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00:00This meeting, or what do you call it, therapy, it's been a while, God has extended it to me.
00:20Well, I hope it will be soon. In contrast, Sara would probably change your appointment. I expect her to come out at any moment.
00:29All right.
00:34Hello.
00:35Hi.
00:37Good day.
00:38Good day.
00:39Goodbye.
00:40I don't like her energy at all. Do you understand?
00:43Oh, no.
00:44Oh, no.
00:46I can go whenever I want. It's important that you like what you like, what you don't like.
00:49Friendship, work, that's the point.
00:52It's not always about work.
00:54I really don't understand you. Did something happen?
00:58I don't need your help.
01:00One step is enough for a man to return to the wrong path.
01:04You would never dare to drink.
01:09What's so funny to you? You can't behave like that, for God's sake.
01:13And you're going to tell me how I'm going to behave now, am I right?
01:17Oh, no, no. It has nothing to do with me.
01:22I'm sorry.
01:23No, no, please. Since when was that a problem for you?
01:26You're flirting with her, you're freeing her if she's taken.
01:30Can't you give her something?
01:32How do you know?
01:34I surfed something on the Internet.
01:39And? Is there anything interesting?
01:41Nothing.
01:42It's just stupid when I have free time, I go on the Internet and find something.
01:48I don't understand.
01:49And in front of others?
01:50No, no, while I was waiting for you.
01:52As we all know, right?
01:55Yes, Panchetta brought us some great...
01:58Oh, okay, okay, okay, blah, blah, blah.
02:01Can we do without that?
02:03Excuse me?
02:04What do you mean, excuse me?
02:06You're a bit too broad-minded, man.
02:09Okay, I mean, as you say.
02:11I say.
02:12What did you start with?
02:14You see, Mr...
02:16Mukaši. Suvobrk.
02:19Mr. Suvobrk.
02:22I like you very much.
02:26And I would be happy to go on a date with you.
02:32We can do it now.
02:34Now?
02:35Yes, why not?
02:37Why not?
02:43I'm not going anyway.
02:44Excuse me?
02:45I can't, really, I'll stay a little at home to get some sleep, okay?
02:49What are you talking about?
02:51I don't get it at all.
02:53I can't, really, I'm sorry.
02:55I can't.
02:56What's wrong with you, woman?
02:58We made a deal, you said you would.
03:00I said it, but I can't go see Mila.
03:03I really can't, and please understand.
03:05But...
03:07As far as that campaign against Andrija Boštek is concerned...
03:14What about it?
03:16I don't know. Maybe.
03:20But it's not as if I know who's doing it.
03:46They say that life is not fair
03:50Sometimes it's better, but often it's worse
03:55And everything is unknown, except for fate
04:05Like in love and in war
04:09There are no rules in chess
04:14You have one life, just one chance
04:18To become a knight, because the star gives everything
04:27It's a game of fate, like a wheel of fortune
04:31Someone wants it, someone doesn't
04:36Like on a wheel, everything turns
04:40I miss what I'll take
04:45So you should be there
05:11VUKARÅ INE
05:20Come in.
05:23Vukaršine, good evening.
05:25Oh, hello.
05:27How are you?
05:28I'm fine. I was expecting you.
05:30As always. Thank you.
05:37How are you, Vukaršine? Are you okay?
05:39I'm fine. I'm working, as always.
05:42As soon as I finish one job, another one comes up.
05:46It's just work, uncertainty, work, uncertainty.
05:50When we're talking about uncertainty,
05:53I have to say that the job of a photographer is also very, very uncertain.
05:57Is it?
05:58Yes. It's a very, very exciting, dynamic job.
06:02In the financial sense, it's the most fun.
06:05Can't it be?
06:07Yes, sometimes it pays well, I can't complain.
06:10Sometimes it doesn't, sometimes they give you time, sometimes they don't at all.
06:15But it's just a matter of waiting.
06:17Everything is waiting, Vukaršine.
06:19Yes.
06:20That's why I say it's a very exciting job.
06:26Does it seem to me or do you feel some financial problems?
06:31You haven't been in debt for a long time.
06:34No, no, no, Vukaršine. I've never been in debt, thank God.
06:38But I would simply like to earn a little more in life.
06:43That's one of the reasons I came to you tonight.
07:05Come on.
07:06Come on.
07:10Come on.
07:11Come on.
07:12Let's go.
07:13Hey.
