- 2 days ago
Step aboard the Trans-Siberian Express, where science meets horror in this chilling 1970s cult classic. Horror Express (1973) blends sci-fi, supernatural mystery, and gothic suspense, starring the legendary duo Christopher Lee and Peter Cushingโplus a mind-controlling alien loose on the train!
๐ฝ๏ธ Plot Summary:
An English anthropologist (Lee) boards a train from China to Moscow, transporting a mysterious frozen creature believed to be the missing link. But as passengers begin to dieโeyes wide and brains drainedโit becomes clear the monster isnโt deadโฆ and itโs not alone. ๐ง๐น๐งฌ
๐ฐ๏ธ Year Released: 1973
๐ญ Genre: Horror, Sci-Fi, Thriller
๐ฌ Directed by: Eugenio Martรญn
๐๏ธ Starring: Christopher Lee, Peter Cushing, Telly Savalas
๐ฏ Why Watch It?
โ๏ธ A spooky, stylish mix of science fiction and supernatural horror
โ๏ธ Electric chemistry between horror legends Lee & Cushing
โ๏ธ Set entirely on a trainโclaustrophobic suspense at its best
โ๏ธ Underrated public domain gem with cult status
๐ Donโt forget to LIKE ๐ | COMMENT ๐ฌ | SUBSCRIBE ๐ for more cult horror classics, sci-fi thrillers, and vintage nightmares!
๐ Watch more chilling vintage horror here:
๐บ https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
โโโโโโโโโโโโโโโโโโ
๐๏ธ #HorrorExpress #ChristopherLee #PeterCushing #SciFiHorror #VintageHorror #CultClassic #PublicDomainMovies #MonsterOnATrain
โโโโโโโโโโโโโโโโโโ
๐จ Donโt miss the unforgettable terror racing across the icy rails in Horror Express (1973) โ the monster isnโt just in the boxโฆ
________________________________________
๐ฝ๏ธ Plot Summary:
An English anthropologist (Lee) boards a train from China to Moscow, transporting a mysterious frozen creature believed to be the missing link. But as passengers begin to dieโeyes wide and brains drainedโit becomes clear the monster isnโt deadโฆ and itโs not alone. ๐ง๐น๐งฌ
๐ฐ๏ธ Year Released: 1973
๐ญ Genre: Horror, Sci-Fi, Thriller
๐ฌ Directed by: Eugenio Martรญn
๐๏ธ Starring: Christopher Lee, Peter Cushing, Telly Savalas
๐ฏ Why Watch It?
โ๏ธ A spooky, stylish mix of science fiction and supernatural horror
โ๏ธ Electric chemistry between horror legends Lee & Cushing
โ๏ธ Set entirely on a trainโclaustrophobic suspense at its best
โ๏ธ Underrated public domain gem with cult status
๐ Donโt forget to LIKE ๐ | COMMENT ๐ฌ | SUBSCRIBE ๐ for more cult horror classics, sci-fi thrillers, and vintage nightmares!
๐ Watch more chilling vintage horror here:
๐บ https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
โโโโโโโโโโโโโโโโโโ
๐๏ธ #HorrorExpress #ChristopherLee #PeterCushing #SciFiHorror #VintageHorror #CultClassic #PublicDomainMovies #MonsterOnATrain
โโโโโโโโโโโโโโโโโโ
๐จ Donโt miss the unforgettable terror racing across the icy rails in Horror Express (1973) โ the monster isnโt just in the boxโฆ
________________________________________
Category
๐ฅ
Short filmTranscript
00:00:00The End
00:06:09I'm just collecting a few specimens.
00:06:11Miss Jones let me introduce Professor Alexander Saxton.
00:06:13Miss Jones has been assisting me. Bacteriology, excellent technician.
00:06:17For a woman, he means.
00:06:43Hi, sir.
00:07:01Excuse me.
00:07:03Two private compartments, two mosquitoes, please.
00:07:06Two, you say? Will that be all?
00:07:08And three crates of animals.
00:07:10Impossible.
00:07:12I know I'm asking you to perform miracles.
00:07:14Can I help you?
00:07:44It's called squeezing, China.
00:07:46The American people know how.
00:07:48And in Britain, we call it bribery and corruption.
00:07:52Now, sir.
00:07:54Excuse me.
00:08:06You...
00:08:07Get off!
00:08:08What?
00:08:09Sir Alexander Saxton.
00:08:10Yes.
00:08:11Captain O'Higgins, sir.
