aspiring drama student, her sister, and a disgraced director discover a haunted play that begins to warp their reality. As they delve deeper into rehearsals, dark forces emerge and the boundary between performance and possession unravels. This supernatural horror movie explores cursed creativity and theatrical terror, where the script is alive and hungry.
Category
🎥
Short filmTranscript
00:00:00You
00:00:30I
00:01:01I
00:01:06Hear the black raven scream
00:01:09like a never-ending spirit in my soul reaching down into nothingness and
00:01:15I understand that to know all things is to know that we cannot sustain all that is in us and
00:01:22Therefore we shall not be denied in ourselves
00:01:25Or eventually we all do what is intended
00:01:27Hell is in all of us and you ask for forgiveness
00:01:38The dead tread softly upon my heart
00:01:42the icy face above me I
00:01:45Have been put here for a crime. I didn't
00:01:52To know a transcendent dimension within human experience I
00:01:57Have been saved
00:01:59discovered in moments
00:02:01this reformation aims
00:02:04To recover the original shape of man or woman
00:02:14The sum of God adds up to nothing
00:02:26I
00:02:56I
00:03:26Jerry Pivot Esther Collins
00:03:48You sure you didn't want one
00:03:56No, thank you. Thanks for allowing me your time
00:04:01It'll be my pleasure I'm sure
00:04:09Was it necessary for me to send a photo of myself before you agreed to meet me
00:04:15You're taking my time
00:04:18It's my rules I'm afraid
00:04:21I'm afraid
00:04:24Well, I hope you approve you wouldn't be here if I did
00:04:36Why are you here
00:04:41It's about a play
00:04:46You've written something for me a role in your play
00:04:52Good parts or or is it for film?
00:05:01Not exactly
00:05:21I
00:05:51I
00:06:21I
00:06:51I'm studying for a PhD
00:06:53One act plays in early 20th century European theater. I
00:06:57Came across an old manuscript
00:07:00It's in German
00:07:02It's one act and it appears unfinished
00:07:06There's no author listed there's no books or journals that reference it
00:07:11There's nothing on the web
00:07:15Seems to have been lost in history
00:07:22Katernika
00:07:25You do know of it then
00:07:28I'm translating it slowly. I'd like to perform it
00:07:35What do you want from me
00:07:37I've been told you have an interest in 20th century theater. I
00:07:42Wondered if you had any information about it. You could share
00:07:45Katernika is a one-act play. That is correct
00:07:51Yes, it is in German. It is one long monologue
00:07:57Nobody knows when it was written
00:08:01And nobody knows the name of the author
00:08:05But apparently it was performed once and only once in Germany in the 1920s
00:08:11And like the author
00:08:14Their name is lost. Why only once? Well
00:08:19The story is
00:08:22The actress who performed the monologue
00:08:26broke down
00:08:28during the opening night
00:08:31She was said to be completely delirious
00:08:36She was found afterwards
00:08:39She was found afterwards several miles from the theater wandering the streets and
00:08:47Then she died
00:08:53It's never been fully translated not to my knowledge
00:09:02It is a play that is believed to be cursed
00:09:09Well, how'd you know all this where did you get this information
00:09:17You know what I can't recall I I might have picked it up when I was training that's nearly 30 years ago now
00:09:26So I can't help you with references I'm afraid
00:09:32Did you bring the manuscript
00:09:35No, it's at home. I bought a transcript
00:09:39In German as well as what I've translated
00:09:53What intrigues you about this I
00:09:57Mean, I haven't made sense of it all yet, but it seems to have some genuine profundity
00:10:03Profundity from what I've read so far
00:10:08You see it in a foreign language
00:10:11You see the old typeset probably fractal font
00:10:17You see the crumpled page you hear 1920s Germany and you think profound
00:10:23If this was written in 2008 by an Englishman and performed once in a back-alley theater
00:10:31With no stage by a mad actress or one who's most likely alcoholic
00:10:36How profound would you think it was then
00:10:41Age and obscurity is no guarantee of quality
00:10:47Katernika is
00:10:49tawdry
00:10:51pretentious
00:10:53rubbish
00:10:56And I should know I've acted in enough tawdry and pretentious rubbish and
00:11:02Directed a load of it, too
00:11:04It's mistaking trash like Katernika for gold that has caused my career
00:11:11To be the absolute shambles as it is
00:11:15It's why I'm scrabbling around for work now
00:11:20Talking of which I have an audition next week the first in years
00:11:25so my thoughts are with that and
00:11:28Not with this play which quite honestly
00:11:32Esther means nothing to no one
00:11:36you want my advice throw it away and
00:11:40concentrate on producing
00:11:42original work or at least
00:11:45investigating something with some genuine substance
00:11:58A mother obsesses over the idea of putting her baby in a microwave
00:12:03A father cannot remember not having molested his daughter
00:12:10A brother continually has to fight the urge to run his eyes over the shape his sister's breasts make in her top
00:12:18We all have thoughts like these
00:12:20The OCD sufferer in contrast
00:12:24listens to them
00:12:26Mistakes them for being important or relevant
00:12:29What can be done? This causes cognitive malfunctions
00:12:39Cognitive malfunctions
00:12:56Fuck me
00:13:03How much do you want to fuck me?
