- 7/2/2025
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00:00THE END
00:23Mr. McAllister, anything I can do for you?
00:25All good, thanks, Kevin.
00:27Your dinner jacket and shoes have been cleaned and left in your room.
00:31Let me know if you need anything else.
00:33Actually, I have a guest arriving.
00:35I have front desk send them up to my suite.
00:37Of course. Enjoy tonight.
00:40Breakfast, usual time, or...?
00:42Usual time.
00:44Hey, it's Rick McAllister.
00:47Just checking you got my message.
00:50Look, I'm big enough to admit it when I made a mistake.
00:54But I'm going to make sure everybody knows about this.
00:58I'm fine, I'm fine.
01:00You're a little and I need to order for you.
01:01My mom is fine.
01:02I'm sorry, you're a little.
01:04I don't know.
01:06I'm sorry, I got my mom.
01:08I'm sorry.
01:10I'll be right back.
01:12Just give me a minute.
01:42Just keep the champagne circulating and smile.
01:48Any sign of our glorious benefactor?
01:51No.
01:52The car's still waiting for him and receptionist saying there's no answer from his room.
01:56Shall they call him again?
01:57Yes.
01:58The Macalester Gallery.
02:03I see you got what you wanted.
02:05It's a significant collection of Titanic memorabilia.
02:08It's an exciting day for the museum.
02:10Quite.
02:11What price integrity, hmm?
02:14Excuse me?
02:21Free fizz.
02:27You surprised to see me?
02:29I got an invite from the man himself.
02:31Well, there's no accounting for taste.
02:34Excuse me?
02:35You don't say that to my face, Mr. Buchanan.
02:40Thank you for joining us.
02:43Wendy, you are looking divine.
02:45I think some of the press were keen to speak to you.
02:50Where is he?
02:50Where is he?
02:51This is ridiculous.
02:52He's not answering his phone.
02:53You rich Americans.
02:55He's probably decided to fly to Paris for his dinner.
02:59Well, we can't wait any longer.
03:01You're going to have to date without him.
03:03I'm so sorry.
03:04It's not your fault.
03:05Bloody Macalester.
03:07Well, this is going to be embarrassing.
03:09Good morning, Mr. Macalester.
03:11Mr. Macalester?
03:12Mr. Macalester?
03:15Mr. Macalester?
03:33Mr. Macalester?
03:38emergency services custom house hotel it's one of our guests i think he's dead
04:08so
04:19so
04:25so
04:31Well, it's like a bank with bedrooms.
04:54You think we get to stay here?
04:56Hmm.
04:57I mean, McAllister was minted, right?
05:02Sold his gambling app.
05:03Betopia.
05:04For an absolute stack.
05:05And spends his money doing up anything to do with the Titanic.
05:08I mean, why would you?
05:10Disaster-obillia.
05:11Not a word.
05:11Should be, though.
05:13Collectibles relating to major catastrophes.
05:15Plane wrecks.
05:17Wars.
05:18Sunken ships.
05:19Mm-hmm.
05:20But why the Titanic?
05:22He reckons he had a relative on board.
05:24Mind you, if all the relatives that Americans say were on board really were, it's probably
05:29White's sunk.
05:31Come on.
05:35B.I. Palmer, D.C. Malick, D.C. White, Northern Ireland Police.
05:54Call me Rory.
05:54Good to meet you, Rory.
05:57Well, this has caused quite a stir.
05:59Who found the body?
06:01Concierge.
06:02First thing this morning.
06:03I've taken a statement.
06:07Mobile phone and wallet were still in his room.
06:10I've informed the family.
06:11Well, his ex-wife.
06:13The Ive Palmer.
06:43Rathlin Pathology.
06:45I shouldn't be here.
06:46Nothing suspicious.
06:47The whole thing screams natural causes.
06:49Anyway, level of ergomortis suggests he's been dead a little over 18 hours.
06:53Allowing for the air conditioning, I'd put the time of death between 4pm and 6pm yesterday.
06:59McAllister arrived back at the hotel around 3pm, so that fits.
07:04Could it be a drug overdose?
07:05No sign of injection marks.
07:07No drug paraphernalia.
07:09Most likely heart failure.
