🧠 Dementia 13 (1963) Full Movie | Francis Ford Coppola’s Gothic Horror Debut 🕯️| Cult Classic Mystery Thriller - video Dailymotion

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🕰️💀 Secrets. Guilt. Madness. Murder. In Dementia 13 (1963), the shadows of a haunted estate conceal a legacy of loss—and a killer with a twisted agenda. This chilling black-and-white gothic thriller marks the directorial debut of a young Francis Ford Coppola, co-produced by horror legend Roger Corman.  📽️ Plot Summary: After her husband dies of a heart attack, a scheming widow hides his death to stay in his wealthy family’s will. But the Haloran estate hides darker secrets—including the ghost of a drowned girl and an axe-wielding murderer who stalks the grounds. Who will survive the night?  🗓️ Year Released: 1963 🎭 Genre: Psychological Horror, Mystery, Gothic Thriller 🎬 Directed by: Francis Ford Coppola 🎞️ Starring: Luana Anders, William Campbell, Bart Patton, Patrick Magee  🎯 Why Watch It? ✔️ A must-see for Coppola fans and horror historians ✔️ Atmospheric tension with eerie gothic visuals ✔️ A low-budget gem with psychological complexity ✔️ Public domain thriller perfect for late-night viewing  🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more vintage horror, public domain classics, and forgotten cinematic gems!  👇 Watch more horror & mystery films here: 📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnQOHVjtutbCJoNsaOS4Vh54 ━━━━━━━━━━━━━━━━━━ 🎞️ #Dementia13 #FrancisFordCoppola #1960sHorror #PublicDomainMovies #GothicHorror #ClassicThriller #PsychologicalHorror #RogerCorman #IndieHorror #CultCinema ━━━━━━━━━━━━━━━━━━ 🕯️🧠 Guilt lingers… and so does something darker. Enter the eerie world of Dementia 13 (1963)—if you dare. ________________________________________

Transcript

00:00:00Oh, I've got a good one that's really great

00:00:21Showed the big buttons and it started to shake

00:00:24Oh, you know, she's me and my mom stopped to leave

00:00:26Oh, then I'm already started to beat

00:00:28John, let's go to bed

00:00:32I want to take the boat out alone

00:00:34I'll be up later

00:00:35No, I'll go with you

00:00:36John

00:00:55That will is no good

00:01:00Your mother's still alive

00:01:03We can talk her into changing it

00:01:05You're always too greedy, Louise

00:01:08I just don't like to see her exploiting you

00:01:11Honey, she's leaving all of your family's money to charity

00:01:17In the name of this mysterious Kathleen

00:01:19It's ridiculous

00:01:21Your mother is crazy

00:01:23You don't know anything about it

00:01:25I know that music's terrible

00:01:27John, you're rowing too hard, let me row

00:01:42You're concerned about me, Louise

00:01:44Is it my heart?

00:01:47Yes

00:01:47You're only a member of the family as long as you're my wife

00:01:51If I die before mother, you're a stranger

00:01:55She's the one that I'm thinking in the ladies' car

00:01:59Now you've done it

00:02:01Now you've done it

00:02:05Where are the tellers?

00:02:10In the coat

00:02:12She's the one that I'm thinking in the ladies' car

00:02:15It's empty, you idiot

00:02:20It's straight.

00:02:33Go faster, Louise.

00:02:36If I die, there's nothing in it for you.

00:02:39Shut up.

00:02:48John?

00:02:50John!

00:02:52John!

00:03:09Now what do I do?

00:03:12I've got to get rid of him.

00:03:15All of the love from brewing and bring to show me this time.

00:03:20Holy, she's near my house now.

00:03:22I'm leaving behind the stars.

00:03:24There's only one that I'll have to love.

00:03:27There's one that I'll keep in Kontakti.

00:03:30A little bit of charm on there.

00:03:34I feel the strength.

00:03:36Thoughts start to feel that day.

00:03:38But we'll wait to see you.

00:03:40When I get up, I'll be safe.

00:03:43I'll be safe.

00:03:45I'll be safe.

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00:04:49I'll be safe.

00:04:50I'll be safe.

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00:07:54He'd have to write letters on the plane.

00:07:59I wonder if he'll rot underwater.

00:08:04Everything. Everything.

00:08:15I'll make her change that ridiculous will.

00:08:24Your loving son, John.

00:08:36Fat John.

00:08:38Fat John.

00:09:08I hope everything works out with John's business.

00:09:12I'm sure everything will be fine.

00:09:14Your brother's always had a way of solving his own problem.

00:09:18I'm sorry we're in your way.

00:09:21What do you think of Ireland and Castle Halloran?

00:09:25Ireland's fine.

00:09:27Castle Halloran is a bit perplexing.

00:09:29A very strange place, really.