07:16It's really nice that we came.
07:18Yes, it's really nice that we came.
07:21Here's the panchette.
07:22Come on, Mom. Come here, Mom.
07:26Good evening.
07:27Good evening.
07:28Good evening.
07:29We're just wondering, Natalija and I, if we can stand here with you for a while.
07:33Ask away.
07:35Natalija, this is the panchette. You know her.
07:38And this is Mina.
07:39That's her beloved flatmate.
07:44What's up, people?
07:45Nothing, I was doing some reels for Instagram and that's it.
07:49What reels?
07:50With these famous people.
07:51I put everything together.
07:52I mean, what I was doing interviews with them.
07:54Really?
07:55Yes, yes.
07:56It must be exciting.
07:57Do you work with singers?
07:58I do.
07:59I do.
08:00I used to work with this famous Kajlica.
08:03I love her a lot. I can't believe you know her.
08:06Nothing special, to be honest.
08:08But, okay.
08:09She must have a follow.
08:11You have one.
08:12You have one on Instagram.
08:13It's called Vitomir Tutic.
08:15Tuto, make me a table.
08:18And Tuto, complete.
08:26Here you go.
08:39I have a business proposal.
08:41A business proposal? I'm listening.
08:43Yes.
08:44I've been thinking about it for a long time,
08:46and it occurred to me that I might be able to offer my services.
08:50Okay.
08:51What kind of services?
08:52Photography, of course.
08:54This is a serious detective agency.
08:57I'm sure you need someone who knows the camera well.
09:02I'm sure you have a lot of cases where you need someone to follow,
09:05to photograph, to...
09:07You already know.
09:11Thank you for the offer, dear guys.
09:15But...
09:17At the moment, I can't...
09:21I don't need any photography services.
09:23I mean, the agency has its own photographer.
09:25Photography, as they call it now.
09:28I mean...
09:30You're a young, promising young man.
09:34I'm sure you'll find a much nicer job
09:37than going to Izabrović,
09:39selling some papers or whatever.
09:44Well, I do nice things in my free time,
09:49but those nice things won't bring me bread on the table,
09:52as our people would say.
09:54You have to make a living.
09:56You have to make some money.
10:01I'm really sorry I can't offer you any job.
10:07You know what I can offer you?
10:10The best train in the world.
10:12Domestic.
10:14I won't refuse.
10:15You won't refuse.
10:17I don't know if you've ever been in a better train than this one.
10:25Strong, domestic.
10:27Yes, real domestic.
10:29I have a farmer from Montenegro
10:33who brought me this once every ten days.
10:37And...
10:39Let's try it.
10:40Tested.
10:41I wish you good health and to find...
10:45And to find that...
10:47nicer, paid job.
10:50Cheers.
10:55Don't cry.
10:58Come on.
11:00Cheers.
11:11How are you?
11:13I'm OK.
11:16Do you mind if we leave the house?
11:20Yes, I do.
11:22It's better than sitting by the kitchen and staring at the wall.
11:26Come on, Lenka.
11:28I promise we'll solve everything together.
11:31Everything will be OK.
11:33Are you sure?
11:34Yes.
11:36You're wonderful.
11:38Thank you for being there for me.
11:40I'll tell you again.
11:41Everything will be OK.
11:42Everything will be as it should be.
11:44And Lula will get a brother or sister.
11:47I promise.
11:48I hope so.
11:51For better times.
11:53For better times.
11:57We'll talk later.
11:59It looks like the party is about to start.
12:18Cheers.
12:20Cheers.
12:23Cheers.
12:25We're glad to be here.
12:27Thank you for coming.
12:29You're welcome.
12:30Tell me how was your trip and where did you stay?
12:33We have our own place in Belgrade.
12:35We want to feel at home in the places we love.
12:39And Belgrade is such a place.
12:41That's nice.
12:42I'm glad.
12:43It's better than sleeping in some hotels.
12:45That's what we think.
12:47Let's get down to business.
12:50Go ahead.
12:51But I have to admit that we were very happy.
12:55Your invitation surprised us.
12:57But you came.
12:59Yes, we came because we're business people.
13:02Yes.
13:03I heard from Aleksa Ožegović that you're interested in
13:08entering the owner's structure of the Don magazine.
13:11That's right.
13:13Why didn't you invite me or my husband first?
13:19That's my personal decision.
13:22I'm trying to work with Aleksa.
13:24It has nothing to do with you two.