07:11But the autopsy will confirm.
07:15Results tomorrow.
07:16Blimey, it's a tippin' air.
07:22My student flat was tidy on this.
07:26For a rich bloke, he's got a lot of cheap aftershave.
07:29No heart medication or blood pressure drugs.
07:35Doesn't look like he was dealing with any serious health issues.
07:38Good taste in whiskey.
07:39Yeah.
07:40There's a faint circle here.
07:52Maybe they were too glasses.
07:54Your company.
07:58Could be.
08:01Smells like whiskey.
08:03Let's make sure that we get this checked out.
08:04Just move for me, will you?
08:14There's indentations in the carpet.
08:17This chair has been moved and then put back in the wrong place.
08:21It could have been him, of course.
08:23There's two trails.
08:26Heel marks.
08:27There was someone else here.
08:29I think they were sharing a whiskey together and then something happened.
08:36And the chair got knocked over and they dragged him to the bed.
08:42Unconscious?
08:43Yeah.
08:44And then they laid him out and took his shoes off.
08:49You don't think he did that himself?
08:51Looking at the bathroom, McAllister wasn't exactly big on tidiness.
08:55But look at the bedroom.
08:56It's so ordered.
08:57And the shoes are side by side.
09:00Somebody else did that.
09:02We need to get the Sokos to process this scene.
09:06And we need to get background on the phone records and the CCTV.
09:10Already asked.
09:11Only CCTV is in the lobby.
09:13Annoying.
09:13We need to speak to somebody at the museum.
09:15Who's our contact?
09:16The head curator, Molly Gordon.
09:18Great, let's go.
09:20Um, yeah.
09:22We have the terms of the donation in Wrighton.
09:32We just need clarity on the situation.
09:35What is the legal status of the McAllister bequest?
09:37Mm-hmm.
09:40I guess, of course.
09:43Okay.
09:44Miss Gordon.
09:45Heritage Crime.
09:46D.I. Palmer.
09:47D.C. Malick.
09:48Hi.
09:49Sorry about that.
09:50As you can imagine, it's been quite a difficult morning.
09:53Um, this is Wendy Boyle, my assistant and archivist.
09:58It's just awful.
10:00I mean, what's happened?
10:02No one seems to know.
10:03That's why we're here.
10:05To find out.
10:06It's just such a shock.
10:07We're just trying to establish a timeline of McAllister's movements.
10:11Well, we were actually supposed to be in a meeting.
10:13About now.
10:14Shall we start with yesterday afternoon?
10:17Yeah, sorry.
10:18Yes, sorry.
10:19That's so stupid of me.
10:20Um, so yesterday, he was supposed to be here around six, but he was late.
10:25And Wendy called him, called his hotel.
10:27But there was, there was no answer.
10:29And it was too late to cancel.
10:34And you were here all afternoon?
10:37Well, between here and the museum.
10:39We were dashing all over, weren't we?
10:41It was quite a big deal for us.
10:44Everyone was so excited.
10:46We'll need a complete list of guests.
10:48I can get that.
10:50She's taken it quite badly.
10:56Her mum died a few months ago, so it just brings it all back.
10:59Is there anyone else that knew McAllister in Belfast?
11:03Well, Alexander Buchanan.
11:06Antique dealer.
11:07He sourced most of McAllister's collection.
11:10They go way back.
11:10And he was at the launch?
11:13Some started an argument with a woman.
11:16Made a knack for that.
11:17When was the last time you saw McAllister?
11:20Um, we gave him a tour of the museum a few days ago.
11:25Showed him this space and the storage rooms.
11:28And Wendy showed him her precious archives.
11:32No greater privilege.
11:34Press.
11:35Trustees.
11:36Plus the great and good of Belfast.
11:38Thanks.
11:38I'll get Rory to start checking them out.
11:40Mm-hmm.
11:41I'll get Rory to start checking them out.
11:41Mm-hmm.
11:41Rory, tomorrow morning I want you to go through all the CCTV.
11:51See if we can identify his roommate.
12:10Will do, boss.
12:12Forensics are looking at the whiskey bottle in the glass.
12:15Of course, it could still be natural causes.
12:17His ex-wife said he didn't have any underlying health conditions.