00:09:33Old and musty.

00:09:35The kind of place you'd expect a ghost to like to wander around in.

00:09:39Kind of a haunted castle.

00:09:41Castle Halloran is haunted.

00:09:43By your mother.

00:09:44By Kathleen.

00:09:48I know very little about her.

00:09:53In fact, I didn't even know you had a sister until we arrived here.

00:09:57There's not that much to know about her, really.

00:09:59My mother was about 40 when she gave birth to Kathleen.

00:10:06It was like a gift, she used to say.

00:10:09An apple for the starving and Kathleen for me.

00:10:14She even had a poem.

00:10:18Three sons, each who would marry and go away.

00:10:23But little Kathleen would always stay.

00:10:29It's engraven on her little tombstone now.

00:10:32How did she die?

00:10:33She drowned in the pond.

00:10:43Passengers arriving from London and Port.

00:10:50Aerolingos, Irish International Airlines,

00:10:53wish you eight feet of course, gentlemen.

00:10:57Your baggage will be delivered shortly on the conveyor belt.

00:11:03Passengers traveling onwards by air today

00:11:07should check at the passenger service desk.

00:11:10Excuse me, Miss, are you Cain?

00:11:13Yes, hello.

00:11:15Oh, I'm Billy, Richard's brother.

00:11:16I came to get you.

00:11:17Oh, hi, I'm so happy to meet you.

00:11:19Nice to meet you.

00:11:20Oh, Richard, sorry, he couldn't come to get you,

00:11:22but he's, well, he's up to his elbows in statues,

00:11:24so I said I wouldn't mind picking you up.

00:11:26Thanks, that's awfully nice of you, Billy.

00:11:29Aerolingos, Irish International Airlines,

00:11:32wish you case me la foite.

00:11:36Your baggage will be delivered shortly on the conveyor belt.

00:11:40My oldest brother, John, had to leave early this morning,

00:11:45but his wife, Louise, is still here.

00:11:47She's from America, so you won't get homesick.

00:11:49That's my bag.

00:11:50Oh.

00:11:50Is it cold?

00:12:03It's freezing.

00:12:05But all old castles are like that.

00:12:07To tell you the truth, Castle Halloran gives me nightmares.

00:12:09There it is.

00:12:17There it is.

00:12:17I don't know.

00:12:18It's cold.

00:12:19But all the world's who it's coming is living.

00:12:20It's cold.

00:12:21There it is.

00:12:22I don't know what I'm doing.

00:12:23There it is.

00:12:26There it is.

00:12:31There it is.

00:12:32Unbelievable.

00:12:49We'll leave the luggage for a minute.

00:12:51Come on, I'll take you to him.

00:12:57This is where he works.

00:13:02What is this?

00:13:17I'm sorry, Richard.

00:13:22Hey.

00:13:23I'm sorry, I didn't pick you up myself, honey, but I wanted to finish this statue.

00:13:35You look wonderful.

00:13:37Well, I find a statue reminds me of death.

00:13:49How very unusual, Lady Halloran, for a woman to have been married to such a famous sculpture and yet feel that way.

00:13:55Did, uh, John mention when he was going to return?

00:14:00He wasn't sure.

00:14:02We thought I'd stay on for a while to get to know the family.

00:14:07And then if he couldn't make it back, I'd just return to New York.

00:14:12How long is a little while?

00:14:15As long as you like, Mother.

00:14:17Oh, you're very welcome here, Louise.

00:14:20As long as you understand the privacy of our personal duties.

00:14:28I speak of the ceremony tomorrow.

00:14:30I'm sure John explained it to you.

00:14:32I'm afraid John was usually too busy to talk much about the family.

00:14:37That's why I'm so happy to be here.

00:14:39Finally.

00:14:41You'll have a pleasant stay.

00:14:42And I'm sure you can find something to occupy your time during the ceremony.

00:14:46It won't take very long.

00:14:49Perhaps I am superstitious.

00:14:51But I think it's important that only the immediate members of the family should give their thoughts to...

00:14:58Kathleen.

00:15:11Excuse me.

00:15:12Mother, I don't care what tragedy hangs over this family.

00:15:26I want to get married.

00:15:27I'm engaged to be married.

00:15:29I'm going to get married.

00:15:31Moreover, I'm going to marry Cain.

00:15:39Mother.

00:15:41Kathleen's dead.

00:15:42Dead for seven years.

00:15:46You never talked so much when you were a child.

00:15:49Ah.

00:15:52I cried a lot, didn't I?

00:15:55Afraid I might be doing that again if you frighten her away from me.

00:16:00You want me to include her.

00:16:03To talk to her.

00:16:04Yes.

00:16:05Yes.

00:16:06Yes, I do.

00:16:11Very well.

