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The Assassin by Eric Saward was originally broadcast on BBC Radio 4 in 1974 and rebroadcast on BBC World Service in 1980
Story:
There is evil in London. The assassin is its right hand. I would not live to spend your money. I risk my life just talking to you.'

Cast:
Insp Maitland: William Eedle
Sgt Bound: John Hollis
Richard Mace: Geoffrey Matthews
Roundtree: Leonard Fenton
Asst Commissioner: John Bryning
Albert Hugget: Alan Dudley Rosie: Diana Bishop Rosie's friend:
Carole Boyd Perkins: Julian Fox Jeremiah Scrim,:
Fraser Kerr Landlady: Betty Huntley-Wright

BBC Radio 4 FM Afternoon Theatre 1 June 1974


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Transcript
00:00E.B.C. World Service
00:11Radio Theatre presents The Assassin by Eric Sayward
00:16London, 1888
00:20Edward Albert George Stockman
00:25What?
00:27Are you here?
00:28Who, who, what do you want?
00:31Are you here?
00:32Get out, get out, do you hear?
00:34In a moment, Sir Edward
00:37First I must leave you with this
00:41Brilliant shooting, sir
00:46What?
00:47Two shots in the head, not a finger's width separating them
00:50God, I'm tired
00:51Working the same man all right?
00:53Four much exactly as before
00:54Did anyone hear the trumps?
00:56Yeah, the butler did
00:57But I gather that's all he did here
00:58The rest of the staff were in bed asleep
01:00Would you like a word with him, sir?
01:03Not if you've taken a statement
01:04I gather there isn't a lady, Stockley
01:07No, died some four or five years ago
01:09Well, let's go
01:11We're only wasting our time here
01:12Oh, excuse me, sir
01:13Yes, Perkins
01:14Urgent message from Assistant Commissioner
01:16It's come by special messenger
01:17You ought to report to him at once
01:20Thank you, Perkins
01:21Yeah, I wonder what he wants
01:23Let's go find out
01:24Come
01:39Ah, Maitland
01:42Found
01:42Come in the pair of you
01:44Thank you
01:44Sit
01:45Smoke, if you like
01:49Ah, thank you, sir
01:51Now, I've just come from a meeting with the Home Secretary
01:54Damn fella's an insomniac
01:57Mind you, he's every reason to be
01:59This incident, Maitland
02:01It's got to remain hush-hush
02:03What, sir?
02:04Absolutely hush-hush
02:06Not a word to anyone
02:07Press embargo and all that
02:09Why, sir?
02:11Damnation, man
02:12This is the fourth assassination this month
02:14We've lost two knights, a duke and an earl
02:18Yes, sir
02:18A sizable chunk of the aristocracy
02:20What's the public going to make of the yard's ability to maintain law and order
02:24If we allow the activities of this fellow to go unchecked?
02:27Well, sir
02:28And what with this rip-up business as well
02:30There'll be riots
02:31Eminent people forced to resign
02:33Inspectors demoted
02:36Yes, sir
02:37This assassin's a professional
02:39Someone must be employing him
02:42Find them, Maitland
02:43And find out why they're so intent on the wholesale slaughter of Britain's aristocracy
02:48The motive, Maitland
02:50What about Sir Edward, sir?
02:51There are bound to be questions about his death
02:53It was rather sudden
02:55It's been decided his death be announced as from natural causes
02:59Heart failure
03:01Sounds a bit irregular to me, sir
03:04Think of the yard's reputation, man
03:06I am, sir
03:07The death certificate will be signed accordingly
03:10There's nothing to worry about
03:12Not a thing
03:13Now keep me in touch, Maitland
03:15Fully in touch
03:16Yes, sir
03:17The case is cursed
03:22The one common factor these murders have is that all the victims were members of the aristocracy
03:28Who knows more about them than anyone else of our acquaintance?
03:32Albert Huggett
03:33Precisely
03:34One-time butler to the second most noble family in the land
03:38Until they found he was personally responsible for the vast amount of pork drunk in the house
03:42If anyone knows more about the dark side of the four murdered men, it'll be him
03:47It's midnight, sir
03:49Where do we start looking for him?
03:51This is the one time of day I know for certain where he'll be staggering out of the shind and gutter
03:56Stop the cab at the next corner, driver
03:59Hello, Albert
04:08Good evening, sirs
04:11Do I have the honour of knowing either of you gentlemen?
04:15Or are you street ruffians out to steal my last pennies?
04:20Come off it, Mr. H, you know us
04:22Well, blow me down
04:25If it isn't the inscrutable Sergeant Brown
04:29Bound's the name, Mr. H
04:30And we don't go in for official titles in this part of the world
04:33Mr. Bound and Mr. Maitland will suffice
04:36Mr. Maitland
04:38How are you, Maitland?
04:40Very tired, Albert, very tired
04:42I'm drunk
04:43What is matter?
04:44Look, Albert
04:45I need information
04:47For you, kind sir, anything
04:49It's, um
04:50It's the assassin, Albert
04:53I want information on the four men he's murdered
04:55Danger, good sir
04:58Involves risk
05:00Risk is a calculable commodity
05:04Anything to do with the assassin is suicide
05:09The odds are not to my liking
05:12It's very important
05:13We'd make it worth your while
05:14There is evil in London
05:17The assassin is its right hand
05:20I would not live to spend your money
05:22I risked my life
05:24Just talking to you, Inspector
05:26Come, Mr. Bound
05:27Bring with me off
05:28Good night, Albert
05:29Gentlemen
05:33I cannot help you
05:45No other professional informer will either
05:48These are dangerous times
05:50But there is one man
05:53Who just might
05:55Yes
05:55Come here
05:57There is a man called
06:00Michael Agate
06:02He's better known in these parts as Michael the Triple
06:06Do you know him, Sergeant?