00:08:12General Wang told me to find you.
00:08:13And to make myself useful.
00:08:14Um...
00:08:15Now I remember.
00:08:16I do have Your Excellency's ticket.
00:08:17Your...
00:08:18Your ticket.
00:08:19Right here.
00:08:22And the Lord has mercy on his soul.
00:08:23Not that he deserves it.
00:08:24The dirty thief.
00:08:25You have his things?
00:08:26No.
00:08:27No.
00:08:28No.
00:08:29No.
00:08:30No.
00:08:31No.
00:08:32No.
00:08:33No.
00:08:34No.
00:08:35No.
00:08:36No.
00:08:37No.
00:08:38No.
00:08:39No.
00:08:40No.
00:08:41No.
00:08:42No.
00:08:43No.
00:08:44No.
00:08:45No.
00:08:46No.
00:08:47No.
00:08:48No.
00:08:49No.
00:08:50No.
00:08:51No.
00:08:52No.
00:08:53No.
00:08:54No.
00:08:55No.
00:08:56No.
00:08:57No.
00:08:58No.
00:08:59No.
00:09:00No.
00:09:01No.
00:09:02No.
00:09:03a thief but he was blind blind he could spot the policemen a mile away
00:09:24the work of the devil
00:09:33can i be of any assistance father
00:09:40this is yours it is but i demand an explanation
00:09:45whatever you have here is unholy and must be destroyed
00:09:51inspector mirov what is in there excellency fossils what is a fossil a stone
00:10:12stones there wouldn't be something valuable in there like gold gold it's a laboratory specimen
00:10:21no value to a thief where there is god
00:10:25there is always a place for the cross even on this stone floor just so
00:10:33but satan is evil and where evil is there is no place for the cross
00:10:44rubbish a conjurer's trick
00:11:02captain yes sir you get your men to put the crate on the train
00:11:06ready
00:11:14lift it up
00:11:20off you go
00:11:22on
00:11:29on
00:11:33on
00:11:34on
00:11:35on
00:11:36on
00:11:37on
00:11:44on
00:11:46on
00:11:50on
00:11:51on
00:11:55on
00:11:57Follow me.
00:14:43Exactly.
00:14:54Mrs.
00:14:56Who are you looking a direct presentation?
00:14:57too. I am honored, madame. Oh, yes, England. Queen Victoria, crumpets, Shakespeare. I admire
00:15:07Poland, madame. I believe that there is a bond between our countries. My husband, the
00:15:14Count Petroski, says that in the 15th century, your King Henry betrayed us to the Russians.
00:15:21Hmm. I hope that you and your husband, madame, will accept my profoundest apologies. She's
00:15:28really afraid. I wonder what it is. May I escort you back to your carriage, madame?
00:15:51Yours? Oh, thank you. Excuse me. Yes? I was on the platform before, when that mad monk
00:16:19was carrying on. Yes? I'm an engineer, a scientist. And this is ordinary chalk. How do you explain
00:16:33it not writing on that crate? Hypnosis, yoga. These mystics can be very convincing. They
00:16:41can even hypnotize themselves. The fresh food we will pick up. Who will pay for it, sir?
00:16:57Hmm? Oh, just keep an account of how much you spend. Hmm? Ah. If, um, someone were to drill
00:17:06a little hole in this crate during the night, and, ah, take a look at what's inside, I'd be
00:17:11very grateful.
00:17:13I'd be very grateful.
00:17:32Let's you know, though.
00:17:34Help me.
00:17:42In what way, madame?
00:17:49Is this number eight?
00:17:50That's next door, a well's compartment.
00:17:55There, there. Don't cry.
00:17:56Everything will be all right.
00:18:03Excuse me.
00:18:05Sorry, dear fellow. I'm afraid you're in the wrong pew. Here. Number eight. Do you see?
00:18:11Eight A. Lower birth. Eight B. Upper birth.
00:18:18Don't worry. Look here. I was supposed to have this compartment to myself.
00:18:22If you don't mind. I'm sorry if I'm in your way.
00:18:26Excuse me. I have no ticket, and I have to get out of Shanghai. I'm sure I can make it worth your while.
00:18:32The young lady's in trouble.
00:18:34Well, what do you suggest we do about it?
00:18:36Couldn't you, couldn't you double up at somebody else?
00:18:39Miss Jones?
00:18:41Steady.
00:18:42I'm sure we can all get along very well together.
00:18:52Miss Jones.