13:26But since we're here, I'm interested in what you have to say.
13:30I have to remind you that we didn't want to offend you.
13:34No, I didn't offend you.
13:36It's just business.
13:38I'm glad you think that way.
13:40Let's get back to the main topic.
13:43I'm not sure if it's possible to enter the owner's structure of our company.
13:49But, as always, I'm open for discussion.
13:53And I have a proposal for you.
14:10Hi.
14:11Hi.
14:12How are you?
14:13Huh?
14:14How are you?
14:15The gig was great.
14:16It was great.
14:17Yes, it was.
14:18Yes, it was.
14:19Yes.
14:20Mitro!
14:21Huh?
14:22Mitro!
14:23What is it?
14:24What is it?
14:25What happened?
14:26Do you see what this looks like?
14:27Do you see it?
14:28What do you mean?
14:29I don't know.
14:30It totally fell.
14:31Fell?
14:32Fell.
14:33Well, you go and lift it up.
14:34Go.
14:35Go.
14:36Go.
14:37Go.
14:38Go.
14:39Go and lift it up.
14:40Go.
14:41Go.
14:46Get up already.
14:47What happened?
14:48Nothing.
14:49I'm not doing anything today.
14:50You're not doing anything today, right?
14:51What do you know about this?
14:52You're not in the service?
14:53I'm not.
14:56Young lady, what are you drinking?
14:58Gin and tonic, please.
14:59Gin and tonic, please.
15:00Excuse me, it seems like we met somewhere.
15:03I can't remember where, but we met somewhere.
15:06Really?
15:07Really, really.
15:08I don't know where I saw you.
15:11I don't know where.
15:13Maybe it was in my dream.
15:15Shut up.
15:17I'm kidding. I think I know where it was.
15:20It was on the first issue of Don magazine.
15:24Yes, I was the host there.
15:27Yes, you were phenomenal, gorgeous, elegant, charming.
15:31I remember everything.
15:35Gin and tonic.
15:38Hey, hi.
15:51What do you mean?
15:54I saw something really suspicious.
15:58I was at Sara Berger's office, waiting for her.
16:01Two men came out of the office.
16:05Two men.
16:07Maybe it was a gay couple on therapy.
16:11Gabriela, I'm begging you.
16:13Those two were definitely not in love,
16:15and they were even less patient, I think I know.
16:19Okay, and?
16:21When I entered Sara's office,
16:23I saw something even stranger.
16:25You want to tell me what?
16:27On her laptop screen was a picture of Andrija.
16:31A picture of Andrija.
16:33A picture of Andrija Bošnjak.
16:36Yes, that's what I'm talking about.
16:38Yes, a picture of Andrija Bošnjak.
16:40Okay, so what was it?
16:43I asked her what it was,
16:45and she told me she was surfing.
16:47How could she surf when those two just came out of the office?
16:50Isn't that strange?
16:52Wait, I'm lost. Mom, let's go from the beginning.
16:54I didn't understand anything.
16:56Are you listening to me?
16:58I entered Sara Berger's office.
17:00On her laptop screen was a picture of Andrija Bošnjak.
17:04When I asked her what it was,
17:06she told me she was surfing.
17:10How could she surf when those two just came out of the office?
17:30Hope for a destination
17:47Olga, this is for you.
17:49What is it?
17:51Champagne. It was sent by the gentleman in the corner.
18:00What is it?
18:02Champagne. It was sent by the gentleman in the corner.
18:06Please explain.
18:08I can tell you right now, and Aleksa will tell you,
18:12that there is no sale of the company's shares.
18:16Of course, we are interested in cooperating with you.
18:21Why is Aleksa not in this meeting?
18:24We work as a team in our magazine,
18:26and everything I say in mine, I say in his name.
18:28Is it?
18:30Yes, believe me, it is.
18:32Okay, what is your proposal?
18:34The proposal is to start a cooperation with your sponsorship.
18:40And then, if it goes well,
18:42maybe we can talk about some other possibilities.
18:45And that is much different from our offer.
18:49Yes, it is.
18:51What do you think?
18:53We are interested in entering the Serbian market.
18:57My proposal is that we buy a smaller part of your shares.
19:02A few percent.
19:04We are not interested at the moment.
19:07We would pay you very well.
19:10We want to enter the business at the beginning.
19:13We expect great success.
19:15We want to enter the business at the beginning.
19:18We expect great success.
