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IBIZACREWSOCIAL
  • 04/06/2025
eastenders

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Transcript
00:00Hey, you know what? I thought that was you.
00:02I told you about having a curry just before bedtime, eh?
00:04It's the smell of divorce.
00:06Shall I tell you what that is, cat?
00:08That is the woody fragrance of hope, my love.
00:13Tinged with an underbelly of regret.
00:15But always believing that anything and everything is possible.
00:20I'm shaking for you right there, you know.
00:22See, what you gotta do, sweetheart, now you're getting time to shake off the shackles of Phil Mitchell.
00:25You know what I mean?
00:26Oh, listen, by the way, if I bring up the Harvey limo thing again, you're not gonna kick off like last night, are you?
00:31It's a done deal now. Come on.
00:33And also, I'm gonna have a chat with a photographer about the photo shoot next week, so if you want any input, it's interesting.
00:39Great, great.
00:40Very good.
00:40Gene, don't give him a tip unless he gets off his backside and helps with the cases.
00:45He's back.
00:46Gene, you're listening to me.
00:48What are you laughing at?
00:49I'm just laughing at what you thought.
00:51It's funny.
00:52I just thought that...
00:56All right, so, come on, then.
01:09What's your plan?
01:12Ranked out first thing.
01:14And?
01:16I'm going for custody, Grant.
01:18I thought you'd be happy.
01:23I'm fighting for my boys.
01:25Peter, and what about Lauren?
01:27You love her.
01:28No, no, no, not anymore.
01:29Oh, what, you think, love, is like a light switch you can just turn on and off?
01:36You should be grateful you've got a woman as strong as Lauren.
01:38A strong?
01:39Grant, she'll be back on the bottle any day.
01:41Any day.
01:42You know, she tried the other day, and Linda stopped her.
01:45So, no, I'm not leaving my boys with her and just hoping or praying that she don't relapse.
01:50Ain't happening.
01:50Well, maybe, if you work things out with her, she wouldn't need to relapse.
01:56You know, it hurt people, do stupid things at times.
02:00Look, darling, all I'm saying is don't be so quick to throw it all away.
02:04Just think about it.
02:06Before you go ahead and do something, that can't be undone.
02:10Come on, darling, you don't need Dutch courage.
02:19Look, you do things your way, I'll do them mine.
02:22Listen, she might not find out about it for a while.
02:24What planet are you on?
02:26The second she walks into the Vic, the second she walks into the shop,
02:29she'll find out that I've got into partnership with Harvey, eh?
02:33Talk about your family sleeping with the enemy.
02:36Oh, no.
02:37That's when you were shacked up with Phil, remember?
02:39Shut up.
02:39Yeah, it's like that saying, you know, when you fall off a bike.
02:42I've never had a bike.
02:44My dad said I never had the knees for it.
02:47No, you know, when you fall off and you, you know, you've got to get back on it again.
02:50Well, what are you talking about bikes for?
02:51It's limos that Jean's going to be worried about.
02:55Okay, well, just tell her it wasn't your fault, okay?
02:59And then you got duped into signing a deal before, yeah?
03:01I don't think she's going to care about the whys or wherefores.
03:04She's just going to look at me as Judas.
03:06She ain't going to be bothered.
03:07She ain't going to think about it.
03:09She's been on holiday.
03:10She's moving on.
03:10I bet she's having a holiday romance.
03:12I'll give her a couple of days.
03:13It'll be some Greek bloke knocking on door with a ring and a half-eating shish kebab.
03:17She stayed with Fat Elvis in his bungalow in Slough, not touring the meds.
03:22All right, whatever.
03:23Come on, it's Jean.
03:25Just go and tell her.
03:26Look, she's like the most understanding woman in the world, yeah?
03:35What are you doing here, Peter?
03:36I need to talk to you.
03:37I don't have time.
03:37Look, I'm sorry, okay?
03:40I'm sorry about being a bully about the kids.
03:42I am.
03:44Lauren, this whole thing, I'm out of my depths.
03:46I just want to do what's right for the boys.
03:48But I don't.
03:49That's what you said yesterday.