00:13:08How much do you want to fuck me?
00:13:10How much do you want to fuck me?
00:13:35They mistake the harmless thought for a dangerous reality
00:13:40How much do you want to fuck me?
00:14:11You
00:14:18So
00:14:20You want to direct?
00:14:21Any other projects that you're working on? I've written a play
00:14:26one act
00:14:28It's about a woman going into labor. Why labor? A woman's labor is a perfect one-act structure
00:14:36Explain. It's a one-off event
00:14:39Connected to but separate from what goes before and what happens after
00:14:43It's a story held in place by narrative events the audience doesn't need to see
00:14:49conception and child-rearing
00:14:52And this is for you to perform? It's for my sister. She's an actor
00:14:57You know her
00:15:01Really?
00:15:03You directed her a couple of years back
00:15:05Not on stage though, on television. Think it was one of the last pieces you directed
00:15:12Tales of the Black Lizard
00:15:15What did I tell you? I don't tord you impotentious rubbish. It's a fucking awful script and
00:15:22You're right. I've been offered nothing since
00:15:28What's her name? Eve
00:15:31Eve Collins. Yes, I remember. She was the whore
00:15:47She was a good whore
00:16:01You
00:16:15When you're ready and action
00:16:31There is a misconception that OCD is all about order, or hand-washing, or tidying
00:16:45But compulsive and intrusive thoughts are also symptoms
00:16:51Such as?
00:16:53Violent thoughts
00:16:57The compulsion to do inappropriate things
00:17:01To blurt out offensive words
00:17:05Sexual thoughts
00:17:09Give me examples
00:17:13Intrusive thoughts of hurting your children
00:17:17Or them being hurt
00:17:21A mother obsesses over the idea of putting her baby in a microwave
00:17:27A father cannot remember not having molested his daughter
00:17:31A brother continually has to fight the urge to run his eyes over the shape of his sister's breast making her top
00:17:47What can be done?
00:17:49We all have thoughts like these
00:17:53The OCD sufferer, in contrast, listens to them
00:17:57Mistakes them for being important or relevant
00:18:01This causes cognitive malfunctions
00:18:07Cognitive malfunctions?
00:18:11They give the thought too much importance
00:18:15They think they need to control the thought
00:18:19They mistake the harmless thought for a dangerous reality
00:18:25Ultimately, they try to suppress these intrusive and obsessive ideas
00:18:31And that is the worst mistake
00:18:37To suppress
00:18:39What are you suppressing?
00:18:45That is the question we should all be asking ourselves
00:18:51Now
00:18:53How much do you want to fuck me?
00:19:01We are not talking about you
00:19:07We are not talking about you
00:19:11We are talking about you
00:19:15We are not talking about you
00:19:19We are not talking about you
00:19:21Those who don't want to fuck you
00:19:23Don't fuck with me
00:19:25We love you
00:19:27We love you
00:19:59How much would you rate him, how much would you rate him, how much would you rate him?
00:20:26How much would you rate him?
00:20:56How much would you rate him?
00:21:05How much would you rate him?
00:21:19How much would you rate him?
00:21:26How much would you rate him?
00:21:56How much would you rate him?
00:22:14How much would you pay to fuck me?
00:22:26Cut!
00:22:36Whatever happened to Eve?
00:22:40She's had some problems. She's been ill. And now she's pregnant.
00:22:53Who's the lucky father?
00:23:01Like I said, she was a good whore.
00:23:11I'm hoping her acting in my play, even if it is just a small audience, can refocus her.
