did you change these sheets last?
00:25:18They look like they're alive.
00:25:20Mrs. Swickett, I gotta meet some friends in a little while,
00:25:23and I gotta take a shower.
00:25:24Well, why don't you clean up this stuff?
00:25:25If you don't mind.
00:25:26Oh, please, Mrs. Swickett.
00:25:27What's the matter?
00:25:28I didn't mean to hurt you, Lou. But if you'd have shot me, you'd be mopping up my blood now.
00:25:33I can't help it if I got scared and hit you. I didn't mean it.
00:25:38I didn't mean it.
00:25:39I can't help it if I got scared and hit you. I didn't mean it.
00:25:43It's crazy. It's crazy. It's crazy. It's crazy.
00:25:50I can't help it if I got scared and hit you. I didn't mean it.
00:25:56I didn't know you had it in you, Walter. How'd you do it?
00:26:03Well, I just took some clay and fixed it up. Go home and make something, Walter.
00:26:32Make another cat.
00:26:45But I haven't got another cat.
00:26:47Well, I reported in here around midnight. Lou had already been gone over an hour.
00:26:52No, nobody seems to know where he went. Why don't you put an alert out on him,
00:26:57and I'll check on him from here. I don't care.
00:27:01No.
00:27:02I don't care, I don't care.
00:27:07He needs to know where he opens.
00:27:09What's your opinion on?
00:27:14Why don't you put it off as well?
00:27:15What kind of cat have you in here on me?
00:27:18You don't care, Lord?
00:27:20I don't care.
00:27:52Little fraud.
00:28:22Tim Evans was a murderer
00:28:26All in his prison cell
00:28:29And those who read about his crimes
00:28:33They damned his soul to hell
00:28:35Saying, go down, you murderer, go down
00:28:41For the murder of his own true wife
00:28:45And the killing of his own child
00:28:48The jury found him guilty
00:28:51And the hanging judge, he smiled
00:28:54And dig the fuzz
00:28:55What do you suppose they wanted?
00:28:59You, man, you
00:29:02Hey, maybe they're looking for old Walter
00:29:04He's a criminal type
00:29:05Ain't you, Walter?
00:29:09I'm sorry, Mr. DeSantis
00:29:11That's all right, Walter
00:29:12Sit down
00:29:13Me?
00:29:14Sit down
00:29:15Greetings, man
00:29:18I'm not supposed to sit with the customers
00:29:20Wait
00:29:21Now, why shouldn't you sit at the table, Walter?
00:29:24After all, you're a big artist now
00:29:26A true creator above mere mortals
00:29:29What's the big idea?
00:29:32Idea?
00:29:34I was just telling Walter the truth
00:29:35A man wanted to pay me $100 for the cat
00:29:39In fact, he's taking it home to show it to his wife
00:29:41Proves that I underestimated Walter's ability
00:29:45There's work
00:29:46There's enormous realism
00:29:48You can hardly tell it from the real thing
00:29:50Boy, that sounds like a real put-down
00:29:52Get off Walter's back, Leonard
00:29:54Oh, I had his back
00:29:55They're not very funny
00:29:58I'm not trying to be
00:30:00Walter
00:30:02What are you going to make next?
00:30:05A dog, maybe
00:30:06Or a bird
00:30:08How about a few dozen cockroaches from your room?
00:30:13Hey, man
00:30:13Why don't you make an elephant?
00:30:15I got a new one
00:30:17Great
00:30:18What is it?
00:30:19It's a
00:30:20Full-length, life-size figure
00:30:23Crazy
00:30:24What is it called?
00:30:26Uh
00:30:26Murdered man
00:30:28When do we get to see it?
00:30:29Oh, anytime
00:30:30Hey, that's a pretty far-out name for a statue
00:30:33I saw a statue once
00:30:35It was called
00:30:36The third time Phyllis saw me
00:30:37She exploded
00:30:38What kind of a statue was that?