06:08No, sir
06:09He has yet another name
06:10This one you will know
06:13What is it?
06:14Richard Mace
06:16What?
06:17The actor?
06:19That's him
06:19He has eyes and ears everywhere
06:24If anyone can help you
06:26It's him
06:27But why should we
06:28Don't say no more
06:30Trust me
06:31He's a good man
06:33He's supplied me with some of my best information
06:36Now
06:37I'll get word to him
06:39He'll make contact with you
06:42In his own way
06:43But you must never let him know
06:45I told you his real name
06:47Now
06:47Go
06:48Too many eyes have seen us together already
06:52It all seems a bit bizarre to me
07:00A famous actor
07:01Prancing about London
07:02Dressed as a cripple
07:03The whole case is
07:06Pooh-like, Sergeant
07:07Oh
07:08If I can stay away long enough
07:10I shall get drunk
07:11Before going to sleep
07:12Get to join me
07:13Oh, the old lady
07:14Won't take too kindly to me
07:16Arriving home drunk
07:17I'll stay in my room
07:18Well, I haven't been home for three days
07:21Fourth will make no difference
07:22Hey, you're right
07:23She doesn't care to have me about the house much anyway
07:26Driver
07:27You have two thirsty men aboard
07:31And this handsome seems to be travelling backwards
07:33Albert Mervyn Huggit
07:40Am I of your acquaintance, sir?
07:45Are you here?
07:46Your voice is not familiar
07:49Are you here?
07:52But you are not unexpected
07:54I've come for you, Albert
07:57You have spoken your last words to the police
08:02Hell of a damn nice estate, sir
08:07I should never have left him sitting at the side of the road in a state he was
08:12I don't think it would have made much difference where you left him, sir
08:15The assassin seems to have eyes and ears everywhere
08:18That's what Albert said of Richard Mays
08:21Yes?
08:30Mr. Mays?
08:31He isn't here
08:32Go away
08:32It's the police
08:33The police?
08:35What do you want?
08:36Would you mind opening the door, sir?
08:37Has something happened to the governor?
08:41Not that I know of
08:42Can we come in, sir?
08:43Uh, yes, sir, of course
08:45Who are you, anyway?
08:48Roundtree
08:49I'm Mr. Macy's dresser
08:50Well, Mr. Roundtree
08:52Roundtree is sufficient
08:53I've never been one for handles
08:54Oh
08:55No Christian name?
08:57You'd have to be a Christian first
08:58Roundtree
09:00Oh, governor
09:01Who are these people?
09:05The police, governor
09:06Did we send for them?
09:08They came at their own accord
09:10We'd like a word with you, sir
09:12How many times have I told you I never see anybody before a performance?
09:16They insisted I let them in
09:17In a few minutes' time I am to perform Hamlet
09:20The ground yoga
09:21What difference does it make?
09:22They're all difficult
09:23I need to be able to relax
09:25To be able to compose my thoughts
09:27Acting is an art, gentlemen
09:30A very difficult art
09:31And I have a splitting head
09:34Albert Haggard is dead, sir
09:36Dead?
09:38You did know him, sir
09:39I knew him
09:40When did it happen?
09:42Last night
09:42He was murdered
09:43And I always thought he would die of cirrhosis of the liver
09:47Well, according to the pathologist, he very nearly did
09:50But not quite
09:51Poor Albert
09:52You haven't much time to change
09:53The man is dead, Roundtree
09:55Surely I can spare a moment
09:57Sorry, Guff
09:58Then a moment is all he will get
10:01My costume
10:02An actor without an audience is an actor unemployed
10:05And with my debts, that is a situation I cannot afford to be in
10:10Help Mr. Mason with his doublet, sergeant
10:12Oh, allow me, sir
10:15The sergeant and I were in conversation with Al
10:18Just a couple of hours before he was murdered
10:20Your name was mentioned
10:21My name is on the lips of half the populace
10:24I'm sure it is, sir
10:25But this was concerning another matter
10:27There are other matters associated with my name
10:29This was more to do with the name of a character you sometimes play
10:33Michael Aggett
10:34Ah
10:35A name I'm sure you're not unfamiliar with
10:38Your talents are wasted, gentlemen
10:40You compliment each other so beautifully
10:42You would make much more money as a double act
10:45Albert was under the impression you could be of some help to us
10:48To you?
10:49Surely not
10:50Oh, he spoke very highly of you, sir
10:52He said, uh, you have eyes and ears everywhere
10:55It is true
10:56In every tavern
10:57Every back street
10:59How is that, sir?
11:00When I go to the east end or to the docks
11:02I don't go carrying a silver-topped cane
11:04And wearing a saddle-row suit
11:06I go as a sailor
11:08A tradesman
11:08Or a labourer
11:09Or Michael Aggett
11:11Precisely
11:12I have friends in every town
11:14Where is my wig?
11:16Roundtree
11:16Here, the gulf
11:17What made you start such an activity, sir?
11:19I simply enjoyed drinking in the east end
11:21And didn't want to be conspicuous
11:23I was, um, thinking more about your supplying Albert with information
11:27Albert was an old friend, fallen on hard times
11:30He was able to make a few shillings
11:32Selling the bits and pieces that I overheard
11:35You haven't done too badly, are there, the gulf?
11:37Someone pays you as well
11:39On occasions, I have done the odd bit of investigating for friends
11:44Information is easily bought if you know where to ask
11:47And if I should want to purchase information?
