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Francosoral
  • 5/29/2025

Category

😹
Fun
Transcript
00:00Do-do-do-do-do
00:30Do-do-do-do-do-do-wa
00:32Do-do-do-do-do-wa
00:35Ba-ba-ba-ba-ba-ba-ba-ba-ba
00:39Ba-ba-ba-ba-ba-ba-ba
00:40Ba-ba-ba-ba-ba-ba-ba-ba
00:43There you are, love. Thank you. Sugar's on the table.
00:48Here's a cup of tea, Brad.
00:50Oh, one of these days, Sid, you'll actually buy one
00:53and I'll drop down dead with shock.
00:56Buy one?
00:57Yes.
00:57Tea is free. It's one of the perks that goes with his job.
01:01How are you off for a bit of a touch?
01:03I beg your pardon?
01:05I'm talking about money. I'm brassic lin.
01:08You're always skinned, Sid. I'm sorry. No.
01:14Hello, lad. Hello, Sid.
01:17How are you, my old Japan?
01:20Japan?
01:21My old Japan, your rhyming slang meaning friend.
01:25No, not Japan. You mean China. The old China plate. Me, mate.
01:30Jelly goods.
01:31I don't suppose any of you boys could?
01:33No, Sid.
01:35It's only till payday.
01:37No, I understand. Sorry, please.
01:41Sorry.
01:43Gladys, give us a pack of cars from under the counter, will you?
01:47I've got to get some money somehow.
01:48Well, what are you going to do?
01:50I'm going to play a little game of find a lady.
01:52Oh.
01:53Nobody might want to play.
01:55Oh, they'll have to play when I give them the old come on.
01:58Come on what?
01:59Yeah, well, you know I've only got a quid till payday.
02:01Yeah.
02:01Well, if I let somebody win that, they can't stop. It never fails.
02:05Now, all I've got to do now is find a mug.
02:08Coffee, please.
02:09Hello, mug.
02:10Max.
02:11Max, sir, would you...
02:13No, Sid.
02:15No, no, I'm not trying to trap you.
02:16I thought perhaps you might like a game of cards.
02:18I don't like to gamble.
02:19Oh, don't be silly. It's only for a bit of fun.
02:22Come on, sit down and enjoy yourself.
02:25This is called find the lady, you see.
02:28Now, the lady is a queen.
02:30Now, there's the queen and there's the other two cards.
02:33Now, what I do is I shuffle them about
02:35and the object is to see if my eyes could deceive your eyes.
02:40The quickness of my eye deceives your eyes.
02:42Eric, where is it?
02:43There.
02:47Oh, you're right.
02:48You're very good.
02:49You have got sharp eyes, haven't you?
02:51Sure I have.
02:52Do you want to have another go?
02:55Yes?
02:55Here.
02:56Where is it?
02:58This one.
02:59Oh, twice on the turn.
03:02Hey, you are very, very good, aren't you?
03:04Pretty smart, eh?
03:05Nobody's ever beat me twice.
03:07Tell you what,
03:08if you'd have been playing for money,
03:09you'd have won two quid now.
03:11Two quid?
03:12Yeah.
03:13Do you want to go again?
03:15Hockey.
03:16Right.
03:17Only this time,
03:18I bet a pound.
03:20I thought you said you don't bet.
03:21My father,
03:23he teached me two rules of gambling.
03:24Huh?
03:25First rule,
03:26always bet on a certainty.
03:28You won this pound?
03:29Oh, yes.
03:30I'll have a little game of that.
03:31Yes, why not?
03:33Now then,
03:33there's the queen,
03:34there's the cart.
03:35Hop out.
03:35Where is it?
03:37This is the lady.
03:39Three times on the trot.
03:40That's fantastic.
03:42Hey, I like this game, Sid.
03:43Do you like it?
03:44Yes.
03:44Good.
03:45Double of quids?
03:46Quids.
03:49I don't want to play anymore.
03:51But you can't do that.
03:53The second rule,
03:53my father tell me,
03:55always quid
03:56when you're winning.