12:21Something doesn't seem right, does it?
12:24Concierge said he was expecting a visitor.
12:27But I think there was somebody already in there with him.
12:30We got him to the bed and removed his shoes.
12:34Still, we can't do anything until we get the autopsy report,
12:38so we might as well call it a day.
12:42So, Shazia, are you doing anything this evening?
12:45I was thinking maybe I could show you some of the sights.
12:48Sure, that'd be great.
12:50Boss, you up for that?
12:53No, no, you guys go.
12:55Go have some fun.
12:57Right.
12:58See you in the morning.
13:03Cheers.
13:03Bally Glam.
13:14Thought you should at least sample the finest local mineral water.
13:18Cheers.
13:19Cheers.
13:22Mmm.
13:24Amazing.
13:25You can really taste the water.
13:29Right?
13:29So, what do you think?
13:37Be interesting to see what the CCTV throws up.
13:40Ah, well, we can look at that tomorrow.
13:42Yeah.
13:42I think if we can spot someone in the reception,
13:45that'd give us a strong lead.
13:47Sure.
13:49So, what do you reckon to Belfast?
13:52It's great.
13:53Still hoping to squeeze in the Titanic tour.
13:55Love that film.
13:56Well, hand on heart, I haven't seen it.
14:00Get out.
14:01Seriously, get out.
14:04Spoiler.
14:05Ship sinks.
14:06No, you're joking.
14:11Cheers.
14:12Cheers.
14:19Hi, this is Rosa Colligan.
14:21Hopefully, I'm doing something interesting.
14:23Please leave me a message.
14:24Hey, Rosa, it's me.
14:28Sorry, it's, um, Mick.
14:31I'm here in Belfast on a case about the Titanic
14:34that I thought you might find interesting.
14:37I hated that movie, but the museum's cool.
14:40But if you like the film, then pay no attention to me.
14:45I probably misjudged it,
14:47and I'd be totally up for a re-watch.
14:49Um, anyway.
14:51I'll call you when I get back to London.
14:55See ya.
14:55Here's Macalester arriving.
15:18Three o'clock.
15:19So, if he had a visitor,
15:23it would be from this point onwards.
15:26See if you can find out who he's calling.
15:28Palmer.
15:29I come bearing gifts.
15:31Results within.
15:33Apologies, I was hasty.
15:34Cause of death was a drug overdose.
15:37Toxicology reports
15:38was a high concentration of a synthetic opioid.
15:40Self-administered?
15:41We didn't find anything in the hotel.
15:43It can be prescribed as pain relief,
15:45but the quantities ingested suggest something else.
15:47How much did he take?
15:48Four milligrams.
15:49Just two would be fatal for most people.
15:51Oh.
15:53Forensics asked me to give you this.
15:54Thanks.
15:54Initial findings.
15:56First of all.
16:01Here we go.
16:02So the prints on the whiskey glass
16:04were Macalester's,
16:05but they found traces of liquid opioid.
16:08So somebody spiked the drink
16:10and then waited for him to pass out
16:13and then dragged him to the bed.
16:15Reckon so.
16:16And then took his shoes off.
16:18Okay.
16:19Got something.
16:22This is an hour later.
16:25It was it.
16:27Don't know,
16:27but I'm pretty sure I recognise the face.
16:29It's her.
16:39Isn't it?
16:44The woman arguing with Buchanan.
16:46That's good work, Rory.
16:48See if you can find a name
16:49and dig out an address.
16:59Miss Wallace, do you have a moment?
17:20If you're quick, I'm all to my eyes.
17:22D.I. Palmer, D.C. Malick,
17:24heritage crime?
17:25Heritage what?
17:27Crime.
17:27Yesterday morning,
17:30Rick Macalester was found dead
17:31in his hotel room.
17:33What's that got to do with me?
17:35How well did you know him?
17:36I didn't.
17:37I tried to sell him something
17:39from the Titanic.
17:40What was that?
17:42A dinner plate.
17:43From first class mint condition.
17:46Must be worth a bit.
17:48Six figures, easy.
17:49My great-great-grandfather
17:51was one of the waiters.
17:52He smuggled the plate
17:53onto the lifeboat.