11:50Sure you have your own, uh, knarks
11:53This is something special
11:55Then it could be very expensive
11:57I'm interested in information on the assassin
12:01Are you sure?
12:04Where he's concerned, London's underworld is very mute
12:08My dagger, Roundtree
12:11Right, gulf?
12:12Four very important people have died by his hand
12:15And now Albert
12:16Four?
12:17He killed again last night
12:18Sir Edward Stockley
12:20I tell you this in the utmost confidence
12:23Oh, of course
12:23It would be in your interest to cooperate with this, sir
12:27I know nothing
12:28I wish I could help you
12:30My dagger, Roundtree
12:32It's, uh, here somewhere, gulf
12:34The, the underworld
12:36Wants to be rid of him as much as you do
12:39Like the ripper, here's an embarrassment to all honest criminals
12:42My dagger, Roundtree
12:46I can't seem to find it, gulf
12:47How can I perform it out of my dagger?
12:50Is it asking too much to demand a few miserable props?
12:53Here it is, gulf
12:54It's all right
12:55Put it on me
12:56And, uh, refill my glass
12:59Yes, sir
13:00Uh, you must excuse me, gentlemen
13:03I, I have a lot to do
13:04Mr. Mace
13:05Do we have your cooperation on this matter, sir?
13:09Of course
13:10Anything I hear, you will be told immediately
13:13And not so to the highest bidder
13:15You have my word
13:17For what that is worth as an actor
13:19That's good enough, sir
13:21You want me to call, Mr. Mace
13:24Thank you
13:24I must go
13:26Romeo awaits my genius
13:29He cannot live until I breathe life into him
13:32Come, Roundtree
13:34Coming up
13:35Look, Vince
13:36The governor's been very candid with you
13:39Albert was the only person who knew his identity
13:41If he got out in the wrong quarters
13:43The governor was Michael Abbott
13:44God only knows what would happen
13:46Roundtree
13:47Well, sir
13:53What did you think?
13:56I don't know
13:56He certainly was very strange
13:58All that shouting
13:59Oh, he's an actor, sir
14:01He's been a pretty rum lot at the best of times
14:02He's been living a world of his own
14:04Alcoholic, hey
14:05I'd call it
14:05I've never seen a man drink so much
14:07Yeah, I find this case grows more depressing by the hour
14:11Do you think he'll help?
14:13Mace
14:13I don't know
14:14If he doesn't get in the way
14:16He'll get himself killed
14:17I don't care what he does
14:18A little room in this case for temperament
14:20Siver
14:21Scotland Yard
14:23On our way, sir
14:24Anything interesting in the newspaper?
14:33Er, Parliament had to be suspended
14:36I did a smell
14:37Of whom?
14:38Well, it says here
14:39Parliament was suspended yesterday afternoon
14:42Owing to the pungent smell
14:44That filled the lower house
14:46The smell was traced to Mr. Hunt's bone factory
14:504th Street, Lambeth
14:51Owing to the direction of the wind
14:54The smell of his establishment
14:55Was being carried across the river
14:57And into the house of commons
14:59Fascinating
14:59Talk to me
15:02I'm bored
15:03What would you like to talk about, Gov?
15:06Why must I always find a topic?
15:08Don't you have any thoughts of your own?
15:10My thoughts are exclusively of your welfare and comfort, Gov
15:13Then comfort me
15:14That's why I was reading the newspaper
15:16I was hoping to find some humorous art they've got to show you
15:19Something to cheer you up
15:20How kind
15:21Who is it?
15:23A letter for Mr. Mace
15:24Where's the letter?
15:28Here
15:28He left it on the floor
15:30You demeaned
15:30Give it to me
15:31Who is it from?
15:33The letter is addressed to me
15:35Sorry
15:36It's...
15:41It's from Albert Tugget
15:43What?
15:43Dear Mr. Mace
15:46Forgive me for writing to you at the theatre
15:48But the information I have just acquired
15:51Must be placed in your hands as soon as possible
15:54I would have come to the theatre myself
15:56But I go in fear of my life
15:58And must leave London at once
16:00The information itself is a bit vague
16:03But I'm sure with research
16:05You will be able to make more of it
16:07What simple handwriting?
16:09Come on, Gov
16:09What else does it say?
16:10The clue is as follows
16:12Search the personal columns of the times
16:15If you require any help from the professional police
16:17See Inspector Maitland at the yard
16:19He is one of their best
16:20And he has been good to me
16:21Pray for me, Mr. Mace
16:24I fear that I may be dead when you receive this letter
16:28Your obedient servant
16:30You would hug it
16:31Well, well
16:32A clue in the traditional manner
16:34Suddenly
16:36I have great interest in this case
16:38What's to be done?
16:39You will go to Fleet Street
16:40To the Times office
16:41Yes, precisely
16:42And look for Albert's clue
16:44What will you be doing?
16:45Michael Aggett is going to visit a certain tavern in the eastern end
16:49This is no time to go boozing, Governor
16:51This is business
16:51You said that the last time
16:53I begin to wish Albert had sent his letter to the police
16:56He knew where it would be most use
16:58One large brand to eat
16:59And then
17:00To our tasks
17:01You tell more jokes like that
17:09And Jack the Tickler will be owning his razor for you
17:12Don't say a thing like that evening, Jack
17:14It makes my flesh creeps just to think that such a man lives in London
17:19I keep my door locked tight at night
17:22Except when Will Bainard comes calling
17:24Oh, ho, ho, ho
17:26Here, Rosie
17:27A thing of yours is just staggered
17:30Where?