00:23:18I want to help her get back in the business, get her career back.
00:23:24Forget Katernika and finish your play. When it's written, get in touch.
00:23:34I'll oversee the production, help you to rehearse.
00:23:38If you don't want the translation, you can throw it. Good luck on your audition.
00:24:38Your life is a lie.
00:24:42You're a liar.
00:24:46You're a liar.
00:24:50You're a liar.
00:24:54You're a liar.
00:24:58You're a liar.
00:25:02You're a liar.
00:25:05Your life is a lie.
00:25:35You're a liar.
00:25:39You're a liar.
00:25:43You're a liar.
00:25:47You're a liar.
00:25:51You're a liar.
00:25:55You're a liar.
00:25:59You're a liar.
00:26:02You're a liar.
00:26:06You're a liar.
00:26:10You're a liar.
00:26:14You're a liar.
00:26:32You're a liar.
00:26:36You're a liar.
00:26:40You're a liar.
00:26:44You're a liar.
00:27:02You're a liar.
00:27:06You're a liar.
00:27:10You're a liar.
00:27:14You're a liar.
00:27:18You're a liar.
00:27:22You're a liar.
00:27:26You're a liar.
00:27:29You're a liar.
00:27:33You're a liar.
00:27:37You're a liar.
00:27:41You're a liar.
00:27:45You're a liar.
00:27:49You're a liar.
00:27:59Thank you very much.
00:28:29It's Eve. Did you talk to Jerry?
00:28:33I did. He's as you described.
00:28:38Did he remember me?
00:28:41Just about.
00:28:43And the play you found?
00:28:48Yeah. He seemed to know a lot about it, but he was more interested in the play I'm writing for you.
00:28:56Where are you?
00:28:58I'm at a clinic.
00:29:02It's a final examination.
00:29:04Said they've been through my patient records.
00:29:09That there's some sort of irregularity.
00:29:14What irregularity?
00:29:17I'm here to find out.
00:29:28Eve Collins, please.
00:29:38Come this way.
00:29:40Occupation?
00:29:55Occupation?
00:30:00I'm an actor.
00:30:18Can you tell me the father of your child's name and occupation?
00:30:34Father's name and occupation.
00:30:43I can't answer that.
00:30:47Because you did not get his name or because you did not get his occupation?
00:30:53Both.
00:31:02Do you know the date of conception?
00:31:07No.
00:31:11Do you know who the father of your baby is?
00:31:17No.
00:31:25Or when you became pregnant?
00:31:43And what should we call a woman who cannot say who the father of her baby is?
00:31:56What would you call her?
00:32:08Your records say you need to be inspected. That's where we called you in.
00:32:15It might be easier if you were sedated.
00:32:21Why's that?
00:32:22Naturally it would be quite an invasive procedure.
00:32:30Let's just say you'll be more comfortable if you are.
00:33:00What's happening?
00:33:28What's happening?
00:33:55You can tell her.
00:33:59Doctor.
00:34:02Who's that?
00:34:04There's been a complication with the baby.
00:34:07Who's speaking?
00:34:09The baby must not be lost.
00:34:14Doctor.
00:34:20It's easier if you relax and breathe and do not resist.
00:34:25We have waited a long time for this birth, Doctor.
00:34:34Please speak to me.
00:34:36We have an invaluable use for this baby.
00:34:49Please speak to me, please speak to me.
00:34:53Jack the Whore again.
00:34:57She knows not when to cease.
00:35:16Jack the Whore again.
00:35:46The child must not be lost.
00:35:52We need this child.
00:36:12Is the baby intact?
00:36:21Yes, it's intact.
00:36:24Are you sure?
00:36:27It's intact.
00:36:52Is she done?
00:36:57Yes.
00:37:00It is time to mark the child.
00:37:28It was perfect, Eve.
00:37:36You did all we could ask.
00:37:57You did all we could ask.
00:38:27Jack the Whore.
00:38:29They're ready for you now.
00:38:56Jack the Whore.
00:39:26Do you want me to go straight in?
00:39:55Soft.
00:40:05I did but dream.
00:40:08Oh, coward conscience.
00:40:12How dost thou afflict me?
00:40:16The lights turn blue.
00:40:19It is now dead midnight.
00:40:24Cold, fearful drops stand on my trembling flesh.
00:40:30What do I fear?
00:40:32Myself?
00:40:35Is there a murderer here?
00:40:37No.