00:30:41I don't know
00:30:41It was made out of driftwood
00:30:42And dipped in fluoric acid
00:30:44It was very wild
00:30:45What's wrong, Leonard?
00:30:50Nothing
00:30:51Nothing at all
00:30:52It's the food in this
00:30:53Dump
00:30:54Oh, man
00:30:54You should try the Sorel sewer
00:30:56They got wheat germ bagels
00:30:58Too much
00:30:59Excuse me, please
00:31:02I think he really is sick
00:31:04So who isn't?
00:31:10Santos
00:31:10I've been trying to get to you all evening
00:31:13Gotta make a call
00:31:14Gotta call Lieutenant Valdez
00:31:16Listen, I was wrong about my wife
00:31:18She wants that cat after all
00:31:19Do you hear me?
00:31:20I'll give you that hundred dollars for the cat
00:31:22I can't talk to you just now
00:31:24All right then, two hundred
00:31:25No
00:31:26No
00:31:28Three hundred dollars and that's tops
00:31:30Three hundred dollars for the cat?
00:31:35I know I'm going out of my mind
00:31:38But I've been collecting art pieces all over Europe for years
00:31:41And this boy, Walter Paisley, has got it
00:31:44I want to buy his first work
00:31:45And to make very sure that I get it
00:31:48I'll pay you five hundred dollars
00:31:49Five hundred dollars for the cat
00:31:51And the first look at his next stuff
00:31:53Someone has the cat just now
00:32:02But I'll have him back in a few days
00:32:03Then you can have it for the five hundred dollars
00:32:07Oh, thank you, sir
00:32:09I think I've made a bargain
00:32:10Call me when you're ready
00:32:11Good night
00:32:12Leonard
00:32:17You feel better?
00:32:20Listen, I'm going over to Walter's later
00:32:23After the place closes to see murdered man
00:32:25You feel up to coming along?
00:32:27The rope was fixed around
00:32:29And there can a washer behind his ear
00:32:33And the prison bell was tolling
00:32:36But Tim Evans didn't hear
00:32:38Saying go down
00:32:40You murderer, go down
00:32:44Look at the size of it
00:32:53Well, it's not really that big
00:32:54I got it on kind of a stamp
00:32:55Well, let's see it
00:32:57I'm a little nervous
00:32:59I never did a person before
00:33:01You can do anything if you set your mind to it
00:33:04It's hot in here
00:33:04You want me to open a window?
00:33:06Come on, Walter
00:33:07Take off the sheet
00:33:14Don't you like it?
00:33:24Walter, it's a masterpiece
00:33:26I've never seen anything like it before
00:33:29And I hope I never see anything like it again
00:33:34Neither do I
00:33:37It's hideous
00:33:40And it's eloquent
00:33:42It expresses modern man in all his self-pity
00:33:47How did you ever find that in yourself, Walter?
00:33:51Well, it wasn't easy
00:33:52What's the matter with you?
00:33:57Nothing
00:33:58Nothing at all
00:33:59I've never seen anyone so squeamish
00:34:02What's your opinion, Leonard?
00:34:04Don't ask me
00:34:05Oh, come on
00:34:06Now, even you must see its value
00:34:09Do you think that you or I could have conceived of such a thing
00:34:12Much less executed it?
00:34:15Well, then admit it
00:34:16It's a work of genius
00:34:17I admit it
00:34:19Then let's take it down to the yellow door
00:34:22No
00:34:24Why not?
00:34:25I'll tell you
00:34:26But you
00:34:27Cover it up again, please, huh?
00:34:29Please
00:34:30Thank you
00:34:35Thank you
00:34:36What is all this nonsense?
00:34:37Why do you want to hide it?
00:34:40Well
00:34:40I've been thinking
00:34:42I didn't realize how much talent Walter actually had
00:34:47It would be wrong to show his pieces one at a time
00:34:51Dead wrong
00:34:52You're right
00:34:53He should build a collection first
00:34:56Yes
00:34:59That's the idea
00:35:00Maybe when it's big enough we can have a show
00:35:02A show?