03:50Yeah, but I was wrong.
03:52No, we've got to start a fight together, not each other.
03:54All right.
03:55Well, what do you suggest, then?
03:57Well, that we work harder.
03:59Whether it works out between us or not, we've got to put the boys first.
04:02Yeah, of course.
04:03And be honest with each other.
04:05How we're coping with it, you know?
04:07Honest?
04:08You don't think I'm being honest with you?
04:10No, yeah, I just mean, I mean how...
04:11Why are you even bringing honesty into this?
04:13I've got to move.
04:14I've got to go.
04:15Lauren, I meant...
04:17You're late.
04:24Okay.
04:25Well, we're only setting up.
04:26We don't start till tomorrow.
04:27That is not the point.
04:29I'm starting as I mean to go on.
04:31Felix, give him a job.
04:33Uh, do you have a steady hand?
04:36Why?
04:36Back of the barn is a touch-up.
04:38The paint is in.
04:38I'm painting.
04:39I'm a barman, Felix.
04:40Yeah, well, like you said, we're not open till tomorrow.
04:42Come on, be a team player.
04:44Come on.
04:48Is she paid you yet?
04:49What?
04:50She ain't paid me.
04:52What?
04:52What?
04:56Morning.
04:57Oh, come on, George.
05:03You know, we need to be civil for the girl's sake.
05:08Civil?
05:09As in fighting in the street or sleeping with my son?
05:13Oh, yes.
05:13I know I'm a complete failure like most of my life.
05:17I wish I could turn about the clock.
05:19I really do.
05:20I'm sorry.
05:21Just work, Cindy.
05:26Do you have a nice time, then?
05:30Oh, well, you go away for a couple of weeks and your fridge turns into a biohazard.
05:37Better to dream the world of good, eh?
05:39You must be joking.
05:40It done nothing for my sex life, neither.
05:43Fat Elvis kept going off the board because of Moaning Myrtle.
05:46Moaning Myrtle?
05:48Yeah.
05:49She was in Harry Potter.
05:50Right, yeah, I know.
05:52Well, I didn't.
05:53So I sat through the box set twice just because I wasn't getting any action.
05:58Every time I got him in the mood, she never stopped wailing about Harvey.
06:04So she's still not over him?
06:05Well, there's more chance of a donkey with three legs getting over Beachy's brook.
06:10Mo?
06:11Here we go.
06:12Never gets what I found under the bed.
06:15Hello, Jean.
06:16Did you have a nice trip?
06:18Harvey's lucky wife runs.
06:20Another slap in the face reminded me of the best years of my life that I have wasted on that man.
06:30Cindy, a word.
06:32Oh, interesting tone to use on your boss.
06:35Oh, a boss.
06:37Being the person who, what's that called again?
06:38Oh, yeah.
06:39Pays your wages.
06:41Yeah, we've been talking and none of us have been paid for last month.
06:44Look, come on.
06:44You know how these things go for budget.
06:47I'll pay you in a couple of months and we're more established.
06:49Sorry, do I look like I work for free?
06:51Do any of us?
06:52Look.
06:53No, you look, Cinderella.
06:54Look and watch as we walk out of here and stay walked out until you pay us.
06:59Let's go.
07:00Come on, don't be stupid.
07:02We're all team players, aren't we?
07:08Alfie.
07:09Only just opened.
07:10Still, the early bird catches the worm and all that.
07:15You okay?
07:16Uh, no, not really.
07:21Well, it's winding me up.
07:23You see, I'm organizing this wedding photo shoot next week for the limo.
07:30Oh, yeah.
07:30Yeah, and, you know, we've got this idea for a big ad campaign where we're going to have the,
07:33you know, bride, groom, reception, that sort of thing.
07:36Uh, if you're looking for a bride, don't ask me.
07:38No, no, um, see, the thing is, I was thinking of asking Kat.
07:44Oh, to model?
07:47No, no, no, Linda, I was thinking of asking her to marry me.
07:52Oh, Alfie!
07:55Has her divorce come through, then?
07:58Yeah, just, but I just want to get in there quick before some other bloke comes swooping in, you know.