04:02Good evening, please.
04:04Ah, Ranjit,
04:05you're late.
04:06I thought you weren't coming.
04:07You've missed the first half of the session.
04:08A thousand apologies,
04:10but I'm falling asleep
04:11on the underground tube.
04:13I'm going right past
04:14my getting off stock
04:15and not waking up
04:17until cocky fosters.
04:18Cocky fosters.
04:20Perhaps you're working too hard.
04:22I am working
04:22three times too hard.
04:24What do you mean?
04:26Well,
04:26my proper job
04:27is working
04:28on the underground railway tube
04:30and I'm working
04:31the early morning shaft.
04:33You mean shift.
04:35That is correct.
04:36I am working
04:36from six o'clock morning time
04:38until two o'clock afternoon time.
04:40Then,
04:41I'm doing other job for garage,
04:43pumping the petrol
04:44until six o'clock evening time.
04:46Well,
04:47even for the time you spend here,
04:48you could still have
04:49eight hours sleep.
04:50Oh, no.
04:51When I'm leaving here,
04:52I'm working in public house
04:54until after midnight.
04:56I think you're overdoing it, Ranjit.
04:58All work and no play
04:59makes Jack a dull boy.
05:01This Jack,
05:02is he having three jobs also?
05:04No, it's just a saying.
05:06Look,
05:06why are you working so hard?
05:07I'm saving up
05:08for the aeroplane.
05:09Ah,
05:09you want to buy an aeroplane?
05:11No, no.
05:11Just a ticket to Punjab.
05:13Ah,
05:14are you thinking
05:14of leaving us, Ranjit?
05:15Only for one week.
05:17My mother
05:18is being 60 years old
05:19this week.
05:20So,
05:21I'm giving her
05:21the big surprise
05:23of myself.
05:25I am now having
05:26the money
05:26for the aeroplane ticket.
05:28230 English pounds?
05:31That's a lot of money
05:32to carry around, Ranjit.
05:33You could be mugged
05:34on your way home.
05:35You are speaking
05:36absolute wisdom.
05:38Here,
05:38you keep for me.
05:39Me?
05:40Most certainly.
05:41Then if I am being mugged,
05:43the mugger man
05:43will not find money.
05:45Oh,
05:46it's too big
05:46a responsibility.
05:48Please,
05:48you keep for me
05:49until tomorrow.
05:50Then I buy ticket.
05:52Oh,
05:52very well.
05:53Thousand,
05:53thank you, sir.
05:55Right,
05:56come along,
05:56everyone.
05:57We've got a lot of work
05:57to get through.
05:58Good,
05:59quickly now.
06:00Come on,
06:00if you are.
06:02Right,
06:02now,
06:03for the rest of this evening,
06:04we are going to have a debate.
06:06Now,
06:06can anybody tell me
06:07what the word
06:08debate means?
06:08And I don't want to hear anyone
06:09say,
06:10debate is what you put
06:11on the fishing line.
06:14Anybody tell me
06:15what a debate is?
06:16Come along,
06:17Sulee,
06:17what is Parliament
06:18noted for?
06:19Collab politicians
06:20who make roles
06:21to a place working classes.
06:23Agreed.
06:24Well,
06:24that's what we call
06:25debating.
06:25Quite simply,
06:26it means to discuss
06:27or dispute a given subject
06:28and that's what
06:28we are going to do.
06:29Right?
06:30Do you understand
06:30what we're talking about,
06:31Zoltan?
06:32Butcharnot.
06:33We're going to have a debate,
06:34an argument.
06:35Ah,
06:36a fight.
06:36No,
06:37no,
06:37no.
06:38Not with fists,
06:39with mouth.
06:40Ah,
06:41gris.
06:42What?
06:45Fiss?
06:45With words.
06:46Look,
06:46just do your best
06:47to follow us,
06:48all right?
06:49Right,
06:49now,
06:49the first thing
06:49we need to do
06:50is find somebody
06:51to chair the debate.
06:53I'm good at that.
06:54Have you done it before?