00:35:03Just for me?
00:35:03No
00:35:04Not exactly
00:35:05I mean, you can take years and years
00:35:07It's getting hot again
00:35:11Well, it would take you years to make that many statues
00:35:15But your work would be featured
00:35:16It's a wonderful idea, Walter
00:35:18It's the only way to gain recognition
00:35:20All the big art critics and art dealers will be there
00:35:23It'll be an event
00:35:24Yes, then we can unload
00:35:25You can sell this stuff for a lot more
00:35:27But the show, how soon can we go?
00:35:30Don't rush things, it takes time
00:35:32But first of all, you've got to stop making these horrible statues
00:35:35Carla and I will guide you
00:35:38Maybe you can turn to Freeform
00:35:40Freeform?
00:35:41Well, that's the movement today
00:35:42With his talent for realism
00:35:43But you can see the direction his realism takes
00:35:45It's unhealthy
00:35:46But you said I was a genius
00:35:48I don't want to be a busboy anymore
00:35:50Yes, maybe you've got a point there
00:35:52You shouldn't keep working at the yellow door
00:35:54Look, I'm sure that man is going to buy you a dead cat
00:35:57So here, here's your fee in advance
00:35:59Fifty dollars
00:36:01And if you need more, I've got it
00:36:03So don't worry
00:36:03I've got great faith in you, Walter
00:36:06Gee, fifty dollars for something I made
00:36:09Now you're a professional
00:36:11Let's go
00:36:12Okay
00:36:14Good night, Walter
00:36:16Keep up the good work
00:36:19Yeah, but don't rush things
00:36:20You've got all the time in the world
00:36:22Come on, Carla
00:36:24Good night
00:36:26Did you holler, Walter?
00:36:38I'm an artist, Mrs. Swickett
00:36:40Yeah, oh, sure you are, Walter
00:36:42I am
00:36:43Look
00:36:45Good night
00:36:50One of the greatest advances in modern poetry
00:37:10Is the elimination of cleric
00:37:11I am proud to say my poetry
00:37:13Is only understood by that minority
00:37:15Which is aware
00:37:15Who have what?
00:37:17We're not of anything stupid
00:37:18Just aware
00:37:19Man, this place is beginning to feel like a lineup
00:37:25Yeah, baby
00:37:26But don't cool out pretty soon
00:37:28I'm going to haunt somebody else's joint
00:37:30We may have to start drinking
00:37:32Yes, man
00:37:41Yeah
00:37:41That's the man
00:37:44Yeah
00:37:45Yes, man
00:37:49Yes
00:37:49Good evening, Walter
00:37:53Good evening, Carla
00:37:54Sylvia
00:37:59Didn't you see me wave my Zen stick?
00:38:02Well, it's Walter Paisley
00:38:03Bring me a cappuccino and a piece of papaya cheesecake
00:38:06And a bottle of Yugoslavian white wine
00:38:09Yes, sir, Mr. Paisley
00:38:10Good evening, Walter
00:38:12Maxwell, how have you been?
00:38:14I see the rewards of achievement have come your way
00:38:16Well, after all, I'm a successful sculptor now
00:38:19Indeed
00:38:20Hey, man, dig Walter the wigger
00:38:24He's coming out like he just cured cancer
00:38:26Let us make the scene
00:38:28Crazy
00:38:30I was just suggesting to Walter that he try his hand at Freeform
00:38:34Why do you suggest anything to Walter?
00:38:36Are you the spokesman for society come to put your stifling finger in his eye?
00:38:40Good evening, gentlemen
00:38:41Oh, now, who invited these two down from the clouds?
00:38:44Maxwell
00:38:45Yoo-hoo
00:38:46Through the table, bring a bowl
00:38:47I may be sick
00:38:48It's Alice the Awful
00:38:50Comes to spread cheer and color
00:38:52Look at my son, Hannah, everybody
00:38:54Do we have to?
00:38:56Where have you been, Alice?
