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  • 2 days ago
Step aboard the Trans-Siberian Express, where science meets horror in this chilling 1970s cult classic. Horror Express (1973) blends sci-fi, supernatural mystery, and gothic suspense, starring the legendary duo Christopher Lee and Peter Cushingโ€”plus a mind-controlling alien loose on the train!

๐Ÿ“ฝ๏ธ Plot Summary:
An English anthropologist (Lee) boards a train from China to Moscow, transporting a mysterious frozen creature believed to be the missing link. But as passengers begin to dieโ€”eyes wide and brains drainedโ€”it becomes clear the monster isnโ€™t deadโ€ฆ and itโ€™s not alone. ๐ŸงŠ๐Ÿ‘น๐Ÿงฌ

๐Ÿ•ฐ๏ธ Year Released: 1973
๐ŸŽญ Genre: Horror, Sci-Fi, Thriller
๐ŸŽฌ Directed by: Eugenio Martรญn
๐ŸŽž๏ธ Starring: Christopher Lee, Peter Cushing, Telly Savalas

๐ŸŽฏ Why Watch It?
โœ”๏ธ A spooky, stylish mix of science fiction and supernatural horror
โœ”๏ธ Electric chemistry between horror legends Lee & Cushing
โœ”๏ธ Set entirely on a trainโ€”claustrophobic suspense at its best
โœ”๏ธ Underrated public domain gem with cult status

๐Ÿ”” Donโ€™t forget to LIKE ๐Ÿ‘ | COMMENT ๐Ÿ’ฌ | SUBSCRIBE ๐Ÿ”” for more cult horror classics, sci-fi thrillers, and vintage nightmares!

๐Ÿ‘‡ Watch more chilling vintage horror here:
๐Ÿ“บ https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY
โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”
๐ŸŽž๏ธ #HorrorExpress #ChristopherLee #PeterCushing #SciFiHorror #VintageHorror #CultClassic #PublicDomainMovies #MonsterOnATrain
โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”
๐Ÿšจ Donโ€™t miss the unforgettable terror racing across the icy rails in Horror Express (1973) โ€” the monster isnโ€™t just in the boxโ€ฆ
________________________________________

Transcript
00:00:00The End
00:06:09I'm just collecting a few specimens.
00:06:11Miss Jones let me introduce Professor Alexander Saxton.
00:06:13Miss Jones has been assisting me. Bacteriology, excellent technician.
00:06:17For a woman, he means.
00:06:43Hi, sir.
00:07:01Excuse me.
00:07:03Two private compartments, two mosquitoes, please.
00:07:06Two, you say? Will that be all?
00:07:08And three crates of animals.
00:07:10Impossible.
00:07:12I know I'm asking you to perform miracles.
00:07:14Can I help you?
00:07:44It's called squeezing, China.
00:07:46The American people know how.
00:07:48And in Britain, we call it bribery and corruption.
00:07:52Now, sir.
00:07:54Excuse me.
00:08:06You...
00:08:07Get off!
00:08:08What?
00:08:09Sir Alexander Saxton.
00:08:10Yes.
00:08:11Captain O'Higgins, sir.
00:08:12General Wang told me to find you.
00:08:13And to make myself useful.
00:08:14Um...
00:08:15Now I remember.
00:08:16I do have Your Excellency's ticket.
00:08:17Your...
00:08:18Your ticket.
00:08:19Right here.
00:08:22And the Lord has mercy on his soul.
00:08:23Not that he deserves it.
00:08:24The dirty thief.
00:08:25You have his things?
00:08:26No.
00:08:27No.
00:08:28No.
00:08:29No.
00:08:30No.
00:08:31No.
00:08:32No.
00:08:33No.
00:08:34No.
00:08:35No.
00:08:36No.
00:08:37No.
00:08:38No.
00:08:39No.
00:08:40No.
00:08:41No.
00:08:42No.
00:08:43No.
00:08:44No.
00:08:45No.
00:08:46No.
00:08:47No.
00:08:48No.
00:08:49No.
00:08:50No.
00:08:51No.
00:08:52No.
00:08:53No.
00:08:54No.
00:08:55No.
00:08:56No.
00:08:57No.
00:08:58No.
00:08:59No.
00:09:00No.
00:09:01No.
00:09:02No.