08:01As if she loves you.
08:03Yeah, I know, I get it, but she did before, till she ended up marrying Andy Hunter.
08:07Who?
08:07I know you don't know him.
08:08He was a businessman that worked here, Yonks, ago.
08:11Anyway, I managed to stop it last minute at the altar, you know.
08:15I went tearing into my silver charger.
08:17Actually, no, it was Bill's chip van.
08:19Anyway, I just don't want to take the chance of that happening again.
08:22Oh, good for you.
08:24Yeah, but the thing is, she's got so much on her mind at the moment,
08:27and I don't think now's the right time to pump the question.
08:29There's plenty of time.
08:30Yeah, but this is the only thing I can think about at the moment.
08:35Well, look, if she loves you, then I say any time is a good time for a proposal.
08:39Now, are you having a drink or what?
08:41Hey, maybe, you know, working out, sussing out the lay of the land, you know,
08:48before I drop the bombshell could work.
08:51It's a bit like, you know, remember Churchill, you know, planning dam busters.
08:55Anyway, it doesn't matter.
08:58Okay.
09:00Take the world.
09:05Oh.
09:06Do you know, I've only ever loved four men in my life.
09:08Well, three, actually, and two of them have died.
09:12I'm not saying Harvey was my soulmate or anything, but...
09:16I'll tell you what really hurts.
09:18It's him looking me in the eye
09:20and blatantly lying, cheating on me, going behind my back, and then the rejection.
09:33Therapist in hospital once told me that I've got abandonment issues on account of my dad walking out.
09:39That might be it.
09:42Oh, I don't know.
09:44All I do know is that I cannot bear this feeling of...
09:49of...
09:50not being good enough.
09:53Now, you listen to me.
09:55You're good enough for anyone.
09:56Don't lie to me, Kat.
09:57I do know myself.
10:00You are never going to get over it with this attitude, all right?
10:02No wonder he chose Kathy.
10:05I'm sorry.
10:06Look, you know I didn't mean that.
10:08You've just got to stop thinking that Harvey was your last chance of happiness.
10:12You've got to put Harvey and what he did behind you.
10:15He's not a monster like Rhys.
10:17He's just a bloke.
10:18He's not a bad person.
10:21How do I put him behind me?
10:24You've got to fake it to make it.
10:26You plaster a smile on your face, and...
10:28when you see him, you wish him well in...
10:30his new ventures.
10:34But I don't wish him well.
10:35No.
10:36If you pretend long enough, you start to feel it,
10:39and then you're freeing yourself, aren't you?
10:40Free myself?
10:42Yeah, starting here, and then the rest will follow.
10:45No, what he does is nothing to do with you no more.
10:49Whatever path he chooses in life, and who he takes along with him,
10:52it doesn't matter.
11:01Oh, God!
11:09How is she taking it?
11:11Listen, are you going to be long?
11:13Because there's something I want to ask you.
11:15Uh, not there. They need to come inside.
11:23Just to the door, love.
11:24Oh!
11:25If they can get the paperwork finished in time,
11:27you should be able to move in next week.
11:29I'm glad you like that flat.
11:30It would be great having you around the corner.
11:33I need to buy a kettle.
11:34You need more than a kettle, son.
11:36I'll tell you what, you can have the toastie maker.
11:37We should help.
11:41No, she's not going to.
11:45Where's your staff?
11:47Oh, you mean the staff who've just walked out on me?
11:51Why'd they walk out on you?
11:52Oh, who knows why Gen Zs and Millennials do anything?
11:56Either you insult them big time, or you cut their wages.
12:00Or they found out I couldn't afford to pay them for the last month.
12:03I mean, I wouldn't mind, but it wasn't even my father.
12:06Why is the whole world against me, George?
12:08I mean, I'm trying to make a fresh start.
12:10Not just with this place, but...
12:12I need to prove to the girls that they can trust me and that I love them
12:16and they're the most important people in the world to me.
12:19In other words, they're all you've got left.
12:21Oh, thanks, George.
12:24Stick the knife in, eh?
12:29Take your spanks a bit.
12:30Tell them about your flam.