00:38:57I went up to Big Sur to look for Henry Miller
00:38:59You didn't find him, I hope
00:39:01No, he's in Europe
00:39:02Good
00:39:03Why is the busboy sitting here?
00:39:06I'm not the busboy anymore
00:39:08That's right, Walter has become a sculptor
00:39:10Oh, really?
00:39:12I'm a model, you know
00:39:13I only charge $25 an hour
00:39:16Would you like to do me?
00:39:19I just might
00:39:20Never mind that
00:39:21Walter's gonna try Freeform
00:39:23There you go again
00:39:24I may take my business to the Sorrel sewer
00:39:26As a matter of fact, I was going to suggest to Walter that he try a female figure
00:39:31As a change from the violent death theme
00:39:34You really should, Walter
00:39:36You know what?
00:39:38If you like, I'll be your model for free
00:39:40I couldn't
00:39:41Not you
00:39:42Man, if you're gonna be an artist, you've gotta do nudes
00:39:45Nudes
00:39:47Right, right, right
00:39:49Ain't nobody an artist
00:39:51Less he does
00:39:52Nudes
00:39:53Will you get them out of here
00:39:55Before we wind up in night coats?
00:39:56Oh, let's change the subject
00:39:58I'm sick of hearing about sculpture
00:39:59Nobody knows how to do that anymore
00:40:01Much less the busboy from the yellow door
00:40:03Who do you think you're talking about?
00:40:06Don't shout at me
00:40:07I don't like you
00:40:10Nobody asked for your opinion, Walter
00:40:13You're just a simple little farm boy
00:40:15And the rest of us are all sophisticated beaknicks
00:40:17That's all, man
00:40:19Let's split
00:40:20Yeah, man
00:40:22I gotta make me some air
00:40:25See, you made them leave
00:40:29What did I do?
00:40:31The first beneficial service of your benighted life
00:40:33It proves we're all good for something
00:40:36Are you saying that this busboy's better than I?
00:40:39Yes
00:40:39I think this whole bit about him being a sculptor
00:40:42Is just a big put-on for my benefit
00:40:44That's not true
00:40:45I am a sculptor
00:40:46Oh, yeah?
00:40:48Prove it
00:40:48Make something out of this
00:40:50There
00:40:51Hand
00:40:52That isn't a real hand
00:40:55If you were a sculptor, you'd create something for me
00:40:57A harpoon would be very nice
00:40:59I'm going home
00:41:01Alice?
00:41:06You're obnoxious
00:41:07But he's such an idiot
00:41:09But he's such an idiot
00:41:09But he's such an idiot
00:41:13Like, if you were a sculptor
00:41:17So, where would you tell her?
00:41:18Welcome
00:41:18MUSIC
00:41:19Yeah, why would you like to get her
00:41:20All right
00:41:20ToAKE
00:41:21To
00:41:22The
00:41:25Let's go.
00:41:55What are you doing here?
00:41:57I wanted to apologize for being nasty to you this evening.
00:42:00So you're apologized.
00:42:02Good night.
00:42:12Listen, Torf, why don't you get out of here and let me go to bed?
00:42:14I didn't finish talking to you.
00:42:16I decided to make that female figure after all.
00:42:19Oh?
00:42:20And I'd like you to pose for it.
00:42:22Remember what I said about my prize?
00:42:24Twenty-five dollars an hour.
00:42:26If you want to pay it, I don't mind posing.
00:42:28When do you want to start work?
00:42:30Tonight.
00:42:32You mean right now?
00:42:33Uh-huh.
00:42:35Wait till I get my sweater.
00:42:36Okay.
00:42:37Okay.
00:42:37Okay.
00:42:37I'll get your sweater.
00:42:39I'll go to bed.
00:42:40Okay.
00:42:40Okay.
00:42:41Okay.
00:42:41I'll go to bed.
00:42:41Okay.
00:42:41Let's go.
00:43:11You could use a little more heat around this place.
00:43:14It's bad for the clay.