00:09:03a thief but he was blind blind he could spot the policemen a mile away
00:09:24the work of the devil
00:09:33can i be of any assistance father
00:09:40this is yours it is but i demand an explanation
00:09:45whatever you have here is unholy and must be destroyed
00:09:51inspector mirov what is in there excellency fossils what is a fossil a stone
00:10:12stones there wouldn't be something valuable in there like gold gold it's a laboratory specimen
00:10:21no value to a thief where there is god
00:10:25there is always a place for the cross even on this stone floor just so
00:10:33but satan is evil and where evil is there is no place for the cross
00:10:44rubbish a conjurer's trick
00:11:02captain yes sir you get your men to put the crate on the train
00:11:06ready
00:11:14lift it up
00:11:20off you go
00:11:22on
00:11:29on
00:11:33on
00:11:34on
00:11:35on
00:11:36on
00:11:37on
00:11:44on
00:11:46on
00:11:50on
00:11:51on
00:11:55on
00:11:57Follow me.
00:14:43Exactly.
00:14:54Mrs.
00:14:56Who are you looking a direct presentation?
00:14:57too. I am honored, madame. Oh, yes, England. Queen Victoria, crumpets, Shakespeare. I admire
00:15:07Poland, madame. I believe that there is a bond between our countries. My husband, the
00:15:14Count Petroski, says that in the 15th century, your King Henry betrayed us to the Russians.
00:15:21Hmm. I hope that you and your husband, madame, will accept my profoundest apologies. She's
00:15:28really afraid. I wonder what it is. May I escort you back to your carriage, madame?
00:15:51Yours? Oh, thank you. Excuse me. Yes? I was on the platform before, when that mad monk
00:16:19was carrying on. Yes? I'm an engineer, a scientist. And this is ordinary chalk. How do you explain
00:16:33it not writing on that crate? Hypnosis, yoga. These mystics can be very convincing. They
00:16:41can even hypnotize themselves. The fresh food we will pick up. Who will pay for it, sir?
00:16:57Hmm? Oh, just keep an account of how much you spend. Hmm? Ah. If, um, someone were to drill
00:17:06a little hole in this crate during the night, and, ah, take a look at what's inside, I'd be
00:17:11very grateful.
00:17:13I'd be very grateful.
00:17:32Let's you know, though.
00:17:34Help me.
00:17:42In what way, madame?
00:17:49Is this number eight?
00:17:50That's next door, a well's compartment.
00:17:55There, there. Don't cry.
00:17:56Everything will be all right.
00:18:03Excuse me.
00:18:05Sorry, dear fellow. I'm afraid you're in the wrong pew. Here. Number eight. Do you see?
00:18:11Eight A. Lower birth. Eight B. Upper birth.
00:18:18Don't worry. Look here. I was supposed to have this compartment to myself.
00:18:22If you don't mind. I'm sorry if I'm in your way.
00:18:26Excuse me. I have no ticket, and I have to get out of Shanghai. I'm sure I can make it worth your while.
00:18:32The young lady's in trouble.
00:18:34Well, what do you suggest we do about it?
00:18:36Couldn't you, couldn't you double up at somebody else?
00:18:39Miss Jones?
00:18:41Steady.
00:18:42I'm sure we can all get along very well together.
00:18:52Miss Jones.
00:18:53Miss Jones.
00:18:54Miss Jones.
00:18:55Miss Jones.
00:18:56Miss Jones.
00:18:57Miss Jones.
00:18:58Miss Jones.
00:18:59Miss Jones.
00:19:00Miss Jones.
00:19:01Miss Jones.
00:19:02Miss Jones.
00:19:03Miss Jones.
00:19:04Miss Jones.
00:19:05Miss Jones.
00:19:06Miss Jones.
00:19:07Miss Jones.
00:19:08Miss Jones.
00:19:09Miss Jones.
00:19:10Miss Jones.
00:19:11Miss Jones.
00:19:12Miss Jones.
00:19:13Miss Jones.
00:19:14Miss Jones.
00:19:15Miss Jones.
00:19:16Miss Jones.
00:19:17Miss Jones.
00:19:18Miss Jones.
00:19:19Miss Jones.
00:19:20Miss Jones.
00:19:21Let's go.
00:19:51Let's go.
00:20:21Let's go.