00:18:53Miss Jones.
00:18:54Miss Jones.
00:18:55Miss Jones.
00:18:56Miss Jones.
00:18:57Miss Jones.
00:18:58Miss Jones.
00:18:59Miss Jones.
00:19:00Miss Jones.
00:19:01Miss Jones.
00:19:02Miss Jones.
00:19:03Miss Jones.
00:19:04Miss Jones.
00:19:05Miss Jones.
00:19:06Miss Jones.
00:19:07Miss Jones.
00:19:08Miss Jones.
00:19:09Miss Jones.
00:19:10Miss Jones.
00:19:11Miss Jones.
00:19:12Miss Jones.
00:19:13Miss Jones.
00:19:14Miss Jones.
00:19:15Miss Jones.
00:19:16Miss Jones.
00:19:17Miss Jones.
00:19:18Miss Jones.
00:19:19Miss Jones.
00:19:20Miss Jones.
00:19:21Let's go.
00:19:51Let's go.
00:20:21Let's go.
00:20:51Let's go.
00:21:21Let's go.
00:21:51There's the stink of hell on this train.
00:22:09Even the dog knows it.
00:22:11When the Englishman comes to call, what should I wear?
00:22:20Sure of yourself, aren't you?
00:22:22The blue one with the decollete.
00:22:24Or perhaps the red one?
00:22:31You're jesting with her immortal soul.
00:22:34That's why we keep you, Pujardov.
00:22:37Our immortal souls are your concern.
00:22:40She's afraid of something.
00:22:47Tell me, Pujardov.
00:22:51Yes?
00:22:52Which do you think I should wear for the Englishman?
00:22:56The red or the blue?
00:22:58Enough.
00:23:00I forbid you to talk this way.
00:23:03You forbid.
00:23:03Forgive me, Your Excellency.
00:23:08My concern for the spiritual welfare of the Countess.
00:23:13I forgot myself.
00:23:16I will pray for humility.
00:23:21Pray hard, Pujardov.
00:23:23Or you'll find yourself trained for a job, too.
00:23:26May the father look so.
00:23:28Most.
00:23:28Oh, it's the piece I was playing.
00:23:48I wonder who it is.
00:23:58I wonder who it is.
00:24:23What?
00:24:23I wonder who it is.
00:24:25What do you think?
00:24:27you wish to see us i thought one of you might know what happened to the baggage man
00:24:37i haven't the remotest idea what about you
00:24:41perhaps it had something to do with what's inside that crate i agree with you he was trying to open
00:24:48it when something happened what
00:24:50fortunately he was interrupted yes by whom
00:25:01why are you so worried about it being opened it may be my fault i asked the baggage man to take a
00:25:09look i was curious there was no concern of yours or of yours
00:25:15one man dead another missing it's time we open this box you do no such thing give me the key
00:25:45see if you can open the crate with that
00:25:50go ahead
00:26:15my god it's the baggage man what was in there i told you a fossil part eight part man it lived two
00:26:45million years ago are you telling me that a date that lived two million years ago got onto that
00:26:50crate killed the baggage man and put him in there then locked everything up neat and tidy and got
00:26:55away yes i am it's alive it must be lock him up we'll search the train and find it whatever it is
00:27:03and destroy it but if it's alive i want this kept quiet i don't want to panic the passengers
00:27:15so
00:27:26oh
00:27:31Oh, my God.
00:28:01Oh, my God.
00:28:31Oh, my God.
00:29:01Oh, my God.
00:29:31Oh, my God.
00:30:01Oh, my God.
00:30:31Oh, my God.
00:30:33Oh, my God.
00:30:35Oh, my God.
00:30:37Oh, my God.
00:30:39Oh, my God.
00:30:41Oh, my God.
00:30:43Oh, my God.
00:30:47Oh, my God.
00:30:49Oh, my God.
00:30:51Oh, my God.
00:30:53And I don't believe so.
00:30:55Oh, my God.
00:30:59Oh, my God.
00:31:01Oh, my God.
00:31:03Oh, my God.
00:31:05I beg your pardon, it was somebody else.
00:31:21What's the matter?
00:31:23The eye of that fish.
00:31:26It's white.
00:31:29Naturally, it's boiled.
00:31:32Boiled?
00:31:34Yes.
00:31:41Is it true you're a doctor?
00:31:44Ask me when I finish my dinner.
00:31:46It's urgent.
00:31:48What are the symptoms?
00:31:49He's dead, you saw him.