17:31Oh, yeah
17:32I must go over
17:35You take care, Rosie
17:37You can't trust no one nowadays
17:39Hello, Rosie, my dear
17:44Well, well, well
17:46Michael Aggett
17:47Long time since we've seen you in this place
17:49Been very busy, my dear
17:51Very busy
17:51Would you like to do it?
17:53Another time, Flour
17:54Look, I am able to refuse a drink
17:57This visit is purely business
17:59Oh, yeah
18:00What is it?
18:02Information
18:02For a very special client
18:05Oh, all your clients are special
18:07Except when it comes to paying
18:09This little job is payment in advance, my precious jewel
18:12What information's wanted?
18:15About our late, dear departed friend, Albert
18:17Are you serious?
18:20I never joke about business
18:22You should know that by now, Rosie
18:24You know who did he mean?
18:26I don't
18:26That's what I want you to find out, my little father
18:29A bloody assassin
18:31What with him and the Ripper, no one's safe in London
18:34Albert was careless
18:36Very unwise move
18:38Albert was not smooth, my old
18:40I still don't want to get involved
18:42To the best interests of London's underworld
18:45That this man has caught
18:46His activities bring discredit on all of us
18:49Well, what are the police for?
18:51To catch villains, my cheery pie
18:53But at times like this
18:55It is best to put aside our prejudices
18:57And aid the police
18:58It's not until this man's neck wears a collar of hemp
19:02That we can continue our activities in peace
19:05I don't know
19:07For Albert's sake
19:09If not for the other blighters he's killed
19:11This assassin isn't one of us
19:14Nor is Albert any longer
19:16My client wishes retribution
19:19All right
19:23Oh, that's more, Rosie
19:24But the job's going to cost you plenty
19:25Name your price, Rosie, my dear
19:27Ten guineas
19:29Plus a guinea a day
19:30And another guinea a day for each of our girls
19:32What's this talk of guineas?
19:33I've gone respectable
19:34Not with fees, virgin or daylight robbery
19:37My Christmas tree
19:39Take it or leave it
19:40I'll pay seven pounds ten to you
19:42And six half-crowns a day
19:44For each of your girls
19:45A guinea a day or nothing
19:47You'll get no one else to touch this business for you
19:49You drive a hard bargain, my little prairie flower
19:52Yeah, put it down to the high cost of dying
19:55Oh, have a good
19:56Hmm, pass it from the end of the table
19:58I don't want any of us to come here
20:00If we don't have so much money
20:01Right
20:02There you are, princess
20:04Around twenty-five
20:07I've got every scrap of information
20:09However vague
20:11Whoever's overheard saying
20:13I want to know everything
20:15Right
20:15Messages left in the usual place?
20:17Of course, my love
20:19I'll get my girls organised
20:20They're looking for the man who killed Albert, remember?
20:23No mention of the assassin's other
20:25Activities, my little Warren's
20:26We don't want any of them getting hurt
20:29Do we?
20:37Hello, love
20:38Remember Albert?
20:40Such a nice man
20:41Wicked he was done in
20:43Never did no one, no harm
20:44You heard anything?
20:46Any little thing?
20:47A name?
20:48An address?
20:48Oh, whisper
20:49Poor Albert
20:50Poor
20:51Poor Albert
20:52Rosie
20:56Yes, love?
20:58A word with you
21:00Where have you been, Governor?
21:08Mike Maggett's got the better of me
21:10You've been boozy
21:11I was sidetracked as I was returning to the theatre
21:14Did you see Rosie?
21:15Of course
21:16She's got her best girls working on the case
21:18Poor dear, Brandy
21:19Her head feels as though
21:2120,000 people have been clapping and cheering in it for a week
21:25Governor
21:25Look what I found out
21:26I must have Brandy
21:28It's the oldest shit in the world
21:29What is?
21:30Where's my drink?
21:31An advertisement in a personal column
21:33What are you talking about?
21:34Albert's clue
21:35What I went to the Times about
21:36Oh, come on, Governor
21:38Can't concentrate
21:40I must have a drink
21:41All right
21:42Read this while I'll pour you one
21:44Dispatch at once to Mrs. Smith
21:48All my love
21:49Well, dispatch what?
21:51What's it about?
21:52That message appeared in the Times on the day each man was murdered
21:55So, a signal to the assassin?
21:59That's what I thought
21:59The plot thickens
22:01I checked the back copies for the last six months
22:03That message only appears on the day of each murder
22:07At no other time
22:08Must follow it up
22:09Did you get the name of the person who placed the ad?
22:11The clerk wouldn't give it to me
22:12We must have that name
22:14The police could get it
22:16Meekton
22:16Talbot seemed to think he was a good bloke
22:18A telegram to Meekton
22:19And whilst you're out
22:20Message from Mr. Mays
22:21I'll get it, come
22:22It's from Mr. Todd
22:24Here at once
22:25It's from Rosie
22:27Give the boy a tip
22:28All right
22:28Oh, thank you, Dad
22:30It must be important
22:32She only uses Todd in an emergency
22:34Listen
22:35Come at once
22:37Don't let me down, Rosie
22:39Quickly
22:40By Michael Agate disguise
22:41Yes, Governor
22:42Well, get it, man
22:43I must leave at once
22:44You're still wearing it, Governor
22:46What is it, Sergeant?
22:50A telegram, sir
22:50It's from Mr. M
22:52Hmm?
22:53What does he want?