12:31What about you?
12:33I'm going to give her hand.
12:37Okay?
12:38So, where do you want these boxes?
12:40Uh, just inside, please, George.
12:41Okay.
12:48Well, it doesn't surprise me.
12:51Cheap is as cheap does.
12:53Exactamundo.
12:54Now, listen, this is on the house,
12:56so you know how much I value both.
12:57Thanks, Elaine.
12:59Now, don't you dare forget to be here tomorrow
13:00for my don't-break-my-mic night.
13:03A little bit of karaoke and some nibbles.
13:08Oh, so how are things going with you and Felix?
13:10Uh, yeah.
13:13Yeah, going good.
13:14Yeah?
13:14So he's your boyfriend?
13:16Well, we haven't made anything official,
13:19but, yeah, let's just say we're enjoying each other's company.
13:22Ooh.
13:22Oh, sorry, honey.
13:26Sorry.
13:27You got a minute?
13:28Yeah, yeah, sure.
13:30Yeah, what's up?
13:31I, uh, I need some legal advice about custody.
13:35What, with Louis?
13:37Yeah, and Jimmy, both of my boys.
13:38Just in case it comes to me, mate, I need to be prepared.
13:41You, of all people, know what addicts are like,
13:43and Lauren could relapse at any minute,
13:45and I'm, I'm just,
13:46I'm sick of giving her chance after chance.
13:48I can't trust her.
13:51So I've, I've,
13:51I've got to put my boys first.
13:55Hello, darling.
13:57I'm going to my flat next week.
13:58Yes!
13:59Well, how's it going?
14:00I need to get a kettle.
14:03Well, if you've got everything else,
14:04that's fantastic.
14:06Listen, I'm so happy for you.
14:08It'd be so good to get some independence.
14:14Well, that's something else I've got to celebrate.
14:16Ooh, what's the other thing?
14:18The failure of Cindy's bar.
14:22Come on, take it.
14:23Okay, right, right, you got it, you got it.
14:26Okay, now you've stepped out
14:29of the shadow of Phil Mitchell.
14:32You can now bask, you know, like this.
14:36You can now bask in the moonlight.
14:41You!
14:42Peeping through the window
14:43like a bleeding, peeping Tom.
14:46Well, I know.
14:47Okay, it's only because I,
14:48I just didn't want to disturb you, that's all.
14:50Oh, my bunnies and I'm playing up today.
14:54Well, I just wanted to see how Jean was taking it, you know?
14:59I chickened out.
15:00Oh, no.
15:02She won't forgive me.
15:04Okay.
15:04Well, how about, um, some good news?
15:10I could settle for a plaster.
15:11Okay, wait, we are getting married next week.
15:20Oh, don't give up your day job, will ya?
15:23Just hear me out, okay?
15:25Why have a fake wedding with a photo shoot
15:29when we can get Kathy and Harvey
15:31to cough up half the cash for the actual wedding?
15:35Come on, think about it, right?
15:36We'll have the big reception in the Vic,
15:37you in a white pavlova, me in a dickie, eh?
15:40You want to fake marry me?
15:43No, I want to marry you for real,
15:44but have a fake photo shoot.
15:46Who's put this rubbish in your head?
15:49So, what, I want to marry,
15:51and you think it's rubbish?
15:52Alfie, we've been married,
15:54and they're not married,
15:56and they're married again.
15:58Okay, that's third-time charm.
15:59Yeah, that's what serial killers say.
16:06You're for real, aren't ya?
16:07Yeah?
16:12Yeah, I'm for real.
16:14Because, um,
16:16see, the thing is, Kat, right?
16:20I don't ever want to lose you again.
16:23Ever.
16:25And I want to make up for all the hurt
16:27that I've caused you over these years.
16:31And I'm hoping that me and you
16:35will grow old together,
16:37like we always said we would,
16:39and that we'll be wheeled into a care home together.
16:43We'll both be laughing and farting
16:45till our teeth drop out.
16:50So why aren't you on one knee?
16:52Well, you know, Darv...
16:53One knee!
16:54Okay, you're all right.
16:55Give me a sec,
16:56because you know I've got a dodgy.