00:40:41Yes.
00:40:44I am.
00:40:47Then fly.
00:40:51And myself?
00:40:54I love myself.
00:40:58No.
00:41:01I rather hate myself.
00:41:06The hateful deeds committed by myself.
00:41:14I am a villain.
00:41:20Yet I lie.
00:41:22I am not.
00:41:25Fool.
00:41:27Speak well of thyself.
00:41:32Fool.
00:41:34Do not flatter.
00:41:39There is no creature that loves me.
00:41:43And if I die, no soul will pity me.
00:41:50And wherefore should they?
00:41:54Since that I myself find in myself no pity to myself.
00:42:14Are you happy with your career, Mr Pither?
00:42:36Who is?
00:42:41What sort of roles are you known for?
00:43:01Well, I started in comedy, vaudeville style performance.
00:43:06I had one long-running role in a television comedy.
00:43:09And I've directed for television.
00:43:12And the stage, of course.
00:43:22And what is your approach to directing?
00:43:28What is your philosophy?
00:43:32It's the same as my acting.
00:43:34I encourage embodiment in my cast.
00:43:54We do not feel you were right for this part.
00:44:01But we are casting for a second play.
00:44:07It is called Crimes of the Uterus.
00:44:18Do you have another piece prepared?
00:44:24I wasn't aware of this other play, Crimes of the...
00:44:39Uterus!
00:44:44I see.
00:44:46I wasn't asked to prepare another piece.
00:44:59What role did you have in mind for me?
00:45:08It is mainly physical.
00:45:16Then I may have something.
00:45:19I've been workshopping a new character.
00:45:23I'll show you that.
00:45:26I have to go to the car to get my costume.
00:45:50I have to go to the car to get my costume.
00:46:18I have to go to the car to get my costume.
00:46:19I have to go to the car to get my costume.
00:46:20I have to go to the car to get my costume.
00:46:21I have to go to the car to get my costume.
00:46:22I have to go to the car to get my costume.
00:46:23I have to go to the car to get my costume.
00:46:24I have to go to the car to get my costume.
00:46:25I have to go to the car to get my costume.
00:46:26I have to go to the car to get my costume.
00:46:27I have to go to the car to get my costume.
00:46:28I have to go to the car to get my costume.
00:46:29I have to go to the car to get my costume.
00:46:30I have to go to the car to get my costume.
00:46:31I have to go to the car to get my costume.
00:46:32I have to go to the car to get my costume.
00:46:34I have to go to the car to get my costume.
00:46:35I have to go to the car to get my costume.
00:46:36I have to go to the car to get my costume.
00:46:37I have to go to the car to get my costume.
00:46:38I have to go to the car to get my costume.
00:46:39I have to go to the car to get my costume.
00:46:40I have to go to the car to get my costume.
00:46:41I have to go to the car to get my costume.
00:46:42I have to go to the car to get my costume.
00:46:43I have to go to the car to get my costume.
00:46:44I have to go to the car to get my costume.
00:46:45I have to go to the car to get my costume.
00:46:46I have to go to the car to get my costume.
00:46:47I have to go to the car to get my costume.
00:46:48I have to go to the car to get my costume.
00:46:50I have to go to the car to get my costume.
00:46:51I have to go to the car to get my costume.
00:46:52I have to go to the car to get my costume.
00:46:53I have to go to the car to get my costume.
00:46:54I have to go to the car to get my costume.
00:46:55I have to go to the car to get my costume.
00:46:56I have to go to the car to get my costume.
00:46:57I have to go to the car to get my costume.
00:46:58I have to go to the car to get my costume.
00:46:59I have to go to the car to get my costume.
00:47:00I have to go to the car to get my costume.
00:47:01I have to go to the car to get my costume.
00:47:02I have to go to the car to get my costume.
00:47:03I have to go to the car to get my costume.
00:47:04I have to go to the car to get my costume.
00:47:05I have to go to the car to get my costume.
00:47:06I have to go to the car to get my costume.
00:47:07I have to go to the car to get my costume.
00:47:08I have to go to the car to get my costume.
00:47:09I have to go to the car to get my costume.
00:47:10I have to go to the car to get my costume.
00:47:11I have to go to the car to get my costume.
00:47:12I have to go to the car to get my costume.
00:47:13I have to go to the car to get my costume.
00:47:14I have to go to the car to get my costume.
00:47:15I have to go to the car to get my costume.