00:31:52Oh, that one.
00:31:53There's nothing I can do for him.
00:31:56Now there's one more dead.
00:31:57One of my soldiers.
00:31:58The same white eyes.
00:31:59I want to know the cause of death.
00:32:01Who's dead?
00:32:03Keep your nose out of it.
00:32:04You didn't hear anything.
00:32:07Excuse me.
00:32:11Is Professor Sexer's fossil still at large?
00:32:13I think the fossil, or whatever it is, escaped.
00:32:16Jumped off the train.
00:32:22Miss Jones, I shall need your assistance.
00:32:24Yes, but at your age, I'm not surprised.
00:32:30With an autopsy.
00:32:32Oh, well, that's different.
00:32:33It's different.
00:32:47Very curious.
00:32:52A genetic defect, obviously.
00:32:53Scuffle?
00:32:54Mm-hmm.
00:33:03Can you keep that still?
00:33:04Mm-hmm.
00:33:10What is he doing?
00:33:11Tree pen.
00:33:12Don't get up, please.
00:33:25Don't get up, please.
00:33:26I see you have decided to die in alone, Sir Alexander.
00:33:39I've eaten in worse circumstances, and in worse company.
00:33:48That's all.
00:33:50There you are, Doctor.
00:34:01You're in bad humor because you've lost your box of bones.
00:34:04Hmm?
00:34:08That box of bones, Madame, could have solved many of the riddles of science.
00:34:15If the theory of evolution is confirmed,
00:34:18if the science of biology is revolutionized,
00:34:21if the very origin of man is determined...
00:34:23I have heard of evolution.
00:34:25It's... it's immoral.
00:34:27It's a fact.
00:34:29And there's no morality in a fact.
00:34:34It's a fact.
00:34:38And what about the baggage man?
00:34:40And that poor thief at the station?
00:34:43What about them?
00:34:45They are dead.
00:34:49Was your creature responsible for that?
00:34:53Probably.
00:34:56And you don't care?
00:34:59A baggage man?
00:35:01And a thief?
00:35:05You're right, Madame.
00:35:08I don't care as much as I should.
00:35:10Can you tell me how he died?
00:35:14Smooth as a baby's bottom.
00:35:16You saw this man today, and he was normal?
00:35:18Absolutely.
00:35:20It must be a mutation, a freak of nature.
00:35:22What's so special about this brain?
00:35:23Learning and memory are engraved on the normal brain.
00:35:25Leaving a wrinkled surface.
00:35:27This brain has been drained.
00:35:30The memory has been removed.
00:35:33Like chalk erased from a blackboard.
00:35:36And the brain has been drained.
00:35:37brain leaving a wrinkled surface this brain has been drained the memory has
00:35:46been removed like chalk erased from a blackboard
00:36:07the
00:36:10the
00:36:13the
00:36:14the
00:36:19the
00:36:22the
00:36:25the
00:36:28the
00:36:31the
00:36:34the
00:36:44the
00:36:45the
00:36:46the
00:36:47the
00:36:48the
00:36:51the
00:36:52of
00:36:53Let's go.
00:37:23Let's go.
00:37:53Let's go.
00:38:23Let's go.
00:38:53Let's go.
00:39:23Let's go.
00:39:31Miss?
00:39:32It's Dr. Wells.
00:39:33Miss, are you all right?
00:39:38Let's go.
00:39:48Let's go.
00:39:58Let's go.
00:40:08Miss, are you there?
00:40:20Let's go.
00:40:30Let's go.
00:40:32Let's go.
00:40:42Let's go.
00:40:43Let's go.
00:40:52Let's go.
00:40:53Let's go.
00:41:02Let's go.
00:41:04Let's go.
00:41:05Let's go.
00:41:14Let's go.
00:41:16Let's go.
00:41:17Let's go.
00:41:26Let's go.
00:41:28Let's go.
00:41:29Let's go.
00:41:30Let's go.
00:41:31Let's go.
00:41:32Let's go.
00:41:34Let's go.
00:42:04Come in.
00:42:19Feeling better?
00:42:22Yes.
00:42:25Anything wrong?
00:42:27That woman who was killed.
00:42:29The engineer, you know, the chess player.
00:42:31He told me that she was an international spy.
00:42:36Yes, I know.
00:42:38Oh, you do?
00:42:39Well, could that fact have had anything to do with her death?
00:42:43What do you think?
00:42:46Dr. Wells and I performed an autopsy on her.
