- 6/26/2025
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00:37:20Then nobody will suspect us, but you'll notice when I drop out of sight. I guess it's been
00:37:31See you soon, sweetheart
00:37:50Oh
00:38:20Oh
00:38:50Oh
00:39:20What do you want?
00:39:50Who is it?
00:40:08Sam
00:40:09What's the matter?
00:40:11Well, I didn't recognize you with that mustache
00:40:13Oh, Sam, you should have let me know. I was leaving in the morning
00:40:16Yeah, where were you going?
00:40:18Well, to Washington, of course, Sam, to meet you
00:40:20I got the money
00:40:21This is a great way for me to have to find out
00:40:24Well, I wrote you yesterday
00:40:25There's an airmail letter on the way to Washington
00:40:27You must have passed it
00:40:29Where's the dough?
00:40:30In the bag, Sam, all safe
00:40:32How much of it?
00:40:34Nearly all
00:40:34I had to get a few things naturally
00:40:36Tickets and...
00:40:37Sure
00:40:38Tickets
00:40:39You got the letter, didn't you?
00:40:45Explaining what took so long
00:40:46Tom complicating things and...
00:40:48That's all I got
00:40:51In the basket of fruit
00:40:52Well, Tom kept messing around
00:40:54Trying to prove it wasn't an accident
00:40:56He thought you were murdered
00:40:58It's nice to know the kid still cares
00:41:00What happens to his old man
00:41:01Nice to know somebody does
00:41:04I guess I've given the kid a pretty rotten deal
00:41:07He's a good boy
00:41:08Who were you expecting when I came in?
00:41:12Who did you think it was?
00:41:14My girlfriend
00:41:15I had to have some company when you were away
00:41:18Her husband's working up in Alaska
00:41:20I saw you come home with a guy
00:41:23Oh, with Ray
00:41:25Oh, that's Karen's boyfriend
00:41:27You remember Karen?
00:41:29We were playing cards together
00:41:30When'd you get back?
00:41:33This afternoon
00:41:34Sam, what's that for?
00:41:40Just to make sure I get my share of the dough
00:41:44Well, it's a little unnecessary
00:41:46Until I get my $25,000
00:41:49You're not going to have one minute alone
00:41:51I'm tired of being alone
00:41:54Listen, Sam
00:41:56Why split the money?
00:41:59We can still go to Mexico, can't we?
00:42:01It'd be wonderful, Leah
00:42:03Novelous
00:42:04I read about a little character place called Tesco
00:42:07With what we've got, we could live in luxury there
00:42:10No worries, no bothers
00:42:13It'd be heavenly, Sam
00:42:16There isn't going to be any Mexico
00:42:19All I want is my cut of the money
00:42:22And I'm getting away from here
00:42:23And you
00:42:25Turn off the lights
00:42:49I'll be awake
00:42:55Good night, Edna
00:42:57Have a good sleep
00:42:59Sam
00:43:01Yeah?
00:43:03Can I do whatever I want with my share of the money?
00:43:07Sure
00:43:07Only you're having about half as much as expected
00:43:11It's going to be quite a blow to Karen's boyfriend
00:43:13He may not like that
00:43:16But, my dear boy
00:43:21I wouldn't want to ruin that pretty scarf
00:43:23I have feathered myself down for the night
00:43:25In a new robe in pajamas
00:43:27Purchased today, particularly for a quiet evening at home
00:43:29Therefore, I have no intention of forsaking my ivory tower
00:43:33For love or money
00:43:34That is, you haven't enough money
00:43:36Look, do I have to go to work on you again?
00:43:39Tom, it is very unfair of you to constantly threaten to put this on a physical basis
00:43:43Let's keep it on a mental level
00:43:45I've got some surprises for you
00:43:47Very well
00:43:48What brings you charging into my sanctuary like a young bull at this heathen hour?
00:43:54A little while ago, somebody shot Ray Belden
00:43:56Three times, he ought to be dead
00:43:58He certainly should be
00:44:00Does credit for the achievement go to you?
00:44:02I wouldn't come tell you
00:44:03Where sins have been confessed to me
00:44:05Was it Edna that beat you to him?