22:55To see you
22:55He also wants us to find out the name and address of someone who put an ad in the Times
23:00Hmm, he's got a bit of a liberty
23:02Sending telegrams to us with his instructions
23:05Not if his information's positive
23:06Ah, I'm on my way, sir
23:09I shall be at the theatre
23:10Meet me there
23:12There he is, back to him
23:17Where's Rosie, sweet thing?
23:20She's had enough of you
23:21Get out of here
23:22Go away
23:22Well, what have I done, my twinkling starlet?
23:25Cause trouble, cause pain
23:27Oh, Rosie
23:28I must speak to him
23:31Let him pass
23:32Oh, Rosie
23:32My lovely
23:35I'm no longer your lovely
23:37Look at my face
23:39God
23:40Um, what happened?
23:43A man
23:44A razor
23:45In a dark alley
23:47The Ripper?
23:48No, it wasn't the Ripper
23:50I'm still alive
23:51It was a warning
23:53The assassin?
23:55A henchman
23:55I don't know
23:57He just warned me to stop asking questions
24:00I'm sorry, my treasure
24:02I didn't realise the danger
24:04I didn't know his strength
24:06You get him for me, Michael
24:07You must promise me
24:09Yes
24:10I swear I won't rest until the assassin is a good day
24:14Where's Mr. Mace?
24:18I don't know
24:18He left no message
24:19Help yourself to a drink
24:21Oh, thank you, sir
24:22How'd you get on other times?
24:24No, I got the name
24:25John Smith
24:26How original
24:27Corresponds with the name in the advertisement, sir
24:30Could be genuine
24:30Oh, no matter John Smith
24:31We didn't have something to hide
24:32This John Smith was an Indian
24:34You sure?
24:36But the clerk said
24:37You get the address?
24:38Yes, sir
24:39I'm just phoned with the name
24:40Well, I've already telegraphed the arbor of the information
24:42I thought it wouldn't do any arbor of him checked
24:45Your hip flask, Roundtree
24:51Here you are, Guth
24:52There is evil in London, Roundtree
24:57And it's too well organised
24:59I like you
25:00Let's get out of this business, Governor
25:02There isn't anything in it for us
25:04It's too late to withdraw
25:06Much too late
25:07Driver!
25:09Turn left at the next junction
25:11Where are we going?
25:12I thought so
25:13What are you doing?
25:15That cab behind, it's following us
25:16Are you sure?
25:17He is following us
25:19Can you see who it is?
25:22No
25:22Driver, to the theatre
25:25As fast as you can
25:26Don't follow us, Mayor
25:27Precisely what I want them to do
25:29They want to know where I am going
25:31And I want to know who they are
25:33Better this comes about on my own territory
25:35Then can't you go any faster?
25:38Couldn't you see who was following?
25:43No
25:44They stopped at the end of the road
25:45It was stupid of me not to realise
25:48They would need to come no nearer
25:50What if it was the assassin?
25:51If they had anything to do with him
25:53I would guess they were a little more than minor henchmen
25:55I have the feeling he only comes out for the kill
25:59Then you better think seriously about going into hiding
26:01Never
26:02Oh, if only Shakespeare had lived the life, I do think
26:07What plays he could have written?
26:09I doubt if he'd lived long enough, sir
26:10Look what happened to Marlowe, it's right
26:12You forget
26:13I am already 40
26:14I am 39
26:15I am indestructible
26:17Refill my gas bounty
26:19Brandy won't stop a bullet, sir
26:21I am not drunk, Inspector
26:23No, sir
26:24I must perform
26:25I am bubbling
26:25You can watch my performance from my box
26:28I shall be magnificent
26:30I should be too busy watching the audience
26:32Ah, yes
26:33A telegram for Inspector Major
26:35I'll get it
26:36What does it say?
26:42Bad news
26:43Not more
26:44What is it?
26:45Message in the Times
26:46Two officers sent to investigate the person who placed it
26:48And?
26:49A fight
26:49One constable's dead
26:51Stabbed
26:53Good God
26:54The Indian, whose real name according to papers found in his house is Krishna Singh
26:58After the attack
27:00He attempted suicide
27:02His condition is critical
27:04Any reason given for the resistance?
27:06No, sir, I would have thought it was obvious
27:08Now I think I should return to the yard
27:11One minute, Mr. Mays
27:13You must excuse me, gentlemen
27:14You can't go on tonight, Governor
27:15I agree with Rantree
27:17My public is waiting
27:18There could be great danger, sir
27:20With Miss Bailey playing Ophelia
27:21I will have a large enough object to hide behind
27:23Should it prove necessary
27:25Take more involved, sir
27:26You are too kind, Sergeant
27:27But the Lord Chamberlain has mutilated the text sufficiently
27:31Without my adding any anachronism
27:33You were brilliant, Governor
27:41I know
27:42My genius is once more confirmed
27:45Oh, I am blinded with emotion
27:49Lead me back to my dressing room
27:51Hmm
28:00Maitland gone?
28:02Yes, Governor
28:03Give me your overcoat
28:04I'll put some more coal on the fire if you're cold, Governor
28:07Now, don't bother
28:08We are going out
28:10No, Governor
28:11Inspector Maitland said I was to keep you here
28:13Maitland is a competent policeman
28:15He should know better than to give you such an order
28:17Rantree
28:18Put on the suit that I was wearing this afternoon
28:21What?
28:22What for?
28:23Don't argue
28:24Put it on
28:25Listen, Governor
28:26You can't go out
28:27The fog's so thick a blind man would get lost
28:30Hurry up and change
28:32You're not thinking, Governor
28:33The assassin could be out there
28:36Then we mustn't keep him waiting
28:37You won't stand a chance
28:40If the fog is as sick as you say
28:42You'll have to come very close before he can shoot
28:44What if he blows your head off from behind?