06:55Sure.
06:56Every Saturday
06:56I go to chair
06:57my football team.
06:59I'm talking about chair,
07:01not cheer.
07:02Scusi.
07:03Right,
07:03well,
07:03I shall be the chairman.
07:04Now,
07:04what subject
07:05would you like to debate?
07:07Girls.
07:09Girls is not a subject.
07:11Subjects for debates
07:12are usually in the form
07:13of questions.
07:13For example,
07:15should men and women
07:15have equal pay
07:16for equal work?
07:17Should capital punishment
07:18be brought back?
07:20Should Enoch Powell
07:21be deported?
07:23Yes,
07:24that's the general idea.
07:25Right,
07:25now,
07:25for our debate,
07:26I think we'll take
07:27the subject of television.
07:28Is television
07:29a good or bad influence
07:32on the community?
07:33All right?
07:33Now,
07:34we need two proposers
07:35and two opposers.
07:37In other words,
07:37two people to speak
07:38for good
07:39and two for bad.
07:41Juan,
07:41how about you?
07:42Por favor.
07:45Good or bad?
07:46Eh,
07:47sometimes
07:47I am good.
07:50Sometimes
07:51I am bad.
07:52But,
07:53not talking about
07:54you personally,
07:55Juan,
07:55do you think
07:56television is good?
07:57Eh,
07:58sometimes good,
08:00sometimes bad.
08:02Make your mind up,
08:03Juan.
08:03In a debate,
08:04you can't sit on the fence.
08:05Heh, heh, heh, heh, heh.
08:08I'm not sitting on the fence.
08:10I'm not sitting on the fence.
08:11Look,
08:13forget I asked you.
08:14Hey,
08:15what'd you ask me?
08:16Well,
08:16forget it.
08:17How can I forget it
08:19if I don't remember?
08:21Never mind.
08:23It's all right.
08:23Right.
08:24Taro,
08:25you can be the first proposer.
08:27Ah, so.
08:30Now we need a lady.
08:32Uh,
08:32Jamila,
08:33you can be the second proposer.
08:34Yes.
08:35Now,
08:35two opposers.
08:37Uh,
08:37Ali,
08:38how about you?
08:39Yes, please.
08:40And, uh,
08:41Danielle?
08:42Am I good or bad?
08:43Bad.
08:45Oh,
08:45I like being bad
08:46because when I'm bad,
08:48I'm really good.
08:51Now,
08:51we'll just remember
08:51we are talking about television.
08:53Right,
08:54now,
08:54pay attention,
08:54everyone.
08:55Taro will speak first
08:56with the proposition
08:57that television
08:57is good for the community.
08:59Go ahead,
08:59Taro.
09:00Awesome.
09:01Awesome.
09:03Television
09:04is very good
09:06for everyone.
09:07more people
09:09watch,
09:10more people
09:11buy,
09:12and, uh,
09:14Japan make
09:15best
09:15television.
09:17Japan make
09:18best
09:19everything.
09:21Castle,
09:22cameras,
09:24radios,
09:24cassettes.
09:24Thank you, Taro.
09:25Just remember,
09:26you are speaking about television,
09:27not doing a commercial
09:28for Japan.
09:31Awesome.
09:31Televisional
09:34is good
09:36for teaching.
09:38I learn
09:39many English
09:41words
09:41from
09:42television.
09:44Like,
09:45what a gay
09:45day.
09:48Don't forget,
09:51fruto,
09:52gamso,
09:53mammo.
09:55Thank you,
09:56Taro.
09:58Right,
09:58uh,
09:58Daniel,
09:59would you,
09:59uh,
10:00present your case
10:01against
10:02television,
10:02yeah?
10:03Oui.
10:04I think
10:06television
10:06is very bad
10:08because it
10:09make people
10:10stay up at night
10:12instead of
10:13going to bed
10:14to make love.
10:16Don't everybody
10:17wants to go to bed
10:18to make love.
10:19Why not?
10:20That's right.
10:21Sometimes it's much
10:22better to make
10:22a love outside.