00:44:08A man, a friend of Edna's
00:44:09Any one of our acquaintance
00:44:11I couldn't recognize him from where I was hiding
00:44:13A mysterious man
00:44:17A friend of Edna's
00:44:19Comes out of the night and kills her sweetheart
00:44:22I find that intriguing
00:44:25Only I'm beginning to think that Ray wasn't her sweetheart
00:44:28In spite of what you said
00:44:29You know, you could be wrong
00:44:30Anyway, it looks like he wasn't number one boy with her
00:44:32If you came crashing in here with a few facts
00:44:35Give them to me
00:44:36Don't stand there theorizing
00:44:38I was on my way to Ray Belden's
00:44:40To pay him a visit and give him the works
00:44:41Are you sure you didn't?
00:44:43Just as I started to his door
00:44:44I heard the shots
00:44:45I ducked back to the shadows
00:44:46I saw a man come out
00:44:47And you couldn't get enough of a look to identify him
00:44:50But I followed him
00:44:51He hurried right to Edna's place
00:44:52He went in and didn't come out
00:44:54Looks like he's head man
00:44:55Well, at least you're beginning to be forgiven for disturbing me
00:44:59Must have something to do with my father's death
00:45:01I didn't suppose you were otherwise concerned about Ray becoming extinct
00:45:06What happened tonight makes me think that Ray must not have been her accomplice
00:45:09Really?
00:45:11Who do you think was?
00:45:12The man I saw tonight
00:45:13Look, he and Edna murdered dead
00:45:15Ray knew too much about it
00:45:16So the man had to put Ray out of the way
00:45:18You realize, of course, that you are the most appropriate suspect for the killing of Belden
00:45:23It's the reason I came to you instead of going to the police
00:45:26You made quite a fuss
00:45:27Claiming that your father was murdered
00:45:29Now the widow's most likely collaborator is killed
00:45:32It would most certainly seem you did it for revenge
00:45:35I know that
00:45:36I'm on a spot
00:45:37Very definite
00:45:38It would be extremely foolhardy at the moment for you to go any further
00:45:43You've come to the right place
00:45:45I hate to lay low now that we're hot on the trail
00:45:47Stay out of sight until you get a message from me
00:45:49This must be handled with the adroitness of which I am
00:45:53Be capable
00:46:23I wasn't asleep
00:46:40Then why didn't you stop me?
00:46:43What for?
00:46:44You were a fool to let me take this
00:46:46I'm going to kill you
00:46:47Why?
00:46:48You've got your freedom and nearly 25 grand
00:46:50You want all the money?
00:46:52That's the idea
00:46:53Because I've got to kill you before you kill me
00:46:57And because I hate you so much
00:46:59I despise myself for ever having had anything to do with you
00:47:03Every time you came near me, I hated it
00:47:06Whenever you touched me, it made me ill
00:47:09Everything you did revolted me
00:47:12I hated the way you let me push you around
00:47:16The stupid way you sacrificed for me
00:47:19Everything that would have been beautiful on anyone else
00:47:22I loathed in you
00:47:24But now I'm going to fix it
00:47:26So I don't ever have to see or think about you again
00:47:29You're being foolish, Edna
00:47:30They'll hang you for it
00:47:32Because I shot some stranger who broke into my home?
00:47:36Uh-uh
00:47:36You can't get away with it, Edna
00:47:38Tom
00:47:38He'll recognize me
00:47:40Not what I'm going to leave of you
00:47:42He won't
00:47:43Guns have to be loaded
00:47:51It's a shame
00:48:01And after that pretty speech
00:48:04You're all wrong, Edna
00:48:12I wasn't going to kill you
00:48:13The money isn't why I came back
00:48:15All I ever wanted was you, Edna
00:48:17You were everything to me
00:48:19Money didn't mean a thing
00:48:21Except a way to keep you near me
00:48:24There was a time when I thought I'd die if you ever left me
00:48:28But
00:48:30Now I think I can get along all right without you
00:48:34You were through with me
00:48:36And
00:48:36I don't want you anymore
00:48:39Very nice timing
00:48:41So all I want now is what's coming to me
00:48:44My share of the insurance
00:48:45And you're going to the bank and get it
00:48:49In cash
00:48:52I'm taking my full half
00:48:55It's only $5,000
00:48:56You see no reason why
00:48:58I should pay for any tickets to Honolulu
00:49:01I guess that polishes off everything between us
00:49:06Who is it?