17:54It's been in the family ever since.
17:55So Macalester was interested
17:56in buying it?
17:57No.
17:58He said it was a fake.
18:00So how come you were
18:00at the press launch?
18:02He invited me.
18:03Why would he do that?
18:05When was the last time
18:06you saw him?
18:08A few days ago,
18:09when I showed him the plate.
18:11So you weren't at the hotel
18:12at 4pm on Thursday?
18:13Because the CCTV caught you.
18:15I was going on a date
18:19up to the first floor bar.
18:21About four in the afternoon.
18:23What?
18:24Are you telling me
18:24when I can and can't have a drink?
18:25No.
18:27Anyway, the bastard never showed.
18:29Now he's ghosted me.
18:30Got a name?
18:31Can't remember.
18:32Luckily.
18:33For that prick.
18:34All right, Miss Wallis.
18:36Well,
18:36thank you for your time.
18:39Dreadful business.
18:58News travels fast.
18:59Belfast is a small city,
19:02Inspector.
19:04So, you knew him well?
19:06We did the odd bit
19:07of business over the years.
19:08I mainly dealt with his people.
19:10So you hardly knew him?
19:12But you were
19:12at the museum reception.
19:15As I say,
19:16it's a small city.
19:18Are these books
19:19anthropodermic?
19:20Indeed.
19:22Well spotted, Inspector.
19:23Bound in human skin.
19:28In this instance,
19:29the notorious highwayman
19:31John Burke.
19:32You're not serious.
19:34It was his own final request.
19:37Highly sought after.
19:38Much like John Burke himself.
19:41Please.
19:42No?
19:45Sorry.
19:46Back trouble.
19:50What else was McAllister
19:51interested in?
19:52Anything and everything.
19:55Paintings of the Titanic.
19:57Posters.
19:58But of course,
19:59the real prize
19:59was anything
20:00that came from the wreck.
20:02I sourced several items
20:03that came directly
20:04from the ocean floor.
20:06Immaculate Providence.
20:08Now,
20:09if there's nothing else.
20:11Did he invite you
20:12to his hotel room
20:13on Thursday afternoon?
20:15No.
20:16I was here.
20:17Do you know why
20:18McAllister decided
20:19to donate his collection?
20:20Who knows the ways
20:23of the incredibly rich
20:24inspector?
20:25Of course,
20:26with his passing,
20:28I assume the donation
20:29will now be reversed.
20:30Well, Molly Gordon's
20:31optimistic it won't be.
20:34Well,
20:34that would be great news
20:36for the museum
20:37and the city.
20:38Of course,
20:39it can't have been easy
20:40for Molly.
20:41Why is that?
20:42Dealing with McAllister.
20:45Batopia.
20:47His gambling empire.
20:50Blood money.
20:53Something of a moral dilemma
20:55for her,
20:56wouldn't you say?
20:59I thought him
21:00and McAllister
21:00were meant to go way back.
21:02He acted like
21:02he hardly knew the guy.
21:03And he's done well
21:04out of McAllister
21:05over the years.
21:05I can't see a motive
21:06for him to kill him.
21:07He clearly knows his stuff
21:09and there's some really
21:09interesting things
21:10in his showroom.
21:11Creepy, you mean.
21:13And he was quick
21:13to throw Molly Gordon's
21:14name out there.
21:15Her moral dilemma.
21:17Yeah, I noticed that.
21:18We'll deal with it soon as,
21:19but firstly,
21:20I am starving.
21:22Good shout.
21:23I'll find somewhere.
21:24Nice.
21:38Ooh.
21:39Straight into the Ulster
21:40Fry.
21:41Strong game.
21:43Belfast's contribution
21:44to world cuisine.
21:45Love me a bit
21:46of potato bread.
21:49You're missing out,
21:49Inspector.
21:51That is Cheddar's
21:52contribution
21:52to world cuisine.
21:54So I ran a background
21:55check on Wallace's
21:56garage.
21:58Looks like she was
21:58in a bit of trouble.
21:59You think she needed
22:00the money from
22:01selling the plate?
22:01Definitely.
22:02And if McAllister
22:03was going to tell the world
22:04it was a fake,
22:05she'd have been shafted.