00:42:49Her brain was completely smooth, just like the baggage man's.
00:42:53Everything had been erased.
00:42:54Now, I have a theory about this.
00:42:56I'm only a policeman, Professor.
00:42:57I don't have much education.
00:43:01Well, I'd make it simple.
00:43:04Supposing that creature, the one you killed,
00:43:07was capable of taking ideas directly from other people's brains
00:43:11and transferring them to its own.
00:43:13You mean it sucked other people's brains?
00:43:16Absorbed through the eyes.
00:43:22That was our first clue.
00:43:24The eyes going white.
00:43:27Then, if the beast had absorbed your brains,
00:43:30all of your education would have gone into its brain.
00:43:33It would have been as clever as you.
00:43:37Much more so, because what it had taken from me
00:43:40would have been added to the learning that it already had.
00:43:44Professor, spy, baggage man, thief.
00:43:49What was the creature looking for?
00:43:52Well, that we'll never know, now that it's dead.
00:43:55And yet...
00:43:56What?
00:43:59A creature like that.
00:44:00How would it ever die?
00:44:06Inspector?
00:44:07What is it?
00:44:08I found this.
00:44:09The animal had it.
00:44:10The animal had it?
00:44:12Give it to me.
00:44:14It belonged to Count Petrovsky.
00:44:17How do you know?
00:44:19I saw him put it in the safe.
00:44:30I saw him put it in the safe.
00:44:32Steel, harder than a diamond.
00:44:35That's why the spies are after it.
00:44:37French, German, English.
00:44:40But they're wasting their time.
00:44:43What really matters is the formula.
00:44:46And that gentleman is safe.
00:44:49Up here.
00:44:49What happened to the girl?
00:44:56The spy?
00:44:58She's dead.
00:44:59The fossil, or whatever it was, killed her.
00:45:02But there's no more danger, Countess.
00:45:04Beast is not dead.
00:45:05I put four bullets into him.
00:45:07You think evil can be killed with bullets?
00:45:15Satan lives.
00:45:18The unholy one is among us.
00:45:21Oh, Shabbat, Shabbat, Shabbat, Shabbat, Shabbat, Shabbat, Shabbat, Shabbat.
00:45:30Oh, Shabbat, Shabbat.
00:46:00What do you expect to find in the eye fluid?
00:46:05I don't know.
00:46:30Why, this is incredible.
00:46:37What?
00:46:43Why, it's the last thing the creature saw.
00:46:48Police, Inspector.
00:46:50The image has been retained in the fluid.
00:46:52The creature's visual memory is located not in its brain, but in the eye itself.
00:46:59THE END
00:47:29Can you identify anything?
00:47:44It's a Brontosaurus!
00:47:48A Terodactyl!
00:47:59A Terodactyl!
00:48:01A Terodactyl!
00:48:03A Terodactyl!
00:48:05A Terodactyl!
00:48:07A Terodactyl!
00:48:11A Terodactyl!
00:48:13A Terodactyl!
00:48:15incredible
00:48:22this is not a map
00:48:26it can only be the earth seen from space
00:48:30i hope i'm not intruding
00:48:34people on the train are becoming afraid professor
00:48:37people on long journeys become bored madame
00:48:40they crave excitement
00:48:43then there's no more danger it's all finished
00:48:47and what about your science
00:48:51the evolution you were talking about
00:48:53look for yourself
00:48:56come here pujado
00:49:12there's something i want to show you
00:49:16look
00:49:22oh
00:49:33it is the holy reed
00:49:41on the second day he created the earth
00:49:47where did you get it
00:49:54there from the creature's eye
00:49:58the eye of satan
00:50:04nonsense there's a scientific explanation
00:50:08you know it
00:50:10no
00:50:13not yet
00:50:16for the fall
00:50:21for satan was banished from the throne of god
00:50:25the evil one looked down
00:50:28from heaven
00:50:30and did see
00:50:31rubbish
00:50:31bujadov
00:50:43bujadov
00:50:44where is he
00:50:58i don't know
00:51:00he's gone mad
00:51:02i'll look in the baggage car
00:51:09right
00:51:09i don't know
00:51:25i don't know
00:51:28Let's go.
00:51:58Looking for the thief, Miss Jones?
00:52:18You know about it.
00:52:21What's all the fuss?
00:52:22You get back that eye and there's a thousand rubles in it for you.
00:52:32A thousand rubles for an eye?
00:52:36There's something in it.
00:52:40Pictures.