10:25In Sweden,
10:27we make love
10:28everywhere.
10:29Whoa.
10:30Well,
10:31I think we are
10:32getting...
10:33Getting off the
10:38subject.
10:38Now,
10:39come along.
10:39Make love
10:40much better
10:42proposition
10:42than television.
10:45Come on,
10:46stick to the point,
10:47please,
10:48Danielle.
10:48I think television
10:50is very bad
10:51for the eyes.
10:52Yes,
10:53and also
10:53for the legs.
10:57Legs?
10:58Si.
10:58My brother,
10:59Miguel,
11:00he had bad legs
11:01from his television.
11:03What?
11:03How can a brother
11:04possibly have bad legs
11:05from his television?
11:06He dropped it
11:07on his foot.
11:07I didn't have asked,
11:14should I?
11:14Carry on,
11:15Danielle.
11:15I cannot think of
11:16any more to say
11:17after this.
11:18Ah,
11:18right.
11:19Well,
11:19Jamila,
11:20would you like to
11:20present your case
11:21for the good of
11:22television?
11:22I am like
11:26very much
11:26the television.
11:28The television
11:29make people
11:29most happy
11:30with good,
11:31good programme
11:32like
11:32Carnation Street.
11:35Coronation Street?
11:37Ha,
11:37and last week
11:38I am watched
11:39this week.
11:40You're watching
11:41this week?
11:42Last week?
11:43This week
11:44is the name
11:45of a programme,
11:46Ranjit.
11:46Thousand apologies.
11:49And,
11:50also,
11:50television is
11:51beef-free.
11:52You have to
11:52buy the licence.
11:54Word licence.
11:57Haven't you
11:58got a television
11:58licence?
11:59No,
12:00no need licence.
12:01I'm sorry,
12:01Jamila,
12:02but you do.
12:03No.
12:03Look,
12:03it's an offence
12:04not to have one.
12:05If the detector van
12:06comes round,
12:06you could be
12:07heavily fined.
12:08No.
12:09Look,
12:09don't argue,
12:10Jamila,
12:10it's the law.
12:11Not for me.
12:12Why not for you?
12:14No have
12:14television set.
12:18Watch next door,
12:20they have licence.
12:22Thank you,
12:24Jamila.
12:24All right,
12:24Ali,
12:25your turn.
12:26Ah,
12:26jelly good.
12:28Ahem.
12:30I am thinking
12:31television is
12:32very bad
12:32because
12:33it is showing
12:34too much
12:35of the violence.
12:36Good point.
12:39Last night,
12:40I'm seeing
12:40somebody been
12:41drowned,
12:42then shot,
12:43and then
12:44had their heads
12:45chopped off.
12:46What was that,
12:47the professionals
12:47or Starsky
12:48and Hutch?
12:49Dumb and
12:50Jerry.
12:53Excuse me,
12:54Mr. Brown,
12:54can you spare a moment?
12:55Ah,
12:55just a moment,
12:56Miss Courtney,
12:56we're right in the middle
12:57of a very interesting debate.
12:58Could you wait just a minute,
12:59please?
12:59Certainly not.
13:01Oh,
13:01very well.
13:02Right,
13:02Giovanni,
13:03out here.
13:03Certainly,
13:04Professor.
13:05Right,
13:05would you take the chair?
13:06Sure.
13:06Sure.
13:07I mean,
13:11will you chair
13:12the debate?
13:13Excuse me.
13:13Right,
13:14let Ali finish
13:15and then throw it open,
13:16give everybody a say,
13:17then take a vote,
13:18and if I'm still not back by then,
13:19you can dismiss the class
13:20and go home.
13:20Okay.
13:26Okay.
13:28You heard what
13:28Professor is saying.
13:31Ali's to finish,
13:32we have the talk,
13:33we have the vote,
13:35and then
13:36we go home.
13:37Okay?
13:37Sorry.
13:38You finish, Ali?
13:39No, I haven't.
13:40I was...
13:40You finish!
13:43Anybody want to talk?