22:07Nice work, Rory.
22:08Have a chip.
22:09I think I've found out
22:13why Molly Gordon
22:14had beef with McAllister.
22:16Mm.
22:17There's an article
22:18in the Belfast Herald
22:19about her brother.
22:20Yeah.
22:20Inspector,
22:35any news?
22:37Everyone's desperate
22:38to know where
22:39the museum stands.
22:41Does this mean
22:41you're going to have
22:42to call off
22:43the exhibition?
22:43You'd be happy
22:46with that, though,
22:47wouldn't you?
22:48What?
22:48Of course not.
22:49It's been years
22:50of negotiating.
22:52A huge donation,
22:53all built on the
22:54proceeds of gambling.
22:56Can't sit easy
22:57with you.
22:59We know about
22:59your brother.
23:02Yeah.
23:04Yet Des had it bad.
23:06I mean,
23:06hardly surprising.
23:07They made it easy
23:08for him.
23:09You know,
23:09one touch of a button
23:10on your phone
23:11now goes a thousand pounds.
23:13It's like a portable casino.
23:15Thanks to sites
23:16like Betopia.
23:17No, addiction
23:17is a disease.
23:20I know that now.
23:22They say it was suicide,
23:23but it was gambling
23:26that killed him.
23:27You must have hated
23:28McAllister.
23:29No, I live
23:30in the real world.
23:32I hated what
23:32McAllister stood for,
23:33but I didn't hate him.
23:35His donation
23:36was incredibly generous.
23:38It's an exceptional
23:39collection.
23:41What was he
23:42interested in?
23:44The usual.
23:45His mythical relative.
23:47The one who was
23:48on the ship.
23:50Boss.
23:52Got something.
23:55Fingerprints
23:55from inside
23:55the hotel room.
23:57Mostly McAllister's.
23:58Some they can't trace.
24:01Two fingerprints
24:01from outside
24:02of the door.
24:04They've got a match.
24:07What were you doing
24:08in McAllister's
24:09hotel room?
24:09I've already told you.
24:12I wasn't.
24:13I was in the bar
24:13and my date was
24:14in Ocho,
24:15so I went
24:16to the press lunch.
24:19We've got your
24:20fingerprints
24:20on the door handle
24:21of McAllister's hotel room.
24:23Can you explain
24:24why your prints
24:25are on file?
24:26Oh, come on.
24:27It was from years ago.
24:29It was a pub fight.
24:30I'm pissed off
24:31at closing.
24:31It was nothing.
24:32None of this
24:33has anything
24:34to do with me,
24:35OK?
24:35I swear
24:36I never entered
24:37his room.
24:38We know he needed
24:39money.
24:40We know he needed
24:40to sell the plates.
24:42McAllister found out
24:43it was a fake.
24:44Jesus,
24:44it's not a fake.
24:46That came from
24:47Buchanan.
24:48So you tried to
24:49sell it to him first?
24:50Yes.
24:51And he said
24:52it was a fake,
24:52so then I went
24:53to McAllister
24:54and he wasn't
24:55having none of it
24:56neither.
24:57Part of them
24:57just looking
24:57to me what
24:58because I don't
24:59sound like him.
25:00Oh, aye.
25:01But the American,
25:02the American
25:02is happy to buy
25:03three plates
25:04off of Buchanan.
25:05Right.
25:07So why did you
25:07go to his room?
25:13McAllister
25:13changed his mind.
25:15He phoned me.
25:17He told me
25:18to come up to his room
25:19before the press thing.
25:21So I went up.
25:22But he never answered.
25:24So I left.
25:27We've had a call
25:28reporting a burglary.
25:30And?
25:31Only it's
25:31Miss Wallace's business.
25:32What?
25:34Where'd you keep
25:34the plate?
25:43No.
25:45Wait here.
25:54Rory,
26:03you go round the back
26:04and see if there's
26:05another way out.
26:05there.
26:16No.
26:17No.
26:19No.
26:19Ashton!
26:38Oh, shit!
26:42Oi! See you later!
26:50We shite!
26:54They didn't get into the safe. They didn't get it.
26:57Somebody obviously thinks your plate's worth something.
27:00Are you gonna harass me then?