00:43:16You'll get used to it.
00:43:22Well, I'm almost ready.
00:43:28Here.
00:43:31Sit in this chair and I'll pose you.
00:43:41Kind of rickety.
00:43:45How's this pose?
00:43:47Well, that's fine.
00:43:48It's very good.
00:43:51Just stay like that.
00:43:54It doesn't look like very much clay.
00:43:56Oh, it's enough.
00:43:59Put this around your neck.
00:44:01Ah, breakfast.
00:44:26Watch it.
00:44:29The plate's hot.
00:44:30Are these fertile eggs?
00:44:32Are these eggs fertile?
00:44:34Naturally.
00:44:35What did you fry them in?
00:44:36We ran out of the safflower seed oil, but I found a bottle of peanut oil on the shelf.
00:44:41Don't worry.
00:44:42It's not hydrogenated.
00:44:43Is that the cold-pressed stuff or the junk Hilda bought by mistake?
00:44:48Yes, man.
00:44:49Yes.
00:44:50Hi.
00:44:51Good morning, Walter.
00:44:51Hi, Walter.
00:44:52What brings you here?
00:44:53Have some breakfast, ma'am.
00:44:55What are you having?
00:44:56Soy and wheat germ pancakes, organic guava nectar, calcium lactate and tomato juice,
00:45:01and garbanzo omelettes sprinkled with smoked yeast.
00:45:04Join us?
00:45:05No, thanks.
00:45:06Sounds great, though.
00:45:07I brought something to show you.
00:45:09Could I have some of the guys help me?
00:45:10Is it better, man?
00:45:11It's better.
00:45:12Come on.
00:45:14Orders.
00:45:19Put it in the middle of the room.
00:45:22When did you do this, Walter?
00:45:24Last night.
00:45:24It doesn't take me very long.
00:45:26I should say not.
00:45:27Well, let's see it, man.
00:45:45Walter, I can't believe it.
00:45:47I'm honored to know this man.
00:45:49Do you think it's nice?
00:45:51Hey, she's beautiful.
00:45:52Do you think it's nicer than murdered man?
00:45:54Oh, I don't know, Walter.
00:45:55It's impossible to choose.
00:45:57They're both great.
00:45:59Walter, I'm deeply moved.
00:46:01Show my appreciation.
00:46:02I'm going to give a party tonight at the yellow door.
00:46:04In your honor.
00:46:05And I shall compose a poem.
00:46:16Good day.
00:46:17Good day.
00:46:18Some more champagne, your majesty?
00:46:26Yeah, yeah.
00:46:27Where, where?
00:46:28There, there.
00:46:31Fine.
00:46:32All right, just have another little kiss.
00:46:35Walter, you're a wretch.
00:46:37I am.
00:46:41Here I go.
00:46:42All right, all right.
00:46:53Water.
00:46:55The bird that flies now pays later through the nose of Amadextrous apathy.
00:47:01Necrophiles may dance upon the placemats in an orgy of togetherness.
00:47:05The highway of life cuts sharply through the shady ghettos and the ivy-covered tombs, and
00:47:11laughter rings from every time capsule in the star-spangled firmament.
00:47:15And in the deep freeze it is the children's hour, and no one knows that Duncan is murdered, and no one knows that Walter Paisley is born.
00:47:26And you and I, and the nude descending the staircase, and all such things with souls, we know that Walter Paisley is born.
00:47:43Ring rubber bells, beat cotton gong, strike silken cymbals, play leathern flutes, the cats and cans, and you and I, and all such things with souls, we shall hear, Walter Paisley is born, and the souls become flesh.
00:48:02Walter Paisley is born!
00:48:05Walter Paisley is born!
00:48:13Marvelous darling, marvelous!
00:48:18Lance, like that was the greatest gas I ever heard!
00:48:20Crazy, what did he say?
00:48:22Didn't you hear him?
00:48:23No man, I'm too far out.
00:48:31Maxwell, that was magnificent!
00:48:33I feel so elegant.