13:45Okay,
13:46we take the vote.
13:47Everybody think
13:48TV's okay,
13:49put up at the hands.
13:51Everybody think
13:51TV's not okay,
13:52put up at the hands.
13:54Ah,
13:55we call it a drawer.
13:56Class dismissed!
14:00You going somewhere?
14:01Would you care to go for a drink,
14:08Miss Colton?
14:08No, thank you,
14:08Mr Brown.
14:09I want to get to the post office
14:10in time to catch the last post.
14:11Ah.
14:12Oh, I wonder,
14:12would you post a letter for me?
14:13Yes, certainly.
14:14Yeah.
14:15That's the one.
14:16Right.
14:17Good night, then,
14:18Mr Brown.
14:18Good night.
14:20Well,
14:20that's another day over,
14:22Sid.
14:22Yeah,
14:22worse luck.
14:23Oh,
14:24I'm always glad to get home.
14:25You wouldn't say that
14:26if it's living with my message.
14:28Hello,
14:29hello.
14:29What's the matter?
14:32Here.
14:33It's full of bees and honey.
14:35I wonder who's it is.
14:36I know who's it is now.
14:38Oh,
14:38don't you think
14:39you ought to take it
14:40into the police station?
14:41Don't be piccadilly,
14:42grannish.
14:43Find us its keepers.
14:45Oh,
14:45Sid!
14:46Oh,
14:46oh,
14:46oh,
14:47oh,
14:47oh,
14:47oh,
14:47oh,
14:47oh,
14:48oh,
14:48oh,
14:48oh,
14:48oh,
14:49oh,
14:50oh,
14:50oh,
14:51oh,
14:52oh,
14:53oh,
14:54oh,
14:54oh,
14:55oh,
14:55oh,
14:55oh,
14:55oh,
14:56oh,
14:56oh,
14:56oh,
14:57oh,
14:58oh,
14:58oh,
14:59oh,
14:59oh,
15:00oh,
15:01oh,
15:02oh,
15:03oh,
15:03enter.
15:04Ah,
15:06Mr. Brown.
15:07Hush!
15:08Don't you hush me!
15:10Miss Courtney,
15:10I'm in terrible trouble.
15:11You certainly are.
15:12You're ten minutes late.
15:14No, no, no.
15:14Worse than that,
15:15I've lost 230 pounds
15:17that Ranjit gave me to look after.
15:18How on earth did you manage to do that?
15:20I've no idea.
15:21It must have fallen out of my pocket.
15:22I've looked everywhere.
15:23I went to the police station
15:23to ask if anyone had handed it in,
15:25and they just laughed.
15:26What am I going to tell Ranjit?
15:28The truth,
15:29Mr. Brown.
15:30You had better do it in private.
15:32You can use my office.
15:34I will send him to you.
15:35I suppose the direct approach
15:40will be best.
15:40Ranjit,
15:41I have lost your money.
15:43No, no,
15:44I can't do that.
15:45It's too harsh.
15:45Better soften the blow a bit.
15:47Ranjit,
15:48come in.
15:49Have a seat.
15:51Would you like a cup of tea?
15:52No, no.
15:55Ranjit,
15:56I have something to tell you.
15:57Are you sitting comfortably?
15:58Oh, no.
15:59I'm standing there.
16:00Oh,
16:01Ranjit,
16:02come here.
16:03Sit down.
16:04Have a cup of tea.
16:05There isn't any tea.
16:06Ah,
16:06well,
16:07I'll get you one.
16:07Miss Courtney said
16:08you have something to tell me.
16:09Yes,
16:10Ranjit,
16:10I am human.
16:11And you are human.
16:13And human beings are fallible.
16:14I mean,
16:14I'm fallible
16:15and you're fallible.
16:16No,
16:17I'm Ranjari.
16:18What I'm trying to say,
16:21Ranjit,
16:22is,
16:23well,
16:23I have lost your money.
16:26Did you hear me?
16:28The money you saved up
16:29to go and visit your mother with her,
16:30but I've lost it.
16:40Ranjit.