00:47:16I have to go to the car to get my costume.
00:47:17I have to go to the car to get my costume.
00:47:18I have to go to the car to get my costume.
00:47:19I have to go to the car to get my costume.
00:47:21I have to go to the car to get my costume.
00:47:22I have to go to the car to get my costume.
00:47:23I have to go to the car to get my costume.
00:47:24I have to go to the car to get my costume.
00:47:25I have to go to the car to get my costume.
00:47:26I have to go to the car to get my costume.
00:47:27I have to go to the car to get my costume.
00:47:28I have to go to the car to get my costume.
00:47:29I have to go to the car to get my costume.
00:47:30I have to go to the car to get my costume.
00:47:31I have to go to the car to get my costume.
00:47:32I have to go to the car to get my costume.
00:47:33I have to go to the car to get my costume.
00:47:34I have to go to the car to get my costume.
00:47:35I have to go to the car to get my costume.
00:47:37I have to go to the car to get my costume.
00:47:38I have to go to the car to get my costume.
00:47:39I have to go to the car to get my costume.
00:47:40I have to go to the car to get my costume.
00:47:41I have to go to the car to get my costume.
00:47:42I have to go to the car to get my costume.
00:47:43I have to go to the car to get my costume.
00:47:44I have to go to the car to get my costume.
00:47:45I have to go to the car to get my costume.
00:47:46I have to go to the car to get my costume.
00:47:47I have to go to the car to get my costume.
00:47:48I have to go to the car to get my costume.
00:47:49I have to go to the car to get my costume.
00:47:50I have to go to the car to get my costume.
00:47:51I have to go to the car to get my costume.
00:47:52I have to go to the car to get my costume.
00:47:53I have to go to the car to get my costume.
00:47:54I have to go to the car to get my costume.
00:47:55I have to go to the car to get my costume.
00:47:56I have to go to the car to get my costume.
00:47:57I have to go to the car to get my costume.
00:47:58I have to go to the car to get my costume.
00:47:59I have to go to the car to get my costume.
00:48:00I have to go to the car to get my costume.
00:48:01I have to go to the car to get my costume.
00:48:02I have to go to the car to get my costume.
00:48:03I have to go to the car to get my costume.
00:48:04I have to go to the car to get my costume.
00:48:05I have to go to the car to get my costume.
00:48:06I have to go to the car to get my costume.
00:48:07I have to go to the car to get my costume.
00:48:08I have to go to the car to get my costume.
00:48:09I have to go to the car to get my costume.
00:48:10I have to go to the car to get my costume.
00:48:11I have to go to the car to get my costume.
00:48:12I have to go to the car to get my costume.
00:48:13I have to go to the car to get my costume.
00:48:14I have to go to the car to get my costume.
00:48:15I have to go to the car to get my costume.
00:48:16I have to go to the car to get my costume.
00:48:17I have to go to the car to get my costume.
00:48:18I have to go to the car to get my costume.
00:48:19I have to go to the car to get my costume.
00:48:20I have to go to the car to get my costume.
00:48:21I have to go to the car to get my costume.
00:48:23I have to go to the car to get my costume.
00:48:24I have to go to the car to get my costume.
00:48:25I have to go to the car to get my costume.
00:48:26I have to go to the car to get my costume.
00:48:27I have to go to the car to get my costume.
00:48:28I have to go to the car to get my costume.
00:48:29I have to go to the car to get my costume.
00:48:30I have to go to the car to get my costume.
00:48:31I have to go to the car to get my costume.
00:48:32I have to go to the car to get my costume.
00:48:33I have to go to the car to get my costume.
00:48:34I have to go to the car to get my costume.
00:48:35I have to go to the car to get my costume.
00:48:36I have to go to the car to get my costume.
00:48:37I have to go to the car to get my costume.
00:48:38I have to go to the car to get my costume.
00:48:39I have to go to the car to get my costume.
00:48:40I have to go to the car to get my costume.
00:48:41I have to go to the car to get my costume.
00:48:42I have to go to the car to get my costume.
00:48:43I have to go to the car to get my costume.
00:48:44I have to go to the car to get my costume.
00:48:45I have to go to the car to get my costume.
00:48:46I have to go to the car to get my costume.
00:48:47I have to go to the car to get my costume.
00:48:48I have to go to the car to get my costume.
00:48:49I have to go to the car to get my costume.
00:48:50I have to go to the car to get my costume.