00:48:35Walter deserved every word of it.
00:48:37Makes me so glad I'm aware.
00:48:41Did you hear what he said?
00:48:43Yes, Walter.
00:48:45All about me.
00:48:47It's true, isn't it?
00:48:49Every word.
00:48:55You better hold off on the bubbly, artist.
00:48:57Yeah, why?
00:48:59We might talk too much.
00:49:01What would I say?
00:49:03Most anything, I expect.
00:49:05Are you two trying to ignore the rest of us?
00:49:07Oh, not me, Maxwell.
00:49:09I wouldn't ignore you.
00:49:11I know what it is to be ignored.
00:49:13Tell us what you're going to do next, Walter.
00:49:16I'm gonna make the most wonderful, wildest, wiggiest things you've ever seen.
00:49:21I'm gonna make big statues and little statues, tall statues and short statues.
00:49:27I'm gonna make statues of nobodies and statues of famous people.
00:49:32statues of actors and poets and people who sell things on television.
00:49:40And a statue of the mayor.
00:49:42And some opera singers and their intimate friends.
00:49:46And everybody will say, Walter, let me shake your hand.
00:49:50It's been a real pleasure to have known you.
00:49:52It's been a real pleasure to have known you.
00:49:58Alley cats and garbage cans, they know that Walter Paisley is born.
00:50:04Ring rubber bells, beat cotton gong, strike silken cymbals, play leather and flutes.
00:50:14Tell us what you're gonna do next, Walter.
00:50:18I'm gonna make big statues and little statues.
00:50:22Movie stars and poets and guys who sell things on television.
00:50:28And the mayor and some opera singers.
00:50:30And the mayor and some opera singers.
00:50:34What you're gonna do next, Walter?
00:50:40What am I gonna do next?
00:50:42I gotta do something before they forget.
00:50:48I know what it's like to be ignored.
00:50:54Who are you? What do you want?
00:51:08Life is an obscure hobo, bumming a ride on the omnibus of art.
00:51:12Huh? What'd you say?
00:51:14What is not creation is graham crackers.
00:51:16Let them all crumble to feed the creator.
00:51:18Oh, bait it. You must be nuts.
00:51:24Don't fall to him.
00:51:28I'm a demon,asteูุง came a bit of torture.
00:51:30I need you!
00:51:31I need you.
00:51:32I need you.
00:51:33No!
00:51:34Oh, no!
00:51:35No!
00:51:36No!
00:51:37No!
00:51:38No!
00:51:40Ah!
00:51:41Ah!
00:51:54Hello, Leonard.
00:51:55Beautiful morning, isn't it?
00:51:57It was.
00:51:59What's that you got in the box?
00:52:00Just wait till you see this.
00:52:03Extra, extra, horrible murder in front of your factory.
00:52:07Read about the man who got cut in half.
00:52:10Extra, extra, extra.
00:52:12Police can always find part of it.
00:52:14Leonard.
00:52:19What's the matter, Leonard?
00:52:24You made a bust.
00:52:26Yeah, isn't it wonderful?
00:52:29What's the matter, Leonard?
00:52:30Put it down, Walter, please.
00:52:38Walter.
00:52:40Walter, listen to me carefully.
00:52:42I don't want you to make any more statues.
00:52:44Do you understand?
00:52:46No more statues.
00:52:47Why not?
00:52:48I got to make statues, Leonard.
00:52:50You heard Brock.
00:52:51They want me to make them.
00:52:52If I stop making them, I'll just be a bust boy again.
00:52:55Brock, he's behind all of this with this stupid, bitter poetry.
00:52:59Listen, you've got to stop him right away.
00:53:02I'm beginning to feel responsible.
00:53:04Why?
00:53:06What did you do?
00:53:07Never mind.
00:53:09Walter, I've decided to have that show for you, right away.
00:53:14Yes.
00:53:15When Carla comes, we'll have her work up some nice invitations.
00:53:18We'll have them printed up.
00:53:20We'll invite the critics and the art collectors.