28:48That's why you will be wearing my suit
28:50I'm sorry, Governor
28:52I won't do it
28:53Even with my genius
28:54I cannot work unhindered if the eyes of the world are upon me
28:58You will be quite safe
29:00Hmm
29:06Gray suits you, Rantree
29:09Yes
29:10I've never worn a silk suit before
29:12It's yours
29:13For how long?
29:15You might be burying me in it tomorrow
29:16More likely, I shall be praising you for your courage
29:19Your dedication
29:21Your diligence
29:21I don't like this fog
29:26Without it, what would London be?
29:29If nothing else
29:30It gives Monsieur Monet something to paint
29:33What's that?
29:34What?
29:35I heard a footstep
29:36Hmm
29:38Nothing, you see
29:39Your imagination will be the death of you
29:42If it is, I'll die a happy man
29:44Can't we take a cab home, Governor?
29:47I'm a bag of nerves
29:48We are not going home
29:50What?
29:50We are going to Scotland Yard
29:52I thought a nice, leisurely stroll
29:55It's miles
29:56One and three quarters, to be precise
29:59We'll be much safer at your rooms
30:01Don't you ever think?
30:03Where have all the other murders occurred?
30:06All right
30:06In the victim's own homes
30:08In their very own studies
30:10Except for poor Albert, of course
30:13I feel safer at home
30:15I don't want to get blood on one new suit
30:18Look
30:20We could barricade the door
30:22I could do with it a good night's sleep
30:24Do you good as well, Governor?
30:28Governor?
30:30Mr. Mace
30:31Where have you gone?
30:33Oh
30:33Oh, my God
30:34Don't mess around
30:37You know I have a very nervous disposition
30:39Please
30:41You're playing a mean trick, Governor
30:43Richard
30:45Archibald Mace
30:47Are you here?
30:51Oh, my God
30:52Are you here?
30:55You've got the wrong man
30:57Honest
30:58Do I look like Richard Mace?
31:00I'm only a dresser
31:01A humble dresser
31:03I am Richard Mace
31:04Where are you?
31:08Here
31:08I can't see you
31:11Identify yourself
31:13I have something for you
31:17What is your name?
31:19My name
31:20Would mean nothing to you
31:22Tell me your name
31:23And I shall show myself
31:25I have an urgent message
31:28For you
31:29What is it?
31:31I can't be expected
31:33To deliver it
31:34To a faceless man
31:35State your name
31:37And I will show myself
31:39That is all
31:41The identification
31:41That I want
31:42You
31:43Get to go
31:44I don't know where he went
31:58That was the last I heard of him
31:59Where did this happen?
32:00Not two minutes walk from the theatre
32:02Pardon?
32:03Sir?
32:03A general alert
32:04My one Mr. Mace found
32:05Let's wait a bit
32:06Wait?
32:07What for?
32:07The Governor's a tough bird
32:08In spite of his funny ways
32:10He's used to working alone
32:11Your Governor might already be dead
32:13This is the nearest we've ever got to the assassin
32:15We can't afford to let him slip through our fingers
32:17But he won't, Inspector
32:19Governor
32:19You've got the assassin?
32:21I lost him
32:22Help!
32:23Damnation!
32:24Where?
32:24Just beyond Waterloo Bridge
32:26He was heading in the Lambeth direction
32:27I'm glad you're safe, Governor
32:29Thank you, Roundtree
32:30Sergeant
32:31I want every available man into the Waterloo area
32:33Yes, sir
32:34You've, uh, no idea who you're looking for
32:37I intend to arrest everyone I find on the street
32:40That will cause you nothing but embarrassment
32:41What?
32:42You'll have half the aristocracy in your jail before you know where you are
32:45That part of London is considered good soil for planting wild oats
32:49Your hip flask, Roundtree
32:52Boozing won't help to find the assassin
32:54We won't have far to look
32:56Here
32:59A dirty old hat
33:02The assassins
33:04Let me look
33:04Well, perhaps there's a name in it
33:06There are initials
33:07J.S.
33:09John Smith
33:09The man who put the advertisement in the Times
33:11I doubt it
33:12As his name turned out to be Krishna Singh
33:15What about a maker's label?
33:16Ah, this sort of cap can be bought of any cost among us, Barrow
33:19You know something we don't, don't you, Governor?
33:22I know no more than that hat, Toadbury
33:24Study it carefully
33:26Come on, Mr. Mace
33:27This man's dangerous
33:28He could be making his getaway while we stand here playing games
33:31I doubt it
33:32The assassin is a confident man
33:33He won't run
33:34I think six of your best men should be enough
33:37Armed, of course
33:39Where are we going?
33:404th Street, Lambeth
33:42What makes you so sure you're going to find him where you stay?
33:48Smell the cap
33:49Sergeant
33:50What does it remind you of?
33:54The drains
33:55Inspector
33:56I agree
33:58My flypaper memory
34:00Tells me otherwise
34:01The other day
34:03Roundtree read me an article from the newspaper
34:05Concerning a problem that Parliament is having
34:07With the smell of Mr. Hunt's boneworks
34:10It really is rather devoted
34:12Is that what this hat smells of?
34:14You'll be able to confirm it for yourselves
34:16As we cross Waterloo Bridge
34:17So you think Mr. Hunt is the assassin?
34:19Hardly
34:20The poor man has enough problems already
34:23Then who?
34:25I don't know yet
34:26The only thing I'm sure of is that the assassin has a hideout in 4th Street
34:31I would think there are few places in the whole of the world where such a smell exists
34:37Depressing looking place?
34:43Any idea which house, sir?