16:57Okay, whatever.
16:58Oh, that hurts!
17:00Wow.
17:04And?
17:05And what?
17:06Oh, yeah, yeah, sorry.
17:07I was rehearsing.
17:08Anyway, it doesn't matter.
17:08Okay, um,
17:11Kathleen Slater,
17:14previously Mitchell,
17:15okay, and previously Moon.
17:18Will you be
17:20my beautiful,
17:24beautiful wife
17:25for the third time?
17:30Yeah, all right.
17:33Okay.
17:34Oh, well, okay.
17:37Come here, you.
17:38Oh, I love you.
17:39I love you.
17:40Oh, she's so good.
17:41Hold on, man.
17:42And he's got cramp.
17:43And he's got cramp.
17:43Oh, he's got cramp.
17:47Oh, okay, I've got cramp.
17:48Oh, okay, you're on my arm.
17:51Oh, cramp.
17:53Oi.
17:54Did you see a Barney
17:55mugging Barney off?
17:56What?
17:57What's that?
17:58Ignore him, yeah.
17:59No.
18:00What are you talking about?
18:01Well, he was waiting
18:02outside the school gates,
18:03and then he tried to talk to her,
18:04but it just aired him.
18:06Like, you know,
18:06because they hooked up
18:07and then he did something great.
18:07But I'm Barney and Barney.
18:09Dude, what a slapper.
18:11Shot it, Noel.
18:12Well, that's true.
18:12That's what she is.
18:13First me,
18:14then Barney,
18:14one of you should get in there.
18:15That's free.
18:16That's easy.
18:18Tina, it's a big day.
18:19She's got no undale.
18:22No.
18:23No, I can't even believe
18:24you're going to ask me that,
18:25to be honest.
18:25Look, I anguish this, though.
18:27None of us will ever forget you.
18:28Walk away.
18:30Just let the bar launch flop,
18:31and then you just wave goodbye
18:32to her as she buggers off
18:33in the back of the black cab.
18:34Because, I mean,
18:35let's be honest,
18:35the minute she's got nothing
18:36left for us,
18:37she ain't even gonna say goodbye.
18:38Well, Peter's had a massive
18:39bust of a long run.
18:40Anna's in Marbella.
18:41And take it from someone
18:42who never knew their real mum
18:44when you found yours now.
18:45You know,
18:46don't be so quick
18:46to turn your back on.
18:47Custody of my kids.
19:09If you even try it,
19:10I will make sure you never see
19:11either of them ever again.
19:12How did you find out about that?
19:14Honey,
19:15she told me all about
19:16your little conversation
19:16with Johnny.
19:18And just so you know,
19:20so you don't start accusing me yet,
19:22Honey is looking after Jimmy.
19:23I've not left him
19:24on the bar,
19:25in the pub,
19:25on his own.
19:26What do you want me to do, Lauren?
19:27Seriously, what do you want me to do?
19:28I'm not leaving them with you
19:29and just praying
19:30that you don't relapse.
19:31That's not happening.
19:33And even when I brought up
19:34honesty with you the other day,
19:35you went all weird,
19:36like you're hiding something from me.
19:38Do you know?
19:40We're finished.
19:41We can't.
19:42Why would you...
19:43No.
19:44I mean it.
19:46We're done.
19:46for good this time.
19:50You're just like your mum.
19:52You're scheming,
19:53manipulating.
19:55I'm never gonna trust a single word
19:57you ever say to me again.
19:58We're not open.
20:10Cowboys, right?
20:12Oh.
20:13So you finally decided to acknowledge
20:15I still exist.
20:16I could go straight back out the door again.
20:18Sorry.
20:19She really does hate me,
20:23doesn't she?
20:24She's just inherited your ability
20:26to bear a crutch.
20:29After all the things
20:30that were said at Christmas,
20:31it's hardly surprising, is it?
20:32What is the point of doing
20:34any of this
20:35so my own kids can't stand
20:36out of sight of me?
20:40Right.
20:46I've had to think.
20:48And I can hire you
20:50some agency staff
20:51and you can pay me back
20:52when you can.