00:16:13I will.

00:16:14I'll tell her I don't care for her.

00:16:20Mother.

00:16:23You hurt her.

00:16:25And I promise you, I'll never forget it.

00:16:28But you said you didn't ride very much.

00:16:50I don't.

00:16:50I'm just showing off because I finally got you to myself.

00:16:52I don't.

00:16:53I'm just showing off because I finally got you to myself.

00:16:56Good morning.

00:16:57Good morning.

00:17:02Oh, good morning, Louise.

00:17:05It's nice to see her enjoying herself for a change.

00:17:08The weird around this place isn't good for her.

00:17:10Well, she may be right.

00:17:12Especially an American girl.

00:17:15You can tell she's been raised on promises.

00:17:18What are you going to do about that?

00:17:20What are you going to do about that?

00:17:22I don't understand.

00:17:25I saw you squirming when Mother read the will.

00:17:28You gave John enough dirty looks to give him a heart attack.

00:17:32Don't joke about that.

00:17:35You know he has a bad heart.

00:17:36But I know you didn't mean anything by it.

00:17:43You know, I think you ought to spend more time with your wife to be.

00:17:46You're an intelligent woman, Louise.

00:17:48You notice things.

00:17:49Size people up.

00:17:51You know when they're happy.

00:17:52You know when something's bothering them.

00:17:54I want you to do me a little favor.

00:17:56Of course.

00:17:57Keep that microscope you've got built into your eye off of me.

00:18:01I'll see you.

00:18:06This will take you in, all right.

00:18:16Oh, there's plenty of you from up there.

00:18:25It must be very interesting to know about all the secret passages, will you?

00:18:28Oh, I know them all.

00:18:29I've been here 20 years.

00:18:3120 years.

00:18:31How wonderful.

00:18:32Ah, well, you know how it is.

00:18:34You get used to a family, and you get to like your room, and you get to know the run of the house.

00:18:39And before you know it, there you are.

00:18:4120 years.

00:18:42You must have been here then, when, uh, the little girl.

00:18:49Ah, yes.

00:18:51That was a sad thing, that was.

00:18:54Lord Halloran was a much-loved man, and he invited one of the country fellas up here for his wedding.

00:18:59Oh, a big wedding, that was.

00:19:01A big banquet, and everyone invited.

00:19:04She was all dressed up as the bride.

00:19:07Running about to her heart's content all over the place.

00:19:09There's never been a wedding here since.

00:19:13What about Cain and Richard?

00:19:15Well, it's not my business, but I wouldn't be betting you'd see another wedding here.

00:19:20Well, I must go back to work.

00:19:39Oh, hello, Cain.

00:19:52Oh, sure, sure.

00:19:55Billy? Billy? Billy, are you all right?

00:20:05Oh, hello, Cain. Oh, sure, sure. I'm fine.

00:20:08I was just remembering about Kathleen.

00:20:11Kathleen? Oh, yes, the little girl.

00:20:15Richard told me all about her.

00:20:17We used to play together right here.

00:20:20Sometimes I think I can still hear her laughing just like then.

00:20:25Is this the pond?

00:20:27Yes. She was missing all night.

00:20:31Mother was frantic and almost uncontrollable.

00:20:35The next morning we found Kathleen floating in the water right over there.

00:20:40I'm sorry, Billy.

00:20:42No, Cain, I'm sorry.

00:20:48I'm not always so morbid.

00:20:51Just the funeral ceremony is today.

00:20:53It's a very beautiful pond.

00:20:56You know, this is all just exactly like I imagined Ireland would be.

00:21:00It rained the day of the funeral.

00:21:04We stood around her grave under black umbrellas.

00:21:07And then we threw flowers under her little headstone.

00:21:12Mother looked at the flowers.

00:21:15And then she collapsed.

00:21:16Every year it's been the same.

00:21:21The umbrellas.

00:21:23Flowers.

00:21:25The mother's collapsed.

00:21:30But that was years ago.

00:21:31Why do you keep having the same ceremony over and over again?

00:21:34There's some things you don't understand.

00:21:37Not yet.

00:21:40Mother's probably waiting.

00:21:41Is Richard ready for the ceremony?

00:21:43I don't know.

00:21:44I think he's in his studio.

00:21:45He said he had a sudden inspiration.

00:21:47Something about wanting to finish a statue before...

00:21:50All right, Simon.

00:21:51I've seen you.

00:21:52Come out of there now.

00:21:53I give up.

00:21:56You caught me fair and square, Master Billy.

00:21:58I give me self up.

00:22:00So, it's poaching again, are you, Simon?

00:22:03Well, let me tell you.

00:22:04You just about scared the wits out of poor Miss Kane here.

00:22:07Shame on you, Simon.

00:22:08Shame on you.