00:52:41Pictures of what?
00:52:44Pictures of the earth in prehistoric times.
00:52:48Pictures of the earth seen from space.
00:52:51Who else has seen such pictures?
00:52:55Dr. Wells, Professor Saxon, and that pretty countess.
00:53:00I see.
00:53:01I see.
00:53:01I see.
00:53:02Oh, my God.
00:53:32Oh, my God.
00:54:02Have pity. Have pity.
00:54:15Are you going to kill me?
00:54:19Fool. There's nothing in your head of any use.
00:54:23Another killing.
00:54:40Stop the train.
00:54:41No right.
00:54:42I want to get off.
00:54:43There's no law.
00:54:44Quiet.
00:54:44There's been talk about getting off the train.
00:54:48Well, you can forget it.
00:54:50I'll complain to the authorities.
00:54:52I'm not one of your musics.
00:54:53If necessary, I'll shoot anyone who tries to stop the train.
00:54:57Shoot. Shoot, you stupid raten.
00:55:14Who else has seen such pictures?
00:55:18Dr. Wells.
00:55:20Professor Saxton.
00:55:23And that pretty childless.
00:55:26Wells.
00:55:26Saxton.
00:55:27Childless.
00:55:28Wells.
00:55:28Saxton.
00:55:29Childless.
00:55:30Wells.
00:55:30Saxton.
00:55:31Childless.
00:55:31Shhh.
00:55:32Twelves.
00:55:40Is this creature dead or not?
00:55:44If it is, who killed Miss Jones?
00:55:51Do you have any idea?
00:55:54No, Inspector.
00:55:55I'm not sure I haven't, but I've asked the conductor to wire ahead and stop the train at the next station.
00:56:12What's the idea?
00:56:25Tell me who you are.
00:56:48Tell me.
00:56:49I will serve you.
00:56:55I want to help you.
00:57:07It's like some contagious disease.
00:57:10What if there's a disease?
00:57:12There must be symptoms.
00:57:13Fever?
00:57:14You could take everyone's temperature.
00:57:17The eyes.
00:57:19Why do their eyes go white?
00:57:25Do you think it's true what they say about those horrible white eyes?
00:57:45Oh, that part is true enough.
00:57:46Oh, Inspector.
00:57:52It's only you now.
00:57:53What about me?
00:57:55Your eyes.
00:57:57We must examine your eyes, too.
00:58:01Certainly.
00:58:09Perhaps you should test for radiation or other invisible rays.
00:58:14X-rays?
00:58:14Well, it's a thought, but on this train, how would we go about it?
00:58:20Are you a scientist?
00:58:21An engineer, but I try to keep up with things.
00:58:25That's to be admired.
00:58:28Inspector, I suggest you tell all these people to stay together in groups or in pairs,
00:58:33so that if anything does happen to anybody, then somebody can raise the alarm.
00:58:37On no account must anybody be left alone.
00:58:39Joel isification.
00:59:02Oh, God.
00:59:03Oh, God.
00:59:04I love you for questioning.
00:59:05Word, I contar...
00:59:05Oh, God.
00:59:05Oh, God.
00:59:05Oh, God.
00:59:06Oh, God.
00:59:06Oh, God.
00:59:07Oh, God.
00:59:07Oh, God.
00:59:07Oh, God.
00:59:08Let's go.
00:59:38Use of the train.
00:59:59The train will be here in exactly...
01:00:0414 minutes.
01:00:08Yes, Your Honor.
01:00:12That's what it says here.
01:00:19Doesn't say it in words, Your Honor, but in code.
01:00:22It's like another language.
01:00:24I know about telegraphs, little papa.
01:00:28I know about trains.
01:00:29I know about electrical currents.
01:00:32On your feet, everybody.
01:00:36Outside, full pack.
01:00:37Even though I still believe in God, I don't like to be made a fool of.
01:00:43No, Your Honor.
01:00:47I wouldn't do that.
01:00:52Tell me, little father.
01:00:53Do you believe in the devil?
01:01:00Yes, Your Honor.
01:01:03Oh, good.
01:01:05Send a telegram.
01:01:07Tell him that Captain Kazan...
01:01:09He knows that a horse has four legs.
01:01:13He knows that a murderer has two arms.
01:01:16But still, the devil...
01:01:19Must be afraid of one...
01:01:22Honest...
01:01:24Corsack.
01:01:24Mm-hmm.
01:01:47Earth gravity.
01:01:49You know how to measure it?