00:20:51Let's go.
00:21:21Let's go.
00:21:51There's the stink of hell on this train.
00:22:09Even the dog knows it.
00:22:11When the Englishman comes to call, what should I wear?
00:22:20Sure of yourself, aren't you?
00:22:22The blue one with the decollete.
00:22:24Or perhaps the red one?
00:22:31You're jesting with her immortal soul.
00:22:34That's why we keep you, Pujardov.
00:22:37Our immortal souls are your concern.
00:22:40She's afraid of something.
00:22:47Tell me, Pujardov.
00:22:51Yes?
00:22:52Which do you think I should wear for the Englishman?
00:22:56The red or the blue?
00:22:58Enough.
00:23:00I forbid you to talk this way.
00:23:03You forbid.
00:23:03Forgive me, Your Excellency.
00:23:08My concern for the spiritual welfare of the Countess.
00:23:13I forgot myself.
00:23:16I will pray for humility.
00:23:21Pray hard, Pujardov.
00:23:23Or you'll find yourself trained for a job, too.
00:23:26May the father look so.
00:23:28Most.
00:23:28Oh, it's the piece I was playing.
00:23:48I wonder who it is.
00:23:58I wonder who it is.
00:24:23What?
00:24:23I wonder who it is.
00:24:25What do you think?
00:24:27you wish to see us i thought one of you might know what happened to the baggage man
00:24:37i haven't the remotest idea what about you
00:24:41perhaps it had something to do with what's inside that crate i agree with you he was trying to open
00:24:48it when something happened what
00:24:50fortunately he was interrupted yes by whom
00:25:01why are you so worried about it being opened it may be my fault i asked the baggage man to take a
00:25:09look i was curious there was no concern of yours or of yours
00:25:15one man dead another missing it's time we open this box you do no such thing give me the key
00:25:45see if you can open the crate with that
00:25:50go ahead
00:26:15my god it's the baggage man what was in there i told you a fossil part eight part man it lived two
00:26:45million years ago are you telling me that a date that lived two million years ago got onto that
00:26:50crate killed the baggage man and put him in there then locked everything up neat and tidy and got
00:26:55away yes i am it's alive it must be lock him up we'll search the train and find it whatever it is
00:27:03and destroy it but if it's alive i want this kept quiet i don't want to panic the passengers
00:27:15so
00:27:26oh
00:27:31Oh, my God.
00:28:01Oh, my God.
00:28:31Oh, my God.
00:29:01Oh, my God.
00:29:31Oh, my God.
00:30:01Oh, my God.
00:30:31Oh, my God.
00:30:33Oh, my God.
00:30:35Oh, my God.
00:30:37Oh, my God.
00:30:39Oh, my God.
00:30:41Oh, my God.
00:30:43Oh, my God.
00:30:47Oh, my God.
00:30:49Oh, my God.
00:30:51Oh, my God.
00:30:53And I don't believe so.
00:30:55Oh, my God.
00:30:59Oh, my God.
00:31:01Oh, my God.
00:31:03Oh, my God.
00:31:05I beg your pardon, it was somebody else.
00:31:21What's the matter?
00:31:23The eye of that fish.
00:31:26It's white.
00:31:29Naturally, it's boiled.
00:31:32Boiled?
00:31:34Yes.
00:31:41Is it true you're a doctor?
00:31:44Ask me when I finish my dinner.
00:31:46It's urgent.
00:31:48What are the symptoms?
00:31:49He's dead, you saw him.
00:31:52Oh, that one.
00:31:53There's nothing I can do for him.
00:31:56Now there's one more dead.
00:31:57One of my soldiers.
00:31:58The same white eyes.
00:31:59I want to know the cause of death.
00:32:01Who's dead?
00:32:03Keep your nose out of it.
00:32:04You didn't hear anything.
00:32:07Excuse me.
00:32:11Is Professor Sexer's fossil still at large?
00:32:13I think the fossil, or whatever it is, escaped.
00:32:16Jumped off the train.
00:32:22Miss Jones, I shall need your assistance.
00:32:24Yes, but at your age, I'm not surprised.
00:32:30With an autopsy.
00:32:32Oh, well, that's different.
00:32:33It's different.
00:32:47Very curious.
00:32:52A genetic defect, obviously.
00:32:53Scuffle?