00:22:10It was only old bushy tale, Master.

00:22:12Me soul rat.

00:22:14I swear by the shade of Finn McCool, Master Billy.

00:22:17I'm not poaching your legal game.

00:22:19No, it was only that no good rabbit-stealing fox

00:22:22that brings me here.

00:22:23Please, Master Billy.

00:22:25For the memory of your late great father,

00:22:28God rest his soul,

00:22:29don't turn me over to the bulls.

00:22:32Of course not, Simon.

00:22:33But don't let me catch you running around

00:22:34through the brush again like this.

00:22:36Now, off with you.

00:22:37Oh, God bless you, my boy.

00:22:39It is a true sign of the late great lord

00:22:42in his estate, Yar.

00:22:43Forgive me, Miss.

00:22:46The last thing in the world old Simon would want to do

00:22:48is to frighten a fresh young beauty

00:22:51like yourself.

00:22:55Bye, Simon.

00:22:56Old Simon likes to think of himself

00:22:58as the last of the great Irish poachers.

00:23:00Isn't that dangerous, running around with a gun like that?

00:23:03I don't think it's been fired for 30 years.

00:23:04I'm not even sure it's loaded.

00:23:06Well, how does he catch anything, or does he?

00:23:08Well, he sets out snares for rabbits.

00:23:10When he finds them empty,

00:23:11he blames it on old bushy tale.

00:23:13Old bushy tale's a fox.

00:23:14Or at least Simon thinks so.

00:23:16Nobody's ever seen old bushy tale,

00:23:18and I don't think Simon has either.

00:23:20Ship number one is funny.

00:23:20I don't think the rain happens.

00:23:22Only he'll find its way of knowing theà.

00:23:26I don't think the rain matters sometimes.

00:23:28Over the way the Eleven eats up and joins us.

00:23:28If you come into it,

00:23:37you hole a bottle.

00:23:38Sorry.

00:23:38But here's the train deciding how the ring has,

00:23:40because it doesn't appear to be thrown around with theDS.

00:24:43Please, let me help.

00:25:01Have Lily prepare her room.

00:25:09I'll take care of her.

00:25:16What happened?

00:25:18One of the flowers died when it touched her grave.

00:25:22I'll take care of her.

00:25:52There's something in this house, like music in the hallways.

00:26:09Like a child's music, asking me something, but more like begging me.

00:26:21Begging for what?

00:26:23Begging for her mother to listen to her.

00:26:34You know.

00:26:36Oh, I heard her.

00:26:40She asks for you.

00:26:45Oh, tiny thing.

00:26:47Oh, she wants you to listen to her.

00:26:53To watch for her signs.

00:26:55Oh, I do try.

00:26:58Do you know what she wants?

00:27:01She'll tell me.

00:27:03I promise you.

00:27:07She'll tell me.

00:27:08Now, rest.

00:27:13She'll give us a sign.

00:27:15I promise you.

00:27:17She'll give us a sign.

00:27:19She'll give up.

00:27:24She'll give up.

00:27:28Let's go.

00:31:59Good night.

00:32:01Good night.

00:32:29Good night.

00:32:59Good night.

00:33:29Good night.

00:33:59Good night.

00:34:29Good night.

00:34:31Good night.

00:34:33Good night.

00:34:35Good night.

00:34:43Good night.

00:35:05Good night.

00:35:07Ah!

00:35:37Ah!

00:35:41Ah!

00:36:05Consider your mind,

00:36:06as a bird in your hand. When it's relaxed it lies quiet and easy. But when it's

00:36:13tense and frightened, it strains to leave you.

00:36:23Quite a simple principle, isn't it? You're engaged to treat my body, not my mind.

00:36:31Why don't you try to separate that which nature has joined? What I'm trying to say

00:36:36is this, that every year at this time you work yourself toward a point of hysteria.

00:36:40You remember, you worry, you imagine, and then you collapse. I just can't believe

00:36:47that such a punctual cyclist physiological. Aside from all this, am I well?

00:36:55Aside from all this? Oh, yes. What I want you to do is to rest and to relax your mind.

00:37:04Remember the, uh, bird in your hand?

00:37:12Come in.

00:37:17Will you bring us some address for madame, something youthful and cheerful?

00:37:21So that we can have lunch on the terrace.

00:37:24And my daughter-in-law, Louise.

00:37:27She isn't in her room. I don't think she slept there last night, if you were to ask me.

00:37:31Yeah, but nobody's asking you, little girl.

00:37:33Hurry up with the lunch, or I'll wish five years of spinsterhood on you.

00:37:37I must know where Louise is.

00:37:39I've never noticed this interest in your daughter-in-law before.

00:37:43Will you please find her, Lillian?

00:37:45Yes, ma'am.

00:37:47Her ladyship's summer dress.