20:55Why would you do that?
20:56For the girls
20:57and for Peter.
21:01You really need
21:02to make this work.
21:04But you also
21:05really need
21:07to stop letting them down.
21:12Right.
21:14Might as well
21:15make the most of me
21:16while I'm here.
21:18Come on.
21:22Yeah.
21:26I just wanted to say
21:34that if you ever
21:35need anything
21:35I'm still going
21:36to be here for you.
21:37So what,
21:37you're still interested, yeah?
21:38Of course I am.
21:40How about a kiss then?
21:41Okay.
21:42Yeah.
21:46Why'd you do that?
21:48Hey, Amy, post it.
21:54Married.
21:56I ain't fucking out
21:56for you two
21:57to get married.
21:58It's bad enough
21:58being tricked into
21:59a partnership with you.
22:00You're only paying
22:01for half of it.
22:02We're doing our bit.
22:03Kathy, respectfully,
22:04stop being grumpy.
22:05I think it's fantastic news.
22:07Yes, I do.
22:08But I do love love.
22:10You know,
22:10I can't help it.
22:12Love.
22:12Yeah.
22:14I've got an idea.
22:16Yes, I've got a vision.
22:17Bad scene wedding planner, please.
22:19Yeah.
22:20Well, if I'm going
22:21into business with monkeys,
22:22I've got to be prepared
22:23to lose the odd
22:23crate of bananas,
22:24and I...
22:24What's that supposed to mean?
22:26It means all right, then.
22:28It's your funeral.
22:29It's my wedding, actually.
22:30Yeah.
22:31So, Kim,
22:32what ideas you got?
22:33Oh, big ideas, mate.
22:35Just make sure
22:36you make a massive game,
22:37because I want
22:38Kathy and Harvey
22:39to wince
22:40when they have to fork out.
22:42A bit more,
22:42she'll write.
22:43A bit more.
22:45That's it.
22:46Right.
22:47Yeah, have a look.
22:47Come and look.
22:49Yeah.
22:50So, why are you keeping
22:52that gay bar?
22:53I mean,
22:53aren't you narrowing
22:54your market?
22:55Would you want me
22:55in direct competition
22:56with the Vic?
22:57Well, no.
22:58I mean, people are either
22:58pub people or bar people.
23:00Well, I've done my research,
23:01and there is not
23:02one single LGBT bar
23:04in this area.
23:06Plus, I can market this place
23:07much better than Kathy can.
23:09And also,
23:10do you know
23:11that most male strippers
23:12who work in gay venues
23:13are actually straight?
23:14Ah.
23:15So, you've got gay bars
23:16so you can meet
23:17straight male strippers.
23:18Ah.
23:19Carnage.
23:22You're in here.
23:24She's got you
23:25wrapped right around her finger,
23:26hasn't she?
23:26No, no, she hasn't.
23:27Look, the only thing
23:29your dad is interested in
23:31is me proving to you
23:32that I'm not
23:33a complete failure.
23:34She already is
23:35a complete failure.
23:37No, no, no, no.
23:38That is where you're wrong, Gina,
23:40because I am actually
23:40a really good businesswoman,
23:42and you could learn
23:43a lot from me.
23:45I mean, as a mother,
23:46yes, a complete
23:47and utter failure.
23:49I love the fact
23:51that I am.
23:53But the fact that
23:53you can't even
23:54look at me
23:55without that hurt
23:57and that anger
23:58in your eyes
23:59just makes me
24:01so ashamed.
24:03And I'm sorry.
24:04I'm sorry for what I've said
24:05and what I've done
24:06to you and Anna
24:08and Peter.
24:10I mean, it's a good job
24:11Steve and Lucy are dead,
24:12isn't it?
24:12Because at least
24:13I can't screw up
24:14their lives.
24:15Look, Gina,
24:16she's your mother,
24:18and despite everything,
24:19I believe,
24:20she sees this
24:21as her last chance
24:22to do the right thing
24:23by you.
24:24I do.
24:27Yeah.
24:27Okay.
24:28What are we doing next?
24:33Um, well, uh,
24:35these chairs
24:36all need sorting.