00:49:09Sam's here
00:49:09I'll be right there
00:49:11Do I need to remind you
00:49:13That neither of us is in any spot
00:49:14To turn the other end of the police?
00:49:16I just want to forget you, Sam
00:49:17Well
00:49:19Have a happy new year
00:49:21Anyplace
00:49:22Goodbye, Sam
00:49:23So long, Edna
00:49:26Love may be a little overrated
00:49:33Love may be a little overrated
00:49:33Love may be a little overrated
00:49:56Hello
00:50:07Is this Chrisview53021?
00:50:10Yes, who's calling?
00:50:13Is Ray there?
00:50:17Yeah, he's here
00:50:18Who wants him?
00:50:26For a woman, she didn't talk very much.
00:50:30I hope there's enough for the boys to get a tracer on that call.
00:50:33Got something, Lieutenant.
00:50:34Checkmate out to Ray Belden for 200 bucks.
00:50:37Signed by a woman, Edna Grover.
00:50:41Here he is, Lieutenant.
00:50:42Here's the landlord.
00:50:45You the one that found him?
00:50:46No, I was over here this morning.
00:50:48The neighbors have been complaining about how loud he played the radio late at night.
00:50:51That gives us a lot of suspects.
00:50:53No, I warned him several times, but last night was the last straw.
00:50:56About 12 o'clock, they say, the radio was blasting the walls down.
00:51:00That must be about the time he got it.
00:51:02I came over this morning to evict Mr. Belden, to tell him he had to move out.
00:51:07And I found him.
00:51:09You rented the place to anybody yet?
00:51:11Why, no.
00:51:12You got yourself a new tenant.
00:51:13This is just what I've been looking for.
00:51:15Lieutenant, could I talk to this gentleman for a few minutes?
00:51:18Sure, go ahead.
00:51:24Hello?
00:51:25Yeah?
00:51:26Got a tracer on that call, Lieutenant.
00:51:33The phone is listed under the name of Mrs. Edna Grover.
00:51:37Well, I'll let you boys finish up here.
00:51:40I'm going to have a talk with a blonde.
00:51:48Well, hello.
00:51:50Oh, Mrs. Grover.
00:51:51It's nice to see you.
00:51:57You're quite a girl.
00:51:59I wonder if it was worth it to the guys who really knew you.
00:52:02What?
00:52:04Something seems to happen to your men.
00:52:07Please, what are you talking about?
00:52:09First, it was your husband, Sam, now Belden.
00:52:13Ray?
00:52:14This was no accident.
00:52:16Three shots pumped into him.
00:52:18What are you saying?
00:52:19What's happened to Ray?
00:52:21He's dead.
00:52:22There's nothing definite that says you did it, but things tie you in.
00:52:36So I'll just have to take you downtown with me.
00:52:40Ray's dead.
00:52:43He's dead.
00:52:44I loved him so.
00:53:09Doesn't live there anymore, huh?
00:53:11Since his father died.
00:53:13I see.
00:53:15Did he leave a forwarding address?
00:53:18He's an old friend of Tom's.
00:53:20I'm very anxious to get in touch with him.
00:53:22It's very important.
00:53:25No.
00:53:27No, it's not possible for him to call me.
00:53:30Well, thanks anyway.
00:53:43Who do you got in there?
00:53:45Wait a minute.
00:53:46There's nobody in here but me.
00:53:49Oh, house detected.
00:53:51You look like a better class of hotel.
00:53:53I sincerely hope so.
00:53:55What is this?
00:53:56What do you want?
00:53:56Turn around, please.
00:54:02Stroll over toward the wall.
00:54:06Stop.
00:54:08Lean forward with your arms wide and your hands against the wall.
00:54:14Spread your feet far apart.
00:54:15Lookin' for anything in particular?
00:54:23Cigarettes.
00:54:27You, uh, wouldn't be a policeman.
00:54:29Oh, no gun.
00:54:33And only a few hundred dollars, I'm deeply disappointed.
00:54:37My heart's breaking.
00:54:39You may now abandon that ridiculous pulse, sir.
00:54:45Thanks.
00:54:46Move over and stand looking out that window.
00:54:56It might offer a splendid view nine stories down.
00:55:00Maybe I don't like any of this.
00:55:02Maybe I'll make you use that gun.
00:55:04That is precisely why I have it handy.
00:55:06It would give you a lot of explaining to do to the police.
00:55:09I think the police would listen very attentively.