00:37:49Anything will do.

00:37:59Tell her I must see her. Do you understand?

00:38:01Excuse me, Mr. Halloran.

00:38:15Your mistress sent me to find your sister-in-law, Louise. Have you seen her, sir?

00:38:19I'm sorry, Lillian. We left pretty early this morning. She's not in her room?

00:38:21No, sir. Her room wasn't even slept in.

00:38:23Try asking my brother.

00:38:25Yes, sir. Luncheon is served on the terrace.

00:38:28I wonder where she is.

00:38:29I don't know.

00:38:30Yes, ma'am.

00:38:31I'm sorry, Lillian. We left pretty early this morning.

00:38:33I don't know.

00:38:34I'm sorry.

00:38:35I'm sorry.

00:38:36I'm sorry.

00:38:37I'm sorry, Lillian. We left pretty early this morning.

00:38:38She's not in her room?

00:38:39No, sir.

00:38:40Her room wasn't even slept in.

00:38:41Try asking my brother.

00:38:42Yes, sir.

00:38:43Luncheon is served on the terrace.

00:38:45I wonder where she is.

00:38:46I don't know.

00:38:58Ask me what I did today.

00:39:01Right. What did you do today?

00:39:03Nothing.

00:39:04Ask me why.

00:39:05Why?

00:39:06Because you weren't there.

00:39:08Thought you were going to work.

00:39:10If you're going to be my wife, you'll have to be of the trusting, silent variety.

00:39:17Hey, Richard, you seen Louise?

00:39:18No, I haven't. Why?

00:39:20I don't know. Mother's looking for her.

00:39:22Oh, is that Caleb?

00:39:24He's back.

00:39:28Good afternoon, Mother.

00:39:31Good morning, Caleb.

00:39:32How are you, Richard?

00:39:34I'm fine, Caleb.

00:39:36And no more headaches, I trust.

00:39:39Unpleasant things, headaches.

00:39:41Knowing aware to man's most valuable possessions.

00:39:44And congratulations on your charming fiancée.

00:39:49Lillian.

00:39:50Patrick hasn't seen her, ma'am.

00:39:52And Arthur says that none of the cars, except Master Billy's, has been used.

00:39:56Have you counted the silver?

00:39:59Probably the most astute diagnosis you've ever made, Caleb.

00:40:03You're all being ridiculous.

00:40:10Kathleen.

00:40:26The tiara.

00:40:41She wants the tiara.

00:40:43Dolls?

00:40:46Now, this is ridiculous.

00:40:49Put it away.

00:40:50Probably belongs to the gardener's child.

00:40:51Now, this is very bad for your mother.

00:40:52They're Kathleen stars.

00:40:53I saw them float up from the bottom of the pond.

00:40:54One of you has a brilliantly imaginative and sadistically effective mind.

00:40:55I wish I could keep up with it.

00:40:56Dr. Caleb.

00:40:57Take this home and study it.

00:40:58Fish the rest of them out.

00:40:59Burn them.

00:41:00Fish the rest of them.

00:41:01Burn them.

00:41:02You.

00:41:03Okay.

00:41:04I saw them float up from the bottom of the pond.

00:41:07One of you has a brilliantly imaginative and sadistically effective mind.

00:41:12I wish I could keep up with it.

00:41:13Dr. Kalen, take this home and study it.

00:41:20Fish the rest of them out. Burn them.

00:41:34Fish the rest of them out.

00:42:00Are you gonna pound it all out on that one little piece of metal?

00:42:05I don't know.

00:42:07You know, sometimes I get the feeling you think I'm some sort of a Christmas tree decoration.

00:42:12Hang me up and look at me on all the happy days.

00:42:15And tie me up in a box and put me in a closet when it gets gloomy.

00:42:18You knew what I was like.

00:42:20Oh, yes, I knew you were quiet.

00:42:23But when we first met, I could sit next to you in that little apartment watching you working and thinking for hours.

00:42:29It's this place. You know it is.

00:42:32What do you want me to say?

00:42:34Nothing.

00:42:35Nothing.

00:42:36Cain.

00:42:40Believe me, I am sorry.

00:42:42I don't care whether you're sorry or not.

00:42:44Oh, Richard, Richard, I know there are a lot of things running around in that beautiful head of yours.

00:42:52I know that one of them is you love me.

00:42:54Of course, I love you.

00:42:58But you must understand.

00:43:01Ever since Kathleen died, my mother's been running around with some sort of crazy guilt, looking at every one of us, trying to put it on one of our heads.

00:43:09Until he was only 13, two months after it happened, he used to wake up in the middle of the night and come screaming into my room because he had nightmares about her.

00:43:18My own father died with his wife refusing to see him.

00:43:21Now I feel it's been passed on to me.