00:48:51I have to go to the car to get my costume.
00:48:52I have to go to the car to get my costume.
00:48:53Hey!
00:48:54Hey!
00:48:55Hey!
00:48:56Hey!
00:48:57Hey!
00:48:58Hey!
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00:49:45Hey!
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00:49:48Hey!
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00:49:52Hey!
00:49:53Hey!
00:49:54Hey!
00:49:55Hey!
00:49:56Hey!
00:49:57Hey!
00:50:01I'm sorry, I'm sorry, I'm sorry.
00:50:31I'm sorry, I'm sorry, I'm sorry.
00:51:01The director, he's seen too much.
00:51:31I'm sorry, I'm sorry, I'm sorry.
00:52:01I'm sorry, I'm sorry, I'm sorry.
00:52:31I'm sorry!
00:52:51For...
00:52:52me!!!
00:53:01I'll never forget you.
00:53:20Congratulations. We loved your audition.
00:53:50How?
00:54:07There were complications.
00:54:14Why didn't you call me?
00:54:30What do you need?
00:54:52What else?
00:55:12I'm sorry.
00:56:11I hear the Black Raven scream, like a never-ending spirit within my soul.
00:56:30In your own time?
00:56:34In my soul which reaches down to nothingness and I understand.
00:56:49And I understand that to know all things is to know that we cannot.
00:57:00We cannot sustain all that is within us.
00:57:06And...
00:57:12And therefore we shall not be.
00:57:34Denied in ourselves.
00:57:36What?
00:57:38Eventually, we all do what is intended.
00:57:47Hell is in all of us.
00:57:53And you ask for forgiveness.
00:58:04Your life is a lie.
00:58:34I feel them coming.
00:58:59I feel them coming.
00:59:26I feel them coming.
00:59:36I feel them coming.
00:59:46I feel them coming.
01:00:06I feel them coming.
01:00:36I feel them coming.
01:01:06I feel them coming.
01:01:26I feel them coming.
01:01:54I feel them coming.
01:02:04I feel them coming.
01:02:14I feel them coming.
01:02:43I hear the Black Raven scream, like a never-ending chasm in my soul, reaching down into nothingness.
01:02:51And I understand that to know all things is to know that we cannot sustain all that is in us.
01:02:57And therefore we shall not be denied in ourselves.
01:03:00Or eventually, we all do what is intended.
01:03:04Hell is in all of us.
01:03:08And you ask for forgiveness.
01:03:10Your life is a lie.
01:03:13Destiny which cannot be fathomed a thousand times leads to a thousand deaths and a thousand bodies.
01:03:20Through the blood in my eyes, I see my time has come.
01:03:24Oh, God.
01:03:26Outside time and space, God does not exist as you perceive, but exists as far as it will always remain unknown,
01:03:34tormenting all those who strive for connection when abandoned, without end.
01:03:42To be a living soul trapped in a corpse, I accept my punishment, no matter how arbitrary.
01:03:50I accept all inside me.
01:03:53Yes, moving down.
01:03:56Yes.
01:03:57Yes, now.
01:03:59Now.
01:04:04The dead tread softly upon my heart.
01:04:07The icy surface above me.
01:04:11I have been put here for a crime I never...
01:04:15The wind howls through my bones.
01:04:18The skeleton dances madly.
01:04:20Bony fingers crack, reaching for gods that no longer exist.
01:04:29I feel them coming.
01:04:32I cannot move, nor escape.
01:04:36To be discovered for what we are, or who we are.
01:04:40To find within that which makes us human.
01:04:43Time is needed before we become known to ourselves.
01:04:47You were always here.
01:04:49You knew this.
01:04:51Do not deter from your path.
01:04:54I will not submit.
01:05:00I will not submit suddenly when you are gone.
01:05:03Facing our fate, calling us into death.
01:05:07To feel no pain beneath the icy water.
01:05:10Obliterated, we are no more or less than this.
01:05:14Fear pounds the brain.
01:05:17Fear pounds the brain, travels through the body, terrifying.
01:05:21Breathe.
01:05:22Breathe.
01:05:24Dread crawls and grasps the throat.
01:05:28The smallest grain is as much a part of the vast infinite as we all are.
01:05:33Nature has no beginning and no end.
01:05:36Become nothing and your fears disappear.
01:05:40It is through acceptance you become complete.
01:05:43The vastness, the nothingness.