16:45I'm sorry,
16:46Ranjit.
16:48Good evening.
16:55Hello,
16:55Sid.
16:56What's the matter?
16:57You look as if you lost 100 pounds
16:58and found 10p.
16:59As many a true word spoken in jest.
17:01Ah,
17:01come on,
17:02cheer up,
17:03have a cigar.
17:04No,
17:04thanks.
17:05Can't be as bad as all that.
17:06It's worse.
17:07Well,
17:07look at me yesterday,
17:08I didn't have apney.
17:09Today,
17:09I can have a tenner on horse
17:10and take no notice.
17:12You couldn't lend me 230 pounds,
17:13could you?
17:14No chance.
17:14Oh.
17:15That's all there was in the envelope.
17:18What envelope?
17:21The envelope I found outside of school.
17:23You too,
17:24Sidney.
17:25Talk to me about it.
17:26That was Ranjit's money.
17:27Have you still got it?
17:28Yeah.
17:29Well,
17:29why didn't you hand it in?
17:33Hey,
17:33wait,
17:33what are you doing?
17:34Ranjit,
17:35we found your money.
17:36Oh,
17:37praise me to the Lord.
17:43I'm able to be seeing my mother.
17:46Oh,
17:46she'll be so happy to be seeing me.
17:51There's only 130 pounds in here.
17:53That's right.
17:54Oh,
17:54where's the other hundred?
17:55Oh,
17:55here it is,
17:56here.
17:57What is that?
17:58That's a betting slip.
17:59I've had under pound on Rainbow's end
18:01in the 615
18:02at the night race at Windsor.
18:03615,
18:06we can still make that.
18:07Come on,
18:07everybody,
18:08quickly.
18:09Quickly.
18:14Mr. Brown,
18:14what is going on?
18:15Ah,
18:16we're just taking an early tea break
18:17in the betting shop.
18:21The 615
18:22at Windsor.
18:24The horses
18:25are lining up
18:26for the start.
18:28And they're off.
18:29Come on,
18:30Rainbow's end.
18:31And right away,
18:31it's Ernest Boy in the lead,
18:32followed by
18:33Dev's Delight,
18:34Golden Wonder
18:34and Skylark.
18:35Then comes Southern Peacock
18:36and Slimline.
18:37Where is Rainbow's end?
18:38And bringing up the rear
18:39is Rainbow's end.
18:42And that's the order
18:43at the bend.
18:44With Dev's Delight
18:44closing a little
18:45and Skylark
18:46now overtaking
18:47Golden Wonder.
18:48Southern Peacock
18:48is dropping back.
18:49And who is this
18:50coming through
18:50on the inside?
18:51Rainbow's end?
18:52Slimline.
18:53And then they come
18:54into the strait.
18:55It's still Ernie's boy,
18:56Dev's Delight
18:57and Skylark.
18:58And here's Rainbow's end
18:59making her run
18:59on the outside.
19:00And with four
19:02furlongs to go,
19:02it's Ernie's boy,
19:03Dev's Delight
19:04and Rainbow's end
19:05now in third place.
19:06Ernie's boy
19:07is pulling away
19:07slightly,
19:08but Rainbow's end
19:08has overtaken
19:09the side.
19:10They're challenging
19:10strongly.
19:11Two furlongs to go
19:12and Rainbow's end
19:13is gaining on
19:13Ernie's boy.
19:14And at the finish,
19:16it's Rainbow's end.
19:17And at five to two,
19:23that's 250 quid.
19:25That's 100 pounds
19:25for you and the rest
19:26for me.
19:27Eh?
19:27Yeah, come on,
19:27let's go draw it.
19:29For one moment,
19:30there's a Stuart inquiry.
19:33The red flag's gone up.
19:35Oh, blimey.
19:36It is a Russian horse.
19:40Rainbow's end's been
19:41disqualified for bumping
19:42and place last.
19:44We are losing
19:45and I won't be able
19:46to be visiting my mother.
19:50Oh, poor Anjeet.