01:01:51How to measure gravity?
01:01:53What I would like to know is...
01:01:55Can gravity be overcome?
01:01:59If you mean...
01:02:00Can man get beyond the gravitational field of the Earth into space?
01:02:04Not yet.
01:02:05But any day now.
01:02:07Someday?
01:02:09There is a mathematics professor.
01:02:10His name is Tchaikovsky.
01:02:11He has ideas about rockets.
01:02:14Machines that can fly free of the Earth's gravity.
01:02:16You know him?
01:02:24Tchaikovsky was one of my teachers.
01:02:26He was like a father to me.
01:02:28But...
01:02:29Why would a man like you...
01:02:31Be interested...
01:02:32He was like a fellow bram...
01:02:32No need to experiment.
01:02:33You can see the Buddha...
01:02:38He has a person...
01:02:39I could not see...
01:02:39He has a person...
01:02:40I could not see...
01:02:41He has a person...
01:02:41He has a number of supplies...
01:02:44To a coin...
01:02:50He has one of his players...
01:02:54He has a person...
01:02:56He has to give me up right now.
01:02:57...
01:02:57He has a person...
01:02:57He has to give...
01:02:58When we're...
01:02:58He is there.
01:02:59Fed nerve-ness!
01:02:59He has to give me up right now...
01:03:00And then...
01:03:00He is also a man...
01:03:02what do you think is behind all this excellency look at this that's what we saw under the microscope
01:03:11it shows the earth as it might look from space what does it mean it means that millions of years
01:03:19ago something some form of intelligence came to the earth from another planet the atmosphere of
01:03:26the earth was new to it different but it learned how to survive how by entering into the body and
01:03:34brain of an earth creature the fossil that I found and brought with me and this thing from another
01:03:41planet survived the fossil then came to life again exactly go on professor the animal that you shot
01:03:51was only the host and when that animal died the alien intelligence transferred somehow to another
01:04:01host it's alive in someone on this train you're a very good detective you discovered everything except
01:04:13who is now the host and that's our next step thought this might come in handy oh good idea two of you
01:04:20together that's fine but what if one of you is the monster monster they're british you know
01:04:28but you must have seen something i told you i was asleep
01:04:42he knew about the white eyes he told me when you fell asleep the lights were on and when you woke up
01:04:53they were off are you sure positive it was dark i put the lights on and that's when i found him beside me
01:05:02when we did the test the lights were on
01:05:05master
01:05:10master
01:05:17master
01:05:20master
01:05:25master
01:05:30master
01:05:33Inspector, this steel at high temperatures, what happens to it?
01:05:56It gets stronger.
01:05:58What temperatures, for example?
01:06:0010 or 12,000 degrees.
01:06:02Where on earth would you get such temperatures?
01:06:05Nowhere on earth.
01:06:32There we'll hear of this.
01:06:49I'll have you sent to Siberia.
01:06:53I am in Siberia.
01:06:54This is Countess Irina Petrovska, and I am Count Marian Petrovsky.
01:07:00Oh, Your Excellencies, I'm sorry.
01:07:03Of course, the Count and Countess are exempt from our orders.
01:07:07Please, escort them to their car.
01:07:10To their car.
01:07:21Peasants.
01:07:23Peasants!
01:07:33Are you a Countess?
01:07:34I'm an American, and I'm not accustomed to being bullied by foreigners.
01:07:39That man, he's the one who wouldn't let us get off the train.
01:07:42He's responsible.
01:07:50Your Excellency, I'm a police inspector.
01:07:52Everybody's under arrest.
01:07:59Including you.
01:08:03Who are the killers?
01:08:04Who?
01:08:05Who are the troublemakers?
01:08:14Who are the foreign influences?
01:08:16Who?
01:08:23Don't worry.
01:08:24I'll smoke them out.
01:08:26What's he raving about?
01:08:39You English believe in free speech, don't you?
01:08:42Certainly.
01:08:43If instead of babbling nonsense, you'd investigate this property.
01:08:47Oh!
01:08:48This is outrageous!
01:08:51So.
01:08:54You are a police inspector, huh?
01:08:57Yes, Captain.
01:08:58Mirov is my name.
01:09:00Mirov!
01:09:02Oh, Mirov.
01:09:04That's a good Russian name, Mirov.
01:09:09Tell me, Mirov.
01:09:11What do you know about all the filth that's going on here, huh?
01:09:15Filth?
01:09:16Oh, come on, Inspector.