00:55:12And I strongly urge you do the same.
00:55:14Right now, or very soon,
00:55:17the discovery of the body of a man murdered last night
00:55:20would interest the police in any possible prospects.
00:55:25What has that got to do with me?
00:55:30I think the police would be delighted to learn
00:55:32that last night you were seen going into the house of one Ray Belden.
00:55:37Three shots later, you were the one who came out.
00:55:44I followed you here, knowing pretty well whom I'd find.
00:55:48Because I asked myself,
00:55:50who would kill Ray Belden,
00:55:52then spend the rest of the night in Edna Grover's apartment?
00:55:56And the answer came to me immediately.
00:55:58I thought, why, of course,
00:56:00Sam Grover would do the deed.
00:56:02And think no one would ever suspect him.
00:56:05Because he's supposed to be dead.
00:56:07Did you kill your wife, too?
00:56:11I never heard of any of the people you mentioned.
00:56:14So I guess we've got nothing in common to talk about.
00:56:16Anyway, you can't prove that I'm Sam Grover.
00:56:19Have you forgotten that your fingerprints are on record?
00:56:23Yes, they would make you Sam Grover, Mr. G.
00:56:26They wouldn't make me the murderer of any Ray Belden.
00:56:29Perhaps you have that covered.
00:56:30But there certainly would be considerable interest in you
00:56:34as a man who swindled an insurance company.
00:56:43Hey, wait a minute.
00:56:47I've tried to break it to you gently.
00:56:50But I hope I've made you realize the situation.
00:56:53If I turn you over to the police,
00:56:54you face charges of both fraud and murder.
00:56:57Well, what do you want?
00:57:00Not all.
00:57:01Not everything you have.
00:57:03I wouldn't want to leave you with nothing to lose.
00:57:05You might be moved to do something desperate.
00:57:07How much?
00:57:09Say, uh, $5,000.
00:57:12What am I buying with that?
00:57:14Your absolute freedom, Mr. Grover.
00:57:16How do I know you won't still turn me in after I pay off?
00:57:19How does anyone ever know in cases like this?
00:57:22However, you are blessed.
00:57:24Taking less than the usual chance.
00:57:26What break am I getting?
00:57:28Don't you see?
00:57:29It'd be very damaging to my excellent reputation as a detective
00:57:33to have to report that I had my hands on a man
00:57:36wanted for fraud and murder and let him slip away.
00:57:40You shall have your liberty, Mr. Grover.
00:57:43And at a very moderate price, I maintain.
00:57:46I haven't got the money here.
00:57:49I'm fairly certain of that.
00:57:51I followed you to the bank this morning,
00:57:52but you got in before I could park my car.
00:57:54I presume you put the money in the safety deposit box.
00:57:58Naturally, I didn't want all that money with me over the weekend.
00:58:01And the place doesn't open till Monday morning.
00:58:03I shall be patient.
00:58:05In the meantime,
00:58:06I have the keys to the box as my security.
00:58:10Yeah.
00:58:11Say, am I buying any information with my $5,000?
00:58:14And who claims they saw me coming out of Ray Belden's, huh?
00:58:18Prepare for a shock.
00:58:21Your son.
00:58:23Huh?
00:58:24You'll be relieved to learn that he didn't recognize you.
00:58:28Does he...
00:58:29Does he know I'm still alive?
00:58:32I...
00:58:33I thought it was kinder to leave him in ignorance.
00:58:37Perhaps it's better if he thinks his old man is dead.
00:58:40I feel a certain responsibility to the lad.
00:58:43I'd rather like him.
00:58:44I'll think of something to tell him,
00:58:46and I shall drop back to see how you are.
00:58:49Naturally, you could run out on me and leave town,
00:58:51but that way you'd be letting me collect all the money.
00:58:55I'll be here.
00:58:56Remember, you can't open that box without my signature.
00:58:59For that matter, I don't even know what name you used.
00:59:03We definitely need each other.
00:59:06United we stand.
00:59:08Divided we fall.
00:59:12Why don't you want to tell us, Mrs. Grover?
00:59:14What was there between you and Ray Belden?
00:59:20Why did you phone him this morning?
00:59:22To say goodbye.
00:59:23I was going away.
00:59:25We know.
00:59:25You had a ticket to Honolulu.
00:59:27You were all set for a fast getaway after you killed him.