01:05:45It is the ever sprawling creation which we return to.
01:05:49You can grasp the heavens.
01:05:56The universe is unlimited.
01:05:59No dimension is beyond you.
01:06:15You can grasp the heavens.
01:06:20The universe is unlimited.
01:06:25No dimension is beyond you.
01:06:30You can grasp the heavens.
01:06:35The universe is unlimited.
01:06:40You can grasp the heavens.
01:06:45The universe is unlimited.
01:06:50You can grasp the heavens.
01:06:55The universe is unlimited.
01:07:00You can grasp the heavens.
01:07:05You can grasp the heavens.
01:07:10You can grasp the heavens.
01:07:15You can grasp the heavens.
01:07:20You can grasp the heavens.
01:07:25You can grasp the heavens.
01:07:30You can grasp the heavens.
01:07:40You can grasp the heavens.
01:07:45You can grasp the heavens.
01:07:50You can grasp the heavens.
01:08:01To know a transcendent dimension within human experience.
01:08:06I have been saved, discovered in moments.
01:08:10This reformation aims to recover the original shape of man or woman.
01:08:16The image of God.
01:08:18Smoke rises from the abyss.
01:08:30Question the meaning of personal existence.
01:08:33For the time has come for you to reek more abundantly and deeper than others.
01:08:37And I will be saved for...
01:08:50The sum of God adds up to nothing.
01:08:54The sum of God adds up to nothing.
01:08:57The mistakes you've made last forever.
01:09:00We are merely players in a game with rules controlled by God and broken by the devil.
01:09:06There is no good.
01:09:08There is no evil.
01:09:10Only truth.
01:09:12We can become God as God becomes us.
01:09:15The physical universe disappears.
01:09:18You are conceived in the womb of nature.
01:09:21The physical universe disappears.
01:09:23You are conceived in the womb of nature.
01:09:26It's finished. The game's over. The truth revealed.
01:09:30There is no reason to harm.
01:09:32We are more than the sum of our parts.
01:09:34We exist beyond the physical.
01:09:37The eternal dialogue between the conscious and the unconscious come together, creating inner truth.
01:09:43Your destiny is shaped by eternal forces,
01:09:46which as a restraint transforms into empowerment.
01:09:50There is a hidden realm past the stars of spiritual energies from which we all emerge.
01:09:57Rediscover lost wisdom and reconfigure it to its divine state.
01:10:02Descend into the unconscious.
01:10:04Awaken your dreams.
01:10:06Embrace the unmanifest.
01:10:09Within yourself you contain the entire macrocosmos.
01:10:13Your heart is the sun.
01:10:15Release the soul from the body.
01:10:18The mind has its own preordained hidden agenda, which has nothing to do with you.
01:10:24There is no time after death.
01:10:26The dead see the future.
01:10:29The universe has a purpose and our destinies are within the control of our own minds.
01:10:35Dream of other times.
01:10:37Other places.
01:10:39We are on an evolutionary leap to a higher phase.
01:10:43It is finished.
01:10:46May the Lord have mercy upon my soul.
01:11:46Huh?
01:11:49Huh?
01:12:01You're very talented.
01:12:03Can we try it up a notch?
01:12:07Go louder.
01:12:10A little less controlled.
01:12:11Less controlled?
01:12:12Yeah.
01:12:17Hi-ya! Hi-ya!
01:12:19Hi-ya!
01:12:20Hi-ya!
01:12:21Hi-ya!
01:12:22Hi-ya!
01:12:23Hi-ya!
01:12:24Hi-ya!
01:12:25Hi-ya!
01:12:26Hi-ya!
01:12:27Hi-ya!
01:12:28Hi-ya!
01:12:29Hi-ya!
01:12:30Hi-ya!
01:12:31Hi-ya!
01:12:32Hi-ya!
01:12:33Hi-ya!
01:12:34Hi-ya!
01:12:35Hi-ya!
01:12:36Hi-ya!
01:12:37Hi-ya!
01:12:38Hi-ya!
01:12:39Hi-ya!
01:12:40Hi-ya!
01:12:41Hi-ya!
01:12:42Hi-ya!
01:12:43Hi-ya!
01:12:44Hi-ya!
01:12:46Thank you. Superb.
01:12:48Yeah.
01:12:50We'll be in touch.
01:12:53My writer has a medical appointment today.
01:12:57But we'll look at the tapes and we'll get back to you shortly.