00:53:23We'll tell them.
00:53:24Well, I don't see why we can't go.
00:53:31Mr. Leonard DeSantis is afraid to have you come.
00:53:34You who buy his coffee that lure his tourists.
00:53:36You are the heart and soul and meat of the Yellow Door.
00:53:40He slighted you.
00:53:41Did you get an invitation?
00:53:43I did not, but I'm going anyway.
00:53:45Not to drink his champagne, but to see Walter's triumph.
00:53:49After that, we go no more.
00:53:51Hi, Maxwell.
00:53:52I won't say good luck, Walter.
00:53:54Why not?
00:53:55It would imply you could not succeed on your ability alone.
00:54:02You look so handsome.
00:54:04I do.
00:54:05So do you.
00:54:06I mean, you look so pretty.
00:54:10Are you ready?
00:54:11Oh, we've got plenty of time.
00:54:12I know, but I wanted to talk to you.
00:54:15OK.
00:54:15We can go now, if you like.
00:54:17Bye.
00:54:20Later, man, later.
00:54:22Sweet.
00:54:23Man, why do you suppose Walter wants to get her alone?
00:54:27Do you suppose he could be physically attracted to her?
00:54:30No, man, he ain't the type.
00:54:31He don't get enough vitamin to eat.
00:54:34Maxwell gave him a bottle of wheat germ oil once.
00:54:37Maybe he just started taking it.
00:54:42What did you want to talk to me about, Walter?
00:54:49Well, what kind of people do you like, Carla?
00:54:54Oh, thinking people.
00:54:58Artistic people, I guess.
00:54:59You think I'm artistic?
00:55:01Of course I do.
00:55:02That means you like me.
00:55:04I like you very much, Walter.
00:55:06I thought you did on account how you kissed me the other night.
00:55:10Oh, that was for your sculptor of the girl.
00:55:13You're nude in the chair.
00:55:14Carla, I've been alone for a long time.
00:55:18And I know you've been alone, because you never
00:55:20seem to go out with anybody, even though Leonard's always
00:55:22asking you to go out with him.
00:55:23And I just.
00:55:26What are you trying to say?
00:55:28Oh.
00:55:35Carla?
00:55:38I don't want to make statues anymore.
00:55:40I want to get married to you.
00:55:47How long have you been thinking about this, Walter?
00:55:50Oh, for a long time.
00:55:52Ever since you first came to work at the club.
00:55:56You were the only one who was ever nice to me.
00:55:58I didn't know you loved me until you kissed me.
00:56:04Walter, I do like you.
00:56:07And I did kiss you.
00:56:10But that was because of your work.
00:56:14There's more to being in love with someone than just that.
00:56:20You mean you don't love me?
00:56:24I'm afraid that's what I mean.
00:56:26But.
00:56:29But you've got to love me.
00:56:30Why do you think I made that statue of Alice?
00:56:34Walter, I'm sorry, but I.
00:56:35You just can't be sorry.
00:56:37I want to marry you.
00:56:39Now, calm down, Walter.
00:56:40And let's go in there.
00:56:42And then maybe when the show's over, we can talk about it.
00:56:45Well, I don't want to talk about it.
00:56:46I get it.
00:56:49I see the whole thing now.
00:56:52Nobody knows that Walter Paisley is born.
00:56:57Carla.
00:57:01Will you do one favor for me?
00:57:04Just about anything, Walter.
00:57:07Would you let me make a statue of you?
00:57:11Would you really like to?
00:57:14That'd make me very happy.
00:57:16Okay.
00:57:17Tonight.
00:57:18I'll make a statue of you tonight.
00:57:20Okay?
00:57:21Come on.
00:57:23Come on.
00:57:53This could bring about a return to realism, yes, a one-man return. We have many artists about, but no craftsmen. This man knows his anatomy. I'd give 1,500 for this.
00:58:23This money cost you 5,000. So what's the trouble? Why should you be so depressed? Have you heard the things they're saying? You can make 25,000 on these pieces alone. I thought you put money down. I do, but 25,000? Leave me alone.