34:44There is only one
34:45Deploy the men, Sergeant
34:48Yes, sir
34:49Perkins, you stay here
34:50Sergeant
34:50The rest of you come with me
34:52And no talking
34:52I've had enough
34:54I'm off
34:54Stay where you are
34:56There could be a madman in that house, Governor
34:58A madman with a gun
34:59I know
35:00How do you plan to wiggle him out, Inspector?
35:03I'm not sure
35:04I've got much experience with this sort of thing as concerned
35:07I'd go in guns blazing
35:08Maybe it's the wrong man
35:09The police are discredited enough without adding indiscriminate murder to the list
35:13Hmm
35:14At least the fog is clearing
35:15I'm not so sure that's an advantage
35:17The men are in position, sir
35:19Your hip flask round for you
35:20Here you are, Governor
35:21To your success
35:22Gentlemen
35:23Want you to come here with us?
35:24I don't think so
35:25I shall remain here
35:26Perhaps I could borrow a rifle to guard your backs
35:29You know how to use one?
35:30Of course
35:31Perkins
35:32Give the gentleman your rifle
35:33Yes, sir
35:34Thank you
35:35Sergeant
35:36You come with me
35:37Thank you, sir
35:37You too, Perkins
35:38Right, sir
35:38The rest of you keep your eyes skinned
35:41All right
35:41Let's get it over with
35:43He doesn't seem very confident, Governor
35:47Nor would I be
35:48He's a very brave man, Roundtree
35:50They all are
35:51Oh, can't we do anything to help?
35:53We will only get in the way
35:54Inspector Maitland is the star of this show
35:57Hmm
35:58I think another swing is called for
36:01You've got your side armed?
36:08Of course, sir
36:09Sir
36:09Don't let them out of your grasp
36:10Who is it?
36:11Police
36:12Open up
36:12What do you want?
36:13Open up
36:14How do I know you're the police?
36:16You could be the ripper
36:17A gang of ruffians
36:19If you don't open this door, I'll smash it in
36:20Oh, you're the police
36:22All right
36:22No, you're funny
36:23Stupid old hag
36:25He'd want to cut her up
36:26What do you want?
36:28Disturbing a respectable woman at this time of night
36:31Who else lives here?
36:32You can't barge your way into my house
36:35Answer, woman
36:36Well, there's my lodger
36:38What's his name?
36:39Mr. Scrim
36:40What's his first name?
36:41Jerry Meyer, I think
36:42J.S.
36:43Come on
36:44Which floor?
36:44Top floor
36:45Be grateful you're still alive to collect that rent, old woman
36:47Anybody else in the house?
36:48Just my old cat
36:50Right
36:50Get out
36:51Over there, where those men are
36:52And be quick
36:53Come on, Sergeant
36:54Quietly now
36:58There are two doors, sir
37:00Damn
37:01Which one?
37:02I don't know
37:03I don't know
37:04Should I call him?
37:05All right
37:06Scrim
37:08Jeremiah Scrim
37:11We'd like a word with you
37:13It's the police, Scrim
37:14Official business
37:15As you step into the hall
37:17It's important we talk to you
37:19Give yourself up, Scrim
37:21Wrong door, copper
37:24Stand up
37:28Mr. Policeman
37:30You all right, Sergeant?
37:31It hurts, sir
37:32You're a strong man
37:35That shot would have killed most men
37:37All right
37:38Perkins are gonna know, sir
37:39Give me the gun for him
37:40They've sent a boy to do a man's job
37:43I am a professional
37:46See how calm I am?
37:48I even had time to talk before shooting your colleagues
37:52Now that's skill
37:53You have not even cocked your revolver
37:56Drop it
37:59I was hoping the police would send some of your best marksmen
38:06But never mind
38:08I doubt whether we're that unpopular with the inspector
38:17What are we gonna do?
38:18I don't know
38:19Yes
38:21What can I?
38:22When I say go
38:23Run towards the house
38:24You're joking
38:24It's across open ground
38:25He'll pick me off
38:26Precisely what I want him to try and do
38:28Thanks very much, Governor
38:29Well, he'll have to show himself to get a clear shot at you
38:32When he does, he will be a dead man
38:33How good a shot are you?
38:35When drunk, excellent
38:35Sober as I am now
38:36A good average
38:37That's very reassuring
38:38And if he doesn't show himself
38:39You'll be inside the house with a professional killer
38:42Oh, I'm all
38:43Stay where you are
38:44Let me get a couple of shots off to see how this rifle fires
38:48Barrels like a corkscrew
38:55But I think I've got it stripped
38:56Right
38:57Roundtree
38:58Go
38:59Come off it
39:00Come a joke's a joke
39:01Look
39:04The enforcement
39:04I'll wait for them
39:05Go
39:06Now
39:06This is discrimination of the worst short
39:08Come on
39:10Show yourself
39:10Don't be shy
39:12Please change windows
39:14Are you all right, Roundtree?
39:21I think so, Governor
39:22Did you get him?
39:24Oh, yes
39:24Our assassin has killed his last victim
39:28All a bit of an anticlimax
39:30Most disappointing
39:31Hell, I'm damned, Nathan
39:32The place is like a battlefield
39:33Who are you?
39:34Richard Mace
39:35Never heard of you
39:35Never?
39:36Heard of me
39:37The greatest actor in the country
39:39I won't hold that against you
39:40Is that Maitland?
39:42Must speak to him
39:42Maitland?
39:44Maitland?
39:45Oh, hello, sir
39:46How are you, man?
39:48Oh, I'll be all right, sir
39:49Is Scrim dead, mate?