19:53He was so much
19:54looking forward
19:54to seeing his mother.
19:56He will see his mother.
19:57But Master G,
19:58he was going to be
19:59catch plane on Saturday.
20:00How will he be
20:01get 100 pounds
20:02before then?
20:02We'll get it for him,
20:04even if we have to
20:05beg, borrow or steal it.
20:06Yes, yes, yes.
20:07Two wives and 16th.
20:10Wish me.
20:11Oh, please.
20:12Oh, thank you.
20:14You want a photograph?
20:16Very cheap.
20:17Three for one pando.
20:20Buy a pretty flower
20:21for your pretty wife.
20:22No, thanks.
20:23You want to buy a flower
20:24for pretty wife?
20:24Oh, no thanks, Jackie.
20:27Salami sandwiches
20:29from here.
20:30All made
20:30from French bread.
20:33Juscheni.
20:34Juscheni.
20:35Thank you, please.
20:36Come on.
20:37Juscheni.
20:39Have your fortunes
20:41told by Madam Jamila.
20:42Come on, young man.
20:42Would you like
20:42your fortune told?
20:43Now sit around there.
20:44Madam Jamila
20:45till this young mass fortune.
20:46Please do cross
20:47my pound with 50p.
20:48I'll do it once more for you to show you that you couldn't be wrong.
21:11You can't be wrong all the time.
21:18I've got the beds, one for you.
21:21Ah, Mr. Brown, please hold.
21:23Oh, all right, yes.
21:25It's all right.
21:27Ah, good evening, Miss Courtney.
21:38Good evening, Mr. Brown.
21:40I hear you managed to raise the money for Mr. Singh's fair.
21:42Yes, you'll be at the airport now.
21:44How is he going, by plane or balloon?
21:47Ah, you heard about that.
21:50Yes.
21:51Yes, if that caretaker hadn't been on the roof to catch my legs, heaven knows where I'd be now.
21:55Where you usually are, Mr. Brown, with your head in the clouds.
22:03Good evening.
22:05Well, firstly, may I say thank you for all your efforts yesterday to help raise the fair for Ranjeet.
22:11No, no, no, it was a remarkable effort.
22:13Which is more than I can say for your homework.
22:15Oh.
22:16I am not happy with your answers.
22:18And we are also not happy with the questions.
22:21I've got an idea.
22:25You're not happy.
22:26We're not happy.
22:27So if you not give us any homework, we both be happy.
22:31OK?
22:32Silence.
22:33Look, in future you will be given extra homework and I hope that I see some improvement.
22:37Some of you are just simply not trying.
22:39For example, Max, the opposite of anti-meridian is not uncle-meridian but post-meridian.
22:45OK, I don't know what you're laughing about, Giovanni.
22:51Your answer to the question, write a sentence using a metaphor, was unbelievable.
22:55But I did write a sentence using a metaphor.
22:58Oh, yes.
22:59Last night I phoned my girlfriend and a metaphor a drink.
23:02Ali, for your information, a polygon is a term used to describe a figure with angles
23:11and sides and has nothing whatsoever to do with the disappearing parrot.
23:14Mr. Brown, the stranger wants to have a word with you.
23:19Ah, mute pupil.
23:20Would you like to sit over there?
23:22No, sit.
23:23Look for Ranjit.
23:24Ah, well, I'm afraid he's not here.
23:25He's gone over this weekend to visit his mother as a surprise for her birthday.
23:28Hai Rapa.
23:29That is terrible.
23:30Why, what's the matter?
23:31I am his mother.
23:32No, no, no.
23:33For my birthday to surprise Ranjit.
23:36Oh, you must have crossed.
23:39Yes.
23:40No, it's not your mother.
23:45No, it's not your country.
23:46But I think that's OK.
23:48I think that's so beautiful.
23:50Look for hairstyle.
23:51I think that's so beautiful.
23:53Have reference for truth in the present.
23:55Let's not ask him.
23:58What, look.
23:59Open up with all sorts of things.
24:02Think about HIV and immuneness.
24:04Oh, Jesus.