27:01No, but I need to borrow your plate.
27:09McAllister's first-class plates, according to Buchanan,
27:16recovered directly from the wreckage.
27:19And verified by the museum archives.
27:25Amazing to think these were lying at the bottom of the sea all that time.
27:29So, Wallace's plate, carried off by a relative.
27:38Now, they should be the same weight.
27:40The house feels a little lighter. No salt damage, obviously.
27:50But there is something different.
27:54Take it.
27:55Okay.
27:58They're both spode.
28:03Both have the white star branding.
28:05And the garland stenciling.
28:06But the gold on the Charlotte Wallace plate is not the same.
28:19It's subtle, but it's visibly different.
28:22So, it is a fake.
28:30So, where does that leave us?
28:32Well, she has a motive.
28:34And we can put her at his hotel room at the time of death.
28:38But what we can't prove is whether she went in or not.
28:42It's Rory.
28:45Says he's at a loose end.
28:47What do I say?
28:49Whatever you want.
28:50Don't let me get in the way.
28:52Er, chase down McAllister's phone records.
28:57I'm not sure it's a work assignment he's after.
28:59Oh.
29:00Yeah.
29:01I suppose it's a bit late.
29:03You know he likes you, right?
29:04What?
29:05No.
29:06He's just being friendly.
29:07You think?
29:08Yeah, totally.
29:13We should talk to Molly Gordon again.
29:15She clearly hated McAllister's business.
29:18Yeah, but she got over it pretty quickly when she saw the size of the donation.
29:21And besides, where's she going to find a bunch of opioids?
29:25Prescription pain relief.
29:30You're thinking about the shoes again, aren't you?
29:32Why did they take them off?
29:33Why are they next to the bed?
29:34I mean, what are we missing?
29:39Why is everyone still so hung up on that ship?
29:41It's the human element, isn't it?
29:43The stories of all the passengers.
29:45It's the ship going down while the violin played.
29:49It's the brother taking that last minute ticket.
29:51It's the crocodile bag floating on the water.
29:54Thought they were going to a new life in America.
29:57Never happened.
29:59You know, my dad never sold a painting without a story attached to it.
30:05How he'd found this amazing new work.
30:09How it had been missing for all these years.
30:12Why he needed to sell it.
30:14They'd buy the story as much as they would the fake.
30:18He sounds like a right character.
30:20That's one way of putting it.
30:21I don't know.
30:26He's back.
30:28By the way.
30:30Your dad?
30:31Really?
30:33Have you seen him?
30:34He came round.
30:35He...
30:37Brought one of my old comic books.
30:40Way to a man's heart.
30:43He says he wants to reconnect.
30:46Maybe that's true.
30:48Maybe he's getting sentimental in his old age.
30:50He wants the portrait back that he painted of my mum.
30:54Maybe he misses her.
30:55Yeah.
30:57Maybe.
30:59Are you going to give it to him?
31:00It's all I have of her.
31:02Maybe.
31:06Are you going to give it to him?
31:08It's all I have of her.
31:10It's all I have of her.
31:33Okay.
31:35Let's have a look at the opioid angle.
31:37Where can you get them?
31:39Hospitals.
31:41Doctor surgeries.
31:42Pharmaceutical.
31:43Companies.
31:44Dark web.
31:45Yeah.
31:47Chase down McCallister's phone records.
31:49As requested.
31:50Thanks.
31:51The day he died, he had a bunch of missed calls from Wendy Boyle and Molly Gordon,
31:55trying to get a hold of him.
31:56But he only made two calls.
31:58One to Charlotte Wallace?
31:59Exactly.
32:00Three o'clock from the hotel lobby.
32:02The other to a lawyer.
32:03She'd been engaged by McCallister.
32:05Scheduled a meeting with Molly Gordon for the next day.
32:07She mentioned that.
32:08Do we know what that was about?
32:09That's the thing.
32:10McCallister wanted to stop his donation.
32:13What?
32:14He wanted to cancel his donation, but he hadn't cancelled the press launch.
32:18The lawyer said McCallister contacted her earlier in the week.
32:21Here.
32:22Five days ago.
32:23At 1409.
32:24That's around the time he was at the museum and visited the archives.