00:32:54Mm-hmm.
00:33:03Can you keep that still?
00:33:04Mm-hmm.
00:33:10What is he doing?
00:33:11Tree pen.
00:33:12Don't get up, please.
00:33:25Don't get up, please.
00:33:26I see you have decided to die in alone, Sir Alexander.
00:33:39I've eaten in worse circumstances, and in worse company.
00:33:48That's all.
00:33:50There you are, Doctor.
00:34:01You're in bad humor because you've lost your box of bones.
00:34:04Hmm?
00:34:08That box of bones, Madame, could have solved many of the riddles of science.
00:34:15If the theory of evolution is confirmed,
00:34:18if the science of biology is revolutionized,
00:34:21if the very origin of man is determined...
00:34:23I have heard of evolution.
00:34:25It's... it's immoral.
00:34:27It's a fact.
00:34:29And there's no morality in a fact.
00:34:34It's a fact.
00:34:38And what about the baggage man?
00:34:40And that poor thief at the station?
00:34:43What about them?
00:34:45They are dead.
00:34:49Was your creature responsible for that?
00:34:53Probably.
00:34:56And you don't care?
00:34:59A baggage man?
00:35:01And a thief?
00:35:05You're right, Madame.
00:35:08I don't care as much as I should.
00:35:10Can you tell me how he died?
00:35:14Smooth as a baby's bottom.
00:35:16You saw this man today, and he was normal?
00:35:18Absolutely.
00:35:20It must be a mutation, a freak of nature.
00:35:22What's so special about this brain?
00:35:23Learning and memory are engraved on the normal brain.
00:35:25Leaving a wrinkled surface.
00:35:27This brain has been drained.
00:35:30The memory has been removed.
00:35:33Like chalk erased from a blackboard.
00:35:36And the brain has been drained.
00:35:37brain leaving a wrinkled surface this brain has been drained the memory has
00:35:46been removed like chalk erased from a blackboard
00:36:07the
00:36:10the
00:36:13the
00:36:14the
00:36:19the
00:36:22the
00:36:25the
00:36:28the
00:36:31the
00:36:34the
00:36:44the
00:36:45the
00:36:46the
00:36:47the
00:36:48the
00:36:51the
00:36:52of
00:36:53Let's go.
00:37:23Let's go.
00:37:53Let's go.
00:38:23Let's go.
00:38:53Let's go.
00:39:23Let's go.
00:39:31Miss?
00:39:32It's Dr. Wells.
00:39:33Miss, are you all right?
00:39:38Let's go.
00:39:48Let's go.
00:39:58Let's go.
00:40:08Miss, are you there?
00:40:20Let's go.
00:40:30Let's go.
00:40:32Let's go.
00:40:42Let's go.
00:40:43Let's go.
00:40:52Let's go.
00:40:53Let's go.
00:41:02Let's go.
00:41:04Let's go.
00:41:05Let's go.
00:41:14Let's go.
00:41:16Let's go.
00:41:17Let's go.
00:41:26Let's go.
00:41:28Let's go.
00:41:29Let's go.
00:41:30Let's go.
00:41:31Let's go.
00:41:32Let's go.
00:41:34Let's go.
00:42:04Come in.
00:42:19Feeling better?
00:42:22Yes.
00:42:25Anything wrong?
00:42:27That woman who was killed.
00:42:29The engineer, you know, the chess player.
00:42:31He told me that she was an international spy.
00:42:36Yes, I know.
00:42:38Oh, you do?
00:42:39Well, could that fact have had anything to do with her death?
00:42:43What do you think?
00:42:46Dr. Wells and I performed an autopsy on her.
00:42:49Her brain was completely smooth, just like the baggage man's.
00:42:53Everything had been erased.
00:42:54Now, I have a theory about this.
00:42:56I'm only a policeman, Professor.
00:42:57I don't have much education.
00:43:01Well, I'd make it simple.
00:43:04Supposing that creature, the one you killed,
00:43:07was capable of taking ideas directly from other people's brains
00:43:11and transferring them to its own.
00:43:13You mean it sucked other people's brains?
00:43:16Absorbed through the eyes.
00:43:22That was our first clue.
00:43:24The eyes going white.
00:43:27Then, if the beast had absorbed your brains,
00:43:30all of your education would have gone into its brain.