00:59:29I didn't kill him.
00:59:31He had a ticket to Honolulu, too.
00:59:33For a boat a week later.
00:59:34You didn't want him to follow you, so you shot him.
00:59:36He was making you pay off or something.
00:59:38You wanted to get rid of him.
00:59:40That's only human.
00:59:41The check was for what it said, for dancing lessons.
00:59:45I think you're on the wrong beat.
00:59:46If she shot him, why would she phone his place?
00:59:48To make sure he was dead?
00:59:50What about the gun?
00:59:52Remember, the bullets in Ray Belden's body
00:59:53came from the gun we found in your bedroom.
00:59:55I told you I didn't know anything about the gun.
00:59:57Well, how do you think it got in your bedroom?
00:59:59Tell us.
01:00:00Somebody put it there last night while I was out.
01:00:03I went to the movies.
01:00:04Somebody planted it to make it look like you did the killing.
01:00:07Huh.
01:00:08Tom Grover.
01:00:09Who?
01:00:11Tom Grover, my husband's son.
01:00:13Mr. Hutton knows.
01:00:14Tom didn't think his father's death was an accident.
01:00:17He thought I had something to do with Sam's death.
01:00:20Tom threatened to kill me.
01:00:22Maybe you did murder your husband.
01:00:25And Ray Belden knew about it.
01:00:26That was why you put him out of the way.
01:00:28I didn't kill my husband, and I didn't have any reason to kill Ray.
01:00:32The last time I saw Ray, he was alive.
01:00:36You say you were home last night at the time he was killed.
01:00:38Who can prove that?
01:00:40Was somebody with you?
01:00:42Your last night in town.
01:00:44A girlfriend?
01:00:45Any friend?
01:00:47A relative?
01:00:50No, nobody.
01:00:51I was alone.
01:00:55Hutton speaking.
01:01:01Okay.
01:01:09The fingerprints on the gun.
01:01:11They're hers.
01:01:13That ought to be enough for now.
01:01:15That's plenty.
01:01:24You can come in now.
01:01:32Mrs. Grover?
01:01:33Your salvation.
01:01:34This is Mr. Nicholas, the bail bondsman.
01:01:36Mrs. Grover.
01:01:37How do you do?
01:01:38That's a wonderful question.
01:01:39As soon as I read of your predicament, I came right over.
01:01:42I'm sure you'd like to be out of this oppressive atmosphere as quickly as possible.
01:01:47For what?
01:01:48To go to Ray's funeral?
01:01:50After that, what's left for me?
01:01:52Anywhere.
01:01:53That's absurd.
01:01:54You can't give up now just because Ray's gone.
01:01:57You'll get over the shock in a day or so.
01:01:58Mrs. Grover, you and I are armed with certain facts the police aren't aware of.
01:02:04Unless you've told them.
01:02:05Tell them what?
01:02:10Who killed Ray Belden.
01:02:12You know?
01:02:14You know I didn't do it?
01:02:15Yes, my dear.
01:02:16Why should you pay for someone else's crime?
01:02:19You do as I say, and I think we'll be able to get you released on bail.
01:02:23I presume that you're prepared to pay a reasonable fee.
01:02:26Between the two of you, this is going to cost me plenty.
01:02:32But it'll be worth it.
01:02:37Thanks very much.
01:02:38No, no, I didn't want to talk to him.
01:02:39I just want to know if he still worked there.
01:02:41Thanks very much.
01:02:42Goodbye.
01:02:42Bye-bye.
01:02:42Bye-bye.
01:02:42Bye-bye.
01:02:43Bye-bye.
01:02:44Bye-bye.
01:02:46Bye-bye.
01:02:48Bye-bye.
01:02:50Bye-bye.
01:02:52Bye-bye.
01:02:54Bye-bye.
01:02:55Bye-bye.
01:02:57Would you get me a messenger, please?
01:02:59Room 9-11.
01:03:02The blonde widow appeared before Judge Honnold, dressed in a symphony of black with matching
01:03:06accessories.
01:03:07As she walked out of the courtroom, she smiled sweetly for the reporters, still proclaiming...
01:03:11Look, honey, I'm in no mood to listen to descriptions of Edna.
01:03:13Just give me a quick briefing.
01:03:15Edna's going to plead guilty to shooting Ray Belden.
01:03:18Guilty?