39:51If he's the assassin
39:52Yes
39:52Thank God
39:54Oh, hell's broken loose
39:55At the yard, you know
39:56What?
39:57Who is this barbarian?
39:59The assistant commissioner
40:00Maitland
40:00This Indian chappy
40:01Krishna Singh
40:02He recovered consciousness
40:04Hasn't stopped talking since
40:05Knows everything
40:07Damn nuisance
40:08Accused all sorts of important people
40:10Of the most terrible things
40:11Never do, you know
40:12Dreadful affair
40:13Constable
40:14Get an ambulance
40:16Organized to the wounded
40:17Get Sergeant Ricks down here
40:19To take statements and things
40:20Who's that hag
40:21Lurking in the corner?
40:22Oh, don't bother to tell me
40:23Arrest her
40:24We'll sort everything out later
40:25This way, gentlemen
40:30We have them in a private room
40:32Hmm, how splendid
40:34Gentlemen, how are you?
40:36Oh, oh
40:37Hmm
40:37You look more cheerful, Inspector
40:39Oh, excuse me, Sergeant
40:40His wife's just been visiting
40:42Ah
40:43I've just been scanning the newspapers
40:45For their version of the events
40:47But I find nothing
40:48Not even in the gut of press
40:49Yeah, you won't
40:50It's all being suppressed, sir
40:52For the sake of the nation
40:53The confession of Krishna Singh
40:54Has been of the greatest embarrassment
40:56To a lot of people
40:57I love scandal
40:58No one knows how much they can believe
41:00Can't this statement be checked?
41:02He's dead
41:02How?
41:03Died from his wounds
41:04How convenient
41:06The establishment
41:07The establishment hates getting its title folk involved in scandal
41:09Especially when the scandal is treason
41:11How does Sir Edward Stockman fit into this cut?
41:14It was him who committed the treason
41:15Oh, what did he do?
41:16Tell me everything
41:17He sold arms
41:18To the Indian nationalists
41:19Good God
41:20Not that the delivery was ever made
41:22The authorities got wind of the sale
41:24So, Sir Edward
41:25And his aristocratic friends
41:26Decided to drop out
41:28And the arms weren't delivered
41:29By the time the nationalists realised they weren't coming
41:32It was too late to stop the uprising
41:34A coup without guns is a little more than a riot
41:37Little did we know what we were involved in, Governor
41:39Indeed
41:40We reckon Sir Edward and his consortium
41:42Has underestimated the size and power of the nationalists
41:45Thought of them as little more than a bunch of fanatics
41:48Their uprising had failed dismally
41:50And therefore Sir Edward must have thought he'd hear no more from them
41:53Who hired Scream?
41:55Krishna Singh
41:55Where did he find him?
41:57I don't know, sir
41:58He was a one-time professional soldier
42:00Served his time in India
42:01I've seen you in from those days, who can tell?
42:04There's no suggestion he was politically involved
42:06Like the consortium
42:07He did it just for the money
42:08And a love of it, sir
42:10Yeah
42:11He was certainly mad
42:12Living in the bleakest of rooms
42:14Yet he had over a hundred pounds in his money belt
42:17And a scrapbook
42:18Of what?
42:20A very special scrapbook
42:22In it were newspaper tippings of the three assassinations
42:25That were reported in the press
42:26Those tippings were filed under the heading of business
42:29The second half of the scrapbook was headed
42:32Pleasure
42:33Oh my God
42:34Can you guess, sir?
42:35Yes, I can
42:36I can't?
42:37In that part of the book were cuttings concerning the activities of the so-called
42:42Jack the Ripper
42:43Jeremiah Scream, we believe
42:47Was the Ripper
42:48He certainly possessed a knife that could have done the job
42:51What an evil to unleash for London
42:53I feel ill
42:55A terrible affair
42:56And an affair where the conclusion must remain secret
43:00Officially
43:01The case of the Ripper must remain unsolved
43:04Or to announce the capture of the Ripper
43:06Would expose his other business
43:08I feel very melancholy
43:10You always do at the end of a case, Governor
43:12The foreknowledge doesn't make it any easier to bear
43:15The memory of Rosie's face
43:18What I've heard here
43:19Makes my depression a thousand times worse
43:23Let's be gone
43:25I've heard enough
43:26Will we see you tomorrow, Mr. M?
43:28Tomorrow
43:28Tomorrow I shall be indisposed
43:30Governor
43:31I have a night's heavy drinking before me
43:34Come, Browntree
43:35To the theatre
43:36I need the comfort of familiar things
43:40In The Assassin
43:44By Eric Sayward
43:46Richard Mace
43:47Was played by Jeffrey Matthews
43:49And Roundtree
43:51By Leonard Fenton
43:52Inspector Maitland
43:54William Eadle
43:55Sergeant
43:56Billy Eadle
43:57Billy Eadle
43:58Billy Eadle
43:59Billy Eadle
44:00Billy Eadle
44:01Billy Eadle
44:02Billy Eadle
44:03Billy Eadle
44:04Billy Eadle
44:05Billy Eadle
44:06Billy Eadle
44:07Billy Eadle
44:08Billy Eadle
44:09Billy Eadle
44:10Billy Eadle
44:11Billy Eadle
44:12Billy Eadle
44:13Billy Eadle
44:14Billy Eadle
44:15Billy Eadle
44:16Billy Eadle
44:17Billy Eadle
44:18Billy Eadle
44:19Billy Eadle
44:20Billy Eadle
44:21Billy Eadle
44:22Billy Eadle
44:23Billy Eadle
44:24Billy Eadle
44:25Billy Eadle

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