00:43:27I've got to wait.

00:43:28I've got to watch.

00:43:30Until I can make some sense out of all this.

00:43:32I leave it up to you to decide whether you want to sit and wait with me.

00:44:02I leave it up to you to decide whether you want to sit and wait with me.

00:44:32I leave it up to you to decide whether you want to sit and wait with me.

00:45:02I leave it up to you to decide whether you want to sit and wait with me.

00:45:32Oh, my God.

00:46:02Oh, my God.

00:46:32Oh, my God.

00:47:02Oh, my God.

00:47:32Oh, my God.

00:48:02Oh, my God.

00:48:32Oh, my God.

00:49:02Oh, my God.

00:49:04Oh, my God.

00:49:06Oh, my God.

00:49:08Oh, my God.

00:49:10Oh, my God.

00:49:14Oh, my God.

00:49:16Oh, my God.

00:49:22Oh, my God.

00:49:24Oh, my God.

00:49:32Oh, my God.

00:49:34Oh, my God.

00:49:36Oh, my God.

00:49:37Oh, my God.

00:49:38Oh, my God.

00:49:40Oh, my God.

00:49:42Oh, my God.

00:49:44Oh, my God.

00:49:46Oh, my God.

00:49:48Oh, my God.

00:49:50Oh, my God.

00:49:52Oh, my God.

00:49:54Oh, my God.

00:50:26The tiara.

00:50:45You want the tiara.

00:50:56You want the tiara.

00:51:26You want the tiara.

00:51:56You want the tiara.

00:52:02Richard!

00:52:03Richard, please come!

00:52:06Somebody, please come!

00:52:10Lillian, call the doctor.

00:52:12Will it be Dr. Caleb?

00:52:14Anybody!

00:52:15And get Richard here!

00:52:24Richard!

00:52:26Richard!

00:52:27Mary.

00:52:28Is she still breathing?

00:52:34Let's get her into the house.

00:52:48Let's get her into the house.

00:52:50Let's get her into the house.

00:52:55Let's get her into the house.

00:52:57Sure.

00:52:59No.

00:53:00I know she can't get them enough.

00:53:03You can't get them.

00:53:05I can't do anything.

00:53:06I can't do anything.

00:53:07You can't do anything.

00:53:08That's the thing.

00:53:09It's my pleasure.

00:53:10You can't do anything.

00:53:11I can't do anything.

00:53:12Why don't you go to bed, Billy?

00:53:30I will in a minute.

00:53:32You're going to get all depressed sitting here by yourself.

00:53:35Did you ever see where my room is?

00:53:37You have to go down a corridor where nobody's lived for the past 50 years.

00:53:43Then up a flight of stairs where my great-granduncle or somebody tripped and broke his neck.

00:53:50And then past the spot where my grandfather died of a heart attack.

00:53:56I'd rather be depressed here than there.

00:53:58Poor Billy. No wonder you used to get all those nightmares.

00:54:02Used to. I still get them.

00:54:04What do they like? Are they terrible?

00:54:07I don't know.

00:54:09They're more strange than terrible.

00:54:15I'm always a little boy.

00:54:17And I'm in my room.

00:54:20It's late.

00:54:21I hear somebody outside making a kind of a scraping sound.

00:54:27I get out of bed.

00:54:29Look out of the window.

00:54:31And there's a man climbing up the wall coming closer toward my window.

00:54:37I yell for my mother and she comes into the room just as the man is coming in through the window.

00:54:43I hold on to her legs, crying.

00:54:46I'm so small I can only come up to her waist.

00:54:53The man is in the shadows.

00:54:55You can almost recognize him, but not really.

00:54:57He says that he's insane and that someone else in the room is insane also.

00:55:07And that he's going to nod his head.

00:55:09And when he does, that other insane person will nod their head.

00:55:13He nods.

00:55:20And I look up at my mother.

00:55:22And she's nodding her head.

00:55:29And then she starts laughing at me.

00:55:33And she picks me up in her arms.

00:55:41Runs outside and throws me into the pond.

00:55:45Oh, Billy, we've all got to get out of here.

00:55:54Come on, go to bed.

00:55:56Oh, he passed all those spooky corridors.

00:55:58He can get there before Richard throws his boat in the pond.

00:56:00What's wrong?

00:56:05Nothing.

00:56:06You just made me realize the man in my dream who climbs up my wall is Richard.

00:56:13I'm sorry.

00:56:14I just never thought of it before.

00:56:16Just a dream.

00:56:30What is it, Arthur?

00:56:34It's Dr. Caleb in.

00:56:35He's at breakfast.

00:56:37Is it important?

00:56:38Yes.

00:56:39All right, then.

00:56:41Come on in.

00:56:53Excuse me, but Arthur's here.