32:28So the question is, what did he see in the archives that day that made him want to stop his donation?
32:36These are the records that McCallister was looking at?
32:37I think he spied something in here that spooked him.
32:52Is Boyle not here?
32:54No, she's off sick.
32:58She and Alex Buchanan seem pretty close.
33:01Yeah, he's here all the time.
33:03Wendy's got a bit of a crush on him.
33:05Mitchell let pass even though.
33:07How on?
33:08Nothing.
33:09Nothing.
33:11You don't like him, do you?
33:12Well, I don't like them cooing in the archives together.
33:17But, you know, she had a hard time where her mum had cancer.
33:20So, like I said, turned a blind eye.
33:23These are the items relating to Buchanan's plates.
33:27This is the original letter from Spode.
33:29They made the porcelain.
33:31They confirmed the design for the first-class dinner plates.
33:35And the serial numbers match Buchanan's?
33:38This is from Ocean Deep.
33:39They're the only authorised salvage company.
33:42And they confirmed that the plates were brought up from the sea floor.
33:47Bizarrely, they even mention the same serial numbers.
33:52So Buchanan's items I'll check out?
33:55That's wrong though.
33:57What?
33:58What date?
33:59What about it?
34:011506.
34:03The 15th of June.
34:06This is an American company.
34:08Look.
34:09So the date...
34:10Is the wrong way around.
34:11Right.
34:12Let's have a look at the Spode letter again.
34:18Have you got anything that I could use to...
34:20Yeah, magnify it.
34:21That would be great.
34:22Sure.
34:28Yeah.
34:29Excellent. Thank you.
34:33See, it's good.
34:34But it's not good enough.
34:35Look at the text.
34:36You see the edge?
34:38It's too crisp.
34:40It's too precise.
34:42This wasn't written on a typewriter.
34:43This has been printed on an inkjet.
34:47Quite a trick for 1912.
34:51Both these letters are fakes.
34:52No.
34:53There's no way.
34:54We don't let anything into the archives unless we're 100% convinced.
34:58Unless they had unauthorized access.
35:02Buchanan.
35:04We've got this all wrong.
35:06We thought Wallace's plate was the fake, but it's the others.
35:09Buchanan has been leaving a false trail.
35:12Breadcrumbing the archives for years in order to fool McAllister.
35:17Yeah.
35:19So that explains the breaking of Wallace's.
35:22Buchanan didn't want the genuine article knocking about.
35:24And if McAllister found out...
35:26Buchanan would have to silence him before he could go public.
35:30Can't believe this.
35:32I mean, this can't be true.
35:39I've seen this before.
35:47You said Wendy's mum died of cancer.
35:50Yeah, she was in a lot of pain.
35:52Wendy was her sole carer.
35:54She did what she could to make her comfortable.
35:56I don't think Buchanan killed McAllister.
36:02I don't think Buchanan killed McAllister.
36:04See that?
36:09Inspector, thank God, you have to do something.
36:38It's Wendy. She's hysterical. She's completely lost it.
36:42She phoned me and said if I didn't come over, she'd kill herself.
36:45Said she's in love with me. It's terrifying.
36:48If you could come back in with us.
36:58It's okay, Wendy. It's over. We know.
37:05I did it for him. I love him.
37:10You did what for me?
37:13I was going to tell everyone. You would have went to prison. I couldn't bear that.
37:20I have no idea what she's talking about. Why on earth would I go to prison?
37:25For fraud, Mr Buchanan.
37:27We know you accessed the museum's archives. Created false records for the stuff you sold to McAllister.
37:34That's complete nonsense.
37:36You knew Charlotte Wallace's plate would expose you. Which is why you arranged the break-in at her business.
37:42When did you realize what he'd done?
37:47When I showed McAllister around the archives.
37:51Did you think he was going to confront Buchanan?
37:55I got him to hold off till I'd looked into it.
38:01But he was furious.
38:04He said he was going to tell everyone at the press lunch.
38:08He wanted to publicly humiliate you.
38:11You would have been ruined.
38:13And then you went to his hotel room with your mum's leftover meds.
38:25I don't understand.
38:27Are you trying to tell me that she-
38:30I told him.