01:09:17Certainly you know what I'm doing here, don't you?
01:09:19You just point out the suspects and I promise you I'll get the truth out of them.
01:09:24You're mistaken, sir.
01:09:27Mistaken?
01:09:29Fool!
01:09:30Get back!
01:09:38Get back!
01:09:39Get back!
01:09:40Back!
01:09:42Or I will put the curse on your lids.
01:09:49He has the evil eye.
01:09:50Huh?
01:10:00Beware the wrath of Satan.
01:10:20Fool, huh?
01:10:25On your knees, Monk.
01:10:44We must try and stop this.
01:10:45He was trying to protect you.
01:11:09Why?
01:11:11He's mad.
01:11:12Who are you?
01:11:17I told you.
01:11:18A policeman.
01:11:42You saw his eyes.
01:11:43One look at them and you're dead.
01:11:45Oh!
01:11:46No!
01:11:48No!
01:11:51No!
01:11:52Oh!
01:11:54No!
01:11:56No!
01:11:58No!
01:11:59No!
01:12:01No!
01:12:02You saw his eyes.
01:12:03One look at them and you're dead.
01:12:05Oh!
01:12:06Come into me, Satan.
01:12:23Thine is the kingdom and the power and the glory.
01:12:28Thy will be done on earth as it is in hell.
01:12:36Now, anything, anything that moves near that door, kill it.
01:12:42But what is the monkey's innocent?
01:12:44We've got lots of innocent monks.
01:12:46All right, let's move these peasants out of here.
01:12:49Quickly!
01:13:06All right, let's go.
01:13:36All right, let's go.
01:14:06All right, let's go.
01:14:12Everybody back to the baggage.
01:14:13Hurry!
01:14:14Oh, my God.
01:14:44Oh, my God.
01:15:14Oh, my God.
01:15:44Oh, my God.
01:16:14Oh, my God.
01:16:44Oh, my God.
01:17:13Oh, my God.
01:17:14Oh, my God.
01:17:15Oh, my God.
01:17:17Oh, my God.
01:17:19You take care of the others.
01:17:21What about you?
01:17:22I'll be all right.
01:17:23Go on.
01:17:24Well, you take this.
01:17:25You know, in spite of everything,
01:17:53Pujatov had a certain affection for you.
01:17:59Yet you humiliated him often, even in front of the Countess.
01:18:23There was no one in front of the Countess.
01:18:42He's dead.
01:18:57You killed him.
01:18:59You want to kill Pujardov, it's too late.
01:19:03I see you hanged.
01:19:06Poor monk.
01:19:07He loved you more than he loved the promise of heaven.
01:19:17Over there. Quickly, over there.
01:19:20Irina, behind me.
01:19:29It would be a mistake to kill me.
01:19:33Who are you?
01:19:34In words, it's difficult.
01:19:37I am a form of energy occupying this shell.
01:19:42Where do you come from?
01:19:45Another galaxy.
01:19:49I came with others like myself.
01:19:52I was left behind. An accident.
01:19:56I survived in proto-zones, fish, vertebrates.
01:20:01The history of your planet is part of me.
01:20:07Pull the trigger.
01:20:09And you will end it.
01:20:15What am I to do with you?
01:20:16What am I to do with you?
01:20:19Let me go.
01:20:21That's not possible.
01:20:22It is possible.
01:20:26I will teach you to end disease, pain, hunger.
01:20:34Wait!
01:20:36There is something more.
01:20:37There is something more.
01:21:05I will read the truth.
01:21:28Locked them!
01:21:29Come on.
01:21:59Let me go.
01:22:29Ah!
01:22:32Ah!
01:22:33Ah!
01:22:34Ah!
01:22:37No!
01:22:39No!
01:22:42No!
01:22:44No!
01:22:46No!
01:22:59No!
01:23:04No!
01:23:06No!
01:23:09No!
01:23:10No!
01:23:14No!
01:23:19No!
01:23:22No!
01:23:25Saxton! Thank God!
01:23:46Stand back, please. Make room.
01:23:55Moscow says to stop the express when it goes through the switching point.
01:24:19Lay it. That means killing everybody on board.
01:24:28That's what it says. Maybe there's a war.
01:24:34Maybe it's war.
01:24:38That's what it says.
01:24:50Let's go.
01:24:53Let's go.
01:25:08Let's go.
01:25:14Oh, my God.
01:25:44Oh, my God.
01:26:14Oh, my God.
01:26:44Oh, my God.
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