00:43:33It would have been as clever as you.
00:43:37Much more so, because what it had taken from me
00:43:40would have been added to the learning that it already had.
00:43:44Professor, spy, baggage man, thief.
00:43:49What was the creature looking for?
00:43:52Well, that we'll never know, now that it's dead.
00:43:55And yet...
00:43:56What?
00:43:59A creature like that.
00:44:00How would it ever die?
00:44:06Inspector?
00:44:07What is it?
00:44:08I found this.
00:44:09The animal had it.
00:44:10The animal had it?
00:44:12Give it to me.
00:44:14It belonged to Count Petrovsky.
00:44:17How do you know?
00:44:19I saw him put it in the safe.
00:44:30I saw him put it in the safe.
00:44:32Steel, harder than a diamond.
00:44:35That's why the spies are after it.
00:44:37French, German, English.
00:44:40But they're wasting their time.
00:44:43What really matters is the formula.
00:44:46And that gentleman is safe.
00:44:49Up here.
00:44:49What happened to the girl?
00:44:56The spy?
00:44:58She's dead.
00:44:59The fossil, or whatever it was, killed her.
00:45:02But there's no more danger, Countess.
00:45:04Beast is not dead.
00:45:05I put four bullets into him.
00:45:07You think evil can be killed with bullets?
00:45:15Satan lives.
00:45:18The unholy one is among us.
00:45:21Oh, Shabbat, Shabbat, Shabbat, Shabbat, Shabbat, Shabbat, Shabbat, Shabbat.
00:45:30Oh, Shabbat, Shabbat.
00:46:00What do you expect to find in the eye fluid?
00:46:05I don't know.
00:46:30Why, this is incredible.
00:46:37What?
00:46:43Why, it's the last thing the creature saw.
00:46:48Police, Inspector.
00:46:50The image has been retained in the fluid.
00:46:52The creature's visual memory is located not in its brain, but in the eye itself.
00:46:59THE END
00:47:29Can you identify anything?
00:47:44It's a Brontosaurus!
00:47:48A Terodactyl!
00:47:59A Terodactyl!
00:48:01A Terodactyl!
00:48:03A Terodactyl!
00:48:05A Terodactyl!
00:48:07A Terodactyl!
00:48:11A Terodactyl!
00:48:13A Terodactyl!
00:48:15incredible
00:48:22this is not a map
00:48:26it can only be the earth seen from space
00:48:30i hope i'm not intruding
00:48:34people on the train are becoming afraid professor
00:48:37people on long journeys become bored madame
00:48:40they crave excitement
00:48:43then there's no more danger it's all finished
00:48:47and what about your science
00:48:51the evolution you were talking about
00:48:53look for yourself
00:48:56come here pujado
00:49:12there's something i want to show you
00:49:16look
00:49:22oh
00:49:33it is the holy reed
00:49:41on the second day he created the earth
00:49:47where did you get it
00:49:54there from the creature's eye
00:49:58the eye of satan
00:50:04nonsense there's a scientific explanation
00:50:08you know it
00:50:10no
00:50:13not yet
00:50:16for the fall
00:50:21for satan was banished from the throne of god
00:50:25the evil one looked down
00:50:28from heaven
00:50:30and did see
00:50:31rubbish
00:50:31bujadov
00:50:43bujadov
00:50:44where is he
00:50:58i don't know
00:51:00he's gone mad
00:51:02i'll look in the baggage car
00:51:09right
00:51:09i don't know
00:51:25i don't know
00:51:28Let's go.
00:51:58Looking for the thief, Miss Jones?
00:52:18You know about it.
00:52:21What's all the fuss?
00:52:22You get back that eye and there's a thousand rubles in it for you.
00:52:32A thousand rubles for an eye?
00:52:36There's something in it.
00:52:40Pictures.
00:52:41Pictures of what?
00:52:44Pictures of the earth in prehistoric times.
00:52:48Pictures of the earth seen from space.
00:52:51Who else has seen such pictures?
00:52:55Dr. Wells, Professor Saxon, and that pretty countess.
00:53:00I see.
00:53:01I see.
00:53:01I see.
00:53:02Oh, my God.
00:53:32Oh, my God.
00:54:02Have pity. Have pity.
00:54:15Are you going to kill me?
00:54:19Fool. There's nothing in your head of any use.