00:56:55He says he has something important to tell you.

00:57:00Excuse me.

00:57:08But Arthur, I drained the pond like you told me, sir.

00:57:17And there's something there I think you'd want to see.

00:57:21Show me.

00:57:27Richard.

00:57:30And there's something here.

00:57:59A shrine.

00:58:07Beautifully done.

00:58:09I never saw that before.

00:58:13Quite skillfully carved, I must say.

00:58:16I worked in iron, remember?

00:58:19Six years ago, you worked in stone.

00:58:22I never did that.

00:58:25Every one of us worked in stone.

00:58:27My father loved teaching us.

00:58:29Someone else did that, I didn't.

00:58:31No one else pursued this inherited talent.

00:58:35Nobody.

00:58:37Leave him alone.

00:58:38He told you before he's never seen it and he meant it.

00:58:40Come on, Richard, let's go.

00:58:42No.

00:58:43He's trying to play a game with me, don't you see?

00:58:46Your mother lies in bed in a state of shock

00:58:48caused by something or somebody.

00:58:49I don't call that a game, Richard.

00:58:51Have the all-seeing doctor noticed

00:58:53that a certain money-hungry, conniving little woman

00:58:55has left our midst?

00:58:57That my mother in her struggle

00:58:58clung on desperately

00:58:59to a very valuable diamond tiara.

00:59:02But I think that shrine has been in that pond

00:59:04for five or six years.

00:59:06I don't think that five or six years ago

00:59:08Louise had even heard of Castle Halloran.

00:59:10Do you?

00:59:10What do you want out of this doctor?

00:59:17Oh, I don't know.

00:59:19Just the solution to the nightmare

00:59:20that has disturbed this family for six years.

00:59:24After all, I am the family doctor, you know.

00:59:26I didn't mean to annoy your brother,

00:59:35because I think he's right.

00:59:37I think Louise did try to steal your mother's tai hara,

00:59:40and I think she'll come back.

00:59:43I think she's hiding somewhere in town.

00:59:45Will you help me look for her?

00:59:47Sure, if you want me to.

00:59:48I do.

00:59:49Because your brother's upset, and the young girl, too.

00:59:52That leaves the two of us.

00:59:54What do you think?

00:59:55Sure, I guess you're right.

00:59:57We'll look for her tonight.

01:00:23What do you think?

01:00:53What do you think?

01:01:23What do you think?

01:01:53I told you not to follow me.

01:02:12Look at you.

01:02:12You're frightened to death.

01:02:14Now settle that room.

01:02:15What are you doing here?

01:02:16The studio where my father worked.

01:02:18Kept his stone-cutting tools here.

01:02:19I was trying to find out who made that monument.

01:02:22Oh, Richard.

01:02:24Richard, I'm sorry.

01:02:25I'll never touch you again.

01:02:26I promise.

01:02:29We can get married now.

01:02:31Your mother's still sick,

01:02:32and she won't be able to stop us.

01:02:33No one will be able to stop us.

01:02:35No one will be able to stop us.

01:02:36Well, this is the devil's own climate.

01:02:53Good for the grass and the country doctors.

01:02:55If I had to survive by treating the common cold,

01:02:58I might as well retire.

01:03:00Too large a Irish for master Halloran.

01:03:03Oh, no, no.

01:03:04I don't care for any.

01:03:05Oh, just to take the chill from your bones?

01:03:07Drink's the only road to survival in this climate.

01:03:10Despite your useless American education,

01:03:13you're still Irish, you know.

01:03:15Drink up.

01:03:17Do you know a sister-in-law,

01:03:18John's wife, an American girl?

01:03:20Fair hair, fair complexion, you'd know her.

01:03:22No, I have never seen her.

01:03:24I've seen her at the chemist's dock

01:03:26about two or three days ago.

01:03:28Thanks.

01:03:31Over here, Billy.

01:03:32Nearer the heat.

01:03:33Drink up.

01:03:45What do you think, Billy?

01:03:46Where did she go?

01:03:49I don't know.

01:03:51Come on, let's go.

01:03:53How bad?

01:03:54You wouldn't begrudge an aging man

01:03:57his moment's rest, would you?

01:04:00You know, I think you know the answer

01:04:02to all the problems your family's been having.

01:04:05Because, Billy,

01:04:07you saw your little sister drown

01:04:09all those years ago.

01:04:11No, I didn't.

01:04:13Oh, yes, you did.

01:04:15You know how I know you did?

01:04:17No.

01:04:18Because you told me.

01:04:21I did not.

01:04:23How bad.

01:04:24Come on, drink up.

01:04:26Do you remember all those years ago

01:04:32when you couldn't sleep?

01:04:34Do you remember who it was

01:04:35gave you the little pill

01:04:36that made you sleep?