19:19We want to enter the business at the beginning.
19:21We expect great success.
19:23And I suppose that in this phase of development,
19:27you would be welcome to capitalization.
19:30You did not answer my question about sponsorship.
19:33Yes or no?
19:35Maybe we should agree on that
19:38as the first step in establishing trust?
19:44Yes, I agree with the church.
19:46I agree with the church.
19:48In that name, I congratulate you,
19:50in the hope that we will create a cooperation.
19:53And we all hope so.
19:55Cheers!
20:07What can I do for you, Olga?
20:10Thank you very much, sir, and come back to Spain.
20:13I will, I will.
20:15Excuse me, who is this man?
20:18He is sitting down there.
20:20He is a gentleman, very gallant.
20:22He always leaves a lot of money.
20:24Interesting.
20:26He was there the first time you played.
20:29So, he is a fan of yours?
20:31Yes, he is a big fan of mine.
20:33He greeted me a lot and congratulated me.
20:35Ok, listen to me now.
20:37Go and return that champagne to him
20:40and tell him that the lady is here with her partner,
20:42who happens to be a member of the band.
20:45And that the fact that she is a singer
20:47does not mean that anyone can
20:49mistreat her in this way, you know?
20:51I know, I know.
20:53I'm sorry, don't kill the speaker.
20:55Don't take it to heart, I'm sorry.
20:58What did you say?
21:00I said something wrong, what?
21:13So, you think that Sarah Berger is up to something?
21:17Maybe it's nothing.
21:19I'm not 100% sure.
21:22Ok, was Andrija Bošnik in the picture or not?
21:25He was.
21:27And you're sure?
21:28I'm sure.
21:30But you're not 100% sure.
21:32Ok, what's bothering you?
21:34Isn't all of this a bit crazy?
21:36Yes, yes, yes, it's crazy, really.
21:39It was suspicious.
21:41Both of them.
21:43And her reaction.
21:45As soon as I came in,
21:47it seemed to me that Sarah was up to something.
21:49When she saw that I was looking at the picture,
21:51you know how quickly she put me on the laptop?
21:53And when you told me about Andrija Bošnik,
21:56I somehow brought it into the picture.
22:00And those two that you keep mentioning,
22:03are you sure they weren't patients?
22:05Gabriela, look at me.
22:07You know me well.
22:09I was in the hospital for three years.
22:11At least I can tell you who's a patient and who's not.
22:13Those two definitely weren't patients.
22:16Then who are they?
22:18One of them is a suspicious guy in a suit,
22:21with that hairstyle.
22:23God forbid.
22:25And the other is a man with a beard,
22:27a bit more relaxed and dressed,
22:29like you say, a hipster.
22:31You always have a nose for intrigue.
22:33Interesting.
22:35I don't know, thank you.
22:37I'll take it as a compliment.
22:40Okay, don't ask anything about this Sara.
22:45How can I ask her?
22:47Where can I find the space for such a question?
22:49Yes, yes, yes.
22:51It's good that you told me this.
22:53I mean, I'll see what I can do with that information.
22:55You're not going to go to Sara's to attack her?
22:58She should refuse our orders.
23:00Are you crazy?
23:02Okay, Mom, I won't.
23:04I'm not crazy.
23:06I won't go, I won't threaten us.
23:07I'll do something.
23:09I'll solve this.
23:11Come on.
23:13You have a hundred bucks, but you're not stupid.
23:18I'll take it as a compliment.
23:20It is a compliment.
23:35I asked you something.
23:37I didn't say anything.
23:39I don't know what you're asking me.
23:41You didn't say anything.
23:43Let me see how you're looking at me.
23:45I'm looking at you, Ivan.
23:47It's like you've never played in a club.
23:49Do you know what the audience is like?
23:51There are so many of them.
23:53What's wrong with you?
23:55You're really overdoing it.
23:57Let's continue the evening peacefully, as it should be.
23:59Okay, but you'll admit that the whole affair
24:01with the champagne was true?
24:03It wasn't true at all.
24:04I'm sorry.
24:06I shouldn't have gone there.
24:08Please, calm down.
24:10Anyway, let's go home.
24:12We didn't come here to hang out,
24:14but to perform.
24:16Hanging out is a part of the performance,
24:18and you know that one can't go without the other.
24:20Hey.
24:22Is everything okay?
24:24Yes, yes, yes.
24:26We just wanted to congratulate you.