38:32I found more evidence of the fraud.
38:35I took a bottle of whiskey over there.
38:37I put...
38:41The stuff.
38:43Mum's stuff.
38:44In his glass.
38:46He was so angry with Alex. He necked it.
38:50And then-
38:51You're pathetic.
38:58How did you get him to the bed?
39:01He was happy.
39:02But Mum was happy too.
39:05But Mum was happy too.
39:22So Charlotte Wallace was just in the wrong place at the wrong time.
39:26And then you went back to the press launch.
39:40As if nothing had happened.
39:50It was the shoes, you know.
39:52Tucked away neatly.
39:55At the end of the bed.
39:57I couldn't work out why.
39:58And then I realised...
40:00You wanted to make him feel comfortable, didn't you?
40:04Like you had with your mother.
40:08I had nothing to do with this.
40:11This was all her.
40:13I done it for us.
40:15There is no us.
40:20Rory.
40:23Alexander Buchanan.
40:25I am arresting you on suspicion of fraud.
40:27And for perverting the course of justice.
40:29You do not have to say anything.
40:31But it may harm your defence if you do not mention one question.
40:34Can I grab my jacket?
40:35Please.
40:49I am sorry.
40:50How did it come to that?
40:51One man dead and Boyle's lost everything.
40:52Job.
40:53Relationship.
40:54Family.
40:55My mum died and she was vulnerable.
40:56Buchanan took advantage.
40:57What a mess.
40:58Your lift to the airport awaits.
40:59Cheers.
41:00I am sorry.
41:01I am sorry.
41:02I am sorry.
41:03I am sorry.
41:04I am sorry.
41:05I am sorry.
41:06I am sorry.
41:07How did it come to that?
41:09One man dead and Boyle's lost everything.
41:12Job.
41:13Relationship.
41:14Family.
41:15My mum died and she was vulnerable and Buchanan took advantage.
41:23What a mess.
41:24Your lift to the airport awaits.
41:27Cheers Rory.
41:28So Shazia.
41:29You have my number right?
41:30Uh yeah.
41:31It is on the police database.
41:32But all the paperwork is done now.
41:33Geez Shazia.
41:34For such a good detective you are not exactly picking up many clues.
41:38You are in serious danger of missing out in Belfast's biggest catch.
41:43Oh.
41:45You mean.
41:46Uh.
41:47Yeah.
41:48Well.
41:49If you are ever in London then give me a chance.
41:51Yeah.
41:52I mean.
41:53Uh.
41:54Yeah.
41:55Well.
41:56If you are ever in London then give me a shout.
41:58Yeah.
41:59I mean.
42:00Maybe I could sample some of the local water.
42:02Yeah.
42:04Maybe you can draw me like one of your French girls.
42:08I am sorry.
42:09What?
42:11Watch the film.
42:21Or if you are sobering.
42:22It opens a book.
42:24It's a real age.
42:25It's a real age.
42:26In fact.
42:27It opens a book.
42:28It opens a book.
42:29It does happen to this place too.
42:30So in order to Torque King, you see a club in a house.
42:32They'll be disappointed.
42:33It's in your�니다.
42:34It's absolutely simple.
42:35It's very, veryiceps.
42:36It's verycelling.
42:37I know.
42:38I have, I have.
42:39I saw.
42:40It's in my lifetime.
42:42I knew he was.
42:43It's a little bit too.
42:44And there's it's a little Helena.
42:45It was a William.
42:46I had never been looking for you.
42:47I don't know.
43:17Dad?
43:47Dad?
44:13Dad?
44:14Dad?
44:18Dad?
44:19Dad?
44:20Dad?
44:21Dad?
44:22Dad?
44:23Dad?
44:24Dad?
44:25Dad?
44:26Dad?
44:27Dad?
44:28Dad?
44:29Dad?
44:30Dad?
44:31Dad?
44:32Dad?
44:33Dad?
44:34Dad?
44:35Dad?
44:36Dad?
44:37Dad?
44:38Dad?
44:39Dad?
44:40Dad?
44:41Dad?
44:42Dad?
44:43Dad?
44:44Dad?
44:45Dad?
44:46Dad?
44:47Dad?
44:48Dad?
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