00:54:23Another killing.
00:54:40Stop the train.
00:54:41No right.
00:54:42I want to get off.
00:54:43There's no law.
00:54:44Quiet.
00:54:44There's been talk about getting off the train.
00:54:48Well, you can forget it.
00:54:50I'll complain to the authorities.
00:54:52I'm not one of your musics.
00:54:53If necessary, I'll shoot anyone who tries to stop the train.
00:54:57Shoot. Shoot, you stupid raten.
00:55:14Who else has seen such pictures?
00:55:18Dr. Wells.
00:55:20Professor Saxton.
00:55:23And that pretty childless.
00:55:26Wells.
00:55:26Saxton.
00:55:27Childless.
00:55:28Wells.
00:55:28Saxton.
00:55:29Childless.
00:55:30Wells.
00:55:30Saxton.
00:55:31Childless.
00:55:31Shhh.
00:55:32Twelves.
00:55:40Is this creature dead or not?
00:55:44If it is, who killed Miss Jones?
00:55:51Do you have any idea?
00:55:54No, Inspector.
00:55:55I'm not sure I haven't, but I've asked the conductor to wire ahead and stop the train at the next station.
00:56:12What's the idea?
00:56:25Tell me who you are.
00:56:48Tell me.
00:56:49I will serve you.
00:56:55I want to help you.
00:57:07It's like some contagious disease.
00:57:10What if there's a disease?
00:57:12There must be symptoms.
00:57:13Fever?
00:57:14You could take everyone's temperature.
00:57:17The eyes.
00:57:19Why do their eyes go white?
00:57:25Do you think it's true what they say about those horrible white eyes?
00:57:45Oh, that part is true enough.
00:57:46Oh, Inspector.
00:57:52It's only you now.
00:57:53What about me?
00:57:55Your eyes.
00:57:57We must examine your eyes, too.
00:58:01Certainly.
00:58:09Perhaps you should test for radiation or other invisible rays.
00:58:14X-rays?
00:58:14Well, it's a thought, but on this train, how would we go about it?
00:58:20Are you a scientist?
00:58:21An engineer, but I try to keep up with things.
00:58:25That's to be admired.
00:58:28Inspector, I suggest you tell all these people to stay together in groups or in pairs,
00:58:33so that if anything does happen to anybody, then somebody can raise the alarm.
00:58:37On no account must anybody be left alone.
00:58:39Joel isification.
00:59:02Oh, God.
00:59:03Oh, God.
00:59:04I love you for questioning.
00:59:05Word, I contar...
00:59:05Oh, God.
00:59:05Oh, God.
00:59:05Oh, God.
00:59:06Oh, God.
00:59:06Oh, God.
00:59:07Oh, God.
00:59:07Oh, God.
00:59:07Oh, God.
00:59:08Let's go.
00:59:38Use of the train.
00:59:59The train will be here in exactly...
01:00:0414 minutes.
01:00:08Yes, Your Honor.
01:00:12That's what it says here.
01:00:19Doesn't say it in words, Your Honor, but in code.
01:00:22It's like another language.
01:00:24I know about telegraphs, little papa.
01:00:28I know about trains.
01:00:29I know about electrical currents.
01:00:32On your feet, everybody.
01:00:36Outside, full pack.
01:00:37Even though I still believe in God, I don't like to be made a fool of.
01:00:43No, Your Honor.
01:00:47I wouldn't do that.
01:00:52Tell me, little father.
01:00:53Do you believe in the devil?
01:01:00Yes, Your Honor.
01:01:03Oh, good.
01:01:05Send a telegram.
01:01:07Tell him that Captain Kazan...
01:01:09He knows that a horse has four legs.
01:01:13He knows that a murderer has two arms.
01:01:16But still, the devil...
01:01:19Must be afraid of one...
01:01:22Honest...
01:01:24Corsack.
01:01:24Mm-hmm.
01:01:47Earth gravity.
01:01:49You know how to measure it?
01:01:51How to measure gravity?
01:01:53What I would like to know is...
01:01:55Can gravity be overcome?
01:01:59If you mean...
01:02:00Can man get beyond the gravitational field of the Earth into space?
01:02:04Not yet.
01:02:05But any day now.
01:02:07Someday?
01:02:09There is a mathematics professor.