01:03:19When she didn't do it?
01:03:20The charge is reduced to manslaughter.
01:03:22She's out on bail.
01:03:23After all she's done.
01:03:24Her story is she shot Ray Belden in self-defense.
01:03:28Don't you see, Marilyn?
01:03:29Belden knew that she and the guy I saw murdered Dad.
01:03:32That's why he had to be eliminated.
01:03:34Edna's covering for the real killer because she'll have a better chance with the jury.
01:03:37Are you going to phone Stuart?
01:03:41Sure.
01:03:41He's supposed to let me know how he's doing, trailing by Mr. X.
01:03:44Is there a Tom Grover at this address?
01:03:45That's me.
01:03:47Can you sign this receipt, please?
01:03:49Thanks.
01:03:50Maybe that's from Stuart.
01:03:51What is it, Tom?
01:03:52$5,000.
01:03:53A note that says, just forget about your father and be happy.
01:03:58Hey, messenger.
01:03:59The way you work.
01:04:00My brain is always active, Edna.
01:04:01Delighted to see you, my dear.
01:04:02I haven't any time for polite conversation.
01:04:06I came here for one thing.
01:04:08I want you to find Sam.
01:04:10Just when we found a way to save you from conviction for a crime you didn't commit,
01:04:15don't, for Heaven's sake, go out and do something to hang yourself.
01:04:20He killed a man I loved, Belinda says, you had never held me in fingers.
01:04:25you from conviction for a crime you didn't commit don't for heaven's sakes go out and do something
01:04:29to hang yourself he killed a man i loved nothing you do now can bring way back pray let's be
01:04:35practical sam being guilty of fraud and murder is undoubtedly a desperate and dangerous man to
01:04:41corner not my cup of tea all you have to do is find out where he is i'll take it from there
01:04:47it's nearly ten thousand dollars stewart i'm not even tempted the money you gave me has made life
01:04:55so luxurious i have every intention of keeping myself alive to enjoy it i have a feeling you
01:05:01don't want me to find sam i definitely do not for your own sake forget sam try to forget ray
01:05:09you have a chance for freedom and a fine future i say everybody has to pay for their sins funny i
01:05:16always thought you were the man who collected you've paid your debt dear girl now life owes you
01:05:21some happiness let me out before you pass the plate
01:05:24room 9 11 please
01:05:44hello mr g this is your friend yes on that business proposition we were discussing i have
01:05:56another bidder who's willing to top your offer i don't believe we better talk on the phone i'll
01:06:01drop over and see you later wants to be sure you're in i'll be here
01:06:05follow that car pulling out
01:06:20the boy's story makes sense to me pick up the killer of belden and grover
01:06:33what the hell is
01:06:40the
01:06:44the
01:06:46the
01:06:48the
01:06:54the
01:06:56the
01:06:59Here's $20. Wait for me. I won't be long.
01:07:05You don't think you're going to park here, do you?
01:07:07My fare will be right out. There ain't an open spot in the block.
01:07:10You may need that for a client.
01:07:12What, do you think you're on the street?
01:07:23Don't look so grim, Mr. G.
01:07:25You're in a very enviable position.
01:07:27Yeah, I'm in a great spot.
01:07:29Lesson, Stuart, to them.
01:07:30For bargaining.
01:07:32Edna's finances are radically depleted, whereas you have $25,000.
01:07:36I had five grand hidden in here that you didn't find.
01:07:39I went to my son.
01:07:40Still, I...
01:07:41It's amazing you could be such a skunk and smelt all night.
01:07:47Your cologne leaves a trail up elevated and down home.
01:07:50I've got your husband for you.
01:07:53You name the figure.
01:07:54You kill Ray.
01:07:56So now I'm going to give you just what he got.
01:08:00He's no good to...
01:08:01Dad!
01:08:09Dad!
01:08:17Dad!
01:08:20Hello, Tom.
01:08:21Dad, I didn't know.
01:08:25I brought the police.
01:08:26It's better this way.
01:08:28I'd rather pay the law than him.
01:08:31Blackmail may be the lightest rap he'll take.
01:08:34Me?
01:08:36I'll get the full treatment.
01:08:40Are you still around?
01:08:42Didn't your bear come out yet?
01:08:43Yeah.
01:08:43Yeah.
01:08:45She came out.
01:08:46THE END
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