24:28It was really beautiful.
24:32Thank you for coming.
24:34See you.
24:36Bye.
24:38See you.
24:40Bye.
24:42What?
25:05Here.
25:07Be careful, it's hot.
25:12Where's Marijana?
25:14She didn't come today.
25:16Why?
25:18Well, she made a...
25:20scandal, by the way.
25:22Scandal?
25:24What scandal?
25:26She came drunk and insulted us.
25:28Marijana?
25:29Yes.
25:31She said that we are rich people
25:33who don't understand her problems.
25:35Oh, God.
25:37I mean, Ivan tried to convince her
25:39to go home,
25:41but she's starting to get mad.
25:43So I don't know if she'll show up here again.
25:45Why would she do that?
25:47I mean, really, what's going on with her?
25:49A lot is going on with her, believe me.
25:51She has financial and love problems.
25:53She really has everything
25:55on her shoulders.
25:57She has debts in the bank,
25:59and she's being harassed by perpetrators.
26:01She's just hiding the truth.
26:03How can you say that, Aleksa?
26:05It's not like that.
26:07It's not.
26:09Girls don't go to work during this period.
26:11And you could have helped her,
26:13just because you wanted to.
26:15I could have helped her?
26:17Yes, she asked you for a job in Cannes Capital
26:19or in a magazine, as far as I remember.
26:21Well, if there was a job, I would have hired her.
26:23We've already talked about it.
26:25First of all, girls need financial help.
26:30Sit down and eat with us, please.
26:32No, I'll eat in my room.
26:34All right, then.
26:44Yes?
26:46Good afternoon.
26:48I would like to speak to Mrs. Olga Ožegović.
26:50This is for her.
26:52I'll take care of it.
26:54Yes, yes, great.
26:56Just sign here, please.
27:01Great, thank you very much.
27:03Have a nice day. Goodbye.
27:05Goodbye.
27:27Hello.
27:43Good afternoon.
27:46I'm sorry for last night.
27:49Marijana,
27:51are you aware of what you've done?
27:53Of course I am.
27:55And you have a right to show up here, right?
28:00It was very hard for me to come.
28:02I'm ashamed.
28:04You're ashamed?
28:06Well, I'd be ashamed, too.
28:08I'd be ashamed to behave the way you behave, you know?
28:10I'm sorry, please.
28:12Ivan, I'm really sorry.
28:14Yes, yes, yes, yes.
28:16I'd be ashamed to talk about the awful things
28:18you've done to me and Olga.
28:20But I'm going through a very difficult period.
28:22Please understand, I'm not well at all.
28:24You're going through a difficult period.
28:26Well, I'm going through a difficult period,
28:28so I can't drink alcohol like you.
28:30I'm very sorry.
28:32I'm sorry.
28:34What? You're sorry? Yes, yes, of course.
28:36I'm sorry, please, it won't happen again.
28:38It really won't.
28:40But it wasn't me.
28:42I was drunk, I drank.
28:44I can't drink because I'm a healthy alcoholic, you know?
28:46Explain it to me.
28:48I'm ashamed, I'm very ashamed.
28:50What does it mean to be a healthy alcoholic?
28:52Well, I know, I'm a healthy alcoholic,
28:54but I'm an idiot.
28:56Hey, hey, hey, guys, guys, what's going on?
28:58Come on, man.
29:00What's going on?
29:02I'm sorry, I'm to blame for everything.
29:04I'm sorry, I don't know what to do anymore.
29:06I'm sorry, please.
29:08Easy, easy.
29:10Come on, please, let's continue.
29:12At least I have to try.
29:14Where was I?
29:16Come on.
29:24I'm sorry.
29:31I'm sorry.
29:33No, no, hey, hey, don't.
29:35I'm sorry.
29:37Lio, Lio, I know it's me.
29:39I'm sorry.
29:41No, no, no!
29:43Sit down!
29:45Sit in my place!
29:47Sit, take my life, you can live it.
29:49You'll know better than I do.
29:51Take all these houses in your hands,
29:52Do all the things I have to do!
29:55Come on, Bogat!
29:56I'm like the air you're passing through.
30:00So sit down!
30:02Kajol, how are you?
30:06Standard.
30:08And you?
30:09We're also standard.
30:11Fantastic!
30:13I'm sorry you didn't go with us to Maldives.
30:16It was very nice.
30:18Yeah, you see?
30:20It was very nice.