24:39We could put them
24:41in the store room.
24:42Please.
24:42Yeah, good idea.
24:47Right.
24:47Well, where's George
24:48disappeared after?
24:50I've no idea.
24:51And to be honest,
24:52I'm in too good
24:53a mood to care.
24:54Cindy's bar fails,
24:55which it will.
24:57With any luck,
24:58she'll lift her skirt
24:59and hitch her
24:59right out of town.
25:00We can hope.
25:01Indeed we can.
25:02Congratulations, Ray.
25:11Yeah, nice one.
25:12Ray, one of those
25:12hopes to start
25:13great things to come.
25:14Never give up,
25:14my lads.
25:14Never give up, my lads.
25:15Listen, I just want to say,
25:17all right,
25:17putting my initial reaction aside,
25:19I wish you
25:20every happiness, Kat.
25:22Although having the photos
25:23before the wedding
25:24is a bit like
25:24putting the cart
25:25before the horse, isn't it?
25:26Monkey, horse,
25:28anything else
25:28you want to call me?
25:29Oh, stop it.
25:30Oh, I've got
25:31a brilliant idea
25:32for the stag and hen.
25:33Oh, no, no,
25:34I'm not having one.
25:35Hey, hey, Kat,
25:36what are you talking about,
25:36Kim?
25:36Of course we are, Don.
25:37We are, don't we?
25:37Look, I'm thinking
25:38joint party,
25:40I'm thinking iconic.
25:41Yeah, you'd have to be quick.
25:42Oh, tomorrow night?
25:43Yeah, let's do it tomorrow night.
25:44I'll organise it, yeah?
25:46I'm organising
25:46as joint stag and hen.
25:48Oh, you mean a hag.
25:49Yeah, and what's a hag
25:51do without a theme?
25:52Let me tell you,
25:53I have got
25:54the perfect theme.
25:55More bubbly, everyone.
25:56Yay!
26:00That's not expected
26:01of anything gone
26:02a few days.
26:03They're not cheering us
26:04you silly, Kat.
26:05Kat and Alfie
26:06are getting married.
26:10Right, what's she mean?
26:11You're getting married.
26:12I've never said
26:12anything before.
26:13I didn't know before,
26:14it happened so quick.
26:15Jean, whatever you're
26:16doing tomorrow,
26:17forget about it, yeah?
26:18I'm planning
26:19a joint stag and hen.
26:20Yeah, we're getting
26:21married next week.
26:22No, not exactly.
26:23We're going to have
26:24the reception
26:24and then we're
26:24going to wait a while.
26:26Kat, I'm a bit confused.
26:29Did you tell Harvey
26:30before me?
26:31I'm not going to stop.
26:34Well, yeah,
26:34but it's not
26:35what it looks like.
26:36That's exactly
26:36what it looks like.
26:38You're trying to steal
26:38my family from me
26:39as well now?
26:40Drinking champagne?
26:41Why shouldn't you
26:42drink champagne?
26:43We're paying
26:44for half the wedding.
26:45What are you talking about?
26:46What's she talking about?
26:47You have to find out
26:48this way.
26:49Kat, what have you done?
26:50Kat, just,
26:50just, um,
26:52let's just pipe down,
26:53okay, it's nothing
26:53to get worked up over.
26:55It's just, um,
26:56well, me and Kat
26:57were going into
26:58a business partnership
26:59with Kathy and Harvey,
27:00all right?
27:00It wasn't my idea,
27:01all right?
27:02I agreed before
27:03I knew about
27:03the Harvey bit,
27:04but he's got
27:05all the contacts
27:05and I'm fighting
27:06a losing battle
27:07with all these
27:07cab apps.
27:08So you'd sell
27:09your own family
27:10down the river?
27:12That's rich
27:12coming from you.
27:14You're the one
27:14that went swanning off
27:15and left me dealing
27:16with Stacey
27:17climbing the walls.
27:18You marry
27:21Alfie
27:21and change
27:22your name
27:22back to Moon
27:23because as far
27:23as I'm concerned,
27:24you're no longer
27:25a Slater.
27:26No.