01:02:10His name is Tchaikovsky.
01:02:11He has ideas about rockets.
01:02:14Machines that can fly free of the Earth's gravity.
01:02:16You know him?
01:02:24Tchaikovsky was one of my teachers.
01:02:26He was like a father to me.
01:02:28But...
01:02:29Why would a man like you...
01:02:31Be interested...
01:02:32He was like a fellow bram...
01:02:32No need to experiment.
01:02:33You can see the Buddha...
01:02:38He has a person...
01:02:39I could not see...
01:02:39He has a person...
01:02:40I could not see...
01:02:41He has a person...
01:02:41He has a number of supplies...
01:02:44To a coin...
01:02:50He has one of his players...
01:02:54He has a person...
01:02:56He has to give me up right now.
01:02:57...
01:02:57He has a person...
01:02:57He has to give...
01:02:58When we're...
01:02:58He is there.
01:02:59Fed nerve-ness!
01:02:59He has to give me up right now...
01:03:00And then...
01:03:00He is also a man...
01:03:02what do you think is behind all this excellency look at this that's what we saw under the microscope
01:03:11it shows the earth as it might look from space what does it mean it means that millions of years
01:03:19ago something some form of intelligence came to the earth from another planet the atmosphere of
01:03:26the earth was new to it different but it learned how to survive how by entering into the body and
01:03:34brain of an earth creature the fossil that I found and brought with me and this thing from another
01:03:41planet survived the fossil then came to life again exactly go on professor the animal that you shot
01:03:51was only the host and when that animal died the alien intelligence transferred somehow to another
01:04:01host it's alive in someone on this train you're a very good detective you discovered everything except
01:04:13who is now the host and that's our next step thought this might come in handy oh good idea two of you
01:04:20together that's fine but what if one of you is the monster monster they're british you know
01:04:28but you must have seen something i told you i was asleep
01:04:42he knew about the white eyes he told me when you fell asleep the lights were on and when you woke up
01:04:53they were off are you sure positive it was dark i put the lights on and that's when i found him beside me
01:05:02when we did the test the lights were on
01:05:05master
01:05:10master
01:05:17master
01:05:20master
01:05:25master
01:05:30master
01:05:33Inspector, this steel at high temperatures, what happens to it?
01:05:56It gets stronger.
01:05:58What temperatures, for example?
01:06:0010 or 12,000 degrees.
01:06:02Where on earth would you get such temperatures?
01:06:05Nowhere on earth.
01:06:32There we'll hear of this.
01:06:49I'll have you sent to Siberia.
01:06:53I am in Siberia.
01:06:54This is Countess Irina Petrovska, and I am Count Marian Petrovsky.
01:07:00Oh, Your Excellencies, I'm sorry.
01:07:03Of course, the Count and Countess are exempt from our orders.
01:07:07Please, escort them to their car.
01:07:10To their car.
01:07:21Peasants.
01:07:23Peasants!
01:07:33Are you a Countess?
01:07:34I'm an American, and I'm not accustomed to being bullied by foreigners.
01:07:39That man, he's the one who wouldn't let us get off the train.
01:07:42He's responsible.
01:07:50Your Excellency, I'm a police inspector.
01:07:52Everybody's under arrest.
01:07:59Including you.
01:08:03Who are the killers?
01:08:04Who?
01:08:05Who are the troublemakers?
01:08:14Who are the foreign influences?
01:08:16Who?
01:08:23Don't worry.
01:08:24I'll smoke them out.
01:08:26What's he raving about?
01:08:39You English believe in free speech, don't you?
01:08:42Certainly.
01:08:43If instead of babbling nonsense, you'd investigate this property.
01:08:47Oh!
01:08:48This is outrageous!
01:08:51So.
01:08:54You are a police inspector, huh?
01:08:57Yes, Captain.
01:08:58Mirov is my name.
01:09:00Mirov!
01:09:02Oh, Mirov.
01:09:04That's a good Russian name, Mirov.
01:09:09Tell me, Mirov.
01:09:11What do you know about all the filth that's going on here, huh?
01:09:15Filth?
01:09:16Oh, come on, Inspector.
01:09:17Certainly you know what I'm doing here, don't you?
01:09:19You just point out the suspects and I promise you I'll get the truth out of them.
01:09:24You're mistaken, sir.