30:23But are you sure you're talking about Maldives and the performance?
30:26Yes, of course!
30:28Olga sings wonderfully.
30:29She can somehow hit you in the soul.
30:33Yes, that's true.
30:35Olga sings like Slavuj.
30:38And better.
30:39Like Accio.
30:41Yes, it was very emotional.
30:44And not just because of the music.
30:46But?
30:48But because of Ivan and Olga and their love story.
30:53It's a combination of melodrama, drama and rom-com.
31:01Okay, I've heard that before.
31:03I know you have.
31:05But since you don't want to tell your story,
31:07you want to lie and you don't want to be honest,
31:09you have to listen to whatever I say until I change my mind.
31:13Is that clear?
31:14La, la, la.
31:15Like Schwab, tra, la, la.
31:16La, la, la, la, la.
31:21Kajo?
31:26How are you, Kajo?
31:30I don't know.
31:31This school reminds me a lot of Mileta.
31:47I'm really sorry.
31:50I'm to blame for everything.
31:52What's happening, Marijana? What happened?
31:54Everything is happening, Aleks.
31:56My life is falling apart.
31:58Nothing is going as it should.
31:59I have no luck at work.
32:00I have no luck in love.
32:02Everything is falling apart.
32:06And you could have helped me.
32:08That's Marijana.
32:10You know I was a TV director.
32:12I was a manager of a business club.
32:13I have qualifications.
32:15That's Marijana, but it's not about qualifications.
32:17We've talked about this a hundred times.
32:19Then what is it about?
32:20It's about the fact that there was simply no time to hire you.
32:23There really wasn't a moment.
32:25For me, there's never a moment.
32:26For others, there is. Is that right?
32:27Marijana, it's not...
32:29In your papers, there are some people who have less experience
32:32and are less capable than me.
32:34Who are you thinking of?
32:37It doesn't matter who I'm thinking of.
32:39But it's true.
32:43Olga told me that you have some financial problems.
32:48I do.
32:50Problems with the executors?
32:52Yes, they threaten me.
32:53I think they'll take my apartment.
32:55No one will take your apartment.
32:57I'm sure you'll find a solution.
32:58Don't worry.
33:01Just tell me, am I released now?
33:03So I know, or...
33:04You're not. Of course you're not released.
33:06And I'll see if I can help you in any way.
33:14Go and wash up.
33:15Get some rest.
33:16Everything will be okay.
33:18We'll figure something out.
33:26He always made me coffee in this mug.
33:29And when I don't have this mug,
33:31and the coffee isn't in it...
33:33Believe me, coffee doesn't taste the same.
33:35Oh, my Kayo.
33:37I can imagine how hard it is for you.
33:39You can't.
33:40Come on, tell us how you feel.
33:43Let's get it out of you.
33:58Hey.
34:00I'm just telling you about Marijana.
34:01I heard you talking to her.
34:03I think it was a little too much.
34:05It shouldn't have been like that.
34:08Oh, what's that?
34:21Hey.
34:23Hey.
34:24What's up?
34:27Nothing. I'm trying to work, but I can't seem to do anything.
34:30Uh-huh.
34:33Okay.
34:34I see you're alone.
34:36Where is that Vitomir?
34:48If I could get some brandy, I would sing here.
34:52I would go crazy.
34:54What does that mean?
34:56They don't let you eat, man.
34:59Why did you even come here?
35:01I'm so embarrassed.
35:05What kind of people are they?
35:17Okay, but I feel terrible.
35:21Why do you feel terrible?
35:23What happened? What's the problem?
35:25I don't know.
35:35Thank you for coming.
35:37It's good that we found each other so quickly.
35:39I have to tell you that I was surprised by your invitation.
35:42Why couldn't we do this in the office?
35:45It was important that we meet in person.
35:47I mean, I wouldn't call you if I didn't think this was serious.
35:59How are you?
36:01Good, you?
36:02Not bad, not bad.
36:04Did you see that, Stevan?
36:06What?
36:07That in his hand.
36:08Oh, he's writing something.
36:10It doesn't matter.
36:12Look at him, he's become a journalist.
36:14Congratulations, Stevan, congratulations.
36:28Hey, Marijana.
36:29Hey.
36:31I changed my mind.
36:35Do you really want to be a journalist?
36:42Come on, get yourself together.
36:45Give yourself some space.
36:47Take some time.
36:49And then you'll say it.