01:04:38Remember the dreams?

01:04:40Faces in the shadows?

01:04:42The man climbing up your wall?

01:04:45I haven't forgotten.

01:04:48Who was that man?

01:04:50No, I don't know.

01:04:52Who was it that tried

01:04:54to throw you in the pond?

01:04:57Richard.

01:04:59Tell me what happened.

01:05:01What happened to Louise?

01:05:03Fishy, fishy in the brook

01:05:09Daddy caught you on a hook

01:05:16Fishy, fishy in the brook

01:05:22Daddy caught you on a hook

01:05:29the sea.

01:05:34Yes, I'll kill you.

01:05:39I'll kill you.

01:05:40Is there anyone here

01:05:42seen Richard?

01:05:43No, I haven't seen him.

01:05:45Come on, Marie.

01:05:48Come on, Marie.

01:05:58Congratulations.

01:05:59Thank you, Mary.

01:06:29Excuse me.

01:06:32Yes.

01:06:34You know, the one thing in the world that really chills my bones to the marrow is when a pretty girl on a wedding dress looks at me and finds me repulsive.

01:06:40Oh, don't be silly, Doctor.

01:06:42Oh, I'm often silly. One of my major advices.

01:06:44Another one is a desire on my part to help others.

01:06:47However, Hans did that mess out.

01:06:49Then you can help me by telling me where Richard is.

01:06:51I'm not sure where Richard is.

01:06:54Oh, indeed, what he is.

01:06:57Oh, and you wonder why young girls in wedding dresses give you dirty looks.

01:07:01No, no, no.

01:07:03I'm quite serious.

01:07:05I've known this family for a very long time.

01:07:07I've been aware of the atmosphere of depression and the slightly demented quality that hangs over it.

01:07:12But these are subtle matters, so I never spoke.

01:07:15I will tell you, young lady, that I know that Louise did not leave but was taken away from Castle Halloran.

01:07:23Perhaps even her husband John didn't actually go on that business trip.

01:07:28I don't know what you're talking about.

01:07:30Because you don't know what I'm talking about, you think I'm some kind of villain.

01:07:36Can you imagine what it's like to try to help others and to be mistrusted every time my lip twists?

01:07:41This doesn't mean that every word I say is sinister.

01:07:44I don't know what you're trying to say.

01:07:46What I'm trying to say to you that I've discovered things in this house that make me uneasy.

01:07:52And that you are probably in a position of some danger.

01:07:57From Richard?

01:07:59Primarily from Richard.

01:08:00But I'm not sure.

01:08:01It could be anyone.

01:08:03Well, maybe you have forgotten.

01:08:04But I certainly haven't.

01:08:05I'm his wife now.

01:08:07And his sister and his sister-in-law and his mother.

01:08:11And perhaps his eldest brother.

01:08:15I swear to you, Dr. Caleb, you are a very sick man.

01:08:18Hey!

01:08:26What's the matter, honey?

01:08:27Where have you been?

01:08:28I was just outside having a smoke.

01:08:30Well, let's get out of here.

01:08:31I don't want anyone to see me cry.

01:08:33Come out.

01:08:46Come out wherever you are.

01:08:51These nursery rhymes are notoriously expressive.

01:09:03cả

01:09:15Come on.

01:09:16I don't care what anyone says about you.

01:09:17Who said anything about me?

01:09:19No one.

01:09:20Everyone!

01:09:21I don't care!

01:09:33A little fishy in the brook.

01:09:52Papa's hanged you on a hook.

01:10:03Papa's caught you on the hook.

01:10:12Papa's caught you on the hook.

01:10:33Papa's why you saw him on the hook.

01:10:47Papa's at the door.

01:10:50Papa's caught.

01:10:55What is it?

01:11:25What is it?

01:11:55Don't touch her!

01:12:01Don't touch her!

01:12:31Don't touch her!

01:12:33Don't touch her!

01:12:37Don't touch her!

01:12:41Don't touch her!

01:12:49Don't touch her!

01:12:51Don't touch her!

01:12:53Don't touch her!

01:12:57Don't touch her!

01:12:59Don't touch her!

01:13:01Don't touch her!

01:13:05Don't touch her!

01:13:07Don't touch her!

01:13:09Don't touch her!

01:13:11Don't touch her!

01:13:13Don't touch her!

01:13:17Don't touch her!

01:13:19Don't touch her!

01:13:21Don't touch her!

01:13:23Don't touch her!

01:13:25Don't touch her!

01:13:27Don't touch her!

01:13:29Don't touch her!

01:13:31Don't touch her!

01:13:33Don't touch her!

🧠 Dementia 13 (1963) Full Movie | Francis Ford Coppola’s Gothic Horror Debut 🕯️| Cult Classic Mystery Thriller

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