01:09:27Mistaken?
01:09:29Fool!
01:09:30Get back!
01:09:38Get back!
01:09:39Get back!
01:09:40Back!
01:09:42Or I will put the curse on your lids.
01:09:49He has the evil eye.
01:09:50Huh?
01:10:00Beware the wrath of Satan.
01:10:20Fool, huh?
01:10:25On your knees, Monk.
01:10:44We must try and stop this.
01:10:45He was trying to protect you.
01:11:09Why?
01:11:11He's mad.
01:11:12Who are you?
01:11:17I told you.
01:11:18A policeman.
01:11:42You saw his eyes.
01:11:43One look at them and you're dead.
01:11:45Oh!
01:11:46No!
01:11:48No!
01:11:51No!
01:11:52Oh!
01:11:54No!
01:11:56No!
01:11:58No!
01:11:59No!
01:12:01No!
01:12:02You saw his eyes.
01:12:03One look at them and you're dead.
01:12:05Oh!
01:12:06Come into me, Satan.
01:12:23Thine is the kingdom and the power and the glory.
01:12:28Thy will be done on earth as it is in hell.
01:12:36Now, anything, anything that moves near that door, kill it.
01:12:42But what is the monkey's innocent?
01:12:44We've got lots of innocent monks.
01:12:46All right, let's move these peasants out of here.
01:12:49Quickly!
01:13:06All right, let's go.
01:13:36All right, let's go.
01:14:06All right, let's go.
01:14:12Everybody back to the baggage.
01:14:13Hurry!
01:14:14Oh, my God.
01:14:44Oh, my God.
01:15:14Oh, my God.
01:15:44Oh, my God.
01:16:14Oh, my God.
01:16:44Oh, my God.
01:17:13Oh, my God.
01:17:14Oh, my God.
01:17:15Oh, my God.
01:17:17Oh, my God.
01:17:19You take care of the others.
01:17:21What about you?
01:17:22I'll be all right.
01:17:23Go on.
01:17:24Well, you take this.
01:17:25You know, in spite of everything,
01:17:53Pujatov had a certain affection for you.
01:17:59Yet you humiliated him often, even in front of the Countess.
01:18:23There was no one in front of the Countess.
01:18:42He's dead.
01:18:57You killed him.
01:18:59You want to kill Pujardov, it's too late.
01:19:03I see you hanged.
01:19:06Poor monk.
01:19:07He loved you more than he loved the promise of heaven.
01:19:17Over there. Quickly, over there.
01:19:20Irina, behind me.
01:19:29It would be a mistake to kill me.
01:19:33Who are you?
01:19:34In words, it's difficult.
01:19:37I am a form of energy occupying this shell.
01:19:42Where do you come from?
01:19:45Another galaxy.
01:19:49I came with others like myself.
01:19:52I was left behind. An accident.
01:19:56I survived in proto-zones, fish, vertebrates.
01:20:01The history of your planet is part of me.
01:20:07Pull the trigger.
01:20:09And you will end it.
01:20:15What am I to do with you?
01:20:16What am I to do with you?
01:20:19Let me go.
01:20:21That's not possible.
01:20:22It is possible.
01:20:26I will teach you to end disease, pain, hunger.
01:20:34Wait!
01:20:36There is something more.
01:20:37There is something more.
01:21:05I will read the truth.
01:21:28Locked them!
01:21:29Come on.
01:21:59Let me go.
01:22:29Ah!
01:22:32Ah!
01:22:33Ah!
01:22:34Ah!
01:22:37No!
01:22:39No!
01:22:42No!
01:22:44No!
01:22:46No!
01:22:59No!
01:23:04No!
01:23:06No!
01:23:09No!
01:23:10No!
01:23:14No!
01:23:19No!
01:23:22No!
01:23:25Saxton! Thank God!
01:23:46Stand back, please. Make room.
01:23:55Moscow says to stop the express when it goes through the switching point.
01:24:19Lay it. That means killing everybody on board.
01:24:28That's what it says. Maybe there's a war.
01:24:34Maybe it's war.
01:24:38That's what it says.
01:24:50Let's go.
01:24:53Let's go.
01:25:08Let's go.
01:25:14Oh, my God.
01:25:44Oh, my God.
01:26:14Oh, my God.
01:26:44Oh, my God.

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