00:58:53Out! Man, we have come to make the scene. Want some cappuccino, man? We got the bread. We're not open for business. This is an art exhibit. No bumps. Can't happen.
00:59:04That art is above man. Man, he's sober. Yeah, well, that's his problem, man. All right, man. All right. We'll wait outside. Yeah, you wait outside.
00:59:11I'll wait outside.
00:59:42Where are you going, Carla?
00:59:46What's the matter?
00:59:48Walter, there's a body inside that statue.
00:59:53Well, that's Alice.
00:59:56It's all right, Carla.
00:59:58Maxwell says it's all right.
01:00:00Let them become clay in his hands that he might mold them.
01:00:03Walter, you stay away from me.
01:00:07Don't you see, Carla?
01:00:09I made them immortal.
01:00:10Don't you see?
01:00:11I can do the same for you.
01:00:13Come on.
01:00:17Come on.
01:00:20Come on.
01:00:24Call Valdez, have him send some cards, I'm going at the pace.
01:00:46I'm going with you.
01:00:47Hey man, what is the score?
01:00:49Walter Pacey's a murderer.
01:00:50And I saw him chasing Carla down the street.
01:01:20What was that?
01:01:21Nobody knows I'm here.
01:01:27What was that?
01:01:28Nobody knows I'm here.
01:01:32Oh no, they couldn't know.
01:01:34They're dead.
01:01:36How could they know?
01:01:37Did you see him?
01:01:38He's hiding around here someplace.
01:01:43He can't hide just because we're in clay and he isn't.
01:01:50Walter, go home.
01:01:51Walter, go home.
01:01:52Walter, go home.
01:01:53Walter, go home.
01:01:54I don't know.
01:01:55I don't know.
01:01:56I don't know.
01:01:57I don't know.
01:01:58I don't know.
01:01:59I don't know.
01:02:00I don't know.
01:02:01They're dead.
01:02:02How could they know?
01:02:03Did you see him?
01:02:04He's hiding around here someplace.
01:02:05He can't hide just because we're in clay and he isn't.
01:02:09Walter, go home.
01:02:19Walter, go home.
01:02:21He won't know where else to go.
01:02:24Walter, go home.
01:02:29Where is he?
01:02:39Walter, go home.
01:02:41Well, you told him.
01:02:43After about Regan's wall.
01:02:44You know when he broke his mule storm now.
01:02:46He's hiding down here.
01:02:47Bad news.
01:02:4820 years later.
01:02:49windows, windows, windows, windows, windows.
01:02:50I don't know.
01:02:51Ready?
01:02:52This is going somewhere now.
01:02:53My hole is broken again.
01:02:54Liz, renew them again Gordon.
01:02:56Mother?
01:02:57Oh, yes.
01:02:58Before andASI, it's been gone.
01:03:00What he did piece of key for him?
01:03:01I'm going to play aockey for the team in a Service.
01:03:03auntie.
01:03:04Male Speaker?
01:03:05Paul, Gloria, go home.
01:03:06Please, see myries.
01:03:07Let's go.
01:03:37What's the matter with you?
01:03:57Walter, Walter, Walter.
01:04:09We'll find him.
01:04:12We'll have him soon, Lou.
01:04:15We'll teach him he can't murder us and get away with it, won't we?
01:04:22Walter.
01:04:28Walter.
01:04:32What are you going to do now, Walter?
01:04:39I'll hide with him.
01:04:42He'll never find me.
01:04:45There's his room.
01:04:55He's gone crazy.
01:04:56Hazely!
01:04:57Hazely, open up!
01:04:58Hazely!
01:04:59Hazely!
01:05:11I suppose he would have called it Hanging Man.
01:05:16His greatest work.
01:05:23Let's go get him.
01:05:28Let's go.
01:05:31A Shiitake, or Show them.
01:05:36Let's go.
01:05:38What's fickle?
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